DOCSLIB.ORG

Mahabharata Book Free Pdf Download Mahabharata PDF Book by C

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

mahabharata book free pdf download Mahabharata PDF Book by C. Rajagopalachari (-400) Download or Read Online. Mahabharata PDF book by C. Rajagopalachari Read Online or Free Download in ePUB, PDF or MOBI eBooks. Published in -400 the book become immediate popular and critical acclaim in classics, fantasy books. The main characters of Mahabharata novel are Dushashana, Bhimasena. The book has been awarded with Booker Prize, Edgar Awards and many others. One of the Best Works of C. Rajagopalachari. published in multiple languages including English, consists of 444 pages and is available in Paperback format for offline reading. Mahabharata PDF Details. Author: C. Rajagopalachari Book Format: Paperback Original Title: Mahabharata Number Of Pages: 444 pages First Published in: -400 Latest Edition: 2012 Language: English Generes: Classics, Fantasy, Mythology, Religion, Cultural, India, Fiction, Poetry, Philosophy, Main Characters: Dushashana, Bhimasena, Bhurisravas, Yayati, Jarasandha Formats: audible mp3, ePUB(Android), kindle, and audiobook. The book can be easily translated to readable Russian, English, Hindi, Spanish, Chinese, Bengali, Malaysian, French, Portuguese, Indonesian, German, Arabic, Japanese and many others. Please note that the characters, names or techniques listed in Mahabharata is a work of fiction and is meant for entertainment purposes only, except for biography and other cases. we do not intend to hurt the sentiments of any community, individual, sect or religion. DMCA and Copyright : Dear all, most of the website is community built, users are uploading hundred of books everyday, which makes really hard for us to identify copyrighted material, please contact us if you want any material removed. Mahabharata Read Online. Please refresh (CTRL + F5) the page if you are unable to click on View or Download buttons. The Hindu Epic Mahabharata and its Main Characters. The Mahabharata is one of the greatest ancient epics in India, along with the Ramayana. It consists of 100,000 verses making it four times the length of Ramayana and fifteen times the length of the bible. In fact, it is the world’s longest epic poem ever written. Hindus consider the Mahabharata to be one of their ‘itihasa ’, meaning historical texts. The Kurukshetra War that takes place in the Mahabharata is believed to have happened about the 10th century BC. The Mahabharata started as an orally-transmitted story from about the 8th or 9th century BC and its written form was only finalized in about the 4th century AD. The story was compiled by Vyasa who also appears in the story. However, it is uncertain whether Vyasa was an actual person or just a symbolic author, as many other Hindu texts from different centuries are also attributed to Vyasa, and the literal meaning of Vyasa is actually ‘compiler’ or ‘arranger’. Quick Facts. The Kurukshetra War is believed to have been an actual war that took place in the 10th century. The Mahabharata is the longest poem ever written. The Bhagavad Gita, which is a very important ancient Hindu story, is a part of the Mahabharata. Krishna who appears in the story is believed to be the 8th incarnation of Vishnu who was incarnated to restore dharma , or moral order. The story of the Mahabharata essentially revolves around the rivalry between two bands of royal brothers. The 8 Main Protagonist and Antagonist Characters of the Mahabharata. The main characters in Mahabharata are mostly related to each other within a large extended family. However, their family tree is very complicated because most of them have multiple marriages and many children. 1.Yudhistira. Yudhistira is the eldest of the Pandava brothers. He is perceived as the leader, rightful king, and commander in battle. He is also the one who gambled himself and his brothers into thirteen years of exile. 2.Arjuna. Arjuna is the second of the Pandava brothers. He is known as a very skilled archer and is popular with women. He managed to win Draupadi in a contest for suitors. However, Draupadi was not his only wife as he acquired other wives as well later in his journey. 3.Bhima. Bhima is the third of the Pandava brothers. He is known as the strongest of the Pandavas. In the first exile, he married a demoness. 4.Draupadi. Draupadi is the princess of the Panchal Kingdom was famed for her beauty. Even though Arjuna won her in the contest to find her suitor, she eventually became the wife of all five Pandava brothers because of an accident involving Kunti, her mother-in-law. 5.Krishna. Krishna is Arjuna’s charioteer and advisor. He is also actually the 8th avatar of the god Vishnu who was incarnated to assist the Pandavas in defeating Duryodhana. In the story, Krishna advises Arjuna at the start of the battle through the poem the Bhagavad Gita. 6.Karna. Karna is a great archer who was mocked by Arjuna because of his low status. He sided with Duryodhana and finally died during the Kurukshetra War. After his death, the Pandavas found out that Karna was technically one of the Pandava brothers, as they have the same mother but different father. 