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Friday, Saturday, and Sunday August 28, 29, and 30, 1992 Tanglewood, Lenox, Massachusetts '-•'

Friday, August 28, at 7:30 p.m. THE MODERN JAZZ QUARTET RAY CHARLES Koussevitzky Music Shed

Saturday, August 29

at 4 :30 p.m. CHRISTOPHER HOLLYDAY QUARTET REBECCA PARRIS and the GEORGE MASTERHAZY QUARTET Theatre-Concert Hall

at 7:30 p.m. MAUREEN McGOVERN and MEL TORME with the HERB POMEROY Koussevitzky Music Shed

Sunday, August 30

at 4 :30 p.m. AND EDDIE DANIELS Theatre-Concert Hall

at 7:30 p.m. DAVE BRUBECK QUARTET Koussevitzky Music Shed ARTISTS

The Modern Jazz Quartet Gibbs in the Woody Herman Second Herd. The following year he rejoined the Gillespie band, eventually becoming a founding member of the Modern Jazz Quartet. Among the many compositions Mr. Jackson contributed to the group, "Bags' Groove" has become a classic. During the members' annual vacation from the MJQ, Milt Jack- son assembles various groups of musicians to record under his own name and to play occasional engagements. Recently he returned to his roots for an aptly entitled Be Bop. Bass player Percy Heath was born in Making a return Tanglewood appearance, Wilmington, North Carolina, and grew up the Modern Jazz Quartet has a unique in Philadelphia. As a youngster, he played musical vision that draws on American jazz the violin in the school orchestra. After and blues as well as on European music serving in the Air Force, he returned to tradition. Pianist and musical director John Philadelphia and studied at the Granoff Lewis has arranged almost all of the group's School of Music. At the same time, he 47 albums. Born in La Grange, Illinois, he played bass in the city's jazz clubs. In 1947 grew up in Albuquerque, New Mexico, Mr. Heath went on tour with Howard where he developed two strong loves: an- McGhee's sextet, an affiliation that brought thropology and music. After graduating the young bass player to New York and to from the University of New Mexico in 1943, the First International Paris Jazz Festival a Mr. Lewis chose music as a career. In 1946 year later. After playing steadily at New he joined the big band. York's Birdland, Percy Heath joined the Three years later he began playing with the Dizzy Gillespie band, where he met the - Quintet while other members of the soon-to-be Modern simultaneously earning his bachelor's and Jazz Quartet. During his association with master's degrees from the Manhattan Gillespie and in the early days of the MJQ, School of Music. In 1952, with Milt Jackson, Mr. Heath became the house bass player Percy Heath, and Kenny Clarke, he formed for both Prestige and Blue Note Records, the Modern Jazz Quartet. Throughout the recording almost 200 jazz albums. When years, he has composed, taught music at the MJQ went on hiatus between 1975 and and City College of 1981, he organized a group, called the New York, and served until 1982 as musical Heath Brothers, with his brothers Jimmy director for the . on saxophone and Albert on drums. Recently has been serving as When Connie Kayjoined the Modern musical director on a part-time basis with Jazz Quartet in 1955, he had just spent the non-profit American Jazz Orchestra, three years with the legendary saxophonist composed of well-known jazz musicians Lester Young. Replacing Kenny Clarke on who donate their services to perpetuate drums, Mr. Kay became renowned for original big band arrangements. In this using triangles, bells, and other percussion capacity he recorded the album Ellington instruments to enhance the quartet's sound. Masterpieces for the East-West label, distrib- Born inTuckahoe, New York, Connie Kay uted by Atlantic. grew up in Manhattan. He first studied Long regarded as a true master of the and then taught himself the rudi- vibraharp, Milt Jackson is also one of the ments of drumming. He had his first profes- most original and innovative improvisers in sional engagement, with tenor saxophonist the annals ofjazz. Born in Detroit, he "Fats" Noel, while still a teenager. Soon studied guitar, piano, drums, timpani, after he worked with trumpeter Rex violin, and vibraharp as a youngster. In Stewart. In 1944 he became house drum- 1945 he began playing in Dizzy Gillespie's mer at Minton's, one of the birthplaces of big band. The first proponent of bebop to bebop, where he played with Charlie play vibraharp, Mr. Jackson became an Parker, Dizzy Gillespie, , and early leader of modern jazz in the late Miles Davis. He also played in Cat Ander- 1940s. Following short stints with other son's band and went on to work with groups groups, in 1949 Milt Jackson replaced Terry led by Coleman Hawkins, Stan Getz, and ,

