The Forgotten Aquariums of Boston, Third Revised Edition by Jerry Ryan (1937 - )
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Marine Director WCS Finaltor
JOB DESCRIPTION Director, Marine Conservation and Fisheries Wildlife Conservation Society Founded in 1895 as the New York Zoological Society The Wildlife Conservation Society seeks a Director of Marine Conservation and Fisheries, to be based at WCS headquarters in New York City. WCS has a long history of ocean exploration and conservation, including William Beebe’s 1934 record-setting bathysphere dive and Roger Payne’s extraordinary 1974 discovery of humpback whale songs. From these early roots, and reflecting the WCS focus on saving wildlife and wild places, WCS’ marine conservation efforts currently focus on four strategies: Marine Protected Areas, sustainable fisheries, marine mammals, and sharks and rays. Supporting these strategies, WCS maintains a strong commitment to applied marine scientific research and is building its capacity to leverage our impact through WCS’ New York Aquarium and other innovative partnerships. To deliver on these objectives at scale the Director oversees all WCS marine conservation efforts, including the implementation of marine conservation actions by ~250 marine conservation staff in Belize, Cuba, Nicaragua, Argentina, Chile, Gabon, Congo, Equatorial Guinea, Kenya, Tanzania, Mozambiue, Madagascar, Bangladesh, Myanmar, Indonesia, Papua New Guinea, Solomon Islands, Vanuatu, Fiji, New York and the Arctic Beringia, as well as overseeing staff who coordinate global initiatives on marine species (cetaceans and sharks), climate, fisheries and marine policy. The program is staffed by a dynamic and committed team of field scientists based at sites around the world, and a directorate of six staff in New York. Position Objectives: * Direct WCS’s marine conservation programs across 9 global priority regions and all 5 oceans in Africa, Asia, Latin America and North America that largely focus on the establishment and management of marine protected areas, artisanal, and commercial fisheries, and the global conservation of marine mammals and sharks and rays. -
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/150023 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications ‘AN ENDLESS VARIETY OF FORMS AND PROPORTIONS’: INDIAN INFLUENCE ON BRITISH GARDENS AND GARDEN BUILDINGS, c.1760-c.1865 Two Volumes: Volume I Text Diane Evelyn Trenchard James A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Warwick, Department of History of Art September, 2019 Table of Contents Acknowledgements ………………………………………………………………. iv Abstract …………………………………………………………………………… vi Abbreviations ……………………………………………………………………. viii . Glossary of Indian Terms ……………………………………………………....... ix List of Illustrations ……………………………………………………………... xvii Introduction ……………………………………………………………………….. 1 1. Chapter 1: Country Estates and the Politics of the Nabob ………................ 30 Case Study 1: The Indian and British Mansions and Experimental Gardens of Warren Hastings, Governor-General of Bengal …………………………………… 48 Case Study 2: Innovations and improvements established by Sir Hector Munro, Royal, Bengal, and Madras Armies, on the Novar Estate, Inverness, Scotland …… 74 Case Study 3: Sir William Paxton’s Garden Houses in Calcutta, and his Pleasure Garden at Middleton Hall, Llanarthne, South Wales ……………………………… 91 2. Chapter 2: The Indian Experience: Engagement with Indian Art and Religion ……………………………………………………………………….. 117 Case Study 4: A Fairy Palace in Devon: Redcliffe Towers built by Colonel Robert Smith, Bengal Engineers ……………………………………………………..…. -
LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
View Project
TAPE ART NEW YORK AQUARIUM The Bathysphere There is never a shortage of things to see on the boardwalk at Coney Island. In August 2014, however, passersby were treated to something new: Over the course of five days, Tape Art created a three-part mural on the grounds of the New York Aquarium, recalling the historic accomplishments of the Bathysphere, a deep-sea exploration capsule. 1-800-tape-art • tapeart.com TAPE ART NEW YORK AQUARIUM The project was commissioned to celebrate the 80th anniversary of the Bathysphere’s descent a half-mile (3,028 feet) below the ocean’s surface, on August 15, 1934. It set a record for human exploration of the deep that remained unbroken for the next fifteen years. The capsule was the result of a partnership between William Beebe and Otis Barton, who explored the deep together from within their tiny metal sphere. Measuring only four feet and nine inches in diameter, there was no room inside for a camera of that period. Instead, they used a telephone line to verbally describe the creatures they saw to Gloria Hollister, up on deck. These descriptions were later used to create sketches and paintings of the previously unseen marine life they had encountered. 1-800-tape-art • tapeart.com TAPE ART NEW YORK AQUARIUM The Narrative Barton and Beebe were the first humans to witness deepwater fish in their natural environment, exploring a world hitherto only imagined and much mythologized. Their first-hand accounts were originally dismissed by some as flights of fancy. In the intervening years, the scientific community has identified nearly all the fish they documented. -