7.Dhritarashtra. Dhritarashtra is the blind king of Hastinapur. He is the elder brother of Pandu, and uncle of the Pandava brothers. He has 100 sons, the eldest being Duryodhana. 8.Duryodhana. Duryodhana is the main villain in the Mahabharata. He is greedy, jealous, and lives in constant rebellion against dharma . He feels entitled to the throne and so employs various ways to get rid of the Pandava brothers. The Main Story of the Mahabharata. The story of the Mahabharata spans over about four generations of a complicated family tree, but it is mainly about the rivalry between two bands of brothers, the Pandavas and the Kauravas for the throne. The story culminates in the Kurukshetra War, which is the battle for the Hastinapura throne. The Previous Generations. King Vichitravirya of the Hastinapura Kingdom passed away before having any sons, so Vyasa, who was his stepbrother, was arranged to impregnate the king’s two wives and a maid. Thus three sons were born. Dhritarashtra was the son of the first wife, Pandu was the son of the second wife, and Vidur was the son of the maid. Dhritarashtra was born blind and this handicap meant that he could not become the King. Dhritarashtra had 100 sons and one daughter. His oldest is Duryodhana. Together, the children of Dhritarashtra are called the Kauravas. Instead of Dhritarashtra, Pandu was crowned as King. Pandu had five children from Kunti and Madri, his two wives: Yudhistira, Arjuna, Bhima, Nakula, and Sahadeva. They are the Pandavas. As a King, Pandu was successful in expanding by conquering the surrounding area and things were running smoothly. At one point, he decided he needed a break and went into the forest to spend time with his wives, so he asked his elder brother, Dhritarashtra, to rule in his place during his absence. Rivalry Between the Pandavas and Kauravas. Several years later Pandu and Madri died, and so Kunti returned to the Kingdom with the five sons. Pandu’s sons rejoined the palace, but they did not get along well with Dhritarashtra’s sons. One day there was a public skill exhibition of the princes and the hostile rivalry between the cousins became plain as the citizens watched a mace fight between Duryodhan, the eldest of the Kaurava brothers and Bheem, the third of the Pandava brothers. The fight went too far. This was followed by archery duel between Karna and Arjuna, the second brother of the Pandavas. Arjuna mocked Karna for his low status. Karna, a great archer himself, sided with Duryodhan because of his rivalry against Arjuna. At this time, the public started to raise concerns as Dhritarashtra was supposed to have the throne only in trust for his brother Pandu. To avoid unrest, Dhritarashtra declared Yudhishthir, the eldest of the Pandavas, the crown prince. The Pandavas go into Hiding. Duryodhan became unhappy and jealous because he perceived that he had the right to be the crown prince, so he arranged a plot to have the Pandavas killed. He sent them to attend a party at a palace in a nearby town and set the palace on fire. The Pandavas were alerted to this plan and so prepared. The palace was burnt and the Pandavas and their mother, Kunti, were thought to have died but only went into hiding. The Pandavas and Kunti disguised themselves as poor Brahmins and went from village to village begging for food. During these wanderings, Bheem killed two demons and married a demoness. Marriage to Draupadi. One day, they heard of a ceremony to choose a suitor for the princess of Panchal, Draupadi. Draupadi was known all around the country for her beauty, and all princes had gathered to compete for her hand. However, the condition to marry her was nearly impossible to achieve and required very good archery skills. After all the princes failed, Arjuna stepped forward and did the task successfully in one attempt, thus winning Draupadi’s hand. The Pandava brothers brought Draupadi home and called out for their mother, Kunti, “Mother, come and see what we’ve brought back today.” Thinking that they were bringing alms, she said “Whatever it is, share it among yourselves”. Because of this incident, Draupadi became the wife of all five Pandavas. Return to Hastinapur. After this, the Pandavas and Kunti returned to the Hastinapur Palace where Dhritarashtra made a show of rejoicing that they were still alive. He gave them a large piece of the kingdom to settle in and rule over. The Pandavas created a new kingdom there despite the barrenness of the land. This kingdom was called Indraprastha.
Recommended publications

