An Analysis of Slang Words in Song Lyrics Used in the Songs “That’S What I Like”, “Smoke on the Water”, and “Ch-Check It Out”
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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Fantastic Fanzines!
Where does he get those wonderful toys? Winter 2019 Super Collector’s No. 3 $8.95 Superhero Swag! He Made Us Believe A Man Can Fly! EXCLUSIVE Interview with Visit Metropolis... Home of the Superman Celebration IRWIN ALLEN SEA-MONKEYS® Aquaman in THEN 6 Animation AND 0 NOW 5 1 0 0 8 5 6 2 Fantastic Fanzines! Funny Face Collectibles! 8 Ernest Farino • Andy Mangels • Scott Saavedra • and the Oddball World of Scott Shaw! 1 Superman, Joker, and Aquaman TM & © DC Comics. Sea-Monkeys® © Transcience L.L.C. All Rights Reserved. The crazy cool culture we grew up with Columns and Special Departments Features 3 2 CONTENTS Retro Interview Retrotorial Issue #3 | Winter 2019 Superman Director Richard Donner 10 Too Much TV Quiz 18 52 Andy Mangels’ Retro 13 Saturday Mornings Retro Food & Drink Aquaman in Animation Funny Face Drink Mix Collectibles 31 Retro Television 28 Irwin Allen: Voyage to the 58 RetroFad Bottom of… the Barrel? Afros 43 39 Scott Saavedra’s Retro Games 67 Secret Sanctum Atari’s 1979 Superman Sea-Monkeys® 67 52 Retro Travel 18 The Oddball World of Superman Celebration – Scott Shaw! Metropolis, Illinois Amazing Spider-Man and Incredible Hulk Toilet Paper 73 Super Collector 58 Superman and Batman Ernest Farino’s Retro collectibles, by Chris Franklin Fantasmagoria Fantastic Fanzines 79 RetroFanmail 43 80 13 ReJECTED RetroFan fantasy cover by 31 Scott Saavedra RetroFan™ #3, Winter 2019. Published quarterly by TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. Michael Eury, Editor. John Morrow, Publisher. Editorial Office: RetroFan, c/o Michael Eury, Editor, 112 Fairmount Way, New Bern, NC 28562. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
San Diego Public Library New Additions February 2007
San Diego Public Library New Additions February 2007 Juvenile Materials 000 - Computer Science and Generalities Compact Discs 100 - Philosophy & Psychology DVD Videos/Videocassettes 200 - Religion E Audiocassettes 300 - Social Sciences E Audiovisual Materials 400 - Language E Books 500 - Science E CD-ROMs 600 - Technology E Compact Discs 700 - Art E DVD Videos/Videocassettes 800 - Literature E Foreign Language 900 - Geography & History E New Additions Audiocassettes Fiction Audiovisual Materials Foreign Languages Biographies Large Print CD-ROMs Fiction Call # Author Title J FIC/BARROWS Barrows, Annie. Ivy + Bean and the ghost that had to go J FIC/BOOTH Booth, Martin. Soul stealer J FIC/CLEMENTS Clements, Andrew, Room one J FIC/ELLIOTT Elliott, David, Evangeline Mudd and the golden-haired apes of the Ikkinasti Jungle J FIC/GIFF Giff, Patricia Reilly. Pictures of Hollis Woods J FIC/GOSCINNY Goscinny, Nicholas again J FIC/GUTMAN Gutman, Dan. Miss Holly is too jolly! J FIC/GUTMAN Gutman, Dan. Mrs. Patty is batty! J FIC/HARRAR Harrar, George, The wonder kid J FIC/HOWE Howe, James, Howie Monroe and the doghouse of doom J FIC/JACQUES Jacques, Brian. Voyage of slaves J FIC/JOHNSON Johnson, Jane, The secret country J FIC/LA FEVERS La Fevers, R. L. The forging of the blade J FIC/LAWRENCE Lawrence, Iain, Gemini summer J FIC/LEWIS Lewis, C. S. The lion, the witch, and the wardrobe J FIC/MCCAUGHREAN McCaughrean, Geraldine. Peter Pan in scarlet J FIC/MORRISSY Morrissey, Dean. The moon robber J FIC/NIMMO Nimmo, Jenny. The snow spider J FIC/OSBORNE Osborne, Mary Pope. Night of the new magicians J FIC/POTTER Potter, Ellen, Pish Posh J FIC/SALTEN Salten, Felix, Bambi J FIC/SALTEN Salten, Felix, Bambi J FIC/STEVENSON Stevenson, Robert Louis, Kidnapped J FIC/TINGLE Tingle, Tim. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
