Albums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart

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Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart 1 2 3 4 07/1970 27 06/1971 23 1 641 08/1972 37 1 2 2 08/1973 1 3 31 Gasoline Alley Every Picture Tells A Story Never A Dull Moment Sing It Again Rod 5 6 7 8 01/1974 3 10/1974 1 2 13 08/1975 11 1 7 9 07/1976 29 1 2 2 Coast To Coast ‐ Overture And Smiler Atlantic Crossing A Night On The Town Beginners 9 10 11 12 07/1977 6 3 11/1977 34 3 2 12/1978 9 3 1 3 11/1979 1 5 22 The Best Of Rod Stewart Foot Loose And Fancy Free Blondes Have More Fun Greatest Hits 13 14 15 16 11/1980 23 4 12 11/1981 42 8 11 11/1982 33 35 46 06/1983 2 5 30 Foolish Behaviour Tonight I'm Yours Absolutely Live Body Wishes Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart 17 18 19 20 06/1984 6 8 18 07/1986 4 5 28 06/1988 6 11 20 03/1990 20 Camouflage Every Beat Of My Heart Out Of Order Downtown Train ‐ Selections From Storyteller 21 22 23 24 04/1991 3 2 10 03/1993 14 3 06/1993 15 2 2 06/1995 9 4 35 Vagabond Heart Rod Stewart, Lead Vocalist Unplugged...and Seated A Spanner In The Works 25 26 27 28 11/1996 24 8 19 06/1998 16 2 44 02/2001 9 9 50 11/2001 18 7 40 If We Fall In Love Tonight When We Were The New Boys Human The Story So Far ‐ The Very Best Of Rod Stewart 29 30 31 32 11/2002 26 8 4 11/2003 46 4 2 11/2003 13 10/2004 38 3 1 1 It Had To Be You ‐ The Great As Time Goes By ‐ The Great Changing Faces ‐ The Very Best Stardust ‐ The Great American American Songbook American Songbook Vol. II Of Songbook Vol. III Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart 33 34 35 36 11/2005 59 3 2 10/2006 8 4 1 1 06/2007 20 07/2007 13 Thanks For The Memory ‐ The Still The Same ... Great Rock The Seventies Collection The Complete Great American Great American Songbook Vol. Classics Of Our Time Songbook (4 CD) IV 37 38 39 40 11/2008 33 19 12/2008 21 11/2009 33 9 4 10/2010 25 5 4 Some Guys Have All The Luck The Definitive Rod Stewart Soulbook Fly Me to the Moon ‐ The Great American Songbook Vol. V 41 42 43 44 02/2011 42 49 12/2011 23 11/2012 22 2 3 05/2013 4 1 1 7 The Best Of ... The Great Storyteller ‐ The Complete Merry Christmas, Baby Time American Songbook Anthology 1964 ‐ 1990 45 46 47 48 09/2013 35 10/2015 7 2 20 05/2018 39 10/2018 12 1 1 62 Rarities Another Country Handbags & Gladrags ‐ The Blood Red Roses Essential Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart 49 12/2019 23 1 2 You're In My Heart.

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ACTUALIZADA 140121) (Pdf
LISTA DISCOS 33’ORDEN ALFABETICO A ABBA – Super Truper (RCA/México/1980) - $40 ABBA – Voulez Vous (RCA/México/1979) - $30 ACDC – Back in black (Atlantic/México/1980) - $1000 (AGOTADO) ACDC – Highway to hell (Atlantic/México/1979) - $499 (AGOTADO) ACDC – Power rage (Gamma/México/1980) - $700 (AGOTADO) Agustín Lara – Álbum del recuerdo (Peerles/México)- $60 Agustín Lara – Música Española (Musart/México) - $70 Agustín Lara – Un poco de lo mío (RCA Víctor/México) - $70 Air Supply – Air Supply (Arista/México/1985) - $5550 Al Hudson – One way Featuring (MCA Records/México/1980) - $100 Alice Cooper – El show de Alice cooper (Warner Bros/México/1982) - $300 Alice Cooper – Va al infierno (Warner Bros/México/1976) - $400 Ana Gabriel – Hice Bien Quererte (Lambada) (CBS/México/1989) - $120 Ana Gabriel – Quien como tú (CBS/México/1989) - $380 Andy Williams – Maria (CBS/Mexico/1962) - $200 B Barry Manilow – Tryin´ To Get The Feeling (Arista/México/1975) - $110 Barry White – The man (20th century/México/1978) - $130 Banda Taurina – American Military Marches (AF/México/1957) - $135 Bee Gees – 16 Greatest Hits (Polydor/México/1986) - $100 Beethoven, Oleg Kagaan, Sviatoslav Richter – Violin Sonatas 'Spring' & No. 4 In A Minor (EMI/UK/1976) - $70 The Beatles - 1962 – 1966 (Apple Records/México/1979) - $200 (AGOTADO) The Beatles – Sgt. Pepper's Lonely Hearts Club Band (Country Flag Series) (Apple Records/Japan/1976) – $2000 The Beatles – White Album (Apple records/México/1968) - $399(AGOTADO) Beethoven – Concerto for Violin, Op. 61 (Vox/USA) - $30 Beethoven
