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Author and Activist Lawrence Lessig
Big Money Bulletin Author and reform activist Lawrence Lessig Inside to headline WDC annual meeting on May 2 Harvard University professor and campaign finance reform crusader Page 2 Lawrence Lessig will be the keynote speaker for the Democracy Supreme Court drops another bomb Campaign’s annual membership meeting to be held on Friday, May 2. Wisconsin communities move to amend Lessig is the author of Republic, Lost: How Money Corrupts Congress Page 3 — And a Plan to Stop It and founder of the national group Rootstrikers. Change in leadership coming at WDC He is the driving force behind the New Hampshire Rebellion that started Less for voters, more for lobbyists with a 185-mile walk across the state and now is working to make sure that every federal candidate in the 2016 primaries is asked one question: Page 4 “How are YOU going to end the system of corruption in Washington, Kissing the ring in Vegas D.C.?” Lessig also is well known for his dynamic TED talks. TED stands for Technology, Entertainment and Design and is a nonprofit devoted to spreading ideas, usually in the form of short, powerful talks of 18 minutes or less. Started in 1984, the group’s mission is promoted through conferences and videos in more than 100 languages that cover topics from science to April 2014 business to global issues. Edition No. 89 This year’s WDC membership meeting is being held at Madison’s Barrymore Theatre, located at 2090 Atwood Avenue on the city’s near east side. On the Web: Registration will begin at 5:30 p.m., with the evening’s program starting www.wisdc.org at 6. -
Studies in History and Jurisprudence, Vol. 2 [1901]
The Online Library of Liberty A Project Of Liberty Fund, Inc. Viscount James Bryce, Studies in History and Jurisprudence, vol. 2 [1901] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
Openness in the Music Business– How Record Labels and Artists May Profit from Reducing Control
Table of Contents TECHNISCHE UNIVERSITÄT MÜNCHEN Dr. Theo Schöller-Stiftungslehrstuhl für Technologie- und Innovationsmanagement Openness in the music business– How record labels and artists may profit from reducing control Johannes L. Wechsler Vollständiger Abdruck der von der Fakultät für Wirtschaftswissenschaften der Technischen Universität München zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswissenschaften (Dr. rer. pol.) genehmigten Dissertation. Vorsitzender: Univ.-Prof. Dr. I. Welpe Prüfer der Dissertation: 1. Univ.-Prof. Dr. J. Henkel 2. Univ.-Prof. Dr. F. v. Wangenheim Die Dissertation wurde am 09.12.2010 bei der Technischen Universität München eingereicht und durch die Fakultät für Wirtschaftswissenschaften am 11.05.2011 angenommen. i Table of Contents Table of Contents DETAILED TABLE OF CONTENTS .................................................................................................... II LIST OF FIGURES .................................................................................................................................. V LIST OF TABLES ................................................................................................................................. VII LIST OF ABBREVIATIONS..................................................................................................................IX ABSTRACT..............................................................................................................................................XI 1 INTRODUCTION ...................................................................................................................... -
U.S. Communications Policymaking: Who & (And) Where
Hastings Communications and Entertainment Law Journal Volume 13 | Number 2 Article 5 1-1-1990 U.S. Communications Policymaking: Who & (and) Where Mark S. Nadel Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Mark S. Nadel, U.S. Communications Policymaking: Who & (and) Where, 13 Hastings Comm. & Ent. L.J. 273 (1990). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol13/iss2/5 This Special Feature is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. U.S. Communications Policymaking: Who & Where by MARK S. NADEL* Table of Contents I. The Federal Government ................................. 276 A. The Legislative Branch ............................... 276 1. Congress: House and Senate ...................... 276 2. Congressional Support Agencies ................... 279 B. Independent Agencies ................................ 280 1. Federal Communications Commission (FCC) ...... 280 2. Postal Rate Commission and Board of Governors.. 283 3. Federal Trade Commission (FTC) ................. 283 C. Executive Branch Agencies ........................... 284 -
Law and Order
