Eliza Calvert Hall: Kentucky Author and Suffragist
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The Deep Purple Tributes
[% META title = 'The Deep Purple Discography' %] The Deep Purple Tributes Here we will try to keep a list of known Deep Purple tributes -- full CDs only. (Covers of individual tracks are listed elsewhere.) The list is still not complete, but hopefully it will be in the future. Funky Junction Plays a Tribute to Deep Purple UK 1973 Stereo Gold Award MER 373 [1LP] Purple Tracks Performed by Eric Bell (guitar), Brian Downey (drums), Dave Lennox (keyboards), Phil Lynott (bass) and Fireball Black Night Benny White (vocals). Strange Kind of Woman Hush Speed King The first known Purple tribute was recorded as early as 1972. An unknown, starving band named Thin Lizzy (which consisted of Bell, Downey & Lynott) were offered a lump sum of money to record some Deep Purple songs. (The album contains also a few non-DP tracks.) They did - with the help from two Irish guys. The album came out in early 1973. It wasn't a success. In February, Thin Lizzy had a top ten hit with a single of their own. Read more about it here. The Moscow Symphony Orchestra in Performance of the Music of Deep Purple Japan 1992 Zero Records XRCN-1022 [1CD] UK 1992 Cromwell Productions CPCD 018 [1CD] Purple Tracks Smoke on the Water Performed by the Moscow Symphony Orchestra, conducted by Constantine Krimets. Arranged by Stephen Space Truckin' Child in Time Reeve and Martin Riley. Produced by Bob Carruthers. Recorded live (in the studio with no audience) during Black Night April 1992. Lazy The Mule Pictures of Home No drums, no drum machine, no guitar - in fact, no rock instruments at all, just a symphony orchestra. -
Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
Women's History Is Everywhere: 10 Ideas for Celebrating in Communities
Women’s History is Everywhere: 10 Ideas for Celebrating In Communities A How-To Community Handbook Prepared by The President’s Commission on the Celebration of Women in American History “Just think of the ideas, the inventions, the social movements that have so dramatically altered our society. Now, many of those movements and ideas we can trace to our own founding, our founding documents: the Constitution and the Bill of Rights. And we can then follow those ideas as they move toward Seneca Falls, where 150 years ago, women struggled to articulate what their rights should be. From women’s struggle to gain the right to vote to gaining the access that we needed in the halls of academia, to pursuing the jobs and business opportunities we were qualified for, to competing on the field of sports, we have seen many breathtaking changes. Whether we know the names of the women who have done these acts because they stand in history, or we see them in the television or the newspaper coverage, we know that for everyone whose name we know there are countless women who are engaged every day in the ordinary, but remarkable, acts of citizenship.” —- Hillary Rodham Clinton, March 15, 1999 Women’s History is Everywhere: 10 Ideas for Celebrating In Communities A How-To Community Handbook prepared by the President’s Commission on the Celebration of Women in American History Commission Co-Chairs: Ann Lewis and Beth Newburger Commission Members: Dr. Johnnetta B. Cole, J. Michael Cook, Dr. Barbara Goldsmith, LaDonna Harris, Gloria Johnson, Dr. Elaine Kim, Dr. -
Lida (Eliza) Calvert Hall/Obenchain/Mcmillan/Godwin Collection
Website: www.rockwellantiquesdallas.com Email: [email protected] Ph: +1 (972) 679-3309 JUST ASK FOR NEVAN Lida (Eliza) Calvert Hall/Obenchain/McMillan/Godwin Collection It is our PLEASURE to INTRODUCE you to the Lida Calvert Hall/Obenchain/McMillan Collection. The Lida Calvert Hall/Obenchain/McMillan Collection is a large Privately held collection of many items of historic significance. The Collection is wide ranging in its content, from rare French Furniture pieces to Books and Manuscripts. The Collection consists of 5 generations of the Calvert Hall/Obenchain/McMillan and Godwin Families. The Story of this Collection starts with Eliza (Lida) Calvert Hall; Eliza Caroline "Lida" Obenchain (née Calvert), (February 11, 1856 - December 20, 1935) was an American author, women's rights advocate, and suffragist from Bowling Green, Kentucky. Lida Obenchain, writing under the pen name Eliza Calvert Hall, was widely known early in the twentieth century for her short stories featuring an elderly widowed woman, "Aunt Jane", who plainly spoke her mind about the people she knew and her experiences in the rural south. Lida Obenchain's best known work is ‘Aunt Jane of Kentucky’ which received extra notability when United States President Theodore Roosevelt recommended the book to the American people during a speech, saying, "I cordially recommend the first chapter of Aunt Jane of Kentucky as a tract in all families where the menfolk tend to selfish or thoughtless or overbearing disregard to the rights of their womenfolk”. In the Collection, we possess a number of letters that President Roosevelt sent to Lida praising her work, one on White House Stationary and others from when he left office. -
