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Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72

After Bathing at Baxter’s (Jefferson Airplane), 358, 388

“After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and All of the Night” (The Kinks), 265, 385 “All Good People” (Yes), 63 “All I Have to Do Is Dream” (The Everly Brothers), 49, 127, 137, 319, 383 “All I Really Want to Do” (Bob Dylan), 320 “All I’ve Got to Do” (The Beatles), 331 “All in My Mind” (Maxine Brown), 124 “All My Loving” (The Beatles), 34, 163, 219 “All My Trials” (Joan Baez), 141, 260 “(All of a Sudden) My Heart Sings” (Paul Anka), 162, 165 “All Shook Up” (Elvis Presley), 321, 383 “All Summer Long” (The Beach Boys), 107 All Summer Long (The Beach Boys), Table 14.02 “All Things Must Pass” (George Harrison), 367

All Things Must Pass (George Harrison), 328

“All You Need Is Love” (The Beatles), 7, 116, 309 “Allegheny Moon” (Patti Page), 99, 318 “Alley Cat” (Bent Fabric), 342 “Alley Oop” (The Hollywood Argyles), 175, 193 “Alligator” (The Grateful Dead), 22 “Alligator Wine” (Screamin’ Jay Hawkins), 348 “Almost Cut My Hair” (Crosby, Stills, Nash and Young), 63, 318 “Alone At Last” (Jackie Wilson), 382 “Along Came Jones” (The Coasters), 24, 203, 312; (Ray Stevens), 203 “Along Comes Mary” (The Association), 40, 51, 100, 172, 178, 208, 250, 319, 369 “Alvin’s Harmonica” (David Seville and the Chipmunks), 321 “Amazing Journey” (The Who), 352 “America” (Simon and Garfunkel), 52 “America Drinks” (The Mothers of Invention), 17–18, 150, 281 “America Drinks and Goes Home” (The Mothers of Invention), 349, 360 “America the Beautiful” (Ray Charles), 104 “American Woman” (The Guess Who), 50, 306 “Amuse” (Rotary Connection), 309 “And I Love Her” (The Beatles), 23, 28, 193–194, 215–216, 279, 319 “And It Stoned Me” (Van Morrison), 228 “And the Tide Rushes In” (The Moody Blues), 261, 358 “And We Bid You Goodnight” (The Grateful Dead), 132 “And When I Die” (Blood, Sweat and Tears), 6, 103, 337 “And Your Bird Can Sing” (The Beatles), 63, 276 “And Your Dream Comes True” (The Beach Boys), 353 “Angel Baby” (Rosie and the Originals), 49, 68, 320 “Angel of the Morning” (Merrilee Rush), 6, 105, 146, 163, 221, 386 “Anna” (Arthur Alexander), 13 “Annie’s Song” (John Denver), 303 “Another Morning” (The Moody Blues), 358 “Another Saturday Night” (Sam Cooke), 365

Another Side of Bob Dylan (Bob Dylan), 5, 388

Anthem of the Sun (The Grateful Dead), 6, 26, 80, 352, 354, 389 “Any Time at All” (The Beatles), 332 “Anybody’s Answer” (Grand Funk Railroad), 360 “Anyone Who Had a Heart” (Dionne Warwick), 329 “Anything” (The Mothers of Invention), 317, 320 “Anyway, Anyhow, Anywhere” (The Who), 6, 58, 365 “Anywhere Like Heaven” (James Taylor), 48 Aoxomoxoa (The Grateful Dead), 42, 370–372, 389 “Apache” (Jorgen Ingmann), 171 “April” (Deep Purple), 100, 207 “April Love” (Pat Boone), 318 “Aquarius / Let the Sunshine In (The Flesh Failures)” (The 5th Dimension), 16, 26, 94,
112, 320, 357
“Are You Experienced?” (The Jimi Hendrix Experience), 352, 357, 366–367 Are You Experienced (The Jimi Hendrix Experience), 388 “Are You Hung Up” (The Mothers of Invention), 40, 213, 350 “Are You Lonesome To-night?” (Elvis Presley), 9, 176 “Are You Ready” (Grand Funk Railroad), 60 “Are You Satisfied?” (Rusty Draper), 63 “Are You Sitting Comfortably” (The Moody Blues), 358 “Arizona” (Mark Lindsay), 103 “Armenia in the Sky” (The Who), 352 “As I Went Out One Morning” (Bob Dylan), 172 “As Long as He Needs Me” from Oliver, 204 “As Tears Go By” (Marianne Faithfull), 43, 95, 114, 277; (The Rolling Stones), 138, 140,
219
“As You Said” (Cream), 54, 112, 342 “Asia Minor” (Kokomo), 306, 382 “Ask the Lonely” (The Four Tops), 343 “Astral Weeks” (Van Morrison), 170, 320 “The Astronaut” (Jose Jiminez), 174 “Astronomy Domine” (Pink Floyd), 174 At Large (The Kingston Trio), 387 At PJ’s (Trini Lopez), 387 “At the Hop” (Danny and the Juniors), 130, 320 “At the Zoo” (Simon and Garfunkel), 26, 27 “Atlantis” (Donovan), 45, 154, 259 “Attack” (The Toys), 97 “Auctioneer” (Leroy Van Dyke), 175 “Auld Lang Syne,” 129 “Autumn Leaves” (Roger Williams), 67 Axis: Bold as Love (The Jimi Hendrix Experience), 53, 89, 90, 388

