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The News Media Industry Defined
Spring 2006 Industry Study Final Report News Media Industry The Industrial College of the Armed Forces National Defense University Fort McNair, Washington, D.C. 20319-5062 i NEWS MEDIA 2006 ABSTRACT: The American news media industry is characterized by two competing dynamics – traditional journalistic values and market demands for profit. Most within the industry consider themselves to be journalists first. In that capacity, they fulfill two key roles: providing information that helps the public act as informed citizens, and serving as a watchdog that provides an important check on the power of the American government. At the same time, the news media is an extremely costly, market-driven, and profit-oriented industry. These sometimes conflicting interests compel the industry to weigh the public interest against what will sell. Moreover, several fast-paced trends have emerged within the industry in recent years, driven largely by changes in technology, demographics, and industry economics. They include: consolidation of news organizations, government deregulation, the emergence of new types of media, blurring of the distinction between news and entertainment, decline in international coverage, declining circulation and viewership for some of the oldest media institutions, and increased skepticism of the credibility of “mainstream media.” Looking ahead, technology will enable consumers to tailor their news and access it at their convenience – perhaps at the cost of reading the dull but important stories that make an informed citizenry. Changes in viewer preferences – combined with financial pressures and fast paced technological changes– are forcing the mainstream media to re-look their long-held business strategies. These changes will continue to impact the media’s approach to the news and the profitability of the news industry. -
Bibliography of Cooperatives and Cooperative Development
Bibliography of Cooperatives and Cooperative Development Compiled by the following Illinois Institute for Rural Affairs personnel: Original, 1999 Christopher D. Merrett, PhD, IIRA director and professor Norman Walzer, PhD, professor of Economics and IIRA director emeritus Update, 2007 Cynthia Struthers, PhD, associate professor, Housing/Rural Sociology Program Erin Orwig, MBA, faculty assistant, Value-Added Rural Development/Cooperative Development Roger Brown, MBA, manager, Value-Added Rural Development/Cooperative Development Mathew Zullo, graduate assistant Ryan Light, graduate assistant Jeffrey Nemeth, graduate assistant S. Robert Wood, graduate assistant Update, 2012 Kara Garten, graduate assistant John Ceglarek, graduate assistant Tristan Honn, research assistant Published by Illinois Institute for Rural Affairs Stipes Hall 518 Western Illinois University 1 University Circle Macomb, IL 61455-1390 [email protected] www.IIRA.org This publication is available from IIRA in print and on the IIRA website. Quoting from these materials for noncommercial purposes is permitted provided proper credit is given. First Printing: September 1999 Second Printing: September 2007 Third Printing: June 2012 Printed on recycled paper Table of Contents I. Introduction ................................................................................................................................................1 II. Theory and History of Cooperatives ....................................................................................................3 III. Governance, -
Reporter Privilege: a Con Job Or an Essential Element of Democracy Maguire Center for Ethics and Public Responsibility Public Scholar Presentation November 14, 2007
Reporter Privilege: A Con Job or an Essential Element of Democracy Maguire Center for Ethics and Public Responsibility Public Scholar Presentation November 14, 2007 Two widely divergent cases in recent months have given the public some idea as to what exactly reporter privilege is and whether it may or may not be important in guaranteeing the free flow of information in society. Whether it’s important or not depends on point of view, and, sometimes, one’s political perspective. The case of San Francisco Giants baseball star Barry Bonds and the ongoing issues with steroid use fueled one case in which two San Francisco Chronicle reporters were held in contempt and sentenced to 18 months in jail for refusing to reveal the source of leaked grand jury testimony. According to the testimony, Bonds was among several star athletes who admitted using steroids in the past, although he claimed he did not know at the time the substance he was taking contained steroids. In the other, New York Times reporter Judith Miller served 85 days in jail over her refusal to disclose the source of information that identified a CIA employee, Valerie Plame. The case was complicated with political overtones dealing with the Bush Administration’s claims in early 2003 that Iraq had weapons of mass destruction. A number of other reporter privilege cases were ongoing during the same time period as these two, but the newsworthiness and the subject matter elevated these two cases in terms of extensive news coverage.1 Particularly in the case of Miller, a high-profile reporter for what arguably is the most important news organization in the world, being jailed created a continuing story that was closely followed by journalists and the public. -
