DOCSLIB.ORG

1. Rush - Tom Sawyer 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1. Rush - Tom Sawyer 2 1. Rush - Tom Sawyer 2. Black Sabbath - Iron Man 3. Def Leppard - Photograph 4. Guns N Roses - November Rain 5. Led Zeppelin - Stairway to Heaven 6. AC/DC - Highway To Hell 7. Aerosmith - Sweet Emotion 8. Metallica - Enter Sandman 9. Nirvana - All Apologies 10. Black Sabbath - War Pigs 11. Guns N Roses - Paradise City 12. Tom Petty - Refugee 13. Journey - Wheel In The Sky 14. Led Zeppelin - Kashmir 15. Jimi Hendrix - All Along The Watchtower 16. ZZ Top - La Grange 17. Pink Floyd - Another Brick In The Wall 18. Black Sabbath - Paranoid 19. Soundgarden - Black Hole Sun 20. Motley Crue - Home Sweet Home 21. Derek & The Dominoes - Layla 22. Rush - The Spirit Of Radio 23. Led Zeppelin - Rock And Roll 24. The Who - Baba O Riley 25. Foreigner - Hot Blooded 26. Lynyrd Skynyrd - Freebird 27. ZZ Top - Cheap Sunglasses 28. Pearl Jam - Alive 29. Dio - Rainbow In The Dark 30. Deep Purple - Smoke On The Water 31. Nirvana - In Bloom 32. Jimi Hendrix - Voodoo Child (Slight Return) 33. Billy Squier - In The Dark 34. Pink Floyd - Wish You Were Here 35. Rush - Working Man 36. Led Zeppelin - Whole Lotta Love 37. Black Sabbath - NIB 38. Foghat - Slow Ride 39. Def Leppard - Armageddon It 40. Boston - More Than A Feeling 41. AC/DC - Dirty Deeds Done Dirt Cheap 42. Ozzy Osbourne - Crazy Train 43. Aerosmith - Walk This Way 44. Led Zeppelin - Dazed & Confused 45. Def Leppard - Rock Of Ages 46. Ozzy Osbourne - No More Tears 47. Eric Clapton - Cocaine 48. Ted Nugent - Stranglehold 49. Aerosmith - Dream On 50. Van Halen - Eruption / You Really Got Me 51. Tom Petty - You Don’t Know How It Feels 52. Yes - I’ve Seen All Good People 53. Pink Floyd - Time 54. Def Leppard - Foolin’ 55. Led Zeppelin - Good Times Bad Times 56. ZZ Top - Legs 57. Lynyrd Skynyrd - What’s Your Name 58. Nirvana - Smells Like Teen Spirit 59. Aerosmith - Janie’s Got A Gun 60. Motley Crue - Wildside 61. AC/DC - Hells Bells 62. Foreigner - Urgent 63. ZZ Top - Tush 64. Pink Floyd - Brain Damage/Eclipse 65. Rush - Freewill 66. Deep Purple - Perfect Strangers 67. Guns N Roses - Sweet Child O Mine 68. Rainbow - Stone Cold 69. Beatles - Come Together 70. Neil Young - Rockin’ In The Free World 71. Motley Crue - Shout At the Devil 72. Journey - Any Way You Want It 73. Soundgarden - Outshined 74. Metallica - Fade To Black 75. Eagles - Hotel California 76. Tom Petty - Free Fallin’ 77. Jethro Tull - Aqualung 78. Neil Young - Cinnamon Girl 79. Pink Floyd - Have A Cigar 80. Led Zeppelin - Communication Breakdown 81. Fleetwood Mac - The Chain 82. ZZ Top - Gimme All Your Lovin’ 83. AC/DC - Big Balls 84. Rolling Stones - Sympathy For The Devil 85. The Cars - Just What I Needed 86. Led Zeppelin - What Is And What Should Never Be 87. Eagles - Life In The Fast Lane 88. Bon Jovi - You Give Love A Bad Name 89. Kansas - Carry On Wayward Son 90. Journey - Don’t Stop Believin’ 91. Lynyrd Skynyrd - Sweet Home Alabama 92. Blue Oyster Cult - Don’t Fear The Reaper 93. Heart - Barracuda 94. Led Zeppelin - Black Dog 95. Queen - Bohemian Rhapsody 