The Comment, September 24, 1987
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Patrick Colman's Horse Is the 'Talk of the Town'
OFFICIAL NEWSPAPER: Tow n of War w ick Village of Warwick Warwick Valley Central School District Village of Florida Florida Union Free School District Florida Public Library Albert Wisner Public Library Warwick Fire District Florida Fire District Pine Island Fire District VOLUME 120, NUMBER 28 WARWICK, NEW YORK, WEDNESDAY, DECEMBER 15, 2004 50¢ Patrick Colman’s Horse is the ‘Talk of the Town’ Warwick’s Patrick Colman practices his Santa Claus “Ho, Ho, Ho” behind the horse “Jimmie” he built from salvaged materials at his village home on Fairview Drive. Story on page 7 Chanukah Begins in Village with Prayers & Menorah Lighting Holiday Window By Lon Tytell Shopping Contest Despite a misty night, many people attended the annual Menorah lighting ceremony, which has been hosted in Warwick for many years by Moshe and Doris Schwartzberg. Under a canopy offering protection from the rain, Moshe read the traditional Jewish prayers in both Hebrew and English, & before the Menorah was lit at Lewis Park for the first night of Chanukah on Tues., Dec. 7. The audience listened as Moshe retold the story of Warwick Holiday why Chanukah is celebrated for eight days. Many years ago, the Jewish people who had reclaimed the temple back Shopping from the Syrians, found oil which was supposed to last for only one day. This oil was used to light the Menorah in the temple and lasted for eight days. Solutions and Rabbi Meir Borenstein of the Chabad Center of Orange County supplied kosher doughnuts and latkes for everyone to enjoy. Doris and Moshe heated the latkes A Blessing - Rabbi Meir Borenstein who supplied the deli- Guide which were quite delicious, especially on the chilly night. -
Editors All Shook up Over Ears'new Release
Page 8· THE AQUINAS· November 17, 1981 -.. contrast Editors allshook up over ears'new- release Cars mature Cars stagnate BY TONY NICHOLAS BY PAUL MAURER Aquinas C&R Editor Aquinas C&R Editor Panorama, the Cars' last LP, was a mistake The cover design ofthe Car's fourth and that never should have been released. Most Jatest album Shake It Up appears both . Cars' enthusiasts atthat time immediately promising and suspicious. The red and green went down to their local record shops and motif is eithera subliminal sales pitch to the bought the album without hearing it first, Christmas record buyer oran example of the and consequently felt like they got burned. Cars' penchant for gimmicks. "Burn me once, shame on you; burn me .The sexy female on the cover brings back TWICE, shame on me!" memories ofthe group's epi~ debut album. The Cars latest project, Shake It Up, may Does the cover similarity signify a suffer as a result and, this time, critics and renaissance ofthe Cars' musical style~ fans alike might tend to over-scrutinize the Unfortunately, the suggested . new release. foreshadowing ofthe album cover does not Most feel when a w:.:oup like the Cars describe the musical content of the LP. churns out two smasn LP's (The Cars and Gimmicks abound in this nine-song Candy-o), and then release a real stinker, the compilation, but the Package sounds next one better be exactly like the first two or suspiciously similar to lastyear'sanemic scrap the group altoghe.ther. This really isn't third album, Panorama. -
The Aftermath of the Porn Rock Wars
Loyola of Los Angeles Entertainment Law Review Volume 7 Number 2 Article 1 3-1-1987 Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars Jonathan Michael Roldan Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Jonathan Michael Roldan, Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars, 7 Loy. L.A. Ent. L. Rev. 217 (1987). Available at: https://digitalcommons.lmu.edu/elr/vol7/iss2/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. RADIO-ACTIVE FALLOUT AND AN UNEASY TRUCE-THE AFTERMATH OF THE PORN ROCK WARS Jonathan Michael Roldan * "Temperatures rise inside my sugar walls." - Sheena Easton from the song "Sugar Walls."' "Tight action, rear traction so hot you blow me away... I want a piece of your action." - M6tley Criie from the album Shout at the Devil.2 "I'm a fairly with-it person, but this stuff is curling my hair." - Tipper Gore, parent.3 "Fundamentalist frogwash." - Frank Zappa, musician.4 I. OVERTURE TO CONFLICT It began as an innocent listening of Prince's award-winning album, "Purple Rain,"5 and climaxed with heated testimony before the Senate Committee on Commerce in September 1985.6 In the interim the phrase "cleaning up the air" took on new dimensions as one group of parents * B.A., Journalism/Political Science, Cal. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Saugus Back in COVID Red Zone