  • The Mahabharata

    ^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds.
  • Introduction to BI-Tagavad-Gita

    Introduction to BI-Tagavad-Gita

    TEAcI-tER'S GuidE TO INTROduCTioN TO BI-tAGAVAd-GiTA (DAModAR CLASS) INTROduCTioN TO BHAqAVAd-qiTA Compiled by: Tapasvini devi dasi Hare Krishna Sunday School Program is sponsored by: ISKCON Foundation Contents Chapter Page Introduction 1 1. History ofthe Kuru Dynasty 3 2. Birth ofthe Pandavas 10 3. The Pandavas Move to Hastinapura 16 4. Indraprastha 22 5. Life in Exile 29 6. Preparing for Battle 34 7. Quiz 41 Crossword Puzzle Answer Key 45 Worksheets 46 9ntroduction "Introduction to Bhagavad Gita" is a session that deals with the history ofthe Pandavas. It is not meant to be a study ofthe Mahabharat. That could be studied for an entire year or more. This booklet is limited to the important events which led up to the battle ofKurlLkshetra. We speak often in our classes ofKrishna and the Bhagavad Gita and the Battle ofKurukshetra. But for the new student, or student llnfamiliar with the history ofthe Pandavas, these topics don't have much significance ifthey fail to understand the reasons behind the Bhagavad Gita being spoken (on a battlefield, yet!). This session will provide the background needed for children to go on to explore the teachulgs ofBhagavad Gita. You may have a classroonl filled with childrel1 who know these events well. Or you may have a class who has never heard ofthe Pandavas. You will likely have some ofeach. The way you teach your class should be determined from what the children already know. Students familiar with Mahabharat can absorb many more details and adventures. Young children and children new to the subject should learn the basics well.
  • The Mahabharata of Krishna-Dwaipayana Vyasa SALYA

    The Mahabharata of Krishna-Dwaipayana Vyasa SALYA

    The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras.
  • Understanding Draupadi As a Paragon of Gender and Resistance

    Understanding Draupadi As a Paragon of Gender and Resistance

    start page: 477 Stellenbosch eological Journal 2017, Vol 3, No 2, 477–492 DOI: http://dx.doi.org/10.17570/stj.2017.v3n2.a22 Online ISSN 2413-9467 | Print ISSN 2413-9459 2017 © Pieter de Waal Neethling Trust Understanding Draupadi as a paragon of gender and resistance Motswapong, Pulane Elizabeth University of Botswana [email protected] Abstract In this article Draupadi will be presented not only as an unsung heroine in the Hindu epic Mahabharata but also as a paragon of gender and resistance in the wake of the injustices meted out on her. It is her ability to overcome adversity in a venerable manner that sets her apart from other women. As a result Draupadi becomes the most complex and controversial female character in the Hindu literature. On the one hand she could be womanly, compassionate and generous and on the other, she could wreak havoc on those who wronged her. She was never ready to compromise on either her rights as a daughter-in-law or even on the rights of the Pandavas, and remained ever ready to fight back or avenge with high handedness any injustices meted out to her. She can be termed a pioneer of feminism. The subversion theory will be employed to further the argument of the article. This article, will further illustrate how Draupadi in the midst of suffering managed to overcome the predicaments she faced and continue to strive where most women would have given up. Key words Draupadi; marriage; gender and resistance; Mahabharata and women 1. Introduction The heroine Draupadi had many names: she was called Draupadi from her father’s family; Krishnaa the dusky princess, Yajnaseni-born of sacrificial fire, Parshati from her grandfather side, panchali from her country; Sairindhiri, the maid servant of the queen Vitara, Panchami (having five husbands)and Nitayauvani,(the every young) (Kahlon 2011:533).
  • A Comprehensive Guide by Jack Watts and Conner Reynolds Texts

