The Transatlantic Feedback
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Porchfest 2017.Final
Original Porchfest art by Nina Widger created for our 2016 intersection repair project at Lewis and Auburn Streets Sunday, September 24, 2017 12:00 pm - 6:00 pm SPONSORED BY: Mobile schedule at porchfest.org/m/ For more information visit us at www.porchfest.org 2017 Porchfest Musicians ¡Viva Mayhem! (104 Adams St, 5pm): High energy avant-garde ska/punk The 18 Strings of Luv (105 King St, 5pm): Great tunes from the ‘60s A and the B’s (708 N Aurora St, 4pm): A folky / bluesy / rock trio with a spiritual touch A Fine Line (202 Utica St., 12pm): Groove rock with sax appeal The Accords (308 Utica St, 4pm): Five voices and no instruments, street corner style Ageless Jazz Band (Thompson Park, 2pm): 17-or-so-piece Jazz Big Band, great for dancing All Strung Out (313 Utica St, 2pm): Two guitars, flute, harmonica, mandolin, hand percussion, bass Amongst the Monks (104 Adams St, 12pm): A fusion of sounds in order to create deep thoughts Amplified Silence (209 E Jay St, 12pm): A performance of Cartridge Music (1960), by John Cage Andrew Alling (511 N Aurora St, 12pm): Simultaneous guitar, organ, bass, keyboard, harmonica Anna Coogan’s Amazing Students (304 E Marshall St, 1pm): Vocal, guitar and songwriting students Aria (213 2nd St, 5pm): Uplifting, original music Arthur B and The Planetary Mix (602 N Cayuga St, 4pm): Bringing on the vibes w/ cosmic, funky soul Auntie Emo’s Ukulele Showcase (204 W Yates St, 2pm): Sampler of ukulele players in Ithaca Austin Wyckoff (108 W Lewis St, 4pm): Expressive folk, dark acoustic banyantree (1101 N Cayuga St, -
It's Monk Time
Sonntag, 13. März 2016 (20:05-21:00 Uhr) KW 10 Deutschlandfunk - Musik & Information FREISTIL It’s Monk Time – Die irre Geschichte einer amerikanischen Beatband in der deutschen Provinz Von Tom Noga Redaktion: Klaus Pilger Produktion: DLF 2013 M a n u s k r i p t ACHTUNG: Die Wiederholung wurde wegen einer Sondersendung zu den Wahlen gekürzt. Dies ist das Manuskript entsprechend der Original-Länge! Urheberrechtlicher Hinweis Dieses Manuskript ist urheberrechtlich geschützt und darf vom Empfänger ausschließlich zu rein privaten Zwecken genutzt werden. Die Vervielfältigung, Verbreitung oder sonstige Nutzung, die über den in §§ 44a bis 63a Urheberrechtsgesetz geregelten Umfang hinausgeht, ist unzulässig. © - ggf. unkorrigiertes Exemplar - Regie Musik 1 („Blast Off “ von den Monks) startet. Darüber: O-Ton 1 Gary Burger (unübersetzt) “Monk music is original protest music. Monk music is music to make love by. Monk Music is music to relax by.” Regie Musik 1 mit dem Feedback bei 0:12 hoch ziehen. Soll bis ca 0:30 frei stehen. Darüber: Sprecher 2 Eddie Shaw (aus dem Buch „Black Monk Time“) Eines Nachts stieß Roger mich auf dem Weg von der Bühne zum Umkleideraum an. „Die beiden Typen da, die habe ich schon ein paar Mal hier gesehen.“ Ich guckte rüber. „Du meinst die beiden in den Geschäftsanzügen? Sind mir auch aufgefallen. Normale Fans sind das nicht.“ Am nächsten Abend luden uns die beiden Männer in einer Pause zwischen zwei Sets zu sich an den Tisch ein. Nachdem wir uns vorgestellt hatten, sagte der Kleinere der beiden, der mit dem blonden Raspelschnitt: „Ich bin Walther, und mein Kollege heißt Karl. -
Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1St Edition)
R O C K i n t h e R E S E R V A T I O N Songs from the Leningrad Rock Club 1981-86 Yngvar Bordewich Steinholt Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1st edition). (text, 2004) Yngvar B. Steinholt. New York and Bergen, Mass Media Music Scholars’ Press, Inc. viii + 230 pages + 14 photo pages. Delivered in pdf format for printing in March 2005. ISBN 0-9701684-3-8 Yngvar Bordewich Steinholt (b. 1969) currently teaches Russian Cultural History at the Department of Russian Studies, Bergen University (http://www.hf.uib.no/i/russisk/steinholt). The text is a revised and corrected version of the identically entitled doctoral thesis, publicly defended on 12. November 2004 at the Humanistics Faculty, Bergen University, in partial