DOCSLIB.ORG

Report of Proceedings of Tynwald Court

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Report of Proceedings of Tynwald Court REPORT OF PROCEEDINGS OF TYNWALD COURT Douglas, Wednesday, March 23, 1966 Present: The Deputy - Governor one hundred years old. I asked him if (Deemster S. J. Kneale, C.B.E.) In the he would like to go and visit the houses Council: The Attorney-General (Mr D.D. with me and he declined—why? Lay), Messrs J. B. Bolton, C. C. McFee, Mr McFee: It was not necessary. J. H. Nicholls 0.B.E., J. C. Nivison, H. H. Radcliffe, with Mr W. B. Mr MacLeod: I do not know why he Kennaugh, Acting Clerk to the Council. declined, but if he knows the state of In the Keys: The Speaker (Mr H. C. the houses that the people are living in Kerruish, 0.B.E.), Messrs T. F. Corkhill, he will know perfectly well that they H. D. C. MacLeod, E. N. Crowe, R. E. S. are a lot worse than the warrens and Kerruish, P Radcliffe, E. R. Moore, W. E. dens that the Government offices are Quayle, J. R. Creer, J. M. Cain 0.B.E., supposed to be. I would have thought A. H. Simcocks, T. C. Faragher, T. H. the first priority was to provide houses. Colebourn, J. E. Callister, T. A. Corkish, decent houses for the people to live in. J. J. Bell, P. Coupe, W. B. Kaneen, These houses in Foxdale are in an G. V. H. Kneale, H. S. Cain, R. Mac- absolute shocking condition, very few of Donald, A. S. Kelly, Sir Henry Sugden, them have a water closet. The houses K.B.E., C.B., D.S.O., with Mr T. E. that were built 100 years ago have no Kermeen, Secretary of the House. dampcourses, the walls are all damp and the people are living in houses that are not fit for animals and here we have an estimate and no housing programme LOCAL GOVERNMENT BOARD for Foxdale at all. In his report about ESTIMATES housing, he says there is a continual The Deputy-Governor: When we drift from the country to the town and adjourned, gentlemen, we were dealing it must be stopped, but I can see what they are doing, they are creating new with No. 18 on the agenda—the Local Government Board vote. towns, such as Ballasalla. There are plenty of houses there being built, but Mr MacLeod: Your Excellency, one here in Foxdale, which could be with- or two questions I would like to ask. In out a doubt, one of the loveliest villages the first place I would like to congratu- in the Isle of Man, at the present time late the chairman of the Local Govern- it is what one would call a desolate area, ment Board for putting in the estimates a no-man's land, heaps of slag have been £10,000 for Foxdale. I only hope and there for I don't know how many years, trust that the Finance Board will not ever since the mines closed. We have cut this out as they have done in put in continually so much money, last previous years and leave Foxdale in its year we had £1,500 in to clear it up-- still derelict state. I also notice that the money was taken out by the Finance there is no housing scheme for Foxdale. Board, there was nothing done. It goes The chairman of the Local Government on continually year upon year and I Board stated last Tuesday that 83 per would honestly like to see the Local cent. of the houses in Foxdale were over Government Board doing something in Local Government Board Estimates 1164 TYNWALD COURT, MARCH 23, 1966 the Foxdale area to make houses habit- Manx Electric, they have inherited able and fit for people to live in. something that was built 50 or 60 years ago, there is no car newer than 50 years Mr Nivison: Your Excellency, speak- old. I think the latest model that you ing on the capital estimates of some have will be a 50-year-old model, Mr £2,123,000 contained on pages 86 and Colebourn? 87, I think the Court do expect that many of these schemes contained in, Mr Colebourn: Yes. amongst these enormous figures, will be Mr Nivison: And these dilapidated the subject of special resolutions of things-- Tynwald. We do understand that. At the same time we can imagine that some of Mr Colebourn: They are not dilapi- the other items will be making provision dated. for already approved schemes. We do Mr Nivison: Well really they are not appreciate that under the Tourist particularly pretty to look upon. With Improvement Act there will be from this ultra-modern solarium that we talk time to time monies applied for and about and we all appreciate and we all these will not be the subject of special eagerly look forward to this