Michael Byron Michael Byron
Michael Byron 329 Belt Avenue, Apt. 301 St. Louis, Missouri 63112 314/935-6683 (w) 314/367-1146 (h) Current Position Professor of Art Washington University School of Art, St. Louis, Missouri Education Kansas City Art Institute, Kansas City, Missouri, BFA. Nova Scotia College of Art & Design, Halifax, Nova Scotia, Canada, MFA. Selected Solo Exhibitions 2007 The Suburban, “Main St. 02879”, Oak Park, IL. May-August. 2004 Galerie Delta Rotterdam, “Walpergisnacht”, Rotterdam, the Netherlands, June. Philip Slein Gallery, “A Decade of Work on Paper”, St. Louis, Missouri. October -November. 2002 Blaffer Gallery, the Art Museum of the University of Houston “Amitin Notebook Project”, June - September. Susan Inglett, “ Amitin Notebook Outtakes”, New York, New York, September19 - October 26. 2001 Rhodes College, “A Survey of the Grisaille Series, 1997-2000,” curated by Marina Pacini, Memphis, Tennessee, February - April. Elliot Smith Contemporary Art, “A Survey of the Grisaille Series, 1997-2000”, St. Louis, Missouri, April - May. Forum for Contemporary Art, “Amitin Notebook Project”, November 2001 - January 2002 (catalog). 2000 Carrie Seecrist Gallery, Chicago, Illinois, February-March. 1999 Baron/Boisante Gallery, “Portraits of Objects,” New York, New York; February-April. Schmidt Contemporary Art, “Drawings From a Blind Man’s Pencil,” St. Louis, Missouri, April. Elias Fine Art, Alliston, Massachusetts, November-December. 1998 Schmidt Contemporary Art, St. Louis, Missouri, February-March. 1997 Flatlands Galerie, Utrecht, The Netherlands, January-March. 1996 St. Louis Art Museum, “Currents 66”, St. Louis, Missouri. 1995 Olin Gallery, “Michael Byron, Short Stories, Paintings, 1993-1995”, Roanoke College, Salem, Virginia. Baron/Boisante Gallery, “Works on Paper, 1982-1995”, New York, New York. -
National History Bowl National Championships Round 4
National History Bowl National Championships Round 4 Round: 4 Supergroup Group Room: Reader: Scorekeep: Team Names, including letter designation if needed, go in the large boxes to the right. TU# Bonus Bonus Points Cumulative Score Bonus Points Cumulative Score 1 Quarter 1 2 Tossups Only 3 4 Put a "10" in the 5 column of the team 6 that answers correctly. 7 Otherwise leave box 8 blank. 9 10 Quarter 2 1 Tossups and bonuses 2 Put "10" in the team's 3 column. Otherwise, 4 leave box blank. 5 For bonuses, put "0" or 6 Substitutions allowed between Qtrs all "10" in the bonus 7 column. 8 Quarter 3 points points 60 sec. rds - trailing team Lightning Lightning goes first. 10 pts each. Bounceback Bounceback 20 pt bonus for sweep! Total Total Quarter 4 1 Tossups worth 30, 20, or 2 10 points each 3 Put the appropriate 4 number in the column of 5 the team that answers 6 correctly. Otherwise leave 7 box blank. 8 Tiebreakers 1 Tiebreak questions Tie Breaker (Sudden are only used 2 have no point value Victory) to determine winner! 3 at all! Final Score Check score with both teams. Resolve any errors before submitting this scoresheet. NHBB Nationals Bowl 2017-2018 Bowl Round 4 Bowl Round 4 First Quarter (1) This woman nearly fell over during a botched curtsy in front of King George VI. This woman was sent to Craig House in 1941 and was later relocated to St. Coletta School for Exceptional Children, where she spent the last 66 years of her life. -
The Rise of Talk Radio and Its Impact on Politics and Public Policy
Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox. -
The Bush Revolution: the Remaking of America's Foreign Policy
The Bush Revolution: The Remaking of America’s Foreign Policy Ivo H. Daalder and James M. Lindsay The Brookings Institution April 2003 George W. Bush campaigned for the presidency on the promise of a “humble” foreign policy that would avoid his predecessor’s mistake in “overcommitting our military around the world.”1 During his first seven months as president he focused his attention primarily on domestic affairs. That all changed over the succeeding twenty months. The United States waged wars in Afghanistan and Iraq. U.S. troops went to Georgia, the Philippines, and Yemen to help those governments defeat terrorist groups operating on their soil. Rather than cheering American humility, people and governments around the world denounced American arrogance. Critics complained that the motto of the United States had become oderint dum metuant—Let them hate as long as they fear. September 11 explains why foreign policy became the consuming passion of Bush’s presidency. Once commercial jetliners plowed into the World Trade Center and the Pentagon, it is unimaginable that foreign policy wouldn’t have become the overriding priority of any American president. Still, the terrorist attacks by themselves don’t explain why Bush chose to respond as he did. Few Americans and even fewer foreigners thought in the fall of 2001 that attacks organized by Islamic extremists seeking to restore the caliphate would culminate in a war to overthrow the secular tyrant Saddam Hussein in Iraq. Yet the path from the smoking ruins in New York City and Northern Virginia to the battle of Baghdad was not the case of a White House cynically manipulating a historic catastrophe to carry out a pre-planned agenda. -
