DOCSLIB.ORG

Mainstream Rock Tracks

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mainstream Rock Tracks 1i1C-7L710 EiZN AG.F SITES + SOUNDS (Continued front page 80) Ten it comes time to pen songs, Nine Days' ed laughing. I realized that as much as she aggra- times you can spend months fine -tuning a song. I vocalist /guitarist John Hampson follows vates me, I absolutely love her when she smiles. will never say that I crafted this pop gem. What and Nokia Ventures among its finan- the adage "Write what you know," because, "I came up with a chorus to a song, and when I really happened was, I don't know where it came cial backers, is hoping to put its serv- he says, "when you're done with a song, it's the only started singing it, it was bouncing around in my from, but everything was about a true feeling." ice to work in everything from Inter- way you feel personally like you did it right." This honesty also permeates the group's debut net music appliances and online radio Hampson's personal attachment to Nine Days' don't know where 550 Music /Epic album, "The Madding Crowd," a to Internet retailers and Web portals. it came from, but single "Absolutely (Story Of A Girl)," No. 17 on everythinT, was reference to Thomas Hardy's book "Far From The It already has its own streaming this issue's Modern Rock Tracks chart, stemmed about a true Madding Crowd." Hampson says, "I read it when service known as RadioMongo, from a pre -show realization about his girlfriend. feeling' I was about 20, a time in my life that I was look- which will be featured in the free- He says, "I was playing a gig and got there -John Hampson, Nine Days ing for something important. The book alluded to standing Internet radio tuner from early to do a sound check. My girlfriend had come how the distractions in life can pull you away from Kerbango Inc. set to roll out later with me. We were aggravating each other, and so head," Hampson continues. "I started figuring out the things that are truly important. You can waste this year. Under terms of the agree- she walked away to the other side of the room. I the chords and finished up the lyrics later that a lot of time with things that don't matter. The- ment, Kerbango will offer Mongo- was thinking, `She just drives me nuts.' I saw her night. It's happened only a few times for me that matically, this title made a statement that was music as a type of custom station. talking to someone across the room, and she start- a song comes out like that and just works. Some- strong enough to support all of the songs." Consumers will select a song, and Mongo will then fill out a playlist based on the musical qualities of the APRIL 29, 2000 Billboard R APRIL 29, 2000 Billboard® initial song. Marc Auerbach, VP of marketing at Kerbango, says the partnership will "showcase the advantage of inter- Mainstream Rock Tracks.. Modern Rock Tracks.M active listening over traditional one- T TRACK TITLE ARTIST way broadcasting." TRACK TITLE ARTIST Y - z IMPRINT /PROMOTION I. ABEL w q ALBUM TITLE (IF ANY) IMPRINT /PROMOTION LABEL I- i u w u 3 o ALBUM TITLE (IF ANY) Because radio rules prevent con- sumers from compiling their own -"-.00 1 No. 1 amm.