develop- resolutions of Tynwald. There are many ment. I would hope that we might be other figures that are contained here, bold enough, Your Excellency, to con- but we would hope that such things as sider the advisability of removing those the central abattoir, the composting sheds to some other place if it is still scheme and one in particular that I am thought possible, still thought advisable particularly interested in, and I am sure to continue with this form of transport. the Court are eagerly awaiting, some If it is still thought advisable to con- resolution in respect of what is called tinue and perpetuate this, I understand the Derby Castle Scheme. It is down that part of the development, Your here as the swimming pool for Douglas. Excellency. has been to put some I am sure we are all eagerly awaiting wonderful canopy over the lines where this scheme and I would hope that the cars start, in front of this modern, whilst it is very essential to do this as ultra-modern, solarium. In other words soon as possible, I would hope that they it would be the ancient and the modern. would not rush too much and not over- This is what we would have and really look such things as the nossibility, even the visitors to our Island. I am sure, at this late stage, of taking in the Manx would not fully appreciate this. It can Electric sheds as well. Every time I be avoided and I hope that the planners come past that area, at the moment it would be sufficiently courageous to take looks like a place that you would see in in that whole area. It is a natural little many parts of Europe following the war valley—Port of Ardour is the name of where there have been some bombs the valley — a natural little valley, to dropped round about the place. It looks take in the lot, there would be sufficient absolutely terrible at the moment, and room for parking of vehicles, there one cannot imagine this wonderful would be room for further development solarium being built and next to it a if and when it was a success. At the series of asbestos sheds. It would be a moment I would recommend, Your complete and utter disgrace to a modern Excellency, members of this Court, to seaside resort to find that they were 20 along and see the space that is avail- going to spend—something like a million able for this development and say of money has been mentioned — some- "where are the motor cars going to go?" thing like a million of money to be spent You nave only got to have a modest in that area and then next door to this event on in Douglas today, which would area a series of sheds and some dilapi- attract 100 or 200 people, and you would dated cars lying out from time to time. see 50 or 60 cars outside. This is They were built, no reflection on the designed to cater for thousands of Local Government Board Estimates TYNWALD COURT, MARCH 23, 1966 1165 people, if it is to be a success it must know that it is the duty of this Govern- cater for thousands of people. ment to provide houses for those people Mr J. M. Cain: May I ask, Your who cannot afford to buy or rent them —(hear, hear)—but, sir, we have had a Excellency, what estimates Mr Nivison is talking about? document circulated to us yesterday indicating the sort of cost which the Mr Nivison: The Local Government provision of large new housing estates Board Capital Estimates, Your Excel- are going to involve the Government. It lency, and one of these days we will be is only three years ago, sir, since the coming along and saying they were Con- Local Government Board issued a tained in the blue book, they were housing policy statement in which, passed in the green book and you have amongst other things, it indicated the had it, gentlemen. This matter has been intention of the Board to introduce discussed. In fact the chairman of the legislation under which there could be a Finance Board has told us if we have programme of the renewal of existing any strong observations on any of these urban housing. Now sir, the hon. points, let us know about these observa- member for Glenfaba, Mr MacLeod, has tions, so that we can then act accord- spoken about houses in Foxdale being ingly. I would hope that the Finance 100 years old and more, and he has Board and the Governor's Executive deduced from that fact alone that these Council in considering these, and then houses, because they are 100 years old, coming forward to recommend to Tyn- that they must be replaced.
