Discography of the Mainstream Label

Total Page:16

File Type:pdf, Size:1020Kb

Discography of the Mainstream Label Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet Marmalade/others 56004 mono, S 6004 stereo - Town Hall Concert - Krupa, Ventura, Rogers, Norvo, & Others [1964] 56005 mono, S 6005 stereo - Soil & the Sea - Pete Seeger, Guthrie, Hawes, & Hays [1964] The Golden Vanity – Pete Seeger/Blow Ye Wind, Heigh-Ho – Pete Seeger/Blow the Man Down – Woody Guthrie/Hard, Ain't It Hard – Woody Guthrie/The Dodger Song – Lee Hays/State of Arkansas – Lee Hays//Ground Hog – Pete Seeger/The Coast Of High Barbary – Pete Seeger/Away Rio – Peter Hawes/Haul Away Joe – Peter Hawes/I Ride An Old Paint – Woody Guthrie/House Of the Rising Sun – Woody Guthrie 56006 mono, S 6006 stereo - I’m Lost - Dottie Clark [1964] I'm Lost Without You Tonight/Come Back To Me/The More I See You/Tell Me/Please Send Me Someone To Love/Gone Again//Not Without You/What's A Poor Fool To Do/Everyone Has Someone/I'm Crying/Well Alright, Okay, You Win/Take Me 56007 mono, S 6007 stereo - Boss of the Blues - Charles Brown [1964] Driftin’/Our Day Will Come/Go Away Little Girl/Days of Wine and Roses/My Secret Love/Through the Courtesy of Love/Since I Fell for You/More/So Long/First Love/To You My Love 56008 mono, S 6008 stereo - Chairmen of the Board - Tatum, Waller, & Others [1964] 56009 mono, S 6009 stereo - 52nd Street - Holiday, Webster, & Others [1964] 56010 mono, S 6010 stereo - Dixieland-Chicago Style - Spanier, Russell, & Others [1964] Page 1 56011 mono, S 6011 stereo - Era of the Clarinet - Fazola, Hall, Jackson & Others [1964] Sweet Lorraine – Pee Wee Russell/Sugar – Pee Wee Russell/Original Dixieland One Step – Edmund Hall/It’s Only a Shanty in Old Shanty Town – Edmund Hall/The Breeze (That Blows My Baby Back to Me) – Irving Fazola//When Did You Leave Heaven – Benny Goodman/Mood at Twilight – Benny Goodman/Wang Wang Blues – Tony Parenti/Sweet Lovin’ Man – Tony Parenti/The Thriller Rag – George Lewis 56012 mono, S 6012 stereo - Lester Young & Kansas City Six - Lester Young [1964] 56013 mono, S 6013 stereo - Two Jims And Zoot - Jimmy Raney, Zoot Sims & Jim Hall [1964] Hold Me/A Primera Vez/Presente De Natal/Morning of the Carnival/Este Seu Olhar//Betaminus/Move It/All Across the City/Coisa Mais Linda/How About You 56014 mono, S 6015 stereo - The Artistry Of Helen Merrill - Helen Merrill With Byrd, Giuffre, Raney, & McKusick [1965] Quiet Nights/Careless Love/Scarlet Ribbons/House of the Rising Sun/I Left My Heart In San Francisco/Cannetella/River/Minha Rocca/Itsi No Kororiuta/Forbidden Games/John Anderson 56015 mono, S 6015 stereo - A Taste Of Honey - Morgana King [1964] A Taste Of Honey/Fascinating Rhythm/Prelude To A Kiss/Corcavado/Lazy Afternoon/I Love Paris/When The World Was Young /Young And Foolish/The Lady is a Tramp/Easy To Love 56016 – The Songs of Kurt Weill – Felicia Sanders [1965] Reissue of Time 2007. Speak Low/This is New/Remember That I care/Green Up-Time/September Song/Here I’ll Stay//Thousands of Miles/Foolish Heart/Stay Well/Westwind/Mon Ami, My Friend/Oh Heart of Love 56017 mono, S 6017 stereo - Era of the Swing Trumpet - Eldridge, Hackett, Jonah Jones, Page, Williams, & DeParis [1965] I Can’t Believe - Roy Eldridge/46 West 52nd Street - Roy Eldridge/Monday At Minton’s - Page/Gee Ain’t It Good - Page/I Must Have That Man - Bobby Hackett/Embraceable You - Bobby Hackett/Hubba Hubba Hub - Jonah Jones/Stompin’ At the Savoy - Jonah Jones/Esquire Bounce - Williams/Sheik of Araby - DeParis 56018 mono, S 6018 stereo - Town Hall Concert Volume 2 [1965] Boby & Soul - Krupa & Ventura 3/Bugle Call Rag - Stuff Smith 