Billboard, May 13, 1905
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Ibsen in Chcago at Seattle Repertory Theatre Encore Arts Seattle
FEBRUARY 2018 by DAVID GRIMM DIRECTED BY BRADEN ABRAHAM FEBRUARY 2 - MARCH 4, 2018 2017/18 SEASON THE ODYSSEY | PRIDE AND PREJUDICE | THE HUMANS | TWO TRAINS RUNNING IBSEN IN CHICAGO | HERSHEY FELDER AS IRVING BERLIN | THE GREAT LEAP | FAMILIAR | MAC BETH January 2018 INTERNATIONAL Volume 14, No. 4 GUITAR NIGHT Wednesday, Jan. 24 7:30 pm | $19–$44 IGN brings together the world’s foremost guitarists for a special evening of solos, Paul Heppner duets, and quartets. The tour’s ECA Publisher WINTER 2018 engagement will feature Lulo Reinhardt, Sara Keats Calum Graham, Marek Pasieczny, and Encore Stages Editor Michael Chapdelaine. Susan Peterson HARLEM QUARTET & Design & Production Director Contents ALDO LÓPEZ-GAVILÁN Ana Alvira, Robin Kessler, Feature Thursday, Mar. 8 Stevie VanBronkhorst 7:30 pm | $19–$49 Production Artists and Graphic Design 3 Danielle Mohlman reflects Cuban piano prodigy Aldo Mike Hathaway López-Gavilán joins the on her one-woman Sales Director Harlem Quartet in this dynamic cross-cultural program to bring millennial collaboration. The program will consist of Brieanna Bright, Joey Chapman, audiences to the theater in Latin jazz and classical repertoire, as well as Ann Manning original compositions by Mr. López-Gavilán. Seattle Area Account Executives the age of Netflix. THE MYSTICAL Amelia Heppner, Marilyn Kallins, Terri Reed Dialogue ARTS OF TIBET San Francisco/Bay Area Account Executives Thursday, May 11 Carol Yip 10 SassyBlack on place, 7:30 pm | $15–$44 Sales Coordinator communication, As part of a 5-day ECA and creativity. residency that includes the creation of a Mandala Sand Painting, the Tibetan monks of Drepung Intermission Brain Transmission Loseling Monastery will give a performance combining multi-phonic chanting, music and 11 Test yourself with our dance into an unforgettable experience. -
The Crisis, Vol. 1, No. 2. (December, 1910)
THE CRISIS A RECORD OF THE DARKER RACES Volume One DECEMBER, 1910 Number Two Edited by W. E. BURGHARDT DU BOIS, with the co-operation of Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, VV. S. Braithwaite and M. D. Maclean. CONTENTS Along the Color Line 5 Opinion . 11 Editorial ... 16 Cartoon .... 18 By JOHN HENRY ADAMS Editorial .... 20 The Real Race Prob lem 22 By Profeaor FRANZ BOAS The Burden ... 26 Talks About Women 28 By Mn. J. E. MILHOLLAND Letters 28 What to Read . 30 PUBLISHED MONTHLY BY THE National Association for the Advancement of Colored People AT TWENTY VESEY STREET NEW YORK CITY ONE DOLLAR A YEAR TEN CENTS A COPY THE CRISIS ADVERTISER ONE OF THE SUREST WAYS TO SUCCEED IN LIFE IS TO TAKE A COURSE AT The Touissant Conservatory of Art and Music 253 West 134th Street NEW YORK CITY The most up-to-date and thoroughly equipped conservatory in the city. Conducted under the supervision of MME. E. TOUISSANT WELCOME The Foremost Female Artist of the Race Courses in Art Drawing, Pen and Ink Sketching, Crayon, Pastel, Water Color, Oil Painting, Designing, Cartooning, Fashion Designing, Sign Painting, Portrait Painting and Photo Enlarging in Crayon, Water Color, Pastel and Oil. Artistic Painting of Parasols, Fans, Book Marks, Pin Cushions, Lamp Shades, Curtains, Screens, Piano and Mantel Covers, Sofa Pillows, etc. Music Piano, Violin, Mandolin, Voice Culture and all Brass and Reed Instruments. TERMS REASONABLE THE CRISIS ADVERTISER THE NATIONAL ASSOCIATION for the ADVANCEMENT of COLORED PEOPLE OBJECT.—The National Association COMMITTEE.—Our work is car for the Advancement of Colored People ried on under the auspices of the follow is an organization composed of men and ing General Committee, in addition to the women of all races and classes who be officers named: lieve that the present widespread increase of prejudice against colored races and •Miss Gertrude Barnum, New York. -
Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives. -
Real Estate Issues®
32841_CRE_Cvr:. 2/29/08 9:44 AM Page A REAL ESTATE ISSUES REAL ESTATE REAL ESTATE ISSUES® Published by THE COUNSELORS OF REAL ESTATE Volume 33, Number 1, 2008 Published by THE COUNSELORS OF REAL ESTATE THE ECONOMY AND THE MARKET www.cre.org Leadership Roundtable: Economic and Market Trends in Second Half of 2007 and Early 2008: An Assessment and Outlook Panelists: Raymond G. Torto, Ph.D., CRE; Kenneth P. Riggs, Jr., CRE; Alan C. Billingsley, CRE; Moderator: Peter C. Burley, CRE Deflation Risk in Income-Property Investments and Permanent Loan Portfolios: A 2008 Update Marc R. Thompson, CRE Seizure in the Capital Markets and Its Impact on Washington’s Investment-Grade Office Building Deal Volume Oakleigh J. Thorne, CRE Home Price Indices Futures Damir Tokic, Ph.D., and Stijepko Tokic, J.D. THE LAND Rebuilding After Katrina: An Owner’s Perspective Two Years Later John A. Meltzer, CRE, CCIM, and Noah Shlaes, CRE, FRICS Volume 33, Number 1, 2008 Volume How Major Hurricanes Impact 430 N. Michigan Ave. Housing Prices and Transaction Volume Chicago, IL 60611-4089 Eli Beracha, Ph.D., and Robert S. Prati, Ph.D. Telephone: 312.329.8427 E-mail: [email protected] Web site: www.cre.org www.cre.org 32841_NewBody:. 2/29/2008 12:44 PM Page i REAL ESTATE ISSUES Published by THE COUNSELORS OF REAL ESTATE EDITORIAL BOARD EDITOR IN CHIEF David J. Lynn, Ph.D., CRE Maura M. Cochran, CRE ING Clarion, New York, NY Bartram & Cochran, Inc., Hartford, CT Richard Marchitelli, CRE ASSOCIATE EDITOR Cushman & Wakefield, Inc., New York, NY Peter C. -
BIOGRAPHICAL DICTIONARY of THEATRE ORGANISTS Hillfasig
scale lowered a half-step to the major triad. chords do not have to be played in root posi The following are some of the most frequent tion (with the name of the chord as the lowest ly used four-note chords: note). Once you have found the correct notes for any chord, practice it in all positions (in 7 1 3 5 7b versions) in both hands, e.g. 07 = G B D F 6 1 3 5 6 in Root Position, B D F G in First Inversion, Major 7 (maj. 7) 1 3 5 7 D F G B in Second Inversion, and F G B D in Minor 7 (m7) 1 3b 7b 5 Third Inversion. Minor 6 (m6) 1 3b 5 6 As a very general note: Most organists pre Diminished 7 (dim. 7) 1 3b 5b 7bb fer to play all of their accompaniment chords (7bb 6) = between the two Fs on either side of Middle C. The above ten formulas represent the ten Chords normally sound best in this range. basic types of chords. There are many others Also keeping them close together enables the necessary for advanced study. But consider, player to connect one chord smoothly into the by memorizing these ten rules you will be able next. As you practice your chords in all inver to form 120 chords! Of course, the most easily sions, remember to use finger substitution to With recalled chords will be those you use most achieve an unbroken, legato sound. often in your repertoire. We will continue with some of the more ad- HILLfASIG It is also important to note that these vanced chords in the next issue. -