Load more

Recommended publications
  • June 26, 1995
    Volume$3.00Mail Registration ($2.8061 No. plusNo. 1351 .20 GST)21-June 26, 1995 rn HO I. Y temptation Z2/Z4-8I026 BUM "temptation" IN ate, JUNE 27th FIRST SIN' "jersey girl" r"NAD1AN TOUR DATES June 24 (2 shows) - Discovery Theatre, Vancouver June 27 a 28 - St. Denis Theatre, Montreal June 30 - NAC Theatre, Ottawa July 4 - Massey Hall, Toronto PRODUCED BY CRAIG STREET RPM - Monday June 26, 1995 - 3 theUSArts ireartstrade of and andrepresentativean artsbroadcasting, andculture culture Mickey film, coalition coalition Kantorcable, representing magazine,has drawn getstobook listdander publishing companiesKantor up and hadthat soundindicated wouldover recording suffer thatKantor heunder wasindustries. USprepared trade spokespersonCanadiansanctions. KeithThe Conference for announcement theKelly, coalition, nationalof the was revealed Arts, expecteddirector actingthat ashortly. of recent as the a FrederickPublishersThe Society of Canadaof Composers, Harris (SOCAN) Authors and and The SOCANand Frederick Music project.the preview joint participation Canadian of SOCAN and works Harris in this contenthason"areGallup the theconcerned information Pollresponsibilityto choose indicated about from.highway preserving that to He ensure a and alsomajority that our pointedthere culturalthe of isgovernment Canadiansout Canadian identity that in MusiccompositionsofHarris three MusicConcert newCanadian Company at Hallcollections Toronto's on pianist presentedJune Royal 1.of Monica Canadian a Conservatory musical Gaylord preview piano of Chatman,introducedpresidentcomposers of StevenGuest by the and their SOCAN GellmanGaylord.speaker respective Foundation, and LouisThe composers,Alexina selections Applebaum, introduced Louie. Stephen were the originatethatisspite "an 64% of American the ofKelly abroad,cultural television alsodomination policies mostuncovered programs from in of place ourstatisticsscreened the media."in US; Canada indicatingin 93% Canada there of composersdesignedSeriesperformed (Explorations toThe the introduceinto previewpieces.
    [Show full text]
  • A COMPARISON ANALYSIS of AMERICAN and BRITISH IDIOMS By
    A COMPARISON ANALYSIS OF AMERICAN AND BRITISH IDIOMS By: NANIK FATMAWATI NIM: 206026004290 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2011 ABSTRACT Nanik Fatmawati, A Comparison Analysis of American Idioms and British Idioms. A Thesis: English Letters Department. Adab and Humanities Faculty. Syarif Hidayatullah State Islamic University Jakarta, 2011 In this paper, the writer uses a qualitative method with a descriptive analysis by comparing and analyzing from the dictionary and short story. The dictionary that would be analyzed by the writer is English and American Idioms by Richard A. Spears and the short story is you were perfectly fine by John Millington Ward. Through this method, the writer tries to find the differences meaning between American idioms and British idioms. The collected data are analyzed by qualitative using the approach of deconstruction theory. English is a language particularly rich in idioms – those modes of expression peculiar to a language (or dialect) which frequently defy logical and grammatical rules. Without idioms English would lose much of its variety and humor both in speech and writing. The results of this thesis explain the difference meaning of American and British Idioms that is found in the dictionary and short story. i ii iii DECLARATION I hereby declare that this submission is my original work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text.
    [Show full text]
  • Kodály's Dances of Galánta
    KSKS55 IB SL/HL 2017-19: Kodály’s Dances of Galánta Jonathan James by Jonathan James is a freelance music educator and teacher trainer who works with orchestras, concert venues and a variety INTRODUCTION of communities to explain classical It’s an odd pairing at first glance: Bach’s Brandenburg Concerto No. 2 (covered in its ownMusic Teacher and jazz music. resource, February 2016) with Kodály’s Dances of Galánta. And yet these prescribed works for IB’s music diploma (for first examination in June 2017, through to 2019) invite some cunning comparison. Both works involve dance music that draws on elements of national styles, and both rely on ingenious scoring for effect. They also offer a useful wormhole into each composer’s mind. The Galánta dances epitomise Kodály’s nationalist principles and are a brilliant example of his absorption of Hungarian folk style and particular brand of classicism. This investigation into Kodály’s masterpiece starts by setting some context: Who was Kodály and why is he so interesting? What did nationalism mean for Hungarian composers? What are the key features of the Hungarian folk style? How are these features reflected in the Dances of Galánta? This is followed by a detailed analysis of each section of the Dances of Galánta, where possible addressing the objectives given by IB in their specification for both Higher and Standard levels of the diploma. In the listening paper on music perception and analysis, students are expected to demonstrate: knowledge, understanding and perception of music in relation to time, place and cultures, appropriate musical terminology to describe and reflect their critical understanding of music, comparative analysis of music in relation to time, place and cultures.
