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Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
The Effects of Background Music on Video Game Play Performance, Behavior and Experience in Extraverts and Introverts
THE EFFECTS OF BACKGROUND MUSIC ON VIDEO GAME PLAY PERFORMANCE, BEHAVIOR AND EXPERIENCE IN EXTRAVERTS AND INTROVERTS A Thesis Presented to The Academic Faculty By Laura Levy In Partial Fulfillment Of the Requirements for the Degree Master of Science in Psychology in the School of Psychology Georgia Institute of Technology December 2015 Copyright © Laura Levy 2015 THE EFFECTS OF BACKGROUND MUSIC ON VIDEO GAME PLAY PERFORMANCE, BEHAVIOR, AND EXPERIENCE IN EXTRAVERTS AND INTROVERTS Approved by: Dr. Richard Catrambone Advisor School of Psychology Georgia Institute of Technology Dr. Bruce Walker School of Psychology Georgia Institute of Technology Dr. Maribeth Coleman Institute for People and Technology Georgia Institute of Technology Date Approved: 17 July 2015 ACKNOWLEDGEMENTS I wish to thank the researchers and students that made Food for Thought possible as the wonderful research tool it is today. Special thanks to Rob Solomon, whose efforts to make the game function specifically for this project made it a success. Additionally, many thanks to Rob Skipworth, whose audio engineering expertise made the soundtrack of this study sound beautifully. I express appreciation to the Interactive Media Technology Center (IMTC) for the support of this research, and to my committee for their guidance in making it possible. Finally, I wish to express gratitude to my family for their constant support and quiet bemusement for my seemingly never-ending tenure in graduate school. iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii LIST OF TABLES vii LIST OF -
Effets & Gestes En Métropole Toulousaine > Mensuel D
INTRAMUROSEffets & gestes en métropole toulousaine > Mensuel d’information culturelle / n°383 / gratuit / septembre 2013 / www.intratoulouse.com 2 THIERRY SUC & RAPAS /BIENVENUE CHEZ MOI présentent CALOGERO STANISLAS KAREN BRUNON ELSA FOURLON PHILLIPE UMINSKI Éditorial > One more time V D’après une histoire originale de Marie Bastide V © D. R. l est des mystères insondables. Des com- pouvons estimer que quelques marques de portements incompréhensibles. Des gratitude peuvent être justifiées… Au lieu Ichoses pour lesquelles, arrivé à un certain de cela, c’est souvent l’ostracisme qui pré- cap de la vie, l’on aimerait trouver — à dé- domine chez certains des acteurs culturels faut de réponses — des raisons. Des atti- du cru qui se reconnaîtront. tudes à vous faire passer comme étranger en votre pays! Il faut le dire tout de même, Cependant ne généralisons pas, ce en deux décennies d’édition et de prosély- serait tomber dans la victimisation et je laisse tisme culturel, il y a de côté-ci de la Ga- cet art aux politiques de tous poils, plus ha- ronne des décideurs/acteurs qui nous biles que moi dans cet exercice. D’autant toisent quand ils ne nous méprisent pas tout plus que d’autres dans le métier, des atta- simplement : des organisateurs, des musi- ché(e)s de presse des responsables de ciens, des responsables culturels, des théâ- com’… ont bien compris l’utilité et la néces- treux, des associatifs… tout un beau monde sité d’un média tel que le nôtre, justement ni qui n’accorde aucune reconnaissance à inféodé ni soumis, ce qui lui permet une li- photo © Lisa Roze notre entreprise (au demeurant indépen- berté d’écriture et de publicité (dans le réel dante et non subventionnée). -
Art to Commerce: the Trajectory of Popular Music Criticism
Art to Commerce: The Trajectory of Popular Music Criticism Thomas Conner and Steve Jones University of Illinois at Chicago [email protected] / [email protected] Abstract This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business. In part, we believe such a shift to be due likely to increased awareness among journalists and fans of the industrial nature of popular music production, distribution and consumption, and to the disruption of the music industry that began in the late 1990s with the widespread use of the Internet for file sharing. Searching and sorting the Rock’s Backpages database of over 22,000 pieces of music journalism for keywords associated with the business, economics and commercial aspects of popular music, we found several periods during which popular music criticism’s focus on business-related