ISSUE 47 | Feb 2019 COMEDY, LITERATURE & FILM in STROUD
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Dj Shadow Return of the Master Beats Craftsman
SUMMER 2017 FREE ISSUE 31 DJ SHADOW RETURN OF THE MASTER BEATS CRAFTSMAN INSIDE: KRAFTWERK, SLOWDIVE, SAM LEE, BRICKWORK LIZARDS FESTIVAL REVIEWS: SEAN PAUL, PETE TONG IBIZA CLASSICS, RAG ‘N’ BONE MAN, THE MAGIC NUMBERS, DISCO SHED & MORE OMS31 MUSIC NEWS There’s a history of multi – venue metro festivals in Cowley Road with Truck’s OX4 and then Gathering setting the pace. Well now Future Perfect have taken up the baton with Ritual Union on Saturday October 21. Venues are the O2 Academy 1 and 2, The Library, The Bullingdon and Truck Store. The first stage of acts announced includes Peace, Toy, Pinkshinyultrablast, Flamingods, Low Island, Dead Reborn local heroes Ride are sounding in fine stage Pretties, Her’s, August List and Candy Says with DJ fettle judging by their appearance at the 6 Music sets from the Drowned in Sound team. Tickets are Festival in Glasgow. The former Creation shoegaze £25 in advance. trailblazers play the New Theatre, Oxford on July 10, having already appeared at Glastonbury, their The Jericho Tavern in Walton Street have a new first local show in many years. They have also promoter to run their upstairs gigs. Heavy Pop announced a major UK tour. The eagerly awaited are well – known in Reading having run the Are new album, the Erol Alkan produced Weather Diaries You Listening? festival there for 5 years. Already is just released. (See our album review in the Local confirmed are an appearance from Tom Williams Releases section). Tickets for New Theatre gig with (formerly of The Boat) on September 16 and Original Spectres supporting, can be bought from Rabbit Foot Spasm Band on October 13 with atgtickets.com Peerless Pirates and Other Dramas. -
Easter Eggs: a Narrative Chronology
EASTER EGGS: A NARRATIVE CHRONOLOGY Adrienne Edwards and Thomas J. Lax Collaboration is a touchstone for Ralph, who has turned family members into participants and made lifelong artistic affiliations with strangers. As a young girl, Chelsea Lemon Fetzer, the artist’s daughter and one of his first collaborators, remembers methodically taking a bite out of dozens of apples used as props in his Wanda in the Awkward Age, of 1982. Twenty years later, her video documents of his Living Room Dances—in which Lemon cold called the oldest living descendants of blues musicians, showing up to dance in their living rooms and record their reactions—are fruits of an exercise in supreme observation. Under the auspices of the Ralph Lemon Company, founded in 1985 and dissolved in 1995, and of Cross Performance, Inc., founded in 1995 with the support of Ann Rosenthal and MAPP International Productions, Ralph has worked with movement artists and storytellers across the places he has traveled and then stayed: Minneapolis; New York; Port-au-Prince, Haiti; Abidjan, Côte d’Ivoire; Accra, Ghana; Nrityagram, India; Nagoya, Japan; Kunming, China; Little Yazoo, Mississippi; and many more. It seemed only fitting that the story of Ralph’s work be narrated by those whose words, gestures, and likenesses have helped to make it. What follows is a roughly chronological, wholly partial account of Ralph’s forty years of art making, compiled through in-person, telephone, and email conversations conducted on the occasion of this publication. It is an imitation of Ralph’s work, which, as Kathy Halbreich told us, always walks that very fine line between the carefully crafted and the amateur, engaging muscle knowledge so sedimented it looks untaught. -
A History of Indian Music by the Same Author
