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Russian Art+ Culture
RUSSIAN ART+ CULTURE WINTER GUIDE RUSSIAN ART WEEK, LONDON 23-30 NOVEMBER 2018 Russian Art Week Guide, oktober 2018 CONTENTS Russian Sale Icons, Fine Art and Antiques AUCTION IN COPENHAGEN PREVIEW IN LONDON FRIDAY 30 NOVEMBER AT 2 PM Shapero Modern 32 St George Street London W1S 2EA 24 november: 2 pm - 6 pm 25 november: 11 am - 5 pm 26 november: 9 am - 6 pm THIS ISSUE WELCOME RUSSIAN WORKS ON PAPER By Natasha Butterwick ..................................3 1920’s-1930’s ............................................. 12 AUCTION HIGHLIGHTS FEATURED EVENTS ...........................14 By Simon Hewitt ............................................ 4 RUSSIAN TREASURES IN THE AUCTION SALES ROYAL COLLECTION Christie's, Sotheby's ........................................8 Interview with Caroline de Guitaut ............... 24 For more information please contact MacDougall's, Bonhams .................................9 Martin Hans Borg on +45 8818 1128 Bruun Rasmussen, Roseberys ........................10 RA+C RECOMMENDS .....................30 or [email protected] Stockholms Auktionsverk ................................11 PARTNERS ...............................................32 Above: Georgy Rublev, Anti-capitalist picture "Demonstration", 1932. Tempera on paper, 30 x 38 cm COPENHAGEN, DENMARK TEL +45 8818 1111 Cover: Laurits Regner Tuxen, The Marriage of Nicholas II, Emperor of Russia, 26th November 1894, 1896 BRUUN-RASMUSSEN.COM Credit: Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2018 russian art week guide_1018_150x180_engelsk.indd 1 11/10/2018 14.02 INTRODUCTION WELCOME Russian Art Week, yet again, strong collection of 19th century Russian provides the necessary Art featuring first-class work by Makovsky cultural bridge between and Pokhitonov, whilst MacDougall's, who Russia and the West at a time continue to provide our organisation with of even worsening relations fantastic support, have a large array of between the two. -
The Palgrave Handbook of Digital Russia Studies
The Palgrave Handbook of Digital Russia Studies Edited by Daria Gritsenko Mariëlle Wijermars · Mikhail Kopotev The Palgrave Handbook of Digital Russia Studies Daria Gritsenko Mariëlle Wijermars • Mikhail Kopotev Editors The Palgrave Handbook of Digital Russia Studies Editors Daria Gritsenko Mariëlle Wijermars University of Helsinki Maastricht University Helsinki, Finland Maastricht, The Netherlands Mikhail Kopotev Higher School of Economics (HSE University) Saint Petersburg, Russia ISBN 978-3-030-42854-9 ISBN 978-3-030-42855-6 (eBook) https://doi.org/10.1007/978-3-030-42855-6 © The Editor(s) (if applicable) and The Author(s) 2021. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
Unfriended by Levan Gabriadze. Terror Through a Click Abstract
Año 24 - Vol. 19- N°1 - enero - junio de 2021 Unfriended de Levan Gabriadze. El terror a través de un clic Santiago Carmona Caraballo1 Juan Nicolás Henao Díaz2 Artículo recibido el 25 de mayo de 2020, aprobado para su publicación el 15 de julio de 2020 Resumen Este artículo analiza la película Unfriended, la cual aborda el tema del suicidio en jóvenes de secun- daria asociados a drogas, alcohol, sexo e infidelida- des. Dicha trama cobra valor gracias al tratamiento que supone tanto un índice de realidad como las cla- ves del cine de terror. Sin duda, dicho filme sienta parte de las bases del Cyber Found Footage, variación del tradicional Metraje Encontrado mediante panta- llas digitales. Palabras Clave: Metraje Encontrado; Estudios sobre cine; Cine de terror; Paranormal; Jóvenes. Unfriended by Levan Gabriadze. Terror through a click Abstract This article analyzes the film Unfriended, which deals with the issue of high school suicide asso- ciated with drugs, alcohol, sex and infidelity. This plot becomes valuable thanks to the treatment that supposes both an index of reality and the keys of horror cinema. Undoubtedly, this film lays part of the foundations of Cyber Found Footage, a variation of the traditional Found Footage using digital screens. Keywords: Found footage; Film studies; Horror movies; Paranormal; Youths. 