DOCSLIB.ORG

Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2 PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. (PPL) :rarum (Universal) 11 – 7 Music (Downtown Music UK Limited) (Finetunes) DevilDuck Records (The Orchard) @ Huston Improv (SoundExchange) 11 – 7 Recording Corp (Downtown Music UK Limited) (Music Picture Disc) (PPL) [d]-tached recordings (PPL) 11 Inch Records (SoundExchange) (SME Australia) The Sanfilippo Children’s [Kju] (Rights' Up SPRL) 11:11 Recordings Ltd (PPL) Foundation (The Orchard) ¡Fool Britannia! (PPL) (SME Canada) Care of Label Services (The 111 Management (The Orchard) Orchard) ¡Ya Basta! Records (Double Six Rights 1-11 Records (PPL) Management) (SME China) Liquid State Limited (The 115 Records (PPL) Orchard) ‘AOL France’ (SoundExchange) (SME Sweden) Aron Ekberg Artistic Modern ‘It’s Good’ Music (SoundExchange) 12 Feet Ltd (PPL) Trade AB (The Orchard) £10 Records Ltd (PPL) 12 Feet Music (PPL) (SME Sweden) Chiliboyproductions AB (The + (PPL) 12 Inch Thumpers (PPL) Orchard) 12 Note Records (PPL) (SME Sweden) Delwar Group AB (The +FE Music (SoundExchange) Orchard) 010 Sound (SoundExchange) 12 Stone Records (Believe International) (SME Sweden) Ester Ideskog (The Orchard) 0191 Records (PPL) 1221 Entertainment (SoundExchange) (SME Sweden) Farzaneh Produktion AB (The 0201 Music (PRO Agency GmbH) 1234 Entertainment AB (IFPI Sweden) Orchard) 020202 Music (SoundExchange) 1234 Records (PPL) (SME Sweden) Lennart Wretlind Gong Film & 1-2-3-4 Records (PPL) Radio Firma (The Orchard) 09 Pro (PPL) (SME Sweden) Licious Music (The Orchard) 0907 Entertainment (PPL) 1234 Records Ltd (PPL) (SME Sweden) Mashup HB (The Orchard) 0DB Records (PPL) 124 Records (SoundExchange) (SME Sweden) Michel van Berkum, Robin 1 Day Apart (SoundExchange) 12K (PPL) Nazari, Sara Nazari (The Orchard) 1 Life Productions (PPL) 12th South (SoundExchange) (SME Sweden) MIT Entertainment AB (Licious 1 Voice Music (SoundExchange) 12th Street Records (PPL) Music) (The Orchard) 12tone (PPL) (SME Sweden) Molly Sandén AB (The Orchard) 1/2 Price (PPL) 12tone C.I.C (PPL) (SME Sweden) Simon Molin Enskild Firma (The 10 Against One (PPL) Orchard) 10 Miles of Blue (SoundExchange) 13 Bis Music SARL (The Orchard) (SME Sweden) Skinny Boy Records (The 10 Music and Media Limited (PPL) 13 Recordings (SoundExchange) Orchard) 13 Records & Entertainment (SoundExchange) (SME Sweden) Smith & Thell HB (The Orchard) 10 Records (EMI) 10 Spot Records (SoundExchange) 130701 Limited (Double Six Rights (SME Sweden) Triple V Music AB (The Management) Orchard) 10 Ton Records (PPL) 130701 Ltd (PPL) (SME Sweden) Yoo Yoo Foundation (The 10 Tonne (PPL) 130701 Ltd t/a Fatcat Records (PPL) Orchard) 100 Anthems (PPL) (SME US Latin) 11 Y 11 SAC (The Orchard) 131 Records (SoundExchange) 100 Billion Wires (PPL) (SME US Latin) Bad Sin Records LLC (The 132 Street Records (PPL) Orchard) 100 Records (PPL) 1337 Records (PRO Agency GmbH) (SME US Latin) Borkis Music Entertainment 100 Thousand Records (PPL) 1343 Music Pty Ltd: A Higher Sound (The LLC (The Orchard) 100% Cheese (PPL) Orchard) (SME US Latin) Edurama Music corp. (The 100% Pure (Defensive Music Ltd) 13B Empowerment (PPL) Orchard) (SME US Latin) EVT Music Corp (The Orchard) 100% Records (PPL) 13irthmark (SoundExchange) (SME US Latin) Gold2 Latin Music Inc. (The 100% Records Ltd (PPL) 13th Hour