BBC RADIO ULSTER/FOYLE Station Sound Commissioning Brief SEPTEMBER 2020
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BBC World Service : Overseas Broadcasting, 1932-2018 Pdf Free Download
BBC WORLD SERVICE : OVERSEAS BROADCASTING, 1932-2018 PDF, EPUB, EBOOK Gordon Johnston | 338 pages | 26 Nov 2019 | Palgrave MacMillan | 9780230355606 | English | Basingstoke, United Kingdom BBC World Service : Overseas Broadcasting, 1932-2018 PDF Book Radio Times. A few months ago this was valuable information for those travelling abroad who wanted their fix of BBC radio coverage. Within a decade, the service began adding languages and regions, and currently broadcasts to people around the world in 27 languages, with a broad range of programs including news, music, comedy and documentaries. Ships within weeks Not available in stores. The Travel Show , Our World. Secession [Hardcover] Hardback. The Doha Debates. The easiest way to work around such restrictions is by using a VPN. Featuring psalm settings for each Sunday and all the major feast days, this essential musical resource is the first publication to feature the psalm texts that are used in the new Canadian lectionary. Huw Edwards. As radio streams don't hog bandwidth to the extent that streaming TV does, most good VPN services are perfectly adequate for virtually moving back to the UK to listen to a restricted programme. Can I view this online? Retrieved 21 November BBC Television. BBC portal. Editor: Sarah Smith. Retrieved 9 February The Bottom Line. The Random House Group. Advanced search Search history. We have recently updated our Privacy Policy. Need Help? The phrase "but for now" means among other things "making do," as if we had to settle for the bare minimum. Presenters who have normal shows and also Relief present have their relief shows in bold. -
BBC Radio Ulster/Foyle Service Licence
BBC Radio Ulster/Foyle Service Licence. Issued November 2012 BBC Radio Ulster/Foyle This service licence describes the most important characteristics of BBC Radio Ulster/Foyle, including how it contributes to the BBC’s public purposes. Service Licences are the core of the BBC’s governance system. They aim to provide certainty for audiences and stakeholders about what each BBC service should provide. The Trust uses service licences as the basis for its performance assessment and as the basis for its consideration of any proposals for change to the UK public services from the BBC Executive. A service may not change in a way that breaches its service licence without Trust approval. The Trust presumes that any proposed change to a stated Key Characteristic of a licence will require it to undertake a Public Value Test. Should it decide not to carry out a Public Value Test before approving any such change, then it must publish its reasons in full. Part l: Key characteristics of the service 1. Remit The remit of BBC Radio Ulster/Foyle is to be a speech-led service for listeners seeking programmes about the life, culture and affairs of Northern Ireland. Its programming should combine extensive coverage of local issues, interests and events with coverage of national and international developments. 2. Scope of this Licence BBC Radio Ulster/Foyle should be available every day for reception across Northern Ireland on FM and more widely on DAB digital radio and digital television platforms1, and it may be simulcast on the internet. It may also offer its broadcast content on fixed and mobile internet protocol networks or via other platforms2. -
Guidelines to Making Programmes for BBC World Service
Guidelines to Making Programmes for BBC World Service Titles and Descriptions It’s not just the programmes that need to have a sense of excitement and the ability to create curiosity in our audience and potential audience. Whatever we publish - titles, billings, online descriptions etc (known as ‘metadata’) - have an effect on how your programme performs on the web. Programme titles and descriptions should always be written in a way that encourages the most people to listen to it, makes the programme topic clear, and ensures visibility and findability across the web - in podcast provider spaces (such as Apple Podcasts, Spotify etc.), search engine results (such as Google) and other tech, such as voice-activated systems (such as Alexa). We need to have titles and programme descriptions five weeks before the transmission date. This ensures that both Press and Publicity have time to adequately promote the programme, and that these descriptions are ready in time for our automated systems. It can be difficult to update programme descriptions at some of their publication sites if the information arrives too close to transmission. Titles Indicate immediately what the programme or podcast is about. • Use clear simple language – no puns. Show the value of your content • Be succinct - take out any unnecessary words (use 50 characters max) • Put the words that convey most about the story at the front (apps may cut off the end of the title) • Use search terms so people can discover your content Examples of Good Titles • The Death Row book club • In search of the quarter-life crisis • ADHD and me • Finding the viruses that destroy superbugs • How Christo wrapped the Reichstag 1 Programme Descriptions We need you to provide two descriptions for each programme you deliver. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Commissioning Brief