96. AC/DC - You Shook Me All Night Long 97. Bad Company - Feel Like Makin’ Love 98. Steve Miller - The Joker 99. ZZ Top - Sharp Dressed Man 100. Bob Seger - Turn the Page 101. Lynyrd Skynyrd - That Smell 102. Van Halen - Panama 103. Billy Idol - Rebel Yell 104. Boston - Peace Of Mind 105. Tom Petty - I Won’t Back Down 106. Pink Floyd - Comfortably Numb 107. Scorpions - No One Like You 108. AC/DC - Back In Black 109. Queen - We Will Rock You / We Are The Champions 110. Guns N Roses - Welcome To The Jungle 111. Rolling Stones - Start Me Up 112. Pat Benatar - Heartbreaker 113. Journey - Separate Ways 114. Foreigner - Juke Box Hero 115. Phil Collins - In The Air Tonight 116. Dire Straits - Sultans Of Swing 117. Joan Jett - I Love Rock And Roll 118. The Who - Who Are You 119. Led Zeppelin - Over The Hills And Far Away 120. Van Halen - Runnin’ With The Devil 121. Def Leppard - Pour Some Sugar On Me 122. Cheap Trick - I Want You To Want Me 123. Thin Lizzy - The Boys Are Back In Town 124. Rolling Stones - Miss You 125. Pink Floyd - Young Lust 126. The Cars - Good Times Roll 127. Jimi Hendrix - Purple Haze 128. Police - Roxanne 129. Rush - Limelight 130. John Mellencamp - Jack & Diane 131. Scorpions - Rock You Like A Hurricane 132. Van Halen - Jump 133. Joe Walsh - Life’s Been Good 134. KISS - Rock & Roll All Nite 135. Judas Priest - Breaking The Law 136. Queen - Fat Bottomed Girls 137. Aerosmith - Train Kept A Rollin’ 138. Heart - Magic Man 139. Billy Idol - White Wedding 140. J Geils Band - Love Stinks 141. Whitesnake - Here I Go Again 142. Blue Oyster Cult - Burnin’ For You 143. Bad Company - Rock And Roll Fantasy 144. Black Sabbath - Sweet Leaf 145. AC/DC - TNT 146. Tom Petty - American Girl 147. Steve Miller - Rock N Me 148. Foreigner - Cold As Ice 149. Lynyrd Skynyrd - Gimme Three Steps 150. Manfred Mann’s Earth Band - Blinded By The Light 151. Dio - The Last In Line 152. Rush - Fly By Night 153. War - Low Rider 154. Led Zeppelin - D’yer Mak’er 155. Heart - Crazy On You 156. Boston - Foreplay / Long Time 157. Golden Earring - Twilight Zone 158. Fleetwood Mac - Go Your Own Way 159. Yes - Owner Of A Lonely Heart 160. KISS - Detroit Rock City 161. Queen/David Bowie - Under Pressure 162. Pink Floyd - Hey You 163. Rolling Stones - Gimme Shelter 164. Foreigner - Double Vision 165. Ozzy Osbourne - Mama, I’m Coming Home 166. Motley Crue - Girls, Girls, Girls 167. Billy Squier - Lonely Is The Night 168. Eagles - Victim Of Love 169. Mountain - Mississippi Queen 170. Doors - LA Woman 171. Pink Floyd - Money 172. Dire Straits - Money For Nothing 173. Led Zeppelin - Fool In The Rain 174. Bon Jovi - Wanted Dead Or Alive 175. The Cars - Let’s Go 176. AC/DC - Thunderstruck 177. Jimi Hendrix - Foxey Lady 178. Steve Miller - Take The Money And Run 179. 