200 Año 24 - Vol. 19- N°1 - enero - junio de 2021 Introducción Unfriended (llamada Eliminar amigo en Hispanoamérica y titulada Eliminado en España) es una pe- lícula dirigida por Levan Gabriadze, actor y director nacido en Georgia, ex territorio de la Unión Soviética. Se filmó en 16 días de abril de 2014 en Santa Clarita, California. -
20E FESTIVAL
1 21e FESTIVAL DU CINÉMA RUSSE À HONFLEUR 26 NOVEMBRE - 1er DÉCEMBRE 2013 Demandes d’accréditations : [email protected] Service de presse : +33 1 55 57 05 57 Durant le Festival : +33 6 63 57 09 44 2 PRÉSENTATION Créé en 1995, le Festival du Cinéma Russe à Honfleur est le plus ancien et le plus important des festivals de cinéma russe en France. Il a pour objet de faire connaître en France le cinéma russe et de participer ainsi au développement des liens culturels entre la France et la Russie. Il enregistre plus de 10.000 entrées chaque année. Les festivaliers viennent en majorité de la Normandie et de la Région parisienne, mais aussi d'autres provinces françaises, de Belgique, de Suisse et de Russie. Le Festival rend possible la découverte par le grand public français d’œuvres de cinéastes russes inconnus en France. La présence des plus grands professionnels du cinéma russe et l’atmosphère très conviviale du Festival favorisent de nombreux échanges. Le Festival présente en compétition une sélection de films de fiction russes de l’année, ainsi que des documentaires, des dessins animés, un programme « Jeune Public », un programme « Panorama », une rétrospective thématique, et d'autres animations. La Ville de Honfleur, avec son Festival du Cinéma Russe et la Ville de Deauville, avec son Festival du Film Asiatique ont établi, depuis cinq ans, un partenariat d’échanges de films et de rencontres avec le public. Dans le cadre de ce partenariat le Festival d’Honfleur organise chaque année une projection d’un des films de compétition à Deauville. -
Resisting Foreign State Propaganda in the New Information Environment: the Case of the EU, Russia, and the Eastern Partnership Countries ISBN 978-9934-8536-9-2
RESISTING FOREIGN STATE PROPAGANDA IN THE NEW INFORMATION ENVIRONMENT: THE CASE OF THE EU, RUSSIA, AND THE EASTERN PARTNERSHIP COUNTRIES ISBN 978-9934-8536-9-2 UDK 32.019.5 Re708 This publication is a part of the project “Resisting state propaganda in the new information environment: The case of EU member states and EU Eastern Partnership states vis-à-vis the Russian Federation publication/re- search” organised by the Foundation for European Pro- gressive Studies (FEPS) with the support of Brīvības un Solidaritātes Fonds (BSF). RESISTING FOREIGN STATE PROPAGANDA IN THE NEW INFORMATION ENVIRONMENT: THE CASE OF THE EU, RUSSIA, AND THE EASTERN PARTNERSHIP COUNTRIES Table of contents Foreword Dr. Ernst Stetter 11 Foreword Ervins Labanovskis 17 PART I: INCREASING RESISTANCE TO PROPAGANDA WITHIN THE EU Countering propaganda in Europe: Responses and options Ben Nimmo 23 The role of national strategic narrative in raising resilience to hostile foreign propaganda in European societies Māris Cepurītis 39 Increasing the resistance of democratic states to hostile foreign propaganda— what is the right recipe? Elīna Lange-Ionatamišvili 52 The Audiovisual Media Services Directive and propaganda Andris Mellakauls 71 7 Key findings of the EED’s Feasibility PART III: THE VIEW FROM Study on independent Russian- THE EASTERN PARTNERSHIP COUNTRIES language media initiatives in the Eastern Partnership and beyond Farther from Russky Mir, Jerzy Pomianowski 89 Closer to the West Tamar Kintsurashvili 173 PART II: THE VIEW FROM THE BALTIC STATES Russian propaganda -