concerns seemed to have increased. The article discusses possible reasons for the increases as well as methods for analyzing a large corpus of popular music criticism texts. Keywords: music journalism, popular music criticism, rock criticism, Rock’s Backpages Though scant scholarship directly addresses this subject, music journalists and bloggers have identified a trend in recent years toward commerce-specific framing when writing about artists, recording and performance. Most music journalists, according to Willoughby (2011), “are writing quasi shareholder reports that chart the movements of artists’ commercial careers” instead of artistic criticism. While there may be many reasons for such a trend, such as the Internet’s rise to prominence not only as a medium for distribution of music but also as a medium for distribution of information about music, might it be possible to discern such a trend? Our goal with the research reported here was an attempt to empirically determine whether such a trend exists and, if so, the extent to which it does. -
Roedelius Bio Engl
ROEDELIUS: JARDIN AU FOU CD and Vinyl Release date: March 27th 2009 Cat No BB23 CD 927892/LP 927891 The essentials: ► Hans-Joachim Roedelius: born 1934; first record release in 1969 with Kluster (with Dieter Moebius and Konrad Schnitzler), and active ever since as a solo artist and in various collaborations (amongst others with Moebius/Cluster, Moebius and Michael Rother/Harmonia, as well as with Brian Eno). One of the most prolific musicians of the German avant-garde and a key figure in the birth of Krautrock, synthesizer pop and ambient music. ► Jardin au Fou was first released on the French EGG label in 1979 ► produced by Peter Baumann (Tangerine Dream) ► liner notes by Asmus Tietchens ► CD features six bonus tracks: three remixes, three new tracks One of the most remarkable albums of the so-called Krautrock scene has to be Jardin au Fou by Hans-Joachim Roedelius (Cluster, Harmonia), issued in 1979. All the more noteworthy as it bore no resemblance whatsoever to what was expected of avant-garde electronica and displayed none of the typical Krautrock characteristics. Rhythm machine, sequencer and abstract sounds are conspicuous by their absence. Indeed, listeners were stunned by one of the most beautiful, charming, ethereal and peaceful albums in the history of German rock music. It was produced by Peter Baumann at his own Paragon Studios in 1978, a year after he left Tangerine Dream to concentrate on a solo career and production work. At the time, he was charged by the French label EGG with delivering three productions from the German electro/avant- garde/Krautrock cosmos. -
Praise & Worship from Moody Radio
Praise & Worship from Moody Radio 04/28/15 Tuesday 12 A (CT) Air Time (CT) Title Artist Album 12:00:10 AM Hold Me Jesus Big Daddy Weave Every Time I Breathe (2006) 12:03:59 AM Do Something Matthew West Into The Light 12:07:59 AM Wonderful Merciful Savior Selah Press On (2001) 12:12:20 AM Jesus Loves Me Chris Tomlin Love Ran Red (2014) 12:15:45 AM Crown Him With Many Crowns Michael W. Smith/Anointed I'll Lead You Home (1995) 12:21:51 AM Gloria Todd Agnew Need (2009) 12:24:36 AM Glory Phil Wickham The Ascension (2013) 12:27:47 AM Do Everything Steven Curtis Chapman Do Everything (2011) 12:31:29 AM O Love Of God Laura Story God Of Every Story (2013) 12:34:26 AM Hear My Worship Jaime Jamgochian Reason To Live (2006) 12:37:45 AM Broken Together Casting Crowns Thrive (2014) 12:42:04 AM Love Has Come Mark Schultz Come Alive (2009) 12:45:49 AM Reach Beyond Phil Stacey/Chris August Single (2015) 12:51:46 AM He Knows Your Name Denver & the Mile High Orches EP 12:55:16 AM More Than Conquerors Rend Collective The Art Of Celebration (2014) Praise & Worship from Moody Radio 04/28/15 Tuesday 1 A (CT) Air Time (CT) Title Artist Album 1:00:08 AM You Are My All In All Nichole Nordeman WOW Worship: Yellow (2003) 1:03:59 AM How Can It Be Lauren Daigle How Can It Be (2014) 1:08:12 AM Truth Calvin Nowell Start Somewhere 1:11:57 AM The One Aaron Shust Morning Rises (2013) 1:15:52 AM Great Is Thy Faithfulness Avalon Faith: A Hymns Collection (2006) 1:21:50 AM Beyond Me Toby Mac TBA (2015) 1:25:02 AM Jesus, You Are Beautiful Cece Winans Throne Room 1:29:53 AM No Turning Back Brandon Heath TBA (2015) 1:32:59 AM My God Point of Grace Steady On 1:37:28 AM Let Them See You JJ Weeks Band All Over The World (2009) 1:40:46 AM Yours Steven Curtis Chapman This Moment 1:45:28 AM Burn Bright Natalie Grant Hurricane (2013) 1:51:42 AM Indescribable Chris Tomlin Arriving (2004) 1:55:27 AM Made New Lincoln Brewster Oxygen (2014) Praise & Worship from Moody Radio 04/28/15 Tuesday 2 A (CT) Air Time (CT) Title Artist Album 2:00:09 AM Beautiful MercyMe The Generous Mr. -