Records (PPL) Orchard) 100% Silk (Double Six Rights Management) 13th Moon (PPL) (SME US Latin) Infusion LLC (The Orchard) 1001 Music (PPL) 13th Moon Records (PPL) July 2021 Page 1 of 324 PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 13th Planet Records, Inc (The Orchard) 2 Da Realness Entertainment 21-Ten Music (PPL) 14 Music Single Member P.C. (Xelon (SoundExchange) 22 Digit Records (PPL) 2 Dan Face (SoundExchange) Entertainment) 22 Records (PPL) 143 Records (Warner) 2 Dance (The Orchard) 22 Records (SoundExchange) 144 Records (PPL) 2 Dub Productions (PPL) 22:11 Records (PPL) 14th Floor Records (PPL) 2 Dutch BV (Global Master Rights) 222 Glorify God Publishing co. 14th Floor Records Limited (Warner) 2 Feet Music (PPL) (SoundExchange) 15 Beautreillis RDC (PPL) 2 Hot 2 Handle Productions (PPL) 22A Recordings (PPL) 15 Records (PPL) 2 Kings Records (PPL) 22ten Productions (PPL) 150 Music (SoundExchange) 2 Of a Kind (SoundExchange) 22Visionz Records (SoundExchange) 157 Records (PPL) 2 Plays and U R Hooked Records (PPL) 2317 Entertainment Group, LLC 15th Century Mole Man Music (PPL) 2 Rude Records (PPL) (SoundExchange) 23rd Precinct (PPL) 16 Records Limited (The Orchard) 2 Shirts Records (SoundExchange) 23rd Precinct (Subsonic) 1605 Music Therapy (PPL) 2 Step Recordings (PPL) 23rd Precinct Music Ltd (PPL) 16k Records (PPL) 2 Tone Lizrd Kings (SoundExchange) 24 Chillout Music (SoundExchange) 16sillyducks (PPL) 2 Track Recordings (PPL) 24 Hour Service Station (SoundExchange) 16th Groove Records (PPL) 2 t'Ten Recordings (PPL) 24 Hour Service Station Distribution (The 17 Seconds Records (PPL) 2.13.61 (SoundExchange) Orchard) 17 Steps (Double Six Rights Management) 2.13.61 Records (SoundExchange) 24/7 Musicshop (Warner) 1784 Records (PPL) 2.13.61 CD (SoundExchange) 2405 Records (PPL) 18 Carrott (The Orchard) 2.13.61 Inc. (SoundExchange) 24k Entertainment Group (Rights' Up SPRL) 18 Wheels Entertainment (SoundExchange) 20 20 D-Vision (PPL) 24k Heart Entertainment (SoundExchange) 1-800-Harmony (SoundExchange) 20 Minutes to Park (SoundExchange) 24seven (Lime Blue Music Limited) 1812 Recordings (PPL) 20 Years Of Pop Music (PPL) 24seven (Lime Blue Music Limited) 1825 Records (Warner) 20/20 Sound (PPL) 24th Music/ Lightyear (SoundExchange) 19 Recordings (PPL) 200 Proof Endeavorz LLC (SoundExchange) 25 Hour Convenience Store (PPL) 19 Recordings Ltd / Moody Produc (PPL) 200 Records (Rights' Up SPRL) 25 hour convenience store Ltd (The Orchard) 1901 Records (PRO Agency GmbH) 2000 & Triple ENT (PPL) 25 Laughs to the Gallon (SoundExchange) 1965 Records (Shock Entertainment) 2000black (PPL) 25 Media Berlin (The Orchard) 1967 Limited (Warner) 2002 Studios (PPL) 252 Records (PPL) 1974 Records (PPL) 2003 Dorian Recordings (SoundExchange) 25th Frame Productions (Double Six Rights 1980 Recordings (Defensive Music Ltd) 2003 Walter Parks Music Publishing Management) 1980 Recordings (PPL) (SoundExchange) 26-2 Recordings (PPL) 2004 Water Dance Music, Under Concept 1989 Pty Ltd (1989 Pty Ltd) 264 Records (Rights' Up SPRL) Music (SoundExchange) 2682 Entertinment (SoundExchange) 1995 Campfire Records (SoundExchange) 2004 Water Music Dance (SoundExchange) 26F Records (SoundExchange) 1997 Twentieth Century Fox Film 2008 Annalog Records (PPL) (SoundExchange) 26Talent (SoundExchange) 2011 Ara Malikian & Fernando Egozcue 1998 