John Mccormack 1843-1997 IM.M035.1998
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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
2010–2011 Season Sponsors
2010–2011 SEASON SPONSORS The City of Cerritos gratefully thanks our 2010–2011 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Jill and Steve Edwards Ilana and Allen Brackett Erin Delliquadri $50,001-$100,000 Dr. Stuart L. Farber Paula Briggs Ester Delurgio José Iturbi Foundation William Goodwin Scott N. Brinkerhoff Rosemarie and Joseph Di Giulio Janet Gray Darrell Brooke Rosemarie diLorenzo Sandra and Bruce Dickinson Patron Rosemary Escalera Gutierrez Mary Brough Marianne and Bob Hughlett, Ed. D. Joyce and Russ Brown Amy and George Dominguez $20,001-$50,000 Robert M. Iritani Dr. and Mrs. Tony R. Brown Mrs. Abiatha Doss Bryan A. Stirrat & Associates Dr. HP Kan and Mrs. Della Kan Cheryl and Kerry Bryan Linda Dowell National Endowment for the Arts Jill and Rick Larson Florence P. Buchanan Robert Dressendorfer Eleanor and David St. -
"Il Mio Tesoro" from "Don Giovanni"
“Il mio tesoro” from “Don Giovanni”--John McCormack; orchestra conducted by Walter Rogers (1916) Added to the National Registry: 2006 Essay by Doreen M. McFarlane (guest post)* John McCormack Tenor John McCormack (1884-1945) was beloved throughout the English-speaking world. His music spanned from opera and concert music to popular songs of his time. He was one of the first to make cylinder recordings and then shellac records, and was one of the first opera singers to sing on radio. From a successful opera career, he moved on to become a beloved recitalist, touring the USA and the world, garnering huge and adoring audiences. He spotlighted upcoming composers, raised large donations to support America in both World Wars, and was a role model singer, husband, patriot and friend. On May 9, 10, and 11 of 1916, the renowned tenor made a total of 13 recordings for Victor/HMV in their Camden, New Jersey studio. Of these, ten were sung with orchestra conducted by Walter B. Rogers, and, the other three, with his accompanist Edwin Schneider at the piano. Of the 13, two were unpublished. In some cases, there were two takes with just one published. But, the aria recorded on May 9th, which is unsurpassed and seen as the consummate performance of this aria--unmatched by even the greatest of tenors--is his performance of “Il mio Tesoro” from the opera “Don Giovanni” by Mozart; it was accomplished in one “take.” This aria has been included in at least 22 different LP and CDs over many years. McCormack sang this aria in his concert programs from 1907 to 1917 and again from 1919 to 1921. -
ROINN COSANTA. BUREAU of MILITARY HISTORY, 1913-21 STATEMENT by WITNESS. DOCUMENT NO. W.S. 1503 Witness Michael Mccormack Drumra
ROINN COSANTA. BUREAU OF MILITARY HISTORY, 1913-21 STATEMENT BY WITNESS. DOCUMENT NO. W.S. 1503 Witness Michael McCormack Drumraney, Athlone, Co. Westmeath. Identity. Adjutant. Drumraney Battalion, I.R.A. Centre, Drumraney Circle, I.R.B. Subject. Activities of Drumraney Battalion, Irish Volunteers, Athlone Brigade, 1914-1921, and Brigade Flying Column, 1920-1921. Conditions, if any, Stipulated by Witness. Nil File No S.2819 Form B.S.M.2 STATEMENTBY MICHAEL McCORMICK, Drumraney, Athlone, County Westmeath. I was born in Drumraney and was educated at the local school there. There was nothing taught in school then that would serve as a foundation or build-up in young boys any deep sense of patriotism. father had been in Australia and there he had come in contact with many of the men who had been deported or had to leave Ireland because they loved it too well, according to English standards When we were children, he regularly discussed Irish History with us and enlightened us on the many crimes and wrongs perpetrated on our country by the English invader, and he often sang traditional folk songs for us. Thus we grew up in an atmosphere in which there was a love for everything Irish and with a great desire to see the country independent and in commandof her own destiny. I think my father was a Fenian. I had read and studied books such as "The Jail Journal" and "The last Conquest". In 1907 I became a member of the Irish Republican Brotherhood. Peter Malinn was organising the I.R.B. in County Westmeath at this time and later on w brother John continued to push the. -
Pathetique Symphony New York Philharmonic/Bernstein Columbia
Title Artist Label Tchaikovsky: Pathetique Symphony New York Philharmonic/Bernstein Columbia MS 6689 Prokofiev: Two Sonatas for Violin and Piano Wilkomirska and Schein Connoiseur CS 2016 Acadie and Flood by Oliver and Allbritton Monroe Symphony/Worthington United Sound 6290 Everything You Always Wanted to Hear on the Moog Kazdin and Shepard Columbia M 30383 Avant Garde Piano various Candide CE 31015 Dance Music of the Renaissance and Baroque various MHS OR 352 Dance Music of the Renaissance and Baroque various MHS OR 353 Claude Debussy Melodies Gerard Souzay/Dalton Baldwin EMI C 065 12049 Honegger: Le Roi David (2 records) various Vanguard VSD 2117/18 Beginnings: A Praise Concert by Buryl Red & Ragan Courtney various Triangle TR 107 Ravel: Quartet in F Major/ Debussy: Quartet in G minor Budapest String Quartet Columbia MS 6015 Jazz Guitar Bach Andre Benichou Nonsuch H 71069 Mozart: Four Sonatas for Piano and Violin George Szell/Rafael Druian Columbia MS 7064 MOZART: Symphony #34 / SCHUBERT: Symphony #3 Berlin Philharmonic/Markevitch Dacca DL 9810 Mozart's Greatest Hits various Columbia MS 7507 Mozart: The 2 Cassations Collegium Musicum, Zurich Turnabout TV-S 34373 Mozart: The Four Horn Concertos Philadelphia Orchestra/Ormandy Mason Jones Columbia MS 6785 Footlifters - A Century of American Marches Gunther Schuller Columbia M 33513 William Schuman Symphony No. 3 / Symphony for Strings New York Philharmonic/Bernstein Columbia MS 7442 Beethoven: Symphony No. 9 in D minor Westminster Choir/various artists Columbia ML 5200 Tchaikovsky: Symphony No. 6 (Pathetique) Philadelphia Orchestra/Ormandy Columbia ML 4544 Tchaikovsky: Symphony No. 5 Cleveland Orchestra/Rodzinski Columbia ML 4052 Haydn: Symphony No 104 / Mendelssohn: Symphony No 4 New York Philharmonic/Bernstein Columbia ML 5349 Porgy and Bess Symphonic Picture / Spirituals Minneapolis Symphony/Dorati Mercury MG 50016 Beethoven: Symphony No 4 and Symphony No. -
The John and Anna Gillespie Papers an Inventory of Holdings at the American Music Research Center
The John and Anna Gillespie papers An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The John and Anna Gillespie papers Descriptive summary ID COU-AMRC-37 Title John and Anna Gillespie papers Date(s) Creator(s) Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 48 linear feet Scope and Contents Papers of John E. "Jack" Gillespie (1921—2003), Professor of music, University of California at Santa Barbara, author, musicologist and organist, including more than five thousand pieces of photocopied sheet music collected by Dr. Gillespie and his wife Anna Gillespie, used for researching their Bibliography of Nineteenth Century American Piano Music. Administrative Information Arrangement Sheet music arranged alphabetically by composer and then by title Access Open Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], John and Anna Gillespie papers, University of Colorado, Boulder Index Terms Access points related to this collection: Corporate names American Music Research Center - Page 2 - The John and Anna Gillespie papers Detailed Description Bibliography of Nineteenth-Century American Piano Music Music for Solo Piano Box Folder 1 1 Alden-Ambrose 1 2 Anderson-Ayers 1 3 Baerman-Barnes 2 1 Homer N. Bartlett 2 2 Homer N. Bartlett 2 3 W.K. Bassford 2 4 H.H. Amy Beach 3 1 John Beach-Arthur Bergh 3 2 Blind Tom 3 3 Arthur Bird-Henry R. -
June 1902) Winton J
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1902 Volume 20, Number 06 (June 1902) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 20, Number 06 (June 1902)." , (1902). https://digitalcommons.gardner-webb.edu/etude/471 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE PUBLISHER OF THE ETVDE WILL SUPPLY ANYTHING IN MUSIC. 11^ VPl\W4-»* _ The Sw»d Volume ol ••The Cmet In Mmk" mil be rmdy to «'»!' >* Apnl "* WORK m VOLUME .. 5KI55 nETUDE I, Clic.pl". Oodard. and Sohytte. II. Chamlnade. J^ ^ Sthumann and Mosz- Q. Smith. A. M. Foerater. and Oeo. W. W|enin«ki. VI. kowski (Schumann occupies 75 pages). • Kelley» Wm. Berger, and Deahm. and Fd. Sehnett. VII. It. W. O. B. Klein. VIII, Saint-Saens, Paderewski, Q Y Bn|ch Max yogrich. IX. (llazounov, Balakirev, the Waltz Strau ’ M g Forces in the X. Review ol the Coum a. a Wholes The Place ol Bach nr Development; Influence ol the Folks Song, etc. -