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An Evening of Burlesque 8 March 2013
Programme of events January to March 2013 An evening of burlesque 8 March 2013 Also appearing Rod Stewart tribute · Fleetwood Bac The Elephant Bridesmaid Welcome to Medina Theatre’s spring 2013 programme of entertainment for all ages! January 17 Thursday Vectis DFAS 20 Sunday Island Concert Band 26 Saturday Isle of Wight Symphony Orchestra February 6 Wednesday Film: Skyfall (12A) 13 Wednesday Film: Twilight Saga Breaking Dawn Part 2 (12A) 16 Saturday Wight Strollers Pantomime 17 Sunday Wight Strollers Pantomime 20 Wednesday Film: Great Expectations (12A) 21 Thursday Vectis DFAS 22 Friday Rod Stewart Tribute 23 Saturday Wight Strollers Pantomime 27 Wednesday Film: Gambit (12A) Dance Lecture Comedy Film Club Music Exhibition Performance Film club members get ten per cent discount where you see the film club symbol. 2 Box office (01983) 527020 You can find out more about Medina Theatre events and book online at medinatheatre.co.uk MARCH 1 Friday Fleetwood Bac 2 Saturday IW Cantata Choir 3 Sunday The Elephant Bridesmaid 6 Wednesday Film: Life of Pi (PG) 8 Friday An Evening of Burlesque 13 Wednesday Film: Les Miserables 16 Saturday Isle of Wight Symphony Orchestra 20 Wednesday Film: Quartet (12A) 21 Thursday Vectis DFAS 23 Saturday Elmwood School of Dance 24 Sunday PLEASE NOTE Due to the refurbishment programme, from early January until late April, while the theatre remains open, the first floor toilets, bar and café will be closed. We apologise for the inconvenience this may cause but the new bar and café area and remodelled toilets will give the first floor around the theatre a new bright and airy feel.
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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
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RONNIE WOOD a New Book Illuminates the Guitarist’S Life Before the Rolling Stones
ISSUE #41 MMUSICMAG.COM Q&A John Abbott RONNIE WOOD A new book illuminates the guitarist’s life before the Rolling Stones AS A MEMBER OF THE ROLLING years, we’d put two guitars and vocals in the night. I could see he had his eye on Stones for 40 years, Ronnie Wood’s legacy through one amp, and the bass player had me. I just knew in the back of my mind that is assured. But a recently discovered journal his own. That’s why we let him join the band. some day it would come around, and sure he kept in 1965—before his tenures with (laughs) But as soon as I could afford my enough, it did. the Jeff Beck Group, Small Faces and the own I started to go to Jim Marshall’s [gear] Stones—offers unique insight into the then- shop. I’d run across people like Pete You traded your guitar to play bass 18-year-old’s mindset and ambitions. The Townshend in there and we’d have a hilarious for the Jeff Beck Group? diary—which includes illustrations by Wood, friendly rivalry going to see who could get I’d reached the saturation point on guitar now a noted visual artist—is being released the biggest stack. with the Birds, so when Jeff Beck asked as a limited-edition book, How Can It Be? if I wouldn’t mind playing bass, I welcomed A Rock & Roll Diary. It chronicles Wood’s Was there camaraderie among the the idea. Playing bass gave me a new, exploits on the London club scene while he competing bands? revitalized energy to go back to guitar was with the Birds, and his interactions with The Birds never really had any hit records, later.
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80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr.