fulfilment of the Doctor Artium degree. Opponents were Associate Professor Finn Sivert Nielsen, Institute of Anthropology, Copenhagen University, and Professor Stan Hawkins, Institute of Musicology, Oslo University. The pagination, numbering, format, size, and page layout of the original thesis do not correspond to the present edition. Photographs by Andrei ‘Villi’ Usov ( A. Usov) are used with kind permission. Cover illustrations by Nikolai Kopeikin were made exclusively for RiR. Published by Mass Media Music Scholars’ Press, Inc. 401 West End Avenue # 3B New York, NY 10024 USA Preface i Acknowledgements This study has been completed with the generous financial support of The Research Council of Norway (Norges Forskningsråd). It was conducted at the Department of Russian Studies in the friendly atmosphere of the Institute of Classical Philology, Religion and Russian Studies (IKRR), Bergen University. -
Purple Snow: Forecasting the Minneapolis
Numero group Purple Snow: Forecasting The Minneapolis Sound Catalog Number: NUM050 Artist: V/A Title: Forecasting the Minneapolis Sound Release Date: 11/12/13 UPC: 825764105019 (lp) UPC: 825764105026 (cd) Available formats: 4lp+book / 2cd+book Genre: Funk Vinyl is not returnable In the late 1970s, a peculiar sound began bubbling up from the land of 10,000 lakes. Buried beneath 50 solid inches of annual snow, Minneapolis made a Sound quite different than what the pop world foresaw. It issued forth as a slick, black, technologically advanced fusion, poised to storm the charts. Never known for sizable African-American populations, the Twin Cities of Minneapolis and St. Paul in fact harbored a tight-knit community of musicians working feverishly through the late ’70s and early ’80s toward a radical manipulation of American dance music, coating futuristic funk with the glamorous sheen of guitar rock. Synthetic ebony and ivory met Track Listing electricity, with sexed-up results sent shockingly across the pop heavens like violet lightning. 1. 94 East If You See Me 2. Aura Taste Of Love On 4 LPs or 2 CDs, Purple Snow: Forecasting the Minneapolis Sound—the 3. Herman Jones I Love You Oh Lover Numero Group’s breathlessly anticipated 50th mainline release—chronicles 4. Orville Shannon the scene’s first steps, false starts, and follow-throughs, sourcing the life’s 5. Mind & Matter I’m Under Your Spell work of known quantities and shadowy figures alike. In the beginning, there 6. Haze Waiting For The Moment 7. Prophets Of Peace Get It On was Purple Haze, whose billing as Haze on two obscure albums left the color 8. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
HIPSVILLE Carnival a Go Go! the Wildest '60S & Beyond Party
May 10, 2016 09:30 BST HIPSVILLE Carnival A Go Go! The Wildest ’60s & Beyond Party Festival Weekend - May 13th -15th! HIPSVILLE A Go Go! is where crazy people from all the corners of Europe, and beyond, get together to dance and party at a carnival-themed weekend to the wildest rock'n'roll and soul sounds of the 1960s and beyond! With thirteen live bands, top international DJs, caged go go dancers, hot rods and gorillas plus a whole bunch of people looking for a good time, that's HIPSVILLE Carnival A Go Go! Watch video on YouTube here Saturday and Sunday afternoon its tiki time! At the HIPSVILLE Tiki party, taking place in the exotically themed bar they call Tikiville, you can party throughout the afternoon with DJs and go go girls, plus our Hipsville's very own cocktail mixer will add some extra hula hula to your drinks and your afternoon. But wait, there's even more, as on Sunday we have the added attraction of the HIPSVILLE AUTO SHOW. Last year it was a huge success with over 80 cars rolling in. So in 2016 roll up in or on your ride or just look enviously at some of the coolest sets of wheels on the road. In addition to the music, girls and the cars, HIPSVILLE Carnival A Go Go! also has a three-day vintage market with stalls selling food, clothes, records and home wear, perfect for those looking for something cool to wear or maybe something hip for their home. Swiss garage punks THE JACKETS combine sixties garage, mod, ’77 punk rock, psychedelia and their devotion to bands like The MC5, The Monks, and The Music Machine. -
