Transition Into Kaliyuga: Tossups on Kurukshetra
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
Dharma and Caste in the Mahabharata
TIF - Dharma and Caste in the Mahabharata RUDRANGSHU MUKHERJEE February 5, 2021 Assembly of Warriors, illustration to the Gemini Ashwamedha of the Mahabharata | Harvard Art Museums/Arthur M. Sackler Museum, Francis H. Burr Memorial Fund and Friends of the Fogg Art Museum Fund The Mahabharata is peopled by the ‘higher’ castes but there are important personages from the ‘lower’ castes whose presence gives a radical salience to ‘dharma’ as set out in the epic, to the point of even suggesting a subversion of the dominant ideology. There is a scholarly consensus that below the apocalyptic events---covered in five of the 18 books--- that form the core of the epic, the idea of dharma serves as a principal theme. Many dimensions of the idea are explored through characters, sub-tales and events; even transgressions of dharma illuminate it.1 In comparison, the great book has very little to say explicitly about caste or varna in the sense that it does not address the question of inequality that the operation of the caste system inevitably engenders. It need hardly be emphasized that most of the main characters come from the two top castes and the language of the epic is Sanskrit, the language of these two castes. The second caste, kshatriyas, not surprisingly, dominates the epic. According to one calculation, there are as many as 175 references to kshatriyadharma in the epic (Hiltebeitel: 2014: 528). In contrast, the vaisyadharma and sudradharma receive nine and six references respectively (Hiltebeitel: 2014: 528). Page 1 www.TheIndiaForum.in February 5, 2021 The argument that this essay seeks to present through the narration of certain episodes and characters, is that the lower castes do make significant appearances in the epic and that those appearances are not unrelated to the epic’s approach to dharma—in fact, those appearances give a radical salience to the question of dharma. -
Introduction to BI-Tagavad-Gita
TEAcI-tER'S GuidE TO INTROduCTioN TO BI-tAGAVAd-GiTA (DAModAR CLASS) INTROduCTioN TO BHAqAVAd-qiTA Compiled by: Tapasvini devi dasi Hare Krishna Sunday School Program is sponsored by: ISKCON Foundation Contents Chapter Page Introduction 1 1. History ofthe Kuru Dynasty 3 2. Birth ofthe Pandavas 10 3. The Pandavas Move to Hastinapura 16 4. Indraprastha 22 5. Life in Exile 29 6. Preparing for Battle 34 7. Quiz 41 Crossword Puzzle Answer Key 45 Worksheets 46 9ntroduction "Introduction to Bhagavad Gita" is a session that deals with the history ofthe Pandavas. It is not meant to be a study ofthe Mahabharat. That could be studied for an entire year or more. This booklet is limited to the important events which led up to the battle ofKurlLkshetra. We speak often in our classes ofKrishna and the Bhagavad Gita and the Battle ofKurukshetra. But for the new student, or student llnfamiliar with the history ofthe Pandavas, these topics don't have much significance ifthey fail to understand the reasons behind the Bhagavad Gita being spoken (on a battlefield, yet!). This session will provide the background needed for children to go on to explore the teachulgs ofBhagavad Gita. You may have a classroonl filled with childrel1 who know these events well. Or you may have a class who has never heard ofthe Pandavas. You will likely have some ofeach. The way you teach your class should be determined from what the children already know. Students familiar with Mahabharat can absorb many more details and adventures. Young children and children new to the subject should learn the basics well. -
Bhagavad Gita Relevance for the 21St Century Nilesh Nilkanth Oak Institute of Advanced Science, Dartmouth, MA, USA Three Points
