The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
@Ibet,@Binu^ Un! Lupun
@be @olbeddeg of jUnlis, @ibet,@binu^ un! luPun by Lawrcnce Durdin-hobertron Cesata Publications, Eire Copyrighted Material. All Rights Reserved. The cover design. by Anna Durdin-Robertson. is a mandala oi a Chinese rlraqon goddess. Lawrence Durdln Rot,erlson. li_6 r2.00 Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan by Lawrence Durdin-Robertron, M.A. (Dublin) with illustrations by Arna Durdin-Robertson Cesara Publications Huntington Castle, Clonegal, Enniscorthy. Eire. Printed by The Nationalist, Carlow. Eire. Anno Deae Cesara. Hiberniae Dominae. MMMMCCCXXIV Copyrighted Material. All Rights Reserved. Thir serle. of books is written in bonour of The lrish Great Mother, Cessrs aod The Four Guardian Goddesses of lreland, Dsna, Banba' Fodhla and Eire. It is dedicated to my wife, Pantela. Copyrighted Material. All Rights Reserved. CONTENTS I. The Goddesses of India'...'...'........"..'..........'....'..... I II. The Goddesses of Tlbet ............. ................."..,',,., 222 lll. Thc Goddesses of China ...............'..'..'........'...'..' 270 lV. The Goddesscs of Japan .........'.............'....'....'.. " 36 I List of abbreviations ....'........'...."..'...467 Bibfiogr.phy and Acknowledgments....'........'....'...,,,,.,'.,, 469 Index ................ .,...,.........,........,,. 473 Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. SECTION ONE The Goddesses of India and Tibet NAMES: THE AMMAS, THE MOTHERS. ETYMoLoGY: [The etymology of the Sanskrit names is based mainly on Macdonell's Sanskrit Dictionary. The accents denot- ing the letters a, i and 0 are used in the Egrmology sections; elsewhere they are used only when they are necessary for identification.] Indian, amma, mother: cf. Skr. amba, mother: Phrygian Amma, N. -
Introduction to BI-Tagavad-Gita
TEAcI-tER'S GuidE TO INTROduCTioN TO BI-tAGAVAd-GiTA (DAModAR CLASS) INTROduCTioN TO BHAqAVAd-qiTA Compiled by: Tapasvini devi dasi Hare Krishna Sunday School Program is sponsored by: ISKCON Foundation Contents Chapter Page Introduction 1 1. History ofthe Kuru Dynasty 3 2. Birth ofthe Pandavas 10 3. The Pandavas Move to Hastinapura 16 4. Indraprastha 22 5. Life in Exile 29 6. Preparing for Battle 34 7. Quiz 41 Crossword Puzzle Answer Key 45 Worksheets 46 9ntroduction "Introduction to Bhagavad Gita" is a session that deals with the history ofthe Pandavas. It is not meant to be a study ofthe Mahabharat. That could be studied for an entire year or more. This booklet is limited to the important events which led up to the battle ofKurlLkshetra. We speak often in our classes ofKrishna and the Bhagavad Gita and the Battle ofKurukshetra. But for the new student, or student llnfamiliar with the history ofthe Pandavas, these topics don't have much significance ifthey fail to understand the reasons behind the Bhagavad Gita being spoken (on a battlefield, yet!). This session will provide the background needed for children to go on to explore the teachulgs ofBhagavad Gita. You may have a classroonl filled with childrel1 who know these events well. Or you may have a class who has never heard ofthe Pandavas. You will likely have some ofeach. The way you teach your class should be determined from what the children already know. Students familiar with Mahabharat can absorb many more details and adventures. Young children and children new to the subject should learn the basics well. -
Bhagavad Gita Relevance for the 21St Century Nilesh Nilkanth Oak Institute of Advanced Science, Dartmouth, MA, USA Three Points