mmm, Charlie Parker. During these years, he he was honored by the Los Angeles County served as Atlantic Records' studio drummer Board of Supervisors and the L.A. County for a wide range of recordings, from jazz to Library as the 1992 Black History Month rock and roll. During the MJQ's hiatus, honoree and was presented with the Connie Kay worked as house drummer at County's Distinguished Service Medal in Eddie Condon's and toured with "Soprano recognition of his "outstanding contribu- Summit." For four years, he also worked tions to music and the entire Los Angeles with . community." Also in February he was in- ducted into the Florida Artist Hall of Fame at the State Capitol in Tallahassee, as one "who has made a significant contribution to Ray Charles the arts in Florida, either as a native or as A national one who has adopted the state as home." IV treasure and an Last year 50 Years ofMusic Making—A Tribute international to Ray Charles was taped for airing on the phenomenon, Fox Television Network and a documentary Ray Charles was entitled Ray Charles: The Genius of Soul was born in Albany, produced for the "American Masters" series Georgia, into a on PBS. His series of commercials for Diet poor family. Pepsi, which debuted in 1990, continues to Having gradually earn praise. In 1990 he received his lost his sight as a eleventh Grammy, for his duet "I'll Be child, he was Good to You" with Chaka Khan, from accepted as a charity student at St. Augus- Quincy Jones's Back on the Block album, and tine's, the Florida state school for the deaf was awarded an honorary doctorate from and blind. He remained there until his the University of South Florida in Tampa. mother's death, developing his musical Ray Charles is making a return appearance gifts. Then he set out as a struggling profes- atTanglewood, having performed in the sional musician, ending up in Seattle, 1989 Jazz Weekend. where he became a minor celebrity in local clubs and formed the McSon Trio. From Seattle he went to Los Angeles to cut his Christopher Hollyday first professional recording. He toured with Lowell Fulsom's band, formed a group and ^^^^ Born in 1970, played with singer Ruth Brown, and per- Jk Bl Christopher formed at the Apollo. During these years Hollyday was he also formed his first band and had his raised in Nor- first big hit record, "I Got A Woman." By f wood, Massa- -^ ^^^^^ the early 1960s, he had made his Carnegie chusetts, the son Hall debut, had a string of hit records, and of Richard Holly- made his first triumphant European con- day, a salesman cert tour. He had taken virtually every form and avid bebop of popular music and broken through its listener. Chris- boundaries with such achievements as the topher began albums Genius Plus Soul Equals Jazz and playing saxophone at age and by Modern Sounds in Country &f Western. Along fourteen had not only learned most of the way Ray Charles was instrumental in Charlie Parker's solos by heart, but also the invention of rock and roll. To this day made his professional performance debut. he selects and produces his own recording A year later, in 1985, he recorded Treaty, his material with utter disregard for trends. first album as a leader on his own Jazzbeat Among the social causes he has supported label, followed in 1986 by Oh, Brother! are the civil rights movement (providing which featured his brother Richard on moral and financial support to the Rev. . By May 1988, Christopher Holly- Martin Luther King, Jr.) and the State of day recorded Reverence with Cedar Walton, Israel (he was named "Man of the Year" in Ron Carter, and Billy Higgins, and in July 1976 by the Beverly Hills Lodge of the of that year he headlined a weeklong en- B'nai Brith). Now recording exclusively for gagement at the Village Vanguard in Man- Warner Bros. Records, Ray Charles released hattan, becoming, at that time, the young- his first album on that label, Would You est leader to perform there. In 1989 Mr. Believe?, in September 1990. Recent years Hollyday made his major label debut on have brought unusual honors. In February Novus/RCA Records with an album entitled Christopher Hollyday, 2l salute to the music of Maureen McGovern Dizzy Gillespie, Charlie Parker, and Jackie McLean. That same year he toured as a One of the most versatile featured soloist on trumpeter Maynard perform- Ferguson's "60th Birthday Tour." In 1990 ers of her genera- tion, Mr. Hollyday followed up the success of his Maureen has a first Novus/RCA recording with the release McGovern career that of his second