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Mainstream Rock Tracks
1i1C-7L710 EiZN AG.F SITES + SOUNDS (Continued front page 80) Ten it comes time to pen songs, Nine Days' ed laughing. I realized that as much as she aggra- times you can spend months fine -tuning a song. I vocalist /guitarist John Hampson follows vates me, I absolutely love her when she smiles. will never say that I crafted this pop gem. What and Nokia Ventures among its finan- the adage "Write what you know," because, "I came up with a chorus to a song, and when I really happened was, I don't know where it came cial backers, is hoping to put its serv- he says, "when you're done with a song, it's the only started singing it, it was bouncing around in my from, but everything was about a true feeling." ice to work in everything from Inter- way you feel personally like you did it right." This honesty also permeates the group's debut net music appliances and online radio Hampson's personal attachment to Nine Days' don't know where 550 Music /Epic album, "The Madding Crowd," a to Internet retailers and Web portals. it came from, but single "Absolutely (Story Of A Girl)," No. 17 on everythinT, was reference to Thomas Hardy's book "Far From The It already has its own streaming this issue's Modern Rock Tracks chart, stemmed about a true Madding Crowd." Hampson says, "I read it when service known as RadioMongo, from a pre -show realization about his girlfriend. feeling' I was about 20, a time in my life that I was look- which will be featured in the free- He says, "I was playing a gig and got there -John Hampson, Nine Days ing for something important. -
The “Image-Event” in the Early Post- 9/11 Novel: Literary Representations
The “Image-Event” in the Early Post- 9/11 Novel: Literary Representations of Terror After September 11,2001 Ewa Kowal The “Image-Event” in the Early Post- 9/11 Novel: Literary Representations of Terror After September 11,2001 This volume has been published thanks to the fi nancial support of the Faculty of Philology at the Jagiellonian University. Reviewer Prof. dr hab. Ewa Borkowska Technical editor Anna Poinc-Chrabąszcz Proofreader Joanna Myśliwiec Typesetter Katarzyna Mróz-Jaskuła Cover design Anna Sadowska © Copyright by Ewa Kowal & Jagiellonian University Press First edition, Kraków 2012 All rights reserved No part of this book may be reprinted or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. www.wuj.pl ISBN 978-83-233-3317-3 Jagiellonian University Press Editorial Offi ces: ul. Michałowskiego 9/2, 31-126 Cracow Phone: +48 12 631 18 80, +48 12 631 18 82, Fax: +48 12 631 18 83 Distribution: Phone: +48 12 631 01 97, Fax: +48 12 631 01 98 Cell Phone: +48 506 006 674, e-mail: [email protected] Bank: PEKAO SA, IBAN PL80 1240 4722 1111 0000 4856 3325 “image comes before thought” “dream is more powerful than thought” “childhood is certainly greater than reality” Gaston Bachelard, The Poetics of Space (xx, 16, 16) “Media have the same claim to reality as more tangible cultural artifacts; photographs, fi lms, and computer applications are as real as airplanes and buildings.” Jay David Bolter and Richard Grusin, Remediation. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
North Charleston Arts Fest
ON THE COVER: SHADOW BOXER by Joseph Kameen Welcome to the 37th Annual North 2019 North Charleston Arts Fest Poster Design Competition Winner Charleston Arts Fest! This five-day event uses performing, visual, and literary arts to expose, engage, and inspire patrons from all walks of life. As Mayor of the City of North Charleston, I am proud that TABLE OF CONTENTS it offers our residents and visitors a number of unique opportunities to Events by Day 2-12 experience a vast array of arts and cultural offerings that are both affordable World Arts Expo Overview 16 and accessible. World Arts Expo Site Map 17 The Cultural Arts staff has introduced some big changes to this year’s festival World Arts Expo Stage Schedules 18 programming. They, along with other City departments and community World Arts Expo Art Demo & Display Details 19 