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Mozart Magic Philharmoniker
THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro). -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Of London for Both" C·Xperienccd,Temporaryand Trainee Slaft in the Catering Industry
T' , ---",-,, , , ' ", !" -. ". , " " . - I - 1 -,' '-t ~' ", '",' , ' " , ~ • , , . r - ~ ; - :..., " " ,.- - - " --' , '1 • •>\ '\0; .-,..". _. ~ -~ : • r. ~.' ~ ~ 1 , . ,-.., .' - .' , , . -, , " , 1 ., • > ' ' ......- ::- - ' -" '; ::>. .- .' , <-, • -.-- .,,!" , ' " I, , , Ii I' ,I I' 'I , • , "" ". '~~',"f>:"""~?r-Cl:t'f<-i'.Q;':','l'''''~ Sicilian Avenue l'!l Summer terrace for dining ~~i.! 'al fresco' ~ 20Sicilian Avenue WCl. ~1l Tel: 405 5215 !~. Villa CarIotta The freshness ofa garden setting ;" Pasta, central to an Italian's 33/41 Charlotte Street Wl. ~ diet has become staple fare Tel: 636 6011 ~~' . ~ in England too; but few here Duke Street 1 Between GrosvenorSq. ~ realise the variety ofregional and Oxford Street 74-76 Duke Street Wl. dishes which have developed Tel: 629 6097 in Italy's long history. Spaghetti House, Knightsbridge Our famous locallon 77 Knlghtsbrldge SWl. Tel: 235 8141 High Holborn Our newest ristorante 216 High Holborn WCl. Our Menu's Tel: 831 7718 have been Cranbourn Street compiled to encourage In the heart oftheatreland 24 Cranbourn Street WC2. ' : you to try some of the Tel: 836 8168 l' , - variations; each pastatype being Zia Teresa !<! served with an appropriate sauce Neighbour to Harrods 6 Hans Road SW3. or condiment. Old favourites have been • Tel: 589 7634 included for . the diehards. Vecchia Milano Elegant Old Milan 74 Welbeck Street Wl. Tel: 935 2371 • Pizza House, Goodge Street , London's first pizzeria . ,'54-56 Goodge Street Wl. tl&. • Tel: 636 9590 I Goodge Street . I Our original Spaghetti ~~ House > ~ 15-17 Goodge Street Wl. ~~ Tel: 636 6582 ~i: '~, ~, '~J • ~ • I· .' .. - -- -- .---~- -~------ .~~ - -----=-," ---~-- 'Sommario'. , --' " , ,. ~ , - • Contents-,'. >~.' •• • ,..-.. • -A famous,'t. 'moment,. from last- " year's._ Procession,", .- ; the-_ release. Front Cover cif the doves over the Statue' of the Madonna In Leather -Lane.· This year'sspecial procession section incJuding good w'ishes from many Ita!ian Associations and Jirms starts on Page l~ • • -'- -. -
Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
2010–2011 Season Sponsors
2010–2011 SEASON SPONSORS The City of Cerritos gratefully thanks our 2010–2011 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Jill and Steve Edwards Ilana and Allen Brackett Erin Delliquadri $50,001-$100,000 Dr. Stuart L. Farber Paula Briggs Ester Delurgio José Iturbi Foundation William Goodwin Scott N. Brinkerhoff Rosemarie and Joseph Di Giulio Janet Gray Darrell Brooke Rosemarie diLorenzo Sandra and Bruce Dickinson Patron Rosemary Escalera Gutierrez Mary Brough Marianne and Bob Hughlett, Ed. D. Joyce and Russ Brown Amy and George Dominguez $20,001-$50,000 Robert M. Iritani Dr. and Mrs. Tony R. Brown Mrs. Abiatha Doss Bryan A. Stirrat & Associates Dr. HP Kan and Mrs. Della Kan Cheryl and Kerry Bryan Linda Dowell National Endowment for the Arts Jill and Rick Larson Florence P. Buchanan Robert Dressendorfer Eleanor and David St. -
"Il Mio Tesoro" from "Don Giovanni"
“Il mio tesoro” from “Don Giovanni”--John McCormack; orchestra conducted by Walter Rogers (1916) Added to the National Registry: 2006 Essay by Doreen M. McFarlane (guest post)* John McCormack Tenor John McCormack (1884-1945) was beloved throughout the English-speaking world. His music spanned from opera and concert music to popular songs of his time. He was one of the first to make cylinder recordings and then shellac records, and was one of the first opera singers to sing on radio. From a successful opera career, he moved on to become a beloved recitalist, touring the USA and the world, garnering huge and adoring audiences. He spotlighted upcoming composers, raised large donations to support America in both World Wars, and was a role model singer, husband, patriot and friend. On May 9, 10, and 11 of 1916, the renowned tenor made a total of 13 recordings for Victor/HMV in their Camden, New Jersey studio. Of these, ten were sung with orchestra conducted by Walter B. Rogers, and, the other three, with his accompanist Edwin Schneider at the piano. Of the 13, two were unpublished. In some cases, there were two takes with just one published. But, the aria recorded on May 9th, which is unsurpassed and seen as the consummate performance of this aria--unmatched by even the greatest of tenors--is his performance of “Il mio Tesoro” from the opera “Don Giovanni” by Mozart; it was accomplished in one “take.” This aria has been included in at least 22 different LP and CDs over many years. McCormack sang this aria in his concert programs from 1907 to 1917 and again from 1919 to 1921. -