-- No. --r playlists, anything that helps con- at No 1 KRYPTONITE 4 weeks at No. 1 3 DOORS DOWN OTHERSIDE 11 weeks RED HOT CHILI PEPPERS 1 1 1 13 1 I 18 D THE BETTER LIFE REPUBLIC/UNIVERSAL: CALIFORNICATION 1WARNER BROS. t sumers get something closer to what OTHERSIDE RED HOT CHILI PEPPERS ADAM'S SONG BLINK -182 a 2 2 2 14 4 7 7 they want is going to be valuable O ENEMA OF THE STATE MCA BROS. t CALIFORNICATION WARNER t tool, Sinnreich says. STIFF UPPER LIP AC /DC PARDON ME INCUBUS 3 3 3 11 3 3 3 25 STIFF UPPER LIP EASTWEST /EEG t MAKE YOURSELF IMMORTAL/EPIC t Personalized online radio is noth- NO LEAF CLOVER METALLICA KRYPTONITE 3 DOORS DOWN 4 5 5 22 7 10 6 ing new, but Internet stations nor- S & M ELEKTRA/EEG t ® THE BETTER LIFE REPUBLIC/UNIVERSAL STAND INSIDE YOUR LOVE THE SMASHING PUMPKINS mally channel their listeners by col- 5 2 2 10 -"mil AIRPOWER /,.- MACHINA/THE MACHINES OF GOD VIRGIN t laborative filtering and by genre. NOTHING AS IT SEEMS PEARL JAM MISERABLE LIT E5 NEW I 6 5 4 20 on BINAURAL EPIC A PLACE IN THE SUN RCA t Listeners also get to rate artists IF CREED THE BAD TOUCH BLOODHOUND GANG an ongoing basis, which affects the 6 4 4 17 WHAT 7 6 6 9 HUMAN CLAY & "SCREAM 3" SOUNDTRACK WIND -UP t HOORAY FOR BOOBIES REPUBLICJGEFFEN /INTERSCOPE t number of times an artist gets in- VOODOO GODSMACK MAKE ME BAD KORN 7 6 6 24 11 11 11 REPUBLIC/UNIVERSAL ® ISSUES IMMORTAL/EPIC t serted into the playlist. GODSMACK t PARDON ME INCUBUS VOODOO GODSMACK However, Kaiser maintains that 8 8 8 22 10 12 12 11 MAKE YOURSELF IMMORTAL/EPIC t GODSMACK REPUBLIC/UNIVERSAL t kind of personalized system HIGHER CREED SLEEP NOW IN THE FIRE RAGE AGAINST THE MACHINE that 9 7 7 34 l0 9 8 10 HUMAN CLAY WIND -UP t THE BATTLE OF LOS ANGELES EPIC t tends not to work very well. "You have LEADER OF MEN NICKELBACK 11 15 9 to sit there and train it, and most CI THE STATE ROADRUNNER -1111 AIRPOWER NOTHING AS IT SEEMS PEARL JAM users don't want to keep rating songs MAKE ME BAD KORN 11 NEW 1 11 10 10 11 BINAURAL EPIC ISSUES IMMORTAL/EPIC t all day to tell a computer what they HOME STAIND BREAKOUT FOG FIGHTERS 12 13 14 12 12 13 16 5 want to hear," he says. DYSFUNCTION FLIP /ELEKTRA/EEG t THERE IS NOTHING LEFT TO LOGE ROSWELL/RCA PAGE BLACK CROWES EVERYTHING YOU WANT VERTICAL HORIZON Registered Mongo users will have WHAT IS AND WHAT SHOULD NEVER BE JIMMY &THE 13 10 9 Z2 13 14 13 7 EVERYTHING YOU WANT RCA t JIMMY PAGE & THE BLACK CROWES: LIVE AT THE GREEK MUSICMAKER.COM their playlists altered on an ongoing EX- GIRLFRIEND NO DOUBT 9 STAND INSIDE YOUR LOVE THE SMASHING PUMPKINS 8 5 13 14 12 