Ben Haskell Gram
Volume 1,WE Issue ARE 1 A VIBRANT COMMUNITY On behalf of Trinity Christian ethical and moral leadership, your Academy (TCA), I would like to support helps make it possible for express how very grateful we are to many Cape Cod parents to provide all who pray for and support our leadership education based on school community. As I write this Christian principles for their children. letter, the school year is well underway. This first quarter was As you review this Annual bustling with activities: High School Newsletter, may it serve as a Retreat, Parent Teacher Fellowship reminder of the impact that you are Meetings, Back-to-School BBQ, Chapel having in the lives of TCA students. May it be a testimony to the Services, Middle School and High School support of TCA’s friends. Soccer, High School Girls’ Volleyball, faithfulness of God and to all those TCA was able to provide financial Parent Teacher Conferences, After who labor, volunteer, pray and aid to 36 percent of TCA’s students, School Band, Teachers’ Convention and support Trinity Christian Academy of thanks to your support. Student Cape Cod. Thank you for your our Hoop-A-Thon Fundraiser. financial aid, as well as projects and After a successful Fall Sports continued partnership in providing a wish list items to enhance our schedule, our TCA Athletic Christian education that shapes a academic, extra-curricular, and Department is gearing up for lifetime! athletic programs, have all been basketball season. The Drama Club is possible through the generosity of practicing for a fall performance of Yours for Christian 477 families, friends, organizations Anne of Green Gables and the Music Education, and alumni who have contributed to Department is rehearsing songs for the Hoop-A-Thon, Annual Appeal, Trinity’s Annual Christmas Pro- Spring Banquet and/or various Ben Haskell gram. -
M50 Voice Name List
Voice Name List Table of Contents Combination . .2 GM Drum Kit . 76 Bank A. .2 48 (GM): STANDARD . 76 Bank B. .3 49 (GM): ROOM . 77 Bank C. .4 50 (GM): POWER. 78 51 (GM): ELECTRONIC . 79 Program . .6 52 (GM): ANALOG . 80 Bank A. .6 53 (GM): JAZZ . 81 Bank B. .7 54 (GM): BRUSH . 82 Bank C. .8 55 (GM): ORCHESTRA. 83 Bank D . .9 56 (GM): SFX . 84 Bank E . 10 Bank G / g(1)…g(9) / g(d). 11 Drum Track Patterns/Preset Patterns. 86 Drum Kit . .14 Template song . 88 00 (INT): Studio Standard Kit. 14 Preset Arpeggio Patterns/User Arpeggio Patterns . 90 01 (INT): Funk Kit. 16 02 (INT): Jazz/Brush Kit . 18 Multisample. 94 03 (INT): B.Real Rap Kit . 20 ROM mono . 94 04 (INT): Acoustic Pop Kit. 22 ROM stereo . 97 05 (INT): Wild Rock Kit . 24 Drumsample . 98 06 (INT): New Processed Kit. 26 07 (INT): Electro Rock Kit . 28 ROM mono . 98 08 (INT): Insane FX Kit . 30 ROM stereo . 103 09 (INT): Nu Style Kit . 32 Demo Song. 104 10 (INT): Hip Hop Kit . 34 S000 . 104 11 (INT): Tricki kit. 36 S001 . 104 12 (INT): Mashed Kit. 38 S002 . 104 13 (INT): Drum'n'Bass Kit . 40 S003 . 104 14 (INT): House Kit . 42 Cue List . 104 15 (INT): Trance Kit . 44 16 (INT): Hard House Kit . 46 17 (INT): Psycho-Chill Kit . 48 18 (INT): Down Low Rap Kit. 50 19 (INT): Orch.-Ethnic Kit . 52 20 (INT): Original Perc . 54 21 (INT): Brazilian Perc. 56 22 (INT): Cuban Perc . -
How to Re-Shine Depeche Mode on Album Covers
Sociology Study, December 2015, Vol. 5, No. 12, 920‐930 D doi: 10.17265/2159‐5526/2015.12.003 DAVID PUBLISHING Simple but Dominant: How to Reshine Depeche Mode on Album Covers After 80’s Cinla Sekera Abstract The aim of this paper is to analyze the album covers of English band Depeche Mode after 80’s according to the principles of graphic design. Established in 1980, the musical style of the band was turned from synth‐pop to new wave, from new wave to electronic, dance, and alternative‐rock in decades, but their message stayed as it was: A non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. As a graphic design product, album covers are pre‐print design solutions of two dimensional surfaces. Graphic design, as a design field, has its own elements and principles. Visual elements and typography are the two