68253 > OUP 880 5-8-74 10,000 . OSMANIA UNIVERSITY LIBRARY Call No.' poa U Accession No. Author'P OU H Title H; This bookok should bHeturned on or befoAbefoifc the marked * ^^k^t' below, nfro . ] A HISTORY OF INDIAN MUSIC BY THE SAME AUTHOR On Music : 1. Historical Development of Indian Music (Awarded the Rabindra Prize in 1960). 2. Bharatiya Sangiter Itihasa (Sanglta O Samskriti), Vols. I & II. (Awarded the Stisir Memorial Prize In 1958). 3. Raga O Rupa (Melody and Form), Vols. I & II. 4. Dhrupada-mala (with Notations). 5. Sangite Rabindranath. 6. Sangita-sarasamgraha by Ghanashyama Narahari (edited). 7. Historical Study of Indian Music ( ....in the press). On Philosophy : 1. Philosophy of Progress and Perfection. (A Comparative Study) 2. Philosophy of the World and the Absolute. 3. Abhedananda-darshana. 4. Tirtharenu. Other Books : 1. Mana O Manusha. 2. Sri Durga (An Iconographical Study). 3. Christ the Saviour. u PQ O o VM o Si < |o l "" c 13 o U 'ij 15 1 I "S S 4-> > >-J 3 'C (J o I A HISTORY OF INDIAN MUSIC' b SWAMI PRAJNANANANDA VOLUME ONE ( Ancient Period ) RAMAKRISHNA VEDANTA MATH CALCUTTA : INDIA. Published by Swaxni Adytaanda Ramakrishna Vedanta Math, Calcutta-6. First Published in May, 1963 All Rights Reserved by Ramakrishna Vedanta Math, Calcutta. Printed by Benoy Ratan Sinha at Bharati Printing Works, 141, Vivekananda Road, Calcutta-6. Plates printed by Messrs. Bengal Autotype Co. Private Ltd. Cornwallis Street, Calcutta. DEDICATED TO SWAMI VIVEKANANDA AND HIS SPIRITUAL BROTHER SWAMI ABHEDANANDA PREFACE Before attempting to write an elaborate history of Indian Music, I had a mind to write a concise one for the students. -
Louder Than War Favourites
Albums of the Year 2018 : The Top 25 Ged Babey 9 December, 2018 As voted for by 30 of our writers, here are the Top 25 Albums of 2018. The Number One received more than twice the votes as the second place. The next ten were hotly contested with the narrowest of margins, and the rest got the same number of votes -so are in random order to be frank. But… Every one is a winner! 2018 was a great year for music and the Number 1 is no surprise… ONE IDLES Joy As An Act of Resistance (Partisan) Punk Rock reinvented and not wearing a mask of masculinity or yoke of tradition, but a wicked smile and its broken heart exposed but still beating in its chest. Punk rock which instead of calling for Anarchy and saying I Don’t Care is shouting UNITY! and LOVE IS ALL. Reviewed here by Ged Babey IDLES - DANNY NEDELKO TWO The Blinders Columbia (Modern Sky) This power trio, this band of very modern troubadours, this enlightened youth, deliver an album so explosive, so perfect, it defies any attempt at categorisation. There are odd time signatures, indefinite song structures but the tracks ebb and flow beautifully. Columbia as an album is a single piece of art as a concept. Listen, track by track, join up the dots, get the message loud and clear – England is indeed dreaming. Reviewed here by Nigel Carr The Blinders - L’etat C’est Moi [Music Video] THREE ILL : We Are ILL (Box Records) All-woman five-piece… currently based in Manchester, who highlight that quality music does not have to mean an emulation of that which has gone before. -
The Embassy Theatre Gets
PROJECT BALLET ACADEMIC CONSERVATORY things to do World class. Nationwide impact. Right here in Fort Wayne. pg12-13 285 in the area CALENDARS START ON PAGE 10 Jan. 24-30, 2019 FREE WHAT THERE IS TO DO IN FORT WAYNE AND BEYOND THE EMBASSY TONY AWARD- THEATRE GETS WINNING KINKY BOOTS STEPS INTO TOWN. KINKY PAGES 8-9 ALSO INSIDE: LOCAL MUSIC COVERAGE INCLUDES STRANGE WATERS, KEVIN HAMBRICK, AND ALICIA PYLE whatzup.com Inside This Week Volume 23, Number 26 4The Harlem TRADE UP Globetrotters in 2019 5 Make Your Old Gear New Jefferson We will help you sell your Starship gear on consignment or trade it in on the spot for in-store credit 6Kinky Boots 8New Clyde executive director 12Project Ballet Columns & Reviews Calendars Spins ⁄ 9 Picks ⁄ 16 Music/On the Road ⁄ 10-11 Visit the Gear Exchange