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The News Media Industry Defined
Spring 2006 Industry Study Final Report News Media Industry The Industrial College of the Armed Forces National Defense University Fort McNair, Washington, D.C. 20319-5062 i NEWS MEDIA 2006 ABSTRACT: The American news media industry is characterized by two competing dynamics – traditional journalistic values and market demands for profit. Most within the industry consider themselves to be journalists first. In that capacity, they fulfill two key roles: providing information that helps the public act as informed citizens, and serving as a watchdog that provides an important check on the power of the American government. At the same time, the news media is an extremely costly, market-driven, and profit-oriented industry. These sometimes conflicting interests compel the industry to weigh the public interest against what will sell. Moreover, several fast-paced trends have emerged within the industry in recent years, driven largely by changes in technology, demographics, and industry economics. They include: consolidation of news organizations, government deregulation, the emergence of new types of media, blurring of the distinction between news and entertainment, decline in international coverage, declining circulation and viewership for some of the oldest media institutions, and increased skepticism of the credibility of “mainstream media.” Looking ahead, technology will enable consumers to tailor their news and access it at their convenience – perhaps at the cost of reading the dull but important stories that make an informed citizenry. Changes in viewer preferences – combined with financial pressures and fast paced technological changes– are forcing the mainstream media to re-look their long-held business strategies. These changes will continue to impact the media’s approach to the news and the profitability of the news industry. -
Reading Print Ads for Designer Children's Clothing
University of Massachusetts Amherst ScholarWorks@UMass Amherst Communication Graduate Student Publication Communication Series October 2009 The mother’s gaze and the model child: Reading print ads for designer children’s clothing Chris Boulton UMass, Amherst, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/communication_grads_pubs Part of the Communication Commons Boulton, Chris, "The mother’s gaze and the model child: Reading print ads for designer children’s clothing" (2009). Advertising & Society Review. 5. Retrieved from https://scholarworks.umass.edu/communication_grads_pubs/5 This Article is brought to you for free and open access by the Communication at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Communication Graduate Student Publication Series by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. ABSTRACT This audience analysis considers how two groups of mothers, one affluent and mostly white and the other low-income and mostly of color, responded to six print ads for designer children’s clothing. I argue that the gender and maternal affiliations of these women—which coalesce around their common experience of the male gaze and a belief that children’s clothing represents the embodied tastes of the mother—are ultimately overwhelmed by distinct attitudes towards conspicuous consumption, in-group/out-group signals, and even facial expressions. I conclude that, when judging the ads, these mothers engage in a vicarious process referencing their own daily practice of social interaction. In other words, they are auditioning the gaze through which others will view their own children. KEY WORDS advertising, fashion, race, mothers, children BIO Chris Boulton is a doctoral student in Communication at the University of Massachusetts, Amherst. -
The Rise of Talk Radio and Its Impact on Politics and Public Policy
Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox. -
Embedded Reporters: What Are Americans Getting?