11 14 INTERSCOPE basis based on preferences. MACHINA/THE MACHINES OF GOD VIRGIN t RETURN OF SATURN t ONLY GOD KNOWS WHY KID ROCK But despite the radio function and 15 9 9 19 AIRPOWER DEVIL WITHOUT A CAUSE TOP DOG/LAVNATLANTIC t I-- its own Web site, Mongo does not con- 2 SOUR GIRL STONE TEMPLE PILOTS 8 NEW BEGINNING STIR 15 23 - - 17 21 NO. 4 ATLANTIC t CI HOLY DOGS CAPITOL t sider itself a content destination site. YOUNG LUST (LIVE) PINK FLOYD BREAK STUFF LIMP BIZKIT 11 15 20 4 16 14 17 8 The company is also positioning itself IS THERE ANYBODY THERE? THE WALL LIVE 81 COLUMBIA SIGNIFICANT OTHER FLIP / INTERSCOPE t OUT 1980 as a business-to-business player in the -"+r AIRPOWER -ter AIRPOWER ^ competitive music information/search SOUR GIRL STONE TEMPLE PILOTS ABSOLUTELY (STORY OF A GIRL) NINE DAYS 18 28 2 17 24 25 3 has rela- NO. 4 - ATLANTIC t THE MADDING CROWD 550 MUSIC/550-WORK. engine space. It currently SLEEP NOW IN THE FIRE RAGE AGAINST THE MACHINE THE BEST THINGS FILTER tionships with Muze Inc. and Ama- 19 16 18 10 18 19 24 5 THE BATTLE OF LOS ANGELES EPIC t TITLE OF RECORD REPRISE t zon.com and is negotiating to work HOME STAIND 19 17 22 9 Web on a -411111111 AIRPOWER - DYSFUNCTION FLIP/ELEKTRA/EEG t with retailers and portals JUDITH A PERFECT CIRCLE SO SAD TO SAY THE MIGHTY MIGHTY BOSSTONES co-branded basis. Instead of editorial 20 NEW 1 27 4 MER DE NOMS VIRGIN CI 22 PAY ATTENTION BIG RIG/ISLAND/IDJMG recommendations, consumers will SILVER FUTURE MONSTER MAGNET NEW BEGINNING STIR 21 22 26 5 21 18 23 7 be offered sampling "HEAVY METAL 2000" SOUNDTRACK RESTLESS HOLY DOGS CAPITOL t automatically WORKIN' IT DON HENLEY JUDITH A PERFECT CIRCLE clips from Mongo- determined like - CI 23 25 4 22 NEW 1 INSIDE JOB WARNER BROS. MER DE NOMS VIRGIN artists. ARMS WIDE OPEN CREED LETTING THE CABLES SLEEP BUSH 23 36 2 WITH 23 16 13 15 - HUMAN CLAY WIND -UP THE SCIENCE OF THINGS TRAUMA t "If you [have] a search engine, this BREAK STUFF LIMP BIZKIT ARMS WIDE OPEN CREED is an component of your 24 25 23 9 24 28 34 4 WITH essential SIGNIFICANT OTHER FLIP /INTERSCOPE t HUMAN CLAY WIND -UP search: the ability to find more mu- SPIDERS SYSTEM OF A DOWN NEVER LET YOU GO THIRD EYE BLIND 30 33 5 25 15 14 18 CI SYSTEM OF A DOWN AMERICAN /COLUMBIA t BLUE ELEKTRA/EEG t sic," says Kaiser. NOTHING TO PROVE CAROLINE'S SPINE FLOWING 311 26 26 27 5 26 21 20 14 Analysts say recommendation ATTENTION PLEASE HOLLYWOOD SOUNDSYSTEM CAPRICORN /IDJMG t SEVEN DUST IF CREED engines are very effective in boosting 21 24 24 10 WAFFLE 27 25 19 15 WHAT HOME TIT t HUMAN CLAY & "SCREAM 3" SOUNDTRACK WIND -UP t not only the volume of online retail REVOLUTION IS MY NAME PANTERA SOUTHTOWN P.O.D. 28 29 31 6 28 29 31 7 sales but also the amount of music an REINVENTING THE STEEL EASTWEST /EEG THE FUNDAMENTAL ELEMENTS OF SOUTHTOWN ATLANTIC t SATISFIED 8STOPS7 BENT MATCHBOX TWENTY individual purchases.
