2011 State of the News Media Report
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Broadcast Bulletin Issue Number 285 17/08/15
Ofcom Broadcast Bulletin Issue number 285 17 August 2015 1 Ofcom Broadcast Bulletin, Issue 285 17 August 2015 Contents Introduction 5 Notice of Sanction Yoga for You Lamhe TV, 17 June 2014, 09:30 7 Note to Broadcasters 9 Code on the Scheduling of Television Advertising Standards cases In Breach Britain’s Got Talent ITV, 31 May 2015, 19:30 10 News Geo News, 7 May 2015, 08:00 and 14:00 17 Different Anglez New Style Radio 98.7 FM, 7 May 2015, 10:00 19 News ARY News, 7 May 2015, 11:10 and 14:05 21 News Samaa, 7 May 2015, 14:30 23 News Dunya News, 7 May 2015, 17:30 25 Resolved Off Their Rockers: Blue Badge Special (trailer) ITV, 30 May to 1 June 2015, various times pre-watershed. 27 Funded Factual Programmes cases Funded Factual Programmes: managing risks to editorial independence and ensuring viewer confidence 30 Assessment of programmes produced by FactBased Communications and other funded content BBC World News, CNBC and CNN International 33 FBC-produced programming BBC World News, various dates between 14 February 2009 and 2 July 2011 34 2 Ofcom Broadcast Bulletin, Issue 285 17 August 2015 Sponsored programmes BBC World News, various dates between 23 October 2009 and 4 June 2011 49 World Business CNBC, various dates between 17 December 2010 and 22 July 2011. 77 Marketplace Middle East and Quest Means Business CNN International, various dates between 6 March 2009 and 13 July 2011 95 Sponsored programmes CNN International, various dates between 14 August 2009 and 4 August 2012 115 Advertising Scheduling cases In Breach Advertising minutage -
Collision Course
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Guidelines to Making Programmes for BBC World Service
Guidelines to Making Programmes for BBC World Service Titles and Descriptions It’s not just the programmes that need to have a sense of excitement and the ability to create curiosity in our audience and potential audience. Whatever we publish - titles, billings, online descriptions etc (known as ‘metadata’) - have an effect on how your programme performs on the web. Programme titles and descriptions should always be written in a way that encourages the most people to listen to it, makes the programme topic clear, and ensures visibility and findability across the web - in podcast provider spaces (such as Apple Podcasts, Spotify etc.), search engine results (such as Google) and other tech, such as voice-activated systems (such as Alexa). We need to have titles and programme descriptions five weeks before the transmission date. This ensures that both Press and Publicity have time to adequately promote the programme, and that these descriptions are ready in time for our automated systems. It can be difficult to update programme descriptions at some of their publication sites if the information arrives too close to transmission. Titles Indicate immediately what the programme or podcast is about. • Use clear simple language – no puns. Show the value of your content • Be succinct - take out any unnecessary words (use 50 characters max) • Put the words that convey most about the story at the front (apps may cut off the end of the title) • Use search terms so people can discover your content Examples of Good Titles • The Death Row book club • In search of the quarter-life crisis • ADHD and me • Finding the viruses that destroy superbugs • How Christo wrapped the Reichstag 1 Programme Descriptions We need you to provide two descriptions for each programme you deliver. -
The Inheritance CONNECTICUT ROOTS, CONNECTICUT CONNECTICUT with DEEP