Embedded Reporters: What Are Americans Getting? For More Information Contact: Tom Rosenstiel, Director, Project for Excellence in Journalism Amy Mitchell, Associate Director Matt Carlson, Wally Dean, Dante Chinni, Atiba Pertilla, Research Nancy Anderson, Tom Avila, Staff Embedded Reporters: What Are Americans Getting? Defense Secretary Donald Rumsfeld has suggested we are getting only “slices” of the war. Other observers have likened the media coverage to seeing the battlefield through “a soda straw.” The battle for Iraq is war as we’ve never it seen before. It is the first full-scale American military engagement in the age of the Internet, multiple cable channels and a mixed media culture that has stretched the definition of journalism. The most noted characteristic of the media coverage so far, however, is the new system of “embedding” some 600 journalists with American and British troops. What are Americans getting on television from this “embedded” reporting? How close to the action are the “embeds” getting? Who are they talking to? What are they talking about? To provide some framework for the discussion, the Project for Excellence in Journalism conducted a content analysis of the embedded reports on television during three of the first six days of the war. The Project is affiliated with Columbia University and funded by the Pew Charitable Trusts. The embedded coverage, the research found, is largely anecdotal. It’s both exciting and dull, combat focused, and mostly live and unedited. Much of it lacks context but it is usually rich in detail. It has all the virtues and vices of reporting only what you can see. -
Annual Report 2018-2019
FY18 ANNUAL REPORT ALL OF US TOGETHER 2 GLAAD 02 Key GLAAD Initiatives ANNUAL REPORT 03 Mission Statement FY18 05 President & CEO’s Message 06 Jan-Sept 2018 Highlights KEY 10 News & Rapid Response ACCOMPLISHMENTS 12 GLAAD Media Institute (GMI) 14 Spanish-Language and Latinx Media 16 Youth Engagement 18 Events 22 Transgender Media Program 24 Voter Education & Engagement GLAAD BY 28 GLAAD at Work THE NUMBERS 29 Letter from the Treasurer 30 Financial Summary INVESTORS 34 GLAAD Supporters & DIRECTORY 36 Giving Circles 39 Staff 40 Board of Directors 2 3 KEY GLAAD INITIATIVES MISSION GLAAD NEWS & RAPID RESPONSE GLAAD serves as a resource to journalists and news outlets in print, broadcast, and online to ensure that the news media is accurately and fairly representing LGBTQ people in its reporting. As the world’s largest GLAAD MEDIA INSTITUTE (GMI) lesbian, gay, bisexual, Through training, consulting, and research—including annual resources like the Accelerating Acceptance report and the GLAAD Studio Responsibility Index—GMI enables everyone from students to professionals, transgender, and queer journalists to spokespeople to build the core skills and techniques that effectuate positive cultural change. GLAAD CAMPUS AMBASSADOR PROGRAM (LGBTQ) media advocacy GLAAD Campus Ambassadors are a volunteer network of university/college LGBTQ and ally students who work with GLAAD and within their local communities to build an LGBTQ movement to accelerate acceptance and end hate. organization, GLAAD is GLAAD MEDIA AWARDS at the forefront of cultural The GLAAD Media Awards recognize and honor media for their fair, accurate, and inclusive representations of the LGBTQ community and the issues that affect their lives. -
405, Dept. of African American Stds, 81 Wall Street
Prof. D. A. Brooks [email protected] Office: 405, Dept. of African American Stds, 81 Wall Street Spring 2015 Meets Tu/Th 2:30-3:45pm Location: WLH 208 Office Hours: Tu: 4-5pm, W: 3:30pm-5pm & by appointment AFAM 403/THST 431/AM STDS 386 “…Who Run the World”: Black Women and Popular Music Culture [Billie] Holiday demonstrates… the value of important lives and voices Otherwise dismissed. --Lindon Barrett, Blackness and Value My persuasion can build a nation. --Beyonce From Bessie Smith and Billie Holiday to Tina Turner and Beyonce, from Nina Simone and Grace Jones to Lauryn Hill and Nicki Minaj, black women have used various forms of musical expression as sites of social and ideological resistance and revision. Through an exploration of voice, lyricism, kinesthetic performance, instrumentality and visual aesthetics, this course examines the “world wide underground” of black women’s sonic cultures, and it re-interrogates pop music subculture theories through the intersecting prisms of race, gender, class and sexuality. It considers the ways that black women musicians operate as socio- political and cultural intellectuals, and it reads their work as historically-situated cultural texts that resonate in multiple contexts. Throughout the semester, we will explore the ways in which black women culture workers have stylized and innovated disruptive and iconic performance practices within the context of American popular music culture, from the postbellum era through the present day. Part of the aim of this course is to trace the tensions between the enormous influence and ubiquity of the black female singing voice in globalized popular cultures and the ways in which a range of entertainers have nonetheless negotiated eccentric and “obscure” musical gestures that signaled and affirmed the existence of resistant musical aesthetics in the face of panopticism. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
