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An Evening of Burlesque 8 March 2013
Programme of events January to March 2013 An evening of burlesque 8 March 2013 Also appearing Rod Stewart tribute · Fleetwood Bac The Elephant Bridesmaid Welcome to Medina Theatre’s spring 2013 programme of entertainment for all ages! January 17 Thursday Vectis DFAS 20 Sunday Island Concert Band 26 Saturday Isle of Wight Symphony Orchestra February 6 Wednesday Film: Skyfall (12A) 13 Wednesday Film: Twilight Saga Breaking Dawn Part 2 (12A) 16 Saturday Wight Strollers Pantomime 17 Sunday Wight Strollers Pantomime 20 Wednesday Film: Great Expectations (12A) 21 Thursday Vectis DFAS 22 Friday Rod Stewart Tribute 23 Saturday Wight Strollers Pantomime 27 Wednesday Film: Gambit (12A) Dance Lecture Comedy Film Club Music Exhibition Performance Film club members get ten per cent discount where you see the film club symbol. 2 Box office (01983) 527020 You can find out more about Medina Theatre events and book online at medinatheatre.co.uk MARCH 1 Friday Fleetwood Bac 2 Saturday IW Cantata Choir 3 Sunday The Elephant Bridesmaid 6 Wednesday Film: Life of Pi (PG) 8 Friday An Evening of Burlesque 13 Wednesday Film: Les Miserables 16 Saturday Isle of Wight Symphony Orchestra 20 Wednesday Film: Quartet (12A) 21 Thursday Vectis DFAS 23 Saturday Elmwood School of Dance 24 Sunday PLEASE NOTE Due to the refurbishment programme, from early January until late April, while the theatre remains open, the first floor toilets, bar and café will be closed. We apologise for the inconvenience this may cause but the new bar and café area and remodelled toilets will give the first floor around the theatre a new bright and airy feel. -
Dena Derose, Vocals and Piano Martin Wind, Bass • Matt Wilson, Drums with Sheila Jordan, Vocal • Jeremy Pelt, Trumpet Houston Person, Tenor Saxophone
19 juin, 2020. June 19, 2020. MAN MAN DREAM HUNTING IN THE VALLEY OF THE IN-BETWEEN CD / 2XLP / CS / DIGITAL SP 1350 RELEASE DATE: MAY IST, 2020 TRACKLISTING: 1. Dreamers 2. Cloud Nein 3. On the Mend 4. Lonely Beuys 5. Future Peg 6. Goat 7. Inner Iggy 8. Hunters 9. Oyster Point 10. The Prettiest Song in the World 11. Animal Attraction 12. Sheela 13. Unsweet Meat 14. Swan 15. Powder My Wig 16. If Only 17. In the Valley of the In-Between GENRE: Alternative Rock Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man’s first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. 0 9 8 7 8 7 1 3 5 0 2 209 8 7 8 7 1 3 5 0 1 5 CD Packaging: Digipack 2xLP Packaging: Gatefold jacket w/ custom The 17-track effort, featuring “Cloud Nein,” “Future Peg,” “On the with poster insert dust sleeves and etching on side D Includes mp3 coupon Mend” “Sheela,” and “Animal Attraction,” was produced by Cyrus NON-RETURNABLE Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday’s Dre Babinski on “Future Peg” and “If Only,” and Rebecca Black (singer of the viral pop hit, “Friday”) on “On The Mend” and “Lonely Beuys.” The album follows the release of “Beached” and “Witch,“ Man Man’s contributions to Vol. -
Publishing Blackness: Textual Constructions of Race Since 1850
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE publishing blackness publishing blackness Textual Constructions of Race Since 1850 George Hutchinson and John K. Young, editors The University of Michigan Press Ann Arbor Copyright © by the University of Michigan 2013 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2016 2015 2014 2013 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John Young, editiors. pages cm — (Editorial theory and literary criticism) Includes bibliographical references and index. ISBN 978- 0- 472- 11863- 2 (hardback) — ISBN (invalid) 978- 0- 472- 02892- 4 (e- book) 1. American literature— African American authors— History and criticism— Theory, etc. 2. Criticism, Textual. 3. American literature— African American authors— Publishing— History. 4. Literature publishing— Political aspects— United States— History. 5. African Americans— Intellectual life. 6. African Americans in literature. I. Hutchinson, George, 1953– editor of compilation. II. Young, John K. (John Kevin), 1968– editor of compilation PS153.N5P83 2012 810.9'896073— dc23 2012042607 acknowledgments Publishing Blackness has passed through several potential versions before settling in its current form. -
News Briefs the Elite Runners Were Those Who Are Responsible for Vive