THE HAMLYN LECTURES Thirty-seventh series Law and Order Ralf Dahrendorf K.B.E., F.B.A. STEVENS Law and Order by Ralf Dahrendorf K.B.E., F.B.A. Professor of Social Science in the University of Constance; formerly Director of the London School of Economics In this book, based on his 1985 Hamlyn Lectures, Professor Ralf Dahrendorf considers the fundamental questions posed for the social order of free countries by the decline in respect for the law. Taking as his point of departure the terrors of our streets and the riots in our football grounds, Professor Dahrendorf discusses the implication for social order and liberty of such issues as unemployment, the cracks in the party system and the growing disorientation of the young. There are four major themes in the book— • The Road to Anomia—crime statistics are but the most dramatic symptoms of a loosening of social ties and norms. • Seeking Rousseau, Finding Hobbes—a widespread dream of goodness has resulted in the dismantling of some of the institutions designed to protect us from badness. • The Struggle for the Social Contract—underlying social changes have led from the class struggle to conflicts about the boundaries of society. • Society and Liberty—most reactions to the new condition involve threats to liberty—we need to reassert the links between law, order and liberty. Professor Dahrendorf has had a most distinguished career, both in his native Germany and in the United Kingdom. In Law and Order he offers a lively and stimulating analysis of a topic of vital importance in the life of every citizen. -
VULCAN HISTORICAL REVIEW Vol
THE VULCAN HISTORICAL REVIEW Vol. 16 • 2012 The Vulcan Historical Review Volume 16 • 2012 ______________________________ Chi Omicron Chapter Phi Alpha Theta History Honor Society University of Alabama at Birmingham The Vulcan Historical Review Volume 16 • 2012 Published annually by the Chi Omicron Chapter of Phi Alpha Theta at the University of Alabama at Birmingham 2012 Editorial Staff Executive Editors Beth Hunter and Maya Orr Graphic Designer Jacqueline C. Boohaker Editorial Board Chelsea Baldini Charles Brooks Etheredge Brittany Richards Foust Faculty Advisor Dr. George O. Liber Co-Sponsors The Linney Family Endowment for The Vulcan Historical Review Dr. Carol Z. Garrison, President, UAB Dr. Linda Lucas, Provost, UAB Dr. Suzanne Austin, Vice Provost for Student and Faculty Success, UAB Dr. Bryan Noe, Dean of the Graduate School, UAB Dr. Thomas DiLorenzo, Dean, College of Arts and Sciences, UAB Dr. Rebecca Ann Bach, Associate Dean for Research and Creative Activities in the Humanities and Arts, UAB Dr. Carolyn A. Conley, Chair, Department of History, UAB The Department of History, UAB The Vulcan Historical Review is published annually by the Chi Omicron Chapter (UAB) of Phi Alpha Theta History Honor Society. The journal is completely student-written and student-edited by undergraduate and masters level graduate students at the University of Alabama at Birmingham. ©2012 Chi Omicron Chapter of Phi Alpha Theta History Honor Society, the University of Alabama at Birmingham. All rights reserved. No material may be duplicated or quoted without the expressed written permission of the author. The University of Alabama at Birmingham, its departments, and its organizations disclaim any responsibility for statements, either in fact or opinion, made by contributors. -
MIAMI UNIVERSITY the Graduate School
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Bridget Christine Gelms Candidate for the Degree Doctor of Philosophy ______________________________________ Dr. Jason Palmeri, Director ______________________________________ Dr. Tim Lockridge, Reader ______________________________________ Dr. Michele Simmons, Reader ______________________________________ Dr. Lisa Weems, Graduate School Representative ABSTRACT VOLATILE VISIBILITY: THE EFFECTS OF ONLINE HARASSMENT ON FEMINIST CIRCULATION AND PUBLIC DISCOURSE by Bridget C. Gelms As our digital environments—in their inhabitants, communities, and cultures—have evolved, harassment, unfortunately, has become the status quo on the internet (Duggan, 2014 & 2017; Jane, 2014b). Harassment is an issue that disproportionately affects women, particularly women of color (Citron, 2014; Mantilla, 2015), LGBTQIA+ women (Herring et al., 2002; Warzel, 2016), and women who engage in social justice, civil rights, and feminist discourses (Cole, 2015; Davies, 2015; Jane, 2014a). Whitney Phillips (2015) notes that it’s politically significant to pay attention to issues of online harassment because this kind of invective calls “attention to dominant cultural mores” (p. 7). Keeping our finger on the pulse of such attitudes is imperative to understand who is excluded from digital publics and how these exclusions perpetuate racism and sexism to “preserve the internet as a space free of politics and thus free of challenge to white masculine heterosexual hegemony” (Higgin, 2013, n.p.). While rhetoric and writing as a field has a long history of examining myriad exclusionary practices that occur in public discourses, we still have much work to do in understanding how online harassment, particularly that which is gendered, manifests in digital publics and to what rhetorical effect. -
Artists Without an Income?