RATNER PAYOFF Developer Suggests He’D Give Victims of Eminent Domain New Homes Near Arena
SATURDAY • April 24, 2004 Including Carroll Gardens-Cobble Hill Paper, Downtown News, DUMBO Paper and Fort Greene-Clinton Hill Paper Published every Saturday by Brooklyn Paper Publications Inc, 55 Washington Street, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2004 Brooklyn Paper Publications • 20 pages including GO BROOKLYN • Vol. 27, No. 16 BWN • Saturday, April 24, 2004 • FREE RATNER PAYOFF Developer suggests he’d give victims of eminent domain new homes near arena By Deborah Kolben The Brooklyn Papers NOT JUST NETS • THE NEW BROOKLYN • NOT JUST NETS If you can’t beat ’em, build ’em a new building. being considered for its construc- ner would build a 20,000-seat bas- who would be evicted or otherwise owns a condominium at 24 Sixth Plowing ahead with plans to tion. ketball arena for his recently pur- impacted by construction of his At- Ave., the A.G. Spalding Building, construct a $2.5 billion arena, of- “It’s among the various options chased New Jersey Nets, flanked lantic Yards project. And fewof which would face the wrecking fice and housing complex in Pros- we’re considering at this point,” by four sweeping office towers and them interviewed this week were ball under Ratner’s plans. pect Heights, developer Bruce Rat- Deplasco said. buildings containing 4,500 residen- thrilled with the idea of moving At the same time, Ratner is, ac- ner is now looking to construct a Gehry, in fact, told Newsweek tial units. into one of his buildings.Others de- cording to sources, floating a new new building to house some of the online this week, “Bruce is asking The plan is dependent upon the clined to talk about their discus- plan that would require less use of residents his plan would displace. -
Journalism Awards
FIFTIETH FIFTIETHANNUAL 5ANNUAL 0SOUTHERN CALIFORNIA JOURNALISM AWARDS LOS ANGELES PRESS CLUB th 50 Annual Awards for Editorial Southern California Journalism Awards Excellence in 2007 and Los Angeles Press Club A non-profit organization with 501(c)(3) status Tax ID 01-0761875 Honorary Awards 4773 Hollywood Boulevard Los Angeles, California 90027 for 2008 Phone: (323) 669-8081 Fax: (323) 669-8069 Internet: www.lapressclub.org E-mail: [email protected] THE PRESIDENT’S AWARD For Impact on Media PRESS CLUB OFFICERS Steve Lopez PRESIDENT: Chris Woodyard Los Angeles Times USA Today VICE PRESIDENT: Ezra Palmer Editor THE JOSEPH M. QUINN AWARD TREASURER: Anthea Raymond For Journalistic Excellence and Distinction Radio Reporter/Editor Ana Garcia 3 SECRETARY: Jon Beaupre Radio/TV Journalist, Educator Investigative Journalist and TV Anchor EXECUTIVE DIRECTOR: Diana Ljungaeus KNBC News International Journalist BOARD MEMBERS THE DANIEL PEARL AWARD Michael Collins, EnviroReporter.com For Courage and Integrity in Journalism Jane Engle, Los Angeles Times Bob Woodruff Jahan Hassan, Ekush (Bengali newspaper) Rory Johnston, Freelance Veteran Correspondent and TV Anchor Will Lewis, KCRW ABC Fred Mamoun, KNBC-4News Jon Regardie, LA Downtown News Jill Stewart, LA Weekly George White, UCLA Adam Wilkenfeld, Independent TV Producer Theresa Adams, Student Representative ADVISORY BOARD Alex Ben Block, Entertainment Historian Patt Morrison, LA Times/KPCC PUBLICIST Edward Headington ADMINISTRATOR Wendy Hughes th 50 Annual Southern California Journalism Awards -
Finding Aid to the Historymakers ® Video Oral History with Tai Beauchamp