Load more

Recommended publications
  • Jeff Dewbray Music Artists Covered
    JEFF DEWBRAY MUSIC ARTISTS COVERED Al Green Frank Sinatra Paul McCartney B52's Florida Georgia Line Police Bachman-Turner Overdrive Frankie Vallie Rare Earth Backstreet Boys Garth Brooks Rascal Flatts Barry Manilow Georgia Satellites Rascals Beatles Gin Blossoms Ray Charles Ben E. King Grand Funk Railroad Rick James Big & Rich Honeydrippers Rick Springfield Bill Withers Hootie and the Blowfish Robert Palmer Billy Idol INXS Sam & Dave Billy Joel J Geils Band Sam Cooke Billy Ocean James Taylor Santana Billy Paul Jason Mraz Simple Minds Billy Ray Cyrus Jerry Lee Lewis Sir Mix-a-Lot Black Crowes Jim Croce Smash Mouth Blake Shelton Jimmy Buffet Soft Cell Blues Brothers Joe Cocker Spin Doctors Bob Marley John Legend Steely Dan Bob Seger John Mellencamp Steppenwolf Bobby Brown Johnny Mathis Stevie Wonder Bobby Darin KC & The Sunshine Band Stone Temple Pilots Bobby McFerrin Kenny Loggins Sugarloaf Brain Setzer Kings of Lean The Box Tops Brooks & Dunn Kool and the Gang The Cure Bruce Springsteen Lenny Kravitz The Four Seasons Bruno Mars Lionel Ritchie The Grass Roots Bryan Adams Loggins & Messina The Human League Buster Poindexter Looking Glass The Isley Brothers Cheap Trick Lou Bega The Kingsmen Chuck Berry Louis Armstrong The Knack Commodores Luke Bryan The Righteous Brothers Contours Lynyrd Skynyrd The Rolling Stones Counting Crows Mambo Kings The Spinners Darius Rucker Manfred Mann The Temptations David Lee Roth Maroon 5 The Trammps Dean Martin Marvin Gaye Tom Cochrane Dishwalla Marvin Gaye & Tammi Terrell Tom Jones Dobie Gray Modern English Tom Petty Don McClean Monkees Tommy Tutone Duran Duran Nat King Cole Train Earth Wind & Fire Neil Diamond UB40 Eddie Floyd Nine Days Van Halen Elton John NSYNC Van Morrison Elton John w/Kiki Dee Otis Redding Village People Elvis Presley OutKast Walk The Moon.
    [Show full text]
  • Taylor Harvey(4).Pdf
    1) An opera about this character is the subject of a long paper by University of Miami music ​ professor Jeffrey Stern, in which he argues that opera should be considered among the canon of American opera classics along with the works of Menotti and Copeland. That opera about this ​ character features an aria in which another character describes watching this man and seeing “a Glimmer of hope until the very last minute”. That opera about this character is by William Schuman and is called The Mighty this character. A literary work about this character describes a ​ ​ ​ “pall-like silence [falling]” after Cooney died at first, and Barrows did the same. That poem describes this man’s visage shining with a smile of Christian charity, while later the air shattered by the force of his blow. That poem about him describes a situation where the Mudville Nine are losing by two, before this title character disappoints a stadium full of fans by striking out. For 10 points, identify this character in an 1888 poem often used to teach introductory poetry, the most enduring work of Ernest Thayer. In which he is “At the Bat” ANSWER: Casey ​ Answer some other questions about American operas adapted from American literature for ten points each: [10] Marguerite Clarke set forty poems from this poetry collection in a work titled Across this place. This ​ ​ midwestern town is the setting of the poems “The Hill” and many others named for residents like Constance Hatley and Amanda Barker. ANSWER: Spoon River Anthology ​ ​ ​ [10] John Eaton adapted this story by F Scott Fitzgerald into an opera.
    [Show full text]
  • First-Run Smoking Presentations in U.S. Movies 1999-2006
    First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform.