Bhagavad Gita Relevance for the 21st Century Nilesh Nilkanth Oak Institute of Advanced Science, Dartmouth, MA, USA Three points • The Mahabharata War occurred in 5561 BCE (>7500 years ago) • 300+ internal astronomy evidence & 1000+ multidisciplinary evidence • Insights from the Bhagavad Gita 1 प्रमेय (conjecture) शद/उपमान (evidence) 2 logic of scientific method 4 3 अनुमान (inference/prediction) प्रयक्ष (objective testing) 5 आगम (background knowledge) Astronomy evidence‐ Epics Only discipline of science capable of estimating exact dates copyright by Nilesh N Oak 1995‐2019 2. पथक्करणृ The Mahabharata Text (separation) ~125K shlok (18 Parvas) Astronomy references 215+ 300+ 3. वगीर्करण Astronomy references (classification) 300+ comet near Pushya chronology narrations (60+) AV observation calendrical constraints 60+ Bhishma nirvana planetary motions & positions (23+) (27+) seasons & position lunar & solar eclipses (6+) of Sun (30+) phases & positions of moon (30+) effects due to ‘precession’ effects due to ‘near earth phenomenon’ 5. अनुक्रम + 6. साहचयर् + 8 एकीकरण sequence + association + unification 5561 BCE Arundhati‐Vasishtha observation [11091 BCE – 4508 BCE] All astronomy observations of the epics are visual/factual/actual observations of the sky, of those times Arundhati‐Vasishtha (AV) observation pramana logic of anumana scientific discovery pratyaksha (11091 BCE – 4508 BCE) astronomy calculations/simulations (agama) precession of equinoxes, proper motions, modern astronomy copyright by Nilesh N Oak 1995‐2018 Indian astronomy Modern astronomy Vyapti‐Jnana Mahabharata 130+ alternate claims Ancient Indian narratives Sanskrit 300+ astronomy ref. of Mahabharata Shad‐Darshanas Philosophy of science Vijnana‐Buddhi Alternate interpretations 7. इंिद्रयप्रामाय objective testing Bhishma parva‐ Adhyaya 2:31 (Renowned and well respected Arundhati has gone ahead of Vasishtha) • Only 4 (out of 130+) researchers dare mention it. -
Kerngeschichte Des Mahabharatas
www.hindumythen.de Buch 1 Adi Parva Das Buch von den Anfängen Buch 2 Sabha Parva Das Buch von der Versammlungshalle Buch 3 Vana Parva Das Buch vom Wald Buch 4 Virata Parva Das Buch vom Aufenthalt am Hofe König Viratas Buch 5 Udyoga Parva Das Buch von den Kriegsvorbereitungen Buch 6 Bhishma Parva Das Buch von der Feldherrnschaft Bhishmas Buch 7 Drona Parva Das Buch von der Feldherrnschaft Dronas Buch 8 Karna Parva Das Buch von der Feldherrnschaft Karnas Buch 9 Shalya Parva Das Buch von der Feldherrnschaft Shalyas Buch 10 Sauptika Parva Das Buch vom nächtlichen Überfall Buch 11 Stri Parva Das Buch von den Frauen Buch 12 Shanti Parva Das Buch vom Frieden Buch 13 Anusasana Parva Das Buch von der Unterweisung Buch 14 Ashvamedha Parva Das Buch vom Pferdeopfer Buch 15 Ashramavasaka Parva Das Buch vom Besuch in der Einsiedelei Buch 16 Mausala Parva Das Buch von den Keulen Buch 17 Mahaprasthanika Parva Das Buch vom großen Aufbruch Buch 18 Svargarohanika Parva Das Buch vom Aufstieg in den Himmel www.hindumythen.de Für Ihnen unbekannte Begriffe und Charaktere nutzen Sie bitte mein Nachschlagewerk www.indische-mythologie.de Darin werden Sie auch auf detailliert erzählte Mythen im Zusammenhang mit dem jeweiligen Charakter hingewiesen. Vor langer Zeit kam in Bharata, wie Indien damals genannt wurde, der Weise Krishna Dvaipayana Veda Vyasa zur Welt. Sein Name bedeutet ‘Der dunkle (Krishna) auf einer Insel (Dvipa) Geborene (Dvaipayana), der die Veden (Veda) teilte (Vyasa). Krishna Dvaipayana war die herausragende Gestalt jener Zeit. Er ordnete die Veden und teilte sie in vier Teile, Rig, Sama, Yajur, Atharva. -
BHAGA III BHAGAVAD Glta BHAGA III. BHAGAVAD Glta