38 Special - Hold On Loosely 180. The Who - Won’t Get Fooled Again 181. Pearl Jam - Even Flow 182. Boston - Smokin’ 183. Red Rider - Lunatic Fringe 184. Yes - Roundabout 185. Tom Petty - Runnin’ Down A Dream 186. Billy Squier - The Stroke 187. Led Zeppelin - Immigrant Song 188. Stevie Nicks - Edge Of Seventeen 189. Van Halen - Jamie’s Cryin’ 190. Steve Miller - Fly Like An Eagle 191. Lynyrd Skynyrd - Simple Man 192. Beatles - Revolution 193. Nirvana - Heart Shaped Box 194. Black Crowes - Hard To Handle 195. Doors - Roadhouse Blues 196. Aerosmith - Love In An Elevator 197. Sammy Hagar - I Can’t Drive 55 198. Queen - Another One Bites The Dust 199. Guns N Roses - Knockin’ On Heaven’s Door 200. Judas Priest - You’ve Got Another Thing Comin’ 201. Free - All Right Now 202. George Thorogood - Bad To The Bone 203. Def Leppard - Animal 204. Journey - Lights 205. Bad Company - Bad Company 206. Pink Floyd - Run Like Hell 207. Pat Benatar - Hit Me With Your Best Shot 208. Rolling Stones - You Can’t Always Get What You Want 209. Joe Walsh - Rocky Mountain Way 210. Motley Crue - Kickstart My Heart 211. Boston - Rock And Roll Band 212. U2 - Pride (In The Name Of Love) 213. Steve Miller - Jet Airliner 214. Def Leppard - Bringin’ On The Heartbreak 215. The Who - Behind Blue Eyes 216. Led Zeppelin - The Ocean 217. Tom Petty - Don’t Do Me Like That 218. Van Halen - Unchained 219. Queen - Killer Queen 220. Styx - Come Sail Away 221. Lynyrd Skynyrd - Call Me The Breeze 222. Rolling Stones - Beast Of Burden 223. Cheap Trick - Surrender 224. Black Crowes - She Talks To Angels 225. Bryan Adams - Summer Of 69 226. Police - Message In A Bottle 227. Aerosmith - Back In The Saddle 228. AC/DC - Have A Drink On Me 229. Marshall Tucker Band - Can’t You See 230. Boston - Don’t Look Back 231. Alice In Chains - Would 232. Clash - Should I Stay Or Should I Go 233. U2 - New Years Day 234. Guess Who - American Woman 235. Jimi Hendrix - Fire 236. John Mellencamp - Hurts So Good 237. Led Zeppelin - Hey Hey What Can I Do 238. Fleetwood Mac - Dreams 239. REO Speedwagon - Take It On The Run 240. Eagles - Take It Easy 241. Ten Years After - I’d Love To Change The World 242. Billy Squier - Everybody Wants You 243. Steppenwolf - Magic Carpet Ride 244. Nazareth - Hair Of The Dog 245. Guns N Roses - Patience 246. David Bowie - Space Oddity 247. Aerosmith - Rag Doll 248. Bon Jovi - Livin’ On A Prayer 249. Rolling Stones - Jumpin’ Jack Flash 250. Cream - White Room 251. Van Halen - Hot For Teacher 252. Ratt - Round And Round 253. Led Zeppelin - Misty Mountain Hop 254. Foreigner - Feels Like The First Time 255. John Lennon - Imagine 256. Rolling Stones - Satisfaction 257. Tom Petty - Mary Jane’s Last Dance 258. Metallica - Nothing Else Matters 259. U2 - I Still Haven’t Found What I’m Looking For 260. 38 Special - Caught Up In You 261. Van Halen - Dance The Night Away 262. Alice Cooper - School’s Out 263. KISS - Love Gun 264. Ram Jam - Black Betty 265. Pink Floyd - Speak To Me / Breathe 266. Doors - People Are Strange 267. Temple Of The Dog - Hunger Strike 268. Steely Dan - Do It Again 269. T Rex - Bang A Gong (Get It On) 270. ZZ Top - I Thank You 271. Queen - Somebody To Love 272. AC/DC - Shoot To Thrill 273. Aerosmith - Dude (Looks Like A Lady) 274. Tom Petty - You Got Lucky 275. Rolling Stones - Honky Tonk Women 276.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • SOUNDGARDEN Superunknown (Hard Rock)
