Guidelines to Making Programmes for BBC World Service
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BBC World Service : Overseas Broadcasting, 1932-2018 Pdf Free Download
BBC WORLD SERVICE : OVERSEAS BROADCASTING, 1932-2018 PDF, EPUB, EBOOK Gordon Johnston | 338 pages | 26 Nov 2019 | Palgrave MacMillan | 9780230355606 | English | Basingstoke, United Kingdom BBC World Service : Overseas Broadcasting, 1932-2018 PDF Book Radio Times. A few months ago this was valuable information for those travelling abroad who wanted their fix of BBC radio coverage. Within a decade, the service began adding languages and regions, and currently broadcasts to people around the world in 27 languages, with a broad range of programs including news, music, comedy and documentaries. Ships within weeks Not available in stores. The Travel Show , Our World. Secession [Hardcover] Hardback. The Doha Debates. The easiest way to work around such restrictions is by using a VPN. Featuring psalm settings for each Sunday and all the major feast days, this essential musical resource is the first publication to feature the psalm texts that are used in the new Canadian lectionary. Huw Edwards. As radio streams don't hog bandwidth to the extent that streaming TV does, most good VPN services are perfectly adequate for virtually moving back to the UK to listen to a restricted programme. Can I view this online? Retrieved 21 November BBC Television. BBC portal. Editor: Sarah Smith. Retrieved 9 February The Bottom Line. The Random House Group. Advanced search Search history. We have recently updated our Privacy Policy. Need Help? The phrase "but for now" means among other things "making do," as if we had to settle for the bare minimum. Presenters who have normal shows and also Relief present have their relief shows in bold. -
Broadcast Bulletin Issue Number 285 17/08/15
Ofcom Broadcast Bulletin Issue number 285 17 August 2015 1 Ofcom Broadcast Bulletin, Issue 285 17 August 2015 Contents Introduction 5 Notice of Sanction Yoga for You Lamhe TV, 17 June 2014, 09:30 7 Note to Broadcasters 9 Code on the Scheduling of Television Advertising Standards cases In Breach Britain’s Got Talent ITV, 31 May 2015, 19:30 10 News Geo News, 7 May 2015, 08:00 and 14:00 17 Different Anglez New Style Radio 98.7 FM, 7 May 2015, 10:00 19 News ARY News, 7 May 2015, 11:10 and 14:05 21 News Samaa, 7 May 2015, 14:30 23 News Dunya News, 7 May 2015, 17:30 25 Resolved Off Their Rockers: Blue Badge Special (trailer) ITV, 30 May to 1 June 2015, various times pre-watershed. 27 Funded Factual Programmes cases Funded Factual Programmes: managing risks to editorial independence and ensuring viewer confidence 30 Assessment of programmes produced by FactBased Communications and other funded content BBC World News, CNBC and CNN International 33 FBC-produced programming BBC World News, various dates between 14 February 2009 and 2 July 2011 34 2 Ofcom Broadcast Bulletin, Issue 285 17 August 2015 Sponsored programmes BBC World News, various dates between 23 October 2009 and 4 June 2011 49 World Business CNBC, various dates between 17 December 2010 and 22 July 2011. 77 Marketplace Middle East and Quest Means Business CNN International, various dates between 6 March 2009 and 13 July 2011 95 Sponsored programmes CNN International, various dates between 14 August 2009 and 4 August 2012 115 Advertising Scheduling cases In Breach Advertising minutage -
Writing for Broadcast Is a Compromise Between the Two.” It Is Unique but It Can Be Learned
FOREWORD This is the 19th edition of the Defense Information School Broadcast Writing Style Guide. The purpose for this style guide is to provide both an introduction and a reference for military broadcast journalists. The primary audience is DINFOS students at all levels learning the art of broadcast writing. We consider this guide a Standard Operating Procedure for them. Our intent is to include all Department of Defense members who write and prepare broadcast news releases, features, spots, and public service announcements for military and civilian media as the guide’s secondary audience. We encourage both students and writers working in the field to use the margins we’ve provided to make notes. Appendix B, the “sins” and “tips” of broadcast writing, is reprinted with permission from Writing Broadcast News; Mervin Block; Bonus Books, Inc., 160 East Illinois Street, Chicago, 1987. DEFENSE INFORMATION SCHOOL BROADCASTING DEPARTMENT FORT GEORGE G. MEADE, MD 20755 JANUARY 2006 Contents Broadcast Writing ....................................................................................................................... 1 The Six "Cs" ............................................................................................................................... 2 Broadcast News Structure........................................................................................................... 3 Verbs..........................................................................................................................................4 -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Commissioning Brief