partners, have worked hard to produce what I believe is one of the best North Exhibition Encore Overview 22 Charleston Arts Fests yet. Exhibition Encore Stage & Demo Schedules 23 The diversity and the inclusiveness of the Arts Fest is a point of pride for the City of Visual Art Exhibitions 24-25 North Charleston. I encourage you, your friends, and family to take advantage of Public Art Installations 26 the many fantastic performances, exhibits, and activities happening May Event Venue Map & Addresses 30-31 1-5. There’s truly something for everyone. Interact! (Social Media Info & Contest Rules) 32 Sincerely, R. Keith Summey Mayor Facebook.com/NorthCharlestonArtsFestival The North Charleston Arts Fest is presented by the City of North Charleston Cultural Arts Department and was selected as a 2018 Top 20 Event by the Southeast Tourism Society. -
Downbeat October 2018
OCTOBER 2018 ON THE COVER 32 Tia Fuller The Radiance of a JIMMY & DENA KATZ 32 Diamond BY TED PANKEN As the featured saxophone soloist in Beyoncé’s band between 2006 and 2010, Tia Fuller won fans around the globe. Today, she is one of the most respected artists in jazz, both as a bandleader and educator. The Berklee College of Music professor's new Mack Avenue album, Diamond Cut, includes such high-profile collaborators as Terri Lyne Carrington, Jack DeJohnette and Dave Holland. Cover photo of Tia Fuller and image above shot by Jimmy and Dena Katz at The Jazz Gallery in New York City on May 22. Info for this venue is at jazzgallery.nyc. FEATURES 38 Tony Bennett & Diana Krall Streetwise Yet Sophisticated BY PHILLIP LUTZ 44 Ethan Iverson 56 Tord Gustavsen Trio 59 Adison Evans 62 Big Heart Machine 69 The Jamie Saft Quartet Dynamo at the Crossroads BY DAN OUELLETTE 48 Joey Baron Deep Listening Manifesto DEPARTMENTS BY BILL MILKOWSKI 8 First Take 53 Reviews 190 Jazz On Campus 10 Chords & Discords 176 Master Class 194 Blindfold Test SPECIAL SECTION BY DAVE ESKRIDGE 13 The Beat 180 Pro Session 71 Student 26 Players BY JIMI DURSO Music Guide Adi Meyerson 182 Transcription Steffen Schorn Frank Caruso Piano solo JACOB BLICKENSTAFF Where To Study Jazz 2019 Dongfeng Liu Dana Murray 186 Toolshed Jazzmeia Horn 6 DOWNBEAT OCTOBER 2018 TIA FULLER KNOWS ABOUT BEING A ROAD WARRIOR. AS FEATURED SAXOPHONE SOLOIST IN BEYONCÉ’S ALL-WOMAN BAND BETWEEN 2006 AND 2010, SHE TRAVELED FROM ONE MEGA-VENUE TO ANOTHER IN HIGH STYLE, NOT INFREQUENTLY IN THE LEADER’S PRIVATE JET. -
Feature Guitar Songbook Series
feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1. -
It Takes a Society
Suze Terwisscha van Scheltinga 5575605 Bachelor Thesis 7 April 2018 Dr. Petra Philipsen 7441 words It takes a society Interactions with dominant discourses on Esperanza Spalding’s Chamber Music Society Table of contents Introduction p. 2 Chamber music and jazz: ideas and definitions p. 4 1.1 Defining ‘chamber music’ p. 4 1.2 Talking about chamber music and jazz: dominant discourses p. 5 Testing the theories: the promotion and reception of Chamber Music Society p. 9 2.1 “This is something serious!”: Spalding and critics on Chamber Music Society p. 9 2.2 On ethnicity, gender and genius p. 10 A musical analysis of Chamber Music Society p. 13 3.1 Chamber Music Society: a general overview p. 13 3.2 Analysing ‘Knowledge of Good and Evil’ p. 14 Conclusion p. 21 References p. 23 Abstract: In 2010, jazz musician Esperanza Spalding released an album with the title Chamber Music Society. On this album, Spalding alludes both musically and conceptually to an idea of chamber music that got its recognizable shape in the nineteenth century with the canonization of classical repertoire, while still delivering a product that can be classified as ‘jazz’. Thus, Spalding positions herself within both discourses. Three issues feature prominently in these discourses that are particularly interesting because of Spalding’s position and background: the issues of ethnicity, gender and creative genius. While Spalding reinforces several elements of the idea of chamber music in her interviews, on issues of ethnicity, gender and genius she mostly does not comply to stereotypes (although some critics assessing her musicianship do). -