    [Show full text]
  • JOBE HAL 2015.Pdf
    Cogs in the wheel or spanners in the works? A phenomenological approach to the diffculty and meaning of ethical work for financial controllers François-Régis Puyou, Eric Faÿ To cite this version: François-Régis Puyou, Eric Faÿ. Cogs in the wheel or spanners in the works? A phenomenological approach to the diffculty and meaning of ethical work for financial controllers. Journal ofBusiness Ethics, Springer Verlag, 2015, 128 (4), pp.863-876. 10.1007/s10551-013-1986-6. hal-01154529 HAL Id: hal-01154529 https://hal-audencia.archives-ouvertes.fr/hal-01154529 Submitted on 22 May 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. COGS IN THE WHEEL OR SPANNERS IN THE WORKS? François-Régis Puyou, Audencia Nantes Eric Faÿ, EM Lyon EBEN 2012 Conference Barcelona Paper accepted in the Journal of Business Ethics COGS IN THE WHEEL OR SPANNERS IN THE WORKS? A PHENOMENOLOGICAL APPROACH TO THE DIFFICULTY AND MEANING OF ETHICAL WORK FOR FINANCIAL CONTROLLERS 1 Abstract: The aim of this paper is to propose a new perspective on the difficulty and meaning of ethical work for financial controllers. This is achieved by drawing on concepts from Michel Henry‘s phenomenology of life in the field of business ethics.
    [Show full text]
  • THE COUNTRY DANCER H 0 B B Y H 0 R S E S EDITOR-IN-CHIEF May Gadd, National Director, C.D.S
    N E W MEMBERS W H 0 H A V E J 0 I N E D THE C D • S • S I N C E OUR LAST ISSUE THE CONTRIBUTING: Miss Florence Goodell, Berea, Ky .; Miss Ada Harris, San Francisco, Cal . ; REGULAR: Mr. John Benore, East Orange, N. J . ; Mr . Henry Carroll. New York, N. Y. ; Mrs . Henry Carroll, New York, N.Y . ; Mr. David Hahn. New York, N. Y.; Mrs. David Hahn, New York, COUNTRY N. Y. ; Miss Eleanor Jones, Philadelphia, Penna. ; Miss Sally Lohman, New York, N. Y. ; Miss Maggie Mahon, New York , N. Y. ; Dr. Jean B. Malick, New York, N.Y.; t.liss t.larthaMayers, Forest Hills, N. Y.; Mr. Richard L. Saville, Bryn Mawr, Penna. ; M:. William E. Sellers, Hempstead, N.Y. ; Dr. Mooshy SergH, New York, N. Y. DANCER ASSOCI ATE: Miss Mary Bennett, Cincinnati, Ohio; Mrs. Brand Blanshard, New Haven, Conn .; Mrs. Arthur E. Case, New Haven, Conn . ; Mr . Thomas W. Copeland, New Haven, Conn .; t.liss Shirley VOLUME ~ Durham, Louisville, Ky . ; Miss Emilie Hartman, Cambridge , Mass . ; t.liss Hazel Heaton, New Haven, Conn . ; Miss ·Betty Ann Johnson, New Haven , Conn.; Mr . Donald H. Katz, New Haven, Conn . ; Mr . H. C. Kelman, New Haven, Conn .; Mr . Thomas G. Mannin g , New Haven, Conn.; Mr. J. E. L. Peck, New Haven, Conn.; Miss Sylvia Preston, New Haven, Conn.; Rev . Philip G. Scott, New Haven, Conn.; Mrs. Philip G. Scott , New Haven , Conn .; MissPriscilla Smith, New Haven, Conn.; Mr. N. MeL . Stahl, New Haven, Conn . ; Mr. Charles Vilas, New Haven, Conn.; Mrs . Charles Vilas, New Haven, Conn .