NEWS / CULTURE / HEALTH / COMMUNITY / TRAVEL / FASHION / FOOD / YOUTH / HISTORY / FEATURES CONNECTICUT VOICE CONNECTICUT CONNECTICUT VOICETM WITH DEEP CONNECTICUT ROOTS, The Inheritance BROADWAY’S WHAT’S IN A NAME? IN A WORD, GAY EPIC EVERYTHING IN HIS OWN WORDS SPRING 2020 GEORGE TAKEI SHARES HIS STORY more happy in your home There have never been more ways to be a family, or more ways to keep yours healthy — like our many convenient locations throughout Connecticut. It’s just one way we put more life in your life. hartfordhealthcare.org Let’s go over some things. Did you know we have a mobile app? That means you can bank from anywhere, like even the backseat of your car. Or Fiji. We have Kidz Club Accounts. Opening one would make you one smart Motherbanker. Retiring? Try a Nutmeg IRA. We have low rates on auto loans, first mortgages, & home equity loans. Much like this We can tiny space squeeze we have in even smallfan-banking-tastic more business fantastic deals here. BankingAwesome.com loans. We offer our wildly popular More-Than-Free Checking. And that’s Nutmeg in a nutshell. And, for the record, we have to have these logos on everything, cuz we’re banking certified. TWO-TIME ALL-STAR JONQUEL JONES 2020 SEASON STARTS MAY 16TH! GET YOUR TICKETS: 877-SUN-TIXX OR CONNECTICUTSUN.COM EXPERIENCE IT ALL Book a hotel room on foxwoods.com using code SPIRIT for 15% OFF at one of our AAA Four-Diamond Hotels. For a complete schedule of events and to purchase tickets, go to foxwoods.com or call 800.200.2882. -
Brief for Respondents
No. 10-1293 In the Morris Tyler Moot Court of Appeals at Yale FEDERAL COMMUNICATIONS COMMISSION, ET AL., PETITIONERS v. FOX TELEVISION STATIONS, INC., ET AL., RESPONDENTS FEDERAL COMMUNICATIONS COMMISSION AND UNITED STATES OF AMERICA, PETITIONERS v. ABC, INC., ET AL., RESPONDENTS ON WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT BRIEF FOR THE RESPONDENTS LEWIS BOLLARD JONATHAN SIEGEL Counsel for Respondents The Yale Law School 127 Wall Street New Haven, CT 06511 (203) 432–4992 QUESTIONS PRESENTED The FCC forbids the broadcasting of indecent speech, defined “as material that, in context, depicts or describes sexual or excretory activities or organs in terms patently offensive as measured by contemporary community standards for the broadcast medium.” J.A. 49. The questions presented are: 1. Whether the FCC’s definition of indecency violates the Fifth Amendment because it is impermissibly vague. 2. Whether the FCC’s ban on indecency violates the First Amendment because it is not narrowly tailored and because it does not require scienter for liability. i PARTIES TO THE PROCEEDINGS Petitioners are the Federal Communications Commission and the United States of America. Respondents who were petitioners in the court of appeals in Fox Television Stations, Inc. v. FCC are: Fox Television Stations, Inc., CBS Broadcasting Inc., WLS Television, Inc., KTRK Television, Inc., KMBC Hearst-Argyle Television, Inc., and ABC Inc. Respondents who were intervenors in the court of appeals in Fox Television Stations, Inc. v. FCC are: NBC Universal, Inc., NBC Telemundo License Co., NBC Television Affiliates, FBC Television Affiliates Association, CBS Television Network Affiliates, Center for the Creative Community, Inc., doing business as Center for Creative Voices in Media, Inc., and ABC Television Affiliates Association. -
Working the Math and the Magic
