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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Aftermath of the Porn Rock Wars
Loyola of Los Angeles Entertainment Law Review Volume 7 Number 2 Article 1 3-1-1987 Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars Jonathan Michael Roldan Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Jonathan Michael Roldan, Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars, 7 Loy. L.A. Ent. L. Rev. 217 (1987). Available at: https://digitalcommons.lmu.edu/elr/vol7/iss2/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. RADIO-ACTIVE FALLOUT AND AN UNEASY TRUCE-THE AFTERMATH OF THE PORN ROCK WARS Jonathan Michael Roldan * "Temperatures rise inside my sugar walls." - Sheena Easton from the song "Sugar Walls."' "Tight action, rear traction so hot you blow me away... I want a piece of your action." - M6tley Criie from the album Shout at the Devil.2 "I'm a fairly with-it person, but this stuff is curling my hair." - Tipper Gore, parent.3 "Fundamentalist frogwash." - Frank Zappa, musician.4 I. OVERTURE TO CONFLICT It began as an innocent listening of Prince's award-winning album, "Purple Rain,"5 and climaxed with heated testimony before the Senate Committee on Commerce in September 1985.6 In the interim the phrase "cleaning up the air" took on new dimensions as one group of parents * B.A., Journalism/Political Science, Cal. -
Saugus Back in COVID Red Zone
FRIDAY, SEPTEMBER 18, 2020 Lynn rides with bike network Saugus back By Gayla Cawley in the case of North Common “This is a temporary measure ITEM STAFF Street, a shared bus and bike to kind of get people safer access lane, that will increase access to to the beach, but safer access in COVID LYNN — A new grant-fund- the downtown, according to City to and through downtown and ed program aims to make city Planner Aaron Clausen. (also connect) it to the Northern streets safer by beginning to On South Common Street and Strand,” said Clausen. “The idea build a bicycle network that Market Street, the protected was to prop up some bike lanes would connect the downtown to bike lanes will be located along and, in the case of North Com- red zone its surrounding neighborhoods. the designated route for the city’s mon, a bus/bike lane and net- Lynn has been awarded a portion of the Northern Strand By Gayla Cawley work of street corridors into the ITEM STAFF $125,000 grant from the Massa- Trail, which is currently under downtown.” Saugus extends chusetts Department of Transpor- construction, Clausen said. Through the project, the down- After weeks of being desig- virus testing tation (MassDOT) to implement The new temporary lanes will town would be connected to sur- nated a moderate risk com- the Lynn Safe Streets project. provide an immediate connec- rounding neighborhoods that in- munity for the coronavirus, Awarded through the agency’s tion to the future bike trail while Saugus is now in the red By Elyse Carmosino clude key institutions, such as the ITEM STAFF Shared Streets and Spaces grant design and engineering of the ex- YMCA, schools, City Hall and the again. -
Jag Var Aldrig En Favorit Hos Journalisterna« Även Om Såväl Plats, Namn Som Inriktning Har Skiftat Har Stommen Ändå Varit Densamma
»Jag var aldrig en favorit hos journalisterna« Även om såväl plats, namn som inriktning har skiftat har stommen ändå varit densamma. SRM tar sig ett snack med festivalens grundare Ingolf Persson för att se om Konceptet fortfarande är intakt. – Jag sa vad jag tyckte och bokade efter eget tycke och smak. 1999 blev SRF den festival den är i dag. Men De var ingenting annat än en succé. Det lockade ingenting då som motsvarade de sociala medierna innan dess slutgiltiga form, hade du dragit i gång till sig hårdrockspubliken på allvar och vi fick en som vi har nu och tidningen blev en viktig del i under annat namn och plats redan 1992. »mun till mun«-spridning. Det är den viktigaste bygget. – På 80-talet var jag och polarna över till av dem alla, för då är det verkligen en person som 2003 kom ett återförenat Twisted Sister för att Danmark för att gå på festivaler, säger Ingolf säger någonting till en annan och inte en reklam- headlina en av dagarna. I år kommer samma Persson som var SRF:s festivalgeneral fram till text. band för att göra sin sista spelning någonsin på och med 2012. Det fanns ju ingen festival i Sverige Samma år lirade David Lee Roth hos er, prima- svensk mark. Hur har det varit att jobba med JOHANSSON MICHAEL som motsvarade vad vi ville se. Hultsfredsfestiva- donnornas primadonna. Hur var det egentligen dem? len och Dalarock var väl bra på sitt, men det var att ha honom där? – Fantastiskt. Twisted Sister är ett band som FOTO kanske ingenting som gjorde mig mätt. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released. -
Music History Lecture Notes Modern Rock 1960 - Today