    [Show full text]
  • Key Player Remains out of Game
    -FEATURES- -SPORTS- The groundhog did not see Bo Larragan and the Red his shadow. What does Foxes had a rough time this mean for us? pg. 5 controlling Loyola's Jason Rowe, pg. 16 the student newspaper of diarist College VOLUME #52 ISSUE #10 Welcome Back!! FEBRUARY 4,1999 Key player remains out of game byJEFFDAHNCKE John Ritschdorff and others re- StaffWriter viewed Eligibility questions surround­ Cielebak's ing one of their best players status. have brought the Marist mens Cielebak was basketball season to a screech­ ruled offi­ ing halt. cially ineli­ On Jan. 15, Manst learned that gible to play, the NCAA was investigating their report was sent to Cinl-ploD/JocSu) i> Toihasz Cielebak, a junior for­ International flags in the Rotunda represent countries where students are studying ward from Poland, for his in­ the NCAA volvement in basketball over- and .the NCAA must.-.. Flags represent growing In a statement released by the school after learning of the in­ "I just feel like we interest in studying abroad vestigation, athletic director Tim Murray briefly described the are operating with by CHRIS GROG AN now Surprisingly, Sydney. Aus­ tcrnational Education office situation. News Fditnr tralia is also a populai destina­ encourages students who "There have been some ques­ one hand behind II you are like many heie at tion foi Marist students want to study in foreign lands tions raised about Tomasz's par-, our back." Marist who pass thiough the According to Whalen, Marist do lor the entire school ycai ticipation in the European club Rotunda at least once a day.
    [Show full text]
  • Songs by Artist
    Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play
    [Show full text]
  • Sign of the Librarian in the Cinema of Horror: an Exploration of Filmic Function Antoinette G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Sign of the Librarian in the Cinema of Horror: An Exploration of Filmic Function Antoinette G. Graham Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION AND INFORMATION SIGN OF THE LIBRARIAN IN THE CINEMA OF HORROR: AN EXPLORATION OF FILMIC FUNCTION By ANTOINETTE G. GRAHAM A Dissertation submitted to the School of Library and Information Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2010 Copyright © 2010 Antoinette G. Graham All Rights Reserved The members of the committee approve the dissertation of Antoinette G. Graham defended on October 5, 2010. _____________________________ Gary Burnett Professor Directing Dissertation _____________________________ Valliere Richard Auzenne University Representative _____________________________ Lisa Tripp Committee Member _____________________________ Eliza T. Dresang Committee Member Approved: _____________________________________ Larry Dennis, Dean College of Communication & Information _____________________________________ Corinne Jörgensen, Director School of Library & Information Studies The Graduate School has verified and approved the above-named committee members. ii TABLE OF CONTENTS Abstract ................................................................................................................
    [Show full text]
  • An Intelligent Technique to Customise Music Programmes for Their Audience
    Poolcasting: an intelligent technique to customise music programmes for their audience Claudio Baccigalupo Tesi doctoral del progama de Doctorat en Informatica` Institut d’Investigacio¶ en Intel·ligencia` Artificial (IIIA-CSIC) Dirigit per Enric Plaza Departament de Ciencies` de la Computacio¶ Universitat Autonoma` de Barcelona Bellaterra, novembre de 2009 Abstract Poolcasting is an intelligent technique to customise musical se- quences for groups of listeners. Poolcasting acts like a disc jockey, determining and delivering songs that satisfy its audience. Satisfying an entire audience is not an easy task, especially when members of the group have heterogeneous preferences and can join and leave the group at different times. The approach of poolcasting consists in selecting songs iteratively, in real time, favouring those members who are less satisfied by the previous songs played. Poolcasting additionally ensures that the played sequence does not repeat the same songs or artists closely and that pairs of consecutive songs ‘flow’ well one after the other, in a musical sense. Good disc jockeys know from expertise which songs sound well in sequence; poolcasting obtains this knowledge from the analysis of playlists shared on the Web. The more two songs occur closely in playlists, the more poolcasting considers two songs as associated, in accordance with the human experiences expressed through playlists. Combining this knowl- edge and the music profiles of the listeners, poolcasting autonomously generates sequences that are varied, musically smooth and fairly adapted for a particular audience. A natural application for poolcasting is automating radio pro- grammes. Many online radios broadcast on each channel a random sequence of songs that is not affected by who is listening.