Bob Pittman WORKING THE MATH AND THE MAGIC rom his days of programming the nation’s #1 radio station in his early 20s to reinventing the nation’s #1 broadcasting company into today’s premier media company, Bob Pittman has had a spectacular career,” says Republic chieftain Monte Lipman. “Bob’s motivation and fearless- ness to always sail into uncharted waters is unprecedented.” Monte makes a valid point—and that includes piloting his jet to the Burning Man festival every year. From his wunderkind days holding court at the NBC commissary to his current reign atop iHeartMedia, the Mississippi native has always been zooming forward. Name a game-changing media moment during the last 35 years, and chances are Bob Pittman’s fingerprints were all over it. After getting his start in radio, he moved to television as a founder of MTV, which became the first profitable cable network as well as reenergizing the record business. Pittman was on hand when Warner Bros. merged with Time Inc., and after serving as CEO of Six Flags and Century 21, he became COO of AOL and held the same post following the 2000 mega- Fmerger that created AOL Tim Warner. Since 2010, Pittman has become “ 143 ever more deeply involved with iHeart- national cable networks, I’ve been an the iHeartRadio Fest in 2011. Radio Media, which bore the Clear Channel advertiser,” Pittman told CNN in 2013. Ink magazine named him the Most nameplate when he arrived. His duties as “[Late Time Warner boss] Steve Ross Powerful Man in Radio in 2011; he has Chairman/CEO have notably included taught me to take chances—don’t ever yet to relinquish the title. -
Fmcg & Covid-19
Guest Edited by Kai D. Wright, Lecturer, Columbia University Global Consulting Partner, Ogilvy © Copyright WARC 2020. All rights reserved. WARC GUIDE Beginning as a hashtag in 2013, Although three women for racial equity is long overdue. #blacklivesmatter has slowly created the hashtag This Guide helps underscore galvanized consumers #blacklivesmatter in 2013, that diversity, equity, and it wasn’t until 2020 that a tidal inclusion represent business wave of public sentiment, growth opportunities, with 90% media attention, and brand of US population growth in the Consumers want brands to act support evolved the next thirty years coming from against racial injustice in ways movement into global, current minority audiences, that go far beyond donations mainstream, mass including Black households. and social media posts mobilization. From the streets to boardrooms, Black Lives This Guide offers research, Matter has unified consumers inspiration, and advice on and employees in fighting how to exercise brand racial inequity, demanding accountability. Ultimately, For too long, brands have failed more accountability from it is a quick-start foundation for to focus on essential diversity, CEOs, organizations, and ethically activating Black Lives equity and inclusion (DEI) work; brands themselves. Matter to be relevant among, here’s what to do now and resonate with, diverse While the pace of change communities by creating a new during 2020 has been dizzying growth imperative based on – pandemic-induced their empowerment. Marketing and communications e-commerce, work-from- work that recognizes and home, and politics – the time Kai D. Wright, Guest Editor exemplifies diversity resonates © Copyright WARC 2020. All rights reserved. © Copyright WARC 2020. -
Editorial-Editors-By
Last Name First Name Publication State Title E-Mail Phone Phone II Kennedy Joey The Birmingham News AL Columnist, Writer, Blogger [email protected] (205) 325-2466 (205) 325-3345 Lard Eddie The Birmingham News AL Writer [email protected] (205) 325-2204 (205) 325-3345 Hare Ken Montgomery Advertiser AL Editor [email protected] (334) 261-1524 (334) 261-1521 Brantley Max Arkansas Times AR Editor [email protected] (501) 375-2985 (501) 375-3623 Boas Philip Arizona Republic AZ Editorial Page Editor [email protected] 602-444-8292 Higgins Sean Coolidge Examiner AZ Editor [email protected] (520) 723-5441 (520) 723-7899 Vega Phil San Pedro Valley News-Sun AZ Publisher [email protected] (520) 458-9440 (520) 459-0120 Goldberg Nicholas Los Angeles Times CA Editorial Page Editor [email protected] (213) 237-5000 Horton Sue Los Angeles Times CA Op Ed and Sunday Opin Editor [email protected] (213) 237-5000 Leavenworth Stuart Sacramento Bee CA Editorial Page Editor [email protected] (916) 321-1185 Lopez Pia Sacramento Bee CA Associate Editor [email protected] 916) 321-1904 Kittle Robert San Diego Union Tribune CA Editorial Page Editor [email protected] 619-299-3131 Marshman Barbara San Jose Mercury News CA Editorial Page Editor [email protected] 408.920.5000 Braly Jim San Jose Mercury News CA Op-Ed Editor [email protected] 408-920-5475 Kazakoff Lois SFGate CA Deputy Editor, Editorial, Columnist [email protected] (415) 777-1111 (415) 543-4816 Arthur John The Bakersfield Californian -