3/I Don’t Stand a Ghost of a Chance - Norvo/I Know - Wilson/Limehouse Blues - Norvo, Wilson, Phillips, Bert, Rogers, Sachs, Palmieri, Stewart, Powell, Krupa, Ventura, & Walthers /Where Or When - Norvo, Wilson, Phillips, Bert, Rogers, Sachs, Palmieri, Stewart, Powell, Krupa, Ventura, & Walthers /7 Come 11 - Norvo, Wilson, Phillips, Bert, Rogers, Sachs, Palmieri, Stewart, Powell, Krupa, Ventura, & Walthers 56019 mono, S 6019 stereo - Tenor Hierarchy - Various Artists [1965] I Surrender Dear - Hawkins/Dedication - Hawkins/Body & Soul - Berry/On the Sunny Side - Berry/Sleep - Webster/Wess Point - Wess/Some Other Spring - Wess/I Can’t Believe - Phillips/Candy - Byas 56020 mono, S 6020 stereo - Jelly Roll Morton - Jelly Roll Morton [1965] Mamie’s Blues/Michigan Water Blues/Buddy Bolden’s Blues/Winin’ Boy Blues/Don’t Leave Me Here/Original Rags/Naked Dance/Grave/Mr. Joe/King Porter Stomp 56021 mono, S 6021 stereo - Bahutu Chant & Dancers - Bahutu Chant & Dancers [1965] Royal Watusi Drums/Choral Songs of the Manbetu/Xylophone At Lubero/Choral Songs of the Babira/Batwa Pigmy Dances/Circumcision Rituals/Mambuti Pigmy Music/Bapere Dance & Karumi’s Dance 56022 mono, S 6022 stereo - Once Upon A Time - Billie Holiday & Teddy Wilson [1965] As Time Goes By - Billie Holiday/I Love My Man - Billie Holiday/On the Sunny Side - Billie Holiday/I’m Yours - Billie Holiday/How Am I To Know - Billie Holiday/Night & Day - Wilson /It Had To Be You - Teddy Wilson/Where Or When - Teddy Wilson/It’s Only a Shanty - Teddy Wilson/Show Piece - Teddy Wilson Page 2 56023 mono, S 6023 stereo - Expressions East - John Berberian [1965] Siseler/Laz/Nubar Nubar/Basha Bella//Arabava/Dzage Bunch/Whyek/Taksim 56024 mono, S 6024 stereo - Legend - Eddie Condon [1965] Lady Be Good/I’m Coming Virginia/It’s Right Here/I’m Gonna Sit Right Down and Write Myself a Letter/Basin St. Blues//Save Your Sorrow/That Da Da Strain/I’m Confessin’/ I Ain’t Gonna Give Nobody None/Fidgety Feet 56025 mono, S 6025 stereo - Look At Yesterday - Various Artists [1964] Diaper Pin - Stan Getz/Interlude In Bebop - Stan Getz /As I Live In Bop - Stan Getz/Hot Halavah - Stewart/In the Merry Land of Bop - Stewart/Birdland Jump - Quinichette/Sleepy Time Gal - Quinichette/In a Little Spanish Town - Raney/Talk a Little Bop - Raney/Stoned - Gray 56026 mono, S 6026 stereo - Legend - Pee Wee Russell [1965] Keepin’ Out of Mischief/Rose of Washington square/Angry/Snag It/Deuces wild/Back In Your Own Back Yard/Take Me To the Land of Jazz/Good Man/D.A. Blues/Last Time I Saw Chicago 56027 mono, S 6027 stereo - Legend - Willie “The Lion” Smith [1965] What Is There To Say/Stormy Weather/Tea For Two/Between the Devil and the deep Blue Sea/I Can’t Give You Anything But Love/One Of Those Things/Madelon/Hallelujah/Poor Butterfly/Smoke Gets In Your Eyes 56028 mono, S 6028 stereo - Second To None - Carmen McRae [1964] In Love In Vain/Where Did It Go/Music That Makes Me Dance/Because You’re Mine/Too Good/Once Upon a Summertime/Night Has 1000 Eyes/Cloudy Morning/Blame It On My Youth/Winter In May/My Reverie/And I Love Him 56029 mono, S 6029 stereo - Riverboat Jazz - Juggy’s Jazz Band [1965] Rovin’ Gambler/Dixie/Golden Slippers/At a Georgia Camptown Meeting/Medley: Swing Low, Give Me That Old Time Religion, Go Down Moses, Lonesome Road, When the Saints Go Marching In/He’s Got the Whole World In His Hand/Shortnin’ Bread/Tom Dooley/Deep River/Medley: Jeannie With the Light Brown Hair, Aura Lee, Nellie Grey 56030 mono, S 6030 stereo - August Child - Sylvia Copeland [1965] Washerwoman of Portugal/Meditation/Dearly Beloved/Angelitos Negros/Wild Is Love/Warm Blue Stream/Those Were the