Bhagavad Gita Relevance for the 21st Century Nilesh Nilkanth Oak Institute of Advanced Science, Dartmouth, MA, USA Three points • The Mahabharata War occurred in 5561 BCE (>7500 years ago) • 300+ internal astronomy evidence & 1000+ multidisciplinary evidence • Insights from the Bhagavad Gita 1 प्रमेय (conjecture) शद/उपमान (evidence) 2 logic of scientific method 4 3 अनुमान (inference/prediction) प्रयक्ष (objective testing) 5 आगम (background knowledge) Astronomy evidence‐ Epics Only discipline of science capable of estimating exact dates copyright by Nilesh N Oak 1995‐2019 2. पथक्करणृ The Mahabharata Text (separation) ~125K shlok (18 Parvas) Astronomy references 215+ 300+ 3. वगीर्करण Astronomy references (classification) 300+ comet near Pushya chronology narrations (60+) AV observation calendrical constraints 60+ Bhishma nirvana planetary motions & positions (23+) (27+) seasons & position lunar & solar eclipses (6+) of Sun (30+) phases & positions of moon (30+) effects due to ‘precession’ effects due to ‘near earth phenomenon’ 5. अनुक्रम + 6. साहचयर् + 8 एकीकरण sequence + association + unification 5561 BCE Arundhati‐Vasishtha observation [11091 BCE – 4508 BCE] All astronomy observations of the epics are visual/factual/actual observations of the sky, of those times Arundhati‐Vasishtha (AV) observation pramana logic of anumana scientific discovery pratyaksha (11091 BCE – 4508 BCE) astronomy calculations/simulations (agama) precession of equinoxes, proper motions, modern astronomy copyright by Nilesh N Oak 1995‐2018 Indian astronomy Modern astronomy Vyapti‐Jnana Mahabharata 130+ alternate claims Ancient Indian narratives Sanskrit 300+ astronomy ref. of Mahabharata Shad‐Darshanas Philosophy of science Vijnana‐Buddhi Alternate interpretations 7. इंिद्रयप्रामाय objective testing Bhishma parva‐ Adhyaya 2:31 (Renowned and well respected Arundhati has gone ahead of Vasishtha) • Only 4 (out of 130+) researchers dare mention it. -
Microsoft Powerpoint
1 Ādi (225) 2 Sabhā (72) सय उवाच 3 Āranyaka (299) SjSanjaya said, 4 Virāta (67) sañjaya uvāca 5 Udyoga (197) 6 Bhīshma Parva (117) 7 Drona - 173 chapters 8 Karna (69) 9 Shālya (64) 10 Sauptika (18) 11 Strī (27) Yudhisthira's 12 Shānti (353) Falsehood 13 Anushāsana (154) Drona Parva 14 Ashvamedhika (96) Chapter 164 15 Āshramavāsika (47) 16 Mausala (9) 17 Mahāprasthānika (3) Swami Tadatmananda 18 Svargārohana (5) Arsha Bodha Center ताकु तीसताा ीभगवानवाचु SiSeeing thfihtdthe frightened PdPandavas, The Blessed Lord said, trastān kuntī-sutāndṛṣṭvā śrī-bhagavānuvāca ाणसायकपीडताने ् | pidbierced by D'Drona's arrows, droṇa-sāyaka-pīḍitān मितमाेयसे यु the wise SfSri Krishna, engaged in their welfare, matimāñ śreyase yuktaḥ के शवाऽजे नमवीतु ् || said to Arjuna ... keśavo 'rjunam abravīt (164.66) नषै यु ेन सामे अथा हत े नषै By fig hting on the ba ttle fie ld, Drona If As hva tthama were kille d, Drona naiṣa yuddhena saṅgrāme aśvatthāmni hate naiṣa जते श कथन | ययु ेदित मितमम | cannotbt be d ef ea ted db by any means, would not fi ght . Thi s i s my opi ni on. jetuṁśakyaḥ kathañcana yudhyed iti matir mama अप वहणाृ यु े त हत सय ुगे कद् even by Indra himself, Anyone who could kill Ashvatthama in battle api vṛtra-haṇā yuddhe taṁ hataṁ saṁyuge kaścid रथयूथपयूथप || अ ै शसत मानव || the leader of leaders of armies. would be praised by people. ratha-yūthapa-yūthapaḥ (164.67) asmai śaṁsatu mānavaḥ (164.69) सय उवाच एताराचयाजने ् SjSanjaya said, O King, this a dv ice was no t liked sañjaya uvāca etan nārocayad rājan कु तीपाु े धनय | by AjArjuna, Kti'Kunti's son. -
Kerngeschichte Des Mahabharatas
www.hindumythen.de Buch 1 Adi Parva Das Buch von den Anfängen Buch 2 Sabha Parva Das Buch von der Versammlungshalle Buch 3 Vana Parva Das Buch vom Wald Buch 4 Virata Parva Das Buch vom Aufenthalt am Hofe König Viratas Buch 5 Udyoga Parva Das Buch von den Kriegsvorbereitungen Buch 6 Bhishma Parva Das Buch von der Feldherrnschaft Bhishmas Buch 7 Drona Parva Das Buch von der Feldherrnschaft Dronas Buch 8 Karna Parva Das Buch von der Feldherrnschaft Karnas Buch 9 Shalya Parva Das Buch von der Feldherrnschaft Shalyas Buch 10 Sauptika Parva Das Buch vom nächtlichen Überfall Buch 11 Stri Parva Das Buch von den Frauen Buch 12 Shanti Parva Das Buch vom Frieden Buch 13 Anusasana Parva Das Buch von der Unterweisung Buch 14 Ashvamedha Parva Das Buch vom Pferdeopfer Buch 15 Ashramavasaka Parva Das Buch vom Besuch in der Einsiedelei Buch 16 Mausala Parva Das Buch von den Keulen Buch 17 Mahaprasthanika Parva Das Buch vom großen Aufbruch Buch 18 Svargarohanika Parva Das Buch vom Aufstieg in den Himmel www.hindumythen.de Für Ihnen unbekannte Begriffe und Charaktere nutzen Sie bitte mein Nachschlagewerk www.indische-mythologie.de Darin werden Sie auch auf detailliert erzählte Mythen im Zusammenhang mit dem jeweiligen Charakter hingewiesen. Vor langer Zeit kam in Bharata, wie Indien damals genannt wurde, der Weise Krishna Dvaipayana Veda Vyasa zur Welt. Sein Name bedeutet ‘Der dunkle (Krishna) auf einer Insel (Dvipa) Geborene (Dvaipayana), der die Veden (Veda) teilte (Vyasa). Krishna Dvaipayana war die herausragende Gestalt jener Zeit. Er ordnete die Veden und teilte sie in vier Teile, Rig, Sama, Yajur, Atharva. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
BHAGA III BHAGAVAD Glta BHAGA III. BHAGAVAD Glta
112 BHAGA III BHAGAVAD GlTA BHAGA III. A vedic god considered to be the lord of 19) Bhagadatta killed Ruciparvan. (Drona Parva, is also one of Verse . wealth, prowess and happiness. Bhaga Chapter 26, 52) viz. He shot the the six Adityas mentioned in the Rgveda, Bhaga, 20) Vaisnavastra (arrow given by Visnu) Arhsa. on Verse Mitra, Aryainfi, Varuna, Daksa and (Rgveda, Arjuna. (Drona Parva, Chapter 29, 17). killed 2.27). 21) Aijuna Bhagadatta. (Drona Parva, Chapter BHAGADA. An attendant (woman) of Subrahmanya. 29, Verse 48). After his his became Parva, Chapter 46, Verse 26) . 22) death, son, Vajradatta King (Salya of BHAGADATTA. Bhagadatta was King of Pragjyotisa- Pragjyotisa. Arjuna killed Vajradatta also. (Asva- medha . Mahabharata furnishes the following information Parva, Chapter 76) pura. who was about him. 23) King Sailalaya, Bhagadatta's grandfather, was born from a limb of the asura attained Indraloka on account of the greatness of his 1) Bhagadatta tapas. (Asrainavasika 20, Verse 10). called Biskala. (M.B., Adi Parva, Chapter 67, Verse Parva, Chapter BHAGANANDA. An attendant woman of Subrahmanya. 9). of Pancali. Parva, 46, Verse He was present at the wedding (Adi (Salya Chapter 11). 2) BHAGAVADDHYANAPARVA. A of Parva, Chapter 185, Verse 12). sub-parva Udyoga- Parva. It 72-150 in Parva. also as lord of the Yavanas (Yavanadhipa) . comprises chapters Udyoga 3 ) Known and that the famous Puranas. Bhagadatta was a friend of Pandu, friendship BHAGAVATA. One of eighteen was transferred to Yudhisthira too. (Sabha Parva, Gayatrl is the main theme of this Purana and based on it it and states Chapter 14, Verse 14). -
LOK SABHA DEBATES (English Version)
Thursday, May 8, 1997 Eleventh Series, Vol. XIV No. 6 Vaisakha 18, 1919 (Saka) LOK SABHA DEBATES (English Version) Fourth Session (Part-IV) (Eleventh Lok Sabha) ir.ufr4*B* (Vol. XIV contains No. 1 to 12) l o k sa b h a secretariat NEW DELHI I’ rn c Rs >0 00 EDITORIAL BOARD Shri S. Gopalan Secretary General Lok Sabha Shri Surendra Mishra Additional Secretary Lok Sabha Secretariat Shri P.C. Bhatt Chief Editor Lok Sabha Secretariat Shri Y.K.. Abrol Senior Editor Shri S.C. Kala Assistant Editor [Original English Proceedings included in English Version and Original Hindi Proceedings included in Hindi Version will be treated as authoritative and not the translation thereof.] „ b . »• KB (ftb’ • • • M o d FOC Col./line or. vallabh BhaiKathiria vailabha Bhai Kathiria (i)/M Shri N .S .VChitthan . Sr i N.S-V. 'n.tNit ( i i ) /'/ Dr. Ran Krishna Kusnaria nc. Ran Krv.<» .fhnaria 5/14 Shri Ran V ilas Pa swan Shri R® Villa* Pa^ai 8/14 (fioni below) Shri Datta Meghe Shri Datta Maghe 10/10 (Irotr below) Shrimati Krishna Bose Shrimati K irsh n a Bose 103/It> Shri Sunder La i Patva Shri Sunder Patva 235/19 Sh ri Atal Bihari Vajpayee Shri Atal Bihari Vajpa« 248/28 Shri Mchaiwaa Ali ^ T o t Shri Hdhsmnad Ali hohraaf Fatmi 2 5 3 /1 .1 4 F atm i 2 5 4 /8 Shri aikde® P m* w 1 Shri Sukhaev Pasnai 378/24 3BO/3 CONTENTS [Eleventh Series, Vol. XIV, Fourth Session (Part-IV) 1997/1919 (Saka] No. -
The Great Indian Novel 60