ROINN COSANTA. BUREAU of MILITARY HISTORY, 1913-21 STATEMENT by WITNESS. DOCUMENT NO. W.S. 1503 Witness Michael Mccormack Drumra
ROINN COSANTA. BUREAU OF MILITARY HISTORY, 1913-21 STATEMENT BY WITNESS. DOCUMENT NO. W.S. 1503 Witness Michael McCormack Drumraney, Athlone, Co. Westmeath. Identity. Adjutant. Drumraney Battalion, I.R.A. Centre, Drumraney Circle, I.R.B. Subject. Activities of Drumraney Battalion, Irish Volunteers, Athlone Brigade, 1914-1921, and Brigade Flying Column, 1920-1921. Conditions, if any, Stipulated by Witness. Nil File No S.2819 Form B.S.M.2 STATEMENTBY MICHAEL McCORMICK, Drumraney, Athlone, County Westmeath. I was born in Drumraney and was educated at the local school there. There was nothing taught in school then that would serve as a foundation or build-up in young boys any deep sense of patriotism. father had been in Australia and there he had come in contact with many of the men who had been deported or had to leave Ireland because they loved it too well, according to English standards When we were children, he regularly discussed Irish History with us and enlightened us on the many crimes and wrongs perpetrated on our country by the English invader, and he often sang traditional folk songs for us. Thus we grew up in an atmosphere in which there was a love for everything Irish and with a great desire to see the country independent and in commandof her own destiny. I think my father was a Fenian. I had read and studied books such as "The Jail Journal" and "The last Conquest". In 1907 I became a member of the Irish Republican Brotherhood. Peter Malinn was organising the I.R.B. in County Westmeath at this time and later on w brother John continued to push the. -
![LE JOUR, 5 Octobre 1895 [NAV]](https://docslib.b-cdn.net/cover/2192/le-jour-5-octobre-1895-nav-472192.webp)
LE JOUR, 5 Octobre 1895 [NAV]
LE JOUR, 5 octobre 1895 [NAV] De la couleur, de la passion, une mise en scène d’un réalisme puissant, une artiste parfaite; pour mettre en relief tout cela, une histoire empoignante, rapide, haletante, pleine de frissons tragiques et de tendresses pâmées. Voilà la Navarraise, jouée hier soir, avec un éclatant succès, à l’Opéra‐Comique. Je ne veux pas rechercher si la dernière œuvre de M. Massenet rappelle par certains côtés la Cavalleria rusticana du maestro Mascagni; si la concision dramatique qui condense en cinquante minutes une intrigue qui aurait pu durer trois heures n’est pas plutôt un défaut qu’une qualité. Mais une chose est certaine: c’est que le maître français, en dépit de certaines réserves, est resté lui‐même, c’est‐à‐dire tendre, passionné, amoureux, et pour la première fois, passionnément tragique. Car c’est là, à n’en pas douter, la note originale de cette partition. M. Massenet, sans renoncer aux formules d’art qui ont fait sa gloire, a voulu nous donner du nouveau. Le chantre ensorceleur des duos d’amour, le doux gazouilleur des cantabiles et des romances s’est fait violent, brutal, exaspéré. Et cela n’a pas été une médiocre surprise d’entendre le musicien de Manon sonner des fanfares guerrières, faire chanter la poudre et tonner le canon. Une nouvelle exquise, écrite autrefois par M. Jules Claretie et fort habilement remaniée par M. Henri Cain est le thème de ce petit drame lyrique. C’est un épisode de la guerre carliste en 1874. Aux portes du village de Bilbao, les troupes libérales commandées par le général Garrido, sont campées: le décor est prodigieux de pittoresque et de vérité. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Boston Symphony Orchestra Concert Programs, Summer, 1992
Kattl hlCL^WOOD I ? 7 2 W Toofc ofExcellence In every discipline, outstanding performance springs from the combination of skill, - vision and commitment. As a technology leader, GE Plastics is dedicated to the development of advanced materials: engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics -> Jazz At Tanglewood WM Friday, Saturday, and Sunday August 28, 29, and 30, 1992 Tanglewood, Lenox, Massachusetts '-•' Friday, August 28, at 7:30 p.m. THE MODERN JAZZ QUARTET RAY CHARLES Koussevitzky Music Shed Saturday, August 29 at 4 :30 p.m. CHRISTOPHER HOLLYDAY QUARTET REBECCA PARRIS and the GEORGE MASTERHAZY QUARTET Theatre-Concert Hall at 7:30 p.m. MAUREEN McGOVERN and MEL TORME with the HERB POMEROY