RADIO COMMISSIONING FRAMEWORK Commissioning Brief Commissioning Brief No: 107001 Production of BBC Radio 5 Live’s new ‘Sport Entertainment’ podcast for BBC Sounds CONTENTS SECTION A: EDITORIAL OPPORTUNITY........................................................................... 3 SECTION B: THE COMMISSIONING PROCESS ................................................................. 8 1. TIMETABLE .......................................................................................................... 8 2. THE FIVE STAGES ................................................................................................. 9 3. ASSESSMENT CRITERIA ..................................................................................... 11 SECTION C: FULL PROPOSALS ...................................................................................... 12 1. WHAT WE NEED FROM YOU ............................................................................. 12 2. WHAT TO EXPECT FROM US ............................................................................. 13 3. IMPORTANT POINTS TO NOTE .......................................................................... 14 SECTION D: KEY CONTRACT TERMS…………………………………………………………………………15 2 of 15 SECTION A: EDITORIAL OPPORTUNITY Commissioning Brief 107001 Sports Entertainment Podcast Commission contact Richard Maddock Duration Average 30-60 minutes per episode Number of programmes available Minimum initial run of 15 eps with option to extend. Transmission period Starting early 2020 Guide price per episode £2k -
Written Evidence Submitted by the BBC DCMS Select Committee Inquiry Into the Impact of Covid-19 on the DCMS Sectors
Written evidence submitted by the BBC DCMS Select Committee Inquiry into the Impact of Covid-19 on the DCMS Sectors Executive Summary 1. Covid-19 has had a substantial impact on the BBC’s ability to produce programmes and services. Following advice from the WHO, public health organisations and the Government, the BBC closed the production of many programmes and services across its TV and radio output. The cancellation of key broadcasting events, ceasing of productions, and changes to schedules will continue to have an impact on what audiences see and hear across the BBC across the coming months. 2. Like other organisations continuing to operate during this crisis, the BBC has faced operational challenges. We’ve experienced reduced levels of staffing and the huge increase in demand for the BBC’s internal network as over 15,000 colleagues work from home. For those unable to work from home, safety is paramount and we’ve followed Government advice. 3. The BBC Board took the decision to delay changes to the over-75s licence fee from 1 June to 1 August during an unprecedented time. The decision is to be kept under review. 4. In response to Covid-19, the BBC took swift action at the start of the pandemic to repurpose our services and programmes for the benefit of all audiences ensuring we kept the nation informed, educated and entertained. 5. The BBC enhanced our core role to bring trusted news and information to audiences in the UK and around the world in a fast-moving situation, and to counter confusion and misinformation. -
Commissioning Round for 2021-22
Commissioning Round for 2021-22 Timetable and Guidelines to making programmes for BBC World Service The Commissioning Timetable 2020* Thursday 2nd July 2020 Guidelines will be published on https://www.bbc.co.uk/programmes/articles/3hVSnfcdKWdtW0tffb81FbV/bbc-world-service Proteus opens - at this stage Commissioning Editors only require THREE LINE DESCRIPTIONS. Please use the SHORT SYNOPSIS box only. Sports Podcast Timetable *Please note: There is a separate timetable for the Sports Podcast: This is one round only (see the brief for details of what is required) Thursday 20th July (12 noon) Deadline for submissions for initial proposals into Proteus. At this stage Commissioning Editors only require THREE LINE DESCRIPTIONS. Please use the SHORT SYNOPSIS box only Thursday 30th July (12 noon) Deadline for submissions for Sports Podcast Mid-September Results for Sports Podcast will be published in Proteus. Thursday 10th September Pre-offers results published in Proteus. Wednesday 30th September (12 noon) Deadline to submit your final proposals into Proteus. End October Results will be published in Proteus. ***NB: Please ensure that you have access to Proteus early in the process.*** We do not accept proposals from individuals – submissions MUST come through an in-house supplier or registered independent production company. For independent suppliers: details of how to register your company for the database can be found at https://www.bbc.co.uk/commissioning/radio 1 Contacts Mary Hockaday, Controller [email protected] Steve Titherington, -