today! Kevin Hambrick, Stephen Pearcy Bizet’s Carmen with The Fort Wayne Philharmonic and Chorus, Road Trips ⁄ 11 Backtracks ⁄ 9 Tuck Everlasting with Fire & Light Live Music & Comedy ⁄ 15-18 The Frost, Frost Music (1969) Productions Stage & Dance ⁄ 21 Road Notes ⁄ 10-11 Reel Views ⁄ 19 The Who answer yes to tour, new Glass: Shyamalan flips comic book Things To Do ⁄ 22 album formula Art & Exhibits ⁄ 23 Out and About ⁄ 14 Screen Time ⁄ 20 Hit the tropics with local surf rock Glass hits ceiling; The Upside still up 5501 US Hwy 30 W quartet Fort Wayne, IN 46818 JANUARY 24-30, 2019 WHATZUP 3 How to reach us Family fun from basketball court jesters Whatzup LLC 5501 U.S. Highway 30 West Fort Wayne, IN 46818 Globetrotters Phone: (260) 407-3198 Fax: (260) 469-1027 dribble their way [email protected] whatzup.com to the Coliseum facebook.com/whatzupftwayne instagram.com/whatzupftwayne BY HEATHER HERRON twitter.com/whatzupftwayne WHATZUP FEATURES WRITER Publisher It’s a life Chandler “Bulldog” Mack Gerson Rosenbloom could only dream of when growing up in Huntsville, Ala. -
Dancing Into the Chthulucene: Sensuous Ecological Activism In
Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kelly Perl Klein Graduate Program in Dance Studies The Ohio State University 2019 Dissertation Dr. Harmony Bench, Advisor Dr. Ann Cooper Albright Dr. Hannah Kosstrin Dr. Mytheli Sreenivas Copyrighted by Kelly Perl Klein 2019 2 Abstract This dissertation centers sensuous movement-based performance and practice as particularly powerful modes of activism toward sustainability and multi-species justice in the early decades of the 21st century. Proposing a model of “sensuous ecological activism,” the author elucidates the sensual components of feminist philosopher and biologist Donna Haraway’s (2016) concept of the Chthulucene, articulating how sensuous movement performance and practice interpellate Chthonic subjectivities. The dissertation explores the possibilities and limits of performances of vulnerability, experiences of interconnection, practices of sensitization, and embodied practices of radical inclusion as forms of activism in the context of contemporary neoliberal capitalism and competitive individualism. Two theatrical dance works and two communities of practice from India and the US are considered in relationship to neoliberal shifts in global economic policy that began in the late 1970s. The author analyzes the dance work The Dammed (2013) by the Darpana Academy for Performing Arts in Ahmedabad, -
SLAP Supporting Local Arts & Performers
Issue 41 SLAP Supporting Local Arts & Performers Fuel presents Fiction Conceived by David Rosenberg and Glen Neath Written by Glen Neath Directed by David Rosenberg Music & Sound by Ben & Max Ringham 14 October, 7 & 9pm Fuel Ticket Offers Buy one ticket to a Fuel show Malvern Theatres & get the second half price! Quote the code FUELHALF. Grange Road, Malvern WR14 3HB Come to all three shows & get one Tickets: £16/14/£8 show free. Quote the code FUELFREE. 01684 892277 Offers can only be used when booking by telephone or in person, malvern-theatres.co.uk subject to availability. fueltheatre.com Fiction, commissioned by the Cambridge Festival of Ideas, Cambridge Junction and Bournemouth Arts by the Sea Festival. Funded by Arts Council England and a Wellcome Trust Arts Award. New Theatre In Your Neighbourhood is funded by Arts Council England and the Esmée Fairbairn Foundation. Welcome to the October issue of SLAP Magazine which marks the end of a glorious summer of festivals for us. In fact I write my editorial from the Forest of Dean, home to the wonderful Something else in the Dean festival - sadly the last of the season. We take a snapshot view of this years hugely successful Worcester Music Festival with Andy O’Hare, surely the busiest man of the whole weekend. Talking of snapshots, we bring you the judges top three from the WMF photo Oct 2014 competition. If you’re quick you can see all 25 finalists on display at the Arts Workshop until Saturday 5th October following the presentation which took place as we went to press. -