FRIDAY, SEPTEMBER 18, 2020 Lynn rides with bike network Saugus back By Gayla Cawley in the case of North Common “This is a temporary measure ITEM STAFF Street, a shared bus and bike to kind of get people safer access lane, that will increase access to to the beach, but safer access in COVID LYNN — A new grant-fund- the downtown, according to City to and through downtown and ed program aims to make city Planner Aaron Clausen. (also connect) it to the Northern streets safer by beginning to On South Common Street and Strand,” said Clausen. “The idea build a bicycle network that Market Street, the protected was to prop up some bike lanes would connect the downtown to bike lanes will be located along and, in the case of North Com- red zone its surrounding neighborhoods. the designated route for the city’s mon, a bus/bike lane and net- Lynn has been awarded a portion of the Northern Strand By Gayla Cawley work of street corridors into the ITEM STAFF $125,000 grant from the Massa- Trail, which is currently under downtown.” Saugus extends chusetts Department of Transpor- construction, Clausen said. Through the project, the down- After weeks of being desig- virus testing tation (MassDOT) to implement The new temporary lanes will town would be connected to sur- nated a moderate risk com- the Lynn Safe Streets project. provide an immediate connec- rounding neighborhoods that in- munity for the coronavirus, Awarded through the agency’s tion to the future bike trail while Saugus is now in the red By Elyse Carmosino clude key institutions, such as the ITEM STAFF Shared Streets and Spaces grant design and engineering of the ex- YMCA, schools, City Hall and the again. -
Shut up and Give Me the Mic Pdf, Epub, Ebook
SHUT UP AND GIVE ME THE MIC PDF, EPUB, EBOOK Dee Snider | 432 pages | 06 Jun 2013 | SIMON & SCHUSTER | 9781451637403 | English | New York, NY, United States Shut Up and Give Me the Mic PDF Book Hammy literally picked me up and threw me against a brick wall. If you're a child of the '80s like me, this is a nice trip back Nostalgia Lane. Our move up to Baldwin was a rude awakening for me, yet another baby step toward the dysfunctional rocker I was to become. You see, being cool and popular as a kid works directly against the drive and motivation you need to become a rock star. I quickly found out the Beatles were a really cool-looking rock band who sang incredible songs. He lost just about everything except for his family and his wife's hot pink jeep. Notify me of new posts via email. Besides, I've never had a problem "letting myself go. Going to pick this one up now. Right from the "forwarned" forward section of the book Dee Snider grabs your full attention, not just with his words, but with your own natural curiosity and nervous interest to know more. Jun 11, Dr. You think you know Dee Snider. Keeping his nose clean didn't save him from the fall however, because a series of bad choices, mismanagement, and his inflated ego ended Twisted Sister's worldwide fame after just two albums. It was a. In elementary school my band-mates were Rich Squillacioti a constant until around my senior year in high school on drums and David Lepiscopo on guitar. -
Jag Var Aldrig En Favorit Hos Journalisterna« Även Om Såväl Plats, Namn Som Inriktning Har Skiftat Har Stommen Ändå Varit Densamma
»Jag var aldrig en favorit hos journalisterna« Även om såväl plats, namn som inriktning har skiftat har stommen ändå varit densamma. SRM tar sig ett snack med festivalens grundare Ingolf Persson för att se om Konceptet fortfarande är intakt. – Jag sa vad jag tyckte och bokade efter eget tycke och smak. 1999 blev SRF den festival den är i dag. Men De var ingenting annat än en succé. Det lockade ingenting då som motsvarade de sociala medierna innan dess slutgiltiga form, hade du dragit i gång till sig hårdrockspubliken på allvar och vi fick en som vi har nu och tidningen blev en viktig del i under annat namn och plats redan 1992. »mun till mun«-spridning. Det är den viktigaste bygget. – På 80-talet var jag och polarna över till av dem alla, för då är det verkligen en person som 2003 kom ett återförenat Twisted Sister för att Danmark för att gå på festivaler, säger Ingolf säger någonting till en annan och inte en reklam- headlina en av dagarna. I år kommer samma Persson som var SRF:s festivalgeneral fram till text. band för att göra sin sista spelning någonsin på och med 2012. Det fanns ju ingen festival i Sverige Samma år lirade David Lee Roth hos er, prima- svensk mark. Hur har det varit att jobba med JOHANSSON MICHAEL som motsvarade vad vi ville se. Hultsfredsfestiva- donnornas primadonna. Hur var det egentligen dem? len och Dalarock var väl bra på sitt, men det var att ha honom där? – Fantastiskt. Twisted Sister är ett band som FOTO kanske ingenting som gjorde mig mätt. -
GEDDY EASTON 'LEE Master of the ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON the Wat M Tone of a TEXAS TWISTER