Media Images of War 3(1) 7–41 © the Author(S) 2010 Reprints and Permission: Sagepub
MWC Article Media, War & Conflict Media images of war 3(1) 7–41 © The Author(s) 2010 Reprints and permission: sagepub. co.uk/journalsPermissions.nav DOI: 10.1177/1750635210356813 Michael Griffin http://mwc.sagepub.com Macalester College, Saint Paul, MN, USA Abstract Photographic images of war have been used to accentuate and lend authority to war reporting since the early 20th century, with depictions in 1930s picture magazines of the Spanish Civil War prompting unprecedented expectations for frontline visual coverage. By the 1960s, Vietnam War coverage came to be associated with personal, independent and uncensored reporting and image making, seen as a journalistic ideal by some, and an obstacle to successful government conduct of the war by others. This article considers the idealized ‘myth’ of Vietnam War coverage and how it has influenced print and television photojournalism of American conflicts, skewing expectations of wartime media performance and fostering a consistent pattern of US Government/media collaboration. Upon analysis, pictorial coverage of US wars by the American media not only fails to live up to the myth of Vietnam but tends to be compliant and nationalist. It fails to reflect popular ideals of independent and critical photojournalism, or even the willingness to depict the realities of war. Keywords documentary, Gulf War, Iraq War, journalism, news, photography, photojournalism, television, television news, Vietnam War, visual communication, visual culture, war, war photography Media representations of war are of interest to media scholars for many reasons. First, as reports or images associated with extreme conflict and matters of life and death, they tend to draw intense public attention, and potentially influence public opinion. -
([PDF]) My Times: a Memoir of Dissent Pdf by John Hess
Overview book of My Times: A Memoir of Dissent My Times is a critical look at The New York Times from the inside. John Hess worked at the paper for twenty-four years as an editor, rewrite man, foreign correspondent, investigative reporter, and food critic, from New York to Paris to the Middle East and back. In his tenure Hess rubbed shoulders and butted heads with some of the notable figures of journalism from the last fifty years, including Cyrus Sulzberger and his cousin Punch, A. M. Rosenthal, Seymour Hersh, Scotty Reston, and Homer Bigart. But this isn't a lives of the saints; reporters, to Hess's observation, mostly churned out unambitious, conformist copy, and when they didn't, editors would "fix" it. He argues that the paper deliberately fudged its coverage of Vietnam at a crucial turn. He revisits the close association of the Sulzberger publishing family with the world leaders the newspaper purported to cover objectively. Later Hess shows that the Times was far better acquainted with the jet-set than with its neglected backyard; few at the paper in the 1970s seemed able to pick out the Bronx on a map. My Times is not without warmth for the Good Gray Lady. Hess praises individual reporters and editors, and notes that working for "the most influential paper in the world" gave him a platform to pursue various campaigns for justice, a few of which he recaps here: the journalistic prairie fire he set in connection with the New York State nursing home scandal; his exposé of shenanigans at the Metropolitan Museum of Art; and his revelation of corruption in several administrations at City Hall. -
1 Hl90ak Steven Biel Fall 2014 Friday 10-‐12 Barker 128 Office Hours
HL90ak Steven Biel Fall 2014 Friday 10-12 Barker 128 Office hours: By appointment [email protected] 617-495-4858 The Vietnam War in American Culture As we mark the 50th anniversary of the Gulf of Tonkin Resolution, this course will examine the U.S. war in Vietnam from the 1950s through the fall of Saigon, and its legacies up to the present. Considering a range of texts by and about soldiers and veterans, policy makers and protesters, reporters and refugees, the course covers key events in the war, as well as representations and reinterpretations of these events in later years. In each week, I have paired materials produced during the war with those produced after the war in order to explore Americans’ contested and changing understandings of the experiences and meanings of the Vietnam War. Texts include popular films, documentaries, journalism, fiction, letters, diaries, government documents, and war memorials. Course Requirements This is a seminar. Students are expected to come to class prepared for discussion about the materials assigned each week. In addition, students will write two papers and take a three- hour final exam. Class Participation 20% Paper One (5-7 pages) 20% Paper Two (8-10 pages) 30% Final Exam 30% Academic Integrity In this course, collaboration of any sort on any work submitted for formal evaluation is not permitted. This means that you may not discuss your paper assignments with other students. All work should be entirely your own and must use appropriate citation practices to acknowledge the use of books, articles, websites, lectures, discussions, etc., that you have consulted to complete your assignments. -
Embedded Reporters: What Are Americans Getting?
