The Struggle Within
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The Epic Imagination in Contemporary Indian Literature
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School May 2017 Modern Mythologies: The picE Imagination in Contemporary Indian Literature Sucheta Kanjilal University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the South and Southeast Asian Languages and Societies Commons Scholar Commons Citation Kanjilal, Sucheta, "Modern Mythologies: The pE ic Imagination in Contemporary Indian Literature" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6875 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Modern Mythologies: The Epic Imagination in Contemporary Indian Literature by Sucheta Kanjilal A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a concentration in Literature Department of English College of Arts and Sciences University of South Florida Major Professor: Gurleen Grewal, Ph.D. Gil Ben-Herut, Ph.D. Hunt Hawkins, Ph.D. Quynh Nhu Le, Ph.D. Date of Approval: May 4, 2017 Keywords: South Asian Literature, Epic, Gender, Hinduism Copyright © 2017, Sucheta Kanjilal DEDICATION To my mother: for pencils, erasers, and courage. ACKNOWLEDGEMENTS When I was growing up in New Delhi, India in the late 1980s and the early 1990s, my father was writing an English language rock-opera based on the Mahabharata called Jaya, which would be staged in 1997. An upper-middle-class Bengali Brahmin with an English-language based education, my father was as influenced by the mythological tales narrated to him by his grandmother as he was by the musicals of Broadway impressario Andrew Lloyd Webber. -
The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Understanding Draupadi As a Paragon of Gender and Resistance
start page: 477 Stellenbosch eological Journal 2017, Vol 3, No 2, 477–492 DOI: http://dx.doi.org/10.17570/stj.2017.v3n2.a22 Online ISSN 2413-9467 | Print ISSN 2413-9459 2017 © Pieter de Waal Neethling Trust Understanding Draupadi as a paragon of gender and resistance Motswapong, Pulane Elizabeth University of Botswana [email protected] Abstract In this article Draupadi will be presented not only as an unsung heroine in the Hindu epic Mahabharata but also as a paragon of gender and resistance in the wake of the injustices meted out on her. It is her ability to overcome adversity in a venerable manner that sets her apart from other women. As a result Draupadi becomes the most complex and controversial female character in the Hindu literature. On the one hand she could be womanly, compassionate and generous and on the other, she could wreak havoc on those who wronged her. She was never ready to compromise on either her rights as a daughter-in-law or even on the rights of the Pandavas, and remained ever ready to fight back or avenge with high handedness any injustices meted out to her. She can be termed a pioneer of feminism. The subversion theory will be employed to further the argument of the article. This article, will further illustrate how Draupadi in the midst of suffering managed to overcome the predicaments she faced and continue to strive where most women would have given up. Key words Draupadi; marriage; gender and resistance; Mahabharata and women 1. Introduction The heroine Draupadi had many names: she was called Draupadi from her father’s family; Krishnaa the dusky princess, Yajnaseni-born of sacrificial fire, Parshati from her grandfather side, panchali from her country; Sairindhiri, the maid servant of the queen Vitara, Panchami (having five husbands)and Nitayauvani,(the every young) (Kahlon 2011:533). -
Artical Festivals of Maharashtra
ARTICAL FESTIVALS OF MAHARASHTRA. Name- CDT. VEDASHREE PRAVEEN THAKUR. Regimental no.- 1 /MAH/ 20 /SW/ N/ 714445. Institution- BHONSALA MILITARY COLLEGE. INTRODUCTION: It is not possible for each and every citizen to visit different states of India to see their culture and traditions. In Maharashtra, almost all kind of religious diversity are found like Gujrat, South India, Paris and many more. Like every state has it’s speciality, similar Maharashtra has too. When we talk about Maharashtra how can we forget about Maharashtrian people. MAHARASHTRIAN CULTURE: Hindu Marathi people celebrate several festivals during the year. These include Gudi Padwa, Ram Navami, Hanuman Jayanti, Narali Pournima, Mangala Gaur, Janmashtami, Ganeshotsav, Kojagiri Purnima, Makar Sankranti, Diwali, Khandoba Festival, Shivaratri and Holi. Maharashtra had huge influence over India under the 17th-century king Shivaji of the Maratha Empire and his concept of Hindavi Swarajya which translates to self-rule of people. It also has a long history of Marathi saints of Varakari religious movement such as Dnyaneshwar , Namdev , Chokhamela, Eknath and Tukaram which forms the one of bases of the culture of Maharashtra or Marathi culture. FAMOUS FESTIVALS OF MAHARASHTRA: 1. NAG PANCHAMI- Nag Panchali is celebrated in the honour of the Snake God Shesha Nag on the fifth day of the holy month of Shravan. 2. GUDI PADWA- Gudi Padwa is a symbol of victory, characterized by a bamboo stick with a silk cloth. It is garlanded with flowers and has sweets offered to it. 3. NARALI POURNIMA- ‘Narali’ means coconut and ‘pournima' is the full- moon day when offerings of coconuts are made to the Sea- God on this day. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