Early Birding Book
Early Birding in Dutchess County 1870 - 1950 Before Binoculars to Field Guides by Stan DeOrsey Published on behalf of The Ralph T. Waterman Bird Club, Inc. Poughkeepsie, New York 2016 Copyright © 2016 by Stan DeOrsey All rights reserved First printing July 2016 Digital version June 2018, with minor changes and new pages added at the end. Digital version July 2019, pages added at end. Cover images: Front: - Frank Chapman’s Birds of Eastern North America (1912 ed.) - LS Horton’s post card of his Long-eared Owl photograph (1906). - Rhinebeck Bird Club’s second Year Book with Crosby’s “Birds and Seasons” articles (1916). - Chester Reed’s Bird Guide, Land Birds East of the Rockies (1908 ed.) - 3x binoculars c.1910. Back: 1880 - first bird list for Dutchess County by Winfrid Stearns. 1891 - The Oölogist’s Journal published in Poughkeepsie by Fred Stack. 1900 - specimen tag for Canada Warbler from CC Young collection at Vassar College. 1915 - membership application for Rhinebeck Bird Club. 1921 - Maunsell Crosby’s county bird list from Rhinebeck Bird Club’s last Year Book. 1939 - specimen tag from Vassar Brothers Institute Museum. 1943 - May Census checklist, reading: Raymond Guernsey, Frank L. Gardner, Jr., Ruth Turner & AF [Allen Frost] (James Gardner); May 16, 1943, 3:30am - 9:30pm; Overcast & Cold all day; Thompson Pond, Cruger Island, Mt. Rutson, Vandenburg’s Cove, Poughkeepsie, Lake Walton, Noxon [in LaGrange], Sylvan Lake, Crouse’s Store [in Union Vale], Chestnut Ridge, Brickyard Swamp, Manchester, & Home via Red Oaks Mill. They counted 117 species, James Gardner, Frank’s brother, added 3 more. -
New York Clipper (Jul 1923)
"* V J'l Mr f^^apfeff\^ "#c/x<7^ JNEW TvaRiv ^ j ^ THE QLpgST THEA1:R1CA1^ lu Hi it i ivi III ii ii tij lii ^11 in Iff fjfs ^» wr-m '' - 2 THE NEW YORK CLIPPER July 4, 1923 FOREIGN NEWS NEAR RIOT AT THOMPSON OPENING CUTTING VARIETY PRICES "AREN'T WE ALL" CLOSING REVWINC WAGNER OPERAS London, July 2.—A small-sized riot London', July 2.—Various provincial London July Z—"Aren't We All," Berlin, Jul/ 2.—The Wagner Festival witnessed the opemnK of "Phanis, the theatre centers are seriously thinking of Frederick Lonsdale's comedy will close here Committee has reached a dennite decision Egyptian," known in America as "Tbomp- lowering the prices of admission of varie^ shortly. It is not a big success here and to revive thi< great musical event next son. the Egyptian," at the Palladimn shows in an effort to stimulate more busi- theatregoers are surprised at the enthusias- year with the presentation of "Parsifal," theatre here. "Pharos" pifesents an offer- ness for the houses, which is admittedly at tic reports received from the United States "Lohengrin," and the "Meistersinger," and ing exploiting "nerve-therapy," by which a very low ebb. If the quality of the where at the Gaiety Theatre^ New York; the singers- started rehearsals today at he dauns to relieve pain by means of shows in question are kept up the move Cyril Maude is scoring one of the biggest Bayreuth. The Festival will be held from simple nerve-pressure, without the use ot is believed to be a good one for the in- hits of his entire career. -
Billboard, Vol. XVII, No. 10, March 11, 1905
