October 1942) James Francis Cooke
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2010–2011 Season Sponsors
2010–2011 SEASON SPONSORS The City of Cerritos gratefully thanks our 2010–2011 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Jill and Steve Edwards Ilana and Allen Brackett Erin Delliquadri $50,001-$100,000 Dr. Stuart L. Farber Paula Briggs Ester Delurgio José Iturbi Foundation William Goodwin Scott N. Brinkerhoff Rosemarie and Joseph Di Giulio Janet Gray Darrell Brooke Rosemarie diLorenzo Sandra and Bruce Dickinson Patron Rosemary Escalera Gutierrez Mary Brough Marianne and Bob Hughlett, Ed. D. Joyce and Russ Brown Amy and George Dominguez $20,001-$50,000 Robert M. Iritani Dr. and Mrs. Tony R. Brown Mrs. Abiatha Doss Bryan A. Stirrat & Associates Dr. HP Kan and Mrs. Della Kan Cheryl and Kerry Bryan Linda Dowell National Endowment for the Arts Jill and Rick Larson Florence P. Buchanan Robert Dressendorfer Eleanor and David St. -
Pathetique Symphony New York Philharmonic/Bernstein Columbia
Title Artist Label Tchaikovsky: Pathetique Symphony New York Philharmonic/Bernstein Columbia MS 6689 Prokofiev: Two Sonatas for Violin and Piano Wilkomirska and Schein Connoiseur CS 2016 Acadie and Flood by Oliver and Allbritton Monroe Symphony/Worthington United Sound 6290 Everything You Always Wanted to Hear on the Moog Kazdin and Shepard Columbia M 30383 Avant Garde Piano various Candide CE 31015 Dance Music of the Renaissance and Baroque various MHS OR 352 Dance Music of the Renaissance and Baroque various MHS OR 353 Claude Debussy Melodies Gerard Souzay/Dalton Baldwin EMI C 065 12049 Honegger: Le Roi David (2 records) various Vanguard VSD 2117/18 Beginnings: A Praise Concert by Buryl Red & Ragan Courtney various Triangle TR 107 Ravel: Quartet in F Major/ Debussy: Quartet in G minor Budapest String Quartet Columbia MS 6015 Jazz Guitar Bach Andre Benichou Nonsuch H 71069 Mozart: Four Sonatas for Piano and Violin George Szell/Rafael Druian Columbia MS 7064 MOZART: Symphony #34 / SCHUBERT: Symphony #3 Berlin Philharmonic/Markevitch Dacca DL 9810 Mozart's Greatest Hits various Columbia MS 7507 Mozart: The 2 Cassations Collegium Musicum, Zurich Turnabout TV-S 34373 Mozart: The Four Horn Concertos Philadelphia Orchestra/Ormandy Mason Jones Columbia MS 6785 Footlifters - A Century of American Marches Gunther Schuller Columbia M 33513 William Schuman Symphony No. 3 / Symphony for Strings New York Philharmonic/Bernstein Columbia MS 7442 Beethoven: Symphony No. 9 in D minor Westminster Choir/various artists Columbia ML 5200 Tchaikovsky: Symphony No. 6 (Pathetique) Philadelphia Orchestra/Ormandy Columbia ML 4544 Tchaikovsky: Symphony No. 5 Cleveland Orchestra/Rodzinski Columbia ML 4052 Haydn: Symphony No 104 / Mendelssohn: Symphony No 4 New York Philharmonic/Bernstein Columbia ML 5349 Porgy and Bess Symphonic Picture / Spirituals Minneapolis Symphony/Dorati Mercury MG 50016 Beethoven: Symphony No 4 and Symphony No. -
Elizabeth Sprague Coolidge Foundation Collection [Finding Aid]
Elizabeth Sprague Coolidge Foundation Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 1980 Revised 2014 Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu012012 LC Online Catalog record: http://lccn.loc.gov/2012562124 Processed by the Music Division of the Library of Congress Collection Summary Title: Elizabeth Sprague Coolidge Foundation Collection Span Dates: 1894-1953 Bulk Dates: (bulk 1920-1953) Call No.: ML29 Creator: Coolidge, Elizabeth Sprague, 1864-1953 Extent: 56,680 items ; 109 containers ; 48.50 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Elizabeth Sprague Coolidge was a composer, pianist, and patron of music. In 1925, she created the Elizabeth Sprague Coolidge Foundation at the Library of Congress in support of chamber music. The collection contains Coolidge's correspondence to and from many of the prominent musical artists of the first half of the twentieth century. Extensive correspondence between Coolidge and Library of Congress librarians and administrators is also included. The remaining materials in the collection, including photographs, scrapbooks, business papers, programs, publicity materials, iconography, realia, and clippings, are available for research and will be incorporated into the finding aid at a later date. Music manuscripts of works commissioned by Elizabeth Sprague Coolidge or the Elizabeth Sprague Coolidge Foundation in the Library of Congress comprise a substantial portion of the collection and are cataloged individually. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. -
