Billboard, Vol. XVII, No. 10, March 11, 1905
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Ibsen in Chcago at Seattle Repertory Theatre Encore Arts Seattle
FEBRUARY 2018 by DAVID GRIMM DIRECTED BY BRADEN ABRAHAM FEBRUARY 2 - MARCH 4, 2018 2017/18 SEASON THE ODYSSEY | PRIDE AND PREJUDICE | THE HUMANS | TWO TRAINS RUNNING IBSEN IN CHICAGO | HERSHEY FELDER AS IRVING BERLIN | THE GREAT LEAP | FAMILIAR | MAC BETH January 2018 INTERNATIONAL Volume 14, No. 4 GUITAR NIGHT Wednesday, Jan. 24 7:30 pm | $19–$44 IGN brings together the world’s foremost guitarists for a special evening of solos, Paul Heppner duets, and quartets. The tour’s ECA Publisher WINTER 2018 engagement will feature Lulo Reinhardt, Sara Keats Calum Graham, Marek Pasieczny, and Encore Stages Editor Michael Chapdelaine. Susan Peterson HARLEM QUARTET & Design & Production Director Contents ALDO LÓPEZ-GAVILÁN Ana Alvira, Robin Kessler, Feature Thursday, Mar. 8 Stevie VanBronkhorst 7:30 pm | $19–$49 Production Artists and Graphic Design 3 Danielle Mohlman reflects Cuban piano prodigy Aldo Mike Hathaway López-Gavilán joins the on her one-woman Sales Director Harlem Quartet in this dynamic cross-cultural program to bring millennial collaboration. The program will consist of Brieanna Bright, Joey Chapman, audiences to the theater in Latin jazz and classical repertoire, as well as Ann Manning original compositions by Mr. López-Gavilán. Seattle Area Account Executives the age of Netflix. THE MYSTICAL Amelia Heppner, Marilyn Kallins, Terri Reed Dialogue ARTS OF TIBET San Francisco/Bay Area Account Executives Thursday, May 11 Carol Yip 10 SassyBlack on place, 7:30 pm | $15–$44 Sales Coordinator communication, As part of a 5-day ECA and creativity. residency that includes the creation of a Mandala Sand Painting, the Tibetan monks of Drepung Intermission Brain Transmission Loseling Monastery will give a performance combining multi-phonic chanting, music and 11 Test yourself with our dance into an unforgettable experience. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Venice Gap Financing-Market
VENICE GAP – FINANCING MARKET BOOK OF PROJECTS FICTION AND DOCUMENTARY FEATURE FILMS VR, INTERACTIVE, WEB AND TV SERIES 01 – 03.09.2017 www.labiennale.org VENICE GAP– FINANCING MARKET BOOK OF PROJECTS FICTION AND DOCUMENTARY FEATURE FILMS VR, INTERACTIVE, WEB AND TV SERIES 74. Mostra Internazionale d’Arte Cinematografica Cinema Department Director Venice Gap-Financing Market La Biennale di Venezia Alberto Barbera VR, Interactive, Web and its collaborators and TV Series for Book of Projects The Venice Production Bridge welcomes the Cinema Department Valentina Bellomo th Managing Director Consultants Erika Giorgianni 47 selected teams and their projects to the 4 Luigi Cuciniello Lucas Rosant Elena Mantoan Eva Morsch Kihn Chiara Marin Venice Production Bridge Sara Mazzucchi edition of the Venice Gap-Financing Market Pascal Diot Collaborators Alessandro Mezzalira Savina Neirotti Violetta Bava Nikolas Montaldi Paolo Bertolin Since last year, the Venice Gap-Financing Market has expanded to host a larger number of projects [email protected] Matthieu Darras across different audiovisual forms. A total of 47 projects have been selected for this years' edition: www.labiennale.org Giacomo Durzi Francesco Giai Via feature fiction and documentary films, TV & web series and VR films. Elena Pollacchi Michel Reilhac Our hope was that this would bring variety, diversity, and the possibility for many decision makers that Liz Rosenthal were usually working only in one field to crossover to another, building bridges – as the new name of Jane Williams the Venice market suggests. We are proud to say that this has happened – and that in addition to the many feature films that in the past 3 years have closed their financing here in Venice and have then gone on to premiere at festivals worldwide, we can also celebrate the completion of documentaries, web series and virtual reality films. -
Elizabeth A. Schor Collection, 1909-1995, Undated