News and Documentary Emmy Winners 2020
NEWS RELEASE WINNERS IN TELEVISION NEWS PROGRAMMING FOR THE 41ST ANNUAL NEWS & DOCUMENTARY EMMY® AWARDS ANNOUNCED Katy Tur, MSNBC Anchor & NBC News Correspondent and Tony Dokoupil, “CBS This Morning” Co-Host, Anchor the First of Two Ceremonies NEW YORK, SEPTEMBER 21, 2020 – Winners in Television News Programming for the 41th Annual News and Documentary Emmy® Awards were announced today by The National Academy of Television Arts & Sciences (NATAS). The News & Documentary Emmy® Awards are being presented as two individual ceremonies this year: categories honoring the Television News Programming were presented tonight. Tomorrow evening, Tuesday, September 22nd, 2020 at 8 p.m. categories honoring Documentaries will be presented. Both ceremonies are live-streamed on our dedicated platform powered by Vimeo. “Tonight, we proudly honored the outstanding professionals that make up the Television News Programming categories of the 41st Annual News & Documentary Emmy® Awards,” said Adam Sharp, President & CEO, NATAS. “As we continue to rise to the challenge of presenting a ‘live’ ceremony during Covid-19 with hosts, presenters and accepters all coming from their homes via the ‘virtual technology’ of the day, we continue to honor those that provide us with the necessary tools and information we need to make the crucial decisions that these challenging and unprecedented times call for.” All programming is available on the web at Watch.TheEmmys.TV and via The Emmys® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.theemmys.tv). Tonight’s show and many other Emmy® Award events can be watched anytime, anywhere on this new platform. In addition to MSNBC Anchor and NBC. -
July 25, 2021 G D1 D2 8 A.M
Thursday, July 22, 2021 Fairbanks Daily News-Miner L19 SUNDAY DAYTIME G=GCI Cable D1=Dish Network D2=DirecTV July 25, 2021 G D1 D2 8 a.m. 8:30 9 a.m. 9:30 10 a.m. 10:30 11 a.m. 11:30 12 p.m. 12:30 1 p.m. 1:30 2 p.m. 2:30 3 p.m. 3:30 ^ Paid Pro- To Be Announced To Be Announced World of X Games (N) World of X Games (N) To Be Announced Paid Pro- Cars.TV (PG) .LFNLQ·,W:LWK%\URQKickin’ It: With Byron KATN 2 2 2 gram (G) (HDTV) (HDTV) gram (G) Allen (PG) (2.2) KATN2 Recipe.TV (PG) ES.TV (PG) Outdoors Athlete Cars.TV MyDest. 7RPP\·V*DUDJHTommy’s Garage ES.TV (PG) Entertainers: Byron Allen Comedy.TV (PG) (2.3) KATN3 In Touch Key/David Cath. Mass Perry Stone CCC Connection Cars.TV Pets.TV (G) Hollywood Paid Prog. “Shirley Valentine” ››‡ (1989) Pauline Collins. ‘R’ black-ish black-ish $ Jackson Mini In Touch PowerPoint It is Written Power Frankie Maz- Dave and Hagee Minis- Bethel-Heav- Beyond Michael Kerry Shook Your Move Joyce Meyer Ron Carpen- Pastor Rob- KJNP 4 4 With Jack with John Change zapica Kate tries (G) en Blessed (G) Youssef (G) Ministries ter (G) ert Morris _ Saved by the Saved by the Saved by the Saved by the The Flint- The Flint- The Flint- The Jetsons The Brady The Brady The Brady The Brady *LOOLJDQ·VGilllgan's *LOOLJDQ·VGilllgan’s *LOOLJDQ·VGilllgan's *LOOLJDQ·VGilllgan's KFXF 7 7 7 Bell (G) Bell (G) Bell (G) Bell (G) stones (G) stones (G) stones (G) (HDTV) (G) Bunch (G) Bunch (G) Bunch (G) Bunch (G) Island (G) Island (G) Island (G) Island (G) ) Curious Cyberchase /HW·V/HDUQLet’s Learn Shapes and Washington History With To the Con- Mack Ameri- Growing Articu- Week- /HW·V/HDUQLet’s Learn Shapes and Nature Five scientists recall KUAC 9 9 9 George (Y) (Y) numbers game. -