Embedded Reporters: What Are Americans Getting? For More Information Contact: Tom Rosenstiel, Director, Project for Excellence in Journalism Amy Mitchell, Associate Director Matt Carlson, Wally Dean, Dante Chinni, Atiba Pertilla, Research Nancy Anderson, Tom Avila, Staff Embedded Reporters: What Are Americans Getting? Defense Secretary Donald Rumsfeld has suggested we are getting only “slices” of the war. Other observers have likened the media coverage to seeing the battlefield through “a soda straw.” The battle for Iraq is war as we’ve never it seen before. It is the first full-scale American military engagement in the age of the Internet, multiple cable channels and a mixed media culture that has stretched the definition of journalism. The most noted characteristic of the media coverage so far, however, is the new system of “embedding” some 600 journalists with American and British troops. What are Americans getting on television from this “embedded” reporting? How close to the action are the “embeds” getting? Who are they talking to? What are they talking about? To provide some framework for the discussion, the Project for Excellence in Journalism conducted a content analysis of the embedded reports on television during three of the first six days of the war. The Project is affiliated with Columbia University and funded by the Pew Charitable Trusts. The embedded coverage, the research found, is largely anecdotal. It’s both exciting and dull, combat focused, and mostly live and unedited. Much of it lacks context but it is usually rich in detail. It has all the virtues and vices of reporting only what you can see. -
Journalism Awards
FIFTIETH FIFTIETHANNUAL 5ANNUAL 0SOUTHERN CALIFORNIA JOURNALISM AWARDS LOS ANGELES PRESS CLUB th 50 Annual Awards for Editorial Southern California Journalism Awards Excellence in 2007 and Los Angeles Press Club A non-profit organization with 501(c)(3) status Tax ID 01-0761875 Honorary Awards 4773 Hollywood Boulevard Los Angeles, California 90027 for 2008 Phone: (323) 669-8081 Fax: (323) 669-8069 Internet: www.lapressclub.org E-mail: [email protected] THE PRESIDENT’S AWARD For Impact on Media PRESS CLUB OFFICERS Steve Lopez PRESIDENT: Chris Woodyard Los Angeles Times USA Today VICE PRESIDENT: Ezra Palmer Editor THE JOSEPH M. QUINN AWARD TREASURER: Anthea Raymond For Journalistic Excellence and Distinction Radio Reporter/Editor Ana Garcia 3 SECRETARY: Jon Beaupre Radio/TV Journalist, Educator Investigative Journalist and TV Anchor EXECUTIVE DIRECTOR: Diana Ljungaeus KNBC News International Journalist BOARD MEMBERS THE DANIEL PEARL AWARD Michael Collins, EnviroReporter.com For Courage and Integrity in Journalism Jane Engle, Los Angeles Times Bob Woodruff Jahan Hassan, Ekush (Bengali newspaper) Rory Johnston, Freelance Veteran Correspondent and TV Anchor Will Lewis, KCRW ABC Fred Mamoun, KNBC-4News Jon Regardie, LA Downtown News Jill Stewart, LA Weekly George White, UCLA Adam Wilkenfeld, Independent TV Producer Theresa Adams, Student Representative ADVISORY BOARD Alex Ben Block, Entertainment Historian Patt Morrison, LA Times/KPCC PUBLICIST Edward Headington ADMINISTRATOR Wendy Hughes th 50 Annual Southern California Journalism Awards