The English Listing
THE CROSBY 78's ZYXWVUTSRQPONMLKJIHGFEDCBAthe English listing Members may recall that we issued a THE questionnaire in 1990 seeking views and comments on what we should be providing in CROSBY BING. We are progressively attempting to fulfil 7 8 's these wishes and we now address one major ENGLISH request - a listing of the 78s issued in the UK. LISTING The first time this listing was issued in this form was in the ICC's 1974 booklet and this was updated in 1982in a publication issued by John Bassett's Crosby Collectors Society. The joint compilers were Jim Hayes, Colin Pugh and Bert Bishop. John has kindly given us permission to reproduce part of his publication in BING. This is a complete listing of very English-issued lO-inch and 12-inch 78 rpm shellac record featuring Sing Crosby. In all there are 601 discs on 10different labels. The sheet music used to illustrate some of the titles and the photos of the record labels have been p ro v id e d b y Don and Peter Haizeldon to whom we extend grateful thanks. NUMBERSITITLES LISTING OF ENGLISH 78"s ARIEl GRAND RECORD. THE 110-Inchl 4364 Susiannainon-Bing BRUNSWICK 112-inchl 1 0 5 Gems from "George White's Scandals", Parts 1 & 2 0 1 0 5 ditto 1 0 7 Lawd, you made the night too long/non-Bing 0 1 0 7 ditto 1 1 6 S I. L o u is blues/non-Bing _ 0 1 3 4 Pennies from heaven medley/Pennies from heaven THECROSBYCOLLECTORSSOCIETY BRUNSWICK 110-inchl 1 1 5 5 Just one more chance/Were you sincere? 0 1 6 0 8 Home on the range/The last round-up 0 1 1 5 5 ditto 0 1 6 1 5 Shadow waltz/I've got to sing a torch -
Volume 58, Number 01 (January 1940) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1940 Volume 58, Number 01 (January 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 01 (January 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/265 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. January THE ETUDE 1940 Price 25 Cents music mu — 2 d FOR LITTLE TOT PIANO PLAYERS “Picuurl cote fa-dt Wc cocUcUA. Aeouda them jot cJiddA&i /p ^cnJUni flidi ffiTro JEKK1HS extension piano SHE PEDAL AND FOOT REST Any child (as young as 5 years) with this aid can 1 is prov ided mmsiS(B mmqjamflm® operate the pedals, and a platform Successful Elementary on which to rest his feet obviating dang- . his little legs. The Qualities ling of Published monthly By Theodore presser Co., Philadelphia, pa. Teaching Pieces Should Have EDITORIAL AND ADVISORY STAFF THEODORE PRESSER CO. DR. JAMES FRANCIS COOKE, Editor Direct Mail Service on Everything in Music Publications. TO PUPIL Dr. Edward Ellsworth Hipsher, Associate Editor /EDUCATIONAL POINTS / APPEALING William M. Felton, Music Editor 1712 Chestnut Street, Philadelphia, Pa. -
Volunteer Women: Militarized Femininity in the 1916 Easter Rising
Chapman University Chapman University Digital Commons War and Society (MA) Theses Dissertations and Theses Spring 5-20-2019 Volunteer Women: Militarized Femininity in the 1916 Easter Rising Sasha Conaway Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/war_and_society_theses Part of the Women's History Commons, and the Women's Studies Commons Recommended Citation Conaway, Sasha. Volunteer Women: Militarized Femininity in the 1916 Easter Rising. 2019. Chapman University, MA Thesis. Chapman University Digital Commons, https://doi.org/10.36837/chapman.000079 This Thesis is brought to you for free and open access by the Dissertations and Theses at Chapman University Digital Commons. It has been accepted for inclusion in War and Society (MA) Theses by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Volunteer Women: Militarized Femininity in the 1916 Easter Rising A Thesis by Sasha Conaway Chapman University Orange, CA Wilkinson College of Arts, Humanities, and Social Sciences Submitted in partial fulfillment of the requirements for the degree of Master of Arts in War and Society May 2019 Committee in Charge Jennifer Keene, Ph.D., Chair Charissa Threat, Ph.D. John Emery, Ph. D. May 2019 Volunteer Women: Militarized Femininity in the 1916 Easter Rising Copyright © 2019 by Sasha Conaway iii ACKNOWLEDGEMENTS I would like to thank my parents, Elda and Adam Conaway, for supporting me in pursuit of my master’s degree. They provided useful advice when tackling such a large project and I am forever grateful. I would also like to thank my advisor, Dr.