Two Berkeley Professors: Arthur Bliss and Albert Elkus
N. WILLIAM SNEDDEN - ARTICLE - Two Berkeley Professors: Arthur Bliss and Albert Elkus N. William Snedden Independent 1. The Early Years in California: 1923-25 Introduction Arthur Bliss’s first visit to the USA as a young man of 31 took place in April 1923, accompanying his American father Francis, step-mother Ethel, and their children Enid, Cynthia, and Patrick. They sailed from Southampton to New York on the SS Aquitania; by coincidence Gustav Holst was also on board. Francis, aged 75, wanted to return to the place of his birth before re-settling with Ethel on the Pacific coast in Santa Barbara.1 For many years Francis had directed the Anglo-American Oil Company of John D. Rockefeller in London. Upon arrival in America the Bliss family stayed in Manhattan with Francis’s cousin Lorenzo Daniels, a wealthy merchant.2 From 1923 till 1931 Arthur journeyed to the USA on alternate years (see Table 1.1), staying with his father at 15 School House Road ‘Paradero’ in Montecito, Santa Barbara. Situated close by was ‘Casa Dorinda’, the famous 80-roomed mansion estate of William Henry Bliss (no relation), completed in 1919 and named after William’s wife Anna Dorinda Bliss (née Blaksley). The likes of Paderewski, Heifetz and Mischa Elman gave recitals there, including Arthur and the tenor Lawrence Strauss in a performance for Anna Bliss in October 1924. Francis was an avid and sophisticated art collector (as was Arthur), acquiring works by Manet and Zorn. He also held a large collection of etchings by the French painter Alphonse Legros (1837-1911) and by the ‘cowpuncher artist’ John Edward Borein (1872-1945).3 In common with H. -
School Show Study Guide
420 East Packer Avenue Bethlehem, PA 18015-3179 (610) 758-2787 www.ZoellnerArtsCenter.org School Show Study Guide: Wednesday, March 13, 2019 at 10:00am Baker Hall at Zoellner Arts Center USING THIS STUDY GUIDE Dear Educator, On Wednesday, March 13, your class will attend a performance by Murphy’s Celtic Legacy, at Lehigh University’s Zoellner Arts Center in Baker Hall. You can use this study guide to engage your students and enrich their Zoellner Arts Center field trip. Materials in this guide include information about the performance, what you need to know about coming to a show at Zoellner Arts Center and interesting and engaging activities to use in your classroom prior to and following the performance. These activities are designed to go beyond the performance and connect the arts to other disciplines and skills including: Dance Culture Expression Social Sciences Teamwork Choreography Before attending the performance, we encourage you to: Review the Know before You Go items on page 3 and Terms to Know on pages 9. Learn About the Show on pages 4. Help your students understand Ireland on pages 11, the Irish dance on pages 17 and St. Patrick’s Day on pages 23. Engage your class the activity on pages 25. At the performance, we encourage you to: Encourage your students to stay focused on the performance. Encourage your students to make connections with what they already know about rhythm, music, and Irish culture. Ask students to observe how various show components, like costumes, lights, and sound impact their experience at the theatre. After the show, we encourage you to: Look through this study guide for activities, resources and integrated projects to use in your classroom. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Billboard, Vol. XVII, No. 10, March 11, 1905
^PRICE, 10 CENTS FORTY PAGES THEATRES^ CIRCUSES FAIRS ~ MUSICIANS TBeertriceJ Weekly Volume XVII. No. 10. CINCINNATI NEW YORK- CIIIC A G O March 11,1905. * COL. FRED. P. CUMMINS Sole Owner and Manager of the Cum- mins' Wild West 4 Ttie Billboard women on the American stage; Mr. Charles J. Wilson, recent basso with Edward Harrlgan; BESSIE VVYNN Miss Dorothy Gray, leading soprano of The Strollers; little Agnes and Reginald Blair, two DRAMATIC MINSTREL! of tlie mo-it versatile and talented of children VAUDEVILLE BURLESQUE artists. Miss Kleanor Blair, Mr. Eugene Keith. Miss Fanny I'routy and Mr. Arthur Lorraine. MUSIC OPERA Tills Is a list of people who have made good in either the legitimate or vaudeville, and com- mand a salary that places them above