album for the label, On Course, spans recordings, for which he wrote eight original composi- radio, television, tions, among them "No Second Quarter," films, "Lady Street," and "West Side Winds." Broadway, and the concert B3» stage. Now an RCA Victor artist under an exclusive con- Rebecca Parris tract with BMG, Ms. McGovern began her Rebecca Parris recording career in the 1970s with the has been voted chart-topping gold single "The Morning outstanding jazz After," the Academy Award-winning song vocalist at the from The Poseidon Adventure. She recorded Boston Music another Oscar-winner with "We May Never Awards on Love Like This Again" from The Towering numerous occa- Inferno. Other hit records included "Can sions. She has You Read My Mind" from the film Superman appeared with and "Different Worlds," the theme from the the , television series Angie. In 1981 Maureen Woody Herman, McGovern turned her attention to the and Gunther Schuller orchestras, as well as Broadway stage, where she made her debut with Ray Charles, , Wynton as Mabel in the Joseph Papp production of Marsalis, Dizzy Gillespie, and others. Ms. . After playing that Parris participates in jazz festivals and role for fourteen months, she starred oppo- cruises around the world, including Mon- site in the Tony Award-winning terey, Melon Jazz in Pennsylvania, the production of Nine. Off-Broadway she Boston Globe Jazz Festival, the Interna- originated the role of Mary in Brownstone, tional Floating Jazz Festival, and the S.S. and, most recently, she starred opposite Norway, with such notables as Carmen Sting in the Broadway production of The McRae, Joe Williams, , and Threepenny Opera. During the 1980s Ms. Illinois Jacquet. Her albums have been McGovern returned to the studio and acclaimed both nationally and overseas. recorded four highly acclaimed albums for Raised in Newton, Massachusetts, in a CBS Records: , State musical family, Rebecca Parris began her of the Heart, an all-Gershwin collection career at six, when she received her Equity entitled Naughty Baby, and Christmas With card, singing in musicals with her father in Maureen McGovern. She has collaborated on summer stock. Over the years she sang her recordings with Placido Domingo, the way through a myriad of musical venues: Philharmonia Virtuosi, and David Shire. shows, opera, top 40, funk, and country Her Carnegie Hall appearances have in- and western. Since then, her versatility has cluded her solo debut in 1989 to launch encompassed a jazz repertoire that blends Naughty Baby, and appearances as Mel jazz classics, ballads, blues, latin, pop stan- Torme's special guest for the Kool Jazz dards, and original compositions. Her Festival and in the centennial celebrations appearances at major venues across the honoring Irving Berlin and Cole Porter. and Europe have included Maureen McGovern's love affair with engagements at the Blue Note and the Gershwin's music has resulted in many Apollo in New York. Ms. Parris records for projects. She sang on the PBS/BBC special MusicMasters; her album "Love Comes & A Man and His Music and starred in the Goes" has won particular acclaim. historic concertized revivals of Of Thee I Sing and Let 'Em Eat Cake, recorded by CBS Masterworks. Among her numerous tele- vision appearances are her own PBS special, Maureen McGovern: Live at Wolf Trap, and guest appearances on Sentimental Swing— A Tribute to the Music of Tommy Dorsey and Evening at Pops. For the past two seasons she Como Show with , hosted his own Wmm has been a frequent guest on Garrison television talk show, earned an Emmy Keillor's live radio broadcast, The American nomination as Best Supporting Actor for a Radio Company, on National Public Radio. Playhouse 90 episode, and continued to Symphony concerts are a major part of Ms. tour, record, and make movies. He went on McGovern's touring schedule. She has been to write special material for CBS'sJudy a guest artist with the Boston Pops Orches- Garland Show in the 1960s and wrote a wm tra, the New York Pops, National Symphony, best-selling book, Side of the "The Other Hi Baltimore Symphony, St. Louis Symphony, Rainbow," about his experiences. He also Cincinnati Pops, St. Paul Chamber Orches- wrote for and acted in several dramatic HraftgH tra, and the Pacific Symphony, among television series, including Runfor Your Life, others. A vice-president of the Muscular The Virginian, and The Bold Ones. The 1970s Dystrophy Association, she is also chair- brought opportunities to produce television person of the Polymyositis/Dermatomyositis