    A Comprehensive Guide by Jack Watts and Conner Reynolds Texts

    A Comprehensive Guide By Jack Watts and Conner Reynolds Texts: Mahabharata ● Written by Vyasa ● Its plot centers on the power struggle between the Kaurava and Pandava princes. They fight the Kurukshetra War for the throne of Hastinapura, the kingdom ruled by the Kuru clan. ● As per legend, Vyasa dictates it to Ganesha, who writes it down ● Divided into 18 parvas and 100 sub­parvas ● The Mahabharata is told in the form of a frame tale. Janamejaya, an ancestor of the Pandavas, is told the tale of his ancestors while he is performing a snake sacrifice ● The Genealogy of the Kuru clan ○ King Shantanu is an ancestor of Kuru and is the first king mentioned ○ He marries the goddess Ganga and has the son Bhishma ○ He then wishes to marry Satyavati, the daughter of a fisherman ○ However, Satyavati’s father will only let her marry Shantanu on one condition: Shantanu must promise that any sons of Satyavati will rule Hastinapura ○ To help his father be able to marry Satyavati, Bhishma renounces his claim to the throne and takes a vow of celibacy ○ Satyavati had married Parashara and had a son with him, Vyasa ○ Now she marries Shantanu and has another two sons, Chitrangada and Vichitravirya ○ Shantanu dies, and Chitrangada becomes king ○ Chitrangada lives a short and uneventful life, and then dies, making Vichitravirya king ○ The King of Kasi puts his three daughters up for marriage (A swayamvara), but he does not invite Vichitravirya as a possible suitor ○ Bhishma, to arrange a marriage for Vichitravirya, abducts the three daughters of Kasi: Amba,
  • Dharma in the Mahabharata As a Response to Ecological Crises: a Speculation

    Dharma in the Mahabharata As a Response to Ecological Crises: a Speculation

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The Trumpeter - Journal of Ecosophy (Athabasca University) Dharma in the Mahabharata as a response to Ecological Crises: A speculation By Kamesh Aiyer Abstract Without doing violence to Vyaasa, the Mahabharata (Vyaasa, The Mahabharata 1933-1966) can be properly viewed through an ecological prism, as a story of how “Dharma” came to be established as a result of a conflict over social policies in response to on-going environmental/ecological crises. In this version, the first to recognize the crises and to attempt to address them was Santanu, King of Hastinapur (a town established on the banks of the Ganges). His initial proposals evoked much opposition because draconian and oppressive, and were rescinded after his death. Subsequently, one of Santanu’s grandsons, Pandu, and his children, the Pandavas, agreed with Santanu that the crises had to be addressed and proposed more acceptable social policies and practices. Santanu’s other grandson, Dhritarashtra, and his children, the Kauravas, disagreed, believing that nothing needed to be done and opposed the proposed policies. The fight to establish these policies culminated in the extended and widespread “Great War” (the “Mahaa-Bhaarata”) that was won by the Pandavas. Some of the proposed practices/social policies became core elements of "Hinduism" (such as cow protection and caste), while others became accepted elements of the cultural landscape (acceptance of the rights of tribes to forests as “commons”). Still other proposals may have been implied but never became widespread (polyandry) or may have been deemed unacceptable and immoral (infanticide).
  • The Bhagavad Gita Video Transcript Glass: the Thing That's Most Striking About the Gita Is the Degree of Focus That It Brings to a Very Simple Question

    The Bhagavad Gita Video Transcript Glass: the Thing That's Most Striking About the Gita Is the Degree of Focus That It Brings to a Very Simple Question

    Invitation to World Literature: The Bhagavad Gita Video Transcript Glass: The thing that's most striking about the Gita is the degree of focus that it brings to a very simple question. Action and inaction, what is the best thing to do? Kaul: People ask me, what's the Gita really mean? I'm always like it's really simple. A guy's facing the biggest challenge of his life, like all of us do, and is faltering. Desai: How do I fight my cousins, my relatives, my teachers? I can't do this. Dasa: This course of action cannot be avoided. Now it's time for justice. Pollack: (reads from the Gita in Sanskrit) Desai: I remember as a child actually hearing recitation of Gita on the radio, aware of the fact that this was something very important, but not knowing what it meant, because these were recitations in Sanskrit. Glass: I probably began reading The Bhagavad Gita more than fifty years ago, in my twenties. I was struck by the beauty of the language, the power of the imagery and what the work was about. Kaul: Parents put a comic book in front of me based on the Gita, this one right here actually. This comic book just laid it out to me so clearly. Like kinda being shown the core before seeing the rest of the planet. Crawford: I read the Gita in Divinity School. The more you read it and the more you think about it really the better it gets. Hawley: We live life in the everyday and yet we're aware all around us, inside somehow, that that's not just the way every day is.
  • The Mahabharata