Archives & Special Collections UA1983.25, UA1995.20 Elizabeth A. Schor Collection Dates: 1909-1995, Undated Creator: Schor, Elizabeth Extent: 15 linear feet Level of description: Folder Processor & date: Matthew Norgard, June 2017 Administration Information Restrictions: None Copyright: Consult archivist for information Citation: Loyola University Chicago. Archives & Special Collections. Elizabeth A. Schor Collection, 1909-1995, Undated. Box #, Folder #. Provenance: The collection was donated by Elizabeth A. Schor in 1983 and 1995. Separations: None See Also: Melville Steinfels, Martin J. Svaglic, PhD, papers, Carrigan Collection, McEnany collection, Autograph Collection, Kunis Collection, Stagebill Collection, Geary Collection, Anderson Collection, Biographical Sketch Elizabeth A. Schor was a staff member at the Cudahy Library at Loyola University Chicago before retiring. Scope and Content The Elizabeth A. Schor Collection consists of 15 linear feet spanning the years 1909- 1995 and includes playbills, catalogues, newspapers, pamphlets, and an advertisement for a ticket office, art shows, and films. Playbills are from theatres from around the world but the majority of the collection comes from Chicago and New York. Other playbills are from Venice, London, Mexico City and Canada. Languages found in the collection include English, Spanish, and Italian. Series are arranged alphabetically by city and venue. The performances are then arranged within the venues chronologically and finally alphabetically if a venue hosted multiple productions within a given year. Series Series 1: Chicago and Illinois 1909-1995, Undated. Boxes 1-13 This series contains playbills and a theatre guide from musicals, plays and symphony performances from Chicago and other cities in Illinois. Cities include Evanston, Peoria, Lake Forest, Arlington Heights, and Lincolnshire. -
Chicago by Day and Night. the Pleasure Seekers Guide. Pub:1892
Class Book COPYRIGHT DEPOSIT LILLIAN RUSSELL. OtilCJ^OO BY D A.Y--e Nioh:t:". THE PLEASURE SEEKER'S GUIDE TO THE 300 P=».^OE^S. 69 II^X^TLTS'TI^JS.'riOlMS. /' "^- - iViAY i-^Me93 ) 2-1^"7 CHICAGO : Jt 3 '^ THOMSON AND ZIMMERMAN, 234 AND 236 La Salle St., ' ^""^ 1892. J J v ^'-'^.^ ^^_x^ ,5 Copyrighted 1892, By THOMSON AND ZIMMERMAN. [All rights reserved^ PART I. 4 INTRODUCTORY. CHAPTER I.—Where to Stay—A Concise Description of the Hotels of Chicago, their Characteristics, their Prices, with some Account of the People Who Patronize Each—The Great Palmer House Tragedy. CHAPTER II.—The Theatres—A Complete Description of the City's Splendid Play Houses and the Attractions They Present—^Beautiful Belles of Burlesque. CHAPTER III.—The Great Auditorium and the New German Theatre—Two New Edifices of which all Chicagoans are Proud. CHAPTER IV.—Two Unique Playhouses. Being the Madison Street Opera House and Park Theatre, where the Shows are not Painfully Orthodox and Feminine Beauty is the Chief Attraction. CHAPTER v.—Free and Easy Shows—Where Etiquette is not always Strictly Observed. Being Music and Dance Halls, and Such Like Free and Easy Resorts—"Papa" Engel's "Variety" Palace. CHAPTER VI.—Churches and Church Services. A Full Account of Chicago's Handsomest and Most Popular Churches, their Location and their Pastors. CHAPTER VII.—The Panoramas and Libby Prison—Places of Delightful but Quiet Entertainment that the Stranger cannot Afford to Miss. CHAPTER VIII.—Perils and Pitfalls—A Chapter that All Should Read, inasmuch as it Tells of the Traps Set by the Wicked for the Unwary. -
Download/Manual/Statistical Report I 3Th.Of, Accessedon February 12,2004
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/2442 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Globalization and Media Governance in the People's Republic of China (1992-2004) By Huaguo Zeng A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in International Studies University of Warwiclk Department of Politics and Inte Imational Studies July, 2006 CONTENTS Acknowledgments V .............................................................................. Abstract VI ........................................................................................... Abbreviations VII ................................................................................... List Tables Figures VII of and ...................................................................... Notes Text VIII and the ............................................................................... Declaration IX ........................................................................................ CHAPTER ONE INTRODUCTION 1. China's Media Politics 1980s 2 since the ..................................................... 2. Hypothesis, ResearchQuestions, Definitions -
Guide to the Playbill and Program Collection 1843-1979