VOL. 117 - NO. 16 BOSTON, MASSACHUSETTS, APRIL 19, 2013 $.30 A COPY 1st Annual Daffodil Day on the MARATHON MONDAY MADNESS North End Parks Celebrates Spring by Sal Giarratani Someone once said, “Ide- by Matt Conti ologies separate us but dreams and anguish unite us.” I thought of this quote after hearing and then view- ing the horrific devastation left in the aftermath of the mass violence that occurred after two bombs went off near the finish line of the Boston Marathon at 2:50 pm. Three people are reported dead and over 100 injured in the may- hem that overtook the joy of this annual event. At this writing, most are assuming it is an act of ter- rorism while officials have yet to call it such at this time 24 hours later. The Ribbon-Cutting at the 1st Annual Daffodil Day. entire City of Boston is on (Photo by Angela Cornacchio) high alert. The National On Sunday, April 14th, the first annual Daffodil Day was Guard has been mobilized celebrated on the Greenway. The event was hosted by The and stationed at area hospi- Friends of the North End Parks (FOTNEP) in conjunction tals. Mass violence like what with the Rose F. Kennedy Greenway Conservancy and North we all just experienced can End Beautification Committee. The celebration included trigger overwhelming feel- ings of anxiety, anger and music by the Boston String Academy and poetry, as well as (Photo by Andrew Martorano) daffodils. Other activities were face painting, a petting zoo fear. Why did anyone or group and a dog show held by RUFF. -
Truro Log August 2012 Truro Council on Aging
TRURO LOG AUGUST 2012 TRURO COUNCIL ON AGING WWW.TRURO-MA.GOV/COA William “Bill” Worthington explained to me the reason that he volunteers is because of the example of his parents. In the 60’s his father inherited some money and with it he built the Pamet Harbor Yacht Club and the floats. He bought a power launch, too. He and Charlie Francis also built the small house nearby. He got some boats and hired someone to teach sailing. Harriet Hobbs was one of the first students. Bill remembers that they tied knots on rainy days. In the 80’s Ansel Chaplin and Charles Davidson created the Conservation Trust and Bill’s mother was on the Board. Both parents also volunteered in Connecticut. William Worthington Almost as soon as Bill moved out here in 2001, Ansel Senior of the Year Chaplin suggested that he join the Planning Board. He was Chair for a little while and is still on the Board. He is newly on the Provincetown Water and Sewer Board which because of the new North Unionfield well site, requires 3 members INSIDE THIS ISSUE from Truro. Truro has leased this well site - Provincetown does not Senior Citizen of the Year own it which is a different set-up from the other Truro well sites. Bill is also on the Truro Water Resources Oversight Committee. Beyond Store Bought: They are working on a comprehensive water management plan Eco-Chic Gift Wrapping concerning nitrate intrusion. Bill is on the Energy Committee, and for a while he was Truro’s Live Your Life Well representative to the Cape Light Compact. -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive. -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come. -
The Comment, September 24, 1987
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1987 The ommeC nt, September 24, 1987 Bridgewater State College Volume 65 Number 1 Recommended Citation Bridgewater State College. (1987). The Comment, September 24, 1987. 65(1). Retrieved from: http://vc.bridgew.edu/comment/603 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Comment Bridgewater State College September 24, 1987 Vol. LXV No. 1 Bridgewater, MA Changes are in store for next year's freshman applicants By Chris Perra in which a student can apply. two years, this cap on admissions The College will inform students will be continued in an effort to Students applying to of acceptance or rejection between reduct the student to faculty ratio. Bridgewater next year will April 1 and April 15; the student, As it stands now, the ratio is encounter a system very different in turn. must notify the College approximately 23: 1. The ideal from the one present students as to his intention by May 1. In ratio that is being worked towards met. order to give a student a chance to is 17:1. Prospective students will express him or herself in works, have to submit a writing sample separate from their academic President Indelicato stated that ·in addition to their application. credentials, the College will is was the administration's hope This essay ,on an as yet undecided institute a system for that the . admissions topic, will be reviewed by the administering voluntary competitiveness level will be admissions office. -
Pop 2 a Second Packet for Popheads Written by Kevin Kodama Bonuses 1
