Durango Songwriters Expo - Industry Biographies
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
21, 2004 75 Cents
Volume117 Number 42 THURSDAY, OCTOBER 21, 2004 75 Cents Harry Trumbore/staff photographer ANSWERS WANTED—Township resident Jeffrey Muska rises during the Oct. 14 debate at ADDRESSING THE ISSUES—Mayor Thomas C. McDermott, at the podium, fields a question Wyoming Presbyterian Church to question the three candidates running for two seats on the from the audience during the Oct. 14 candidates’ debate at Wyoming Presbyterian Church. Township Committee in the general election Nov. 2. Approximately 40 residents attended the The two other candidates for two seats on the Township Committee, Daniel Baer and Linda forum, which was sponsored by the Wyoming Civic Association. Seelbach, await their turn to address the issues. Bickering dominates raucous Wyoming debate By Harry Trumbore and each other as well as the candi- velopment of the downtown busi- parties’ candidates on the nation- ing the Master Plan and not adher- ver bullet.” He charged, however, Eveline Speedie dates. ness district was needed to keep al level: Baer answered taxes were ing to it and charged the town- that the Master Plan was devised of The Item Nonetheless, the two incum- the township from losing its com- most important while his Republi- ship’s traffic issues have not been four years ago but that it is only this bents, Mayor Thomas C. McDer- petitive edge to communities such can opponents identified security resolved. Citing his 22 years of year, an election year, that his mott and Committeewoman Linda as Summit and Westfield. as the issue most important. experience in urban planning, he opponents are focusing on it and It was billed as a debate among Z. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
Songs by Artist
DJ Song list Songs by Artist DJ Song list Title Versions Title Versions Title Versions Title Versions -- 360 Ft Pez 50 Cent Adam & The Ants Al Green -- 360 Ft Pez - Live It Up DJ 21 Questions DJ Ant Music DJ Let's Stay Together We -- Chris Brown Ft Lil Wayne Candy Shop DJ Goody Two Shoes DJ Al Stuart -- Chris Brown Ft Lil Wayne - DJ Hustler's Ambition DJ Stand And Deliver DJ Year Of The Cat DJ Loyal If I Can't DJ Adam Clayton & Larry Mullen Alan Jackson -- Illy In Da Club DJ Theme From Mission DJ Hi Chattahoochee DJ -- Illy - Tightrope (Clean) DJ Just A Li'l Bit DJ Impossible Don't Rock The Jukebox DJ -- Jason Derulo Ft Snoop Dog 50 Cent Feat Justin Timberlake Adam Faith Gone Country DJ -- Jason Derulo Ft Snoop Dog DJ Ayo Technology DJ Poor Me DJ Livin' On Love DJ - Wiggle 50 Cent Feat Mobb Deep Adam Lambert Alan Parsons Project -- Th Amity Afflication Outta Control DJ Adam Lambert - Better Than I DJ Eye In The Sky 2010 Remix DJ -- Th Amity Afflication - Dont DJ Know Myself 50 Cent Ft Eminem & Adam Levin Alanis Morissette Lean On Me(Warning) If I Had You DJ 50 Cent Ft Eminem & Adam DJ Hand In My Pocket DJ - The Potbelleez Whataya Want From Me Ch Levine - My Life (Edited) Ironic DJ Shake It - The Potbelleez DJ Adam Sandler 50Cent Feat Ne-Yo You Oughta Know DJ (Beyonce V Eurythmics Remix (The Wedding Singer) I DJ Baby By Me DJ Alannah Myles Sweet Dreams DJ Wanna Grow Old With You 60 Ft Gossling Black Velvet DJ 01 - Count On Me - Bruno Marrs Adele 360 Ft Gossling - Price Of DJ Albert Lennard Count On Me - Bruno Marrs DJ Fame Adele - Skyfall DJ Springtime In L.A. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Packaged Wright
PACKAGED WRIGHT Michelle Wright's image consultants helped her get Nashville's attention. Now if they could only find her a hit... By David Hayes, Saturday Night, June 1995 Gently downshifting her brand-new black Mercedes E420 sedan, Michelle Wright eases off I-65 South at the Franklin exit and drives past fast-food outlets and rolling fields while a country station plays on the radio. When you've made it in country music, you live in Franklin, a tidy suburb forty minutes from Nashville's Music Row where stars such as Dolly Parton and Wynonna Judd own mansions and estates. It's also where Wright, Canada's top female country singer, recently bought a five-bedroom home, although hers is one of many lookalikes in a newly built, middle-class subdivision. Still, both the car -- which recently replaced her clunky old Ford Escort -- and the house are material symbols of Wright's progress in the country-music major leagues, a far cry from the life of a struggling newcomer. At her house, Wright disappears into her bedroom while her longtime manager, Brian Ferriman, and her image consultant, Joan Lacey, make themselves comfortable in the bright, high-ceilinged living room. The plan is to model several possible outfits for the upcoming Juno Awards, where Wright is both a presenter and a nominee. Considering how often she has been away on tour since the fall, it's not surprising Wright's house feels barely lived in, as though the interior designer arranged the furniture and hung the prints yesterday. A homey touch is provided by Wright's four cats, who pad matter-of-factly across the white broadloom. -