University of Chicago Library Guide to the Playbill and Program Collection 1843-1979 © 2008 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Historical Note 3 Scope Note 4 Related Resources 5 Subject Headings 5 INVENTORY 5 Series I: Playbills and Theatre Documents 5 Subseries 1: Chicago Theater 5 Subseries 2: Scrapbooks 35 Subseries 3: General Theater 37 Series II: Frances Moore Collection 56 Series III: Music and Dance Performances and Public Programs 64 Series IV: Oversize 78 Series V: Addenda 84 Descriptive Summary Identifier ICU.SPCL.PLAYBILLSPROGRAMS Title Playbill and Program. Collection Date 1843-1979 Size 68.75 linear feet (126 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Contains primarily posters, programs, and souvenir books from 19th-century public performances and Playbill and Showbill magazines from the 20th century. Also contains musical performance programs for amateur recitals, operas, and ballets. A smaller number of programs are included for lectures, memorials, and tributes. Collection highlights performances in Chicago, New York, and Boston, but also includes material from other regions of the United States and Europe. Contains the Frances Moore Collection of Playbills, Showbills, and performance programs, 1940s-1970s. Also includes scrapbooks, movie programs, film stills, and radio broadcast scripts Information on Use Access No restrictions. Open for research. Citation When quoting material from this collection, the preferred citation is: Playbill and Program. Collection, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Historical Note The Playbill and Program Collection represents a diverse body of material which falls under the general heading of 'public performance' in the 19th and 20th centuries. -
Charles Seeger's Theories on Music and Class Structure
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt VISIONS OF A “MUSICAL AMERICA” IN THE RADIO AGE UNIVERSITY OF PITTSBURGH Faculty of Arts and Sciences by Stephen R. Greene This dissertation was presented B. Mus., Westminster Choir College, 1976 M. Mus., Universityby of Oklahoma, 1990 Stephen R. Greene It was defended on SubmittedApril to the 30, Graduate 2008 Faculty of the Department of Music in the College of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Stephen R. Greene It was defended on April 30, 2008 and approved by Don O. Franklin, Ph.D., Professor of Music Mary S. Lewis, Ph.D., Professor of Music Bell Yung, Ph.D., Professor of Music Ronald J. Zboray, Ph.D., Professor of Communication Dissertation Advisor: Deane L. Root, Ph.D., Professor of Music ii Copyright © by Stephen R. Greene 2008 iii VISIONS OF A “MUSICAL AMERICA” IN THE RADIO AGE Stephen R. Greene, Ph.D. University of Pittsburgh, 2008 In the United States during the 1920s and 1930s a loose-knit group of activists promoting what they called good music encountered the rise of commercial radio. Recognizing a tremendous resource, they sought to enlist radio in their cause, and in many ways were successful. However, commercial radio also transformed the activists, subverting an important part of their vision of a musical America: widespread preference for good music in the public at large. -
Robert Brubaker Collection
152 N. York St., 2nd Floor, Elmhurst, IL 60126 historictheatres.org Finding Aid for the ROBERT BRUBAKER COLLECTION Acc No.: 08-050 Future Additions Expected: No Finding Aid creation: Sept 01, 2013; Revised: July 08, 2015 Size: 6 linear ft. Abstract The Robert Brubaker Collection consists of approximately 6 linear feet of research on live theatre, movie theatres, architects, exhibition, and allied subjects. The materials focus on Chicago, Illinois, but also include a small amount of information on other cities. The files consist of research compiled by Brubaker in support of lectures on the history of theatre in Chicago from the 1830s to the 1980s and a potential book project on the same topic. The book was not published. Background Information Other background includes graduate study in history (M.A.) at the University of Wisconsin and in library science (M.A. and beyond) with a fellowship at the University of Chicago. I was an American history teacher at Elgin (IL) High School, Curator of Manuscripts at the Illinois State Historical Library, Chief Librarian and Curator at the Chicago Historical Society, and an Assistant Professor in the Graduate Library School at UCLA teaching the history of books, libraries, and reading. While Manager of Art, Music, and Exhibits at the Allen County Public Library in Fort Wayne, Indiana, from 1989 to 1996 I mounted over 180 exhibits of photographs, paintings, and other materials. I was an Adult Services Reference Librarian at the Batavia Public Library from 2000 to 2012 responsible for collection development for art, music, photography, and nature studies and still substitute. -
Hollis Street Theatre the Little Minister Program
