ASEBL Journal
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Fantastic Fanzines!
Where does he get those wonderful toys? Winter 2019 Super Collector’s No. 3 $8.95 Superhero Swag! He Made Us Believe A Man Can Fly! EXCLUSIVE Interview with Visit Metropolis... Home of the Superman Celebration IRWIN ALLEN SEA-MONKEYS® Aquaman in THEN 6 Animation AND 0 NOW 5 1 0 0 8 5 6 2 Fantastic Fanzines! Funny Face Collectibles! 8 Ernest Farino • Andy Mangels • Scott Saavedra • and the Oddball World of Scott Shaw! 1 Superman, Joker, and Aquaman TM & © DC Comics. Sea-Monkeys® © Transcience L.L.C. All Rights Reserved. The crazy cool culture we grew up with Columns and Special Departments Features 3 2 CONTENTS Retro Interview Retrotorial Issue #3 | Winter 2019 Superman Director Richard Donner 10 Too Much TV Quiz 18 52 Andy Mangels’ Retro 13 Saturday Mornings Retro Food & Drink Aquaman in Animation Funny Face Drink Mix Collectibles 31 Retro Television 28 Irwin Allen: Voyage to the 58 RetroFad Bottom of… the Barrel? Afros 43 39 Scott Saavedra’s Retro Games 67 Secret Sanctum Atari’s 1979 Superman Sea-Monkeys® 67 52 Retro Travel 18 The Oddball World of Superman Celebration – Scott Shaw! Metropolis, Illinois Amazing Spider-Man and Incredible Hulk Toilet Paper 73 Super Collector 58 Superman and Batman Ernest Farino’s Retro collectibles, by Chris Franklin Fantasmagoria Fantastic Fanzines 79 RetroFanmail 43 80 13 ReJECTED RetroFan fantasy cover by 31 Scott Saavedra RetroFan™ #3, Winter 2019. Published quarterly by TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. Michael Eury, Editor. John Morrow, Publisher. Editorial Office: RetroFan, c/o Michael Eury, Editor, 112 Fairmount Way, New Bern, NC 28562. -
An Analysis of Slang Words in Song Lyrics Used in the Songs “That’S What I Like”, “Smoke on the Water”, and “Ch-Check It Out”
Udayana Journal of Social Sciences and Humanities, Vol. 4 No. 2, September 2020 | 85 DOI: https://doi.org/10.24843/UJoSSH.2020.v04.i02.p08 An Analysis of Slang Words in Song Lyrics Used in the Songs “That’s What I Like”, “Smoke On The Water”, and “Ch-Check It Out” Ni Luh Karmila Dewi*, Ni Made Ayu Widiastuti English Department-Faculty of Arts- Udayana University [[email protected]] [[email protected]] Denpasar, Bali, Indonesia *Corresponding Author Abstract The paper entitled “An Analysis of Slang Words in Song Lyrics Used in the Songs “That’s What I Like”, “Smoke On The Water”, and “Ch-Check It Out”. This study concern with the analysis of slang words in the Songs “That’s What I Like”, “Smoke On The Water”, and “Ch-Check It Out”. There are three statement problems (1) What are the types of slang words used in the song? (2) What is the meaning of slang words in the three sample that are in the lyric? (3) What is dominant type of slang words of three song lyrics? The data of this study were collected from three song lyrics in different genres: pop, rock, and rap song. Documentation method was used to collect the data and qualitative method was used to describe the types of slang words, the meaning of slang word, and dominant types of slang words that used in three song lyrics. The writer used theory of the types slang by Patridge (2004:204) and the meaning of the slang word used theory by Geoffrey Leech (1974).There are six types of slang words which are found in this study such as four slang words in publicity, four slang in public School and University, twenty one slang words in society, three slang in theatre, one soldier’s slang, and one public house slang. -
The Evolution of Animal Play, Emotions, and Social Morality: on Science, Theology, Spirituality, Personhood, and Love