Eminem Encore Mp3, Flac, Wma
Eminem Encore mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Encore Country: Ukraine Released: 2004 MP3 version RAR size: 1158 mb FLAC version RAR size: 1355 mb WMA version RAR size: 1937 mb Rating: 4.5 Votes: 607 Other Formats: DMF DXD ADX RA MP1 MP3 AC3 Tracklist Hide Credits A1 Curtains Up (Skit) 0:46 Evil Deeds A2 4:19 Producer – Dr. Dre Never Enough A3 2:39 Featuring – 50 Cent, Nate DoggProducer – Dr. Dre, Mike Elizondo Yellow Brick Road A4 5:46 Co-producer – Luis RestoProducer – Eminem Like Toy Soldiers A5 4:56 Co-producer – Luis RestoProducer – Eminem Mosh B1 5:17 Producer – Dr. Dre, Mark Batson Puke B2 4:07 Co-producer – Luis RestoProducer – Eminem My 1st Single B3 5:02 Co-producer – Luis RestoProducer – Eminem B4 Paul (Skit) 0:31 Rain Man B5 5:13 Producer – Dr. Dre Big Weenie C1 4:26 Producer – Dr. Dre C2 Em Calls Paul (Skit) 1:11 Just Lose It C3 4:08 Producer – Dr. Dre, Mike Elizondo Ass Like That C4 4:25 Producer – Dr. Dre, Mike Elizondo Spend Some Time C5 5:10 Co-producer – Luis RestoFeaturing – 50 Cent, Obie Trice, Stat QuoProducer – Eminem Mockingbird D1 4:10 Co-producer – Luis RestoProducer – Eminem Crazy In Love D2 4:02 Co-producer – Luis RestoProducer – Eminem One Shot 2 Shot D3 4:26 Co-producer – Luis RestoFeaturing – D12Producer – Eminem D4 Final Thought (Skit) 0:30 Encore (Curtains) D5 5:48 Co-producer – Mark BatsonFeaturing – 50 Cent, Dr. DreProducer – Dr. Dre Credits Mixed By – Eminem, Steve King Producer – Dr. -
GS Nlwebmaraprmay08.Qxd (Page 1)
MARCH, APRIL, MAY 2008 VOL. 26 NO. 1 “Troubadour” Sets A New Standard For Strait CDs Each time a new George Strait CD arrives that are instant classics as well. Satcher. on the desk to be listened to, we do so with “Troubadour” is packed with 12 sensa- Long time contributor Dean Dillon con- great excitement, but at the same time, that tional songs produced by Strait and his tributed his writing talents on a duet with little thought in the back of the mind long-time co-producer Tony Brown. In Strait on the song “West Texas Town” that always asks the question, “How can this addition to Strait’s incredible vocals, he has he wrote with Texas tunesmith Robert Earl CD live up to the one Keen. before it”. The good news The other songs on the is that each CD has always album include managed to take that next “Troubadour” by Monty leap to greatness. George Holmes and Leslie Satcher, Strait’s new CD “It Was Me” by Buddy “Troubadour” has not only Cannon and Randy surpassed our expectations Hardison, “Brothers of the but may very well have Highway” by Doug raised the bar a couple of Johnson, Nicole Witt and notches more than normal. Kim Williams, “River of It is simply the greatest Love” by Shawn Camp, George Strait CD we have Billy Burnette and Dennis ever heard and we have Morgan, “Give Me More heard them all. We also Time” by Dean Dillon, realize that we are a little Scotty Emerick and Al prejudiced toward his music Anderson, “When You’re In but we are also usually Love” by Dean Dillon and guarded in our praise so as Kerry Phillips, “Make Her not to seem like cheerlead- Fall In Love With Me ers. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
2019 JUNO Award Winners
2019 JUNO Award Winners JUNO FAN CHOICE (PRESENTED BY TD) POP ALBUM OF THE YEAR Avril Lavigne Shawn Mendes Shawn Mendes Universal SINGLE OF THE YEAR ROCK ALBUM OF THE YEAR In My Blood Shawn Mendes Universal Rally Cry Arkells Arkells*Universal INTERNATIONAL ALBUM OF THE YEAR VOCAL JAZZ ALBUM OF THE YEAR beerbongs & bentleys Post Malone Universal Laila Biali Laila Biali Chronograph*Fontana North/Universal ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) JAZZ ALBUM OF THE YEAR: SOLO Shawn Mendes Shawn Mendes Universal Old Soul Robi Botos A440*Universal ARTIST OF THE YEAR (PRESENTED WITH APPLE MUSIC) JAZZ ALBUM OF THE YEAR: GROUP Shawn Mendes Universal The Seasons of Being Andy Milne & Dapp Theory Sunnyside*AMPED/AEC/eOne GROUP OF THE YEAR (PRESENTED WITH APPLE MUSIC) INSTRUMENTAL ALBUM OF THE YEAR Arkells Arkells*Universal China Cloud Gordon Grdina madic*Independent/Universal BREAKTHROUGH ARTIST OF THE YEAR (SPONSORED BY FACTOR, THE GOVERNMENT OF CANADA, AND CANADA’S PRIVATE RADIO BROADCASTERS) FRANCOPHONE ALBUM OF THE YEAR bülow Wax*Universal Une année record Loud Joy Ride*Universal BREAKTHROUGH GROUP OF THE YEAR CHILDREN’S ALBUM OF THE YEAR (SPONSORED BY FACTOR, THE GOVERNMENT OF CANADA, AND CANADA’S PRIVATE RADIO BROADCASTERS) You, Me and the Sea Splash'N Boots The Washboard Union Warner Independent*Fontana North/Universal SONGWRITER OF THE YEAR CLASSICAL ALBUM OF THE YEAR: SOLO OR (PRESENTED BY SOCAN) CHAMBER Shawn Mendes The End of Flowers: Works by Clarke & Ravel “Lost In Japan”