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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Taylor Harvey(4).Pdf
1) An opera about this character is the subject of a long paper by University of Miami music professor Jeffrey Stern, in which he argues that opera should be considered among the canon of American opera classics along with the works of Menotti and Copeland. That opera about this character features an aria in which another character describes watching this man and seeing “a Glimmer of hope until the very last minute”. That opera about this character is by William Schuman and is called The Mighty this character. A literary work about this character describes a “pall-like silence [falling]” after Cooney died at first, and Barrows did the same. That poem describes this man’s visage shining with a smile of Christian charity, while later the air shattered by the force of his blow. That poem about him describes a situation where the Mudville Nine are losing by two, before this title character disappoints a stadium full of fans by striking out. For 10 points, identify this character in an 1888 poem often used to teach introductory poetry, the most enduring work of Ernest Thayer. In which he is “At the Bat” ANSWER: Casey Answer some other questions about American operas adapted from American literature for ten points each: [10] Marguerite Clarke set forty poems from this poetry collection in a work titled Across this place. This midwestern town is the setting of the poems “The Hill” and many others named for residents like Constance Hatley and Amanda Barker. ANSWER: Spoon River Anthology [10] John Eaton adapted this story by F Scott Fitzgerald into an opera. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Gabc Radio Networks
********************************************************************* PLEASE AUDITION EACH DISC IMMEDIATELY. IF YOU HAVE ANY QUESTIONS, PLEASE CONTACT US WITH SHADOE STEVENS AT (213) 882-8330. ********************************************************************* TOPICAL PROMOS TOPICAL PROMOS FOR SHOW #21 ARE LOCATED ON DISC 4. TRACKS 6. 7 & 8. DO NOT USE AFTER SHOW #21. AT4o ACTUALITIES ARE LOCATED ON DISC 4, TRACKS 9, 1o & 11, IMMED!ATEL Y FOLLOWING TOPICAL PROMOS ***AT40 SNEEK PEEK LOCATED ON DISC 4. TRACK 12*** 1. STING STRUGGLES. WHITNEY MODELS :29 Hi, I'm Shadoe Stevens with an invitation to hits and more on American Top 40. Last week, Spin Doctors were still operating at #1 with "Two Princes". And bass player Mark White told us a funny story about meeting the other three guys. We also looked at the struggling days of Sting, the modeling days of Whitney Houston ... I had the whole scoop on Prince's retirement from recording. Plus Janet & Michael Jackson became the first brother and sister back to back in the top ten with solo hits. Hit history happens here every week, join me won't ya, for American Top 40! (LOCAL TAG) 2. BIGGEST HITS PLAYED ON RADIO :30 Hi, I'm Shadoe Stevens. Join me for the biggest hits across the entire U.S.A., direct from the official Billboard chart, the songs played on radios across the U.S.A. Every week, from our digital studios in Hollywood, we dig deep into the music that matters the most to you. We've got all the hit facts, plus exclusive stories from the stars about themselves and their songs, Flashbacks to the hit past, radio-active Sneek Peeks at the hit future, weekly Music News, plus our Long Distance Dedications from people just like you, it might even be you. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Helloween Destruction Morbid Angel Audrey Horne
CD-BACKCOVER ZUMSELBERBASTELN!EINFACHANDENMARKIERUNGENAUSSCHNEIDENUNDINEINECD-BLANKO-HÜLLELEGEN.FERTIG! GEMA 1. HELLOWEEN - Pumpkins United 6:21 12.2017 (Kai Hansen, Andi Deris, Michael Weikath) BMG Rights Management* Nuclear Blast/Warner 2. DESTRUCTION - United By Hatred 4:36 (Michael Sifringer, Marcel Schirmer) Wintrup Musikverlage* Nuclear Blast/Warner LAUSCHANGRIFF 3. MORBID ANGEL - Piles Of Little Arms 3:44 (Azagthoth/Tucker) Azagthoth and Tucker* Silver Lining/Warner VOL.059 4. AUDREY HORNE - This Is War 6:17 (Torkjell Rød, Arve Isdal, Thomas Tofthagen, Espen Lien, Kjetil Greve) Iron Avantgarde Publishing* Napalm/Universal 5. HARD ACTION - Nothing Ever Changed 3:15 (Ville Valavuo, Gunther Kivioja) Copyright Control* Svart/Cargo 6. CAVALERA CONSPIRACY - Insane 3:50 (Max Cavalera, Iggor Cavalera, Marc Rizzo/Max Cavalera) Kobalt Music Publishing Ltd.* Napalm/Universal 7. STÄLKER - Shadow Of The Sword 3:28 (David John Rynhart King, Christopher Calavrias, Nicholas George Oakes/David John Rynhart King, Christopher Calavrias) Iron Avantgarde Publishing* Napalm/Universal 8. JESS AND THE ANCIENT ONES - Return To Hallucinate 2:28 VOL.059 (Thomas Corpse) Copyright Control* Svart/Cargo LAUSCHANGRIFF 9. DEGIAL - Annihilation Banner 4:17 (Degial) Sepulchral Voice/Soulfood 10. HAMFERD - Hon Syndrast 6:06 (Theodor Kapnas, Jón Aldará, Remi Kofoed Johannesen, John Egholm, Esmar Joensen, Ísak Petersen) Metal Blade/Sony 12.2017 11. ALMANAC - Hail To The King (Edit) 4:58 (Victor Smolski/Andy Franck) Copyright Control* Nuclear Blast/Warner 12. THE WEIGHT - Hard Way 2:47 (Tobias Jussel, Patrick Moosbrugger, Michael Boebel, Andreas Vetter) Copyright Control* Heavy Rhythm & Roll/Rough Trade. -