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Dena Derose, Vocals and Piano Martin Wind, Bass • Matt Wilson, Drums with Sheila Jordan, Vocal • Jeremy Pelt, Trumpet Houston Person, Tenor Saxophone
19 juin, 2020. June 19, 2020. MAN MAN DREAM HUNTING IN THE VALLEY OF THE IN-BETWEEN CD / 2XLP / CS / DIGITAL SP 1350 RELEASE DATE: MAY IST, 2020 TRACKLISTING: 1. Dreamers 2. Cloud Nein 3. On the Mend 4. Lonely Beuys 5. Future Peg 6. Goat 7. Inner Iggy 8. Hunters 9. Oyster Point 10. The Prettiest Song in the World 11. Animal Attraction 12. Sheela 13. Unsweet Meat 14. Swan 15. Powder My Wig 16. If Only 17. In the Valley of the In-Between GENRE: Alternative Rock Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man’s first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. 0 9 8 7 8 7 1 3 5 0 2 209 8 7 8 7 1 3 5 0 1 5 CD Packaging: Digipack 2xLP Packaging: Gatefold jacket w/ custom The 17-track effort, featuring “Cloud Nein,” “Future Peg,” “On the with poster insert dust sleeves and etching on side D Includes mp3 coupon Mend” “Sheela,” and “Animal Attraction,” was produced by Cyrus NON-RETURNABLE Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday’s Dre Babinski on “Future Peg” and “If Only,” and Rebecca Black (singer of the viral pop hit, “Friday”) on “On The Mend” and “Lonely Beuys.” The album follows the release of “Beached” and “Witch,“ Man Man’s contributions to Vol.
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June 26, 1995
Volume$3.00Mail Registration ($2.8061 No. plusNo. 1351 .20 GST)21-June 26, 1995 rn HO I. Y temptation Z2/Z4-8I026 BUM "temptation" IN ate, JUNE 27th FIRST SIN' "jersey girl" r"NAD1AN TOUR DATES June 24 (2 shows) - Discovery Theatre, Vancouver June 27 a 28 - St. Denis Theatre, Montreal June 30 - NAC Theatre, Ottawa July 4 - Massey Hall, Toronto PRODUCED BY CRAIG STREET RPM - Monday June 26, 1995 - 3 theUSArts ireartstrade of and andrepresentativean artsbroadcasting, andculture culture Mickey film, coalition coalition Kantorcable, representing magazine,has drawn getstobook listdander publishing companiesKantor up and hadthat soundindicated wouldover recording suffer thatKantor heunder wasindustries. USprepared trade spokespersonCanadiansanctions. KeithThe Conference for announcement theKelly, coalition, nationalof the was revealed Arts, expecteddirector actingthat ashortly. of recent as the a FrederickPublishersThe Society of Canadaof Composers, Harris (SOCAN) Authors and and The SOCANand Frederick Music project.the preview joint participation Canadian of SOCAN and works Harris in this contenthason"areGallup the theconcerned information Pollresponsibilityto choose indicated about from.highway preserving that to He ensure a and alsomajority that our pointedthere culturalthe of isgovernment Canadiansout Canadian identity that in MusiccompositionsofHarris three MusicConcert newCanadian Company at Hallcollections Toronto's on pianist presentedJune Royal 1.of Monica Canadian a Conservatory musical Gaylord preview piano of Chatman,introducedpresidentcomposers of StevenGuest by the and their SOCAN GellmanGaylord.speaker respective Foundation, and LouisThe composers,Alexina selections Applebaum, introduced Louie. Stephen were the originatethatisspite "an 64% of American the ofKelly abroad,cultural television alsodomination policies mostuncovered programs from in of place ourstatisticsscreened the media."in US; Canada indicatingin 93% Canada there of composersdesignedSeriesperformed (Explorations toThe the introduceinto previewpieces.
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Ryan's New Federal
Montora Mike's Record hops... Joni Mitchell courts and sparks Since 1964 an dthe arrival of Rock I suppose I as an art form. For it is my opinion that Rock is have listened to approximately two to three thou the most dynamic art form to appear in many years. sand albums, singles, and tapes of numerous rock It encompasses music, dance, and dyric ability of artists. There are, of course, many high points the artist all in one neat package. For many Rock which I can reflect on such as Listenig to “Sergeant is just something they listen to or a vehicle they Pepper’s Lonely Hearts Club” or hearing Jethro use to express a feeling and communication. Tull’s “Thick as a Brick,” but no album is more For Joni Mitchell Rock is her vehicle for expres artistically, stylistically and musically satisfying sion of feeling, emotion, and psychological develop than Joni Mitchell’s new album, “Court and Spark.” ment conflicts within herself and the outside world. Her ability to confront questions of freedom and Since her appearance on the Rock scene, she has values in our modern society are unquestionably been associated with “ice cream castles” and “soar unique and refreshing in Rock today. ing rainbows." Her last album, before “Court and Many will argue 'that Rock has no form, no base, Spark,” called “Blue,” certainly was just that, very just a copy of simple rhythms and rhymes. I do not blue. She spoke of very heajrtbreal^g situations agree with this; I rather argue quite strongly between her and her old man.