Music History Lecture Notes Modern Rock 1960 - Today This presentation is intended for the use of current students in Mr. Duckworth’s Music History course as a study aid. Any other use is strictly forbidden. Copyright, Ryan Duckworth 2010 Images used for educational purposes under the TEACH Act (Technology, Education and Copyright Harmonization Act of 2002). All copyrights belong to their respective copyright holders, • Rock’s classic act The Beatles • 1957 John Lennon meets Paul McCartney, asks Paul to join his band - The Quarry Men • George Harrison joins at end of year - Johnny and the Moondogs The Beatles • New drummer Pete Best - The Silver Beetles • Ringo Star joins - The Beatles • June 6, 1962 - audition for producer George Martin • April 10, 1970 - McCartney announces the group has disbanded Beatles, Popularity and Drugs • Crowds would drown of the band at concerts • Dylan turned the Beatles on to marijuana • Lennon “discovers” acid when a friend spikes his drink • Drugs actively shaped their music – alcohol & speed - 1964 – marijuana - 1966 – acid - Sgt. Pepper and Magical Mystery tour – heroin in last years Beatles and the Recording Process • First studio band – used cutting-edge technology – recordings difficult or impossible to reproduce live • Use of over-dubbing • Gave credibility to rock albums (v. singles) • Incredible musical evolution – “no group changed so much in so short a time” - Campbell Four Phases of the Beatles • Beatlemania - 1962-1964 • Dylan inspired seriousness - 1965-1966 • Psychedelia - 1966-1967 • Return to roots - 1968-1970 Beatlemania • September 1962 – “Love me Do” • 1964 - “Ticket to Ride” • October 1963 – I Want To Hold your Hand • Best example • “Yesterday” written Jan. -
The Comment, September 24, 1987
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1987 The ommeC nt, September 24, 1987 Bridgewater State College Volume 65 Number 1 Recommended Citation Bridgewater State College. (1987). The Comment, September 24, 1987. 65(1). Retrieved from: http://vc.bridgew.edu/comment/603 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Comment Bridgewater State College September 24, 1987 Vol. LXV No. 1 Bridgewater, MA Changes are in store for next year's freshman applicants By Chris Perra in which a student can apply. two years, this cap on admissions The College will inform students will be continued in an effort to Students applying to of acceptance or rejection between reduct the student to faculty ratio. Bridgewater next year will April 1 and April 15; the student, As it stands now, the ratio is encounter a system very different in turn. must notify the College approximately 23: 1. The ideal from the one present students as to his intention by May 1. In ratio that is being worked towards met. order to give a student a chance to is 17:1. Prospective students will express him or herself in works, have to submit a writing sample separate from their academic President Indelicato stated that ·in addition to their application. credentials, the College will is was the administration's hope This essay ,on an as yet undecided institute a system for that the . admissions topic, will be reviewed by the administering voluntary competitiveness level will be admissions office. -
PLANNER PROJECT 2016... the 90S!
1 PLANNER PROJECT 2016... THE 90s! EDITOR’S NOTE: Listed below are the venues, performers, media, events, and specialty items including automobiles (when possible), highlighting the years 1991 and 1996 in Planner Project 2016! 1991! 1991 / FEATURED AREA MUSICAL VENUES FROM 1991 / (31) Agora Theatre (Cleveland) (25 years) / Around the Corner / Babylon A Go-Go / Biggie’s Crooked River Saloon / Blossom Music Center / Brothers Lounge / Cheers Outback Tavern / City Blues / CSU Convocation Center (1st metal concert) / Cuyahoga Falls High School / Derby & Flask / The Empire on E. 9th / Euclid Tavern / Front Row Theater / Lake County’s Summerfest ’91 / Nautica Stage in the Flats / Music Hall / Oriole Café / Palace Theatre / Peabody’s DownUnder / Phantasy Theater in Lakewood / Public Hall / 19th Annual Rib Burn Off on Mall C / Richfield Coliseum / Richie’s River Tavern (formerly D’Poo’s) / Rick’s Cafe / Riverwood Tavern / Rockin’ Richie’s on Detroit / Sahara Club / Splash / State Theatre / The Symposium / Tri-C Metro Auditorium / Tri-C JazzFest / Wing Ding at the Berea Fairgrounds 1991 / FEATURED ARTISTS / MUSICAL GROUPS PERFORMING HERE IN 1991 / [(-) NO. OF TIMES LISTED] FEATURED NORTHEAST OHIO / REGIONAL ARTISTS FROM 1991 / [Individuals: (55) / Groups: (48)] 13 Engines / 14th Floor / American Front / Armstrong-Bearcat (w/Alan Greene) / Atomic Punks / Beatnik Termites / Bluto’s Revenge / Miles Boozer / Becky Boyd & Dan Hrdlicka / Bop Kats reunite / Calabash with Bob Gatewood / Carton Freeze Tag / the Clarks / Cleveland Interfaith Choir / Cleveland -
WE ARE TWISTED F***ING SISTER! a Film by Andrew Horn
