2019 Stanford CERTAMEN ADVANCED LEVEL ROUND 1 TU
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Read the Entire Aeneid. Do Not Skip Sections of the Book. You Need to Read the Whole Thing in Order to Understand All of the Motivations
Instructions: Read the entire Aeneid. Do not skip sections of the book. You need to read the whole thing in order to understand all of the motivations. Answer the following questions about books 1, 2, 4, 6, 8, and 12 for the AP syllabus. Your answers do not have to be in complete sentences, but some questions will require sentences or a paragraph. If you have any questions about a question, send me an email ONLY after you have tried to look it up elsewhere. Have a good summer! Content Questions Aeneid Book 1 1.) What goddess opposes Aeneas? 2.) Two cities are mentioned in the beginning of the Aeneid. These later become bitter enemies. What are they? 3.) Name 4 reasons which the answer to #1 has for hating Trojans: 1. 2. 3. 4. 4.) What was the crime for which Ajax the son of Oileus was punished by Athena? (Check reference book) 5. a.) Who is the King of the Winds? b.) What bribe does the goddess offer him? c.) What does he do for her? 6.) What are the winds compared to as they leave the mountain? 7.) What is the first action which happens to the Trojans? 8.) Who stops the storm? 9.) What is the name by which you know Ilia? (Not in book) 10.) How long will Julus rule? 11.) What race is descended from the Trojans? 12.) What was Julus' name originally? 13.) What great Roman will take his name from Julus? 14.) What Roman king does Juppiter mention? 15.) Juppiter names many Greek kingdoms, which Rome shall conquer. -
The Cities and Cemeteries of Etruria
Universitäts- und Landesbibliothek Tirol The cities and cemeteries of Etruria Dennis, George 1883 Chapter XV Bombarzo urn:nbn:at:at-ubi:2-12107 CHAPTER XV. BOHABZO. Miremur periisse homines ?—monnmenta fatiscunt, Mors etiam saxis nominibusque venit .—Ausonius. Ecce libet-pisces Tyrrhenaque monstra Dicere. Ovid. About twelve miles east of Viterbo, on the same slope of the Ciminian, is the village of Bomarzo, in the immediate neighbour¬ hood of an Etruscan town where extensive excavations have been made. The direct road to it runs along the base of the mountain, but the excursion may be made more interesting by a detour to Fdrento, which must be donfe in the saddle, the road being quite impracticable for vehicles. From Ferento the path leads across a deep ravine, past the village of Le Grotte di Santo Stefano, whose name marks the existence of caves in its neighbourhood,1 and over the open heath towards Bomarzo. But before reaching that place, a wooded ravine, Fosso della Vezza, which forms a natural fosse to the Ciminian, has to be crossed, and here the proverb —Chi va piano va sano —must be borne in mind. A more steep, slippery, and dangerous tract I do not remember to have traversed in Italy. Stiff miry clay, in which the steeds will anchor fast ; rocks shelving and smooth-faced, like inclined planes of ice, are the alternatives. Let the traveller take warning, and not pursue this track after heavy rains. It would be advisable, especially if ladies are of the party, to return from Ferento to Viterbo, and to take the direct road thence to Bomarzo. -
The Argonautica, Book 1;
'^THE ARGONAUTICA OF GAIUS VALERIUS FLACCUS (SETINUS BALBUS BOOK I TRANSLATED INTO ENGLISH PROSE WITH INTRODUCTION AND NOTES BY H. G. BLOMFIELD, M.A., I.C.S. LATE SCHOLAR OF EXETER COLLEGE, OXFORD OXFORD B. H. BLACKWELL, BROAD STREET 1916 NEW YORK LONGMANS GREEN & CO. FOURTH AVENUE AND 30TH STREET TO MY WIFE h2 ; ; ; — CANDIDO LECTORI Reader, I'll spin you, if you please, A tough yarn of the good ship Argo, And how she carried o'er the seas Her somewhat miscellaneous cargo; And how one Jason did with ease (Spite of the Colchian King's embargo) Contrive to bone the fleecy prize That by the dragon fierce was guarded, Closing its soporific eyes By spells with honey interlarded How, spite of favouring winds and skies, His homeward voyage was retarded And how the Princess, by whose aid Her father's purpose had been thwarted, With the Greek stranger in the glade Of Ares secretly consorted, And how his converse with the maid Is generally thus reported : ' Medea, the premature decease Of my respected parent causes A vacancy in Northern Greece, And no one's claim 's as good as yours is To fill the blank : come, take the lease. Conditioned by the following clauses : You'll have to do a midnight bunk With me aboard the S.S. Argo But there 's no earthly need to funk, Or think the crew cannot so far go : They're not invariably drunk, And you can act as supercargo. — CANDIDO LECTORI • Nor should you very greatly care If sometimes you're a little sea-sick; There's no escape from mal-de-mer, Why, storms have actually made me sick : Take a Pope-Roach, and don't despair ; The best thing simply is to be sick.' H. -