112 BHAGA III BHAGAVAD GlTA BHAGA III. A vedic god considered to be the lord of 19) Bhagadatta killed Ruciparvan. (Drona Parva, is also one of Verse . wealth, prowess and happiness. Bhaga Chapter 26, 52) viz. He shot the the six Adityas mentioned in the Rgveda, Bhaga, 20) Vaisnavastra (arrow given by Visnu) Arhsa. on Verse Mitra, Aryainfi, Varuna, Daksa and (Rgveda, Arjuna. (Drona Parva, Chapter 29, 17). killed 2.27). 21) Aijuna Bhagadatta. (Drona Parva, Chapter BHAGADA. An attendant (woman) of Subrahmanya. 29, Verse 48). After his his became Parva, Chapter 46, Verse 26) . 22) death, son, Vajradatta King (Salya of BHAGADATTA. Bhagadatta was King of Pragjyotisa- Pragjyotisa. Arjuna killed Vajradatta also. (Asva- medha . Mahabharata furnishes the following information Parva, Chapter 76) pura. who was about him. 23) King Sailalaya, Bhagadatta's grandfather, was born from a limb of the asura attained Indraloka on account of the greatness of his 1) Bhagadatta tapas. (Asrainavasika 20, Verse 10). called Biskala. (M.B., Adi Parva, Chapter 67, Verse Parva, Chapter BHAGANANDA. An attendant woman of Subrahmanya. 9). of Pancali. Parva, 46, Verse He was present at the wedding (Adi (Salya Chapter 11). 2) BHAGAVADDHYANAPARVA. A of Parva, Chapter 185, Verse 12). sub-parva Udyoga- Parva. It 72-150 in Parva. also as lord of the Yavanas (Yavanadhipa) . comprises chapters Udyoga 3 ) Known and that the famous Puranas. Bhagadatta was a friend of Pandu, friendship BHAGAVATA. One of eighteen was transferred to Yudhisthira too. (Sabha Parva, Gayatrl is the main theme of this Purana and based on it it and states Chapter 14, Verse 14). -
Essays and Addresses on the Śākta Tantra-Śāstra
ŚAKTI AND ŚĀKTA ESSAYS AND ADDRESSES ON THE ŚĀKTA TANTRAŚĀSTRA BY SIR JOHN WOODROFFE THIRD EDITION REVISED AND ENLARGED Celephaïs Press Ulthar - Sarkomand - Inquanok – Leeds 2009 First published London: Luzac & co., 1918. Second edition, revised and englarged, London: Luzac and Madras: Ganesh & co., 1919. Third edition, further revised and enlarged, Ganesh / Luzac, 1929; many reprints. This electronic edition issued by Celephaïs Press, somewhere beyond the Tanarian Hills, and mani(n)fested in the waking world in Leeds, England in the year 2009 of the common error. This work is in the public domain. Release 0.95—06.02.2009 May need furthur proof reading. Please report errors to [email protected] citing release number or revision date. PREFACE TO THIRD EDITION. HIS edition has been revised and corrected throughout, T and additions have been made to some of the original Chapters. Appendix I of the last edition has been made a new Chapter (VII) in the book, and the former Appendix II has now been attached to Chapter IV. The book has moreover been very considerably enlarged by the addition of eleven new Chapters. New also are the Appendices. The first contains two lectures given by me in French, in 1917, before the Societé Artistique et Literaire Francaise de Calcutta, of which Society Lady Woodroffe was one of the Founders and President. The second represents the sub- stance (published in the French Journal “Le Lotus bleu”) of two lectures I gave in Paris, in the year 1921, before the French Theosophical Society (October 5) and at the Musée Guimet (October 6) at the instance of L’Association Fran- caise des amis de L’Orient. -
The Atharvaveda and Its Paippalādaśākhā Arlo Griffiths, Annette Schmiedchen
The Atharvaveda and its Paippalādaśākhā Arlo Griffiths, Annette Schmiedchen To cite this version: Arlo Griffiths, Annette Schmiedchen. The Atharvaveda and its Paippalādaśākhā: Historical and philological papers on a Vedic tradition. Arlo Griffiths; Annette Schmiedchen. 11, Shaker, 2007, Indologica Halensis, 978-3-8322-6255-6. halshs-01929253 HAL Id: halshs-01929253 https://halshs.archives-ouvertes.fr/halshs-01929253 Submitted on 5 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Griffiths, Arlo, and Annette Schmiedchen, eds. 2007. The Atharvaveda and Its Paippalādaśākhā: Historical and Philological Papers on a Vedic Tradition. Indologica Halensis 11. Aachen: Shaker. Contents Arlo Griffiths Prefatory Remarks . III Philipp Kubisch The Metrical and Prosodical Structures of Books I–VII of the Vulgate Atharvavedasam. hita¯ .....................................................1 Alexander Lubotsky PS 8.15. Offense against a Brahmin . 