    [Show full text]
  • Albums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart
    Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart 1 2 3 4 07/1970 27 06/1971 23 1 641 08/1972 37 1 2 2 08/1973 1 3 31 Gasoline Alley Every Picture Tells A Story Never A Dull Moment Sing It Again Rod 5 6 7 8 01/1974 3 10/1974 1 2 13 08/1975 11 1 7 9 07/1976 29 1 2 2 Coast To Coast ‐ Overture And Smiler Atlantic Crossing A Night On The Town Beginners 9 10 11 12 07/1977 6 3 11/1977 34 3 2 12/1978 9 3 1 3 11/1979 1 5 22 The Best Of Rod Stewart Foot Loose And Fancy Free Blondes Have More Fun Greatest Hits 13 14 15 16 11/1980 23 4 12 11/1981 42 8 11 11/1982 33 35 46 06/1983 2 5 30 Foolish Behaviour Tonight I'm Yours Absolutely Live Body Wishes Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart 17 18 19 20 06/1984 6 8 18 07/1986 4 5 28 06/1988 6 11 20 03/1990 20 Camouflage Every Beat Of My Heart Out Of Order Downtown Train ‐ Selections From Storyteller 21 22 23 24 04/1991 3 2 10 03/1993 14 3 06/1993 15 2 2 06/1995 9 4 35 Vagabond Heart Rod Stewart, Lead Vocalist Unplugged...and Seated A Spanner In The Works 25 26 27 28 11/1996 24 8 19 06/1998 16 2 44 02/2001 9 9 50 11/2001 18 7 40 If We Fall In Love Tonight When We Were The New Boys Human The Story So Far ‐ The Very Best Of Rod Stewart 29 30 31 32 11/2002 26 8 4 11/2003 46 4 2 11/2003 13 10/2004 38 3 1 1 It Had To Be You ‐ The Great As Time Goes By ‐ The Great Changing Faces ‐ The Very Best Stardust ‐ The Great American American Songbook American Songbook Vol.
    [Show full text]
  • Constructing the Temporal and Spatial in Commercial Punk Imagery
    This is a repository copy of Punk’s dead knot: Constructing the temporal and spatial in commercial punk imagery. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/109284/ Version: Accepted Version Article: Trowell, I.M. (2016) Punk’s dead knot: Constructing the temporal and spatial in commercial punk imagery. Punk & Post Punk, 5 (2). pp. 181-199. ISSN 2044-1983 https://doi.org/10.1386/punk.5.2.181_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ P dead knot: constructing the temporal and spatial in commercial punk imagery Abstract: This article analyses two deliberately constructed visual artefacts broadly classed within the punk style; a photograph from 1976 and a 30 second commercial from 2016.
    [Show full text]
  • Again and Again and Again Music As Site, Situation and Repetition
    Eivind Buene Again and Again and Again music as site, situation and repetition NordART The Arne Nordheim Centre for Artistic Research Eivind Buene Again and Again and Again music as site, situation and repetition Publications from The Arne Nordheim Centre for Artistic Research, vol. 2 NMH Publications 2017:7 Published by Norwegian Academy of Music NMH Publications 2017:7 © Norwegian Academy of Music and Eivind Buene Cover photo: Box Seats, RKO Hamilton Theatre. ISSNCopyright 0333-3760 2017 Matt Lambros. www.afterthefinalcurtain.net ISSN 2535-373X (elektroniske utgaver) ISBN 978-82-7853-216-4 ISBN 978-82-7853-231-7 (pdf) ISBN 978-82-7853-232-4 (ebok) Norwegian Academy of Music P.O. Box 5190 Majorstua 0302 OSLO Tel.: +47 23 36 70 00 E-mail: [email protected] nmh.no Print: 07 Media, www.07.no, 2018 Contents Introduction 5 Excavation, Exhumation, Autopsy 11 The Symphony Orchestra as Site Body and Site 29 Reading Kwon, thinking of Gould Brief Note on Repetition 46 Critical Music? 53 A spanner in the works Brief Note o n Infinite Endings 68 Delirious Brahms 71 Investigating the music chamber Brief note on Hacktivism 85 Posthumous Passions 89 A different perspective Brief Note on Transcription 98 ‘Smart critiques. Stupid creates’, Part 1 105 ‘Smart critiques. Stupid creates’, Part 2 114 ‘Smart critiques. Stupid creates’, Part3 123 Brief Note instead of a Conclusion 128 APPENDIX Works 133 Notes 134 Introduction Writing reflections Writing is not so much an activity that is ‘about’ or pursed alongside music, as it is a way of critically thinking, reinventing and experimenting with music.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • 2016-17 Session