ICTV Morozov
CISCCONTENTONTENT:CONTENRTRREPORTEPORTEPORT CC ReviewОбзорОбзор of новостейaudiovisualновостей рынка content производства production and ии дистрибуциидистрибуции distribution аудиовизуальногоаудиовизуальногоin the CIS countries контента контента Media«»«MediaМ«»ÌЕДИÅÄÈ ResourcesА rÀРesourcesЕСУРСЫÐÅÑÓÐÑÛ МManagement ÌManagementЕНЕДЖМЕНТÅÍÅÄÆÌÅÍÒ» № №2№121(9)№24, №2 13 1April января, April, 1 July April, 30, 20152012 20132011 2012 tion but also be the award winners and nominees of тема номера DEARсловоDear colleagues!COLLEAGUES редакции different international film festivals. Despite large FOCUSFOCUS portion of information on the new movies, shows and УжеWeWe are areв первые happy toto дни present present нового you you the годаthe July Aprilнам, issue issue редакof the of cцtheиIsи: ПервыйLastseries autumn you’ll номер membersalso Contentfind theof Russian detailedReport association выходитreport on ofвthe televiкану re-н- UKRAINEКИНОТЕАТРАЛЬНЫ BECOMESЙ A ContentCIS:content Content Report, report Report сразу where whereстало we tried понятно,we to tried gather toчто thegather в most2011 the inм- Старогоsioncent anddeals movie Нового of international producers года, который chose distributors Red (наконецто) Square with the Screen cI sза-- всеmostteresting мы interesting будем up-to-date усердно up-to-date information и неустанно information about трудиться. rapidlyabout rapidly devel За- вершаетingspartners. as the чередуmost important праздников, industry поэтeventом of theу еще season. раз РЫН О К В УКРАИН Е : HIGH-PROSPECTIVETV MARKETS: -
Actualidad Aeroespacial 3 EN PORTADA - AENA
Número 152 - Septiembre de 2021 actualidad eroespacial EL PERIÓDICOe DE LOrS PRoOFESIOeNALESs DE LAp AEROaNÁUTIcCA Y EiL ESaPACIOl aactualidadaeroespacial.com La Airport City Adolfo Suárez Madrid-Barajas EDITORIAL Agencia Espacial: fuese y no hubo nada El Gobierno prometió a finales del pasado mes de mayo la creación de la Agencia Espacial Española enmarcada dentro de uno de los cinco capítulos en los que se ha dividido la nueva Estrategia de Seguridad Nacional, que se aprobaría antes del verano. La verdad es que han transcurrido tres meses desde ese anuncio, casi se ha pasado el verano y, como en el estrambote del soneto cervantino, “fuese y no hubo nada”. Ni siquiera parece haberse abordado la “nueva” Estrategia de Seguridad Nacional cuya aprobación se anunció para antes del verano y aún sigue vi - gente la “vieja” aprobada el 1 de diciembre de 2017, tal como figura en la web oficial del Ministerio de Defensa. ¿Se trataba de un globo-sonda para alegrar los oídos de los profesionales aeroespaciales y la industria de un sector declarado estratégico en nuestro país y que desde hace tanto tiempo lleva reclamando la creación de la Agencia Espacial Española? A mediados de mayo, cuando aún el Gobierno no se había pronunciado oficialmente sobre la creación de la Agencia, esta revista, Actualidad Aero - espacial, en una entrevista con el entonces ministro de Ciencia e Innova - ción, Pedro Duque, que publicó en su número espacial del pasado mes de junio, le preguntó por esta posibilidad y el todavía miembro del Ejecutivo, que hasta entonces había negado esa necesidad, ahora abría la puerta: “Cla - ramente, una agencia espacial a nivel de España se podría hacer”. -
Флаэртиана Форум Flahertiana Forum