Frequently Asked Questions for Zoocamp at Franklin Park Zoo
Frequently Asked Questions for ZooCamp at Franklin Park Zoo 1. What documents are required and when do they need to be submitted? There are three required documents that must be submitted for each child that is registered: current immunization records, the ZooCamp model release, and the ZooCamp medication administration form. As an optional form, you may also submit behavioral management plans, Individualized Education Plans (IEP) or other documents that may help ZooCamp provide your child with a valuable camp experience If your household income is less than $100,000 annually and you register using our sliding scale payment method, you must also submit income verification. We require a copy of the first page of your most recent federal income tax return. Please do not include schedules, worksheets, or state returns. If a tax return is not available, you may send copies of W-2 forms, end of year paystubs, or letters detailing Social Security benefits, unemployment compensation, child support, or other income. Please omit any sensitive information including social security numbers. All required documents can be submitted in the following ways: - Uploaded directly to your Active account under the ‘Supplemental Forms’ tab - By Email: [email protected] - By Fax: 617-989-2025 Attn: Franklin Park Zoo Education Department - By mail or in person: Franklin Park Zoo Attn: Education Department 1 Franklin Park Road Boston, MA 02121 All required documents must be submitted prior to May 24th. If we do not receive your forms by that date, your registration will be cancelled and payments will be refunded. 2. What is the daily schedule for ZooCamp? Below is an example of a typical daily schedule*: 9:00 – 9:30am: Opening Circle – Opening circle helps us to wake up and get excited for the day! This activity involves all campers and includes introduction of the daily theme. -
Building an Aquarium in Koya Districts and Surroundings As a Project in the Tourism Sector
First International Symposium on Urban Development: Koya as a Case Study 347 Building an aquarium in Koya districts and surroundings as a project in the tourism sector J. R. Hama Chemistry Department, Faculty of Science and Health, Koya University, Kurdistan, Iraq Abstract An outline for any project is a crucial part because it is improves the quality of the project, beside all of the consequences that will be expected. Kurdistan starts to develop and grow in all aspects; tourism, industry, education, etc, as government and relative ministries are concerned. An aquarium is a place of refreshment to keep and exhibit animals and plants that live in water. An aquarium can be used for different purposes; for example, for education, research, investment and environmental protection. In Kurdistan, there is no aquarium; it can be built by the government and it can be proposed to the private sector, since it is the missing part of the tourism industry. Koya city is one of the locations that are suitable for an aquarium as it is easy to access by civilians from Sulaimani, Hawler and Kirkruk and it is beside Dukan’s lake. The project needs a plan and efforts to be made. Keywords: Koya city, aquarium, public aquarium, tourism sector. 1 General background 1.1 Tourism planning Planning is about setting and meeting objectives. It is concerned with anticipating and regulating change in a system to promote orderly development so as to increase the social, economic and environmental benefits of the development process [1]. To do this, planning becomes an ordered sequence of operations, designed to lead to the achievement of either a single goal or to a balance between several goals. -
THE CASE AGAINST Marine Mammals in Captivity Authors: Naomi A