University of Movement Giving the Body Credit on Today’S Campuses
MOVEMENT MENU: Fresh Events at MovingArtsNetwork.com CONSCIOUS #6 SPRING 2009 FREE movement for a better world DANCER Soul Motion Inner-Activating with Vinn Martí Shiva Rea, UCLA graduate, transforms the learning curve. University of Movement GIVIng THE BODY CREDIT ON TODAY’S CAMPUSES PLUS AQua MantRA Lyric of Laban DIVING Into DIGItaL Decoding the DNA of Dance UPLIFTING TRendS 10 Shiva Rea shapes a perfect Natarajasana at the Devi Temple in Chidambaram, India. 16 14 5 MENTOR Lyric of Laban Rudolf Laban created a system for mapping movement that is still in use today. Ahead of FEATURES his time in the early 20th century, he created a poetic language of science and motion. 7 WARMUPS 10 Minister of Soul • Recession-proof Trendspotting Departments Diving into the mystery of the present moment • Let Your Moves Be Your Music with Vinn Martí. Editor Mark Metz shares a day of • Debbie Rosas: The Body’s Business movement with the founder of Soul Motion. • Disco Revival Saves Lives 20 VITALITY Drink Up! 14 Laura Cirolia follows her intuition to discover Dance, Dance, Education natural truths about the water we drink and why The convergence of mind and body is good news proper hydration is so important. IN D in the world of academia. 23 SOUNDS Diving into Digital ON PU R 14 In higher education, the buzzword is embodiment. Eric Monkhouse demystifies the digital options facing DJs today and provides helpful tips for EWIJK / New curricula embrace the body at interdisciplinary D O L institutions around the country. performing live with a laptop. -
The Evolution of Sacred Dance in the Judeo-Christian Tradition
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Religion 1967 The Evolution of Sacred Dance in the Judeo-Christian Tradition Jade Luerssen '67 Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/religion_honproj Part of the Philosophy Commons, and the Religion Commons Recommended Citation Luerssen '67, Jade, "The Evolution of Sacred Dance in the Judeo-Christian Tradition" (1967). Honors Projects. 20. https://digitalcommons.iwu.edu/religion_honproj/20 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. THE EVOLUTION OF SACRED DANCE / IN THE JUDEO-CHRISTIAN TRADITION BY JADE LUERSSEN /} Submitted for Honors Work In the Department of Religion-Philosophy Illinois \vesleyan University Bloomington, Illinois I,,"......I.1no, i \", - S '8Sic:;:'an U�iv. Libraries Bloom1n�t�n T1l �'N�� Accepted by then Department of Religion- Philosophy of Illinois Wesleyan University in fulfillment of the requirement for departmental honors. / ��� £,{j)g� Pro ject Advisor Illinois Wesleyan Unlv. Libraries Bloominut.on Tll �1?A' TABLE OF CONTENTS I. -
Sacred Dance As a Spiritual Practice
SACRED DANCE AS A SPIRITUAL PRACTICE A Sacred Dance Guild “Dancing The Sacred, Moving The World” EDUCATIONAL HANDOUT 2013 www.sacreddanceguild.org by JoyBeth Lufty “drjoy” www.soulintegrators.com It turns out that dance is the oldest form of prayer, or direct connection to The Divine”, yet in modern times most people think about sacred dance as being either the dancer or the viewer of the dancer in a performance piece. However, dancing the sacred as a form of individual regular spiritual practice is very powerful and naturally incorporates the “usual” daily spiritual tools of working with breath and our energy systems, focused awareness and meditation, physical movement, and vocalizations such as chanting and singing. Sacred Dance as a daily or regular practice provides a holistic workout of body, mind and spirit. It can be designed