Artists without an income? Critical analysis of the value gap and its impact on emerging artists and the music industry Jenny-Maria Lohiniva Supervisor: Fredrik Schoug MSc in Media and Communication Lund University 2019 Abstract This thesis seeks to discover what are the consequences of the value gap, for the emerging artists and the music industry by critically evaluating the concept of value gap and what it means for the music industry. This will also lead the way to discovering how emerging artists are “making it” in the era of music streaming, and which aspects are playing a significant role in this. In addition, the consequences of the value gap in terms of creating value are discussed, both for the emerging artists and for the music industry. Lastly it is discovered that how is the music industry adapting to the changes that the value gap and the streaming services have created. The aim is to critically evaluate the notion of the value gap, and to discover whether is it a claim coming from the music industry, or are artists of today not receiving enough revenue for their music. The information is gathered by qualitatively interviewing emerging artists and music industry professionals in Finland. This thesis argues that value gap, is not as simple as the industry makes it look like. There is a common claim, that due to streaming services artists are not receiving financial value in the same way as if they would sell records. Therefore, it is discussed that the latest technological developments in the music industry have made artists careers challenging, but this research argues that the situation is not quite as simple. -
A Day in the Life of Your Data
A Day in the Life of Your Data A Father-Daughter Day at the Playground April, 2021 “I believe people are smart and some people want to share more data than other people do. Ask them. Ask them every time. Make them tell you to stop asking them if they get tired of your asking them. Let them know precisely what you’re going to do with their data.” Steve Jobs All Things Digital Conference, 2010 Over the past decade, a large and opaque industry has been amassing increasing amounts of personal data.1,2 A complex ecosystem of websites, apps, social media companies, data brokers, and ad tech firms track users online and offline, harvesting their personal data. This data is pieced together, shared, aggregated, and used in real-time auctions, fueling a $227 billion-a-year industry.1 This occurs every day, as people go about their daily lives, often without their knowledge or permission.3,4 Let’s take a look at what this industry is able to learn about a father and daughter during an otherwise pleasant day at the park. Did you know? Trackers are embedded in Trackers are often embedded Data brokers collect and sell, apps you use every day: the in third-party code that helps license, or otherwise disclose average app has 6 trackers.3 developers build their apps. to third parties the personal The majority of popular Android By including trackers, developers information of particular individ- and iOS apps have embedded also allow third parties to collect uals with whom they do not have trackers.5,6,7 and link data you have shared a direct relationship.3 with them across different apps and with other data that has been collected about you. -