Representations of Mormonism in American Culture Jeremy R
University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations 8-19-2011 Imagining the Saints: Representations of Mormonism in American Culture Jeremy R. Ricketts Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Part of the American Studies Commons Recommended Citation Ricketts, eJ remy R.. "Imagining the Saints: Representations of Mormonism in American Culture." (2011). https://digitalrepository.unm.edu/amst_etds/37 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Jeremy R. Ricketts Candidate American Studies Departmelll This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Commillee: , Chairperson Alex Lubin, PhD &/I ;Se, tJ_ ,1-t C- 02-s,) Lori Beaman, PhD ii IMAGINING THE SAINTS: REPRESENTATIONS OF MORMONISM IN AMERICAN CULTURE BY JEREMY R. RICKETTS B. A., English and History, University of Memphis, 1997 M.A., University of Alabama, 2000 M.Ed., College Student Affairs, 2004 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy American Studies The University of New Mexico Albuquerque, New Mexico May 2011 iii ©2011, Jeremy R. Ricketts iv DEDICATION To my family, in the broadest sense of the word v ACKNOWLEDGMENTS This dissertation has been many years in the making, and would not have been possible without the assistance of many people. My dissertation committee has provided invaluable guidance during my time at the University of New Mexico (UNM). -
The Forgotten Aquariums of Boston, Third Revised Edition by Jerry Ryan (1937 - )
THE FORGOTTEN AQUARIUMS OF BOSTON THIRD Revised Edition By Jerry Ryan 2011 Jerry Ryan All rights reserved. Excerpt from “For The Union Dead” from FOR THE UNION DEAD by Robert Lowell. Copyright 1959 by Robert Lowell. Copyright renewed 1987 by Harriet Lowell, Caroline Lowell and Sheridan Lowell. Reprinted by permission of Farrar, Straus and Giroux, LLC. The Forgotten Aquariums of Boston, Third Revised Edition by Jerry Ryan (1937 - ). First Printing June, 2002. ISBN 0-9711999-0-6 (Softcover). 1.Public Aquaria. 2. Aquarium History. 3. Boston Aquarial Gardens. 4. Barnum’s Aquarial Gardens. 5. South Boston Aquarium. 6. P. T. Barnum. 7. James A. Cutting. 8. Henry D. Butler. 9. Aquariums. TABLE OF CONTENTS Preface To The Third Revised Edition by Jeff Ives Page 6 Preface To The Second Edition By Jerry Ryan Page 7 Acknowledgements Page 9 The Boston Aquarial Gardens: Bromfield Street Page 10 Boston Aquarial and Zoological Gardens: Central Court Page 28 Barnum Aquarial Gardens Page 45 The South Boston Aquarium Page 62 Epilogue Page 73 Appendices Page 75 Illustration Credits Page 100 References and Suggested Reading Page 101 PREFACE TO THE THIRD EDITION Boston is known as a city filled with history, but it’s not always the history you’d expect. Today millions of tourists walk the freedom trail with Paul Revere’s famous ride galloping through their heads. Little do they know that 85 years after the fateful lamp was lit in Old North Church, an entirely different kind of ride was taking place in the heart of Boston’s Downtown Crossing. This ride was performed by a woman seated in a nautilus-shaped boat being pulled by a beluga whale through the largest tank in the first aquarium in the United States. -
ERHS Helps Pico Rivera Light up with Holiday Spirit