uniquely for your own religious or spiritual orientations, your physical and mental capabilities, and the space or environment you have available for the practice of SACRED DANCE. It can take as long or as short a time that fits your needs as a whole, merely requiring clothes and space you can move in and music you can dance to which connects you rhythmically and emotionally to the Divine Source. At its simplest, there are three movement periods necessary: the warm up, the dance itself, and the cool down. The choices within those movement periods can vary as much as we all do physically and take us down just one path or all the way through the variety of paths that lead to direct connection and oneness of spirit. -
The New Culture Industry Tracing Democratization, Cultural Pluralism, and a New ‘Stillness’ in Modern Music
Savoy 1 The New Culture Industry Tracing democratization, cultural pluralism, and a new ‘stillness’ in modern music Augie Savoy Professor Jennifer Friedlander 9/28/20 Savoy 2 PREFACE In this country, it’s very hard for creative thought to escape capitalism. —Juan Atkins I have the impression that many of the elements that are supposed to provide access to music actually impoverish our relationship with it. —Michel Foucault As a listener, my earliest memory of music is hearing Michael Jackson’s Off the Wall on a portable CD player when I went to pre-school in Norway. Because my family had recently moved there, I had no experience speaking Norwegian and, until I figured it out, my parents thought I could listen to music to pass the time. For better or worse, it did far more than that. It started my love affair with music. On the surface, Off the Wall was straight to the point, ener- getic, and loud. As I replayed it, I realized that I could stick my head into the production and hear all the small details. The drums were rigid and robotic. The bass was relaxed and fluid. Michael Jackson’s voice was elastic, traveling across an entire emotional spectrum from tender to harsh. The production felt like a spectrum of different faces and characters. It was the storytelling and humanness of the record that made it compelling. It turned an uneventful day in pre-school, sur- rounded by kids I couldn’t understand, into a cinematic piece of art. Like Michael Jackson’s legacy, however, my relationship to music has become more complicated as I’ve gotten older. -
Mr Angry, Still Angry Keith Talks to Billie Davis Jeff
August 2017 98 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Raye Duval, TFTW Heritage Show 10, The Borderline 2015 © Paul Harris Mr Angry, still angry Keith talks to Billie Davis Jeff Two-Tone Boogie says “Hi” We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 The original Holy Batman’s dying Promotion! Now’s my wish was to: chance! “ HOLD THE THIRD PAGE! ” Hi Gang, Welcome to the mid-summer edition of Tales From The Woods magazine. Now if the advert above does not press all the right buttons, I guess you’re reading the wrong publication, subscribing to the wrong organization. This promises to be one hell of a show, another landmark in the making, I can feel it in my gut folks. I have spoken to all artists over these last few weeks at the time of typing, and they are really up for it, I mean really raring to go. As you can see we are returning to the 100 Club after a break of a few years. Unfortunately we have decided to leave the Borderline, as I truly feel the ambience of the refurbished venue is unsuitable for our type of show. I must point out before any cries of disloyalty towards the 100 Club for leaving that venue for the Borderline, it was purely that at the time the veteran Oxford Street establishment was under threat. It was suggested by the management that we move our event to a temporary home whilst the problems were in the process of being sorted out.