23 Werner Knobl Zwei Studien zum Wortschatz der Paippalada-Sam¯ . hita¯ ..................35 Yasuhiro Tsuchiyama On the meaning of the word r¯as..tr´a: PS 10.4 . 71 Timothy Lubin The N¯ılarudropanis.ad and the Paippal¯adasam. hit¯a: A Critical Edition with Trans- lation of the Upanis.ad and Nar¯ ayan¯ . a’s D¯ıpik¯a ............................81 Arlo Griffiths The Ancillary Literature of the Paippalada¯ School: A Preliminary Survey with an Edition of the Caran. -
Yoga: Step – by – Step
YOGA: STEP – BY – STEP THIS IS A SERIES OF FIFTY – TWO LESSONS ON THE PHILOSPOPHY AND PRACTICE OF YOGA WHICH INCLUDES INSTRUCTIONS IN ASANAS, KRIYAS, MUDRAS, HATHA YOGA, JNANA YOGA RELAXATION AND THE SCIENCE OF PRANAYAMA. THE FIRST STAGES OF THE ANTARANGA YOGA OF PATANJALI ARE DEALT WITH BY THE AUTHOR AND PARTICULARLY THE EARLY KRIYAS OF PRATYAHARA, SENSE WITHDRAWAL AND THE HIGHER KRIYAS AND PRAKRIYAS OF JNANA YOGA AND RAJA YOGA INCLUDING THE HIGHLY RESPECTED TECHNIQUE OF THE HANG SAH KRIYA AND THE ORIGINAL RISHI CULTURE CONCEPT AND TEACHINGS OF CHETTINA NIDRA, NOW POPULARLY CALLED YOGA NIDRA, YOGA PSYCHIC SLEEP. THESE LESSONS ARE IN SEQUENCE AND YOGA NIDRA, YOGA PSYCHIC SLEEP. THESE LESSONS ARE IN SEQUENCE AND WERE ORIGINALLY PUBLISHED AS A CORRESPONDENCE COURSE IN YOGA, BUT THEN GREATLY EXPANDED INTO FOUR VOLUMES ENTITLED: VOL. I How to Begin a Practice of Yoga VOL.II Yoga – Intermediate Practices VOL.III Advanced Yoga Practices VOL.IV Senior Yoga Practices. These lessons are intended to be studied lesson by lesson, absorbed and learned before going on to the next lesson. In no sense is this a book to be read for the sake of reading, or to pick out some postures which one wishes to do for the sake of doing some Asanas alone. This author would be happier if you reached for some lesser-known work on Yoga if all you want to do is learn a couple of Yoga exercises—twists and jerks. This course of Yoga tuition offers a step-by-step guidance to anyone who is ready for real Rishiculture Yoga and can be followed up with numerous courses that are also available but only after these courses are studied, step – by-step. -
TAITTIREEYA UPANISHAD – 3 Bhrigu Valli
|| iÉæÌ¨ÉUÏrÉÉåmÉÌlÉwÉiÉç || ̧ÉiÉÏrÉÉ pÉ×aÉÑuÉssÉÏ TAITTIREEYA UPANISHAD – 3 Bhrigu Valli The Enlightenment of Sage Bhrigu “THE SANDEEPANY EXPERIENCE” Reflections by TEXT SWAMI GURUBHAKTANANDA 36.03 Sandeepany’s Vedanta Course List of All the Course Texts in Chronological Sequence: Text TITLE OF TEXT Text TITLE OF TEXT No. No. 1 Sadhana Panchakam 24 Hanuman Chalisa 2 Tattwa Bodha 25 Vakya Vritti 3 Atma Bodha 26 Advaita Makaranda 4 Bhaja Govindam 27 Kaivalya Upanishad 5 Manisha Panchakam 28 Bhagavad Geeta (Discourse -- ) 6 Forgive Me 29 Mundaka Upanishad 7 Upadesha Sara 30 Amritabindu Upanishad 8 Prashna Upanishad 31 Mukunda Mala (Bhakti Text) 9 Dhanyashtakam 32 Tapovan Shatkam 10 Bodha Sara 33 The Mahavakyas, Panchadasi 5 11 Viveka Choodamani 34 Aitareya Upanishad 12 Jnana Sara 35 Narada Bhakti Sutras 13 Drig-Drishya Viveka 36.03 Taittireeya Upanishad – Chap 3 14 “Tat Twam Asi” – Chand Up 6 37 Jivan Sutrani (Tips for Happy Living) 15 Dhyana Swaroopam 38 Kena Upanishad 16 “Bhoomaiva Sukham” Chand Up 7 39 Aparoksha Anubhuti (Meditation) 17 Manah Shodhanam 40 108 Names of Pujya Gurudev 18 “Nataka Deepa” – Panchadasi 10 41 Mandukya Upanishad 19 Isavasya Upanishad 42 Dakshinamurty Ashtakam 20 Katha Upanishad 43 Shad Darshanaah 21 “Sara Sangrah” – Yoga Vasishtha 44 Brahma Sootras 22 Vedanta Sara 45 Jivanmuktananda Lahari 23 Mahabharata + Geeta Dhyanam 46 Chinmaya Pledge A NOTE ABOUT SANDEEPANY Sandeepany Sadhanalaya is an institution run by the Chinmaya Mission in Powai, Mumbai, teaching a 2-year Vedanta Course. It has a very balanced daily programme of basic Samskrit, Vedic chanting, Vedanta study, Bhagavatam, Ramacharitmanas, Bhajans, meditation, sports and fitness exercises, team-building outings, games and drama, celebration of all Hindu festivals, weekly Gayatri Havan and Guru Paduka Pooja, and Karma Yoga activities. -