Pop 2 a second packet for popheads written by Kevin Kodama Bonuses 1. One song from this album says “If they keep telling me where to go / I’ll blow my brains out to the radio”. For ten points each, [10] Name this sophomore album by Lorde. This Grammy-nominated album contains songs like “Perfect Places” and “Green Light”. ANSWER: Melodrama <Easy, 2/2> [10] Melodrama was created with the help of this prolific producer and gated reverb lover. This producer also worked on Norman Fucking Rockwell! with Lana del Rey and folklore with Taylor Swift. ANSWER: Jack Antonoff <Mid, 2/2> [10] This Melodrama track begins with documentary audio that remarks “This is my favorite tape!” and a Phil Collins drum sample. This song draws out the word “generation” after spelling the title phrase. ANSWER: “Loveless” (prompt on “Hard Feelings/Loveless”) <Hard, 2/2> 2. This artist's first solo release was an acid house track called "Dope". For ten points each, [10] Name this Kazakh producer who remixed a certain SAINt JHN song into a 2020 hit. This producer's bass effects are a constant presence in that song, which goes "You know I get too lit when I turn it on". ANSWER: Imanbek <Mid, 1/2> [10] That aforementioned song by SAINt JHN has this title and goes "Never sold a bag but look like Pablo in a photo". This is also the title of the final song in Carly Rae Jepsen's E•MO•TION Side B. ANSWER: "Roses" <Easy, 2/2> [10] After "Roses", Imanbek went on to sign with this producer's label Dharma. -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Little Boots About
LITTLE BOOTS ABOUT Making headlines and chart topping hits since she first emerged in 2008, Little Boots won the respected BBC Sound Of poll and a Brits Critics Choice nomination just a year later. Fusing massive pop hooks onto otherworldly electronic soundscapes it showed a pop star willing to experiment, and her debut album 'Hands' reached the top 5 in the UK album chart and was quickly certified Gold. Her electrifying live show gained a reputation, pushing boundaries with ground breaking instruments and synthesizers such as the Tenori-on and Laser Harp, culminating in memorable live performances at Glastonbury and Coachella to name a few. Freeing herself of the major label machine she went on to found her own label On Repeat Records and independently released various EPs and two more critically acclaimed albums - 2013’s ‘Nocturnes’ and most recently 'Working Girl’, as well as signing and developing up and coming talent. In 2017 she collaborated with the legendary Jean-Michel Jarre and co-wrote the lead single for his latest record, which received a Grammy nomination for Best Electronic Album. As a DJ her ties with the dance culture are deep and long-running. From her first legendary white label release 'Stuck On Repeat’, produced by Joe Goddard, to gracing Mixmag's cover, it's hard to think of another popstar to have garnered anywhere near as much credibility from the dance world's inner-circle. From collaborating with dance royalty Maya Jane Coles, Hercules and Love Affair and Simian Mobile Disco, to her own decorated DJ career, highlights including her live set for Mixmag Lab which has clocked up over 1.4 million views, curating one of Space’s closing We Love party in Ibiza and spinning everywhere from Glastonbury to Valentino’s latest launch at Milan Fashion Week. -
Dan Tassel Photography Collection11.Mwalb02702
Dan Tassel photography collection11.MWalB02702 This finding aid was produced using ArchivesSpace on September 27, 2021. eng Describing Archives: A Content Standard Brandeis University 415 South St. Waltham, MA URL: https://findingaids.brandeis.edu/ Dan Tassel photography collection11.MWalB02702 Table of Contents Summary Information .................................................................................................................................... 3 Scope and Contents ........................................................................................................................................ 3 Administrative Information ............................................................................................................................ 4 Controlled Access Headings .......................................................................................................................... 4 Collection Inventory ....................................................................................................................................... 5 Photographs by Dan Tassel: "Jerusalem Then and Now" .......................................................................... 5 Other Photographs ....................................................................................................................................... 5 Stereoscope and Slides ................................................................................................................................ 8 Printed Books .............................................................................................................................................