Wednesday, December 12, 2018 El Rodeo Volume 67. Issue 4 ERHS helps Pico Rivera light up with holiday spirit BY YAZLIN JUAREZ from Santa in which children could music grams to receive a personal istration and check-in, passing out go play in the snow and the train EL RODEO STAFF WRITER pose with Ol’ Saint Nick himself for performance live at their houses. prizes from the city, and monitor- with my friends. If I did I would’ve pictures. Pico Rivera Mayor Gus- The El Rancho Band and ing children in the snow play area. thrown a snowball at [my friend].” In the “winter wonder- tavo Camacho, attending the event Colorguard also made a quick ap- AVID advisor and El Rancho teach- Although the music de- land” of Pico Rivera Town Hall with his family, says, “My favorite pearance, opening the night’s fes- er Mr. Philip Rojo was appreciative partment’s tunes and AVID’s hot and Sheriff’s Department, Pico attraction is the snow area, seeing my tivities with their signature and of this opportunity for their program chocolate made many Pico Rivera Rivera citizens celebrated the be- kids and other kids playing, smiling holiday songs, “Santa’s Parade,” to help others and says, “One of the residents night, the highlight of the ginning of the holiday with the and laughing is a great joy of mine.” “Feel It Still,” “Uptown Funk,” pillars of AVID’s program is Com- evening was most certainly the offi- annual lighting of the Civic Cen- On stage were multiple per- “Fight Song,” and The El Rancho munity Service, and the more lo- cial lighting of the Civic Center Tree, ter Holiday Tree in honor of the formances by the city’s finest musi- Fight Song. -
X-MEN $ Featuring Their First- 8.95 Decade Definers: in the USA LEE • KIRBY • ROTH No.120 THOMAS • ADAMS • HECK Sept
Roy Thomas’ X-uberant Comics Fanzine A HALF-CENTURY SALUTE TO THE TM X-MEN $ Featuring Their First- 8.95 Decade Definers: In the USA LEE • KIRBY • ROTH No.120 THOMAS • ADAMS • HECK Sept. TUSKA • FRIEDRICH 2013 DRAKE • BUSCEMA KANE • COLAN COCKRUM NOSTALGICNOTE: KA-ZAR’S PROBABLY IN THIS ISSUE, TOO––BUT DON’T BLINK, OR YOU’LL MISS HIM! PLUS: X-MEN TM & ©Marvel Characters, Inc. 0 8 ED 1 82658 27763 5 Vol. 3, No. 120 / September 2013 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor If you’re viewing a Digital P.C. Hamerlinck Edition of this publication, Comic Crypt Editor PLEASE READ THIS: This is copyrighted material, NOT intended Michael T. Gilbert for downloading anywhere except our Editorial Honor Roll website. If you downloaded it from another website or torrent, go ahead and read it, and if you decide to keep it, DO THE Jerry G. Bails (founder) RIGHT THING and buy a legal download, or a printed copy (which entitles you to the Ronn Foss, Biljo White free Digital Edition) at our website or your local comic book shop. Otherwise, DELETE Mike Friedrich IT FROM YOUR COMPUTER and DO Proofreaders NOT SHARE IT WITH FRIENDS OR POST IT ANYWHERE. If you enjoy our publications enough to download them, Rob Smentek please pay for them so we can keep producing ones like this. Our digital William J. Dowlding editions should ONLY be downloaded at Cover Artists www.twomorrows.com Jack Kirby & Chic Stone Contents Cover Colorist Writer/Editorial: Not X-actly X-static, But.. -
This Session Will Be Begin Closing at 6PM on 6/12/21, So Be Sure to Get Those Bids in Via Proxibid! Follow Us on Facebook & Twitter @Back2past for Updates