1 FLAHERTIANA ФЛАЭРТИАНА FORUM ФОРУМ INTERNATIONAL INTERNATIONAL TRAINING AND PITCHING TRAINING AND PITCHING CATALOG КАТАЛОГ 15–20 09.2018 SCHEDULE 3 РАСПИСАНИЕ TUTORS, EXPERTS, ТЬЮТОРЫ, ЭКСПЕРТЫ, 8 CONTENTS POTENTIAL CO-PRODUCERS ПОТЕНЦИАЛЬНЫЕ СОПРОДЮСЕРЫ PROJECTS 18 ПРОЕКТЫ *ters- 18 *сухо- Anniversary 19 Юбилейный год Artyom's Upbringing 20 Воспитать Артема Boss of Balagansk 21 Хозяин Балаганска Bro 22 Брат Chapay’s Homeland 23 Родина Чапая Clouds on the Roof 24 Облака на крыше Comrade Secretary 25 Товарищ секретарь Deers Don’t Burn 26 Олени не горят Eclipse 27 Затмение Esmeralda OK 28 Эсмеральда ОК Europe Cafe 29 Кафе «Европа» IT: The Other Side of Baikal 30 Он, обратная сторона Байкала Let Me Get Closer 31 Давай на ты Letters from the Past 32 Письма из прошлого Life Goes On 33 Живут же люди 2 Listening to the Silence 34 Слушая тишину Metropolitan Chorus 35 Метрополитен Хор Millers Diary 36 Дневник Миллера Motherland 37 Родина Non-Standard Provisions 38 Нестандартные положения Notes on the Flea Market 39 Заметки о блохе One day. Filomena 40 Один день. Филомена Principle of passion 41 Принцип страсти Resuscitation 42 Реанимация Return My Hands 43 Верните мои руки Spitak. Thirty Years of Solitude 44 Спитак. Тридцать лет одиночества Strong Beat 45 Сильная доля Taxi Drivers 46 Таксисты Teachers' Day 47 День учителя The Abduction of Boghdo-Khan 48 Похищение Богдо-хана The Land of Men 49 Земля людей The Palmnicken Golgotha 50 Пальмникенская Голгофа Time Travel – From Bonn to Speia 51 Путешествие во времени – из Бонна в Спею Unrecognized 52 Непризнанные Velvet Generation 53 Вельветовое поколение Visitants 54 Летуны We Have Come to a Bright Future 55 Докатились до светлого будущего СОДЕРЖАНИЕ FLAHERTIANA FORUM 2018: Training and Pitching for documentary filmmakers. -
Association for Slavic, East European, & Eurasian Studies
1 Association for Slavic, East European, & Eurasian Studies 46th Annual Convention • November 20-23, 2014 San Antonio Marriott Rivercenter • San Antonio, TX “25 Years After the Fall of the Berlin Wall: Historical Legacies and New Beginnings” Stephen E. Hanson, College of William and Mary ASEEES Board President We are most grateful to our sponsors for their generous support. GOLD SPONSOR: East View Information Services BRONZE SPONSORS: College of William and Mary Reves Center for International Studies National Research University Higher School of Economics Indiana University Russian and East European Institute • University of Texas, Austin Center for Russian, Eastern European and Eurasian Studies and Department of Slavic and Eurasian Studies 2 Contents Convention Schedule Overview ..................................................................................................... 2 List of the Meeting Rooms at the Marriott Rivercenter .............................................................. 3 Visual Anthropology Film Series ................................................................................................4-5 Diagram of Meeting Rooms ............................................................................................................ 6 Exhibit Hall Diagram ....................................................................................................................... 7 Index of Exhibitors, Alphabetical ................................................................................................... 8 -
BASEES Sampler
R O U T L E D G E . TAYLOR & FRANCIS Slavonic & East European Studies A Chapter and Journal Article Sampler www.routledge.com/carees3 Contents Art and Protest in Putin's Russia by Laurien 1 Crump Introduction Freedom of Speech in Russia edited by Piotr 21 Dutkiewicz, Sakwa Richard, Kulikov Vladimir Chapter 8: The Putin regime: patrimonial media The Capitalist Transformation of State 103 Socialism by David Lane Chapter 11: The move to capitalism and the alternatives Europe-Asia Studies 115 Identity in transformation: Russian speakers in Post- Soviet Ukrane by Volodymyr Kulyk Post-Soviet Affairs 138 The logic of competitive influence-seeking: Russia, Ukraine, and the conflict in Donbas by Tatyana Malyarenko and Stefan Wolff 20% Discount Available Enjoy a 20% discount across our entire portfolio of books. Simply add the discount code FGT07 at the checkout. Please note: This discount code cannot be combined with any other discount or offer and is only valid on print titles purchased directly from www.routledge.com. www.routledge.com/carees4 Copyright Taylor & Francis Group. Not for distribution. 