Kentucky Ancestors Genealogical Quarterly of The
Vol. 43, No. 1 Autumn 2007 Kentucky Ancestors genealogical quarterly of the Sleettown: The Birth Oral History and of a Community Genealogy: Yes, There is Something For You! Revolutionary War Rev. John “Raccoon” Warrants Database Smith Marriages Vol. 43, No. 1 Autumn 2007 Kentucky Ancestors genealogical quarterly of the Don Rightmyer, Editor Dan Bundy, Graphic Design kentucky ancestors Betty Fugate, Membership Coordinator Governor Steven L. Beshear, Chancellor Robert M. "Mike" Duncan, President Robert E. Rich, 1st Vice President Bill Black, Jr., 2nd Vice President khs officers Sheila M. Burton, 3rd Vice President Walter A. Baker Richard Frymire Yvonne Baldwin Ed Hamilton William F. Brashear II John Kleber Terry Birdwhistell Ruth A. Korzenborn J. McCauley Brown Karen McDaniel Bennett Clark Ann Pennington William Engle Richard Taylor Charles English J. Harold Utley executive comittee Martha R. Francis Kent Whitworth, Executive Director Marilyn Zoidis, Assistant Director director’s office James E. Wallace, KHS Foundation Director Warren W. Rosenthal, President Dupree, Jo M. Ferguson, Ann Rosen- John R. Hall, 1st Vice President stein Giles, Frank Hamilton, Jamie Henry C. T. Richmond III, Hargrove, Raymond R. Hornback, 2nd Vice President Elizabeth L. Jones, James C. Klotter, Kent Whitworth, Secretary Crit Luallen, James H. “Mike” Mol- James Shepherd, Treasurer loy, Maggy Patterson, Erwin Roberts, Martin F. Schmidt, Gerald L. Smith, Ralph G. Anderson, Hilary J. Alice Sparks, Charles Stewart, John Boone, Lucy A. Breathitt, Bruce P. Stewart, William Sturgill, JoEtta Y. Cotton, James T. Crain Jr., Dennis Wickliffe, Buck Woodford foundation board Dorton, Clara Dupree, Thomas research and interpretation Nelson L. Dawson, Director Kentucky Ancestors (ISSN-0023-0103) is published quarterly by the Kentucky Historical Society and is distributed free to Society members. -
The President's Commission on the Celebration of Women in American
The President’s Commission on Susan B. Elizabeth the Celebration of Anthony Cady Women in Stanton American History March 1, 1999 Sojourner Lucretia Ida B. Truth Mott Wells “Because we must tell and retell, learn and relearn, these women’s stories, and we must make it our personal mission, in our everyday lives, to pass these stories on to our daughters and sons. Because we cannot—we must not—ever forget that the rights and opportunities we enjoy as women today were not just bestowed upon us by some benevolent ruler. They were fought for, agonized over, marched for, jailed for and even died for by brave and persistent women and men who came before us.... That is one of the great joys and beauties of the American experiment. We are always striving to build and move toward a more perfect union, that we on every occasion keep faith with our founding ideas and translate them into reality.” Hillary Rodham Clinton On the occasion of the 150th Anniversary of the First Women’s Rights Convention Seneca Falls, NY July 16, 1998 Celebrating Women’s History Recommendations to President William Jefferson Clinton from the President’s Commission on the Celebration of Women in American History Commission Co-Chairs: Ann Lewis and Beth Newburger Commission Members: Dr. Johnnetta B. Cole, J. Michael Cook, Dr. Barbara Goldsmith, LaDonna Harris, Gloria Johnson, Dr. Elaine Kim, Dr. Ellen Ochoa, Anna Eleanor Roosevelt, Irene Wurtzel March 1, 1999 Table of Contents Executive Order 13090 ................................................................................1 -
The Second Raid on Harpers Ferry, July 29, 1899