    SOUNDGARDEN Superunknown (Hard Rock) Année de sortie : 1994 Nombre de pistes : 16 Durée : 70' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Formé à Seattle, SOUNDGARDEN est généralement associé à la mouvance Grunge qui explose en 1991 avec NIRVANA et son album essentiel Nevermind. La musique du groupe emmené par le chanteur Chris CORNELL ne se résume toutefois pas à ce courant. Des similitudes peuvent être constatées, en premier lieu de par l’appartenance des deux formations à cette nouvelle scène de Seattle. Bruce PAVITT, fondateur du label Sub Pop, figure en effet parmi les amis du groupe, ce qui lui permet, avant NIRVANA, de devenir la première formation signée par l’incontournable officine Underground. Ensuite, la musique de SOUNDGARDEN est fréquemment caractérisée par la noirceur et la mélancolie. Cependant, Badmotorfinger, deuxième effort du groupe publié en 1991 par la compagnie nationale A & M, avec laquelle il vient de conclure un contrat avantageux, révèle des influences qui le rattachent davantage au Metal. L’album comporte de nombreuses compositions reposant sur des riffs plombés. Ainsi Jesus Christ Pose rappelle fortement LED ZEPPELIN, et le groupe paie sa dette à BLACK SABBATH sur le titre Slaves & Bulldozers. Après ce disque acclamé par la critique, SOUNDGARDEN connaîtra son apogée avec la sortie en 1994 de Superunknown, qui devient numéro un aux États-Unis avec trois millions d’exemplaires vendus.
    [Show full text]
  • Rush Three of Them Decided to - Geddy Recieved a Phone Reform Rush but Without Call from Alex
    history portraits J , • • • discography •M!.. ..45 I geddylee J bliss,s nth.slzers. vDcals neil pearl: percussion • alex liFesDn guitars. synt.hesizers plcs: Relay Photos Ltd (8); Mark Weiss (2); Tom Farrington (1): Georg Chin (1) called Gary Lee, generally the rhythm 'n' blues known as 'Geddy' be­ combo Ogilvie, who cause of his Polish/Jewish shortly afterwards also roots, and a bassist rarely changed their me to seen playing anything JUdd, splitting up in Sep­ other than a Yardbirds bass tember of the sa'l1le year. line. John and Alex, w. 0 were In September of the same in Hadrian, contacted year The Projection had Geddy again, and the renamed themselves Rush three of them decided to - Geddy recieved a phone reform Rush but without call from Alex. who was in Lindy Young, who had deep trouble. Jeff Jones started his niversity was nowhere to be found, course by then. In Autumn although a gig was 1969 the first Led Zeppelin planned for that evening. LP was released, and it hit Because the band badly Alex, Geddy an(i John like needed the money, Geddy a hammer. Rush shut them­ helped them out, not just selves away in their rehe­ providing his amp, but also arsal rooms, tUfned up the jumping in at short notice amp and discovered the to play bass and sing. He fascination of heavy was familiar with the Rush metaL. set alreadY, as they only The following months played well-known cover were going toJprove tough versions, and with his high for the three fYoung musi­ voice reminiscent of Ro­ cians who were either still bert Plant, he comple­ at school or at work.