presents WE ARE TWISTED F***ING SISTER! A film by Andrew Horn 134 min. | USA | Unrated | 2014 | 1.77:1 Official Site: http://www.musicboxfilms.com/twistedsister Press Materials: http://www.musicboxfilms.com/twistedsister-press National Theatrical / Home Entertainment Publicity Contact Carol Kaye, Kayos Productions Inc. | [email protected] | 212-366-9970 Music Box Films Contacts Theatrical Booking: Brian Andreotti | [email protected] | 312-508-5361 Marketing & PR: Lisa Trifone | [email protected] | 312-508-5360 Exhibition Materials: Lindsey Jacobs | [email protected] | 312-508-5365 SYNOPSIS In the mid-1970s, Twisted Sister claimed glitter rock for their own, cross-dressing their way to headlining every club within 100 miles of New York City, from New Jersey bowling alleys to Long Island beach bars. With gigs six nights a week, they were the most successful live bar band of suburban New York, selling out 5,000-seat shows fueled by their no-holds-barred stage presence and aggressive metal setlists. But by the early ‘80s, they found themselves balancing on a double-edged sword, hugely popular with local audiences but without a national following – or a record deal – to speak of. When Twisted Sister finally got their big break in 1983, they’d go on to become one of the biggest glam rock bands of the decade; their over-the-top live shows drawing sell-out crowds and their music videos defining an early MTV network. To anyone who knew the hard-fought battle they’d won to get there, “the band that killed disco” was no overnight success. WE ARE TWISTED F***ING SISTER! is the mesmerizing, wickedly appealing and never-before-told story of the ten grueling years leading up to the band’s legendary career, recounted directly by the band themselves, their managers and their biggest fans. -
Heavy Metal Under Scrutiny: the Controversial Battle for the Protection of America’S Youth
Heavy Metal under Scrutiny: The Controversial Battle for the Protection of America’s Youth Master’s Thesis in North American Studies Leiden University Chrysanthi Papazoglou s1588419 Supervisor: Dr. Eduard van de Bilt 1 Contents Introduction ........................................................................................................... 2 Heavy Metal: Origins, Imagery and Values ......................................................... 6 The 1985 PMRC Senate Hearing & Aftermath .................................................. 20 Heavy Metal on Trial: The Cases of Ozzy Osbourne and Judas Priest .............. 41 Conclusion .......................................................................................................... 53 Bibliography ....................................................................................................... 57 2 Introduction During the 1980s, following the steady rise of neo-conservatism, several political and religious groups were formed to fight for what they deemed the loss of true American values. Among their targets was a music genre called heavy metal. Ever since its emergence, the genre met with serious opposition. Accused of promoting violence, suicide, drug and alcohol abuse and distorted images of sex, heavy metal music was considered a threat to the well-being of America’s youth. These accusations were major arguments in the 1980s religious conservatives’ crusade to establish family values. Trying to raise parents’ awareness of the music’s ostensible catastrophic effects on adolescents, -
Hellfest 2017 – Saturday
Hellfest 2017 – Saturday After a dozen of fresh croissants with a addition of a cup of coffee, I started to plan my second day in hell, and I realized few things. Firstly, yesterday I decided I crossed the healthy limit of “seen” bands. Secondly, If I try to beat yesterday’s record, then the third day I can easily spend in emergency department. Thirdly, getting the overwhelming heat coming from above, I surely should cover my head. I promised myself that today won’t be only a battle for entry on the most viewed concerts, but also an escape from daily life. For good starters I planned to verify the good reputation of The Dead Daisies. Their members are a mix of musicians from bands like Motley Crue, Thin Lizzy, Whitesnake and even Billy Idol and Dio. Well, my a bit fatigued colleagues managed to get ready shortly before Phill Campbell and The Bastard Sons performance. Scene veteran Phill, with a company of youngsters played a sentimental but good, strong rock-and-roll concert. Campbell was a guitarist in Motorhead since 1984, until the death of Lemmy’s, so “using” his repertoire is a serious commercial move. The heritage of Motorhead will surely catch the attention of their long die-hard fans, but nonetheless it was an honest and true concert. Besides Campbell, his three sons are playing – Todd, Dane and Tyla. The vocalist of the band, Neil Starr, who was clearly under the jitters, still managed to convincingly play hits like “Killed By Death” and “Ace Of Spades”. There were also few surprises.