Spirit of Black Descendant Encouragement As Reflected in Black Gold Lyric by Esperanza Spalding
Spirit of Black Descendant Encouragement as Reflected in Black Gold Lyric by Esperanza Spalding a Journal by Renanda Prima Tyasa [A2B009054] English Department Faculty of Humanities Diponegoro University 2013 CHAPTER 1 ± Introduction The slavery era of black people from the 17th until 20th century had inherited wounds toward the descendants of black people. After Civil War (1861-1865), slavery was abolished by the combination of /incoln‘s Emancipation 3roclamation and the 13th Amendment to the Constitution in 1865. However, although the Blacks were no longer slaves, they were still treated as second class citizens and continued to live in poor conditions without many chances to make their life better. It would take a long time before their life would be improved. However today, people of black descendants in the United States are able to blend with society. Indeed, their presence is considered better these days. However, they factually are not totally free from discrimination. News is reporting about discriminations that are faced by black descendants nowadays. As for example is the killing plan that is conducted by white supremacist group Ku Klux Klan that put target into President Barack Obama. News canal thesun.co.uk published it on June 21st, 2013. It is said, Fanatics Glendon Scott Crawford, 49, and Eric Feight, 54, were nicked after a six- month FBI undercover operation. Mr Obama was among those said to have been targeted by the futuristic device that would have fired lethal doses of radiation. Engineer Crawford, a member of the white supremacist group the Ku Klux Klan, told undercover agents his design was —Hiroshima on a light switch“. -
Shines Atop Mainstream Rock Songs Chart
Royal Blood's 'Lights Out' Shines Atop Mainstream Rock Songs Chart 8/17/2017 by Kevin Rutherford http://www.billboard.com/articles/columns/chart-beat/7933942/royal-bloods-tops-mainstream-rock-songs-chart The British duo notches its second No. 1 on the airplay ranking. Royal Blood notches its second No. 1 on Billboard's Mainstream Rock Songs airplay chart, as "Lights Out" ascends 2-1 on the ranking dated Aug. 26. The UK-based duo led with its prior entry (and third overall), "Little Monster," back on July 25, 2015. Each of Royal Blood's four titles to chart on Mainstream Rock Songs have reached at least No. 3 ("Out of the Black" and "Figure It Out" hit Nos. 2 and 3, respectively, in 2014), placing the band in rarefied air. Only five other acts in the chart's existence, which dates to 1981, has arrived with that kind of success. Here are the acts to reach the Mainstream Rock Songs top three with their first four or more chart entries: First 7, Creed ("My Own Prison"-"With Arms Wide Open"; 1997-2000) 5, The Pretty Reckless ("Heaven Knows"-"Oh My God"; 2014-17) 5, Puddle of Mudd ("Control"-"Away From Me"; 2001-03) 4, Royal Blood ("Out of the Black"-"Lights Out"; 2014-17) 4, Audioslave ("Cochise"-"I Am the Highway"; 2002-04) 4, Days of the New ("Touch, Peel and Stand"- "Enemy"; 1997-99) Of those streaks, two, Royal Blood's included, are still intact; The Pretty Reckless' latest single, "Back to the River," is challenging to become the band's sixth top three hit from the start, bulleting at No. -
P36-37 Layout 1
lifestyle MONDAY, JUNE 5, 2017 GOSSIP The xx perform stunning set at Barcelona’s Primavera Sound 2017 he xx performed a stunning head- and ‘Infinity, and slowed the pace mid- Tline set at Primavera Sound in way, with tracks ‘Replica’ and Barcelona on Friday. The electron- ‘Performance’. The group ended their ic-indie trio from south London are in energetic performance with a mini DJ the middle of a massive tour and took to set from Jamie - who is also known as the stage last night at the Parc del Forum Jamie XX - which kicked off with ‘Shelter’ to perform a number of their new dance before delighting fans with their 2017 hits from their latest