October 15, 2013 5% DISCOUNT on New Release Items Through Oct 22
OCTOBER NEW RELEASE GUIDE STREET DATE: October 15, 2013 5% DISCOUNT on New Release Items through Oct 22 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Oct 2013 (503) 231-0876 / www.bdcdistribution.com 2 Oct 2013 Welcome!!BDC Welcome!! New Releases Augie Meyers - often imitated; never duplicated. A legend whose 50+ year career has resulted in Sean Chambers has not been in a hurry - he knows that patience is a virtue, good things come to those who wait, you can’t hurry love and a half-dozen other aphorisms. He spent five years with Grammys, chart hits and 17 solo albums. Here is the latest; a Texas-centric Country album with Hubert Sumlin before going solo and has only now released his fifth album in a decade and a nods toward Harlan Howard and Lefty Frizell. He is one of a kind. half; a patient man who records music he wishes to instead of dropping some kind of a new Recess Monkey is from Seattle but known nationally with great press, exposure on SiriusXM Kids album every other year just to tour behind. The Rock House Sessions is more than worth the wait. Place Live due to member Jack Forman’s daily program and their tenth(!) release. And check out In the last couple of years, Burnside has reached an affinity with Minneapolis bands; be it The these new ones by Quiet Life (on tour with The Head and The Heart), Modern Kin, Vikesh Kapoor, Shouting Matches, Polica, Solid Gold, The Ocean Blue or Davina and the Vagabonds, we’ve been Field Study, Patrick Park and Son of Stan. -
The Benedictine Monks of Christ in the Desert Monastery Amy Suzanne Gillespie
University of New Mexico UNM Digital Repository Music ETDs Electronic Theses and Dissertations 8-25-2016 Chant and Transformation: The Benedictine Monks of Christ in the Desert Monastery Amy Suzanne Gillespie Follow this and additional works at: https://digitalrepository.unm.edu/mus_etds Recommended Citation Gillespie, Amy Suzanne. "Chant and Transformation: The Benedictine Monks of Christ in the Desert Monastery." (2016). https://digitalrepository.unm.edu/mus_etds/12 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Music ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Amy Suzanne Gillespie Candidate Music Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Dr. Ana R. Alonso-Minutti, Chairperson Dr. Kristina M. Jacobsen Dr. David M. Bashwiner i CHANT AND TRANSFORMATION: THE BENEDICTINE MONKS OF CHRIST IN THE DESERT MONASTERY by AMY SUZANNE GILLESPIE BACHELOR OR ARTS, MATHEMATICS, 1975 MASTER OF MANAGEMENT, 1987 BACHELOR OF ARTS, CONTEMPORARY MUSIC, 2009 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of New Mexico Albuquerque, New Mexico July, 2016 ii ACKNOWLEDGMENTS I am forever grateful to the monks of Christ in the Desert for their willingness to engage in this project. Their unending hospitality, inseparable love for God and neighbor, forthright conversation, and friendship are a testimony to their solicitude to the Benedictine way of life. I am particularly grateful to Abbot Philip Lawrence, who was always willing to assist me with my interpretations and reflections and to Brother Leander Hogg, who, out of nowhere, would provide insight and inspiration at just the appropriate time. -
The History of Rock Music: 1955-1966
The History of Rock Music: 1955-1966 Genres and musicians of the beginnings History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) The Flood 1964-1965 (These are excerpts from my book "A History of Rock and Dance Music") The Tunesmiths TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Beach Boys' idea of wedding the rhythm of rock'n'roll and the melodies of pop music was taken to its logical conclusion in Britain by the bands of the so- called "Mersey Sound". The most famous of them, the Beatles, became the object of the second great swindle of rock'n'roll. In 1963 "Beatlemania" hit Britain, and in 1964 it spread through the USA. They became even more famous than Presley, and sold records in quantities that had never been dreamed of before them. Presley had proven that there was a market for rock'n'roll in the USA. Countless imitators proved that a similar market also existed in Europe, but they had to twist and reshape the sound and the lyrics. Britain had a tradition of importing forgotten bluesmen from the USA, and became the center of the European recording industry. European rock'n'roll was less interested in innuendos, more interested in dancing, and obliged to merge with the strong pop tradition. -