the Cousin Billy is not the greatest of average artist. The finale of the act Is a big Clyde Fitch's plays tint it serves to draw a radium dance that Is In Itself a big feature very gratifying amount of business to the card. Eight ghosts, with radlunilzed costumes Criterion. The principal Interest 1* In Francis and hollow pumpkins for beads, execute a Itcan- WlU-on's work, his first in straight comedy. tiful dance and chorus. There Is an excellent quartet which is an important feature of the Things Theatrical in the Metropolis, The Duchess of Dantzlc at Daly's act. Dave Nowlln Introduces his celebrated and Bits of General Interest lias more than fulfilled the prophesies founded barnyard Imitations during the course of the Discussed on the Rialto. on Its remarkably successful opening. -
Eichheim Directs Symphony Tonight
SHTm-1 SMTG-C 0LLGG« Lobero I Theatre 8:30 P.M. No. 37 Vol. XVII Z59 SANTA BARBARA, CALIFORNIA, TUESDAY, FEBRUARY 15, 1938 Eichheim Directs Symphony Tonight State Director Eichheim Tells of Brad Tozier Eighth Annual Concert Pays Tribute Players Talent Wins First • Henry Eichheim, whose baton Faces Lobero Curtain to Lincoln will again direct the All-College Chair Symphony tonight in the Lobero Ninety Students Representing Many theatre, voices high praise for this Concert Master’s Post Educational Superintendent year’s representative student mu Southern California Schools Says Christ Heads All sicians. Mr. Eichheim for the Goes Second Time to Educators past eight years has honored the Former Stater Complete Practices State college by accepting the po PHELPS HONORS WYLES sition as guest conductor of the ATTENDS U. C. L. A. • Under the distinguished baton of Mr. Henry Eichheim, outstanding musical event of the noted and beloved Santa Barbara violinist and composer, the Lincoln Library Picture year. Young Violinist Has Eighth Annual Southern California College symphony concert Unveiled in Presence During the Associated Women Much Background will be presented tonight at the Lobero theatre. Ninety-two stu of Many Students •' Students’ tea for the musicians fol for Position dent musicians representing thirteen universities, colleges and lowing the afternoon rehearsals junior colleges of the southland, will climax three days of inten • Assemblying in tribute to Abraham yesterday Mr. Bichheim stated • Five years service, two years as sive work since their arrival Sunday when the curtain raises Lincoln students of Santa Barbara that, "This year’s gathering of Concertmaster, is the enviable record musicians is outstanding, sur at 8:30 p. -
Venice Gap Financing-Market
VENICE GAP – FINANCING MARKET BOOK OF PROJECTS FICTION AND DOCUMENTARY FEATURE FILMS VR, INTERACTIVE, WEB AND TV SERIES 01 – 03.09.2017 www.labiennale.org VENICE GAP– FINANCING MARKET BOOK OF PROJECTS FICTION AND DOCUMENTARY FEATURE FILMS VR, INTERACTIVE, WEB AND TV SERIES 74. Mostra Internazionale d’Arte Cinematografica Cinema Department Director Venice Gap-Financing Market La Biennale di Venezia Alberto Barbera VR, Interactive, Web and its collaborators and TV Series for Book of Projects The Venice Production Bridge welcomes the Cinema Department Valentina Bellomo th Managing Director Consultants Erika Giorgianni 47 selected teams and their projects to the 4 Luigi Cuciniello Lucas Rosant Elena Mantoan Eva Morsch Kihn Chiara Marin Venice Production Bridge Sara Mazzucchi edition of the Venice Gap-Financing Market Pascal Diot Collaborators Alessandro Mezzalira Savina Neirotti Violetta Bava Nikolas Montaldi Paolo Bertolin Since last year, the Venice Gap-Financing Market has expanded to host a larger number of projects [email protected] Matthieu Darras across different audiovisual forms. A total of 47 projects have been selected for this years' edition: www.labiennale.org Giacomo Durzi Francesco Giai Via feature fiction and documentary films, TV & web series and VR films. Elena Pollacchi Michel Reilhac Our hope was that this would bring variety, diversity, and the possibility for many decision makers that Liz Rosenthal were usually working only in one field to crossover to another, building bridges – as the new name of Jane Williams the Venice market suggests. We are proud to say that this has happened – and that in addition to the many feature films that in the past 3 years have closed their financing here in Venice and have then gone on to premiere at festivals worldwide, we can also celebrate the completion of documentaries, web series and virtual reality films. -