THE SECOND RAID ON HARPERS FERRY, JULY 29, 1899: THE OTHER BODIES THAT LAY A'MOULDERING IN THEIR GRAVES Gordon L. Iseminger University of North Dakota he first raid on Harpers Ferry, launched by John Brown and twenty-one men on October 16, 1859, ended in failure. The sec- ond raid on Harpers Ferry, a signal success and the subject of this article, was carried out by three men on July 29, 1899.' Many people have heard of the first raid and are aware of its significance in our nation's history. Perhaps as many are familiar with the words and tune of "John Brown's Body," the song that became popular in the North shortly after Brown was hanged in 1859 and that memorialized him as a martyr for the abolitionist cause. Few people have heard about the second raid on Harpers Ferry. Nor do many know why the raid was carried out, and why it, too, reflects significantly on American history. Bordering Virginia, where Harpers Ferry was located, Pennsylvania and Maryland figured in both the first and second raids. The abolitionist movement was strong in Pennsylvania, and Brown had many supporters among its members. Once tend- ing to the Democratic Party because of the democratic nature of PENNSYLVANIA HISTORY: A JOURNAL OF MID-ATLANTIC STUDIES, VOL. 7 1, NO. 2, 2004. Copyright © 2004 The Pennsylvania Historical Association PENNSYLVANIA HISTORY the state's western and immigrant citizens, Pennsylvania slowly gravitated toward the Republican Party as antislavery sentiment became stronger, and the state voted the Lincoln ticket in i 86o. -
Three Centuries of Southern Poetry
THREE CENTURIES OF Southern Poetry (1607-1907) CARL HOLLIDAY, M.A. Professor of English Literature, Cox College, Atlanta. Author of A History of Southern Literature^ The Cotton- Picker and Other Poems, Etc. Nashville, Tenn.; Dallas, Tex. Publishing House of the M. E. Church, South Smith & Lamar, Agents Copyright, 1908, BY Smith & Lamar. "hat most pleasant of men lnd most zealous of teachers, ir. (Eljarbfi HiUimn KfttJ PREFACE. Within the last decade the interest in Southern literature has become widespread. Nearly every Southern college and university now offers a course in the subject, and the summer schools and Chautauquas frequently make it a special feature. All this is as it should be. There nre Southern writers scarce- ly known by name to-day who are deserving of careful atten- tion. Especially is this true among the Southern poets, who, amidst prosperity and adversity, have sung songs of gladness and of sorrow that stand among the finest productions in American literature. How few of them are intimately, lov- ingly known at the present day! This collection is made in the hope that still further in- terest may be aroused. Other collections have been made, but they have dealt almost entirely with the poets living in the first sixty years of the nineteenth century. In the present compilation specimens are given from three centuries of Southern verse—from 1607 to 1907. Because of this fact the book, it is hoped, will be of interest not only to students of literature, but also to students of history and to lovers of the old and curious in general. -
Representations of the Female Nude by American
© COPYRIGHT by Amanda Summerlin 2017 ALL RIGHTS RESERVED BARING THEMSELVES: REPRESENTATIONS OF THE FEMALE NUDE BY AMERICAN WOMEN ARTISTS, 1880-1930 BY Amanda Summerlin ABSTRACT In the late nineteenth century, increasing numbers of women artists began pursuing careers in the fine arts in the United States. However, restricted access to institutions and existing tracks of professional development often left them unable to acquire the skills and experience necessary to be fully competitive in the art world. Gendered expectations of social behavior further restricted the subjects they could portray. Existing scholarship has not adequately addressed how women artists navigated the growing importance of the female nude as subject matter throughout the late nineteenth and early twentieth centuries. I will show how some women artists, working before 1900, used traditional representations of the figure to demonstrate their skill and assert their professional statuses. I will then highlight how artists Anne Brigman’s and Marguerite Zorach’s used modernist portrayals the female nude in nature to affirm their professional identities and express their individual conceptions of the modern woman. ii ACKNOWLEDGMENTS I could not have completed this body of work without the guidance, support and expertise of many individuals and organizations. First, I would like to thank the art historians whose enlightening scholarship sparked my interest in this topic and provided an indispensable foundation of knowledge upon which to begin my investigation. I am indebted to Kirsten Swinth's research on the professionalization of American women artists around the turn of the century and to Roberta K. Tarbell and Cynthia Fowler for sharing important biographical information and ideas about the art of Marguerite Zorach. -