WellBeing International WBI Studies Repository 12-2001 The Evolution of Animal Play, Emotions, and Social Morality: On Science, Theology, Spirituality, Personhood, and Love Marc Bekoff University of Colorado Follow this and additional works at: https://www.wellbeingintlstudiesrepository.org/acwp_sata Part of the Animal Studies Commons, Behavior and Ethology Commons, and the Comparative Psychology Commons Recommended Citation Bekoff, M. (2001). The evolution of animal play, emotions, and social morality: on science, theology, spirituality, personhood, and love. Zygon®, 36(4), 615-655. This material is brought to you for free and open access by WellBeing International. It has been accepted for inclusion by an authorized administrator of the WBI Studies Repository. For more information, please contact [email protected]. The Evolution of Animal Play, Emotions, and Social Morality: On Science, Theology, Spirituality, Personhood, and Love Marc Bekoff University of Colorado KEYWORDS animal emotions, animal play, biocentric anthropomorphism, critical anthropomorphism, personhood, social morality, spirituality ABSTRACT My essay first takes me into the arena in which science, spirituality, and theology meet. I comment on the enterprise of science and how scientists could well benefit from reciprocal interactions with theologians and religious leaders. Next, I discuss the evolution of social morality and the ways in which various aspects of social play behavior relate to the notion of “behaving fairly.” The contributions of spiritual and religious perspectives are important in our coming to a fuller understanding of the evolution of morality. I go on to discuss animal emotions, the concept of personhood, and how our special relationships with other animals, especially the companions with whom we share our homes, help us to define our place in nature, our humanness. -
Psychoethological Perspective on Play: Implications for Research and Practice
Psicologia USP http://dx.doi.org/10.1590/0103-656420160122 358 Brincar na perspectiva psicoetológica: implicações para pesquisa e prática Emma Otta* Universidade de São Paulo, Instituto de Psicologia, Departamento de Psicologia Experimental. São Paulo, SP, Brasil Resumo: Este ensaio trata do brincar a partir da perspectiva psicoetológica e examina implicações para a pesquisa e a prática. Ao longo das últimas décadas, crianças vêm ganhando oportunidades de escolarização e atividades dirigidas por adultos, mas perdendo oportunidades de brincadeira livre autogerenciada. Isto é preocupante, considerando as indicações de modelos animais de que a brincadeira social autogerenciada é importante para o desenvolvimento do cérebro social e da capacidade de autorregulação de emoções. Este estudo representa um convite-justificativa para que as crianças recuperem oportunidades de brincadeira natural das quais vêm sendo privadas. Quanto mais conhecermos sobre o brincar, mais adequados seremos nas oportunidades que poderemos oferecer a elas. Precisamos de mais pesquisa sobre este tema na academia, num ambiente intelectual que facilite a colaboração entre etólogos, psicólogos, educadores e neurocientistas, promovendo interação bidirecional entre teoria e prática. Palavras-chave: brincar, cérebro social, desenvolvimento, emoções, natureza. Introdução A razão da etóloga, fascinada pela observação do comportamento Este ensaio trata do brincar a partir da perspectiva psicoetológica e examina as implicações desta Por que convidar a estudar o comportamento de abordagem para pesquisa e prática relativas a um tema brincar dos animais? A resposta mais simples que poderia que considero negligenciado na área acadêmica. O termo dar é o fascínio pela observação do comportamento “abordagem psicoetológica” foi cunhado por Walter espontâneo, livre de limites artificiais. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
The Inevitability of Evolutionary Psychology and the Limitations of Adaptationism: Lessons from the Other Primates
International Journal of Comparative Psychology, 2001, 14, 25-42. Copyright 2001 by the International Society for Comparative Psychology The Inevitability of Evolutionary Psychology and the Limitations of Adaptationism: Lessons from the other Primates Frans B. M. de Waal Emory University, U.S.A. The arrival of Evolutionary Psychology (EP) has upset many psychologists. Partly, this reflects resistance to what is perceived as genetic reductionism, partly worry about yet another step closer to the life sciences. Are the life sciences going to devour the social sciences? This essay starts out with a list of pitfalls for the beginning Darwinists that many EP followers are, warning against simplistic adptationist scenarios, and the frag- mentation of the organism, the human brain (a module for every capacity), and the ge- nome (a gene for this and a gene for that). Despite these criticisms, the