^PRICE, 10 CENTS FORTY PAGES THEATRES^ CIRCUSES FAIRS ~ MUSICIANS TBeertriceJ Weekly Volume XVII. No. 10. CINCINNATI NEW YORK- CIIIC A G O March 11,1905. * COL. FRED. P. CUMMINS Sole Owner and Manager of the Cum- mins' Wild West 4 Ttie Billboard women on the American stage; Mr. Charles J. Wilson, recent basso with Edward Harrlgan; BESSIE VVYNN Miss Dorothy Gray, leading soprano of The Strollers; little Agnes and Reginald Blair, two DRAMATIC MINSTREL! of tlie mo-it versatile and talented of children VAUDEVILLE BURLESQUE artists. Miss Kleanor Blair, Mr. Eugene Keith. Miss Fanny I'routy and Mr. Arthur Lorraine. MUSIC OPERA Tills Is a list of people who have made good in either the legitimate or vaudeville, and com- mand a salary that places them above the Cousin Billy is not the greatest of average artist. The finale of the act Is a big Clyde Fitch's plays tint it serves to draw a radium dance that Is In Itself a big feature very gratifying amount of business to the card. Eight ghosts, with radlunilzed costumes Criterion. The principal Interest 1* In Francis and hollow pumpkins for beads, execute a Itcan- WlU-on's work, his first in straight comedy. tiful dance and chorus. There Is an excellent quartet which is an important feature of the Things Theatrical in the Metropolis, The Duchess of Dantzlc at Daly's act. Dave Nowlln Introduces his celebrated and Bits of General Interest lias more than fulfilled the prophesies founded barnyard Imitations during the course of the Discussed on the Rialto. on Its remarkably successful opening. -
Copyrighted Material
INDEX See also Accommodations and Restaurant indexes, below. GENERAL INDEX AIA Bookstore and Design traveling to, 233 Center, 172, 173 visitor information, 234 AIDSinfo, 258 Amish Experience (Inter- cademic trips and language A Airport Wireless, 51–52 course), 234 classes, 49 Air travel, 37–38 Amish Farm and House Academy of Music, 191 A.K.A. Music, 182 (Lancaster), 237 Academy of Natural Sciences, AllCell, 52 Anabaptists, 230 139 All Join Hands (mural), 131 Animal-rights issues, 49 Academy of Vocal Arts, 189 Amada, 205 Annenberg Center at the Uni- Access America, 257 America-Italia Society of Phila- versity of Pennsylvania, Accommodations, 1, 64–83. delphia, 49 192, 193 See also Accommodations American Express, 254 Antiquarian’s Delight, Index American Helicopter Museum 169–170 B&B agencies, 64–65 (West Chester), 223 Antiques, 169–171 best, 7–9 American Music Theatre Pennsylvania Dutch Brandywine Valley, 226–227 (Lancaster), 253 Country, 242 Center City American Revolution (Revolu- Antiques Show, 34 east of Broad, 84–94 tionary War), 18–19 Aquarium, Adventure, 146 west of Broad, 94–103 American Swedish Historical Architectural highlights, City Line and Northeast, 82 Museum, 140–141 129–132 hostels, 82–83 America the Beautiful Access Architecture, 21–23, 25, 162 near the airport, 80–82 Pass, 45 historic buildings and mon- New Hope area, 219–220 America the Beautiful Senior uments, 135–138 Old City and Convention Pass, 46 Arch Street Meeting House, Center area, 65–72 The Amish, 229, 232–237, 240, 133, 166 Pennsylvania Dutch 243–245, 247–249, -
Class, Respectability and the D'oyly Carte Opera Company 1877-1909