specials and a series. At the same time, Mel division of MDA. Other charitable work Torme was enjoying even greater triumphs includes Save the Children, Northern in his performing career. An annual head- Lights (caring for children with AIDS), and liner in Las Vegas and Atlantic City and at Planned Parenthood. renowned clubs and concert halls nation- wide, he has appeared with and conducted many symphony orchestras and continues Mel Torme to write books and make acclaimed record- ings. In 1980 he celebrated his fiftieth In his more then anniversary in show business with sold-out sixty years as a performances at the Hollywood Bowl and professional Carnegie Hall; the week of October 27th entertainer, Mel was proclaimed Mel Torme Week in Los Torme has won Angeles by Mayor Tom Bradley. In October acclaim as a 1983 Mr. Torme and his close friend George singer, composer, Shearing played an unprecedented five drummer, TV days at the Royal Festival Hall in London to talk show host, rave reviews. The two performers have musical arranger, collaborated on many projects, including dramatic actor, two Grammy-winning recordings and a TV producer, vaudeville performer, and performance with John Williams and the author. His unique status has been recog- taped for PBS's nized with two Grammy awards as Best Evening at Pops series in 1986. Male Jazz Vocalist, thirteen Grammy nomi- nations, an Emmy nomination, and regu- larly sold-out performances at the nation's The Herb Pomeroy Big Band leading concert halls. Mr. Torme has written a number of best-selling books and has Led by trumpeter Herb Pomeroy, the Herb been the subject of profiles on ABC-TV's Pomeroy Big Band has performed through- 20120 and CBS's Sunday Morning. A fre- out the New York/New England area. quent performer at the White House dur- Among the guest instrumentalists with the ing three presidencies, he was chosen by band have been Stan Getz, Coleman Haw- the London Symphony Orchestra to open kins, Roy Eldridge, and Zoot Sims. The the 1990 Summer Pops Series at the Barbi- ensemble has also collaborated with Frank can Center. Born in Chicago in 1925, Mel Sinatra, Tony Bennett, Nancy Wilson, Mel Torme worked in vaudeville and on radio Torme, and Peggy Lee. On record, the as a child, was a big band drummer and Herb Pomeroy Big Band has made four in arranger his teens, appeared in several albums, the first of which, life is a many movie musicals in the 1940s, and sang and splendored gig, received a five-star review in recorded with the vocal group the Mel- Downbeat and from Leonard Feather. Mr. Tones early in his career. After serving in Pomeroy has performed on recordings with the Army, he signed with Musicraft Records Charlie Parker (Charlie Parker at Storyville), in 1946 and began his association with John Lewis {Wonderful World ofJazz), and Artie Shaw. That same year he co-wrote (with Bob Wells) one of his greatest hits, "The Christmas Song," which has been recorded some five hundred times. During the 1950s Mr. Torme took over The Perry Arthur Fiedler and the Boston Pops Orches- Goodman tribute. tra (Fiedler in Rags). Mr. Pomeroy has also Born in 1943 and raised in Indiana, Gary performed with such jazz greats as Charlie Burton taught himself to play the vibra- Parker, , , phone. At the age of seventeen he made his , Benny Golsum, Gunther recording debut, which began a long associ- Schuller, Stan Getz, and Gerry Mulligan. ation with RCA Records that continued During his other career as an educator, he until the early 1970s. He left his studies at has toured and taught under the auspices Boston's to join of the U.S. State Department. His students and subsequently Stan have included Ornette Coleman, Gary Getz. By the time he left Getz to form his Burton, Gary McFarland, , own quartet, in 1967, Gary Burton had also Mike Gibbs, andToshiku Aki Yoshi. Herb recorded three albums under his own Pomeroy began his own jazz big band in name, which helped signal the new direc- 1955. Many outstanding musicians have tions his music was about to take. Borrow- been members of the band, including ing rhythms and sonorities from rock music , Jackie Byard, Lenny while maintaining jazz's emphasis on impro- Johnson, and . The band per- visation and harmonic complexity, his first formed to enthusiastic audiences at Bird- quartet attracted large audiences. Such land, the Apollo Theater, and the Newport albums as Duster and Lofty Fake Anagram, Jazz Festival while maintaining a steady along with performances at jazz festivals appearance schedule