RADIO COMMISSIONING FRAMEWORK Commissioning Brief Commissioning Brief No: 107001 Production of BBC Radio 5 Live’s new ‘Sport Entertainment’ podcast for BBC Sounds CONTENTS SECTION A: EDITORIAL OPPORTUNITY........................................................................... 3 SECTION B: THE COMMISSIONING PROCESS ................................................................. 8 1. TIMETABLE .......................................................................................................... 8 2. THE FIVE STAGES ................................................................................................. 9 3. ASSESSMENT CRITERIA ..................................................................................... 11 SECTION C: FULL PROPOSALS ...................................................................................... 12 1. WHAT WE NEED FROM YOU ............................................................................. 12 2. WHAT TO EXPECT FROM US ............................................................................. 13 3. IMPORTANT POINTS TO NOTE .......................................................................... 14 SECTION D: KEY CONTRACT TERMS…………………………………………………………………………15 2 of 15 SECTION A: EDITORIAL OPPORTUNITY Commissioning Brief 107001 Sports Entertainment Podcast Commission contact Richard Maddock Duration Average 30-60 minutes per episode Number of programmes available Minimum initial run of 15 eps with option to extend. Transmission period Starting early 2020 Guide price per episode £2k -
Written Evidence Submitted by the BBC DCMS Select Committee Inquiry Into the Impact of Covid-19 on the DCMS Sectors
Written evidence submitted by the BBC DCMS Select Committee Inquiry into the Impact of Covid-19 on the DCMS Sectors Executive Summary 1. Covid-19 has had a substantial impact on the BBC’s ability to produce programmes and services. Following advice from the WHO, public health organisations and the Government, the BBC closed the production of many programmes and services across its TV and radio output. The cancellation of key broadcasting events, ceasing of productions, and changes to schedules will continue to have an impact on what audiences see and hear across the BBC across the coming months. 2. Like other organisations continuing to operate during this crisis, the BBC has faced operational challenges. We’ve experienced reduced levels of staffing and the huge increase in demand for the BBC’s internal network as over 15,000 colleagues work from home. For those unable to work from home, safety is paramount and we’ve followed Government advice. 3. The BBC Board took the decision to delay changes to the over-75s licence fee from 1 June to 1 August during an unprecedented time. The decision is to be kept under review. 4. In response to Covid-19, the BBC took swift action at the start of the pandemic to repurpose our services and programmes for the benefit of all audiences ensuring we kept the nation informed, educated and entertained. 5. The BBC enhanced our core role to bring trusted news and information to audiences in the UK and around the world in a fast-moving situation, and to counter confusion and misinformation. -
TV & Radio Channels Astra 2 UK Spot Beam
UK SALES Tel: 0345 2600 621 SatFi Email: [email protected] Web: www.satfi.co.uk satellite fidelity Freesat FTA (Free-to-Air) TV & Radio Channels Astra 2 UK Spot Beam 4Music BBC Radio Foyle Film 4 UK +1 ITV Westcountry West 4Seven BBC Radio London Food Network UK ITV Westcountry West +1 5 Star BBC Radio Nan Gàidheal Food Network UK +1 ITV Westcountry West HD 5 Star +1 BBC Radio Scotland France 24 English ITV Yorkshire East 5 USA BBC Radio Ulster FreeSports ITV Yorkshire East +1 5 USA +1 BBC Radio Wales Gems TV ITV Yorkshire West ARY World +1 BBC Red Button 1 High Street TV 2 ITV Yorkshire West HD Babestation BBC Two England Home Kerrang! Babestation Blue BBC Two HD Horror Channel UK Kiss TV (UK) Babestation Daytime Xtra BBC Two Northern Ireland Horror Channel