    The Mahabharata

    VivekaVani - Voice of Vivekananda THE MAHABHARATA (Delivered by Swami Vivekananda at the Shakespeare Club, Pasadena, California, February 1, 1900) ​ ​ ​ ​ The other epic about which I am going to speak to you this evening, is called the Mahâbhârata. It contains the story of a race descended from King Bharata, who was the son of Dushyanta and Shakuntalâ. Mahâ means great, and Bhârata means the descendants of Bharata, from whom India has derived its name, Bhârata. Mahabharata means Great India, or the story of the great descendants of Bharata. The scene of this epic is the ancient kingdom of the Kurus, and the story is based on the great war which took place between the Kurus and the Panchâlas. So the region of the quarrel is not very big. This epic is the most popular one in India; and it exercises the same authority in India as Homer's poems did over the Greeks. As ages went on, more and more matter was added to it, until it has become a huge book of about a hundred thousand couplets. All sorts of tales, legends and myths, philosophical treatises, scraps of history, and various discussions have been added to it from time to time, until it is a vast, gigantic mass of literature; and through it all runs the old, original story. The central story of the Mahabharata is of a war between two families of cousins, one family, called the Kauravas, the other the Pândavas — for the empire of India. The Aryans came into India in small companies. Gradually, these tribes began to extend, until, at last, they became the undisputed rulers of India.
  • Bhagavad Gita Free

    Bhagavad Gita Free

    öËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿº® æË⁄í≤Ÿ | é∆ƒºÎ ¿Ÿú-æËíŸæ “ Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | —∆Ÿ´ºŸ¿ŸºÅ Ǩ∆Ÿ æËí¤ úŸ≤¤™‰ ™ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿº‰® æË⁄í≤Ÿ | éÂ∆ƒºÎ ¿Ÿú ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | —∆Ÿ´ºŸ¿ŸºÅ Ǩ∆Ÿ æËí¤ ¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿº‰® æË⁄í≤Ÿ 韺Π∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | —∆Ÿ´ºŸ¿Ÿº ∫Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿ §-¥˘Æ¤⁄¥éŸºÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | -⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿ËßThe‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºÎ ∞%Bhagavad‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å Gita || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸ {Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤ æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’ ≤ Ü¥⁄Æ{Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘ ≥™‰ ¿Ÿú-æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥The˘Æ¤⁄¥éŸº OriginalÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅSanskrit é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰ —ºÊ æ‰≤ Ü¥⁄Æ{Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ “‹-º™-±∆Ÿ≥™‰ ¿Ÿú-æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºand Î ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸº Å Ç—™‹ ™—ºÊ æ‰≤ Ü¥⁄Æ{Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿ Ÿ ∏“‹-º™-±∆Ÿ≥™‰ ¿Ÿú-æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§- An English Translation ≤Ÿ¨Ÿæ
  • 2.Hindu Websites Sorted Category Wise

    2.Hindu Websites Sorted Category Wise

    Hindu Websites sorted Category wise Sl. No. Broad catergory Website Address Description Reference Country 1 Archaelogy http://aryaculture.tripod.com/vedicdharma/id10. India's Cultural Link with Ancient Mexico html America 2 Archaelogy http://en.wikipedia.org/wiki/Harappa Harappa Civilisation India 3 Archaelogy http://en.wikipedia.org/wiki/Indus_Valley_Civil Indus Valley Civilisation India ization 4 Archaelogy http://en.wikipedia.org/wiki/Kiradu_temples Kiradu Barmer Temples India 5 Archaelogy http://en.wikipedia.org/wiki/Mohenjo_Daro Mohenjo_Daro Civilisation India 6 Archaelogy http://en.wikipedia.org/wiki/Nalanda Nalanda University India 7 Archaelogy http://en.wikipedia.org/wiki/Taxila Takshashila University Pakistan 8 Archaelogy http://selians.blogspot.in/2010/01/ganesha- Ganesha, ‘lingga yoni’ found at newly Indonesia lingga-yoni-found-at-newly.html discovered site 9 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Ancient Idol of Lord Vishnu found Russia om/2012/05/27/ancient-idol-of-lord-vishnu- during excavation in an old village in found-during-excavation-in-an-old-village-in- Russia’s Volga Region russias-volga-region/ 10 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Mahendraparvata, 1,200-Year-Old Cambodia om/2013/06/15/mahendraparvata-1200-year- Lost Medieval City In Cambodia, old-lost-medieval-city-in-cambodia-unearthed- Unearthed By Archaeologists 11 Archaelogy http://wikimapia.org/7359843/Takshashila- Takshashila University Pakistan Taxila 12 Archaelogy http://www.agamahindu.com/vietnam-hindu- Vietnam
  • Transition Into Kaliyuga: Tossups on Kurukshetra