Domitian's Arae Incendii Neroniani in New Flavian Rome
Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St. -
Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
Santa Maria Antiqua: the Amalgamation of Identity in Early Medieval Rome
Pursuit - The Journal of Undergraduate Research at The University of Tennessee Volume 6 Issue 1 Article 7 April 2015 Santa Maria Antiqua: The Amalgamation of Identity in Early Medieval Rome Cayce Davis University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/pursuit Part of the Architectural History and Criticism Commons, and the Historic Preservation and Conservation Commons Recommended Citation Davis, Cayce (2015) "Santa Maria Antiqua: The Amalgamation of Identity in Early Medieval Rome," Pursuit - The Journal of Undergraduate Research at The University of Tennessee: Vol. 6 : Iss. 1 , Article 7. Available at: https://trace.tennessee.edu/pursuit/vol6/iss1/7 This Article is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Pursuit - The Journal of Undergraduate Research at The University of Tennessee by an authorized editor. For more information, please visit https://trace.tennessee.edu/pursuit. Pursuit: The Journal of Undergraduate Research at the University of Tennessee Copyright © The University of Tennessee PURSUIT trace.tennessee.edu/pursuit Santa Maria Antiqua: The amalgamation of Identity in Early Medieval Rome CAYCE DAVIS Advisor: Dr. Gregor Kalas The intent of this investigation is to frame an identity for the church of Santa Maria Antiqua and the urban condition of Rome during the sixth through eighth centuries. Coupling topographical and semiotic information with larger geographic issues, this study interrogates the church and specific individuals associated with it as a way of more comprehensively understanding Santa Maria Antiqua as a visual medium of cultural change and political propaganda. -
1996 Njcl Certamen Round A1 (Revised)
1996 NJCL CERTAMEN ROUND A1 (REVISED) 1. Who immortalized the wife of Quintus Caecilius Metellus as Lesbia in his poetry? (GAIUS VALERIUS) CATULLUS What was probably the real name of Lesbia? CLODIA What orator fiercely attacked Clodia in his Pro Caelio? (MARCUS TULLIUS) CICERO 2. According to Hesiod, who was the first born of Cronus and Rhea? HESTIA Who was the second born? DEMETER Who was the fifth born? POSEIDON 3. Name the twin brothers who fought in their mother's womb. PROETUS & ACRISIUS Whom did Proetus marry? ANTIA (ANTEIA) (STHENEBOEA) With what hero did Antia fall in love? BELLEROPHON 4. Give the comparative and superlative forms of mult§ PLâRS, PLâRIM¦ ...of prÇ. PRIOR, PR¦MUS ...of hebes. HEBETIOR, HEBETISSIMUS 5. LegÇ means “I collect.” What does lectitÇ mean? (I) COLLECT OFTEN, EAGERLY Sitis means “thirst.” What does the verb sitiÇ mean? (I) AM THIRSTY / THIRST CantÇ means “I sing.” What does cantillÇ mean? (I) CHIRP, WARBLE, HUM, SING LOW 6. Differentiate in meaning between p~vÇ and paveÇ. P}VÆ -- PEACOCK PAVEÆ -- (I) FEAR, TREMBLE Differentiate in meaning between cavÇ and caveÇ. CAVÆ -- I HOLLOW OUT CAVEÆ -- I TAKE HEED, BEWARE Differentiate in meaning between modo (must pronounce with short “o”) and madeÇ. MODO -- ONLY, MERELY, BUT, JUST, IMMEDIATELY, PROVIDED THAT MADEÆ -- I AM WET, DRUNK Page 1 -- A1 7. What two words combine to form the Latin verb malÇ? MAGIS & VOLÆ What does malÇ mean? PREFER M~la is a contracted form of maxilla. What is a m~la? CHEEK, JAW 8. Which of the emperors of AD 193 executed the assassins of Commodus? DIDIUS JULIANUS How had Julianus gained imperial power? BOUGHT THE THRONE AT AN AUCTION (HELD BY THE PRAETORIANS) Whom had the Praetorians murdered after his reign of 87 days? PERTINAX 9. -
2017 Njcl Certamen Advanced Division Round One