author is generally sympathetic to the evolutionary approach, however, and feels that EP is inevitable. It may show growing pains, but psychology does need to move under the evolutionary umbrella, which is the only framework that can provide coherence to a fragmented discipline. The essay concludes with several illustrations of the usefulness of evolutionary theory to ex- plain the social behavior of primates. Primatologists face many of the same dilemmas as followers of EP in that primate behavior seems almost endlessly variable. Examples of political strategy, peacemaking, and reciprocal exchange show the complexity, the pro- found similarity to human behavior, and the promise of the evolutionary framework. I am honored and pleased to address psychologists at their annual conven- tion. -
The Value of Using an Evolutionary Framework for Gauging Children's
In Narvaez, D., Panksepp, J., Schore, A., & Gleason, T. (Eds.) (2013). Evolution, Early Experience and Human Development: From Research to Practice and Policy. New York: Oxford University Press. The Value of Using an Evolutionary Framework for Gauging Children’s Well-Being Darcia Narvaez, Jaak Panksepp, Allan Schore, and Tracy Gleason Earlier conceptions of the essential nature of developmental experiences found axiomatic that “early childhood is destiny.” This view was deeply embedded in two paradigms—psychoanalysis under the Freudian view, which emphasized parenting influences, and behaviorism, which emphasized early conditioning and reinforcement history (although both psychoanalytic psychotherapists and behaviorists assumed that patterns could be unlearned with some effort). When developmental psychology changed in paradigm to an ecological system perspective that acknowledges multiple levels of influence (Bronfenbrenner, 1979), emphasis shifted to a focus on human resiliency in the face of risk factors (Lester, Masten, & McEwen, 2007). Neuroscience has bolstered the resilient view of development with evidence that the brain remains plastic throughout the life span (e.g., Doidge, 2007; Merzenich et al., 1996). Early childhood is thus viewed within the prism of lifelong interactions among ecosystems and individual neuro- affective propensities, highlighting developmental person-by-context interactions and abundant individual variability in emotional resilience (Suomi, 2006; Worthman, Plotsky, Schechter, & Cummings, 2010). In the enthusiasm to embrace ideas of life span resiliency, psychology has often soft- pedaled the lasting neurobiological influences of early childhood experience. When researchers have documented the remarkable resiliency of children (e.g., Lester et al., 2007), they often point to better outcomes than might be predicted from certain preclinical studies of early - i - developmental trajectories (Kagan, 1997). -
Art and Emotion: the Variety of Aesthetic Emotions and Their Internal Dynamics
Interdisciplinary Studies in Musicology 20, 2020 @PTPN Poznań 2020, DOI 10.14746/ism.2020.20.5 Piotr PrzybYSZ https://orcid.org/0000-0001-8184-3656 Faculty of Philosophy, Adam Mickiewicz University, Poznań Art and Emotion: the variety of Aesthetic Emotions and their Internal Dynamics AbSTRACT: The aim of this paper is to propose an interpretation of aesthetic emotions in which they are treated as various affective reactions to a work of art. I present arguments that there are three different types of such aesthetic emotional responses to art, i.e., embodied emotions, epistemic emotions and contextual-associative emotions. I then argue that aesthetic emotions understood in this way are dynamic wholes that need to be explained by capturing and describing their internal temporal dynamics as well as by analyzing the relationships with the other components of aesthetic experience. Keywords: aesthetic emotions, aesthetic experience, art, music, neuroaesthetics Introduction There is no doubt that music, as well as other genres of art such as painting, is a reliable means of eliciting various emotional reactions. Exposure to a song or painting may result in feelings such as being touched or elated. beha- vioral reactions such as chills or tears may also appear in reaction to the work of art. In other situations, music or painting may serve to calm someone or can be used to improve one’s mood. Despite the unquestionable ability of art to evoke emotions, this ability is still not properly understood, and philosophers and re- searchers are constantly trying to explain it. The tradition of speculative inquiry and empirical studies concerning aes- thetic emotions is, naturally, very long. -