at The Stage from and rock palaces, established Gary Burton 1955 to 1962. Since the band came together and his band as progenitors of the jazz again in 1976 with many of the original fusion phenomenon. From 1973 to 1988 players, the Herb Pomeroy Big Band has Gary Burton was associated with Germany's appeared at Carnegie Hall, the Kool Jazz ECM record label; the Burton Quartet Festival, the Newport Jazz Festival, and the expanded to include on guitar Boston Globe Jazz Festival. The group and began to explore works by Carla Bley, recorded an album produced by Helen , , and band Keane, and, for the first time, will tour member . In the 1970s Mr. nationally. The current players include Burton also began to focus on more inti- Greg Hopkins, Paul Fontaine, Jay Daly, mate contexts for his music. His 1971 solo Gene DiStasio, Dave Chapman, Mark album, Alone at Last, received a Grammy. Pinto, Mike Monaghan, Tom Ferrante, Paul He recorded in the duo format, most nota- Schmeling, John Repucci, and Artie Cabral. bly with Chick Corea, and won two addi- tional Grammy awards. Also in the '70s Gary Burton began his long and prestigious Gary Burton and Eddie Daniels career at Berklee College of Music. In 1985 he was named Dean of Curriculum and in 1989 he received an honorary doctorate from the college. Since joining GRP Records in 1988, Gary Burton has released the albums Time Like These and Reunion. Equally at home in jazz and classical music, Eddie Daniels first came to the attention of the jazz audience as a tenor saxophonist with the Thad Jones- Orchestra, with which he worked for several years and toured Europe exten- sively. Mr. Daniels began studying clarinet at the age of thirteen and received his The sound ofjazz clarinet and vibraphone master's degree in clarinet from Juilliard. will be forever linked with the legacy of When he subsequently began recording as Benny Goodman and the famous groups a leader he concentrated on that instru- that he led decades ago featuring Lionel ment. Jack Elliot, music director of the New Hampton and Red Norvo. Recently Eddie American Orchestra, was so impressed with Daniels and Gary Burton collaborated on Mr. Daniels' playing on an early recording an album for the GRP label in tribute to the that he commissioned Jorge Callandrelli to music of Benny Goodman. This summer compose a major work for him. The result the two will be making concert appearances was ConcertoforJazz Clarinet and Orchestra, at jazz festivals in the United States and which Mr. Daniels premiered in 1984. The Europe, performing the music from the work became the centerpiece of his debut GRP album, Breakthrough, which also in- Paul II visited the United States in 1987, cluded music of J.S. and C.P.E. Bach. He Mr. Brubeck composed special music and followed this with To Bird With Love, an participated in its performance at the Papal album dedicated to Charlie Parker, and Mass in San Francisco. He has performed Memosfrom Paradise. All three albums were for every U.S. President beginning with Grammy-nominated, and Memos won a John F. Kennedy, and in 1988 he was invited Grammy. More recent jazz recordings have by the White House to perform at the included Blackwood, Nepenthe, and This Is Summit in Moscow at the reciprocal dinner Now. On the classical front, Eddie Daniels honoring the Gorbachevs. World tours, has recorded the clarinet quintets of including several for the State Department mmi Brahms and Weber with the Composers in the Middle East and Eastern Europe, String Quartet for Reference Records. His have made Dave Brubeck one of America's personal appearances reflect the diversity foremost goodwill ambassadors. Born in of his albums. He has performed at jazz Concord, California, on December 6, 1920, festivals and clubs with his quartet, and the Dave Brubeck entered the College of the music from Breakthrough with the Cincinnati Pacific with the intention of becoming a Symphony, Rochester Philharmonic, and veterinarian, but soon changed his major to the Indianapolis Symphony, as well as with music. Following graduation and service in John Williams and the Boston Pops Orches- the Army during World War II, he studied tra in a performance taped for "Evening at composition with famed French composer Pops." He has performed classical reper- Darius Milhaud. With encouragement toire with the London Symphony, Tokyo from Milhaud, Mr. Brubeck began compos- Symphony, and Polish Chamber Orchestra, ing and performing with an octet. In addi- as well as the Vermeer, Suk, and Composers tion, his trio