“Baba O’Riley” (The Who), 73 “Babe I’m Gonna Leave You” (Led Zeppelin), 60, 245, 276, 338 “Baby Don’t Go” (Sonny and Cher), 60, 215, 231, 329 “Baby Driver” (Simon and Garfunkel), 348 “Baby I Love You” (Aretha Franklin), 60, 179, 312, 318, 386 “Baby I Love You” (The Ronettes), 20 “Baby I Need Your Loving” (The Four Tops), 274; (Johnny Rivers), 126 “Baby, I’m for Real” (The Originals), 318 “Baby I’m Yours” (Barbara Lewis), 271, 319 “Baby It’s You” (The Beatles), 77; (The Shirelles), 11; (Smith), 17, 72 “Baby, Let Me Follow You Down” (Bob Dylan), 176 “Baby Let’s Play House” (Elvis Presley), 5 “Baby Love” (The Supremes), 98, 122, 142, 155, 234, 319, 375 “Baby, Now That I Found You” (The Foundations), 147, 276 “Baby Sittin’ Boogie” (Buzz Clifford), 311, 373 “Baby Talk” (Jan and Dean), 342 “Baby Workout” (Jackie Wilson), 139–140 “Baby You’re a Rich Man” (The Beatles),74 “Baby (You’ve Got What It Takes)” (Brook Benton and Dinah Washington), 128, 140,
177, 321
“Baby’s in Black” (The Beatles), 52 “Back in My Arms Again” (The Supremes), 125, 131 “Back in the U.S.A.” (Chuck Berry), 364, 368 “Back in the U.S.S.R.” (The Beatles), 148, 210, 319, 348, 367–368 “Backfield in Motion” (Mel and Tim), 100 “Backstreet Girl” (The Rolling Stones), 366 “Bad Girl” (The Miracles), 120 “Bad Moon Rising” (Creedence Clearwater Revival), 228, 320 “Bad to Me” (Billy J. Kramer and the Dakotas), 154 “Badge” (Cream), 52, 61, 261 “The Balance” (The Moody Blues), 358 “Bali H’ai” from South Pacific, 203 “Ball and Chain” (Big Brother and the Holding Co.), 172–173, 320 “Ball of Confusion” (The Temptations), 199 “Ball of Fire” (Tommy James and the Shondells), 356, 369 “Ballad in Plain D” (Bob Dylan), 208 “Ballad of a Teen Aged Queen” (Johnny Cash), 128 “Ballad of a Thin Man” (Bob Dylan), 70, 275, 318, 367 “The Ballad of Bonnie and Clyde” (Georgie Fame), 166, 323–324, 349 “Ballad of Davy Crockett” (Tennessee Ernie Ford), 175; (Bill Hayes), 323, 365 “Ballad of Hollis Brown” (Bob Dylan), 199 “The Ballad of John and Yoko” (The Beatles), 62, 342 “The Ballad of the Green Berets” (Ssgt Barry Sadler), 7, 106, 142, 366 “The Ballad of You & Me & Pooneil” (Jefferson Airplane), 358 “Ballerina” (Vaughn Monroe), 307 “Banana Boat (Day-O)” (Harry Belafonte), 180, 339

The Band (The Band), 389

“Band of Gold” (Don Cherry), 276, 304 “Bang Bang” (Cher), 164, 243–244 “Barbara-Ann” (The Beach Boys), 379; (The Regents), 132, 313 “Barefoot in Baltimore” (The Strawberry Alarm Clock), 28 “Barefootin’” (Robert Parker), 139 “Battle Hymn of the Republic,” 374; (The Mormon Tabernacle Choir), 357 “The Battle of Kookamonga” (Homer and Jethro), 368 “The Battle of New Orleans” (Johnny Horton), 7, 365, 368 “Be-Bop-A-Lula” (Gene Vincent), 139, 181, 373 “Be Bop Baby” (Rick Nelson), 307 “Be My Baby” (The Ronettes), 15, 22, 131, 189, 219, 307, 319, 385 “Be True to Your School” (The Beach Boys), 72, 346 “The Beat Goes On” (Sonny and Cher), 199 The Beatles (The “White” Album) (The Beatles), 27, 126, 388 “Beautiful Delilah” (Chuck Berry), 329 “A Beautiful Morning” (The Rascals), 108, 376–377 “Because” (The Beatles), 50, 76, 203–204, 240, 328, 332 “Because” (The Dave Clark Five), 149, 197, 275 “Because They’re Young” (Duane Eddy), 278 “Beechwood Park” (The Zombies), 52 “Beep Beep” (The Playmates), 27, 324, 383 Beggar’s Banquet (The Rolling Stones), 33, 212, 388 “Beggin’” (The Four Seasons), 165, 239–240 “Beginnings” (Chicago Transit Authority), 356 “Being for the Benefit of Mr. Kite” (The Beatles), 7, 75, 99, 150, 306, 348 “Bella Linda” (The Grass Roots), 114 “The Bells” (The Dominoes), 126 “Belly Button Window” (Jimi Hendrix), 46, 338 “Bend Me, Shape Me” (The American Breed), 15, 128–129, 151, 265, 279 “Bermuda” (Linda Scott), 94 “Bernadette” (The Four Tops), 8, 94, 101 “Bernadine” (Pat Boone), 353 “Berry Rides Again” (Steppenwolf), 179