BBC RADIO ULSTER/FOYLE Station Sound Commissioning Brief SEPTEMBER 2020
BBC RADIO ULSTER/FOYLE Station Sound Commissioning Brief SEPTEMBER 2020 1 Context: THE STATION BBC Radio Ulster/Foyle: • BBC Radio Ulster was established in 1975. Radio Foyle followed as an opt-out service in 1979. • Consistently one of the most listened to stations in Northern Ireland; it embraces every aspect of community and cultural life in Northern Ireland. Its reach and popularity makes it one of the BBC’s top performing stations, within its local and national portfolio, with community connection at the core of its appeal. • BBC Radio Ulster/Foyle's strength of reach is driven by news & current affairs, speech programming, sport and wide ranging specialist music, arts and entertainment. • The station is on air 06.30-00.00 each day. Broadcasting on FM, DAB and BBC Sounds. • Our core audience skews male, (55%) and older with an average age of 56 .The socio economic profile of the station is an even 50/50 split ABC1/C2DE. Whilst it remains a priority to maintain our unique connection with core audiences, facing forward we will make a determined effort to engage and grow listenership with audience in the 30-45 age range. 2 Context: THE STATION TODAY We have recently reworked the station schedule, introducing new programmes, strands and on air talent, alongside long running output and much loved presenters. Just a selection of these are… Good Morning Ulster Evening Extra The Nolan Show Connor Phillips Show Lynette Fay Show ATL: Introducing Talkback Sarah Brett & Chris Buckler Tara Mills & Declan Harvey Stephen Nolan Connor Phillips Lynette -
50 Years of BBC Television News
Foreword BBC Television News is 50 years old at 7.30pm on July 5th, 2004. Since its launch half a century ago BBC Television News has maintained its core commitment to strong, impartial, distinctive journalism covering events both here and across the globe.The broadcasting landscape may have changed beyond all recognition but in today’s multi-channel world it continues to be a trusted voice in the UK and across the globe. Television News now belongs to the wider stable of BBC News - the largest broadcast news operation in the world with more than 2,000 journalists and over 40 newsgathering bureaux, the majority of which are overseas. It is responsible for the BBC One bulletins, Breakfast and Breakfast with Frost, Newsnight, 60 seconds on BBC Three and the news output on BBC Four. It is also responsible for the two BBC continuous news channels, BBC News 24 and BBC World. The size and scope of BBC News, its journalists and specialists, means that it can cover stories and issues that sometimes other broadcasters can’t. More than 18,000 hours of programming originate from BBC Television News every year.That equates to an average of almost 50 hours of output every day. Over the past five decades this has included reports on all the major news stories and pivotal moments from the first man on the moon, the assassination of John F Kennedy, to famine in Ethiopia, the Vietnam war, and the current war in Iraq. BBC Television News has been there for moments of great historical change such as the fall of communism and the end of apartheid as well as tragic stories, including the death of Princess Diana and the September 11th attacks. -
“The Art and Craft of the Director” Film Directing Audio Seminar Peter D