    [Show full text]
  • An Uncurling Hand Isolation in Public Places
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2011 An Uncurling Hand Isolation In Public Places Kimberly Kelley Lundblom University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lundblom, Kimberly Kelley, "An Uncurling Hand Isolation In Public Places" (2011). Electronic Theses and Dissertations, 2004-2019. 1761. https://stars.library.ucf.edu/etd/1761 AN UNCURLING HAND: ISOLATION IN PUBLIC PLACES by KIMBERLY KELLEY LUNDBLOM B.A. University of North Florida, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2011 Major Professor: Terry Thaxton © 2011 Kimberly K. Lundblom ii ABSTRACT The creative thesis ―An Uncurling Hand: Isolation in Public Places‖ is a collection of poetry concerned with ideological dichotomies: conventional domestication against the exotic, class divides and its implications for identity, and most importantly the feeling of isolation even when surrounded by others. iii I am grateful to Terry Thaxton, whose belief in my abilities was unwavering and life altering. iv TABLE OF CONTENTS INTRODUCTION Writing Life Essay ............................................................................................................
    [Show full text]
  • Singing Accent Americanisation in the Light of Frequency Effects: Lot Unrounding and Price Monophthongisation in Focus
    Research in Language, 2018, vol. 16:2 DOI: 10.2478/rela-2018-0008 SINGING ACCENT AMERICANISATION IN THE LIGHT OF FREQUENCY EFFECTS: LOT UNROUNDING AND PRICE MONOPHTHONGISATION IN FOCUS MONIKA KONERT-PANEK University of Warsaw [email protected] Abstract The paper investigates – within the framework of usage-based phonology – the significance of lexical frequency effects in singing accent Americanisation. The accent of Joe Elliott of a British band, Def Leppard is analysed with regard to LOT unrounding and PRICE monophthongisation. Both auditory and acoustic methods are employed; PRAAT is used to provide acoustic verification of the auditory analysis whenever isolated vocal tracks are available. The statistical significance of the obtained results is verified by means of a chi- square test. In both analysed cases the percentage of frequent words undergoing the change is higher compared with infrequent ones and in the case of PRICE monphthongisation the result is statistically significant, which suggests that word frequency may affect singing style variation. Keywords: frequency effects, LOT unrounding, popular music, PRICE monophthong- gisation, singing accent, usage-based phonology 1. Introduction The phenomenon of style-shifting involved in pop singing in general and the Americanisation of British singing accent in particular have been investigated from various theoretical perspectives (Trudgill 1983, Simpson 1999, Beal 2009, Gibson and Bell 2012 among others). Depending on the theoretical standpoint, the notions of identity, reference style or default accent have been brought to light and assigned major explanatory power. Trudgill (1983) in his seminal paper on the sociolinguistics of British pop-song pronunciation interprets the emulation of the American accent as a symbolic tribute to the origins of popular music and provides the list of six characteristic features of this stylisation (1), two of which ((1c) and (1d)) are addressed in the present paper.
    [Show full text]
  • Won't Buy All Books
    The Courier Volume 4 Issue 31 Article 1 6-4-1971 The Courier, Volume 4, Issue 31, June 4, 1971 Follow this and additional works at: https://dc.cod.edu/courier This Issue is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in The Courier by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. First CD nursing Nearly 700 class graduates to graduate The fourth commencement College of DuPage will graduate Berg, college president, was the exercises of College of DuPage will its first class of nurses at next speaker. be Friday evening, June 11, at 7:45 week’s commencement exercises. Mrs. Santucci said she is urging in the college gym. About 650 Twenty eight nurses, one of them the students to work in general Associate degrees and about 50 male, will graduate and after hospitals for wide experience certificates in various technologies taking a state board examination before specializing. will be awarded. qualify as registered nurses. The class that was “pinned” Dr. Rodney Berg, college Mary Ann Santucci, chairman of includes: president, will introduce the stage the nursing program, presented Susan Altorfer, Carol Beechler, party and the speakers of the pins to the class at a meeting May Betty Black, Patricia Crandall, evening. Thomas Biggs, president 16 in the Gymnasium. Dr. Rodney Betty Crim, Donna Dorrough, of the Associated Student Body, Noreen Ehlenburg, Gloria Ellis, will make remarks. Phyllis Foster, Denise Gilman, The main speaker of the evening Diane Hastings, Carol Jenkins, will be Dr.