The Best Band You Never Heard in Your Life (Frank Zappa), 370

“The Best Way to Travel” (The Moody Blues), 23, 356

Between the Buttons (The Rolling Stones), 212

“Beyond the Sea” (Bobby Darin), 103, 329, 384 “The Bible Tells Me So” (Don Cornell), 75 “Big Bad John” (Jimmy Dean), 25, 175, 340, 368 “Big Boots” (Elvis Presley), 77 “Big Bopper’s Wedding” (The Big Bopper), 75 “The Big Bright Green Pleasure Machine” (Simon and Garfunkel), 180 “Big Girls Don’t Cry” (The Four Seasons), 15, 68, 118, 229, 271, 312, 384 “A Big Hunk of Love” (Elvis Presley), 367 “The Big Hurt” (Miss Toni Fisher), 345 “Big Man” (The Four Preps), 252 “Big Man in Town” (The Four Seasons), 95 “Big John” (The Shirelles), 72 “Big Ted” (The Incredible String Band), 27 “Big Wheels” (Johnny Cash), 56 “Billy” (Kathy Linden), 24, 366 “Bird On the Wire” (Joe Cocker), 52 “The Bird’s the Word” (The Rivingtons), 377 “The Birds and the Bees” (Jewel Akens), 52, 205 “Birthday” (The Beatles), 6, 37, 71, 378; (The Underground Sunshine), 378

Bitches Brew (Miles Davis), 103

“Bitter Wind” (Moby Grape), 351–352 “Black Denim Trousers” (The Cheers), 24, 25, 102 “Black is Black” (Los Bravos), 63, 148, 234, 279 “Black Magic Woman” (Fleetwood Mac), 248 “Black Mountain Side” (Led Zeppelin), 23, 54 “Black Peter” (The Grateful Dead), 75, 169, 318 “Blackbird” (The Beatles), 43, 349, 369

Blind Faith (Blind Faith), 389

“Blinded By the Light” (Manfred Mann’s Earth Band), 315

Blonde on Blonde (Bob Dylan), 88, 388

Blood, Sweat and Tears (Blood, Sweat and Tears), 358, 389 “Blossom” (James Taylor), 128 “Blowin’ in the Wind” (Bob Dylan), 137, 219, 366; (Peter, Paul and Mary), 319 “Blue Bayou” (Roy Orbison), 14, 99 “Blue Jay Way” (The Beatles), 173, 255–256 “Blue Monday” (Fats Domino), 216, 321, 364 “Blue Moon” (The Marcels), 148 “Blue Suede Shoes” (Boyd Bennett), 392; (Carl Perkins),312, 321, 389–392, 398, 399;
(The Plastic Ono Band), 399; (Elvis Presley), 392
“Blue Sunday” (The Doors), 358 “Blue Tango” (Bill Black’s Combo), 329; (Hugo Winterhalter), 307 “Blue Velvet” (Bobby Vinton), 40, 204, 318, 323, 384 “Blue’s Theme” (Davie Allan and the Arrows), 348 “Blueberry Hill” (Fats Domino), 188, 304, 321, 383 “Blues DeLuxe” (The Jeff Beck Group), 62, 320 “Blues—Part II” (Blood, Sweat and Tears), 316, 358, 375 “Bo Weevil” (Fats Domino), 141, 346

Bob Dylan (Bob Dylan), 5

“Bob Dylan’s 115th Dream” (Bob Dylan), 178 “Bobby’s Girl” (Marcie Blane), 32 “Bodhisattva” (Steely Dan), 371 “Bold As Love” (The Jimi Hendrix Experience), 154, 186 “Bolero” (The Jeff Beck Group), 307 “Bonanza” (Al Caiola), 49, 101, 278 “Boogaloo Down Broadway” (The Fantastic Johnny C), 227 “Boogie Bear” (Boyd Bennett and His Rockets), 175 “Book of Love” (The Monotones), 132, 226, 313, 320 Bookends (Simon and Garfunkel), 388 “Boom” (The Rascals), 5 “Boots of Spanish Leather” (Bob Dylan), 162 “Boppin’ the Blues” (Carl Perkins), 365 “Boris the Spider” (The Who), 118 “Born a Woman” (Sandy Posey), 366 “Born Free” (Roger Williams), 69 “Born on the Bayou” (Creedence Clearwater Revival), 199 “Born to Be Wild” (Steppenwolf), 12, 18, 124, 147, 207, 260, 261, 314, 319, 386 “Born to Be With You” (The Chordettes), 126 “Born Too Late” (The Poni-Tails), 218 “Bossa Nova Baby” (Elvis Presley), 40 “Boston Ball Game” (Jack Bruce), 128 “Both Sides Now” (Judy Collins), 10, 76, 221, 386 “The Bourgeois Blues” (Leadbelly), 364 “Bow Tie Daddy” (The Mothers of Invention), 344, 350 “Box 25/4 Lid” (Soft Machine), 69, 308 “The Boxer” (Simon and Garfunkel), 20, 25, 52, 60, 99, 105, 187, 318, 369 “The Boy From New York City” (The Ad Libs), 61 “A Boy Named Sue” (Johnny Cash), 175, 323, 365, 366 “Boys” (The Shirelles), 313, 373 “Brave New World” (The Steve Miller Band), 349 Brave New World (The Steve Miller Band), 367