    Edinburgh Writers’ Club The Bulletin 2016-17 WHAT EDITORS WANT stories and key features of their by Sheila Adamson personalities, so that you understand them and how they behave. Most of the At this year’s Edinburgh Book Festival, information will not end up in the actual four editors from different publishers text but it will help you to see them as across the UK took the time to deliver a three-dimensional individuals. session explaining what they look for when signing up a new author. Note that an editor will be thinking about what will be successful in the market, not It is worth clarifying what an editor’s role what might impress a literary critic. is. This is the person who works with the Similarly, when a new author is taken on it author to get the book ready for will be because the publishing house publication. Sometimes the original believes the books will sell. manuscript can be radically changed, with revisions to structure or characters or the What features are they looking for, then, resolution of the plot. In other cases the in deciding what to take on? Some of changes may be minor. The editor these will be more obvious than others: attempts to see the book from the point of view of a potential reader and make it Good voice work best for them. Good story Good villain In light of this, it is no surprise to hear that Imagination editors particularly appreciate writers Humour who are willing to receive feedback Drama – don’t be afraid to let your constructively.
    [Show full text]
  • June 2020 Arno Bay Today Issue 2
    June 2020 Arno Bay Today Issue 2 President’s Report What a better start to the cropping year we due to the social restrictions, so we have have seen, way better than the past couple of been very dormant during these past months. Community Calendar years, and still a long way to go, but a lot We hope to get going again once the re- better. Hopefully the farmers can have a strictions are lifted. decent harvest this year. The whole district I guess the biggest issue we are all facing is relies on the farmers, so we need them to be th the Covd 19 pandemic. While we are all doing well. And then we get 30 May (see urged to abide by the rules and regulations picture below), that’s a day to forget that the Government has imposed, we must Last quarter I reported that the Fuel situation remember that it is being done to ensure was in the hands Native Title approval, which that we are safe and do not get the dreaded is in process as we speak. Nothing has virus. Whether it has been an overkill changed, lawyers are in the driving seat. reaction from the Government, time will tell, Council are installing a seat and table at the and we may never know. But judging upon jumping pillow, so you do not have to sit on the infection rates and deaths overseas, I am the grass while having some lunch or coffee certainly glad that I live on Eyre Peninsula, whilst the kids are burning off some energy.
    [Show full text]
  • The Irish Press 1919-1948 Origins and Issues MA in Communications
    1 The Irish Press 1919-1948 Origins and Issues Thesis in respect of the degree of MA in Communications Student: David Robbins Dublin City University School of Communications Supervisor: Professor John Horgan Date: June, 2006 2 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of an MA in Communications is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. SignCd: ^O U A A ^ ID No: 96971355 Date: ^ - © b 3 Abstract This thesis provides a broad history of the Irish Press during the years 1919-1948. It sets forth how, from 1919 onwards, Republican leader Eamon de Valera became convinced of the need for a newspaper sympathetic to his aims, and how he went about raising funds for the enterprise both in Ireland and the United States. The corporate structure of the Irish Press is also examined, with particular emphasis on the role of the Controlling Director and the influence of the Irish Press American Corporation. The Irish Press was first published in 1931, and the thesis examines its support for Fianna Fail in the period under study. The work also examines the changes in the relationship between the party and the paper as Fianna Fail became more entrenched in government. The role of the first editor of the Irish Press. Frank Gallagher, is considered. The changes in the attitude of the Irish Press to Fianna Fail in the post-Gallagher period are also examined, with emphasis on the findings of the Fianna Fail sub-committee on publicity.
    [Show full text]