Twin Cities Funk & Soul
SEPTEMBER 25, 2012 I VOLUME 1 I ISSUE 1 DEDICATED TO UNCOVERING MUSIC HISTORY WILLIE & THE PROPHETS BAND OF KUXL JACKIE BUMBLEBEES OF PEACE THIEVES RADIO HARRIS 99 SECRET STASH ISSUE 1: TWIN CITIES FUNK & ANDSOUL MUCH SEPTEMBER MORE 25, 2012 The Philadelphia Story (AKA Valdons) mid 70s courtesy Minnesota Historical Society. Photo by Charles Chamblis. Left to right: Maurice Young, Clifton Curtis, Monroe Wright, Bill Clark Maurice McKinnies circa 1972 courtesy Minnesota Historical Society. Photo by Charles Dance contest at The Taste Show Lounge, Minneapolis late 70s courtesy Minnesota Historical Chamblis. Society. Photo by Charles Chamblis. 02 SECRET STASH VOLUME 1 - ISSUE 1: TWIN CITIES FUNK & SOUL SEPTEMBER 25, 2012 INTRODUCTION It was three years ago that we launched Secret Stash Records. About a year and a half lat- er, we started working on what would eventually become our biggest release, Twin Cities Funk & Soul: Lost R&B Grooves From Minneapolis/St. Paul 1964-1979. What follows is our attempt to share with you some of the amazing stories, history, and photos that have been so gracious- ly shared with us during the course of producing a compilation of soulful tunes from our hometown. ..... R&B, soul, and funk music in the Twin Cities of Minneapolis and St. Paul, Minnesota went through dra- matic changes during the 1960s and 1970s. Predating these changes, a vibrant jazz scene beginning in the 1920s laid the groundwork with several players being instrumental in helping teach young local R&B mu- sicians how to play. However, many of the early R&B pioneers, including Mojo Buford, Maurice McKin- nies, and Willie Walker, came to Minnesota from other states and brought the music with them. -
It Is Monk Time
Sonntag, 24. Februar 2013 (20:05-21:00 Uhr) KW 8 Deutschlandfunk - Musik & Information FREISTIL It’s Monk Time – Die irre Geschichte einer amerikanischen Beatband in der deutschen Provinz Von Tom Noga Redaktion: Klaus Pilger Produktion: DLF 2013 M a n u s k r i p t Urheberrechtlicher Hinweis Dieses Manuskript ist urheberrechtlich geschützt und darf vom Empfänger ausschließlich zu rein privaten Zwecken genutzt werden. Die Vervielfältigung, Verbreitung oder sonstige Nutzung, die über den in §§ 44a bis 63a Urheberrechtsgesetz geregelten Umfang hinausgeht, ist unzulässig. © - ggf. unkorrigiertes Exemplar - Regie Musik 1 („Blast Off “ von den Monks) startet. Darüber: O-Ton 1 Gary Burger (unübersetzt) “Monk music is original protest music. Monk music is music to make love by. Monk Music is music to relax by.” Regie Musik 1 mit dem Feedback bei 0:12 hoch ziehen. Soll bis ca 0:30 frei stehen. Darüber: Sprecher 2 Eddie Shaw (aus dem Buch „Black Monk Time“) Eines Nachts stieß Roger mich auf dem Weg von der Bühne zum Umkleideraum an. „Die beiden Typen da, die habe ich schon ein paar Mal hier gesehen.“ Ich guckte rüber. „Du meinst die beiden in den Geschäftsanzügen? Sind mir auch aufgefallen. Normale Fans sind das nicht.“ Am nächsten Abend luden uns die beiden Männer in einer Pause zwischen zwei Sets zu sich an den Tisch ein. Nachdem wir uns vorgestellt hatten, sagte der Kleinere der beiden, der mit dem blonden Raspelschnitt: „Ich bin Walther, und mein Kollege heißt Karl. Wir haben ganz Deutschland nach einer guten Beat-Band abgesucht. Ihr seid die besten. Wir möchten euch berühmt machen.“ O-Ton 2 Gary Burger „A Monk must always be a Monk that was one of the rules. -
Song List by Member
song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.