Days/Mira/Formidable/Meantime/Soon It’s Gonna Rain/On the Other Side 56031 mono, S 6031 stereo - - Color Him Wild - Maynard Ferguson [1964] Aireg’n/Macarena/Green Dolphin St./People/This Nite//Lady’s In Love/Tinsel/3 More Foxes/Come Rain or Come Shine 56032 mono, S 6032 stereo - Organ Out Loud - Gene Ludwig [1964] Comin’ Home Baby/Teach Me Tonight/Blues Waltz/Elder Smith/Moanin’/Sermonette/Preacher/Gino 56033 mono, S 6033 stereo - The Award Winner - Frank Wess [1965] Danny’s Delight/You’re My Thrill/Wess of the Moon/Pretty Eyes/Missawaka/Frankosis/I’ll Be Around/Romance/All My Life/Basie Ain’t Here 56034 mono, S 6034 stereo - '65 - Ruth Brown [1965] On the Good Ship Lollipop/Help a Good Girl Go Bad/He’s a Real Gone Guy/Porgy/What Am I Looking For/Here’s That Rainy Day //Hurry On Down/Table For Two/What Do You Know/Whispering Grass/Watch It/I Know Why 56035 mono, S 6035 stereo - Ballads
Recommended publications
  • The Deep Purple Tributes
    [% META title = 'The Deep Purple Discography' %] The Deep Purple Tributes Here we will try to keep a list of known Deep Purple tributes -- full CDs only. (Covers of individual tracks are listed elsewhere.) The list is still not complete, but hopefully it will be in the future. Funky Junction Plays a Tribute to Deep Purple UK 1973 Stereo Gold Award MER 373 [1LP] Purple Tracks Performed by Eric Bell (guitar), Brian Downey (drums), Dave Lennox (keyboards), Phil Lynott (bass) and Fireball Black Night Benny White (vocals). Strange Kind of Woman Hush Speed King The first known Purple tribute was recorded as early as 1972. An unknown, starving band named Thin Lizzy (which consisted of Bell, Downey & Lynott) were offered a lump sum of money to record some Deep Purple songs. (The album contains also a few non-DP tracks.) They did - with the help from two Irish guys. The album came out in early 1973. It wasn't a success. In February, Thin Lizzy had a top ten hit with a single of their own. Read more about it here. The Moscow Symphony Orchestra in Performance of the Music of Deep Purple Japan 1992 Zero Records XRCN-1022 [1CD] UK 1992 Cromwell Productions CPCD 018 [1CD] Purple Tracks Smoke on the Water Performed by the Moscow Symphony Orchestra, conducted by Constantine Krimets. Arranged by Stephen Space Truckin' Child in Time Reeve and Martin Riley. Produced by Bob Carruthers. Recorded live (in the studio with no audience) during Black Night April 1992. Lazy The Mule Pictures of Home No drums, no drum machine, no guitar - in fact, no rock instruments at all, just a symphony orchestra.
    [Show full text]
  • Eliza Calvert Hall: Kentucky Author and Suffragist
    University of Kentucky UKnowledge Literature in English, North America English Language and Literature 2007 Eliza Calvert Hall: Kentucky Author and Suffragist Lynn E. Niedermeier Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Niedermeier, Lynn E., "Eliza Calvert Hall: Kentucky Author and Suffragist" (2007). Literature in English, North America. 54. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/54 Eliza Calvert Hall Eliza Calvert Hall Kentucky Author and Suffragist LYNN E. NIEDERMEIER THE UNIVERSITY PRESS OF KENTUCKY Frontispiece: Eliza Calvert Hall, after the publication of A Book of Hand-Woven Coverlets. The Colonial Coverlet Guild of America adopted the work as its official book. (Courtesy DuPage County Historical Museum, Wheaton, 111.) Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2007 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 11 10 09 08 07 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Niedermeier, Lynn E., 1956- Eliza Calvert Hall : Kentucky author and suffragist / Lynn E.