Intersound Inc. (SoundExchange) (Altafonte Network, S.L.) 26th February Records (PPL) 1A Records (PPL) 2011 Twentieth Century Fox (SoundExchange) 26Wayz 21Reasons-Ent. (SoundExchange) 1-Boyz/Str8 Drop (SoundExchange) 20-20 LLC (Sony Music Ent) 27 Productions (SoundExchange) 1bpm Recordings (PPL) 2020 Music (PPL) 27 Records, Inc. (SoundExchange) 1Click Music (PPL) 2020 Recordings (PPL) 28 Days Pty Ltd (28 Days Pty Ltd) 1Click Music Limited (PPL) 2020 Vision (PPL) 28 Records (SoundExchange) 1Life Music Inc (SoundExchange) 2020 Vision Recordings ltd (PPL) 2884 Records (PPL) 1M1 Music (Rident Royalties, Inc) 2020Vision (Defensive Music Ltd) 2AM LTD (PPL) 1m1 Music (SoundExchange) 2039 Music Group (SoundExchange) 2b3 Productions Ltd (PPL) 1Manstudio (PPL) 204 Records (SoundExchange) 2b3 Records (PPL) 1-Off/Absolution Records (PPL) 206 Recordings (PPL) 2boot Music (PPL) 1st Avenue (Specific Recordings Only) (EMI) 208 Records (PPL) 2Brains (Kobalt Music Netherlands OH Records 1st Cut Recordings (PPL) 20Klicks (PPL) BV) 2Brains
Load more

Recommended publications
  • Mainstream Rock Tracks
    1i1C-7L710 EiZN AG.F SITES + SOUNDS (Continued front page 80) Ten it comes time to pen songs, Nine Days' ed laughing. I realized that as much as she aggra- times you can spend months fine -tuning a song. I vocalist /guitarist John Hampson follows vates me, I absolutely love her when she smiles. will never say that I crafted this pop gem. What and Nokia Ventures among its finan- the adage "Write what you know," because, "I came up with a chorus to a song, and when I really happened was, I don't know where it came cial backers, is hoping to put its serv- he says, "when you're done with a song, it's the only started singing it, it was bouncing around in my from, but everything was about a true feeling." ice to work in everything from Inter- way you feel personally like you did it right." This honesty also permeates the group's debut net music appliances and online radio Hampson's personal attachment to Nine Days' don't know where 550 Music /Epic album, "The Madding Crowd," a to Internet retailers and Web portals. it came from, but single "Absolutely (Story Of A Girl)," No. 17 on everythinT, was reference to Thomas Hardy's book "Far From The It already has its own streaming this issue's Modern Rock Tracks chart, stemmed about a true Madding Crowd." Hampson says, "I read it when service known as RadioMongo, from a pre -show realization about his girlfriend. feeling' I was about 20, a time in my life that I was look- which will be featured in the free- He says, "I was playing a gig and got there -John Hampson, Nine Days ing for something important.
    [Show full text]
  • The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century.
    [Show full text]
  • ARIA COUNTRY ALBUMS CHART WEEK COMMENCING 5 APRIL, 2021 TW LW TI HP TITLE Artist CERTIFIED COMPANY CAT NO
    CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TW THIS WEEK LW LAST WEEK TI TIMES IN HP HIGH POSITION ARIA COUNTRY ALBUMS CHART WEEK COMMENCING 5 APRIL, 2021 TW LW TI HP TITLE Artist CERTIFIED COMPANY CAT NO. 1 2 73 1 WHAT YOU SEE AIN'T ALWAYS WHAT YOU GET Luke Combs <P> COL/SME 19075956872 2 3 12 1 DANGEROUS: THE DOUBLE ALBUM Morgan Wallen UNI/UMA B003318002 3 4 199 1 THIS ONE'S FOR YOU Luke Combs <P> COL/SME 19075829282 4 1 2 1 THE WORLD TODAY Troy Cassar-Daley SME 19439857022 5 NEW 1 5 LIVIN' ON GOLD STREET Ben Mastwyk SFR SHRIMP03CD 6 NEW 1 6 MY SAVIOR Carrie Underwood CAP/UMA 3560505 7 8 107 3 IF I KNOW ME Morgan Wallen UMA 1210656 8 NEW 1 8 BRAVE NEW WORLD Ben Ransom MGM CR1005 9 5 2 5 J.T. Steve Earle & The Dukes NW/INE NW6511CD 10 10 402 1 SPEAK NOW Taylor Swift <P>2 BIG/UMA 2749395 11 12 118 2 GENUINE: THE ALAN JACKSON STORY Alan Jackson RCA/SME 88725406392 12 11 28 1 THE SPEED OF NOW PART 1 Keith Urban CAP/EMI B003245602 13 6 6 1 SONGS FROM HIGHWAY ONE Adam Harvey SME 19439764762 14 15 7 4 LIFE ROLLS ON Florida Georgia Line UMA 3006012 15 13 498 1 THE VERY BEST OF DOLLY PARTON Dolly Parton <P> RCA/SME 88697060742 16 16 20 2 STARTING OVER Chris Stapleton MER/UMA 3503003 17 17 44 4 DIPLO PRESENTS THOMAS WESLEY CHAPTER 1: SNAKE OIL Diplo COL/SME G010004279022H 18 7 5 5 THAT'S LIFE Willie Nelson LEG/SME 19439839452 19 20 270 3 TRAVELLER Chris Stapleton MER/UMA 3757743 20 R/E 3 2 TOWN OF A MILLION DREAMS Casey Barnes CHUGG/MGM CHG021 21 19 11 4 CREAM OF COUNTRY 2021 Various SME 19439840112 22 18 128 1 THINGS THAT WE DRINK TO Morgan Evans WAR 9362490549 23 21 125 1 EXPERIMENT Kane Brown RCA/SME 19075867532 24 23 169 1 STORYTELLER Carrie Underwood ARI/SME 88875105392 25 24 34 1 BORN HERE LIVE HERE DIE HERE Luke Bryan CAP/UMA B003177702 26 25 54 15 COUNTRY MUSIC - A FILM BY KEN BURNS Soundtrack LEG/SME 19075960422 27 26 19 7 HEY WORLD Lee Brice CURB/SME D2-79537 28 29 1141 1 THE VERY BEST OF Slim Dusty <P>5 EMI 3743287 29 R/E 181 11 ULTIMATE..
    [Show full text]
  • Songs by Artist
    Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play
    [Show full text]
  • Debate Overnight Radio Play for Sale to Labels
    $6.99 (U.S.), S8.99 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) w Hot.' á 3 -DIGIT 908 z ILI..i6..J..IiIII...L..LoIEIO I IIL.I[I BL240f04 APR06 A04 B0105 ¡aient MONTY GREENLY 3740 ELM AVE # A LONG EEACH CA 93807 -3402 J31i1 Begins On Page 15 www.billboard.com THE INTERN TIONAL AUTHORITY ON MUSIC, VIDE AND DIGITAL ENTERTAINMENT 110TH YEAR JUNE 19, 2004 HOT SPOTS Spin Buys Spark New Debate Overnight Radio Play For Sale To Labels Latin S BY BRIAN GARRITY 11 Bank On Lt ar Anthony 50 Cent protégé Lloyd Banks Offers ans His First Controversy surrounding burns up the charts with "On overnight airplay at radio is Fire, "the lead single from his Spanis Pop Album nothing new for the G- Unit /Interscope solo set. recording industry. But the BY LEILA COB' current flap over tracks played late at night in label -sponsored fí It is tim of c-ìange for Marc "spin programs" presents a new Anthony. twist on past grievances. Just a few years ago, labels were Last year h: changed management complaining bitterly that radio by signing wi Tommy Mottola after programmers were relegating l6 a longstandi g association with new singles to the overnight Bigram Zayas Anthony's brother. hours. Now many labels are Last -nont , he changed his tour shelling out thousands of dollars dates. Origin Hy slated to kick off in per week to have songs played between midnight and 6 a.m. June, the o ing has been resched- 32 Waylon Gains As first tipped on billboard.biz uled for Nov: mbeG Waylon Payne promotes his and in Billboard sister publica- Last week, e reportedly married Jen- tion Airplay Monitor's June 11 upcoming album, "The Drifter," nifer Lopez.