Vedic Predecessors of One Type of Tantric Ritual
Cracow Indological Studies vol. XVI (2014) 10.12797/CIS.16.2014.16.06 Shingo Einoo [email protected] (University of Tokyo) Vedic Predecessors of One Type of Tantric Ritual SUMMARY: Verses 9–16 of the Parātriṃśikā prescribe a ritual application of the hr̥ dayabīja mantra ‘sauḥ’. In this case the mantra ‘sauḥ’ has different effects according to durations of the mental recitation of it. This is a very simple example of one type of tantric ritual where a limited number of mantras of a certain deity are used in different ways to accomplish a variety of efficacy by changing ritual elements of them. In Hindu tantric texts we find more similar cases. In the newest layer of Vedic texts such as the Ṛgvidhāna, Sāmavidhāna Brāhmaṇa and the Atharvavedapariśiṣṭa there are some similar examples of this kind. The Taittirīyasaṃhitā describes in two succeeding chapters various applications of two mantras called rāṣṭrabhr̥ t and devikāhavis respectively. In this paper I examine more Vedic examples and elucidate the basic idea underlying this type of ritual. KEYWORDS: Vedic ritual, Tantric ritual, ritual application, ritual variation 1. Introduction 1-0 Both Vedic studies and Tantric studies have their own vast fields of research, namely the corpus of Vedic and Tantric texts. Both areas have their own history of development and characteristics. It is there- fore not easy to have an intimate knowledge of both the Vedic and Tantric texts at the same time for one scholar. But by choosing some specific topics it may be possible to investigate Vedic and Tantric texts in some detail. -
The Sama Veda
TRANSLATION"~ or THE SAMHITA' or TJIE SA'MA VEDA. BY THE REV. J. STEVENSON, . - · · /i~i\ _N_j_Nff;··~ 1.~· ~\ 1~ LIBRARY ~\ --..: O' -~' OR.FI.I.RIOB.&.RAN ....,·, '~,. '~~:~~'.~, ~'ffeJ: LONDOrl, 'f,;, '_0![0~1iJ PRINTED FOR THE ORIENTAL TRANSLATION FUND OF GREAT BRITAIN AND IRELAND, l.f.DeC«:.XLII, CALCUTTA SoCIITT roa TRI RESUSCITATION OP INDIAN L1TIR41'tlllt, 401 NAYAN CHAND DUTT's STHIT, 1906, Downloaded from https://www.holybooks.com Da,t11 St C r,i .Class. ~ ---------· 1---=aii~, ..... Cat. LIL-lr'1 Bk. Card Checked PRINTID BY W. HU0HU1 KING'S HRAD COURT, GOUGH SQUARE, REPRIIITID BY ff, C. OAS1 ELYSIUM Puss, 40, NAJAN CHAND OUTT's STREIT, CALCUTTA. Downloaded from https://www.holybooks.com t'HE TRA~SLATuR.'S PREFACE. lN introducing the V~da which is second in order, though first in excellence according to the Bk4/avad Gita, to the notice of the English public, it seems proper that I should premise a few things relative to the matter and style of the original, and the helps used in making the translation. · SUBJECT OF THE SAMtUTA' 011' Tl4E SA'MA VEDA. The Sam.hita of the Sama Vida consists of an arrariged series of verses, directed to be sung especially at the Somayaga or moon-plant sacrifice. The praises of the dilfer ent deities who are supposed to honour the ceremony with their presence, and prayers for the prosper,ty of the wor shippers and those connected with them, form the principal subject of these verses. Some of them are supposed to have the power of consecrating the fire into which the oblation is cast; and others, the Soma Juice, of which it principally consists.