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Rod Stewart Blondes Have More Fun Mp3, Flac, Wma
Rod Stewart Blondes Have More Fun mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Blondes Have More Fun Country: US Released: 1978 Style: Pop Rock, Disco MP3 version RAR size: 1250 mb FLAC version RAR size: 1237 mb WMA version RAR size: 1339 mb Rating: 4.5 Votes: 835 Other Formats: MP3 APE RA AAC VOX MP4 AC3 Tracklist Hide Credits Da Ya Think I'm Sexy? A1 Written-By – Appice*, Stewart* Dirty Weekend A2 Written-By – Grainger*, Stewart* Ain't Love A Bitch A3 Written-By – Grainger*, Stewart* The Best Days Of My Life A4 Written-By – Cregan*, Stewart* Is That The Thanks I Get? A5 Written-By – Cregan*, Stewart* Attractive Female Wanted B1 Written-By – Grainger*, Stewart* Blondes (Have More Fun) B2 Written-By – Cregan*, Stewart* Last Summer B3 Written-By – Chen*, Stewart* Standin' In The Shadows Of Love B4 Written-By – Holland, Dozier, Holland* Scarred And Scared B5 Written-By – Grainger*, Stewart* Companies, etc. Phonographic Copyright (p) – WEA Records B.V. Phonographic Copyright (p) – Riva Records Ltd. Copyright (c) – WEA Records Ltd. Distributed By – WEA Records Ltd. Published By – Riva Music Ltd. Published By – Skylark Music Ltd. Published By – Jobete Music (UK) Ltd. Published By – Warner Bros. Music Ltd. Credits Engineer – Andy Johns Mastered By – Arun Chakraverty Producer – Tom Dowd Notes Has the cat. # as RVLP8 S [S is inside a circle] (BSK 3261) on the lower left rear of the picture cover. Side A is indicated as "SIDE ONE" and tracks are numbered from 1 to 5. Side B is indicated as "SIDE ONE Continued" and tracks are numbered from 6 to 10.
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Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
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A COMPARISON ANALYSIS of AMERICAN and BRITISH IDIOMS By
A COMPARISON ANALYSIS OF AMERICAN AND BRITISH IDIOMS By: NANIK FATMAWATI NIM: 206026004290 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2011 ABSTRACT Nanik Fatmawati, A Comparison Analysis of American Idioms and British Idioms. A Thesis: English Letters Department. Adab and Humanities Faculty. Syarif Hidayatullah State Islamic University Jakarta, 2011 In this paper, the writer uses a qualitative method with a descriptive analysis by comparing and analyzing from the dictionary and short story. The dictionary that would be analyzed by the writer is English and American Idioms by Richard A. Spears and the short story is you were perfectly fine by John Millington Ward. Through this method, the writer tries to find the differences meaning between American idioms and British idioms. The collected data are analyzed by qualitative using the approach of deconstruction theory. English is a language particularly rich in idioms – those modes of expression peculiar to a language (or dialect) which frequently defy logical and grammatical rules. Without idioms English would lose much of its variety and humor both in speech and writing. The results of this thesis explain the difference meaning of American and British Idioms that is found in the dictionary and short story. i ii iii DECLARATION I hereby declare that this submission is my original work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text.
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Collections Development Policy
Collections Development Policy Name of museum: Horniman Museum & Gardens Name of governing body: Horniman Public Museum and Public Park Trust Date on which this policy was 15 October 2015 approved by governing body: Policy review procedure: The C ollections Development Policy will be published and reviewed from time to time, at least once every five years. Date at which this policy is October 2018 due for review: Arts Council England will be notified of any changes to the collections development policy, and the implications of any such changes for the future of collections. 1. Relationship to other relevant policies/plans of the organisation: ......................... 2 2. History of the collections ....................................................................................... 3 3. An overview of current collections......................................................................... 3 4. Themes and priorities for future collecting ............................................................ 3 5. Themes and priorities for rationalisation and disposal .......................................... 5 6. Legal and ethical framework for acquisition and disposal of items ....................... 6 7. Collecting policies of other museums .................................................................... 6 8. Archival holdings ................................................................................................... 7 9. Acquisition ...........................................................................................................
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