s l a m m a y t T i M S N v I i A e G t A n i p E S r a A C a C E H n T M i THE CASE AGAINST Marine Mammals in Captivity The Humane Society of the United State s/ World Society for the Protection of Animals 2009 1 1 1 2 0 A M , n o t s o g B r o . 1 a 0 s 2 u - e a t i p s u S w , t e e r t S h t u o S 9 8 THE CASE AGAINST Marine Mammals in Captivity Authors: Naomi A. Rose, E.C.M. Parsons, and Richard Farinato, 4th edition Editors: Naomi A. Rose and Debra Firmani, 4th edition ©2009 The Humane Society of the United States and the World Society for the Protection of Animals. All rights reserved. ©2008 The HSUS. All rights reserved. Printed on recycled paper, acid free and elemental chlorine free, with soy-based ink. Cover: ©iStockphoto.com/Ying Ying Wong Overview n the debate over marine mammals in captivity, the of the natural environment. The truth is that marine mammals have evolved physically and behaviorally to survive these rigors. public display industry maintains that marine mammal For example, nearly every kind of marine mammal, from sea lion Iexhibits serve a valuable conservation function, people to dolphin, travels large distances daily in a search for food. In learn important information from seeing live animals, and captivity, natural feeding and foraging patterns are completely lost. -
The Conservation Biology of Tortoises
The Conservation Biology of Tortoises Edited by Ian R. Swingland and Michael W. Klemens IUCN/SSC Tortoise and Freshwater Turtle Specialist Group and The Durrell Institute of Conservation and Ecology Occasional Papers of the IUCN Species Survival Commission (SSC) No. 5 IUCN—The World Conservation Union IUCN Species Survival Commission Role of the SSC 3. To cooperate with the World Conservation Monitoring Centre (WCMC) The Species Survival Commission (SSC) is IUCN's primary source of the in developing and evaluating a data base on the status of and trade in wild scientific and technical information required for the maintenance of biological flora and fauna, and to provide policy guidance to WCMC. diversity through the conservation of endangered and vulnerable species of 4. To provide advice, information, and expertise to the Secretariat of the fauna and flora, whilst recommending and promoting measures for their con- Convention on International Trade in Endangered Species of Wild Fauna servation, and for the management of other species of conservation concern. and Flora (CITES) and other international agreements affecting conser- Its objective is to mobilize action to prevent the extinction of species, sub- vation of species or biological diversity. species, and discrete populations of fauna and flora, thereby not only maintain- 5. To carry out specific tasks on behalf of the Union, including: ing biological diversity but improving the status of endangered and vulnerable species. • coordination of a programme of activities for the conservation of biological diversity within the framework of the IUCN Conserva- tion Programme. Objectives of the SSC • promotion of the maintenance of biological diversity by monitor- 1. -
Fantastic Fanzines!
Where does he get those wonderful toys? Winter 2019 Super Collector’s No. 3 $8.95 Superhero Swag! He Made Us Believe A Man Can Fly! EXCLUSIVE Interview with Visit Metropolis... Home of the Superman Celebration IRWIN ALLEN SEA-MONKEYS® Aquaman in THEN 6 Animation AND 0 NOW 5 1 0 0 8 5 6 2 Fantastic Fanzines! Funny Face Collectibles! 8 Ernest Farino • Andy Mangels • Scott Saavedra • and the Oddball World of Scott Shaw! 1 Superman, Joker, and Aquaman TM & © DC Comics. Sea-Monkeys® © Transcience L.L.C. All Rights Reserved. The crazy cool culture we grew up with Columns and Special Departments Features 3 2 CONTENTS Retro Interview Retrotorial Issue #3 | Winter 2019 Superman Director Richard Donner 10 Too Much TV Quiz 18 52 Andy Mangels’ Retro 13 Saturday Mornings Retro Food & Drink Aquaman in Animation Funny Face Drink Mix Collectibles 31 Retro Television 28 Irwin Allen: Voyage to the 58 RetroFad Bottom of… the Barrel? Afros 43 39 Scott Saavedra’s Retro Games 67 Secret Sanctum Atari’s 1979 Superman Sea-Monkeys® 67 52 Retro Travel 18 The Oddball World of Superman Celebration – Scott Shaw! Metropolis, Illinois Amazing Spider-Man and Incredible Hulk Toilet Paper 73 Super Collector 58 Superman and Batman Ernest Farino’s Retro collectibles, by Chris Franklin Fantasmagoria Fantastic Fanzines 79 RetroFanmail 43 80 13 ReJECTED RetroFan fantasy cover by 31 Scott Saavedra RetroFan™ #3, Winter 2019. Published quarterly by TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. Michael Eury, Editor. John Morrow, Publisher. Editorial Office: RetroFan, c/o Michael Eury, Editor, 112 Fairmount Way, New Bern, NC 28562. -
26363 HON. MICHAEL E. CAPUANO HON. SCOTT Mcinnis HON