THE FUTURE of IDEAS This Work Is Licensed Under a Creative Commons Attribution-Noncommercial License (US/V3.0)
less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page i THE FUTURE OF IDEAS This work is licensed under a Creative Commons Attribution-Noncommercial License (US/v3.0). Noncommercial uses are thus permitted without any further permission from the copyright owner. Permissions beyond the scope of this license are administered by Random House. Information on how to request permission may be found at: http://www.randomhouse.com/about/ permissions.html The book maybe downloaded in electronic form (freely) at: http://the-future-of-ideas.com For more permission about Creative Commons licenses, go to: http://creativecommons.org less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page iii the future of ideas THE FATE OF THE COMMONS IN A CONNECTED WORLD /// Lawrence Lessig f RANDOM HOUSE New York less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page iv Copyright © 2001 Lawrence Lessig All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Random House and colophon are registered trademarks of Random House, Inc. library of congress cataloging-in-publication data Lessig, Lawrence. The future of ideas : the fate of the commons in a connected world / Lawrence Lessig. p. cm. Includes index. ISBN 0-375-50578-4 1. Intellectual property. 2. Copyright and electronic data processing. 3. Internet—Law and legislation. 4. Information society. I. Title. K1401 .L47 2001 346.04'8'0285—dc21 2001031968 Random House website address: www.atrandom.com Printed in the United States of America on acid-free paper 24689753 First Edition Book design by Jo Anne Metsch less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page v To Bettina, my teacher of the most important lesson. -
MIAMI UNIVERSITY the Graduate School
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Bridget Christine Gelms Candidate for the Degree Doctor of Philosophy ______________________________________ Dr. Jason Palmeri, Director ______________________________________ Dr. Tim Lockridge, Reader ______________________________________ Dr. Michele Simmons, Reader ______________________________________ Dr. Lisa Weems, Graduate School Representative ABSTRACT VOLATILE VISIBILITY: THE EFFECTS OF ONLINE HARASSMENT ON FEMINIST CIRCULATION AND PUBLIC DISCOURSE by Bridget C. Gelms As our digital environments—in their inhabitants, communities, and cultures—have evolved, harassment, unfortunately, has become the status quo on the internet (Duggan, 2014 & 2017; Jane, 2014b). Harassment is an issue that disproportionately affects women, particularly women of color (Citron, 2014; Mantilla, 2015), LGBTQIA+ women (Herring et al., 2002; Warzel, 2016), and women who engage in social justice, civil rights, and feminist discourses (Cole, 2015; Davies, 2015; Jane, 2014a). Whitney Phillips (2015) notes that it’s politically significant to pay attention to issues of online harassment because this kind of invective calls “attention to dominant cultural mores” (p. 7). Keeping our finger on the pulse of such attitudes is imperative to understand who is excluded from digital publics and how these exclusions perpetuate racism and sexism to “preserve the internet as a space free of politics and thus free of challenge to white masculine heterosexual hegemony” (Higgin, 2013, n.p.). While rhetoric and writing as a field has a long history of examining myriad exclusionary practices that occur in public discourses, we still have much work to do in understanding how online harassment, particularly that which is gendered, manifests in digital publics and to what rhetorical effect.