won both the Downbeat and string quartets, in concerts throughout the Metronome awards for Best New Instru- United States, Europe, and Japan. mental Group. Following a near-fatal swim- ming accident that incapacitated him for several months, Dave Brubeck organized a Dave Brubeck quartet. From 1951 to 1968, the Dave Brubeck Quartet sold millions of records Pianist and and won dozens ofjazz polls. After the composer Dave original quartet disbanded, Dave Brubeck Brubeck has toured and recorded with various musicians become a jazz and led an all-Brubeck Quartet with his legend. Although sons. The current quartet includes Randy first associated Jones (drums), Jack Six (string bass), and with the intricate, Bill Smith (clarinet). Their Concord Jazz lightly swinging recording, Moscow Night, was recorded live sound known as during their 1987 tour of Russia. New Wine, "West Coast Dave Brubeck's most recent recording, in Cool," he created collaboration with the Montreal Jazz Festi- a unique approach to music that defied cat- egory. The Dave Brubeck Quartet became the sound that identified an era, initiating the wave of popularity ofjazz on college campuses in the 1950s. Concurrently, they were playing the leading jazz clubs and touring with leading musicians of the bop era. By 1954 Mr. Brubeck's picture had appeared on the cover of Time Magazine along with a feature story heralding the rebirth ofjazz. His appearance in 1959 with the New York Philharmonic and was a milestone in his career and for jazz. In 1960 the Dave Brubeck Quartet's first album, Time Out, and its singles, "Take Five" and "Blue Rondo," became the first in modern jazz to "go gold." Mr. Brubeck frequently appears as composer-performer in concerts of his choral compositions and as soloist with orchestras. When Pope John val Orchestra, was released on the Music- Walter Davis. In 1982, following stints with Masters label on December 6, 1990, in 's V.S.O.R quartet and with celebration of his 70th birthday. The Lon- , Wynton Marsalis don Symphony Orchestra honored his released his eponymous debut album and fifty-plus years as a jazz performer with an began touring with his own band. The all-Brubeck program performed by lineup, which featured Branford Marsalis Stephanie Grappelli, four Brubeck sons, (tenor and soprano saxophone), Kenny and the Dave Brubeck Quartet. Kirkland (piano), and Jeff "Tain" Watts (drums), became the most influential jazz group of the 1980s, appearing on Wynton's first four award-winning albums for Colum- Wynton Marsalis bia: Wynton Marsalis, Hot House Floivers, Born in New Think of One, and Black Codes (From the Under- Orleans, ground). After the group disbanded in 1985, Louisiana, in Wynton went on to record the first three 1961, Wynton volumes of Marsalis Standard Time, a collec- Marsalis was still tion made up primarily of standard Amer- a youngster ican songs, The Majesty of the Blues, and Soul when he first Gestures in Southern Blue, also a three-vol- played traditional ume cycle. Now, with an extensive catalogue New Orleans jazz ofjazz recordings as a leader, plus film and in the Fairview television scores, and numerous classical

Baptist Church titles to his credit, Wynton Marsalis is ex- Band. In high school he turned his atten- panding his efforts on the compositional tion to rhythm and blues, classical music, front. In December 1991 he premiered and bebop, gaining performance experi- Griot New York, a ballet collaboration with ence in almost the entire range of American choreographer Garth Fagan and sculptor music. In 1979 he enrolled at the Juilliard Martin Puryear. His most recent Columbia School and studied trumpet there. While at jazz release, Blue Interlude, features the Juilliard, Mr. Marsalis signed a recording extended suite "Blue Interlude (The Bit- contract with and con- tersweet Saga of Sugar Cane and Sweetie tinued to work in a variety of musical con- Pie)." At the time of the album's release this texts, the most important of which was past May, Wynton Marsalis was set to pre- sitting in with master drummer and miere another extended work, entitled In bandleader . Wynton Marsalis This House, On This Morning, at Lincoln counts Blakey among those who have most Center. His most recent classical release, influenced his musical style, along with his for Sony Classical, is a collaboration with father Ellis Marsalis, Clark Terry, "Sweets" soprano Kathleen Battle entitled Baroque Edison, Roy Eldridge, Dizzy Gillespie, and Duet. .

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