Dharma in the Mahabharata As a Response to Ecological Crises: a Speculation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The Trumpeter - Journal of Ecosophy (Athabasca University) Dharma in the Mahabharata as a response to Ecological Crises: A speculation By Kamesh Aiyer Abstract Without doing violence to Vyaasa, the Mahabharata (Vyaasa, The Mahabharata 1933-1966) can be properly viewed through an ecological prism, as a story of how “Dharma” came to be established as a result of a conflict over social policies in response to on-going environmental/ecological crises. In this version, the first to recognize the crises and to attempt to address them was Santanu, King of Hastinapur (a town established on the banks of the Ganges). His initial proposals evoked much opposition because draconian and oppressive, and were rescinded after his death. Subsequently, one of Santanu’s grandsons, Pandu, and his children, the Pandavas, agreed with Santanu that the crises had to be addressed and proposed more acceptable social policies and practices. Santanu’s other grandson, Dhritarashtra, and his children, the Kauravas, disagreed, believing that nothing needed to be done and opposed the proposed policies. The fight to establish these policies culminated in the extended and widespread “Great War” (the “Mahaa-Bhaarata”) that was won by the Pandavas. Some of the proposed practices/social policies became core elements of "Hinduism" (such as cow protection and caste), while others became accepted elements of the cultural landscape (acceptance of the rights of tribes to forests as “commons”). Still other proposals may have been implied but never became widespread (polyandry) or may have been deemed unacceptable and immoral (infanticide). -
Bba08sea Ch Savitribai Phule Pune University Seatno
BBA08SEA CH SAVITRIBAI PHULE PUNE UNIVERSITY SEATNO. WISE LIST OF CANDIDATES APRIL 2015 COLG/INST.: 0004 SIR PARASHURAMBHAU COLLEGE PUNE EXAM.: BBA (REV.2008‐09) PAGE : 1 ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ SEAT/P.R./FORM NO. NAME OF THE CANDIDATE AND SUBJECTS SELECTED SEM. APE ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ ‐‐‐‐ ‐‐‐ ‐‐‐‐‐‐ 20001 1011300028 VIVEK VISHNU KAPSHIKAR VIDYA 4 R (150004401226 ) E 312 20002 1011300005 AJINKYA SANTOSH TUPE VAISHALI 6 FR (150004142032 ) E 412 E 413 IE 611 IE 612 IE 613 IE 614 IE 615 IE 616 20003 1011300013 BONGANE AKASH ANIL ARCHANA 6 FR (150004335399 ) E 511 E 512 IE 611 IE 612 IE 613 IE 614 IE 615 IE 616 20004 1011202103 KATARIA SUMIT PRAKASH MEENA 6 FR (150004533937 ) E 413 E 511 E 513 E 515 E 516 IE 611 IE 612 IE 613 IE 614 IE 615 IE 616 20005 1011300031 VASIM MEHABOOB KAKMARI BISMILLA 6 FR (150004178697 ) E 312 E 315 E 413 E 513 E 515 E 516 IE 611 IE 612 IE 613 IE 614 IE 615 IE 616 20006 1011300006 ANIMESH PANDEY ANITA 6 FR (150004187339 ) E 517 IE 611 IE 612 IE 613 IE 614 IE 617 IE 618 20007 1011300016 OMKAR JAGANNATH BADHE ARCHANA 6 FR (150004862714 ) E 312 E 511 E 514 IE 611 IE 612 IE 613 IE 614 IE 617 IE 618 20008 1011300010 OMKAR PRAMOD CHIPPA ARUNA 6 FR (150004100587 ) E 312 E 412 E 415 E 511 IE 611 IE 612 IE 613 IE 614 IE 617 IE 618 20009 1011200016 YEOLEKAR GAYATRI ATUL RITA 6 FR (150004165647 ) E 314 E 411 E 413 E 511 E 514 IE 611 IE 612 IE 613 IE 614 IE 619 IE 620 20010 1011300020 AMIT VITTHAL REVANDE URMILA -
Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita
Pepperdine Dispute Resolution Law Journal Volume 7 Issue 2 Article 7 2-1-2007 ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita Aalok Sikand Follow this and additional works at: https://digitalcommons.pepperdine.edu/drlj Part of the Dispute Resolution and Arbitration Commons, Law and Society Commons, Legal Ethics and Professional Responsibility Commons, Other Law Commons, and the Religion Law Commons Recommended Citation Aalok Sikand, ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita , 7 Pepp. Disp. Resol. L.J. Iss. 2 (2007) Available at: https://digitalcommons.pepperdine.edu/drlj/vol7/iss2/7 This Article is brought to you for free and open access by the Caruso School of Law at Pepperdine Digital Commons. It has been accepted for inclusion in Pepperdine Dispute Resolution Law Journal by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Sikand: ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution fro [Vol. 7: 2, 2007] PEPPERDINE DISPUTE RESOLUTION LAW JOURNAL ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita Aalok Sikand INTRODUCTION On the plains of Hastinapura, India, the great warrior, Arjuna, stands in his chariot awaiting battle. He is blessed to have Lord Krishna, the incarna- tion of God, to be his charioteer. Arjuna asks Krishna to drive him to the center of the battlefield. -