Bread (Bread), 389

“Break It to Me Gently” (Brenda Lee), 124 “Break On Through (To the Other Side)” (The Doors), 249 “Breaking Up Is Hard to Do” (Neil Sedaka), 14, 137, 219 “Breathless” (Jerry Lee Lewis), 311 “The Breeze and I (Andalucia)” (Caterina Valente), 283, 307

Bridge of Sighs (Robin Trower), 54

“Bridge Over Troubled Water” (Simon and Garfunkel), 67, 108, 114, 132, 318 “Bring It On Home to Me” (Sam Cooke), 127, 377, 384; (Eddie Floyd), 73

Bringing It All Back Home (Bob Dylan), 388

“Brink of Disaster” (Lesley Gore), 344 “Bristol Stomp” (The Dovells), 123, 273 “Brontosaurus Stomp” (The Piltdown Men), 24 “Brown Eyed Girl” (Van Morrison), 62, 123, 161 “Brown-Eyed Handsome Man” (Chuck Berry), 367 “Brown Shoes Don’t Make It” (The Mothers of Invention), 79, 96, 141, 156, 204, 270,
327, 340
“Build Me Up Buttercup” (The Foundations), 275 “The Bum Won” from Fiorello!, 129 “Burn That Candle” (Bill Haley and His Comets), 374 “Burning Love” (Elvis Presley), 343 “Burning of the Midnight Lamp” (The Jimi Hendrix Experience), 76, 360 Burnt Weeny Sandwich (The Mothers of Invention), 112, 156 “Bus Stop” (The Hollies), 172, 241, 260 “Busted” (Ray Charles), 161, 180 “But You’re Mine” (Sonny and Cher), 359 “Butcher’s Tune” (The Zombies), 79 “Butterfly” (Andy Williams), 148, 271 “By the Light of the Moon” (The Olympics), 381 “By the Time I Get to Phoenix” (Glen Campbell), 95; (Isaac Hayes), 327 “Bye Bye Baby” (Big Brother and the Holding Co.), 360 “Bye Bye Love” (The Everly Brothers), 321

“C. C. Rider” (Chuck Willis), 139 “C’mon and Swim” (Bobby Freeman), 265 “C’mon Marianne” (The Four Seasons), 165, 240, 353 “Cab Driver” (The Mills Brothers), 216 “Calcutta” (Lawrence Welk), 20 “Calendar Girl” (Neil Sedaka), 7, 108, 127–128, 203, 270, 321, 365, 376 “California Dreaming” (The Mamas and the Papas), 62, 94, 138, 142, 164, 210 “California Girls” (The Beach Boys), 261, 319 “California Nights” (Lesley Gore), 21, 95, 246, 272 “California Sun” (The Rivieras), 171, 274–276 “Call Any Vegetable” (The Mothers of Invention), 97, 125, 176, 212–213, 250, 350, 373 “Calvary” (Quicksilver Messenger Service), 173 “Cambridge 1969” (John Lennon and Yoko Ono), 59, 122, 327 “Can’t Believe You Wanna Leave” (Little Richard), 98, 338 “Can’t Buy Me Love” (The Beatles), 139, 152, 170, 346 “Can’t Find My Way Home” (Blind Faith), 13 “Can’t Get Used to Losing You” (Andy Williams), 111–112, 128 “Can’t Help Falling in Love” (Elvis Presley), 56, 320, 384 “Can’t Take My Eyes Off You” (Frankie Valli), 21, 39, 63, 186, 201, 275, 382 “Can’t You Hear My Heartbeat” (Herman’s Hermits), 18, 305 “Can’t You See That She’s Mine” (The Dave Clark Five), 168 “Candy Girl” (The Four Seasons), 27 “Candy Man” (Roy Orbison), 170 “Canticle,” 129 “Captain Walker” (The Who), 91–92, 300 “Cara Mia” (Jay and the Americans), 196, 242 “Careful With that Axe, Eugene” (Pink Floyd), 150–151 “Carolina in My Mind” (James Taylor), 111, 351 “Caroline No” (Brian Wilson), 351 Carousel soundtrack, 204, 366 “Carrie-Anne” (The Hollies), 27, 109, 282, 380 “Carry It On” (Judy Collins), 44 “Carry On” (Crosby, Stills, Nash and Young), 396 “Carry That Weight” (The Beatles), 156 “Casey Jones” (The Grateful Dead), 13, 325 “Castles in the Sand” (Stevie Wonder), 348 “Castles Made of Sand” (The Jimi Hendrix Experience), 169, 263, 356 “The Cat in the Window (The Bird in the Sky)” (Petula Clark), 330 “Cat’s Squirrel” (Cream), 169 “Catch a Falling Star” (Perry Como), 129, 161 “Catch Us If You Can” (The Dave Clark Five), 18, 194 “Cathy’s Clown” (The Everly Brothers), 7, 128, 319, 384 “Caught” (Spirit), 67 “Caution (Do Not Stop on Tracks)” (The Grateful Dead), 350 “A Certain Smile” (Johnny Mathis), 94 “Chain Gang” (Sam Cooke), 25, 60, 171 “Chain Gang” (Bobby Scott), 365 “Chain of Fools” (Aretha Franklin), 49, 167, 188, 215, 353 “Chains” (The Beatles), 50; (The Cookies), 130 “Chances Are” (Johnny Mathis), 317, 321, 383 “Changes” (The Zombies), 130 “Chantez-Chantez” (Dinah Shore), 74 “Chantilly Lace” (The Big Bopper), 35, 43, 321, 350 “Chapel of Love” (The Dixie Cups), 108, 163, 183 “Charlie Brown” (The Coasters), 118, 312 “Charmaine” (The Four Freshmen), 104, 130, 132 “Charms” (Bobby Vee), 97 “Chasing Shadows” (Deep Purple), 357 “Cheap Thrills” (The Mothers of Invention), 68 Cheap Thrills (Big Brother and the Holding Co.), 388 “Cherish” (The Association), 49, 60, 108, 138, 141, 148, 178, 200, 201, 206, 209, 319,
385
“Cherry Pink and Apple Blossom White” (Perez Prado), 103, 307, 383 “Chest Fever” (The Band), 63 “Chim Chim Chiree” from Mary Poppins, 275 “Chimes of Freedom” (Bob Dylan), 43, 326 “China Cat Sunflower” (The Grateful Dead), 370–372 “China Doll” (The Grateful Dead),370 “Chinatown Shuffle” (The Grateful Dead), 370–371 “Chinese Checkers” (Booker T. and the M.G.s), 211–212 “The Chipmunk Song (Christmas Don’t Be Late)” (David Seville and the Chipmunks),
305, 350–351
“Christmas” (The Who), 313 “The Chrome Plated Megaphone of Destiny” (The Mothers of Invention), 70, 351 “Chug-A-Lug” (Roger Miller), 366 “The Church Bells May Ring” (The Diamonds), 108, 130, 219 “Chushingura” (Jefferson Airplane), 80 “Cinderella” (Jack Ross), 174, 349 “Cindy, Oh Cindy” (Eddie Fisher), 216, 227 “Cindy’s Birthday” (Johnny Crawford), 24 “Classical Gas” (Mason Williams), 43, 105, 260, 275, 282, 386

Clear Spirit (Spirit), 389

“Climb Every Mountain” from The Sound of Music, 271 “Close Your Eyes” (Peaches and Herb), 24, 200 “Cloud Nine” (The Temptations,), 23, 53, 62 “Cold Feet” (Albert King), 177 “Cold Sweat” (James Brown), 140, 319 “Cold Turkey” (The Plastic Ono Band), 50, 126, 174, 250 “Cold Wind” (Spirit), 212 “Color My World” (Petula Clark), 46 “Colour My World” (Chicago), 68, 320 “Colours” (Joan Baez), 170 “Come a Little Bit Closer” (Jay and the Americans), 104, 223, 329 “Come and Get It” (Badfinger), 325 “Come Back When You Grow Up” (Bobby Vee), 25

Come Fly With Me (Frank Sinatra), 387

“Come Go With Me” (The Dell-Vikings), 128 “Come On” (Chuck Berry), 50 “Come On Down to My Boat” (Every Mother’s Son), 309 “Come On in My Kitchen” (Robert Johnson), 55 “Come On (Part I)” (The Jimi Hendrix Experience), 139 “Come Out” (Steve Reich), 80 “Come See About Me” (The Supremes), 60, 131, 142, 234 “Come Softly to Me” (The Fleetwoods), 127 “Come Together” (The Beatles), 17, 71, 92, 288, 300, 318 “Come Up the Years” (Jefferson Airplane), 330 “Comin’ Back to Me” (Jefferson Airplane), 100 “Concentration Moon” (The Mothers of Invention), 305 Concert (The Beach Boys), 387 Concerto for Group and Orchestra (Deep Purple), 6, 71, 116, 327, 352–353, 380 “Conquistador” (Procol Harum), 104 “Conscience” (James Darren), 177