    [Show full text]
  • Feature Guitar Songbook Series
    feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • A Songbook May.2017
    ARTIST TITLE SONG TITLE ARTIST 4:00 AM Fiona, Melanie 12:51 Strokes, The 3 Spears, Britney 11 Pope, Cassadee 22 Swift, Taylor 24 Jem 45 Shinedown 73 Hanson, Jennifer 911 Jean, Wyclef 1234 Feist 1973 Blunt, James 1973 Blunt, James 1979 Smashing Pumpkins 1982 Travis, Randy 1982 Travis, Randy 1985 Bowling For Soup 1994 Aldean, Jason 21875 Who, The #1 Nelly (Kissed You) Good Night Gloriana (Kissed You) Good Night (Instrumental Version) Gloriana (you Drive Me) Crazy Spears, Britney (You Want To) Make A Memory Bon Jovi (Your Love Keeps Lifting Me) Higher And Higher McDonald, Michael 1 2 3 Estefan, Gloria 1 2 3 4 Feist 1 Thing Amerie 1 Thing Amerie 1 Thing Amerie 1,2 Step Ciara & Missy Elliott 1,2,3,4 Plain White T's 10 Out Of 10 Lou, Louchie 10,000 Towns Eli Young Band 10,000 Towns (Instrumental Version) Eli Young Band 100 Proof Pickler, Kellie 100 Proof (Instrumental Version) Db Pickler, Kellie 100 Years Five For Fighting 10th Ave Freeze Out Springsteen, Bruce 1-2-3 Estefan, Gloria 1-2-3-4 Sumpin' New Coolio 13 Is Uninvited Morissette, Alanis 15 Minutes Atkins, Rodney 15 Minutes (Backing Track) Atkins, Rodney 15 Minutes Of Shame Cook, Kristy Lee 15 Minutes Of Shame (Backing Track) B Cook, Kristy Lee 16 at War Karina 16th Avenue Dalton, Lacy J. 18 And Life Skid Row 18 And Life Skid Row 19 And Crazy Bomshel 19 Somethin' Wills, Mark 19 You and Me Dan + Shay 19 You and Me (Instrumental Version) Dan + Shay 19-2000 Gorillaz 1994 (Instrumental Version) Aldean, Jason 19th Nervous Breakdown Rolling Stones, The ARTIST TITLE 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls 2 Becomes 1 Spice Girls 2 Faced Louise 2 Hearts Minogue, Kylie 2 Step DJ Unk 20 Good Reasons Thirsty Merc 20 Years And 2 Husbands Ago Womack, Lee Ann 21 Questions 50 Cent Feat.
    [Show full text]
  • Shines Atop Mainstream Rock Songs Chart
    Royal Blood's 'Lights Out' Shines Atop Mainstream Rock Songs Chart 8/17/2017 by Kevin Rutherford http://www.billboard.com/articles/columns/chart-beat/7933942/royal-bloods-tops-mainstream-rock-songs-chart The British duo notches its second No. 1 on the airplay ranking. Royal Blood notches its second No. 1 on Billboard's Mainstream Rock Songs airplay chart, as "Lights Out" ascends 2-1 on the ranking dated Aug. 26. The UK-based duo led with its prior entry (and third overall), "Little Monster," back on July 25, 2015. Each of Royal Blood's four titles to chart on Mainstream Rock Songs have reached at least No. 3 ("Out of the Black" and "Figure It Out" hit Nos. 2 and 3, respectively, in 2014), placing the band in rarefied air. Only five other acts in the chart's existence, which dates to 1981, has arrived with that kind of success. Here are the acts to reach the Mainstream Rock Songs top three with their first four or more chart entries: First 7, Creed ("My Own Prison"-"With Arms Wide Open"; 1997-2000) 5, The Pretty Reckless ("Heaven Knows"-"Oh My God"; 2014-17) 5, Puddle of Mudd ("Control"-"Away From Me"; 2001-03) 4, Royal Blood ("Out of the Black"-"Lights Out"; 2014-17) 4, Audioslave ("Cochise"-"I Am the Highway"; 2002-04) 4, Days of the New ("Touch, Peel and Stand"- "Enemy"; 1997-99) Of those streaks, two, Royal Blood's included, are still intact; The Pretty Reckless' latest single, "Back to the River," is challenging to become the band's sixth top three hit from the start, bulleting at No.
    [Show full text]
  • Songs by Title
    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
    [Show full text]