October 20, 1999 EXTENSIONS OF REMARKS 26363 largely composed of what geologists call base- goal. The second extra time period saw a bat- what we have accomplished would have ever ment rocks, the oldest rocks on the earth esti- tle of ferocious intensity where the game’s been possible. mated at 1.7 billion years old. With its narrow outcome was held in the balance. So intense It is with this, Mr. Speaker, that I give my was the last five-minute period that two thanks to the people of Gunnison who played openings, sheer walls, and scenic gorges that Santa Cruz players were carried off injured. plunge 2000 feet into the clear blue majesty of Neither side backed down. The final score a leading role in making the Black Canyon of the Gunnison River, the Black Canyon is a was Boston Demons 4 goals 2 behinds, for a the Gunnison National Park a wonderful reality natural crown jewel second to none in its mag- total of 26 points, to Santa Cruz 3 goals 2 for Colorado, America, and the world to enjoy. nificent splendor. Though other canyons may behinds for a total of 20 points. MEN AND WOMEN OF HONOR have greater depth or descend on a steeper The Boston Demons is composed of expa- course, few combine these attributes as tiate Australians, Americans, Irish, and a breathtakingly as does the Black Canyon. Dane. Based in Boston, MA, the Boston De- HON. HELEN CHENOWETH-HAGE mons have recently had a large amount of OF IDAHO If ever there was a place worthy of the pres- media exposure in both the U.S. -
Continental Slope Communities Tom Laidig
Continental Slope Communities Tom Laidig Summary and Introduction In the shallow coastal areas of the Gulf of the Farallones, as in other regions of the world, fishing pressure has increased and numbers of fish have decreased over the past few decades. As many fish stocks have declined, some fishermen have been forced to look elsewhere to fill their nets. Traditional fishing grounds in the gulf have been located on the Continental Shelf, a rather flat, relatively shallow area of the sea floor adjacent to the coast. At a depth of about 200 m (660 ft), the bottom starts to drop off more rapidly on what is called the Continental Slope. It is on upper and middle parts of this steeper slope that the new fishing grounds have been established. Because the fish inhabiting these deeper waters are less understood than those in shallower water, there is a danger of overharvesting, which could threaten the long- term viability of these newer fisheries. The deep waters of the Continental Slope are characterized by nearly freezing temperatures, extremely low light conditions, and very high pressures. Because of the cold, organisms that live at these depths have slower metabolisms—they eat less frequently, are slower in digesting their food, and move and grow more slowly. They also attain greater ages than their counterparts that live in shallower waters—some deep-sea rockfish live more than 70 years. Many of the animals living in the perpetual darkness of the Continental Slope have developed light-producing organs. These serve various functions, such as communicating with members of their own kind (as in courtship), attracting food (like attracting moths to a flame), and avoiding being eaten (flashing a light in a predator’s eyes can give an animal a chance to get away). -
12 the Glass Menagerie and the Transformation of the Subject Granger Babcock
Fall 1999 12 The Glass Menagerie and the Transformation of the Subject Granger Babcock In his Memoirs, Tennessee Williams describes a luncheon with Leonard Bernstein shortly after the New York opening of The Glass Menagerie in 1945. "One day," he writes, "Leonard Bernstein and I were both invited to lunch by a pair of very effete American queens. Bernstein was hard on them and I was embarrassed by the way he insulted them." According to Williams, Bernstein told the men that "'When the Revolution comes ... you will be stood up against a wall and shot.'" Unlike the homophobic Bernstein, Williams says he was "not interested in shooting piss-elegant queens or anyone else": "I am only interested in the discovery of a new social system."1 What seems to concern Williams most about Bernstein's remark is his desire to eradicate a masculinity that opposed the normative American model. Williams, I suspect, wanted Bernstein's identifications to be less fixated on what Williams calls "organized society" and more sympathetic to the "wild gestures" of the marginal culture. For Williams, the anarchy represented by the queens' lunch- time performance is desirable, is art, because it resists the conservatism and conformity Williams associated with the hegemonic version of American masculinity. Williams makes his position clearer in the introduction to 27 Wagons Full of Cotton: Art is only anarchy in juxtaposition with organized society. It runs counter to the sort of orderliness on which organized society apparently must be based. It is a benevolent anarchy: it must be that and if it is true art, it is.