Notable Southern Families Vol II
NOTABLE SOUTHERN FAMILIES VOLUME II (MISSING PHOTO) Page 1 of 327 NOTABLE SOUTHERN FAMILIES VOLUME II JEFFERSON DAVIS PRESIDENT OF THE CONFEDERATE STATES OF AMERICA Page 2 of 327 NOTABLE SOUTHERN FAMILIES VOLUME II Copyright 1922 By ZELLA ARMSTRONG Page 3 of 327 NOTABLE SOUTHERN FAMILIES VOLUME II NOTABLE SOUTHERN FAMILIES VOLUME II COMPILED BY ZELLA ARMSTRONG Member of the Tennessee Historical Commission PRICE $4.00 PUBLISHED BY THE LOOKOUT PUBLISHING CO. CHATTANOOGA, TENN. Page 4 of 327 NOTABLE SOUTHERN FAMILIES VOLUME II Table of Contents FOREWORD....................................................................10 BEAN........................................................................11 BOONE.......................................................................19 I GEORGE BOONE...........................................................20 II SARAH BOONE...........................................................20 III SQUIRE BOONE.........................................................20 VI DANIEL BOONE..........................................................21 BORDEN......................................................................23 COAT OF ARMS.............................................................29 BRIAN.......................................................................30 THIRD GENERATION.........................................................31 WILLIAM BRYAN AND MARY BOONE BRYAN.......................................33 WILLIAM BRYAN LINE.......................................................36 FIRST GENERATION -
Contracting Female Marriage in Anthony Trollope's Can You Forgive Her? Review By: SHARON MARCUS Nineteenth-Century Literature, Vol
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons Contracting Female Marriage in Anthony Trollope's Can You Forgive Her? Review by: SHARON MARCUS Nineteenth-Century Literature, Vol. 60, No. 3 (December 2005), pp. 291-325 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/ncl.2005.60.3.291 . Accessed: 20/02/2013 16:42 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Nineteenth-Century Literature. http://www.jstor.org This content downloaded on Wed, 20 Feb 2013 16:42:31 PM All use subject to JSTOR Terms and Conditions Contracting Female Marriage in Anthony Trollope’s Can You Forgive Her? SHARON MARCUS ∞s one of literature’s most assiduous and complacent manufacturers of mar- riage plots, Anthony Trollope seems a perverse choice for inclu- sion in a discussion of lesbians and Victorian literary aesthetics, plausible only as a figure of that conjunction’s implausibility. We know the routine: marriage is the enemy of lesbian desire, and realist novels can represent passion between women only as a subversion of the natural, social, and aesthetic order upheld by marriage. -
ED 376 524 CS 508 735 TITLE Proceedings of the Annual Meeting
ED 376 524 CS 508 735 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (77th, Atlanta, Georgia, August 10-13, 1994). Part I: Media History. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE Aug 94 NOTE 745p.; For other sections of these proceedings, see CS 508 736-744. For 1993 proceedings, see ED 362 913-925 and ED 366 041- PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MF04/PC30 Plus Postage. DESCRIPTORS American Indians; Civil Rights; *Foreign Countries; Freedom of Speech; *Journalism; *Journalism History; Propaganda; Racial Attitudes; *Radio; World War II IDENTIFIERS African Americans; Black Press; McBride (Mary Margaret); Media Coverage; Media History; Missionaries; Professional Concerns; *Progressive Era; Spanish American War; Womens Suffrage ABSTRACT The Media History section of this collection of conference presentations contains the following 21 papers: "Social Class Advocacy Journalism: Prelude to Party Politics, 1892" (David J. Vergobbi); "Pilfering the News: A Quality Comparison of the World and Journal's Spanish-American War Coverage" (Randall S. Sumpter); "The Early Black Press in Wichita, Kansas: A Historical Analysis" (Aleen J. Ratzlaff); "The Civil Rights Movement in the 1940s: A Communication Context" (William J. Leonhirth); "Reform Allies: The Temperance and Prohibition Press and Woman Suffrage Wisconsin, 1910-20" (Elizabeth V. Burt); "African-Americans and 'Delusive Theories of Equality and Fraternity': The Role of the Press in the Institutionalization of Racial Inequality" (David Domke); "All That Unsung Jazz: How Kansas City Papers Missed the Story" (Giles Fowler); "Discovering a Mid-Nineteenth Century Drive. for Journalistic Professionalization" (Stephen A.