    [Show full text]
  • Sally Jane Is a Vibrant Young Country Music, Singer, Songwriter and Instrumentalist from Serpentine, Western Australia
    Sally Jane is a vibrant young country music, singer, songwriter and instrumentalist from Serpentine, Western Australia. Sally Jane is making her mark in the Australian Country music scene with the recent award of People’s Choice at the WA Country Music Awards. Sally was also a finalist in the emerging artist category for 2020 and won Junior Vocalist of the year for 2019. Sally Jane an endorsed artist and ambassador for Takamine Guitars and PRO Music Australia graduated the CMAA Senior Academy in 2020 and performed at a number of venues during Australia’s largest music festival in Tamworth. Sally opened the festival on the main stage and performed harmonies for 9-time Golden Guitar winner Lyn Bowtell. At the 2019 Red Country Music Festival (RCMF) in Port Hedland, Sally Jane was a support act for headline Troy Cassar-Daly following a meeting with fellow WA musician Bradley Hall in Tamworth, Sally has recently been invited to return to RCMF for 2020. ‘Beersheba’ is Sally Jane’s debut single, co-written with Allan Caswell, ‘Beersheba’ is a tribute to the Australian Lighthorse charge at Beersheba and was first performed at the 100th anniversary re- enactment of the charge, in cooperation with the Returned Services League. ‘Beersheba’ was a semi- finalist in the Tamworth Songwriters Association - Anzac song of the year award. Sally has been fortunate to share the stage with and support some of her idols including a duet with Adam Harvey at ‘Country Turns Pink’, ‘The Cut Snakes’ in Adelaide and opening for the acclaimed ‘Simply Bushed’ at West Diggers Leagues Club Tamworth.
    [Show full text]
  • Rca Records to Release American Idol: Greatest Moments on October 1
    THE RCA RECORDS LABEL ___________________________________________ RCA RECORDS TO RELEASE AMERICAN IDOL: GREATEST MOMENTS ON OCTOBER 1 On the heels of crowning Kelly Clarkson as America's newest pop superstar, RCA Records is proud to announce the release of American Idol: Greatest Moments on Oct. 1. The first full-length album of material from Fox's smash summer television hit, "American Idol," will include four songs by Clarkson, two by runner-up Justin Guarini, a song each by the remaining eight finalists, and “California Dreamin’” performed by all ten. All 14 tracks on American Idol: Greatest Moments, produced by Steve Lipson (Backstreet Boys, Annie Lennox), were performed on "American Idol" during the final weeks of the reality-based television barnburner. In addition to Kelly and Justin, the show's remaining eight finalists featured on the album include Nikki McKibbon, Tamyra Gray, EJay Day, RJ Helton, AJ Gil, Ryan Starr, Christina Christian, and Jim Verraros. Producer Steve Lipson, who put the compilation together in an unprecedented two-weeks time, finds a range of pop gems on the album. "I think Kelly's version of ‘Natural Woman' is really strong. Her vocals are brilliant. She sold me on the song completely. I like Christina's 'Ain't No Sunshine.' I think she got the emotion of it across well. Nikki is very good as well -- very underestimated. And Tamyra is brilliant too so there's not much more to say about her." RCA Records will follow American Idol: Greatest Moments with the debut album from “American Idol” champion Kelly Clarkson in the first quarter of 2003.
    [Show full text]
  • Melissa Bellanta 62 Ibid
    NICOLE ANAE 60 Atay Citron, `Words, Meanings, Pigs - The Struggle of Visual Theatre Against The Larrikin 's Hop: Larrikinism and the Tyranny of the Word', MOTAR Journal of the Yolanda and David Katz Faculty of the Arts 6 (June 1998): 260. Online: Late Colonial Popular Theatre http://www.tau.ac.il/arts/projects/PUB/motar/pdf eng/motar6eng.pdf. Accessed 23 November 2006. 61 Ibid. Melissa Bellanta 62 Ibid. 63 Scottish Arts Council, `Theatre and Style: Physical Theatre'. Online: long with the shearer, <http://www. scottisharts.org.ukl l lartsinscotlandldramalfeatures/archive/themeph the suffragist and the bohemian, the larrikin is one ysicaltheatre.aspx>. Accessed 2 November 2006. Aof the standard characters through which late colonial Australia is imagined. Time and again, 64 Peter Schumann, `The Radicality of the Puppet Theatre', The Drama Review 35, we hear the same things said about him : that his 4 (1991): 77. name probably came from the expression ` larkin' about'; that he could be identified by his swagger, 65 Jim Morrow, `Mermaid Theatre and its Place in Canadian Puppetry', Canadian his leer and fancy boots; that he belonged to street Theatre Review 95 (Summer 1998). `pushes' with rogueish names like the Flying Angels ; and that he acted as a 66 Nicholls. repository for anxieties about sexuality and urban life.' Accounts of larrikinism are commonly based on key sources - police reports, newspapers, social commentary and literature.2 What emerges from these is a highly theatrical image of the larrikin . He appears as a colonial bovver-boy, kitted out with red neck-cloth and lustful grimace - or else as a rough diamond with a heart o 'gold and a taste for jollity.