6/12 Keys to the Kingdom: Silver to Modern Comics 6/12/2021 This session will be begin closing at 6PM on 6/12/21, so be sure to get those bids in via Proxibid! Follow us on Facebook & Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast! See site for full terms. LOT # QTY LOT # QTY 1 Auction Policies 1 13 New Avengers #40/Sealed Subscription Copy 1 1st appearance of the Skrull Queen Veranke. NM condition. 2 Wolverine #1-4/1982/Limited Series 1 Complete 4-part Series by Chris Claremont & Frank Miller. 1st 14 Wolverine #88/1994/Marvel 1 appearance of Yukio. VG+/FN- condition. Classic Adam Kubert Deadpool cover. NM- condition. 3 Marvel Team-Up #141/1984/KEY 1 15 Uncanny X-Men Annual #14/CBCS 9.4 NM 1 2nd appearance of Spider-Man's black suit. VG+/FN- condition. 1st cameo appearance of Gambit. 4 Wolverine #10/1989/Sabretooth 1 16 Fangoria Horror Magazine Lot of (20) 1 Classic Sabretooth battle. Bill Sienkiewicz cover. NM-/NM with Issues #51-56 & #70-83. 1986-1989. VF to NM condition. slight spine roll. 17 Spider-Man #1/1990/Marvel 1 5 Marvel Team-Up #130-140, 142-150 Comic Lot of (20) 1 Classic 1st issue of the Todd McFarlane run. "Green" cover 20-issue lot. Includes #131, 1st appearance of White Rabbit and version. NM condition. #150 is the final issue. -
ASEBL Journal
January 2015 Volume 11, Issue 1 ASEBL Journal Association for the Study of EDITOR (Ethical Behavior)•(Evolutionary Biology) in Literature St. Francis College, Brooklyn Heights, N.Y. Gregory F. Tague, Ph.D. ~ ADVISORY EDITOR ~▪▪~ Michelle Scalise Sugiyama, THIS ISSUE FEATURES Ph.D. ~ EDITORIAL BOARD † Ryan O. Begley, Kathryn Coe, Craig T. Palmer Divya Bhatnagar, Ph.D. “From Blood Feuds to Civility: Romeo and Juliet and the Kristy Biolsi, Ph.D. Changing Evolutionary Role of Cultural Traditions.” p. 2 Kevin Brown, Ph.D. Tom Dolack, Ph.D † Edward Gibney Wendy Galgan, Ph.D. “Bridging the Is-Ought Divide: Cheryl L. Jaworski, M.A. Life is. Life ought to act to remain so.” p. 17 Joe Keener, Ph.D. Eric Luttrell, Ph.D. † R.C. De Prospo Riza Öztürk, Ph.D. ‘“lighting out for the Territory ahead of the rest’: The Future of/in The Adventures of Huckleberry Finn.” p. 29 Eric Platt, Ph.D. Anja Müller-Wood, Ph.D. † Dustin Hellberg SCIENCE CONSULTANT Kathleen A. Nolan, Ph.D. “Rhythm, Evolution and Neuroscience in Lullabies and Poetry.” p. 37 EDITORIAL INTERN Hamza Alam Contributors, p. 55 Announcements, p. 56 ASEBL Journal Copyright©2015 E-ISSN: 1944-401X [email protected] Although this is an open-access journal where papers and articles are freely disseminated across the internet for personal or academic use, the rights of individual authors as well as those of the journal and its editors are none- www.asebl.blogspot.com theless asserted: no part of the journal can be used for commercial purposes whatsoever without the express written consent of the editor. -
LEONARD STARR Vol
Roy Tho mas ’Thunderclap of a Comics Fan zine FEATURING: AN FOUR-COLOR FIST-FEST! $ In8 th.e9 U5SA No.110 June 2012 . s c i m o C C D 2 1 0 2 © & M T 6 o 0 g o l 5 ” ! m 3 a z 6 a h 7 S 7 “ 2 & s 8 e o 5 r e 6 h 2 ALSO: m 8 a z a h S 1 LEONARD STARR Vol. 3, No. 110 / June 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Emilio Squeglio (pencils) & Joe Giella (inks) Cover Colorist Contents Tom Ziuko With Special Thanks to: Guest Writer/Editorial: Emilio Squeglio (1927-2012) . 2 Jack Adams Paul Levitz “I Think I Worked For Every [Comics] House In The City” . 3 Heidi Amash Barbara Levy Ger Apeldoorn Alan Light Part I of Jim Amash’s decades-spanning interview with noted comics artist Leonard Starr. Richard Arndt Jim Ludwig “The Will Of William Wilson” Lost Pages—In Color! . 23 Jean Bails Dick Lupoff Mike W. Bar Pat Lupoff Continued from last issue, here’s the final pair of pages from the unpublished JSA chapter. Rod Beck Will Meugniot Mr. Monster’s Comic Crypt! The Covers That Never Were! . 25 John Benson Brian K. Morris Jerry Bingham Will Murray Michael T. Gilbert reinterprets Simon & Kirby and Carl Pfeufer (or is it Bill Everett?).