    [Show full text]
  • Hedenstromspr11.Pdf (1.367Mb)
    Big Band Jazz and 20th C. Art Music: The Historical Relationship Documented Aaron Hedenstrom Music Composition University of Wisconsin-Eau Claire Faculty Mentor: Ethan Wickman, DMA The Premise Data Analysis: Timeline of Events The art music tradition (music stemming from the European Classical tradition) and the jazz tradition have had major impacts on one another throughout the 20th and 21st 1920s 1922: Darius Milhaud composes composes Trois rag caprices centuries. This project was designed to lay out history's events to show the 1923: Darius Milhaud premieres La création du monde 1924: Gershwin premieres "Rhapsody in Blue" 1926: Duke Ellington's 10-piece band records "East St. Louis Toodle-oo" which was their first recording progression of 20th century music as it relates to the big band and art music traditions. 1927: Ellington's 10-piece band records "Black and Tan Fantasy" 1928: Ravel tours North America and composes Sonata for Violin and Piano, which has a slow movement called Blues. American press notes Ravel's love of jazz The importance of this relationship is evident in the immense popularity of jazz-art and blues music hybrids like Rhapsody in Blue and also in the vast range of possibilities to be 1929: Gershwin premieres "An American in Paris" found in future musical creations. 1930s 1930: Duke Ellington's 12-piece band appears in film Check and Double Check and records the famous Mood Indigo. 1930: Gershwin writes "I Got Rhythm" 1932-1942: Ellington band enlarges to become 6 brass, 4 reeds, and rhythm section 1933-1938:
    [Show full text]
  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
    [Show full text]
  • Victory and Sorrow: the Music & Life of Booker Little
    ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P.
    [Show full text]
  • Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
    Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney.
    [Show full text]
  • Finding Aid for the Sheldon Harris Collection (MUM00682)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
    BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6.
    [Show full text]
  • Shoosh 800-900 Series Master Tracklist 800-977
    SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount
    [Show full text]
  • Jazzletter Jujy 1936, VOI
    Jazzletter Jujy 1936, VOI. 5 NO. 7 \ how much jazz had infused his playing. The miscegenation of Are You Reading jazz and hillbilly has longgone on in-Nashville. and some ofthe best of its players are at ease in both idioms. Someone Else’s Copy? Lenny Breau came up through country-and-western music. Each issue of The Underground Grammarian contains the his parents beingprofessionals in the field. and it was'Nashville above question. lt’s discouraging. in the struggle to keep a small that made him welcome. He is. like Garland,‘Carllile and Reed, publication alive. to hear someone say something like, “-1 just the result ofthejazz-country fusion, exceptythat Breau took it a love it. A friend sends me his copies when he’s through with step further and brought into his work the full range ofclassical them.” . A guitar technique. Chet Atkins was the first a&r man to givehim ' In publications supported by advertising. salesmen boast to his head, letting him record for RCAia milestone album in potential advertisers about how many people read each copy. which he showed 0-ff his startling. .for the time, jazz-classical and to the advertiser seeking exposure of his message. those ‘technique, Gene Bertoncini, who is ‘probably the best living figures have weight. He is less interested in how manyypeople exponent of jazz on the five-finger classical guitar. admires buy a periodical than in how many see it. An important Breau; but then you’ll search far to find a guitarist who doesn’t. phenomenon in periodical publishing is what is known as Lenny was a heroin addict.
    [Show full text]
  • JREV3.8FULL.Pdf
    JAZZ WRITING? I am one of Mr. Turley's "few people" who follow The New Yorker and are jazz lovers, and I find in Whitney Bal- liett's writing some of the sharpest and best jazz criticism in the field. He has not been duped with "funk" in its pseudo-gospel hard-boppish world, or- with the banal playing and writing of some of the "cool school" Californians. He does believe, and rightly so, that a fine jazz performance erases the bound• aries of jazz "movements" or fads. He seems to be able to spot insincerity in any phalanx of jazz musicians. And he has yet to be blinded by the name of a "great"; his recent column on Bil- lie Holiday is the most clear-headed analysis I have seen, free of the fan- magazine hero-worship which seems to have been the order of the day in the trade. It is true that a great singer has passed away, but it does the late Miss Holiday's reputation no good not to ad• LETTERS mit that some of her later efforts were (dare I say it?) not up to her earlier work in quality. But I digress. In Mr. Balliett's case, his ability as a critic is added to his admitted "skill with words" (Turley). He is making a sincere effort to write rather than play jazz; to improvise with words,, rather than notes. A jazz fan, in order to "dig" a given solo, unwittingly knows a little about the equipment: the tune being improvised to, the chord struc• ture, the mechanics of the instrument, etc.
    [Show full text]