    [Show full text]
  • Abkco Records Finds Atc Monitors Critical
    ABKCO RECORDS FINDS ATC MONITORS CRITICAL ATC (Acoustic Transducer Company) SCM50 monitors used by ABKCO Records for the Sam Cooke Re- mastered Series. NEW YORK, NEW YORK: Recently in the news with their landmark reissue of 22 early Rolling Stones and five Sam Cooke albums on hybrid Super Audio Compact Disc, ABKCO Records has installed a stereo pair of ATC SCM50ASL Pro active three-way monitor speakers in the company's pre-production listening environment. Ideally suited to medium-sized rooms, the ATC SCM50 reference monitors are primarily used for such critical tasks as archive research, track sequencing, and quality control of digitally re-mastered material at ABKCO's Manhattan facility. They're very musical and have great mid-range, and they're so accurate," says chief audio engineer and tape archive researcher Teri Landi of the ATC monitors. ATC manufactures all of its monitor system component parts in-house, including the company's unique SM75-150S mid-range soft dome driver, which is combined with an ATC 234mm (9-inch) Super Linear bass driver in the SCM50. The ATC Super Linear woofer is the best woofer in production anywhere. The active design of the SCM50 ensures optimum matching of six MOS-FET amp blocks to the drivers. In addition to a flat reference response, an LF contour control offers five bass boost settings. The facility that I have here is a pre-production studio which contains vintage and state-of-the-art equipment," she explains. One of Landi's tasks is to research the company's archive of original analog recordings.
    [Show full text]
  • Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
    Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home
    [Show full text]
  • Music & Entertainment
    Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Music & Entertainment Tuesday 18th & Wednesday 19th May 2021 at 10:00 Viewing by strict appointment from 6th May For enquires relating to the Special Auction Services auction, please contact: Plenty Close Off Hambridge Road NEWBURY RG14 5RL Telephone: 01635 580595 Email: [email protected] www.specialauctionservices.com David Martin Dave Howe Music & Music & Entertainment Entertainment Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 10. Iron Maiden Box Set, The First Start of Day One Ten Years Box Set - twenty 12” singles in ten Double Packs released 1990 on EMI (no cat number) - Box was only available The Iron Maiden sections in this auction by mail order with tokens collected from comprise the first part of Peter Boden’s buying the records - some wear to edges Iron Maiden collection (the second part and corners of the Box, Sleeves and vinyl will be auctioned in July) mainly Excellent to EX+ Peter was an Iron Maiden Superfan and £100-150 avid memorabilia collector and the items 4. Iron Maiden LP, The X Factor coming up in this and the July auction 11. Iron Maiden Picture Disc, were his pride and joy, carefully collected Double Album - UK Clear Vinyl release 1995 on EMI (EMD 1087) - Gatefold Sleeve Seventh Son of a Seventh Son - UK Picture over 30 years.
    [Show full text]
  • Don't Let the Stars Get in Your Eyes
    Specht: Don’t Let the Stars Get in Your Eyes “Don’t Let the Stars Get in Your Eyes”: Slim Willet’s Idiosyncratic Chart-Topper Lives On1 Joe W. Specht ProducedSlim Willet bydecked The Berkeley out in his ‘Stars’Electronic outfit. Press, Courtesy 2009 Joe W. Specht. 1 Journal of Texas Music History, Vol. 9 [2009], Iss. 1, Art. 4 “Don’t Let the Stars Get in Your Eyes”: Slim Willet’s Idiosyncratic Chart-Topper Lives on In the fall of 1952, and well on into 1953, the nation’s radio airwaves and jukeboxes were filled with the sound of “Don’t Let the Stars Get in Your Eyes.” The song, penned by Abilene disc jockey Slim Willet, was all the rage with four different versions in Billboard’s Country & Western Top 10. On Billboard’s Pop chart, Perry Como took the song to Number 1, selling over one million copies. Willet, born Winston Lee Moore on December 1, 1919, in Victor, Texas, (western Erath County), began his radio career in the late 1940s at Abilene’s Hardin-Simmons University. While working as student manager of KHSU, the school radio station, Moore adopted the pseudonym “Slim,” because he was anything but slender. He took Willet from the Willets, characters in 37 his favorite comic strip Out Our Way. After graduating from Hardin-Simmons in 1949, Slim went to work for Abilene radio station KRBC. He also wrote songs, and in 1950, he recorded one of his signature tunes, “I’m a Tool Pusher from Snyder,” for Dallas-based Star Talent Records.
    [Show full text]