    [Show full text]
  • Book > Deluxe Guitar TAB Collection Authentic
    PK8C8FRUTC \ Deluxe Guitar TAB Collection Authentic Guitar TAB Authentic Guitar-Tab Editions / Book Deluxe Guitar TA B Collection A uth entic Guitar TA B A uth entic Guitar-Tab Editions By Staff Alfred Music. Paperback. Condition: New. 220 pages. Dimensions: 11.8in. x 8.9in. x 0.6in.This collection, covering 30 years in the career of the most successful and influential progressive rock band in history is a tribute to Rushs brilliant guitarist Alex Lifeson, one of the fathers of the progressive rock guitar genre. The book contains 22 prog-rock classics commencing in the mid-70s and concluding with chart success Snakes and Arrows, all in complete TAB. Titles: The Big Money Closer to the Heart Distant Early Warning Dreamline Far Cry Fly by Night Freewill Ghost of a Chance The Larger Bowl Limelight New World Man One Little Victory Red Barchetta Show Dont Tell The Spirit of Radio Subdivisions Test for Echo The Trees Tom Sawyer Vital Signs Working Man YYZ. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Perfect Paperback. READ ONLINE [ 1.16 MB ] Reviews Completely essential read through publication. It normally does not expense excessive. It is extremely diicult to leave it before concluding, once you begin to read the book. -- Morris Cruickshank Here is the best pdf i actually have go through till now. We have study and i also am certain that i am going to planning to go through once again once more in the future. You will not sense monotony at at any time of the time (that's what catalogs are for regarding in the event you question me).
    [Show full text]
  • A VISUALIZATION TOOL for SURVEY RESPONSES and a UNIFYING INTERFACE REDESIGN by Iva Cramer a Thesis Submitted to the Faculty of T
    A VISUALIZATION TOOL FOR SURVEY RESPONSES AND A UNIFYING INTERFACE REDESIGN by Iva Cramer A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2015 Approved by _____________________________________ Advisor: Professor Philip Rhodes _____________________________________ Reader: Professor Dawn Wilkins _____________________________________ Reader: Professor H. C. Cunningham © 2015 Iva Cramer ALL RIGHTS RESERVED ii DEDICATION For Lindsey Stirling, Andrew Lloyd Weber, Hans Zimmer, Ellen McLain, Ellie Goulding, Imagine Dragons, Skrillex, Ephixa, deadmau5, Tiesto, Basshunter, Daft Punk, Avicii, The Glitch Mob, Nightmare, Katy Perry, AC/DC, Queen, Def Leppard, Boston, Joan Jett, Journey, A-Ha, Rick Astley, and every other musically inclined entity that kept me going throughout this project and thesis work. iii ACKNOWLEDGEMENTS I would like to thank the following individuals, groups, and institutions for their various contributions to this project: the Sally McDonnell Barksdale Honors College, the Computer Science department, and FNC, Inc. for providing this opportunity and challenging me to meet higher goals; my fellow interns Philip Barrasso, Douglas Souza, Elizabeth Walden, and Surma Mukhopadhyay for being excellent teammates on the Fantastic Ninja Crew and working together to birth and grow the echopinion project; our echopinion coaches Chris Floyd, Robert Mason, Matthew Gray, Jerry Richlovsky, Joey Green, and Kim Byler for smoothing the way by getting tools and giving guidance, and Matthew in particular for continuing as my knowledgeable sponsor; Jason Verlangieri and Nora Brown for answering my countless questions regarding requirements and providing incredibly helpful answers and access to old tools; Dr. Dawn Wilkins and Dr.
