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VivekaVani - Voice of Vivekananda THE MAHABHARATA (Delivered by Swami Vivekananda at the Shakespeare Club, Pasadena, California, February 1, 1900) ​ ​ ​ ​ The other epic about which I am going to speak to you this evening, is called the Mahâbhârata. It contains the story of a race descended from King Bharata, who was the son of Dushyanta and Shakuntalâ. Mahâ means great, and Bhârata means the descendants of Bharata, from whom India has derived its name, Bhârata. Mahabharata means Great India, or the story of the great descendants of Bharata. The scene of this epic is the ancient kingdom of the Kurus, and the story is based on the great war which took place between the Kurus and the Panchâlas. So the region of the quarrel is not very big. This epic is the most popular one in India; and it exercises the same authority in India as Homer's poems did over the Greeks. As ages went on, more and more matter was added to it, until it has become a huge book of about a hundred thousand couplets. All sorts of tales, legends and myths, philosophical treatises, scraps of history, and various discussions have been added to it from time to time, until it is a vast, gigantic mass of literature; and through it all runs the old, original story. The central story of the Mahabharata is of a war between two families of cousins, one family, called the Kauravas, the other the Pândavas — for the empire of India. The Aryans came into India in small companies. Gradually, these tribes began to extend, until, at last, they became the undisputed rulers of India. and then arose this fight to gain the mastery, between two branches of the same family. Those of you who have studied the Gitâ know how the book opens with a description of the battlefield, with two armies arrayed one against the other. That is the war of the Mahabharata. There were two brothers, sons of the emperor. The elder one was called Dhritarâshtra, and the other was called Pându. Dhritarashtra, the elder one, was born blind. According to Indian law, no blind, halt, maimed, consumptive, or any other constitutionally diseased person, can inherit. He can only get a maintenance. So, Dhritarashtra could not ascend the throne, though he was the elder son, and Pandu became the emperor. Dhritarashtra had a hundred sons, and Pandu had only five. After the death of Pandu at an early age, Dhritarashtra became king of the Kurus and brought up the sons of Pandu along with his own children. When they grew up they were placed under the tutorship of the great priest warrior, Drona, and were well trained in the various material arts and sciences befitting princes. The education of the princes being finished, Dhritarashtra put Yudhishthira, the eldest of the sons of Pandu, on the throne of his father. The sterling virtues of Yudhishthira and the valour and devotion of his other brothers aroused jealousies in the hearts of the sons of the blind king, and at the instigation of Duryodhana, the eldest of them, the five Pandava brothers were prevailed upon to visit Vâranâvata, on the plea of a religious festival that was being held there. There they were accommodated in a palace made under Duryodhana's instructions, of hemp, resin, and lac, and other inflammable materials, which were subsequently set fire to secretly. But the good Vidura, the step-brother of Dhritarashtra, having become cognisant of the evil intentions of Duryodhana and his party, had warned the Pandavas of the plot, and they managed to escape without anyone's knowledge. When the Kurus saw the house was reduced to ashes, they heaved a sigh of relief and thought all obstacles were now removed out of their path. Then the children of Dhritarashtra got hold of the kingdom. The five Pandava brothers had fled to the forest with their mother, Kunti. They lived there by begging, and went about in disguise giving themselves out as Brâhmana students. Many were the hardships and adventures they encountered in the wild forests, but their fortitude of mind, and strength, and valour made them conquer all dangers. So things went on until they came to hear of the approaching marriage of the princess of a neighbouring country. I told you last night of the peculiar form of the ancient Indian marriage. It was called Svayamvara, that is, the choosing of the husband by the princess. A great gathering of princes and nobles assembled, amongst whom the princess would choose her husband. Preceded by her trumpeters and heralds she would approach, carrying a garland of flowers in her hand. At the throne of each candidate for her hand, the praises of that prince and all his great deeds in battle would be declared by the heralds. And when the princess decided which prince she desired to have for a husband, she would signify the fact by throwing the marriage-garland round his neck. Then the ceremony would turn into a wedding. King Drupada was a great king, king of the Panchalas, and his daughter, Draupadi, famed far and wide for her beauty and accomplishments, was going to choose a hero. At a Svayamvara there was always a great feat of arms or something of the kind. On this occasion, a mark in the form of a fish was set up high in the sky; under that fish was a wheel with a hole in the centre, continually turning round, and beneath was a tub of water. A man looking at the reflection of the fish in the tub of water was asked to send an arrow and hit the eye of the fish through the Chakra or wheel, and he who succeeded would be married to the princess. Now, there came kings and princes from different parts of India, all anxious to win the hand of the princess, and one after another they tried their skill, and every one of them failed to hit the mark. You know, there are four castes in India: the highest caste is that of the hereditary priest, the Brâhmana; next is the caste of the Kshatriya, composed of kings and fighters; next, the Vaishyas, the traders or businessmen, and then Shudras, the servants. Now, this princess was, of course, a Kshatriya, one of the second caste. When all those princes failed in hitting the mark, then the son of King Drupada rose up in the midst of the court and said: "The Kshatriya, the king caste has failed; now the contest is open to the other castes. Let a Brahmana, even a Shudra, take part in it; whosoever hits the mark, marries Draupadi." Among the Brahmanas were seated the five Pandava brothers. Arjuna, the third brother, was the hero of the bow. He arose and stepped forward. Now, Brahmanas as a caste are very quiet and rather timid people. According to the law, they must not touch a warlike weapon, they must not wield a sword, they must not go into any enterprise that is dangerous. Their life is one of contemplation, study, and control of the inner nature. Judge, therefore, how quiet and peaceable a people they are. When the Brahmanas saw this man get up, they thought this man was going to bring the wrath of the Kshatriyas upon them, and that they would all be killed. So they tried to dissuade him, but Arjuna did not listen to them, because he was a soldier. He lifted the bow in his hand, strung it without any effort, and drawing it, sent the arrow right through the wheel and hit the eye of the fish. Then there was great jubilation. Draupadi, the princess, approached Arjuna and threw the beautiful garland of flowers over his head. But there arose a great cry among the princes, who could not bear the idea that this beautiful princess who was a Kshatriya should be won by a poor Brahmana, from among this huge assembly of kings and princes. So, they wanted to fight Arjuna and snatch her from him by force. The brothers had a tremendous fight with the warriors, but held their own, and carried off the bride in triumph. The five brothers now returned home to Kunti with the princess. Brahmanas have to live by begging. So they, who lived as Brahmanas, used to go out, and what they got by begging they brought home and the mother divided it among them. Thus the five brothers, with the princess, came to the cottage where the mother lived. They shouted out to her jocosely, "Mother, we have brought home a most wonderful alms today." The mother replied, "Enjoy it in common, all of you, my children." Then the mother seeing the princess, exclaimed, "Oh! what have I said! It is a girl!" But what could be done! The mother's word was spoken once for all. It must not be disregarded. The mother's words must be fulfilled. She could not be made to utter an untruth, as she never had done so. So Draupadi became the common wife of all the five brothers. Now, you know, in every society there are stages of development. Behind this epic there is a wonderful glimpse of the ancient historic times. The author of the poem mentions the fact of the five brothers marrying the same woman, but he tries to gloss it over, to find an excuse and a cause for such an act: it was the mother's command, the mother sanctioned this strange betrothal, and so on. You know, in every nation there has been a certain stage in society that allowed polyandry — all the brothers of a family would marry one wife in common.
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