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GENERAL INDEX

Achilles 4, 17f., 144f. deception, of reader 34, 103ff., 226ff., actant model 151ff. 240f. aemulatio 107f., 181, 188 see also teasing 44, 90, 104ff., 114ff., 120ff., description 3ff., 217ff. 127, 130f. developed characters 163ff. Alexandrian footnote 205 Dido 111f., 122f., 125, 131 Amata 125 Dionysius of Halicarnassus 116f. Amulius 160 direct characterization 142f., 167 analepsis 18ff. Dis 157 Anna 111f., 114f., 121f., 125f., 126f., duration 20f. 129f., 148f., 155f. aperture 207ff. early Rome, ’s picture of 172f. Apollonius Rhodius 144 n.11 effet de réel 3 n.5 Aratus 2 39ff. Ariadne 19f., 263ff., 285 elided characters 156ff. Arion 16, 220f. ellipse 20 Aristaeus 14f., 109f., 227f. Ennius 89, 185f., 226 n.43, 245 n.29 asyndeton 25 epic tone 185f. Attis 42f. Erato 41ff. Augustus 92ff. establishing shot 17 Evander 34ff., 122 n.45, 123f., 127ff. Bacchus 57ff., 150f. expansion of episode 127ff.

Cacus 36f., 107ff., 116f. Fabii 158, 181ff., 221 Callimachus 2, 27 n.1, 29, 41, 47 fade-out 15 Calliope 47ff., 251 false closure 244, 281ff. Callisto 75, 216 8f., 84f., 112f., 223f. Carmentis 34ff., 58, 115f., 123f., feminist criticism 64ff. 127ff., 277 flashback 18ff. Castor 56f. flashforward 18f. Catullus 42f., 45 n.36, 117f., 263ff. see also foreshadowing 79f., 106f., 161ff., 249ff. 32, 49ff., 147f. characterization 141ff., 195ff., 203f., focalization 28, 58 250ff. foreshadowing 79, 102f., 134f., 145, Chiron 4, 17f., 144f. 162, 191f., 223, 231–232, 255, Cicero 89 266–267, 282 cinematic techniques 14ff. see also flashforward close-up 17f. freeze frame 18 closure 10f., 204f., 240f., 243, 269ff. frequency 21f. Collatinus 195 functions 67ff. colouring 219ff. compression 188f., 254 Helper 72–73, 152, 154ff. contamination 116ff., 135f., 139 Hercules 4, 7, 17f., 36f., 58, 116f., Cranae 21f., 74f., 149f. 147, 223f. cutting 16f. Hersilia 145ff., 244f. Cybele 41ff., 148 Hesiod 47ff., 104 n.14 296 general index high angle shot 15f. narrator Homer 44, 136, 139f., 185 biased 37ff., 57f. Homeric Hymns 89, 162 n.57, 250 heterodiegetic 30, 41 hook (narrative) 222ff. homodiegetic 30 Horace 89, 135, 255 n.56 internal 27ff. Hyas 11 omniscient 30 Hyrieus 157 Ovid as 27 n.1 self-conscious 38 indirect characterization 142, 216 uninterested 59ff. Ino 57f., 150f., 222, 243 unreliable 28, 35, 37, 45–46, 51, inspiration (divine) 29, 208f. 55f., 56 inspirers (of narratives) 28ff. Numa 39ff., 102 interfigurality 119ff., 136, 139 n.91 intertextuality 97ff., 171ff. oppositio in imitando 105f., 135 irony 192f., 241 Orion 157

Janus 32ff., 74f., 149 pace 15, 23 51f., 58f., 243 parody 111ff., 135 77f., 80f., 132f., 157f. pause (descriptive) 143 Juturna 76ff., 90, 109, 132f. placement 9ff. point of view 28, 58 Lara 76ff., 90, 133 polemical engagement 109ff. 121f., 131 polytonality 74ff. Lemuria 52 Pollux 56f. lighting 15 Polyhymnia 46f. Livy 33, 44, 116f., 171ff., 286f. preamble 208ff. looking through 117f., 136, 139f., prequel 131ff. 260 81ff. low angle shot 15f. prolepsis 18f. low key 15 see also foreshadowing Lucretia 15, 75f., 191ff. 2, 27 n.1, 33, 116f., 119, Lucretius 89, 119 n.39 135 Proserpine 78ff. Maiestas 46f. Proteus 109f., 228 Maius 46f. pull-back dolly 18 37ff., 51f., 70, 91f., 95, 111, 145ff., 147, 224f. Quinquatrus 59ff. Marsyas 61f. 44f. 29, 52ff., 56f., 78 see also Romulus Mezentius 104f., 120f. 59ff., 224f. rape 63ff. minimized characters 156ff. rapidity 23ff. minor characters 159ff., 195 reaction shot 18 mise-en-scène 31 Remus 12, 44f., 52ff., 175 montage 16 remythologization 172, 175, 185 mood 225ff. renarration 180ff., 235ff. Moschus 241 reprise 126ff., 138f., 253ff. mythical world of 141, 172f. retrospective intertextuality 129, 132, 181 narrative 7, 91f. definition of 1 Romulus 44f., 52ff., 146f., 147, general characteristics of in Fasti 2f. 174ff. hook 222ff. Romulus’ wife 145ff., 244f.