UK +1 Magic TV (UK) BBC 1Xtra BBC Two Scotland ITV 2 More 4 UK BBC 6 Music BBC Two Wales ITV 2 +1 More 4 UK +1 BBC Alba BBC World Service UK ITV 3 My 5 BBC Asian Network Box Hits ITV 3 +1 PBS America BBC Four (19-04) Box Upfront ITV 4 Pop BBC Four (19-04) HD CBBC (07-21) ITV 4 +1 Pop +1 BBC News CBBC (07-21) HD ITV Anglia East Pop Max BBC News HD CBeebies UK (06-19) ITV Anglia East +1 Pop Max +1 BBC One Cambridge CBeebies UK (06-19) HD ITV Anglia East HD Psychic Today BBC One Channel Islands CBS Action UK ITV Anglia West Quest BBC One East East CBS Drama UK ITV Be Quest Red BBC One East Midlands CBS Reality UK ITV Be +1 Really Ireland BBC One East Yorkshire & Lincolnshire CBS Reality UK +1 ITV Border England Really UK BBC One HD Channel 4 London ITV Border England HD S4C BBC One London -
Service Review
Delivering Quality First in Northern Ireland DELIVERING QUALITY FIRST IN NORTHERN IRELAND EXECUTIVE SUMMARY The BBC in Northern Ireland aims to bring the highest quality, most distinctive programmes and services to local audiences, reflecting the diversity of its cultures, communities and languages, and informing, educating and entertaining all its citizens. Our ambition is to deliver content driven by the unique needs of our local audiences, fulfilling the BBC’s public purposes within the context of political, economic and social change in Northern Ireland. The capacity to evaluate and reflect a Northern Ireland society during this period of significant transformation is at the heart of our proposition. Northern Ireland-specific output such as BBC Radio Ulster/Foyle is extremely popular and highly distinctive. On television, BBC Newsline and the current affairs programme Spotlight combine with live sports coverage and a wide range of non-news programming such as The Estate, Belfast Blitz and House of the Year to deliver significant value to local audiences. In the first quarter of 2011, ten of BBC One Northern Ireland’s top twenty programmes were locally made Northern Ireland programmes. Within a very competitive television news market, the BBC’s television news specifically for Northern Ireland audiences (BBC Newsline) is highly trusted and valued by our audience. When the BBC’s programmes for Northern Ireland audiences opt into the BBC One and BBC Two network schedules, they consistently add to the overall channel performance. BBC Radio Ulster/Foyle reaches on average almost 38% of the Northern Ireland adult population each week – amongst the highest reach of all of the BBC’s national and local radio services. -
Radiocentre's Response to the BBC Trust Review of the BBC's National Radio Stations in Northern Ireland, Scotland and Wales
RadioCentre’s response to the BBC Trust review of the BBC’s national radio stations in Northern Ireland, Scotland and Wales 1. Executive summary 1.1. We welcome the fact that a significant degree of scrutiny is being applied to the BBC Nations services, via the BBC Trust’s ongoing service licence review process. The Nations services were largely overlooked during the 2010 BBC Strategy Review process – we considered this to be unfortunate given the relatively high level of licence fee funding invested in them, their potential market impact, and - most importantly - their disproportionate political and social importance. 1.2. The BBC’s radio services in the Nations – BBC Radio Ulster/Foyle (Northern Ireland), BBC Radio Scotland and BBC Radio nan Gàidheal (Scotland), BBC Radio Wales and BBC Radio Cymru (Wales) – should embody the ideals of public service broadcasting: that is, providing distinctive, high quality, informative speech content that adds significant value to the body politic. 1.3. We believe that the BBC’s Nations services do largely fulfil this role. However, aspects of these services fail to meet such high standards, in the following areas: ‐ Music/speech output. The service licences of the English language Nations services state that they should be ‘speech-led’, yet they all broadcast a significant amount of music during daytime. We believe that the service licences of all English language BBC Nations services should be amended, to require them to broadcast 100% speech during daytime. ‐ Audience profile. The English language Nations services currently lack a target age demographic. We believe that all BBC Radio service licences should contain a specific target age range, in order to ensure maximisation of public value and avoid duplication with the commercial sector. -
Bbc Radio Foyle Efficiency Savings