1 Introduction It was freezing cold in Moscow on 24 December 2011 – the day of the largest mass protest in Russia since 1993. A crowd of about 100 000 people had gathered to protest against electoral fraud in the Russian parliamentary elections, which had taken place nearly three weeks before. As more and more people joined the demonstration, their euphoria grew to fever pitch. Although the 24 December demonstration changed Russia, the period of euphoria was tolerated only until Vladimir Putin was once again installed as president in May 2012. -
4-11 Nov 2011
4-11 NOV 2011 Edita Sevilla Festival de Cine Europeo Director Artístico Javier Martín-Domínguez Documentación y Catálogo Antonio Abad Albarrán, Adeline Clement, Blanca García, Borja Moreno Traducción Deidre MacClowskey, Mathilde Grange Cesión de Fotografías Danish Film Institute, Lolo Vasco, Norwegian Film Institute, Swedish Film Institute, Polish Film Institute Producción Editorial Below Impresión J. de Haro Artes Gráficas, S.L. Depósito Legal SE-7934-2011 ÍNDICE TABLE OF CONTENTS 5 página CARTEL SEFF’11 POSTER SEFF’11 12 PREMIOS 2011 2011 AWARD 16 JURADO JURY 30 SECCIÓN OFICIAL OFFICIAL SECTION 36 SELECCIÓN EFA EFA SELECTION 70 EURIMAGES 104 EURODOC 122 EYE ON FILMS - MEDIA MUNDUS 154 FIRST FILMS FIRST 156 CELEBRACIÓN DEL CINE RUSO CELEBRATION OF RUSSIAN CINEMA NUEVO CINE RUSO NEW RUSSIAN CINEMA 176 CICLO NIKITA MIKHALKOV NIKITA MIKHALKOV PROGRAM 194 RUSSIA IN SHORT. ARTHOUSE IN SHORT-METRAGE 200 CICLO AMOS GITAI AMOS GITAI PROGRAM 206 CANAL ARTE ARTE CHANNEL 212 SHORT MATTERS’11 219 HISTORIA(S) DEL CINE HISTOIRE(S) DU CINÉMA 227 PANORAMA ANDALUZ ANDALUSIAN PANORAMA 232 TARDE DE TOROS AN AFTERNOON OF BULLFIGHTING 250 TRES CULTURAS THREE CULTURES 254 EUROPA JUNIOR 257 MES DE DANZA 261 FORO INDUSTRIA INDUSTRY FORUM 264 ACTIVIDADES PARALELAS PARALLEL ACTIVITIES 270 ÍNDICE DE TÍTULOS TITLES INDEX 278 LISTADO DE CONTACTOS CONTACTS LIST 282 7 Durante los días 4 y 11 de noviembre Sevilla acoge el During the period from 4th to 11th November, Seville will Festival de Cine Europeo, un festival que este año pre- welcome the European Film Festival, a festival that this tende estar más cerca de los sevillanos. -
The Popular Geopolitics Feedback Loop: Thinking Beyond the ‘Russia Versus the West’ Paradigm
This is a repository copy of The Popular Geopolitics Feedback Loop: Thinking beyond the ‘Russia versus the West’ Paradigm. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/105624/ Version: Accepted Version Article: Saunders, RA and Strukov, V (2017) The Popular Geopolitics Feedback Loop: Thinking beyond the ‘Russia versus the West’ Paradigm. Europe Asia Studies, 69 (2). pp. 303-324. ISSN 0966-8136 https://doi.org/10.1080/09668136.2017.1299114 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Robert A Saunders & Vlad Strukov The Popular Geopolitics Feedback Loop: Thinking beyond the ‘Russia versus the West’ Paradigm 1. Introduction Arjun Appadurai argues that culture should not be seen as a type of substance, but rather a dimension of a phenomena, ‘a dimension that attends to situated and embodied difference’ (1996, 13). The difference to which he refers is a manner of signification, derived from Derrida’s notion of différance, or simultaneous deferring and differing (Derrida 1976, 1978).