THE UNIVERSITY OF WINCHESTER Faculty of Arts ‘Respectable Capers’ – Class, Respectability and the D’Oyly Carte Opera Company 1877-1909 Michael Stephen Goron Doctor of Philosophy June 2014 The Thesis has been completed as a requirement for a postgraduate research Degree of the University of Winchester The word count is: 98,856 (including abstract and declarations.) THE UNIVERSITY OF WINCHESTER ABSTRACT FOR THESIS ‘Respectable Capers’: Class, Respectability and the D’Oyly Carte Opera Company 1877-1909 Michael Stephen Goron This thesis will demonstrate ways in which late Victorian social and cultural attitudes influenced the development and work of the D’Oyly Carte Opera Company, and the early professional production and performance of the Gilbert and Sullivan operas. The underlying enquiry concerns the extent to which the D’Oyly Carte Opera organisation and its work relate to an ideology, or collective mentalité, maintained and advocated by the Victorian middle- classes. The thesis will argue that a need to reflect bourgeois notions of respectability, status and gender influenced the practices of a theatrical organisation whose success depended on making large-scale musical theatre palatable to ‘respectable’ Victorians. It will examine ways in which managerial regulation of employees was imposed to contribute to both a brand image and a commercial product which matched the ethical values and tastes of the target audience. The establishment of a company performance style will be shown to have evolved from behavioural practices derived from the absorption and representation of shared cultural outlooks. The working lives and professional preoccupations of authors, managers and performers will be investigated to demonstrate how the attitudes and working lives of Savoy personnel exemplified concerns typical to many West End theatre practitioners of the period, such as the drive towards social acceptability and the recognition of theatre work as a valid professional pursuit, particularly for women. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Show World (June 29, 1907)
HE20™ CENTURY AMUSEMENT WEEKLY I Erc-rnrcra PRICE JUNE 29 190T 10 CENTS General dti DrvnTFn FvriuciVFiYToTHF Pr A SQUARE DEAL FILMS FOR RENT THE BEST ALWAYS CHICAGO HEADQUARTERS FOR MOVING PICTURE MACHINES EUGENE CUNE & CO EUGENE CLINE, Sole Proprietor 59 DEARBORN STREET CHICAGO j SOUVENIR NUMBER FIFTY-TWO PAGES PRICE TEN CENTS THE SHOW WORLD June 29, 1907. 25 WEEKS wanumiBooked by and Affiliated with the Western Vaudeville Managers’ Association Majestic Theatre Building, CHICAGO, ILL. Now Booking Season 1907=08 Artists desiring Fall and early Win= A FEW Advanced Vaudeville Acts ter time should communicate at that appeared on Circuit, Week, June 17th === once with W. F. Keefe, Booking Allen Doone & Co. Representative, care of above Book= Mr. & Mrs. Wm. Robyns ing Association. A courteous and J. C. Nugent & Co. Ann Hamilton & Co. definite reply positively assured. Mr- & Mrs. Perkins Fisher Francis Hoyt & Co. Joseph Lehman & Co. Geo. A. Beane & Co. Harry Garrity & Co. Three Troubadors. Here Are the Rouses: Milton & Delong Sisters. Lockhart Sisters. KENOSHA ESCANABA Dillon & Moore. Mr. & Mrs. W. W. O’Brien. RACINE KALAMAZOO Couture & Gillette. MILWAUKEE BATTLE CREEK Lewis McCord & Co. SHEBOYGAN Five Tetsuwari Japs. JACKSON Four Malverns. FOND DU LAC LANSING Cardonna’s Lions. MANITOWOC Five Lovelands. BAY CITY Dawn of Day. OSHKOSH SAGINAW Four Olifans APPLETON Odell & Kinley, GREEN BAY FLINT De Camo’s Dog. Tops & Topsy. MARINETTE MUSKEGON Renee Family. CALUMET ADRIAN American Newsboys Quartette Devlin & Elwood. MARQUETTE PORT HURON Burke’s Dogs. HAMMOND MICHIGAN CITY Spaulding & Dupree. Anna Eva Ray. Kaufman Sisters. Barry & Wolford. Joseph Callahan. Orgerita Arnold. Jimmy Lucas. Now building Five New Modern Billy Beard.