Q CHAPTER THREE THE GREAT INDIAN NOVEL 60 The Great Indian Novel published in 1989, derives its title from the ancient epic, the Mahabhamta. Shashi Tharoor has taken the Mahabharata as a blueprint and filled it with a contemporary cast for his witty rendering of pre-independent and post-independent India. The history of India's struggle against colonial rule and her postcolonial assignation with democracy is presented in an epic vein. Unlike the epic of Vyas, the novel is divided into eighteen books. Its narrative is presented in a multi-coloured style and digressive manner. It seems to take an alternative, specifically new historicist view, of the way modem India should be meditated. The novel indeed has some sterling qualities. The historical narrative follows the line of the Mahabharata to provide insight into current politics and the epic through Indo-nostalgic narration. A literal transplantation of the characters of the epic by actual men and women of history on a one-to-one formula tends on the one hand, to make a caricature of the historical events and on the other hand to ignore the borders between myth and history. In a seminar essay entitled 'Myth, History and Fiction' Tharoor (1991:384) states: The Great Indian Novel is an attempt to retell the political history of twentieth century India through a fictional recasting of events, episodes and characters from the Mahabharata. Further, he (1990:7) calls his novel as "An attempt of yoking of myth to history." As the novel advances, he gradually abandons the novelistic conventions and the characters become walking metaphors to project Indo-nostalgia. -
A Comprehensive Guide by Jack Watts and Conner Reynolds Texts
A Comprehensive Guide By Jack Watts and Conner Reynolds Texts: Mahabharata ● Written by Vyasa ● Its plot centers on the power struggle between the Kaurava and Pandava princes. They fight the Kurukshetra War for the throne of Hastinapura, the kingdom ruled by the Kuru clan. ● As per legend, Vyasa dictates it to Ganesha, who writes it down ● Divided into 18 parvas and 100 subparvas ● The Mahabharata is told in the form of a frame tale. Janamejaya, an ancestor of the Pandavas, is told the tale of his ancestors while he is performing a snake sacrifice ● The Genealogy of the Kuru clan ○ King Shantanu is an ancestor of Kuru and is the first king mentioned ○ He marries the goddess Ganga and has the son Bhishma ○ He then wishes to marry Satyavati, the daughter of a fisherman ○ However, Satyavati’s father will only let her marry Shantanu on one condition: Shantanu must promise that any sons of Satyavati will rule Hastinapura ○ To help his father be able to marry Satyavati, Bhishma renounces his claim to the throne and takes a vow of celibacy ○ Satyavati had married Parashara and had a son with him, Vyasa ○ Now she marries Shantanu and has another two sons, Chitrangada and Vichitravirya ○ Shantanu dies, and Chitrangada becomes king ○ Chitrangada lives a short and uneventful life, and then dies, making Vichitravirya king ○ The King of Kasi puts his three daughters up for marriage (A swayamvara), but he does not invite Vichitravirya as a possible suitor ○ Bhishma, to arrange a marriage for Vichitravirya, abducts the three daughters of Kasi: Amba, -
S3issue 3.1 March 2021
www.theuniversejournal.com The UNIverse Journal ISSN 2582-6352 An International Quarterly Refereed Open Access e-Journal https://www.theuniversejournal.com/index.php https://www.theuniversejournal.com/edboard.php https://www.theuniversejournal.com/current_issue.php https://www.theuniversejournal.com/join_us.php Issue 3.1 March 2021 1 www.theuniversejournal.com The UNIverse Journal ISSN 2582-6352 An International Quarterly Refereed Open Access e-Journal Shruti Tiwari [email protected] India “ Free to Be You, Free to Be Me ” Disclaimer: This story is a fictionalised account of the epic Mahabharata. Names, characters, businesses, places, events, locales, and incidents are used in a fictitious manner and no offence to any mythological figure is intended. PROLOGUE 3102 BCE, Outskirts of Dwarka “Are you sure about this, brother?”, asked Dushasana yet again as he cradled his eight glass of wine between his fingers. He shouldn’t be drinking while making crucial decisions, after all, the importance of being at his best game in situations like these was drilled into his head since he was ten. But, right now, he wanted- needed- to escape into oblivion even if it were for a few minutes. “Enough with your doubts. We are doing this. In order to beat those sons of bitches, we need Krishna and we need him before those Pandavas get to him.”, snapped Duryodhana as he paced in circles. He stopped to look around the magnificence of the palace. People were right indeed, the city of Dwarka had something about it. Some called it the abode of the divine but Duryodhana knew better.