Introducing Virgil's Aeneid
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Introducing Virgil’s Aeneid About this free course This free course is an adapted extract from an Open University course. This version of the content may include video, images and interactive content that may not be optimised for your device. You can experience this free course as it was originally designed on OpenLearn, the home of free learning from The Open University: www.open.edu/openlearn/free-courses. Introducing Virgil’s Aeneid www.open.edu/openlearn/history-the-arts/introducing-virgils-aeneid/content-section-0 There you’ll also be able to track your progress via your activity record, which you can use to demonstrate your learning. Copyright © 2015 The Open University Intellectual property Unless otherwise stated, this resource is released under the terms of the Creative Commons Licence v4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/deed.en_GB. 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Head of Intellectual Property, The Open University 2 of 21 http://www.open.edu/openlearn/history-the-arts/introducing-homers-iliad/content-section-0 Thursday 12 September 2019 Contents Introduction 4 Learning Outcomes 5 1 Epic poetry and the Aeneid 6 1.1 Epic poetry before Virgil 6 1.2 Virgil and his predecessors 7 1.3 Politics and Roman identity 8 2 A brief summary of the Aeneid 9 3 Roman values in the Aeneid 11 3.1 What is pietas? 11 3.2 Pietas vs furor 12 3.3 Aeneas and pietas 13 3.4 A conflicted hero 15 4 Book 12 of the Aeneid 16 4.1 The death of Turnus 16 4.2 Vengeance and mercy in the Aeneid 18 Conclusion 20 References 20 Further reading 20 Acknowledgements 20 3 of 21 http://www.open.edu/openlearn/history-the-arts/introducing-homers-iliad/content-section-0 Thursday 12 September 2019 Introduction Introduction In this free course, you will learn about Virgil’s Aeneid, an epic poem about the origins of the Roman people. The Romans regarded the Aeneid as their great national epic, and it had enormous influence over later writers and thinkers. As well as being powerful literature, the Aeneid tells us a great deal about how the Romans saw themselves and their culture, and what it meant to be a Roman. I’ll begin by introducing the genre of epic poetry in which the Aeneid was written, and by looking at what happens in the poem, and how it relates to the events of Virgil’s own day. (Virgil lived between 70 and 19 BCE, and wrote the Aeneid at the end of his life.) We’ll then go on to look in detail at some sections of the poem, looking in particular at how it presents Roman values. The discussion will introduce you to a small number of key Latin words used to express these values, though it doesn’t expect or require any knowledge of the Latin language. This OpenLearn course is an adapted extract from the Open University course A276 Classical Latin: the language of ancient Rome. 4 of 21 http://www.open.edu/openlearn/history-the-arts/introducing-homers-iliad/content-section-0 Thursday 12 September 2019 Learning Outcomes After studying this course you should have: ● gained a deeper understanding of ‘epic poetry’ in the ancient world ● explored the Aeneid’s central themes, in particular Roman values ● read in detail some passages of the Aeneid and investigated how Virgil uses language to enhance the impact of the poem ● considered some issues involved in reading poetry which was originally written in a different language. 1 Epic poetry and the Aeneid 1 Epic poetry and the Aeneid I don’t know what your immediate associations are when you hear the word ‘epic’, but to me, the English word immediately suggests something big and grand. For example, if someone describes a Hollywood film as being an ‘epic’, I’d assume that the film deals with important and world-changing events, perhaps over a prolonged time period, and probably that it goes on for a long time. The idea of theme and scope is also relevant to ancient epic. Epic poems are usually narratives about the great deeds of heroes, often involving war, dangerous journeys, or adventures. They also tend to be long: the Aeneid, for example, is nearly 10,000 lines of verse. In antiquity ‘epic’ suggested a certain type of metrical form, the dactylic hexameter, which is a type of verse particularly suited to telling narratives. Ancient epic also comes with certain other expectations: for example, it tends to be set in the past and deals with the deeds of ancestors. It describes a world in which people were stronger, more impressive, and closer to the gods, and indeed the gods often play an important role in epic poetry. 1.1 Epic poetry before Virgil To an educated Roman, epic poetry was a Greek invention, and its most famous examples were Homer’s Iliad and Odyssey, which told stories of the Greek heroes involved in the Trojan War. Although early Italians may well have had their own native traditions of heroic song, no traces of these survive, and the earliest attempt to write epic poetry in Latin was a translation of the Odyssey into the Latin language by Livius Andronicus in the mid third century bce. Although only fragments of this survive, the fact that Livius chose to translate a Greek epic poem shows the strong association between the genre and Greek culture. However, it wasn’t long before Roman poets began to tell the stories of their own society. The first to do so was Naevius, who wrote a poem on the Punic War with Carthage (also in the third century bce), followed by the second-century- bce poet Ennius, whose Annals told the history of Rome to his own day, though as with Livius, only fragments of these are preserved. However, Virgil’s masterpiece, the Aeneid, eclipsed both these poems, becoming the greatest example of Latin epic and a cornerstone of Roman identity, which has continued to inspire writers and artists for over two thousand years. 6 of 21 http://www.open.edu/openlearn/history-the-arts/introducing-homers-iliad/content-section-0 Thursday 12 September 2019 1 Epic poetry and the Aeneid Figure 1 Virgil and the Muses, from Sousse, third century ce, mosaic, 122 ×122.5 cm. Musee National du Bardo, Le Bardo, Tunisia. Photo: Musee National du Bardo/Bridgeman Images. 1.2 Virgil and his predecessors Unlike Livy (a contemporary of Virgil, and author of a multi-volume history of Rome) or Ennius, who tell a series of stories that occur over a long period of time, Virgil chooses to focus on one individual, the Trojan hero Aeneas. The Aeneid tells the story of how Aeneas escaped the fall of Troy and led a band of survivors to Italy, where their destiny was to mix with the native population and create a new chosen race. The story is therefore set long before the foundation of Rome, which Virgil tells his readers was established 333 years after the Aeneid ends. In Virgil’s poem, Romulus and the other early kings of Rome are the distant descendants of Aeneas’ marriage to a native Italian princess, Lavinia; this mixed heritage allows the Romans both to claim a link to the famous Greek myths and to affirm their native roots and their connection to the land of Italy.