- 802135 MAY 1986 $2.50 Inside This Issue: A SPECIAL Billy Idol's STEVE STEVENS (not -so-secret) CASSETTE Secret See Page 54 Weapon For Details THE CARS' RUSH'S ELLIOT GEDDY EASTON 'LEE Master Of The ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON The Wat m Tone Of A TEXAS TWISTER PLUS: Lonnie Mack Albert Collins Roy Buchanan , 'Tony MacAlpine o Curtis Mayfield MORE BASS, MORE SPACE IN THE MODERN WORLD Power Windows is the best Rush albutn in years because the band ----and the bass---- has returned to the roots of its sound ... tneticulously. BY JOHN SWENSON It has been a long, vertiginous and damn exciting roller coaster ride for Rush over the past decade-and-a-half. The group has gone from being unabashed Led Zeppelinites to kings of the concept album to the thinking man's heavy metal band to an uneasy combination of eighties record ing styles and seventies relentlessness. One thing Rush has never done is rest on its collective laurels-bassist Geddy Lee, guitarist Alex Lifeson and drummer Neil Peart have always been the first to point out the band's shortcomings when they feel legitimate deficiencies have surfaced. Accordingly, Lee was quick to admit his dissatisfaction with the band's last album, Grace Under Pressure , even though the record , which went platinum, has con solidated the band's position as one of Mercury/Polygram's most important acts. "We realized with Grace Under Pres sure ," said Lee on completion of the new album , Power Windows, "that we were not a techno-pop band. -
Asterism: Volume 2
ASTERISM: VOLUME 2 2018 Asterism: An Undergraduate Literary Journal Staff is published anually by The Ohio State Uni- versity at Lima. Senior Editors *** All poems and stories in the magazine are Jenna Bush works of imagination. Ashley Meihls Address all correspondence to: Galvin Hall 401A Editors 4240 Campus Dr. *** Lima, OH 45804 Katie Marshall Victoria Sullivan Visit our website: Mattea Rolsten lima.osu.edu/asterism Andrea Morales Jacob Short Published 2018 Cover Art: Faculty Advisors “Raindrops” by Jessy Gilcher *** Beth Sutton-Ramspeck Doug Sutton-Ramspeck Asterism - I Table of Contents A Note to Our Readers V -273.15 °C ............................................................. Emma DePanise Poetry 8 Holy Man ............................................................. Deon Robinson Poetry 9 Starry Eyes ................................................... Hannah Schotborgh Poetry 10 Untitled ....................................................................... Riley Klaus Art 12 Bones ..................................................................... Angela Kramer Poetry 13 Blinker ....................................................................... Bryan Miller Fiction 15 Still Water ............................................................ Trevor Bashaw Poetry 19 Hearsay .................................................................... Noah Corbett Poetry 21 Para Mi Alma ........................................................... Asalia Arauz Poetry 26 Amaryllis ................................................................ -
Durango Songwriters Expo - Industry Biographies
Durango Songwriters Expo - Industry Biographies ● Al Anderson (Nashville, TN) - Big Al is a mega-hit songwriter and monster guitar player with #1 Hits such as "The Cowboy In Me," "Trip Around The Sun," "Unbelievable," and “Love’s Gonna Make It Alright.” He is a very important part of The Expo and was a founding member of the legendary rock group NRBQ. We appreciate his loyalty and commitment to The Expo. ● Cooper Anstett (Nashville, TN) - Digital Strategies Manager at Starstruck Entertainment. Anstett specializes in helping artists develop their own unique online and social media presence. ● Rinat Arinos (Los Angeles, CA) - Founder of Pink Shark Music LLC. Pink Shark Music is a collection of artists, producers, and composers providing a one-stop shop for pre cleared songs, underscore cues, custom score, and top shelf quality production. ○ CURRENT PROJECTS: The Ellen Show (ABC), Once Upon a Time (ABC), America's Funniest Videos (ABC), Dude Perfect (CMT), S.T.R.O.N.G ( NBC), and Reign (CW). ● Bill Attebery (Kelseyville, CA) – MC of the Expo and Founder of the Recovery Broadcast Network. ● Butch Baker (Nashville, TN) - Senior VP for Horipro Entertainment in Nashville. Butch got his start in 1979 as a touring writer and artist before finding his way to publishing. ○ FOCUS TODAY: Hit Songs and hit writers. ● Brad Beausir (Nashville, TN) - Creative Director at Liz Rose Music. Brad started working in publishing after learning how much he loves working closely with songwriters. ○ FOCUS TODAY: Something Different and out of the box. ● Steve Bloch (Nashville, TN) - Founder of Southern Cow Music & Writer Zone Music LLC. -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive.