Reproductions Supplied by EDRS Are the Best That Can Be Made

Total Page:16

File Type:pdf, Size:1020Kb

Reproductions Supplied by EDRS Are the Best That Can Be Made DOCUMENT RESUME ED 459 506 CS 510 724 TITLE Proceedings of the Annual Meeting of the Associationfor Education in Journalism and Mass Communication (84th, Washington, DC, August 5-8, 2001). Media Management and Economics Division. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 2001-08-00 NOTE 206p.; For other sections of the 2001 proceedings, seeCS 510 704-723. PUB TYPE Collected Works - Proceedings (021)-- Reports Research (143) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Advertising; Broadcast Industry; *Broadcast Television; Case Studies; Competition; Content Analysis; *ContextEffect; Higher Education; *Internet; *Journalism Education; Newspapers; Programming (Broadcast); *Radio IDENTIFIERS *Newsmagazines ABSTRACT The Media Management and Economics section ofthe proceedings contains the following 6 selected papers:"Audience Economics of European Union Public Service Broadcasters:Assessing Performance in Competitive Markets" (Robert GH. Picard); "Rememberingthe DuMont Network: A Business Case Study Approach" (Walter S. McDowell); "TheImpact of Competition on Weekly Newspaper Advertising Rates" (Stephen Lacy,David C. Coulson, and Hiromi Cho); "Managing Internet-DeliveredRadio: New Markets, New Revenue, New Operations Issues" (Cheryl L. Evansand J. Steven Smethers); "Different Voices, Same Script: How Newsmagazines CoverMedia Consolidation Issues" (Bryan Greenberg); "Content Differencesbetween Daily Newspapers with Strong and Weak Market Orientations" (Randal A.Beam); and "Impact of Context Effects on Evaluation of New Shows in Lead-In/Lead-OutContext" (Jack C. C. Li and Jaemin Jung). (RS) Reproductions supplied by EDRS are the best that canbe made from the original document. Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (84th, Washington, DC, August 5-8, 2001): Media Management and Economics Division. U.S. DEPARTMENT OF EDUCATION Office of Educational Research and Improvement EDUCATIONAL RESOURCES INFORMATIOI CENTER (ERIC) O This document has been reproduced as received from the person or organization originating it. O Minor changes have been made to improve reproduction quality. Points of view or opinions stated in this document do not necessarily represent official OERI position or policy. PERMISSION TO REPRODUCE AND DISSEMINATE THIS MATERIAL HAS BEEN GRANTED BY BEST COPYAVAILABLE TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) 1 kr) C/) 2 Audience Economics of European Union Public Service Broadcasters: Assessing Performance in Competitive Markets Robert G. Picard Media Group, Business Research and Development Centre Turku School of Economics and Business Administration PL 110, 20521 Turku, Finland Telephone: +358 2 3393 502 E-mail: robert.picard @tukkk.fi 3 Abstract Audience Economics of European Union PublicService Broadcasters: Assessing Performance in Competitive Markets By Robert G. Picard Media Group, Business Research and DevelopmentCentre Turku School of Economics and BusinessAdministration PL 110, 20521 Turku, Finland Telephone: +358 2 3383 502 E-mail: robert.picard @tukkk.fi This paper explores the economics of audiencesand applies the approaches to public service broadcasters in the European Union. It suggestsand applies a method for analysing the contemporary performance of publicbroadcasters using market shares. The study finds that, as a whole, public service broadcasters areperforming better than statistical expectations, that public service broadcasting isgenerally maintaining market leadership, and that higher market share performance is associatedwith lower levels of government funding. 4 Audience Economics of European Union Public ServiceBroadcasters: Assessing Performance in Competitive Markets European public service broadcasters (PSBs) have a commonobligation to provide universal service to television audiences in their nations, providing materialthat serves the diverse social, political, cultural, and identity needs within the nations inwhich they are located. Despite the similar mission, the broadcasters operate in very differentenvironments and the means by which they are funded differ. Some relysolely on licence fees or government funds, whereas others obtain financingthrough advertising. Some are highly dependent upon advertising; others use it merely as supplementaryfunding (Mc Quail and Siune, 1986). Some public service broadcasters have stablefunding; some struggle with funding that can vary widely from year to year. A McKinsey & Co. study on public service broadcasting (1999)argued that these differences can be seen worldwide and that PSBs can be divided intothree groups based on market share and distinctiveness, that is, providing a mix of contentthat is distinct from commercial broadcasters. The three groups were defined asbroadcasters 1) focusing on distinctiveness over market share; 2) focusing on market share overdistinctiveness; and 3) those seeking an equilibrium. All three of the groups are evidentwithin the European Union. In terms of competition, European public servicebroadcasters operate in situations ranging from markets in which no national commercial competitorsexist to markets in which multiple commercial competitors serve the national market. Somehave only domestic competitors; some encounter foreign competitors as well. 1 5 Throughout Europe during the past two decades, however, two commonalties exist: the number of channels offered by public service broadcasters has increased, and liberalisation of broadcasting policy has permitted the introduction and expansion of commercial channels at the national and local levels (Silj, 1992; Council of Europe, 1998; Davis, 1999). In addition, cable and satellite services are widely available. These changes have introduced and increased competition for audience attention and lowered audience shares of existing channels. Observers of European public service broadcasting have noticed the changing market for public television and raised significant discussions about the change in PSBs and their role in the contemporary, commercialised multichannel environment (Blumer, 1992; "Genense et actualité du service public," 1995; Tracey, 1998). Stations that had 100 percent market shares one or two decades ago are today achieving market shares in the 20 to 40 percent range. Some interpret these declines as a failure of public service broadcasting to continue serving its purposes or a failure of PSB management to respond appropriately to changing market conditions. The prime time market share of the German regional channels ARD, for example, declined from 33.6 in 1990 to 15.4 in 1999. In the five-year period between 1994 and 1999, for example, the BBC 1 average primetime audience dropped from 33.7 to 28.6 and that of Portuguese Canal 1 declined from 38.5 to 31.4. Setting aside arguments of whether audience share is appropriately applied to public service broadcasters, it is clearly being used as evidence by policy makers, public service broadcasters themselves, and social observers to promote a variety of policy and strategic policies and models. The diminishing use of PSB channels is also feared to reduce their value to audiences and the political will to continue funding their operations. 2 6 Allan Brown notes that declining market shares create significant financialpressures on broadcasters because "arguments of public broadcasters for the maintenance of their levels of public subsidy will be weakened to the extent that the sizes of their audience diminishes....Moreover, at least a percentage of pay-TV subscribers will be less inclined to pay license fees and taxes to finance public broadcasting stations, which will account for a smaller proportion of available channels and less of their viewing time" (Brown, 1996,p. 13). Unfortunately, much discussion about the performance of PSBs is basedon a misunderstanding of the importance of market share and the reasons for change in shares. Ifa channel suffers a decline in market share in a stable market, there is immediatereason for concern. Such a decline is indicative of poorer service, less attractive programming, or losing touch with the audience When the market is changing because the number of competitors is increasing, however, a decline must be understood differently. It does not necessarily result from performance problems but from the inevitable result of more channels and hours of programming being offered to audiences. It has been difficult to compare the performance of public broadcasters across nations because the geography and population of each nation differs, because the number of public service channels differs, because the number of private channels varies, and because the political, social, and cultural requirements for public service differs. These issues have limited the number of cross-national studies on public broadcasting as a wholeor led to studies considering them in regional terms or other logical groups based on various factors. This paper, however, seeks to provide a method for overcoming those difficulties through national evaluations that are comparable. 3 7 The Economics of Market Share The primary factor in audience market share is the number of channelsavailable. Audience shares represent the portion of households or persons usingtelevision during a specific period. The total is 100 and the proportions that are accountedfor by each channel are reported as a percentage or ratio(Bevil le Jr., 1988.) Secondary factors are audience size and time expenditures.
Recommended publications
  • The News Media Industry Defined
    Spring 2006 Industry Study Final Report News Media Industry The Industrial College of the Armed Forces National Defense University Fort McNair, Washington, D.C. 20319-5062 i NEWS MEDIA 2006 ABSTRACT: The American news media industry is characterized by two competing dynamics – traditional journalistic values and market demands for profit. Most within the industry consider themselves to be journalists first. In that capacity, they fulfill two key roles: providing information that helps the public act as informed citizens, and serving as a watchdog that provides an important check on the power of the American government. At the same time, the news media is an extremely costly, market-driven, and profit-oriented industry. These sometimes conflicting interests compel the industry to weigh the public interest against what will sell. Moreover, several fast-paced trends have emerged within the industry in recent years, driven largely by changes in technology, demographics, and industry economics. They include: consolidation of news organizations, government deregulation, the emergence of new types of media, blurring of the distinction between news and entertainment, decline in international coverage, declining circulation and viewership for some of the oldest media institutions, and increased skepticism of the credibility of “mainstream media.” Looking ahead, technology will enable consumers to tailor their news and access it at their convenience – perhaps at the cost of reading the dull but important stories that make an informed citizenry. Changes in viewer preferences – combined with financial pressures and fast paced technological changes– are forcing the mainstream media to re-look their long-held business strategies. These changes will continue to impact the media’s approach to the news and the profitability of the news industry.
    [Show full text]
  • Koch Brothers Exposed: 2014 Edition
    Presents: Koch Brothers Exposed: 2014 Edition A film by Robert Greenwald (56 min., USA, 2013) Language: English Publicity: Linsey Pecikonis Brave New Films Tel: 310-204-0448x225 E-mail: [email protected] High-resolution film stills may be downloaded at http://www.bravenewfilms.org/koch_presskit ABOUT THE FILM In early 2011, Robert Greenwald and the Brave New Films (BNF) staff questioned how to make ordinary Americans care about the activities of David and Charles Koch, billionaire brothers who were spending hundreds of millions of dollars to influence federal, state and local elections. The Koch brothers were not yet in the daily conversations of the average American, but that would change with the 2012 release of BNF’s investigative documentary Koch Brothers Exposed. Originally Greenwald envisioned Koch Brothers Exposed as a series of thirteen short investigative videos that shed light on the Koch political dealings and the negative impact their money has on a variety of aspects of American life. These mini-documentaries immediately went viral, and viewers made it clear to BNF that they wanted more comprehensive coverage of the Koch’s activities. The first edition of the hour-long Koch Brothers Exposed highlighted the Koch’s efforts to gut Social Security by spending more than $28 million to popularize the fiction that the federal program was on the brink of collapse. It also addressed the Koch’s attempts at re-segregating schools in North Carolina; their efforts at voter suppression by supporting misleading voter ID laws; and the disastrous impact of their environmental policies on oil and gas projects and on industrial toxic waste.
    [Show full text]
  • Abstract a Case Study of Cross-Ownership Waivers
    ABSTRACT A CASE STUDY OF CROSS-OWNERSHIP WAIVERS: FRAMING NEWSPAPER COVERAGE OF RUPERT MURDOCH’S REQUESTS TO KEEP THE NEW YORK POST by Rachel L. Seeman Media ownership is an important regulatory issue that is enforced by the Federal Communications Commission. The FCC, Congress, court and public interest groups share varying viewpoints concerning what the ownership limits should be and whether companies should be granted a waiver to be excused from the rules. News Corporation is one media firm that has a history of seeking these waivers, particularly for the New York Post and television stations in same community. This study conducted a qualitative framing analysis of news articles from the New York Times and the Wall Street Journal to determine if the viewpoints expressed by the editorial boards were reflected in reports on News Corp.’s attempt to receive cross-ownership waivers. The analysis uncovered ten frames the newspapers used to assist in reporting the events and found that 80% of these frames did parallel the positions the paper’s editorial boards took concerning ownership waivers. A CASE STUDY OF CROSS-OWNERSHIP WAIVERS: FRAMING NEWSPAPER COVERAGE OF RUPERT MURDOCH’S REQUESTS TO KEEP THE NEW YORK POST A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications by Rachel Leianne Seeman Miami University Oxford, OH 2009 Advisor: __________________________________ (Dr. Bruce Drushel) Reader: __________________________________ (Dr. Howard
    [Show full text]
  • President - Schedule Proposals” of the Ron Nessen Papers at the Gerald R
    The original documents are located in Box 21, folder “President - Schedule Proposals” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. nATE: October 2, 1974 10M: Ron Nessen I -......1A : Warren Rustand MEETING With Joe Alsop (Los Angeles Time Syndicate, Washington Post Syndicate) DATE Anytime during December 1974. PURPOSE To personally congratulate Joe Alsop on his career as a distinguished columnist and to provide him an opportunity, in the last month of his column, to interview the President. FORMAT Oval Office (if lunch also, lunch in the Residence) 45 minutes. Participants: The President Joe Alsop (The President should .be offered the option of following a late morning interview with a private lunch for Joe Alsop, with Ron Nessen and perhaps a few other White House _aides present) SPEECH MATERIAL ! None required. PRESS COVERAGE White House photographer; no announcement, but to confirm when column runs. BACKGROUND : 1. In a recent column, which I showed you, Joe Alsop announced his retirement from his column.
    [Show full text]
  • The Rise of Talk Radio and Its Impact on Politics and Public Policy
    Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox.
    [Show full text]
  • DOCUMENT RESUME Proceedings of the Annual Meeting of The
    DOCUMENT RESUME ED 415 540 CS 509 665 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (80th, Chicago, Illinois, July 30-August 2, 1997): Media Management and Economics. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 1997-07-00 NOTE 315p.; For other sections of these Proceedings, see CS 509 657-676. PUB TYPE Collected Works Proceedings (021) Reports Research (143) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Case Studies; Childrens Literature; *Economic Factors; Journalism; *Mass Media Role; Media Research; News Media; *Newspapers; *Publishing Industry; *Television; World War II IDENTIFIERS High Definition Television; Indiana; Journalists; Kentucky; Market Research; *Media Management; Stock Market ABSTRACT The Media Management and Economics section of the Proceedings contains the following 14 papers: "The Case Method and Telecommunication Management Education: A Classroom Trial" (Anne Hoag, Ron Rizzuto, and Rex Martin); "It's a Small Publishing World after All: Media Monopolization of the Children's Book Market" (James L. McQuivey and Megan K. McQuivey); "The National Program Service: A New Beginning?" (Matt Jackson); "State Influence on Public Television: A Case Study of Indiana and Kentucky" (Matt Jackson); "Do Employee Ethical Beliefs Affect Advertising Clearance Decisions at Commercial Television Stations?" (Jan LeBlanc Wicks and Avery Abernethy); "Job Satisfaction among Journalists at Daily Newspapers: Does Size of Organization Make
    [Show full text]
  • Working Paper
    Working Paper Optimal Prime-Time Television Network Scheduling Srinivas K. Reddy Jay E. Aronson Antonie Stam WP-95-084 August 1995 IVIIASA International Institute for Applied Systems Analysis A-2361 Laxenburg Austria kd: Telephone: +43 2236 807 Fax: +43 2236 71313 E-Mail: [email protected] Optimal Prime-Time Television Network Scheduling Srinivas K. Reddy Jay E. Aronson Antonie Stam WP-95-084 August 1995 Working Papers are interim reports on work of the International Institute for Applied Systems Analysis and have received only limited review. Views or opinions expressed herein do not necessarily represent those of the Institute, its National Member Organizations, or other organizations supporting the work. International Institute for Applied Systems Analysis A-2361 Laxenburg Austria VllASA.L A. ..MI. Telephone: +43 2236 807 Fax: +43 2236 71313 E-Mail: infoQiiasa.ac.at Foreword Many practical decision problems have more than one aspect with a high complexity. Current decision support methodologies do not provide standard tools for handling such combined complexities. The present paper shows that it is really possible to find good approaches for such problems by treating the case of scheduling programs for a television network. In this scheduling problem one finds a combination of types of complexities which is quite common, namely, the basic process to be scheduled is complex, but also the preference structure is complex and the data related to the preference have to esti- mated. The paper demonstrates a balanced and practical approach for this combination of complexities. It is very likely that a similiar approach would work for several other problems.
    [Show full text]
  • Embedded Reporters: What Are Americans Getting?
    Embedded Reporters: What Are Americans Getting? For More Information Contact: Tom Rosenstiel, Director, Project for Excellence in Journalism Amy Mitchell, Associate Director Matt Carlson, Wally Dean, Dante Chinni, Atiba Pertilla, Research Nancy Anderson, Tom Avila, Staff Embedded Reporters: What Are Americans Getting? Defense Secretary Donald Rumsfeld has suggested we are getting only “slices” of the war. Other observers have likened the media coverage to seeing the battlefield through “a soda straw.” The battle for Iraq is war as we’ve never it seen before. It is the first full-scale American military engagement in the age of the Internet, multiple cable channels and a mixed media culture that has stretched the definition of journalism. The most noted characteristic of the media coverage so far, however, is the new system of “embedding” some 600 journalists with American and British troops. What are Americans getting on television from this “embedded” reporting? How close to the action are the “embeds” getting? Who are they talking to? What are they talking about? To provide some framework for the discussion, the Project for Excellence in Journalism conducted a content analysis of the embedded reports on television during three of the first six days of the war. The Project is affiliated with Columbia University and funded by the Pew Charitable Trusts. The embedded coverage, the research found, is largely anecdotal. It’s both exciting and dull, combat focused, and mostly live and unedited. Much of it lacks context but it is usually rich in detail. It has all the virtues and vices of reporting only what you can see.
    [Show full text]
  • Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
    Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways.