The Bhagavad Gita Video Transcript Glass: the Thing That's Most Striking About the Gita Is the Degree of Focus That It Brings to a Very Simple Question
Invitation to World Literature: The Bhagavad Gita Video Transcript Glass: The thing that's most striking about the Gita is the degree of focus that it brings to a very simple question. Action and inaction, what is the best thing to do? Kaul: People ask me, what's the Gita really mean? I'm always like it's really simple. A guy's facing the biggest challenge of his life, like all of us do, and is faltering. Desai: How do I fight my cousins, my relatives, my teachers? I can't do this. Dasa: This course of action cannot be avoided. Now it's time for justice. Pollack: (reads from the Gita in Sanskrit) Desai: I remember as a child actually hearing recitation of Gita on the radio, aware of the fact that this was something very important, but not knowing what it meant, because these were recitations in Sanskrit. Glass: I probably began reading The Bhagavad Gita more than fifty years ago, in my twenties. I was struck by the beauty of the language, the power of the imagery and what the work was about. Kaul: Parents put a comic book in front of me based on the Gita, this one right here actually. This comic book just laid it out to me so clearly. Like kinda being shown the core before seeing the rest of the planet. Crawford: I read the Gita in Divinity School. The more you read it and the more you think about it really the better it gets. Hawley: We live life in the everyday and yet we're aware all around us, inside somehow, that that's not just the way every day is. -
The Mahabharata
VivekaVani - Voice of Vivekananda THE MAHABHARATA (Delivered by Swami Vivekananda at the Shakespeare Club, Pasadena, California, February 1, 1900) The other epic about which I am going to speak to you this evening, is called the Mahâbhârata. It contains the story of a race descended from King Bharata, who was the son of Dushyanta and Shakuntalâ. Mahâ means great, and Bhârata means the descendants of Bharata, from whom India has derived its name, Bhârata. Mahabharata means Great India, or the story of the great descendants of Bharata. The scene of this epic is the ancient kingdom of the Kurus, and the story is based on the great war which took place between the Kurus and the Panchâlas. So the region of the quarrel is not very big. This epic is the most popular one in India; and it exercises the same authority in India as Homer's poems did over the Greeks. As ages went on, more and more matter was added to it, until it has become a huge book of about a hundred thousand couplets. All sorts of tales, legends and myths, philosophical treatises, scraps of history, and various discussions have been added to it from time to time, until it is a vast, gigantic mass of literature; and through it all runs the old, original story. The central story of the Mahabharata is of a war between two families of cousins, one family, called the Kauravas, the other the Pândavas — for the empire of India. The Aryans came into India in small companies. Gradually, these tribes began to extend, until, at last, they became the undisputed rulers of India. -
A Dark Age in Medieval Maharashtra? an Essay in Interreligious Understanding
ASIAN AND AFRICAN STUDIES, 13 , 2004, 1, 73-80 A DARK AGE IN MEDIEVAL MAHARASHTRA? AN ESSAY IN INTERRELIGIOUS UNDERSTANDING D ušan D eák Department of Ethnology, UCM Trnava, nám. J. Herdu 2, Trnava, Slovakia History of medieval Deccan is marked by the political dominance of Muslims. Ethnically incoherent ruling Muslim nobility participated in the creation of the kingdom of Bahmanls with the assistance of the indigenous aristocracy. The process of establishment of the independent regional state is often viewed negatively by local authors. This paper aims to show the inadequacy of such standpoint using the example of the theory named “The Dark Age of Marathi Literature”. When the representatives of foreign religion subdue a country, whose reli gion seems to be the very opposite, as the representatives of Islam had found the religion in India the very opposite to the strong Islamic monotheism, such event could not pass without any conflict altogether. But it does not mean that the conflict became prevalent feature of the medieval life. In the medieval period, anywhere in the world, the conquest was the means of the state’s economic poli cy. It would be a mistake to view the shifts of power during the medieval times as unacceptable threat to human liberty, for that is wherefrom the liberalism of present times evolved. Moreover the modern communalism by claiming the rights for “some” again reverted to the conquest of the “other’s lands”. The destruction caused by Muslim invaders to India and the rules imposed by the sultans are often perceived much worse than the historical facts can suggest.