Download/Manual/Statistical Report I 3Th.Of, Accessedon February 12,2004
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/2442 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Globalization and Media Governance in the People's Republic of China (1992-2004) By Huaguo Zeng A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in International Studies University of Warwiclk Department of Politics and Inte Imational Studies July, 2006 CONTENTS Acknowledgments V .............................................................................. Abstract VI ........................................................................................... Abbreviations VII ................................................................................... List Tables Figures VII of and ...................................................................... Notes Text VIII and the ............................................................................... Declaration IX ........................................................................................ CHAPTER ONE INTRODUCTION 1. China's Media Politics 1980s 2 since the ..................................................... 2. Hypothesis, ResearchQuestions, Definitions -
Charles Seeger's Theories on Music and Class Structure
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt VISIONS OF A “MUSICAL AMERICA” IN THE RADIO AGE UNIVERSITY OF PITTSBURGH Faculty of Arts and Sciences by Stephen R. Greene This dissertation was presented B. Mus., Westminster Choir College, 1976 M. Mus., Universityby of Oklahoma, 1990 Stephen R. Greene It was defended on SubmittedApril to the 30, Graduate 2008 Faculty of the Department of Music in the College of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Stephen R. Greene It was defended on April 30, 2008 and approved by Don O. Franklin, Ph.D., Professor of Music Mary S. Lewis, Ph.D., Professor of Music Bell Yung, Ph.D., Professor of Music Ronald J. Zboray, Ph.D., Professor of Communication Dissertation Advisor: Deane L. Root, Ph.D., Professor of Music ii Copyright © by Stephen R. Greene 2008 iii VISIONS OF A “MUSICAL AMERICA” IN THE RADIO AGE Stephen R. Greene, Ph.D. University of Pittsburgh, 2008 In the United States during the 1920s and 1930s a loose-knit group of activists promoting what they called good music encountered the rise of commercial radio. Recognizing a tremendous resource, they sought to enlist radio in their cause, and in many ways were successful. However, commercial radio also transformed the activists, subverting an important part of their vision of a musical America: widespread preference for good music in the public at large. -
Four Quarters Volume 207 Number 1 Four Quarters (Second Series): Spring Article 1 1993 Vol
Four Quarters Volume 207 Number 1 Four Quarters (Second Series): Spring Article 1 1993 Vol. 7, No. 1 4-1993 Four Quarters (Second Series): Spring 1993 Vol. 7, No. 1 Follow this and additional works at: http://digitalcommons.lasalle.edu/fourquarters Recommended Citation (1993) "Four Quarters (Second Series): Spring 1993 Vol. 7, No. 1," Four Quarters: Vol. 207 : No. 1 , Article 1. Available at: http://digitalcommons.lasalle.edu/fourquarters/vol207/iss1/1 This Complete Issue is brought to you for free and open access by the University Publications at La Salle University Digital Commons. It has been accepted for inclusion in Four Quarters by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. VOL. 7. NO. 1 Second Quartets Series SPRING, 1993 Four Dollars Digitized by the Internet Archive in 2010 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/fourquarters711993unse l€)|€ICIO| <^t/r' Quarter^ VOLUME 7, ^^JMBER 1. SECOND SERIES SPRING, 1993 Table of Contents QUARTER NOTES Lawrence Spingam, Say Uncle Tamara S. Comelison, Troy Revisited POEMS Paul Ramsey, *Witnessing the Sea" Joseph Meredith, "Hunter's Moon" 10 "Osprey" 12 Gary Fincke, "The Egypt Street" 14 Barbara Daniels, The Bear" 22 WiUiam Stafford, "For Someone Gone" 23 "^ologia pro Vita Sua" 23 "Opening Scene" 24 Dabney Stuart, "Watennusic" 32 Daniel Burke, FSC, "Teacher's Valediction* 45 Katharine Privett, "Turtle" 46 Judith Werner, "Hubby, Pass the Beer" 59 FICTION Madelene Carr, October 25 Claude Koch, Myths 33 Maggie Rindfuss, Catching the Light 41 Mary Fair Jordan, College Visit 47 ESSAYS Erhard K.