o CHARLKS PAOHMAN MARn.lS Lessees tc MANAOSftS — PREPARES FOR YOUR HOME COMING BEFORE YOU GO AWAY Home coming is always more or less of a pleasure especially after the long summer of festivities but think of the additional pleasure a home coming with everything spic and span in readiness for the new season LEWANDOS will take your draperies delicate lace curtains pillows rugs carpets blankets silk puffs everything—no matter how sturdy or delicate and clean repair and store them for you and deliver them promptly on the date of your return You need entertain no fears in entrust- ing your valuables with us Lewandos have successfully used their expert knowledge of cleaning for many years This is one of the most thoroughly equipped departments We feel justly proud of it because of its efficient handling of one of the most difficult phases of cleaning YOU CAN RELY ON LEWANDOS LEWANDOS Established since 1829 We enjoy the reputation of being AMERICAS GREATEST CLEANERS AND DYERS Prompt deliveries by our own motors and teams BOSTON SHOPS 17 TEMPLE PLACE 284 BOYLSTON ST. 248 HUNTINGTON AVE Branch Exchange Telephone Back Bay 3900 Connects All Boston Shops HOLLIS ST. THEATRE PROGRAM International Trust Gompanif Capital $1,000,000 Surplus $1,000,000 45 Milk Street 115 Summer Street Checking Accounts Savings Deposits Domestic Exchange Foreign Exchange Safe Deposit Vaults INTEREST ALLOWED ON DEPOSITS The undersigned Directors and Officers hereby extend to you a cordial invitation to do your Banking Business with the International Trust Company, having full confidence that you will be served in the best possible manner. -
Protodimension.Com Protodimension.Org/Zine the See Always Looking for Contributions by Fan the Community
ISSUE 21 FALL 2014 Protodimension Magazine is a quarterly publication written and produced by fans of the modern, conspiratorial, horror genre of role play gaming. This magazine is provided freely via online download, and intends to follow all rules regarding fair use of copyrighted and trademarked material. No revenue for the writers and publishers of this fan magazine is generated directly or indirectly. Managing Editor : Norm Fenlason Chief Editor : Tad Kelson Contributing Editor : Lee Williams Art Direction : Norm Fenlason Norbert Nagy by Cover: Nagy Norbert Protodimension Magazine is a Trademark of Kinstaff Media, LLC. All rights reserved. While Protodimension Magazine is a trade- mark of Kinstaff Media LLC, all copyrights are held by the respective Corridor Infested authors and artists, unless otherwise indicated. The Dark Conspiracy® game in all forms is owned by Far Future Enterprises. Copyright © 1991, 1997 Cover illustration: Infested Corridor by Nagy Norbert. Far Future Enterprises. Dark Conspiracy® is a registered trademark of Far Future Enterprises. Far Future http://norbface.deviantart.com/gallery/ and permits web sites and fanzines for this game, provided it contains this notice, that Far Future is notified, and https://www.facebook.com/TheArtofNagyNorbert subject to a withdrawal of permission on 90 days notice. The contents of this site are for personal, non-com- Used with the artist’s express permission. mercial use only. Any use of Far Future Enterprises’ copyrighted material or trademarks anywhere on this web site and its files should not be viewed as a challenge to those copyrights or trademarks. In addition, any Some interior artwork by Earl Geier, David Lee Ingersoll, Norm program/articles/file on this site cannot be republished or distributed without the consent of the author who Fenlason. -
Coes & Stodder
I _ ___ _ C __ * _ Week commencing December 7, 1903. Tremont Theatre.- Fourth big week of Blanche Hudson Theatre, New York. Next week, E. H. Sothern Bates in "The Darling of the Gods," a drama of Old in "The Proud Prince." Japan, by David Belasco and John Luther Long, direct from its run of two seasons at the Belasco Theatre, Globe Theatre.- Second week of the musical comedy, New York. A superb cast of more than one hundred " An English Daisy," with an all star cast, including people. Matinees Wednesday and Saturday. John C. Rice, Christie MacDonald, and Charles Bigelow. A new production made by Weber'& Fields, which has Colonial Theatre.-Last week of Henry Irving and set Boston aflame with enthusiasm. I his company in repertoire. "Waterloo and The Bells," Park Theatre.- Second week of the English musical Monday' and Thursday evenings; " Louis X l.,"''l'lesday comedy, "My l.ady Molly," by the authors of "San and Saturday evenings; "'The Merchant of Venice," Toy," "The Geisha," etc. This play is not up to the Wednesday and Friday evenings, also 'Saturday standard of modern musical comedies, and is far matinee. inferior to the other plays written by the same authors. Majestic Theatre.--Last week but one of "The Columbia Theatre.- Second and last week of the Earl of Pawtucket," with Lawrance D'Orsay and a merry musical play written by H. B. Smith, "A Girl east of exceptional merit. This play has met with a from Dixie," with Irene Bentley and a superb cast of great success during its engagement here, and every comedians and singers.