components which should unite with the help of the six main principles which are: unity/harmony; balance; hierarchy; scale/proportion; dominance/emphasis; and similarity and contrast. All album covers of Depeche Mode after 80’s were designed in a simple but dominant way in order to form a unique style. On every album cover, there are huge color, size, tone, and location contrasts which concluded in simple domination; domination of a non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. Keywords Graphic design, album cover, design principles, dominance, Depeche Mode Design is the formal and functional features graphic design are line, shape, color, value, texture, determination process, made before the production of and space. -
Musikstile Quelle: Alphabetisch Geordnet Von Mukerbude
MusikStile Quelle: www.recordsale.de Alphabetisch geordnet von MukerBude - 2-Step/BritishGarage - AcidHouse - AcidJazz - AcidRock - AcidTechno - Acappella - AcousticBlues - AcousticChicagoBlues - AdultAlternative - AdultAlternativePop/Rock - AdultContemporary -Africa - AfricanJazz - Afro - Afro-Pop -AlbumRock - Alternative - AlternativeCountry - AlternativeDance - AlternativeFolk - AlternativeMetal - AlternativePop/Rock - AlternativeRap - Ambient - AmbientBreakbeat - AmbientDub - AmbientHouse - AmbientPop - AmbientTechno - Americana - AmericanPopularSong - AmericanPunk - AmericanTradRock - AmericanUnderground - AMPop Orchestral - ArenaRock - Argentina - Asia -AussieRock - Australia - Avant -Avant-Garde - Avntg - Ballads - Baroque - BaroquePop - BassMusic - Beach - BeatPoetry - BigBand - BigBeat - BlackGospel - Blaxploitation - Blue-EyedSoul -Blues - Blues-Rock - BluesRevival - Blues - Spain - Boogie Woogie - Bop - Bolero -Boogaloo - BoogieRock - BossaNova - Brazil - BrazilianJazz - BrazilianPop - BrillBuildingPop - Britain - BritishBlues - BritishDanceBands - BritishFolk - BritishFolk Rock - BritishInvasion - BritishMetal - BritishPsychedelia - BritishPunk - BritishRap - BritishTradRock - Britpop - BrokenBeat - Bubblegum - C -86 - Cabaret -Cajun - Calypso - Canada - CanterburyScene - Caribbean - CaribbeanFolk - CastRecordings -CCM -CCM - Celebrity - Celtic - Celtic - CelticFolk - CelticFusion - CelticPop - CelticRock - ChamberJazz - ChamberMusic - ChamberPop - Chile - Choral - ChicagoBlues - ChicagoSoul - Child - Children'sFolk - Christmas -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
The Music (And More) 2019 Quarter 3 Report
The Music (and More) 2019 Quarter 3 Report Report covers the time period of July 1st to Kieran Robbins & Chief - "Sway" [glam rock] September 30th, 2019. I inadvertently missed Troy a few before that time period, which were brought to my attention by fans, bands & Moriah Formica - "I Don't Care What You others. The missing are listed at the end, along with an Think" (single) [hard rock] Albany End Note… Nine Votes Short - "NVS: 09/03/2019" [punk rock] RECORDINGS: Albany Hard Rock / Metal / Punk Psychomanteum - "Mortal Extremis" (single track) Attica - "Resurected" (EP) [hardcore metal] Albany [thrash prog metal industrial] Albany Between Now and Forever - "Happy" (single - Silversyde - "In The Dark" [christian gospel hard rock] Mudvayne cover) [melodic metal rock] Albany Troy/Toledo OH Black Electric - "Black Electric" [heavy stoner blues rock] Scotchka - "Back on the Liquor" | "Save" (single tracks) Voorheesville [emo pop punk] Albany Blood Blood Blood - "Stranglers” (single) [darkwave Somewhere To Call Home - "Somewhere To Call Home" horror synthpunk] Troy [nu-metalcore] Albany Broken Field Runner – "Lay My Head Down" [emo pop Untaymed - "Lady" (single track) [british hard rock] punk] Albany / LA Colonie Brookline - "Live From the Bunker - Acoustic" (EP) We’re History - "We’re History" | "Pop Tarts" - [acoustic pop-punk alt rock] Greenwich "Avalanche" (singles) [punk rock pop] Saratoga Springs Candy Ambulance - "Traumantic" [alternative grunge Wet Specimens - "Haunted Flesh" (EP) [hardcore punk] rock] Saratoga Springs Albany Craig Relyea - "Between the Rain" (single track) Rock / Pop [modern post-rock] Schenectady Achille - "Superman (A Song for Mora)" (single) [alternative pop rock] Albany Dead-Lift - "Take It or Leave It" (single) [metal hard rock fusion] Schenectady Caramel Snow - "Wheels Are Meant To Roll Away" (single track) [shoegaze dreampop] Delmar Deep Slut - "u up?" (3-song) [punk slutcore rap] Albany Cassandra Kubinski - "DREAMS (feat.