BIG BAND Koussevitzky Music Shed Sunday, August 30 at 4 :30 p.m. GARY BURTON AND EDDIE DANIELS Theatre-Concert Hall at 7:30 p.m. DAVE BRUBECK QUARTET WYNTON MARSALIS Koussevitzky Music Shed ARTISTS The Modern Jazz Quartet Gibbs in the Woody Herman Second Herd. The following year he rejoined the Gillespie band, eventually becoming a founding member of the Modern Jazz Quartet. Among the many compositions Mr. Jackson contributed to the group, "Bags' Groove" has become a classic. During the members' annual vacation from the MJQ, Milt Jack- son assembles various groups of musicians to record albums under his own name and to play occasional engagements. Recently he returned to his bebop roots for an album aptly entitled Be Bop. Bass player Percy Heath was born in Making a return Tanglewood appearance, Wilmington, North Carolina, and grew up the Modern Jazz Quartet has a unique in Philadelphia. -
Philharmonic Au Dito R 1 U M
LUBOSHUTZ and NEMENOFF April 4, 1948 DRAPER and ADLER April 10, 1948 ARTUR RUBINSTEIN April 27, 1948 MENUHIN April 29, 1948 NELSON EDDY May 1, 1948 PHILHARMONIC AU DITO R 1 U M VOL. XLIV TENTH ISSUE Nos. 68 to 72 RUDOLF f No S® Beethoven: S°"^„passionala") Minor, Op. S’ ’e( MM.71l -SSsr0*“” « >"c Beethoven. h6tique") B1DÛ SAYÂO o»a>a°;'h"!™ »no. Celeb'“’ed °P” CoW»b» _ ------------------------- RUOOtf bKch . St«» --------------THE pWUde'Pw»®rc’^®®?ra Iren* W°s’ „„a olh.r,„. sr.oi «■ o'--d s,°3"' RUDOLF SERKIN >. among the scores of great artists who choose to record exclusively for COLUMBIA RECORDS Page One 1948 MEET THE ARTISTS 1949 /leJ'Uj.m&n, DeLuxe Selective Course Your Choice of 12 out of 18 $10 - $17 - $22 - $27 plus Tax (Subject to Change) HOROWITZ DEC. 7 HEIFETZ JAN. 11 SPECIAL EVENT SPECIAL EVENT 1. ORICINAL DON COSSACK CHORUS & DANCERS, Jaroff, Director Tues. Nov. 1 6 2. ICOR CORIN, A Baritone with a thrilling voice and dynamic personality . Tues. Nov. 23 3. To be Announced Later 4. PATRICE MUNSEL......................................................................................................... Tues. Jan. IS Will again enchant us-by her beautiful voice and great personal charm. 5. MIKLOS GAFNI, Sensational Hungarian Tenor...................................................... Tues. Jan. 25 6. To be Announced Later 7. ROBERT CASADESUS, Master Pianist . Always a “Must”...............................Tues. Feb. 8 8. BLANCHE THEBOM, Voice . Beauty . Personality....................................Tues. Feb. 15 9. MARIAN ANDERSON, America’s Greatest Contralto................................. Sun. Mat. Feb. 27 10. RUDOLF FIRKUSNY..................................................................................................Tues. March 1 Whose most sensational success on Feb. 29 last, seated him firmly, according to verdict of audience and critics alike, among the few Master Pianists now living. -
School Show Study Guide
420 East Packer Avenue Bethlehem, PA 18015-3179 (610) 758-2787 www.ZoellnerArtsCenter.org School Show Study Guide: Wednesday, March 13, 2019 at 10:00am Baker Hall at Zoellner Arts Center USING THIS STUDY GUIDE Dear Educator, On Wednesday, March 13, your class will attend a performance by Murphy’s Celtic Legacy, at Lehigh University’s Zoellner Arts Center in Baker Hall. You can use this study guide to engage your students and enrich their Zoellner Arts Center field trip. Materials in this guide include information about the performance, what you need to know about coming to a show at Zoellner Arts Center and interesting and engaging activities to use in your classroom prior to and following the performance. These activities are designed to go beyond the performance and connect the arts to other disciplines and skills including: Dance Culture Expression Social Sciences Teamwork Choreography Before attending the performance, we encourage you to: Review the Know before You Go items on page 3 and Terms to Know on pages 9. Learn About the Show on pages 4. Help your students understand Ireland on pages 11, the Irish dance on pages 17 and St. Patrick’s Day on pages 23. Engage your class the activity on pages 25. At the performance, we encourage you to: Encourage your students to stay focused on the performance. Encourage your students to make connections with what they already know about rhythm, music, and Irish culture. Ask students to observe how various show components, like costumes, lights, and sound impact their experience at the theatre. After the show, we encourage you to: Look through this study guide for activities, resources and integrated projects to use in your classroom.