6 • the Official Mag: Ambushmag.COM • September 14
6 • The Official Mag: AmbushMag.COM • September 14-27, 2010 • Official Southern Decadence Guide • SouthernDecadence.COM Gay EasterParade.COM • GayMardiGras.COM • GayNewOrleans.COM • September 14-27, 2010 • The Official Mag: AmbushMag.COM • 7 8 • The Official Mag: AmbushMag.COM • September 14-27, 2010 • Official Southern Decadence Guide • SouthernDecadence.COM the "official" dish Gay History Month/Natl. Coming Out Day Issue inside out Sept. 28 ~ DEADLINE: Tues., Sept. 21 celebrazzi 4 acadiana paparazzi/lafayette 34 sdgms extends thanks 13 acadiana happens/lafayette 35 by Rip & Marsha Naquin-Delain under the gaydar/new orleans 14 hot tails of red stick/baton rouge 36 Email: [email protected] sd parade paparazzi/nola 18 red stick paparazzi/baton rouge 37 sd parade paparazzi/nola 20 the pink pastor 38 2010 Decadence Makes Big Jump with 125,000 to sd bead toss paparazzi/nola 26 ambush paparazzi/new orleans 40 classifieds 28 halloween new orleans 41 135,000 Participants; Over $160 Million Pumped ambush paparazzi/nola 32 ambush paparazzi/new orleans 42 into Local Economy Gulf South Entertainment/Travel Guide Since 1982 he 39th Official Southern Decadence celebration of gay life, music and 828-A Bourbon St. • New Orleans, LA 70116-3137 • 504.522.8049 culture was up an average of 25-35% percent over 2009. The event brought [email protected] Tout an estimated 125,000-135,000 revelers including visitors and locals. The economic impact on the city could very well exceed $160 million, based on a conserva- was born." help to us,” says Gordon R. Wadge, Co- tive spending average of $1,300 per person for the four-day Labor Day holiday, Their music gets people out of their President of Catholic Charities. -
© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr. -
Matisyahu, Identity, and Authenticity by Sarah Imhoff on August
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks The Man in Black: Matisyahu, Identity, and Authenticity By Sarah Imhoff On August 6, 2006, thousands of fans at Chicago’s Lollapalooza music festival danced to reggae in the sweltering heat under the sun. The performer wore black pants and a gray long- sleeve collared shirt in spite of the heat. Instead of dreadlocks or a knit cap, he sported a full beard and a yarmulke. White fringes hung down in front of his pants, next to the badge identifying him as a performer. At one point, during a joyful frenzy of onstage dancing, his yarmulke came flying off. Without missing a beat, he took the nearby white towel—provided to performers for wiping away sweat—and held it atop his head with his left hand while his right hand held the microphone. He did not want to stop the show, but he also needed to ensure that his head would not be bare. The crowd had surprises, too: instead of a sea of red, green, and black Jamaican flags, as one might expect to see at a reggae show, this crowd had a smattering of white-and-blue Israeli flags. Some sang along with lyrics that called to “Hashem” and made allusions to the Torah. The crowd was a mixture of fans and others who might best be described as gawkers: Was he for real? Who was this observant Jew singing reggae and calling for “Moshiah now”? But one could also ask questions about most of the people watching: Why should a crowd of young, mostly secular pop-music listeners care about a Hasidic Jew? Was it just about the novelty? Critics and fans have already written much about the life, music, and performance of Matisyahu, the most prominent Hasidic reggae musician, and his visibility is still growing. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
The Lord Is My Song
The Lord is My Song Dr. Juanita McElwain 1 This book is a revision and compilation of the following Books: The Power of Music, 1992 Rhythm of the Gods, 1993 Effects of Music, 2000 Articles: Worship and Music, 2001 What’s Wrong with Rock Music?, 2001 Demon Possession and Music, 2001 Language of Music, 2001 Presentations: Counterfeit Music, 2002 Brain Control and Music, 2002 Power in Music, 2002 Juanita McElwain earned her PhD in Music Therapy from Florida State University. She has taught music on all levels from preschool to college graduate in public and private schools in Florida, California, Puerto Rico, New Mexico and Oklahoma. She was professor of music therapy at Eastern New Mexico University and Phillips University, Enid, Oklahoma. She has worked as a music therapy clinician with the mentally retarded. Her areas of expertise in research include the effects of music on brain waves and the effects of music on headache. She has given numerous seminars on the power of music which include good and bad effects of music, rock music, sensual music, music in worship and mind control through music throughout the United States and in Europe. She is listed in various biographical listings including the Who’s Who of American Women, the World Who’s Who of Women, and the International Who’s Who of Music. She is a member of the musical honorary society Pi Kappa Lambda. She and her husband are presently retired in West Virginia. 2 Table of Contents My Name is Music, 5 1. Power of Music, 19 2. The Language of Music, 35 3.