album ‘I See You,’ hit ‘On Hold’ and Jamie’s solo effort and a series of fan favorite tracks from ‘Loud Places’. Other acts to perform at their breakout record ‘xx’ and follow up the 17th addition of Primavera Sound LP ‘Coexist’. Despite being on the road in were Solange, Bon Iver, Slayer and the US and Europe since January, bassist Aphex Twin on Thursday. Red Bull TV Oliver Sim admitted he was “nervous” in presenter Will Best - who will continue front of the huge crowd and told music to host the platform’s live stream of goers: “Do you know what, I’m very nerv- the festival at redbull.tv/primavera- ous, I don’t know why, it’s only because I sound tonight from 9pm CEST - care.” The xx - which also includes song- praised the Spanish music extravagan- writer Jamie Smith and guitarist Romy za for bringing together artists and Madley Croft - brought their magnificent their fans from different genres of stage production to the industrial site, music. -
A Woman's Place in Jazz in the 21St Century Valerie T
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School June 2018 A Woman's Place in Jazz in the 21st Century Valerie T. Simuro University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, and the Philosophy Commons Scholar Commons Citation Simuro, Valerie T., "A Woman's Place in Jazz in the 21st Century" (2018). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7363 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A Woman’s Place in Jazz in the 21st Century by Valerie T. Simuro A thesis is submitted in partial fulfillment of the Master of Arts, in Liberal Arts, in Humanities Concentration Department of Humanities and Cultural Studies at the University of South Florida Major Professor: Andrew Berish, Ph.D. Brook Sadler, Ph.D. Maria Cizmic, Ph.D. Date of Approval: June 21, 2018 Keywords: Esperanza Spalding, Gender, Race, Jazz, Age Copyright © 2018, Valerie T. Simuro ACKNOWLEDGMENT I would like to take this opportunity to express my deepest gratitude to, Dr. Brook Sadler who was instrumental in my acceptance to the Graduate Master’s Program at the University of South Florida. She is a brilliant teacher and a remarkable writer who guided and encouraged me throughout my years in the program. -
MHN Summer 2006 Issue
MENTAL HEALTH NEWSTM YOUR TRUSTED SOURCE OF INFORMATION, EDUCATION, ADVOCACY AND RESOURCES SUMMER 2006 FROM THE LOCAL, STATE, AND NATIONAL NEWS SCENE VOL. 8 NO. 3 Understanding and Treating Autism Spectrum Disorders National Institute social overtures, something is wrong. Re- of Mental Health (NIMH) search has shown that parents are usually correct about noticing developmental prob- lems, although they may not realize the spe- ot until the middle of the twen- cific nature or degree of the problem. tieth century was there a name The pervasive developmental disor- for a disorder that now appears ders, or autism spectrum disorders, range N to affect an estimated one of from a severe form, called autistic disor- every five hundred children, a disorder der, to a milder form, Asperger syndrome. that causes disruption in families and un- If a child has symptoms of either of these fulfilled lives for many children. In 1943 disorders, but does not meet the specific Dr. Leo Kanner of the Johns Hopkins criteria for either, the diagnosis is called Hospital studied a group of 11 children pervasive developmental disorder not and introduced the label early infantile otherwise specified (PDD-NOS). Other autism into the English language. At the rare, very severe disorders that are in- same time a German scientist, Dr. Hans cluded in the autism spectrum disorders Asperger, described a milder form of the are Rett syndrome and childhood disinte- disorder that became known as Asperger grative disorder. syndrome. Thus these two disorders were described and are today listed in the Diag- What Are nostic and Statistical Manual of Mental The Autism Spectrum Disorders? Disorders DSM-IV-TR (fourth edition, text revision) as two of the five pervasive be reliably detected by the age of 3 years, unusual behaviors in their child.