San Diego Public Library New Additions February 2007
San Diego Public Library New Additions February 2007 Juvenile Materials 000 - Computer Science and Generalities Compact Discs 100 - Philosophy & Psychology DVD Videos/Videocassettes 200 - Religion E Audiocassettes 300 - Social Sciences E Audiovisual Materials 400 - Language E Books 500 - Science E CD-ROMs 600 - Technology E Compact Discs 700 - Art E DVD Videos/Videocassettes 800 - Literature E Foreign Language 900 - Geography & History E New Additions Audiocassettes Fiction Audiovisual Materials Foreign Languages Biographies Large Print CD-ROMs Fiction Call # Author Title J FIC/BARROWS Barrows, Annie. Ivy + Bean and the ghost that had to go J FIC/BOOTH Booth, Martin. Soul stealer J FIC/CLEMENTS Clements, Andrew, Room one J FIC/ELLIOTT Elliott, David, Evangeline Mudd and the golden-haired apes of the Ikkinasti Jungle J FIC/GIFF Giff, Patricia Reilly. Pictures of Hollis Woods J FIC/GOSCINNY Goscinny, Nicholas again J FIC/GUTMAN Gutman, Dan. Miss Holly is too jolly! J FIC/GUTMAN Gutman, Dan. Mrs. Patty is batty! J FIC/HARRAR Harrar, George, The wonder kid J FIC/HOWE Howe, James, Howie Monroe and the doghouse of doom J FIC/JACQUES Jacques, Brian. Voyage of slaves J FIC/JOHNSON Johnson, Jane, The secret country J FIC/LA FEVERS La Fevers, R. L. The forging of the blade J FIC/LAWRENCE Lawrence, Iain, Gemini summer J FIC/LEWIS Lewis, C. S. The lion, the witch, and the wardrobe J FIC/MCCAUGHREAN McCaughrean, Geraldine. Peter Pan in scarlet J FIC/MORRISSY Morrissey, Dean. The moon robber J FIC/NIMMO Nimmo, Jenny. The snow spider J FIC/OSBORNE Osborne, Mary Pope. Night of the new magicians J FIC/POTTER Potter, Ellen, Pish Posh J FIC/SALTEN Salten, Felix, Bambi J FIC/SALTEN Salten, Felix, Bambi J FIC/STEVENSON Stevenson, Robert Louis, Kidnapped J FIC/TINGLE Tingle, Tim. -
6 Affective Neuroscience Part II
THE USA BODY PSYCHOTHERAPY JOURNAL, VOL. 4:1 ALINE LAPIERRE A NEUROSCIENCE DIGEST PART II AFFECTIVE AND DEVELOPMENTAL NEUROSCIENCE ALINE LAPIERRE, PSY.D. This is the second of a three part review. In our last issue, Part I: Understanding the Mind- Brain and Nervous System, we presented a primer and an orientation to current foundational books that map the essential principles of neuroscience. In this issue, Part II: Affective and Developmental Neuroscience, we look at Jaak Panksepp and Antonio Damasio, at Allan Schore’s regulation theory, and Daniel Siegel’s interpersonal neurobiology. Finally, in our next issue, Part III: Neuroscience in Somatic Clinical Application we will explore neuroscience in relation to somatic psychotherapy. This review gives a general overview of the contributions of four important thinkers who have each published landmark books: Jaak Panksepp, Antonio Damasio, Allan Schore, and Daniel Siegel. These authors are remarkable because of the breath and detail of their knowledge which allows them to make important creative interdisciplinary bridges between neurobiological, behavioral, affective, and cognitive concepts. The advent of modern neuroscience highlights the inquiry into how mind is materially supported by and subject to natural law. An interesting dilemma has existed between the materialist and humanistic worldviews. According to the materialistic worldview, the evolution of life on earth is solely the result of complex chemical reactions. In the humanistic worldview, our ability to think about material reality transcends that reality and the cultural matrix of the arts and sciences forms an invisible cosmology which affirms the priority of mind over nature. In the movement towards the conciliation of this two-fold mystery, affective neuroscience seeks to understand how environmentally acquired internal representations in the present world interact with genetically dictated neurodynamics built out of the evolutionary experiences of worlds past. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE