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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Read Ebook {PDF EPUB} All I Want for Christmas... Is No Christmas by Colton Aalto Saara Aalto
Read Ebook {PDF EPUB} All I Want for Christmas... Is No Christmas by Colton Aalto Saara Aalto. Saara Sofia Aalto (born 2 May 1987) is a Finnish singer, songwriter, and voice actress. In 2012, she came second in the first season of The Voice of Finland. In 2016, Aalto finished as the runner-up in the thirteenth series of The X Factor UK, which gained her international recognition. In 2018, Aalto represented Finland in the Eurovision Song Contest 2018. She qualified for the grand final and finished in 25th place. Later that year, Aalto became a judge on X Factor Suomi. Early life. Born in Oulunsalo, Finland, Aalto grew up in a musical family and received piano lessons from pianist and pedagogue Olga Maslak, born in Odessa, Soviet Union. Aalto wrote her first song at the age of five. Her close relatives include painter and documentary director Eeli Aalto and magician Simo Aalto. In 1998 at age 11, she won the Kotka Maritime Festival song contest for children with one of her own compositions. Aalto also won the Charlotte Church[4] international singing competition, organised in US, in 2003 with her own composition.[5][6] Aalto represented Finland in the Golden Stag International Song Contest in Romania in 2004. She went to the Madetoja secondary school for music, where she graduated in 2005. After graduation, she moved to Helsinki to study music at the Sibelius Academy, and at the same time also studied singing in the Helsinki Pop & Jazz Conservatory. Career. 2007–2011: Career beginnings In 2007, she participated in Talent Suomi ("Talent Finland"), finishing in the top three. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Billboard, Vol. XVII, No. 10, March 11, 1905
^PRICE, 10 CENTS FORTY PAGES THEATRES^ CIRCUSES FAIRS ~ MUSICIANS TBeertriceJ Weekly Volume XVII. No. 10. CINCINNATI NEW YORK- CIIIC A G O March 11,1905. * COL. FRED. P. CUMMINS Sole Owner and Manager of the Cum- mins' Wild West 4 Ttie Billboard women on the American stage; Mr. Charles J. Wilson, recent basso with Edward Harrlgan; BESSIE VVYNN Miss Dorothy Gray, leading soprano of The Strollers; little Agnes and Reginald Blair, two DRAMATIC MINSTREL! of tlie mo-it versatile and talented of children VAUDEVILLE BURLESQUE artists. Miss Kleanor Blair, Mr. Eugene Keith. Miss Fanny I'routy and Mr. Arthur Lorraine. MUSIC OPERA Tills Is a list of people who have made good in either the legitimate or vaudeville, and com- mand a salary that places them above the Cousin Billy is not the greatest of average artist. The finale of the act Is a big Clyde Fitch's plays tint it serves to draw a radium dance that Is In Itself a big feature very gratifying amount of business to the card. Eight ghosts, with radlunilzed costumes Criterion. The principal Interest 1* In Francis and hollow pumpkins for beads, execute a Itcan- WlU-on's work, his first in straight comedy. tiful dance and chorus. There Is an excellent quartet which is an important feature of the Things Theatrical in the Metropolis, The Duchess of Dantzlc at Daly's act. Dave Nowlln Introduces his celebrated and Bits of General Interest lias more than fulfilled the prophesies founded barnyard Imitations during the course of the Discussed on the Rialto. on Its remarkably successful opening. -
Honor Roll 2006
i annual report Jennifer Rodriquez, age 3 gifts Childrens hospiTal los angeles honor roll of donors for the time period of January 1, 2006, through December 31, 2006 in gratitude and recognition The patients, families, staff and Board of Trustees of Childrens Hospital Los Angeles are grateful to the many people who help us build for the future and provide clinical care, research and medical education through their financial support. We recognize esteemed individuals, organizations, corporations and foundations for their generosity during the 2006 calendar year. This Honor Roll lists donors who contributed at least $1,000 in cash gifts, pledges or pledge payments. To view the Red Wagon Society Honor Roll of Donors, which lists gifts of $150 to $999, please visit the electronic version of the Honor Roll at www.ChildrensHospitalLA.org/honorroll2006.pdf. Foregoing individual recognition, we also extend thanks to those who made generous contribu- tions directly to one of our Associate and Affiliate, or allied groups. Children’s Miracle Network (CMN) gifts to CMN National will be recognized in the next issue of Imagine. In spite of our best efforts, errors and omissions may occur. Please inform us of any inaccuracies by contacting Marie Logan, director of Donor Relations, at (323) 671-1733, or [email protected]. • | imagine spring 07 $10,000,000 and above The Sharon D. Lund Foundation Confidence Foundation Randy and Erika Jackson Anonymous Friend The Harold McAlister Charitable Corday Foundation Foundation i Foundation Kenneth and Sherry Corday Johnson & Johnson $4,000,000 to $9,999,999 Mrs. J. Thomas McCarthy Mr. -
Venice Gap Financing-Market
VENICE GAP – FINANCING MARKET BOOK OF PROJECTS FICTION AND DOCUMENTARY FEATURE FILMS VR, INTERACTIVE, WEB AND TV SERIES 01 – 03.09.2017 www.labiennale.org VENICE GAP– FINANCING MARKET BOOK OF PROJECTS FICTION AND DOCUMENTARY FEATURE FILMS VR, INTERACTIVE, WEB AND TV SERIES 74. Mostra Internazionale d’Arte Cinematografica Cinema Department Director Venice Gap-Financing Market La Biennale di Venezia Alberto Barbera VR, Interactive, Web and its collaborators and TV Series for Book of Projects The Venice Production Bridge welcomes the Cinema Department Valentina Bellomo th Managing Director Consultants Erika Giorgianni 47 selected teams and their projects to the 4 Luigi Cuciniello Lucas Rosant Elena Mantoan Eva Morsch Kihn Chiara Marin Venice Production Bridge Sara Mazzucchi edition of the Venice Gap-Financing Market Pascal Diot Collaborators Alessandro Mezzalira Savina Neirotti Violetta Bava Nikolas Montaldi Paolo Bertolin Since last year, the Venice Gap-Financing Market has expanded to host a larger number of projects [email protected] Matthieu Darras across different audiovisual forms. A total of 47 projects have been selected for this years' edition: www.labiennale.org Giacomo Durzi Francesco Giai Via feature fiction and documentary films, TV & web series and VR films. Elena Pollacchi Michel Reilhac Our hope was that this would bring variety, diversity, and the possibility for many decision makers that Liz Rosenthal were usually working only in one field to crossover to another, building bridges – as the new name of Jane Williams the Venice market suggests. We are proud to say that this has happened – and that in addition to the many feature films that in the past 3 years have closed their financing here in Venice and have then gone on to premiere at festivals worldwide, we can also celebrate the completion of documentaries, web series and virtual reality films. -
Download/Manual/Statistical Report I 3Th.Of, Accessedon February 12,2004
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/2442 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Globalization and Media Governance in the People's Republic of China (1992-2004) By Huaguo Zeng A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in International Studies University of Warwiclk Department of Politics and Inte Imational Studies July, 2006 CONTENTS Acknowledgments V .............................................................................. Abstract VI ........................................................................................... Abbreviations VII ................................................................................... List Tables Figures VII of and ...................................................................... Notes Text VIII and the ............................................................................... Declaration IX ........................................................................................ CHAPTER ONE INTRODUCTION 1. China's Media Politics 1980s 2 since the ..................................................... 2. Hypothesis, ResearchQuestions, Definitions -
Charles Seeger's Theories on Music and Class Structure
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt VISIONS OF A “MUSICAL AMERICA” IN THE RADIO AGE UNIVERSITY OF PITTSBURGH Faculty of Arts and Sciences by Stephen R. Greene This dissertation was presented B. Mus., Westminster Choir College, 1976 M. Mus., Universityby of Oklahoma, 1990 Stephen R. Greene It was defended on SubmittedApril to the 30, Graduate 2008 Faculty of the Department of Music in the College of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Stephen R. Greene It was defended on April 30, 2008 and approved by Don O. Franklin, Ph.D., Professor of Music Mary S. Lewis, Ph.D., Professor of Music Bell Yung, Ph.D., Professor of Music Ronald J. Zboray, Ph.D., Professor of Communication Dissertation Advisor: Deane L. Root, Ph.D., Professor of Music ii Copyright © by Stephen R. Greene 2008 iii VISIONS OF A “MUSICAL AMERICA” IN THE RADIO AGE Stephen R. Greene, Ph.D. University of Pittsburgh, 2008 In the United States during the 1920s and 1930s a loose-knit group of activists promoting what they called good music encountered the rise of commercial radio. Recognizing a tremendous resource, they sought to enlist radio in their cause, and in many ways were successful. However, commercial radio also transformed the activists, subverting an important part of their vision of a musical America: widespread preference for good music in the public at large. -
February 26, 2021 Amazon Warehouse Workers in Bessemer
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; BLACKISH) -
2020 Spinelli Simona 1469467
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Multidimensional storytelling an analytical framework for digital, interactive and transmedia narratives Spinelli, Simona Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 06. Oct. 2021 Multidimensional Storytelling: An Analytical Framework for Digital, Interactive and Transmedia Narratives Simona Spinelli Thesis submitted in partial fulfilment of the degree of Doctor of Philosophy, King's College London, University of London Faculty of Arts & Humanities King's College London UK November, 2019 1 Abstract This thesis provides a unified framework { i.e., Multidimensional Storytelling (MDS) framework { that can be used to investigate, in a unified analytical environment, hybrid new media narratives, which combine elements of digital, interactive and transmedia storytelling. -
Protodimension.Com Protodimension.Org/Zine the See Always Looking for Contributions by Fan the Community
ISSUE 21 FALL 2014 Protodimension Magazine is a quarterly publication written and produced by fans of the modern, conspiratorial, horror genre of role play gaming. This magazine is provided freely via online download, and intends to follow all rules regarding fair use of copyrighted and trademarked material. No revenue for the writers and publishers of this fan magazine is generated directly or indirectly. Managing Editor : Norm Fenlason Chief Editor : Tad Kelson Contributing Editor : Lee Williams Art Direction : Norm Fenlason Norbert Nagy by Cover: Nagy Norbert Protodimension Magazine is a Trademark of Kinstaff Media, LLC. All rights reserved. While Protodimension Magazine is a trade- mark of Kinstaff Media LLC, all copyrights are held by the respective Corridor Infested authors and artists, unless otherwise indicated. The Dark Conspiracy® game in all forms is owned by Far Future Enterprises. Copyright © 1991, 1997 Cover illustration: Infested Corridor by Nagy Norbert. Far Future Enterprises. Dark Conspiracy® is a registered trademark of Far Future Enterprises. Far Future http://norbface.deviantart.com/gallery/ and permits web sites and fanzines for this game, provided it contains this notice, that Far Future is notified, and https://www.facebook.com/TheArtofNagyNorbert subject to a withdrawal of permission on 90 days notice. The contents of this site are for personal, non-com- Used with the artist’s express permission. mercial use only. Any use of Far Future Enterprises’ copyrighted material or trademarks anywhere on this web site and its files should not be viewed as a challenge to those copyrights or trademarks. In addition, any Some interior artwork by Earl Geier, David Lee Ingersoll, Norm program/articles/file on this site cannot be republished or distributed without the consent of the author who Fenlason. -
Andromedan Log 61 Master
The Andromedan Original #61 Reviews Log starting on page 40 February 2001 Vol. 5 #13 The official highly-sporadic newsletter of Star Base Andromeda Lincoln, NE WillyCon 2001: A Space Oddity in March The campus of Wayne State College, in Wayne NE, will be site for the third annual WillyCon science fiction convention on March 16-18, 2001. Hosted by the Wayne State College Science Fiction club, the convention has been growing in size and popularity since its founding in 1999. This year’s literary guest is author Julie Czerneda, a Cana- dian science fiction writer whose first novel, A Thousand Words for Stranger, was published in 1997 by DAW Books. Her second novel, Aurora Award Finalist Beholder’s Eye, was published by DAW in 1998, with the sequel to A Thou- sand Words for Stranger, Ties of Power, out in 1999. The sequel to Beholder’s Eye, Changing Vision, was released summer 2000. She has a standalone called In the Company of Others, coming June 2001. DAW has purchased another novel in each of her two series. Artist guest is Frank Wu, who recently returned from the Illustrators of the Future/ Writers of the Future award ceremony in L.A. where he was one of the 10 quarterly art winners - and he also won the GRAND PRIZE! Star Base Andromeda member Bryce Pfeiffer, his wife Karen and their kids are the Fan Guests of Honor this year! The convention features numerous science-oriented panels and workshops, as well as a writing contest, filking, gaming, an art show/auction and long-running video room.