Conspicuous Only In Its Absence (The Great Society), 255

“Cool Jerk” (The Capitols), 140 “Corporal Clegg” (Pink Floyd), 99, 207 “Corrina, Corrina” (Bob Dylan), 5, 369–370 “Cotton Fields” (The Highwaymen), 140 “Country Honk” (The Rolling Stones), 348 “Country Pie” (Bob Dylan), 272, 367 “Court of Love” (The Unifics), 175, 350 “Cousin Kevin” (The Who), 211, 300 “Cowboys to Girls” (The Intruders), 123 “Crackin’ Up” (Bo Diddley), 223 “Crazy” (Patsy Cline), 40, 188–189 “The Crazy Otto” (Johnny Maddox), 70 “Cream Puff War” (The Grateful Dead), 305 “Creation” (The Incredible String Band), 327 “Creeque Alley” (The Mamas and the Papas), 364 “Crimson and Clover” (Tommy James and the Shondells), 27, 154, 229, 342 Crosby, Stills & Nash (Crosby, Stills and Nash), 380, 389, 390 “Cross Fire!” (The Orlons), 312 “Cross My Heart” (Phil Ochs), 325 “Crossfire” (Johnny and the Hurricanes), 172, 248 “Crossroads [Blues]” (Cream), 6; (Robert Johnson), 216 “Crosstown Traffic” (The Jimi Hendrix Experience), 358 “Crown of Creation” (Jefferson Airplane), 252–253 “The Crucifixion” (Phil Ochs), 328, 350 “Cruising for Burgers” (The Mothers of Invention), 155, 325

Cruising With Ruben & The Jets (The Mothers of Invention), 310, 317

“The Crunge” (Led Zeppelin), 155 “Cry” (Ronnie Dove), 105 “Cry” (Johnnie Ray), 124

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    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
  • Elton John Tumbleweed Connection Mp3, Flac, Wma

    Elton John Tumbleweed Connection Mp3, Flac, Wma

    Elton John Tumbleweed Connection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Tumbleweed Connection Country: Japan Released: 2001 Style: Ballad, Classic Rock MP3 version RAR size: 1542 mb FLAC version RAR size: 1114 mb WMA version RAR size: 1806 mb Rating: 4.2 Votes: 445 Other Formats: WMA MIDI AUD MP4 APE XM ASF Tracklist Hide Credits Ballad Of A Well Known Gun Acoustic Guitar, Lead Guitar – Caleb QuayeBacking Vocals – Dusty Springfield, Kay A1 4:59 Garner, Lesley Duncan, Madeline Bell, Tony Burrows, Tony HazzardBass Guitar – Dave Glover*Drums, Percussion – Roger PopePiano – Elton John Come Down In Time A2 Acoustic Bass – Chris LaurenceAcoustic Guitar – Les ThatcherBass Guitar – Herbie 3:25 FlowersDrums – Barry MorganHarp – Skaila KangaOboe – Karl Jenkins Country Comfort Acoustic Guitar – Caleb QuayeAcoustic Guitar [12-String] – Les ThatcherBacking Vocals – A3 5:08 Dee Murray, Nigel OlssonBass Guitar – Herbie FlowersDrums – Barry MorganHarmonica – Ian DuckPiano – Elton JohnSteel Guitar – Gordon HuntleyViolin – Johnny Van Derek Son Of Your Father Backing Vocals – Kay Garner, Lesley Duncan, Madeline Bell, Sue And Sunny*, Tammi A4 3:46 HuntBass Guitar – Dave Glover*Drums – Roger PopeHarmonica – Ian DuckLead Guitar – Caleb QuayePiano – Elton John My Father's Gun Backing Vocals – Dusty Springfield, Kay Garner, Lesley Duncan, Madeline Bell, Tony A5 6:19 Burrows, Tony HazzardBass Guitar – Dave Glover*Drums – Roger PopeElectric Guitar, Acoustic Guitar – Caleb QuayePiano – Elton John Where To Now St. Peter B1 Backing Vocals
  • Song Title Artist Disc

    Song Title Artist Disc

    Song Title Artist Disc # # 1 CRUSH GARBAGE 6639 # 9 DREAM LENNON, JOHN 6013 #1 NELLY 9406 (LOVE IS LIKE A) HEATWAVE MARTHA & THE VANDELLAS 7235 (YOU WANT TO) MAKE A MEMORY BON JOVI 14106 (YOU'VE GOT) THE MAGIC TOUCH PLATTERS, THE 1255 '03 BONNIE & CLYDE JAY-Z & BEYONCE 10971 1 THING AMERIE 13133 1, 2, 3 RED LIGHT 1910 FRUITGUM CO. 10237 1,2 STEP CIARA & MISSY ELLIOTT 12989 10 OUT OF 10 LOUCHIE LOU 7399 10 SECONDS DOWN SUGAR RAY 6418 10,000 PROMISES BACKSTREET BOYS 3350 100 YEARS FIVE FOR FIGHTING 12772 100% PURE LOVE WATERS, CRYSTAL 9306 1000 OCEANS AMOS, TORRIE 6711 10TH AVE. FREEZEOUT SPRINGSTEEN, BRUCE 11813 10TH AVENUE FREEZE OUT SPRINGSTEEN, BRUCE 2632 12:51 STROKES, THE 12520 1-2-3 BARRY, LEN 8210 ESTEFAN, GLORIA 13 18 & LIFE SKID ROW 2633 1969 STEGALL, KEITH 6712 1979 SMASHING PUMPKINS 6713 1982 TRAVIS, RANDY 3386 1985 BOWLING FOR SOUP 12880 1999 PRINCE 6714 19TH NERVOUS BREAKDOWN ROLLING STONES, THE 1032 2 BECOME 1 SPICE GIRLS 1427 2 STEP DJ UNK 14155 20 GOOD REASONS THIRSTY MERC 14107 2001 INTRO ELVIS 1604 20TH CENTURY FOX DOORS, THE 6715 21 QUESTIONS 50 CENT & NATE DOGG 11730 24 JEM 13169 24 HOURS AT A TIME TUCKER, MARSHALL, B 2634 24/7 EDMONDS, KEVON 6820 25 MILES STARR, EDWIN 9488 25 OR 6 TO 4 CHICAGO 4735 26 MILES FOUR PREPS, THE 10102 26 CENTS WILKINSONS, THE 6821 29 NIGHTS LEIGH, DANNI 6822 3 LIBRAS PERFECT CIRCLE, A 6824 3 LITTLE PIGS GREEN JELLY 2429 3:00 A.M.
  • Jerry Garcia Song Book – Ver

    Jerry Garcia Song Book – Ver

    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
  • PROGRAM NOTES Guided Tour

    PROGRAM NOTES Guided Tour

    13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon.
  • Boston Symphony Orchestra Concert Programs, Summer, 1992

    Boston Symphony Orchestra Concert Programs, Summer, 1992

    Kattl hlCL^WOOD I ? 7 2 W Toofc ofExcellence In every discipline, outstanding performance springs from the combination of skill, - vision and commitment. As a technology leader, GE Plastics is dedicated to the development of advanced materials: engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics -> Jazz At Tanglewood WM Friday, Saturday, and Sunday August 28, 29, and 30, 1992 Tanglewood, Lenox, Massachusetts '-•' Friday, August 28, at 7:30 p.m. THE MODERN JAZZ QUARTET RAY CHARLES Koussevitzky Music Shed Saturday, August 29 at 4 :30 p.m. CHRISTOPHER HOLLYDAY QUARTET REBECCA PARRIS and the GEORGE MASTERHAZY QUARTET Theatre-Concert Hall at 7:30 p.m. MAUREEN McGOVERN and MEL TORME with the HERB POMEROY BIG BAND Koussevitzky Music Shed Sunday, August 30 at 4 :30 p.m. GARY BURTON AND EDDIE DANIELS Theatre-Concert Hall at 7:30 p.m. DAVE BRUBECK QUARTET WYNTON MARSALIS Koussevitzky Music Shed ARTISTS The Modern Jazz Quartet Gibbs in the Woody Herman Second Herd. The following year he rejoined the Gillespie band, eventually becoming a founding member of the Modern Jazz Quartet. Among the many compositions Mr. Jackson contributed to the group, "Bags' Groove" has become a classic. During the members' annual vacation from the MJQ, Milt Jack- son assembles various groups of musicians to record albums under his own name and to play occasional engagements. Recently he returned to his bebop roots for an album aptly entitled Be Bop. Bass player Percy Heath was born in Making a return Tanglewood appearance, Wilmington, North Carolina, and grew up the Modern Jazz Quartet has a unique in Philadelphia.
  • Solomon's Wisdom Is Not Philosophy; Rather, It Is an Ability to Perceive and to Describe the Simple, Godly Life That Leads to Happiness

    Solomon's Wisdom Is Not Philosophy; Rather, It Is an Ability to Perceive and to Describe the Simple, Godly Life That Leads to Happiness

    PROVERBS A Description of The Secret Pathway to Happiness John David Clark, Sr. This book is dedicated to the young, who are precious in the sight of God and in the eyes of those who are like Him. It is not written as a substitute for the wonderful books of Proverbs and Ecclesiastes, but only to acquaint the young reader with some of their beauty and wisdom. Solomon’s Wisdom: The Secret Pathway to Happiness ISBN- - Second edition, 2010 copyright 1999, John Clark, Sr. SOLOMON’S WISDOM P. O. Box 99 Burlington, NC 27216-0099 visit these web sites: www.GoingtoJesus.com www.Isaiah58.com and for good music all day long, go to: www.SongsofRest.com INTRODUCTION You want to be happy; everybody does. When you as a newborn cried in your mother's arms, you cried because you wanted to be happy. And that same yearning for happiness drives you now to do whatever you do and whatever you say. We are all desperate travelers in this confusing and tormented world. Old and young, rich and poor, wise and foolish, we are all striving and yearning together from the moment of birth for happiness. That longing for happiness drives all people at all times to do whatever they do; it drives the treasure hunter as well as the thief, to risk his life for gold; it inspires the astronaut to circle the earth, and it motivates the lazy bum to beg for a piece of bread. The irrepressible human longing for happiness motivates men to go fishing, to sleep late, to study microbes, to play games or to do work, to invent new materials or to vandalize masterpieces, to love and to cherish or to hate and kill, to write books or to read them, to become martyrs or to conquer empires, to believe in God or to deny that He exists.
  • Casey Jones E------B--8^10--8------G------7^9--7------7------D------10--7--10-----10-- Intro | C / / / | F / C / | = "Casey Jones" Riff A------E

    Casey Jones E------B--8^10--8------G------7^9--7------7------D------10--7--10-----10-- Intro | C / / / | F / C / | = "Casey Jones" Riff A------E