    [Show full text]
  • Song List 2012
    SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat.
    [Show full text]
  • The Artists' View of Seattle
    WHERE DOES SEATTLE’S CREATIVE COMMUNITY GO FOR INSPIRATION? Allow us to introduce some of our city’s resident artists, who share with you, in their own words, some of their favorite places and why they choose to make Seattle their home. Known as one of the nation’s cultural centers, Seattle has more arts-related businesses and organizations per capita than any other metropolitan area in the United States, according to a recent study by Americans for the Arts. Our city pulses with the creative energies of thousands of artists who call this their home. In this guide, twenty-four painters, sculptors, writers, poets, dancers, photographers, glass artists, musicians, filmmakers, actors and more tell you about their favorite places and experiences. James Turrell’s Light Reign, Henry Art Gallery ©Lara Swimmer 2 3 BYRON AU YONG Composer WOULD YOU SHARE SOME SPECIAL CHILDHOOD MEMORIES ABOUT WHAT BROUGHT YOU TO SEATTLE? GROWING UP IN SEATTLE? I moved into my particular building because it’s across the street from Uptown I performed in musical theater as a kid at a venue in the Seattle Center. I was Espresso. One of the real draws of Seattle for me was the quality of the coffee, I nine years old, and I got paid! I did all kinds of shows, and I also performed with must say. the Civic Light Opera. I was also in the Northwest Boy Choir and we sang this Northwest Medley, and there was a song to Ivar’s restaurant in it. When I was HOW DOES BEING A NON-DRIVER IMPACT YOUR VIEW OF THE CITY? growing up, Ivar’s had spokespeople who were dressed up in clam costumes with My favorite part about walking is that you come across things that you would pass black leggings.
    [Show full text]
  • Def Leppard – 02
    DEF LEPPARD – 02. Juli 2019 – Berlin – Zitadelle Spandau – Support: EUROPE – JOHN DIVA and the Rockets of Love – Text und Fotos: Holger Ott Im Zeichen des Retro rufen die Bands der guten alten 80er Jahre und die Fans pilgern in die Zitadelle Spandau von Berlin. Das alte Gemäuer ist beliebt, gibt es neben sehr guter Akustik auch von allen Plätzen eine hervorragende Sicht auf die schöne große Bühne. Das Wetter spielt heute auch mit. Weder zu heiß noch zu kalt und bei einem kleinen Lüftchen lässt es sich einige Stunden aushalten. Dieses Stehvermögen braucht das Publikum, denn mit drei Bands stehen, abgesehen von den Umbaupausen, geschlagene drei Stunden Musik auf dem Programm Eröffnet wird der Abend von einer, mir bis dato, unbekannten Band. JOHN DIVA mit seinen 'Rockets of Love' geben sich die Ehre und präsentieren in dreißig Minuten eine beeindruckende musikalische und optische Darbietung unter dem Motto: „Mama said, Rock is dead". Frontman JOHN DIVA und seine Mannen turnen in extravagantem Outfit über die Bühne. Schön grell und bunt darf es sein und sieht man dazu DIVAS passenden Hüftschwung, weiß der Fan sofort, dass es hier nur um Sex, Drugs and Rock 'n' Roll geht. Ohne Zweifel, die Truppe ist gut und rockt auch richtig fett ab. Also, im Auge behalten. Ein gelungener Einstand in den heutigen Abend. Zu EUROPE muss man nicht viel sagen. JOEY TEMPEST ist in top Form und schmettert seine bekanntesten Songs in die Menge. Das Gedränge vor der Bühne wird größer und der Hype wächst mit jedem Song ihrer einstündigen Show. Leider fällt durch die Supporterstellung einiges unter den Tisch, aber Hits wie „Carrie", „Superstitius" und natürlich das abschließende "The Final Countdown" reißen wieder alles heraus.
    [Show full text]
  • Rock Music's Crusade of Authenticity
    ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive.
    [Show full text]