2017 NJCL CERTAMEN ADVANCED DIVISION ROUND ONE 1. What author born on July 12, 100 BC led an illustrious political and military life, the latter of which he documented in painstaking detail in his Commentāriī dē Bellō Gallicō? (C. JULIUS) CAESAR B1: While there are eight books total in the Commentāriī dē Bellō Gallicō, Caesar only wrote the first seven. What lieutenant wrote the final book of his commentaries? (A.) HIRTIUS B2: What work of Caesar covered his war against Pompey? (COMMENTĀRIĪ) DĒ BELLŌ CĪVĪLĪ / BELLUM CĪVĪLE 2. Using one word, say in Latin: “It’s getting late.” (AD)VESPERĀSCIT B1: Now say in Latin using one word: “The dew will fall.” RŌRĀBIT B2: Now say in Latin using two words: “It was raining for a rather long time.” DIŪTIUS PLUĒBAT 3. What son of Gaia and Tartarus terrorized the gods until he was buried under Mt. Aetna? TYPH(A)ON / TYPHOEUS B1: After Typhon cut out Zeus’ sinews with a sickle, what two deities stole them back? HERMES AND AEGIPAN B2: Typhon fathered a passel of other monsters with what snake lady? ECHIDNA 4. According to tradition, what two small groups fought a duel to determine the outcome of a war between Rome and Alba Longa during the reign of Tullus Hostilius? HORĀTIĪ AND CŪRIĀTIĪ B1: After the duel, what incited the one surviving Horatius to kill his sister? SHE WEPT FOR ONE OF THE CURIATII TO WHOM SHE HAD BEEN BETROTHED B2: What was the name of the opposing ruler of Alba Longa? METTIUS FŪFETIUS 5. Dēscrībāmus nunc proprietātēs dictiōnum in hāc sententiā: Nūllum est iam dictum quod nōn dictum sit prius. -
Handout Name Yourself Like a Roman (CLAS 160)
NAME YOURSELF LIKE A ROMAN Choose Your Gender 0 Roman naming conventions differed for men and women, and the Romans didn’t conceive of other options or categories (at least for naming purposes!). For viri (men): Choose Your Praenomen (“first name”) 1 This is your personal name, just like modern American first names: Michael, Jonathan, Jason, etc. The Romans used a very limited number of first names and tended to be very conservative about them, reusing the same small number of names within families. In the Roman Republic, your major options are: Some of these names (Quintus, Sextus, • Appius • Manius • Servius Septimus, etc.) clearly originally referred • Aulus • Marcus • Sextus to birth order: Fifth, Sixth, Seventh. Others are related to important aspects of • Decimus • Numerius • Spurius Roman culture: the name Marcus probably • Gaius • Postumus • Statius comes from the god Mars and Tiberius from the river Tiber. Other are mysterious. • Gnaeus • Publius • Tiberius But over time, these names lost their • Lucius • Quintus • Titus original significance and became hereditary, with sons named after their • Mamercus • Septimus • Vibius father or another male relative. Choose Your Nomen (“family name”) 2 Your second name identifies you by gens: family or clan, much like our modern American last name. While praenomina vary between members of the same family, the nomen is consistent. Some famous nomina include Claudius, Cornelius, Fabius, Flavius, Julius, Junius, and Valerius. Side note: if an enslaved person was freed or a foreigner was granted citizenship, they were technically adopted into the family of their “patron,” and so received his nomen as well. De Boer 2020 OPTIONAL: Choose Your Cognomen (“nickname”) Many Romans had just a praenomen and a nomen, and it was customary and polite to address a 3 person by this combo (as in “hello, Marcus Tullius, how are you today?” “I am well, Gaius Julius, and you?”). -
Notes Du Mont Royal ←
Notes du mont Royal www.notesdumontroyal.com 쐰 Cette œuvre est hébergée sur « No- tes du mont Royal » dans le cadre d’un exposé gratuit sur la littérature. SOURCE DES IMAGES Google Livres ÏHISTORIÆ» ’*POETICÆ,H ’SCRIPTORES ANTIQJLW ’APOLLODORUS Atbmimfis. PTOLEMÆUS mm. 1v. 1c o N o N Grammaticm. PARTHMEN IUs mima; ANTON INUS immuns. Græcè 8c Latine. Jccgfi’è’re hem: Nm é Milice: mafia; la PARISIIIS. Typis F. u c u E T. Profiant apud R. S c o T "r, ü Bibliopolam Londinenfem. v MDCLxxm I - fluerez I L L u s (R0TIR 1’ D.JOSEPHO WILLIAMSON; 22141111 Lamina, SERENISSIMOMCAROLOIL - MAG. 31m: .FRANC. ET Hua. REGI - ’ A CONSILus InNTERIORIBuS, ETA SECRETIS STATus. , Xfiant’ in me , ".V I R "7CLARIS promerità 1m SIME) , magna diuturna. ,Sponte tuâ; nullo meo merito, defcendifli etiam- ad maclé benewolentiâ, qué Genti: a bnju: Epifiola Dcdicatoria: ’ buju: (9* (thorium ,literato: homi- ne: compleâîerù. Necfpem, nec cogitotionem guidon: foui, dignum aliquz’d tonifiât benefic’iis, unqmm reponencli ; aequo ’èm’mpotiebatur id ont fortune TUÆ magnitudo, ont ’mèæ agami; Non Âceflb interim juflâ debitâq; prodicatione ubiq; t’efl’ari toutim: Tibi dobere me, quantum firme? homo bomini poteflfiugi hâcÇnullâ’aliânzle wifi) gratit’udifii: mm fighificonclæ’curâ adduôîm,Nomini T110 ho: li- bella: infrrz’pfi. Molui Forum mo- j dellw boom, quÆm-mz’nù: group. Quanquam ’confllz’o huic meolz’lluçl jetiompotracinaritpoflîtguàd non in: l’pridem (quetzal al? lau’mqriz’tizofiu- diorum meOrüm’rationemTc ex- ,peétare * ’ Epiflola. Dedicatoria.’ wpeâare dicerer. Obtempero mi: 5 etiam ad exiflimotionù mon: periculnm. Ha: tomèn qua- liocnnque flint, non profil: , mi fiera, npnd TE wilefcent. -
Fuentes Grecolatinas Y
UNIVEESmAD COMPLUTENSE DE MADRID Facultad de Filología Upto. de Filología Latina EL MITO DE PROSÉRPIMA: FUENTES GRECOLATINAS Y PERVIVENCIA EN LA LITERATURA ESPANOLA. DIRECTOR: Dr. Vicente Cristóbal López REALIZADA POR: M. Dolores Castro Jiménez ANO: 1991. A mi madre a Manuel a Julio INTRODUCClON Cuando comenzamos las investigaciones sobre el mito de Prosérpina y sus, entonces posibles, recreaciones en la lite- ratura española, intentábamos acercarnos a una historia, una narración mítica cre, sin lugar a dudas y como hemos podido comprobar, habría sido utilizada como elemento narrativo, dramático o poético en nuestra literatura. La elección de este tema nos iba a permitir, centrándonos en las fuentes latinas, remontarnos a sus predecesores griegos y proyectarnos hacia la literatura española. Los elementos a analizar eran, por tanto, fundamentalmente las fuentes latinas, como más accesibles para nuestros autores y las obras que a nuestro mito hicieran referencia desde los origenes medievales de la literatura española hasta la actualidad. No olvidábamos en absoluto aquellos otros textos que, sin ser obra de autores latinos, podían constituirse en intermediarios entre las distintas narraciones clásicas” sobre nuestro mito y los textos españoles que 2 pretendíamos presentar. Bajo este planteamiento, era lógico que el prisma de análisis inicial, el método de acercamiento al tema en un primer momento, se centrara única y exclusivamente en los conceptos más clásicos y tradicionales de la literatura comparada tal y como los enumera René Wellek: “La letteratura comparata si é aggrappata alíe “relazioni reali’, fonti ed influenze, scrittori ““intermedian” e reputazioni” (1). Indudablemente, no es la función de nuesta investigación ir mucho más allá, pero el propio desarrollo de la misma nos ha llevado a introducir una serie de elementos que, por otro lado, no han sido extraños ni a la literatura comparada ni a los estudios de tradición clásica. -
Oratio Recta and Oratio Obliqua in Caesar's De Bello
VOICES OF THE ENEMY: ORATIO RECTA AND ORATIO OBLIQUA IN CAESAR’S DE BELLO GALLICO by RANDY FIELDS (Under the Direction of James C. Anderson, jr.) ABSTRACT According to his contemporaries and critics, Julius Caesar was an eminent orator. Despite the lack of any extant orations written by Caesar, however, one may gain insight into Caesar’s rhetorical ability in his highly literary commentaries, especially the De Bello Gallico. Throughout this work, Caesar employs oratio obliqua (and less frequently oratio recta) to animate his characters and give them “voices.” Moreover, the individuals to whom he most frequently assigns such vivid speeches are his opponents. By endowing his adversaries in his Commentarii with the power of speech (with exquisite rhetorical form, no less), Caesar develops consistent characterizations throughout the work. Consequently, the portrait of self-assured, unification-minded Gauls emerges. Serving as foils to Caesar’s own character, these Gauls sharpen the contrast between themselves and Caesar and therefore serve to elevate Caesar’s status in the minds of his reader. INDEX WORDS: Caesar, rhetoric, oratory, De Bello Gallico, historiography, propaganda, opponent, oratio obliqua, oratio recta VOICES OF THE ENEMY: ORATIO RECTA AND ORATIO OBLIQUA IN CAESAR’S DE BELLO GALLICO by RANDY FIELDS B.S., Vanderbilt University, 1992 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Randy Fields All Rights Reserved VOICES OF THE ENEMY: ORATIO RECTA AND ORATIO OBLIQUA IN CAESAR’S DE BELLO GALLICO by RANDY FIELDS Major Professor: James C.