RESEARCH AND LIBRARY SERVICES BRIEFING NOTE 93/09 Northern Ireland Assembly BBC RADIO FOYLE EFFICIENCY SAVINGS On the 22 October 2009 BBC Northern Ireland announced the ‘second phase’ of its saving and investment programme to be implemented out throughout 2010/11, involving the ‘closure’ of approximately 25 to 30 post across the business. These proposals, which form part of a five-year efficiency savings plan, will include what the BBC refer to as deriving “greater benefits from a stronger partnership between BBC Radio Foyle and BBC Radio Ulster”, as well as: • refocusing of drama priorities to secure more productions within Northern Ireland; • localising of news production by relocating newsgathering to local communities outside of Belfast; and • taking advantage of new broadcast technology. To date, the efficiency programme has achieved a total annualised saving of £5.8m. A further £4.8m saving target is to be achieved between now and 2012/13.i The announcement regarding the future of BBC Radio Foyle has been subject to speculation in the local press. The Derry Journal, for example, reported: “More than half of BBC Radio Foyle’s programmes could be axed and jobs lost under a major cost-cutting drive by BBC Northern Ireland, the ‘Journal’ has learned. The station’s flagship ‘News at Once’ slot and the popular Sean Coyle and Mark Patterson programmes will be replaced by existing shows on Radio Ulster – if proposals by management in Belfast get the green light”.ii The report adds that up to four jobs could be lost at the station, which could also lose its Saturday Sports and Saturday Club programmes. -
GCSE Media Studies: Radio and Careers in Radio the Only Area Of
GCSE Media Studies: Radio and Careers in Radio The only area of the curriculum that we missed, owing to remote learning, was radio. Digital radio and its commercial stations, which meet the needs of diverse audiences, have secured the longevity of radio as a media form. Consequently, the BBC (public broadcasting) has had to change rapidly in order to maintain listening numbers, especially when faced with large independent commercial competition such as Virgin Radio. Here are some study tasks that will ensure that you are ready for any learning about radio at A Level and have knowledge of potential careers in radio. Task 1 – Explore BBC Radio Visit the BBC Sounds websites and apply your knowledge of demographics and psychographics; which audiences can you identify when exploring the BBC Sounds webpage and the individual station pages? https://www.bbc.co.uk/sounds/stations Apply Blumler and Katz’s ‘Uses and Gratifications’ theory to this website. Why do different audiences engage with radio? Give examples of what will attract different groups. Put BBC radio today in context by visiting the Science Museum website and finding out the answers to each of these questions: - What was radio broadcasting like before the BBC? - When was the first public broadcast in the UK? - When was the BBC founded? - What types of programme could you hear in the early days of radio? - When did the BBC lose its monopoly? https://www.sciencemuseum.org.uk/objects-and-stories/2lo-calling-birth-british-public- radio Task 2 - Read the article about Chris Evans’ -
Small Screen: Big Debate – a Five-Year Review of Public Service Broadcasting (2014-18)
Small Screen: Big Debate – a five-year review of Public Service Broadcasting (2014-18) Small Screen: Big Debate – a five-year review of Public Service Broadcasting (2014-18) – Welsh translation Publication date: 27 February 2020 Contents Section 1. Overview 3 2. What is PSB and what is Ofcom’s role? 8 3. How the market has changed 12 4. How well has PSB been delivered? 18 5. PSB and the role of the wider UK media market 45 6. The future of PSB, and next steps 65 2 1. Overview Public service broadcasting (PSB) is at a crucial juncture. Audience viewing habits continue to change rapidly and competition from global content providers is ever-increasing. We are facilitating a wide- ranging conversation on the future of PSB, Small Screen: Big Debate. This document and the accompanying interactive data report are intended to help inform this debate by summarising how the statutory remit for PSB has been fulfilled over a five-year period (2014-2018). The purposes and objectives of PSB were established by Parliament and include ensuring that UK audiences can enjoy a range of high-quality television programmes. The Communications Act 2003 also designates the broadcast channels that are, together, responsible for fulfilling this PSB remit and gives Ofcom a duty to review delivery at least every five years. The ‘PSB channels’ are: the BBC public service television channels and the main channels of ITV, STV, Channel 4, Channel 5 and S4C. Our review also considers the contribution that other media services make to the PSB objectives, including commercial television, radio and online content services.