    [Show full text]
  • LINEAR TV in the NON-LINEAR WORLD the Value of Linear
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Drexel Libraries E-Repository and Archives LINEAR TV IN THE NON-LINEAR WORLD The Value of Linear Scheduling Amidst the Proliferation of Non-Linear Platforms A Thesis Submitted to the Faculty of Drexel University by Carlo Angelo Mandala Hernandez in partial fulfillment of the requirements for the degree of Master of Science in Television Management March 2017 © Copyright 2017 Carlo Angelo Mandala Hernandez. All Rights Reserved. ii Acknowledgments I would like to acknowledge and express my appreciation for the individuals and groups who helped to make this thesis a possibility, and who encouraged me to get this done. To my thesis adviser Phil Salas and program director Albert Tedesco, thank you for your guidance and for all the good words. To all the participants in this thesis, Jeff Bader, Dan Harrison, Kelly Kahl, Andy Kubitz, and Dennis Goggin, thank you for sharing your knowledge and experience. Without you, this research study would lack substance or would not have materialized at all. I would also like to extend my appreciation to those who helped me to reach out to network executives and set up interview schedules: Nancy Robinson, Anthony Maglio, Omar Litton, Mary Clark, Tamara Sobel and Elle Berry Johnson. I would like to thank the following for their insights, comments and suggestions: Elizabeth Allan-Harrington, Preston Beckman, Yvette Buono, Eric Cardinal, Perry Casciato, Michelle DeVylder, Larry Epstein, Kevin Levy, Kimberly Luce, Jim
    [Show full text]
  • Digital Culture and Documentary Media After 9/11
    3 Networked Audiences MoveOn.org and Brave New Films Revolution doesn’t happen when society adopts new technology, it happens when society adopts new behaviors. —Clay Shirky, “Here Comes Everybody” On December 4, 2016, a man carrying an AR-15 stormed into Comet Ping Pong, a pizzeria in Washington, D.C., and demanded to see evidence of the child sex- trafficking operation that he believed was headquartered in the basement. Over the preceding months, stories had been circulating on InfoWars and various other right-wing news websites about the alleged conspiracy and its connections deep within the Democratic Party. Several mainstream news organizations including the New York Times and the BBC had covered and debunked the story, but promi- nent Republicans in the Trump transition team continued to fuel speculation on Twitter, and the man had the impression that “something nefarious was happen- ing.”1 Though no one was injured, “Pizzagate” set off an immediate series of alarm bells about the power of fake news to mislead people, and the role of social media in accelerating its spread. Alongside the growing awareness that similar “news” sources might have helped Trump win the election (a topic addressed more fully in chapter 6), the incident seemed symptomatic of a much wider ailment within the media and the public. But long before the 2016 election, before Hillary Clinton was a candidate for office or Facebook a website, independent sources on the left were decrying what they described as right-wing media manipulation. The culprit was the cable network Fox News, and its accusers were MoveOn.org and Brave New Films, a pair of progressive grassroots media organizations working to con- nect and galvanize members of the left.
    [Show full text]
  • You're at AU, Now What?
    You’re at AU, now what? PEER-TO-PEER GRADUATE LIFESTYLE AND SUCCESS GUIDE Disclaimer The information provided in this guide is designed to provide helpful information to (new) Augusta University students from their graduate student peers. This guide is not meant to be used, nor should it be used, as an official source of information. Students should refer to official Augusta University handbooks/guides/manual and website and their official program hand books for official policies, procedures and student information. Information provided is for informational purposes only and does not constitute endorsement of any people, places or resources. The views and opinions expressed in this guide are those of the authors and do not necessarily reflect the official policy or position of Augusta University and/or of all graduate students. The content included has been compiled from a variety of sources and is subject to change without notice. Reasonable efforts have been taken to ensure the accuracy and integrity of all information, but we are not responsible for misprints, out-of-date information or errors. Table of Contents Foreword and Acknowledgements Pages 4 - 5 Getting Started Pages 6 - 9 Augusta University Campuses Defined: Summerville and Health Sciences - Parking & Transportation Intra- and inter-campus transit Public Safety Email/Student Account - POUNCE - Financial Aid - Social Media Student Resources Pages 10 - 19 Student Services On Campus Dining Get Fit: The Wellness Center Services Provided by The Graduate School TGS Traditions Student Organizations From Student’s Perspectives: Graduate Programs at Augusta University Pages 20 - 41 Q&A with Current Graduate Students Choosing the Right Mentor for You: What Makes a Good Advisor? Additional Opportunities for Ph.D.
    [Show full text]