“The Art and Craft of the Director” Film Directing Audio Seminar Peter D. Marshall Website: http://actioncutprint.com Blog: http://filmdirectingtips.com Email: [email protected] Peter D. Marshall has worked (and survived) in the Film and Television Industry for over 38 years - as a Film Director, Television Producer, First Assistant Director and Series Creative Consultant. Credits & Awards http://actioncutprint.com/credits1 Updated - March 20, 2012 Copyright (c) 2012 Peter D. Marshall /ActionCutPrint.com All Rights Reserved (1) “The Art and Craft of the Director Audio Seminar” Dear Filmmaker, Thank you for purchasing this 2012 version of "The Art and Craft of the Director Audio Seminar” - a comprehensive, multi-media audio course that demystifies the process of directing and fast tracks your way to becoming a working film and television director. When I first created this course in 2007, I wanted it to be an Online insider's reference guide for filmmakers. Having now updated it five times, I believe this 238 page course (with over 1000 online reference links and videos) will help you to become a successful film director by providing you with the “insider” knowledge I have gained from over 38 years in the film and television business. Although the majority of productions I have worked on were Hollywood feature films, television movies and TV series, the information you will find in this course is easily adaptable to your own low budget independent films - anywhere in the world! All you need to do is take the information in this course - and scale it down for your own productions (short films, small indie films, music videos etc.) I talk a lot about PASSION and TRUTH in this audio course because these are two of the essential ingredients to having a successful directing career. -
Good/Bad Stories
Name: 60 Seconds Format: Video Platform: One - BBC3 Number of news stories: Five Length of each story: 11 seconds Frequency: Daily Length: 60 seconds Language: Informal, simple sentences Presentation: Music plays throughout the bulletin and video clips are played on the screen of a virtual TV. A news ticker rolls across the bottom of the screen Audience: ………………………………………………………………………………………………. ……………………………………………………………………………………………………………. Name of news programme/service: Newsbeat Format: Audio Platforms: Two - Radio 1 and website Number of news stories: 5-6 longer stories, as well as 4-5 shorter stories Length of each story: Longer stories run between 1 min 20 secs and 2 mins 30 secs long, while shorter stories are around 10 to 15 seconds long Frequency: Two bulletins every weekday, plus news summaries throughout the day Length: 15 minutes Language: Short, snappy sentences and informal language Presentation: A round-up of the day's big news. Radio 1 and Newsbeat jingles. There are lots of short clips and music is played underneath the whole bulletin. Newsbeat has a Facebook page and presenters have Twitter accounts Audience: ………………………………………………………………………………………………. ……………………………………………………………………………………………………………. Name of news programme/service: Newshour Format: Audio Platform: One - BBC World Service Number of news stories: Nine key stories, plus a recap of the headlines halfway through the programme Length of each story: Key stories are about six minutes long, but about a third are about three minutes long Frequency: Two hour-long programmes every day Length: One hour Language: Clear and concise. Lots of complex issues discussed Presentation: Limited use of music but lots of trail aheads to stories later in the bulletin, as well as promotions for other World Service programmes. -
GCSE Media Studies: Radio and Careers in Radio the Only Area Of
GCSE Media Studies: Radio and Careers in Radio The only area of the curriculum that we missed, owing to remote learning, was radio. Digital radio and its commercial stations, which meet the needs of diverse audiences, have secured the longevity of radio as a media form. Consequently, the BBC (public broadcasting) has had to change rapidly in order to maintain listening numbers, especially when faced with large independent commercial competition such as Virgin Radio. Here are some study tasks that will ensure that you are ready for any learning about radio at A Level and have knowledge of potential careers in radio. Task 1 – Explore BBC Radio Visit the BBC Sounds websites and apply your knowledge of demographics and psychographics; which audiences can you identify when exploring the BBC Sounds webpage and the individual station pages? https://www.bbc.co.uk/sounds/stations Apply Blumler and Katz’s ‘Uses and Gratifications’ theory to this website. Why do different audiences engage with radio? Give examples of what will attract different groups. Put BBC radio today in context by visiting the Science Museum website and finding out the answers to each of these questions: - What was radio broadcasting like before the BBC? - When was the first public broadcast in the UK? - When was the BBC founded? - What types of programme could you hear in the early days of radio? - When did the BBC lose its monopoly? https://www.sciencemuseum.org.uk/objects-and-stories/2lo-calling-birth-british-public- radio Task 2 - Read the article about Chris Evans’