    Page 1 Page 2 After Midnight || E7 / / / | G / A / | E 7 / / / | % :|| 7 | E / / / | G / / / | A / / / | B / / / | 7 7 | E / / / | G / A / | E / / / | % | Verse 1 After midnight we're gonna let it all___ hang out. After midnight we're gonna chug-a-lug & shout. We're gonna cause talk and suspicion, Give an exhibition, Find out what it is all about! After midnight we're gonna let it all___ hang out. Verse 2 After midnight we're gonna shake your tambourine. After midnight it's gonna be peaches and cream. We're gonna cause talk and suspicion, Give an exhibition, Find out what it is all about! After midnight we're gonna let it all___ hang out. Lead = Verse Repeated Verse 1 After midnight we're gonna let it all___ hang out. (repeated) After midnight we're gonna chug-a-lug & shout. We're gonna cause talk and suspicion, Give an exhibition, Find out what it is all about! After midnight we're gonna let it all___ hang out. 7 Jam || : E / / / | G / A / :|| Page 3 Aiko-Aiko || : D / / / | % | A / / / | % :|| Chorus Hey Now (Hey Now) , Hey Now (Hey Now) Aiko-Aiko all day Jock-o-mo Fee-no ah-nah-nay, Jock-o-mo fee-nah-nay. Hey Now (Hey Now) , Hey Now (Hey Now) Aiko-Aiko all day Jock-o-mo Fee-no ah-nah-nay, Jock-o-mo fee-nah-nay. Verse 1 My spy boy to your spy boy, they were sittin' along the bayou, My spy boy to your spy boy, I'm gonna set your tail on fire.
  • The Bosstown Sound. PUB DATE Mar 88 NOTE 39P.; Paper Presented at the Annual Meeting of the American Culture Association (10Th, New Orleans, LA, March 23-26, 1988)

    The Bosstown Sound. PUB DATE Mar 88 NOTE 39P.; Paper Presented at the Annual Meeting of the American Culture Association (10Th, New Orleans, LA, March 23-26, 1988)

    DOCUMENT RESUME ED 292 153 CS 506 070 AUTHOR Burns, Gary TITLE The Bosstown Sound. PUB DATE Mar 88 NOTE 39p.; Paper presented at the Annual Meeting of the American Culture Association (10th, New Orleans, LA, March 23-26, 1988). PUB TYPE Viewpoints (120) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Bands (Music); Content Analysis; Discographies; *Music; Musicians; *Popular Culture IDENTIFIERS Media History; Music Ensembles; *Rock and Roll; *Rock Music ABSTRACT Based on the argument that (contrary to critical opinion) the musicians in the various bands associated with Bosstown Sound were indeed talented, cohesive individuals and that the bands' lack of renown was partially a result of ill-treatment by record companies and the press, this paper traces the development of the Bosstown Sound from its beginnings in the nightclubs of Boston in 1967 to its end in 1969. In addition, the paper provides complete discographies, including critical commentary, of records produced by bands associated with the Bosstown Sound. The bands of the Bosstown Sound include: The Apple Pie Motherhood Band, The Bagatelle, The Beacon Street Union, Bo Grumpus, Eagle, Earth Opera, Eden's Children, Sure Looks Real, The Ill Wind, Jolliver Arkansaw, Orpheus, Phluph, Puff, and Ultimate Spinach. (Thirty-three references are attached.) (ARH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** The Bosstown Sound Gary Burns, Assistant Professor Department of Communication University of Missouri-St. Louis St. Louis, MO 63121 314-553-5485 American Culture Association, New Orleans, March 24, 1988 My thanks to Jeff Tamarkin of Goldmine magazine.
  • Pirates' $10 Million Haul U

    Pirates' $10 Million Haul U

    JEMPHISir A BILLBOARD SPOTLIGHT r-r^'TTR c `r SECTION COIN MACHINE MARCH 29, 1969 $1.00 PAGES TWO SECTIONS SECTION I 49 TO 54 The A/o r'3 International Music -Record Newsweekly GRT in 1 -Fold Pirates' $10 Million Haul U. S. Car Mart By BRUCE WEBER LOS ANGELES Contract With - Music sales manager of Robbins, Feist, strument representatives for publishers are losing more than Miller. counterfeit product. Breakthrough $10 million a year to illegal The forged music "The worst offenders book and books, often are or- sheet music counter- peddled by traveling gan teachers, professional feiters. salesmen mu- Gamble & Huff or sold under-the-counter at mu- sic studios and musical instru- "Sheet and book music pi- For sic stores, sell in a loose-leaf ment jobbers," said Steiger. "We Cassettes By rates have been active MIKE GROSS for 30 binder for $15-$25 for 1,000 (The Big Three) prosecute every years because copyright laws By HANK FOX are songs, most of which are case our investigators NEW YORK GRT fur- not severe incom- uncover." - enough to halt the plete. The Big The Big ther solidified its foothold in the Three, which pub- Three sells product NEW YORK-The cassette practice," said Herman Steiger, lishes about (Continued recording field by wrapping up 52 hardbound folios on page 15) system will establish a beach- a year, sells its head in a deal with independent pro- books for $1.50- the U. S. automobile $3.95 for 15 IIII I IIII I Ildl I I I IIIIII1mINIIIIIIIII market this to IIIII I I I I I I I I I I 30 I summer when ducers Gamble and Huff that complete III I11111111IIIIIIIIIIOIIIIII111 Mer- songs.