Finding Aid to The HistoryMakers ® Video Oral History with Tai Beauchamp Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Beauchamp, Tai, 1978- Title: The HistoryMakers® Video Oral History Interview with Tai Beauchamp, Dates: October 7, 2014 Bulk Dates: 2014 Physical 6 uncompressed MOV digital video files (2:42:13). Description: Abstract: Journalist and entrepreneur Tai Beauchamp (1978 - ) was the style ambassador of InStyle magazine and the CEO of Tai Life Media, LLC. She became the youngest and first African American beauty and fitness director at Seventeen magazine in 2004. Beauchamp was interviewed by The HistoryMakers® on October 7, 2014, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2014_228 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Journalist and entrepreneur Tai Beauchamp was born on January 7, 1978 in Newark, New Jersey. She graduated from Spelman College in 2000 with her B.A. degree in English Literature and received a certificate in television production from New York University in 2003. Beauchamp began her career as an intern for Good Housekeeping and Harper’s Bazaar magazines in 1998. In 2000, she was hired at O, The Oprah Magazine as a fashion and beauty assistant, but was soon named associate beauty editor. In 2003, Essence magazine/Time Inc. hired her to serve as the beauty editor of several prototypes that later became Suede magazine. In 2004, Beauchamp became the youngest and first African American appointed to the role of beauty and fitness director at Seventeen magazine. -
ESPN the Magazine Is Prohibited
Saving People Money Since 1936 ... that’s before there were color TVs. GEICO has been serving up great car insurance and (!2;!9ধ$ $<9;31'8 9'8=-$' (38 138' ;,!2 @'!89W '; ! 7<3;' !2& 9'' ,3> 1<$, @3< $3<£& 9!=' ;3&!@W +'-$3W$31 d f¥ff d £3$!£ 3ă$' 31'&-9$3<2;9T$3='8!+'9T6!@1'2;6£!29!2&('!;<8'9!8'23;!=!-£!#£'-2!££9;!;'938!££ $316!2-'9W -9!8'+-9;'8'&9'8=-$'1!803( 3='821'2; 16£3@''9 29<8!2$'316!2@T!9,-2+;32TWW¤U!'809,-8' !;,!>!@ 2$W9<#9-&-!8@W} 02.08.16 Peyton Manning, 39, looks to claim his second ring—this time as the oldest QB to play in the Super Bowl. SUPERBOWL50 FORWARD COLUMNS 11 WATCH THE THRONE Will Stephen Curry’s rise 8 THE TICKET 35 SUPER BOWL 50 64 JOEY FATONE, MISS FEBRUARY 1999 lead to the dethroning of LeBron James? A new study reveals Gluttonous maximus: celebrating 50 years of AND ONE EPIC CHOCOLATE FOUNTAIN Two games tell the story. BY KEVIN ARNOVITZ the hidden depths of America’s favorite (unofficial) holiday. The toughest ticket in town at SB XXXVIII? Hint: 22 ZOOM Eddie George, former Pro Bowl running the NFL’s coaching It wasn’t for the game. BY DAVID FLEMING back, takes on Chicago—the musical, that is. diversity crisis. 36 ALL THAT GLITTERS … 24 ¿ESTÁS LISTO PARA EL FÚTBOL AMERICANO? BY MINA KIMES The NFL rings in Super Bowl’s big 5-0 with really, 72 SUPER BOWL CONFIDENTIAL Mexico has gone gonzo for the gridiron. -
The FCC, Indecency, and Anti-Abortion Political Advertising, 3 Vill
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 1996 The CF C, Indecency, and Anti-Abortion Political Advertising Lili Levi University of Miami School of Law, [email protected] Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the Communications Law Commons, and the Election Law Commons Recommended Citation Lili Levi, The FCC, Indecency, and Anti-Abortion Political Advertising, 3 Vill. Sports & Ent. L.J. 85 (1996). This Article is brought to you for free and open access by the Faculty and Deans at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in Articles by an authorized administrator of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. THE FCC, INDECENCY, AND ANTI-ABORTION POLITICAL ADVERTISING Liu LEvi* TABLE OF CONTENTS Introduction ................................................ 86 I. The Scope of Indecency ............................... 99 A. The Broadcasters' Claimed Dilemma ............... 99 B. The Open Texture of the FCC's Indecency D efinition .......................................... 106 1. The FCC's Options on a Literal Reading ........ 107 2. Context as the Determinant .................... 109 3. The Underlying Vision of Indecency ............ 110 C. The Problems of Constitutional and Statutory Interpretation Avoided by the FCC's Approach ..... 114 II. The Scope of Political Advertising Rights ............... 121 A. The Statutory Dimension ........................... 121 1. Section 312(a) (7) and the Meaning of Reasonable Access .............................. 123 a. The Text and Legislative History of Section 312(a) (7) ................................... 124 b. Administrative and Judicial Interpretations of Section 312(a) (7) ..........................