    Transition Into Kaliyuga: Tossups on Kurukshetra

    Transition Into Kaliyuga: Tossups On Kurukshetra 1. On the fifteenth day of the Kurukshetra War, Krishna came up with a plan to kill this character. The previous night, this character retracted his Brahmastra [Bruh-mah-struh] when he was reprimanded for using a divine weapon on ordinary soldiers. After Bharadwaja ejaculated into a vessel when he saw a bathing Apsara, this character was born from the preserved semen. Because he promised that Arjuna would be the greatest archer in the world, this character demanded that (*) Ekalavya give him his right thumb. This character lays down his arms when Yudhishtira [Yoo-dhish-ti-ruh] lied to him that his son is dead, when in fact it was an elephant named Ashwatthama that was dead.. For 10 points, name this character who taught the Pandavas and Kauravas military arts. ANSWER: Dronacharya 2. On the second day of the Kurukshetra war, this character rescues Dhristadyumna [Dhrish-ta-dyoom-nuh] from Drona. After that, the forces of Kalinga attack this character, and they are almost all killed by this character, before Bhishma [Bhee-shmuh] rallies them. This character assumes the identity Vallabha when working as a cook in the Matsya kingdom during his 13th year of exile. During that year, this character ground the general (*) Kichaka’s body into a ball of flesh as revenge for him assaulting Draupadi. When they were kids, Arjuna was inspired to practice archery at night after seeing his brother, this character, eating in the dark. For 10 points, name the second-oldest Pandava. ANSWER: Bhima [Accept Vallabha before mention] 3.
  • Rajaji-Mahabharata.Pdf

    Rajaji-Mahabharata.Pdf

    MAHABHARATA retold by C. Rajagopalachari (Edited by Jay Mazo, International Gita Society) Contents 39. The Wicked Are Never Satisfied 1. Ganapati, the Scribe 40. Duryodhana Disgraced 2. Devavrata 41. Sri Krishna's Hunger 3. Bhishma's Vow 42. The Enchanted Pool 4. Amba And Bhishma 43. Domestic Service 5. Devayani And Kacha 44. Virtue Vindicated 6. The Marriage Of Devayani 45. Matsya Defended 7. Yayati 46. Prince Uttara 8. Vidura 47. Promise Fulfilled 9. Kunti Devi 48. Virata's Delusion 10. Death Of Pandu 49. Taking Counsel 11. Bhima 50. Arjuna's Charioteer 12. Karna 51. Salya Against His Nephews 13. Drona 52. Vritra 14. The Wax Palace 53. Nahusha 15. The Escape Of The Pandavas 54. Sanjaya's Mission 16. The Slaying Of Bakasura 55. Not a Needle-Point Of Territory 17. Draupadi's Swayamvaram 56. Krishna's Mission 18. Indraprastha 57. Attachment and Duty 19. The Saranga Birds 58. The Pandava Generalissimo 20. Jarasandha 59. Balarama 21. The Slaying Of Jarasandha 60. Rukmini 22. The First Honor 61. Non-Cooperation 23. Sakuni Comes In 62. Krishna Teaches 24. The Invitation 63. Yudhishthira Seeks Benediction 25. The Wager 64. The First Day's Battle 26. Draupadi's Grief 65. The Second Day 27. Dhritarashtra's Anxiety 66. The Third Day's Battle 28. Krishna's Vow 67. The Fourth Day 29. Pasupata 68. The Fifth Day 30. Affliction Is Nothing New 69. The Sixth Day 31. Agastya 70. The Seventh Day 32. Rishyasringa 71. The Eighth Day 33. Fruitless Penance 72. The Ninth Day 34. Yavakrida's End 73.