The Philip Glass Ensemble in Downtown New York, 1966-1976 David Allen Chapman Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 4-27-2013 Collaboration, Presence, and Community: The Philip Glass Ensemble in Downtown New York, 1966-1976 David Allen Chapman Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Part of the Music Commons Recommended Citation Chapman, David Allen, "Collaboration, Presence, and Community: The hiP lip Glass Ensemble in Downtown New York, 1966-1976" (2013). All Theses and Dissertations (ETDs). 1098. https://openscholarship.wustl.edu/etd/1098 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Peter Schmelz, Chair Patrick Burke Pannill Camp Mary-Jean Cowell Craig Monson Paul Steinbeck Collaboration, Presence, and Community: The Philip Glass Ensemble in Downtown New York, 1966–1976 by David Allen Chapman, Jr. A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2013 St. Louis, Missouri © Copyright 2013 by David Allen Chapman, Jr. All rights reserved. CONTENTS LIST OF FIGURES .................................................................................................................... -
The Internet Is a Semicommons
GRIMMELMANN_10_04_29_APPROVED_PAGINATED 4/29/2010 11:26 PM THE INTERNET IS A SEMICOMMONS James Grimmelmann* I. INTRODUCTION As my contribution to this Symposium on David Post’s In Search of Jefferson’s Moose1 and Jonathan Zittrain’s The Future of the Internet,2 I’d like to take up a question with which both books are obsessed: what makes the Internet work? Post’s answer is that the Internet is uniquely Jeffersonian; it embodies a civic ideal of bottom-up democracy3 and an intellectual ideal of generous curiosity.4 Zittrain’s answer is that the Internet is uniquely generative; it enables its users to experiment with new uses and then share their innovations with each other.5 Both books tell a story about how the combination of individual freedom and a cooperative ethos have driven the Internet’s astonishing growth. In that spirit, I’d like to suggest a third reason that the Internet works: it gets the property boundaries right. Specifically, I see the Internet as a particularly striking example of what property theorist Henry Smith has named a semicommons.6 It mixes private property in individual computers and network links with a commons in the communications that flow * Associate Professor, New York Law School. My thanks for their comments to Jack Balkin, Shyam Balganesh, Aislinn Black, Anne Chen, Matt Haughey, Amy Kapczynski, David Krinsky, Jonathon Penney, Chris Riley, Henry Smith, Jessamyn West, and Steven Wu. I presented earlier versions of this essay at the Commons Theory Workshop for Young Scholars (Max Planck Institute for the Study of Collective Goods), the 2007 IP Scholars conference, the 2007 Telecommunications Policy Research Conference, and the December 2009 Symposium at Fordham Law School on David Post’s and Jonathan Zittrain’s books. -
March 2013 Sunday Morning Talk Show Data
March 2013 Sunday Morning Talk Show Data March 3, 2013 25 men and 10 women NBC's Meet the Press with David Gregory: 5 men and 2 women Speaker of the House John Boehner (M) Gene Sperling (M) Rep. Raul Labrador (M) Kathleen Parker (F) Joy Reid (F) Chuck Todd (M) Tom Brokaw (M) CBS's Face the Nation with Bob Schieffer: 7 men and 1 woman Sen. Lindsey Graham (M) Sen. John McCain (M) Sen. Majority Whip Dick Durbin (M) Cardinal Timothy Dolan (M) Bob Woodward (M) David Sanger (M) Rana Foroohar (F) John Dickerson (M) ABC's This Week with George Stephanopoulos: 4 men and 3 women Gene Sperling (M) Sen. Kelly Ayotte (F) James Carville (M) Matthew Dowd (M) Paul Gigot (M) Mayor Mia Love (F) Cokie Roberts (F) CNN's State of the Union with Candy Crowley: 6 men and 1 woman Sen. Minority Leader Mitch McConnell (M) Gene Sperling (M) Rep. Steve Israel (M) Rep. Greg Walden (M) Mark Zandi (M) Stephen Moore (M) Susan Page (F) Fox News' Fox News Sunday with Chris Wallace: 3 men and 3 women Fmr. Gov. Mitt Romney (M) Ann Romney (F) Bill Kristol (M) Kirsten Powers (F) Fmr. Sen. Scott Brown (F) Charles Lane (M) March 10, 2013 25 men and 13 women NBC's Meet the Press with David Gregory: 6 men and 3 women Sen. Tim Kaine (M) Sen. Tom Coburn (M) Rep. Tulsi Gabbard (F) Rep. Cory Garnder (M) Joe Scarborough (M) Dee Dee Myers (F) Rep. Marsha Blackburn (F) Steve Schmidt (M) Ruth Marcus (F) Fmr.