Dear Friends! on Behalf of Ministry of Culture of the Russian Federation I

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Dear Friends! on Behalf of Ministry of Culture of the Russian Federation I ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ –ÓÒÒËÈÒÍÓÈ On behalf of Ministry of Culture of the Russian ‘‰‡ˆËË ÔÓÁ‰‡‚Ρ˛ ‚‡Ò Ò Ì‡˜‡ÎÓÏ ‡·ÓÚ˚ Federation I would like to congratulate you all on 19-„Ó ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ the opening of the 19-th Open Russian Film "üËÌÓÚ‡‚". Festival "Kinotavr". ‘ÂÒÚË‚‡Î¸ ‚ —Ó˜Ë ‚Ò„‰‡ ·˚Î Ò‡Ï˚Ï ˇÍËÏ, The Festival in Sochi has always been the most Ò‡Ï˚Ï ÓÊˉ‡ÂÏ˚Ï, Ò‡Ï˚Ï Î˛·ËÏ˚Ï vivid, most anticipated, most admired and most Ô‡Á‰ÌËÍÓÏ Ë ÒÓ·˚ÚËÂÏ Ì‡ˆËÓ̇θÌÓ„Ó ÍËÌÓ. celebrated event for national cinema. But it is Œ‰Ì‡ÍÓ ËÏÂÌÌÓ ÚÂÔ¸, ̇ ‚ÓÎÌ ‡Òˆ‚ÂÚ‡ only now when domestic film industry is ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÓËÒÍÛÒÒÚ‚‡, "üËÌÓÚ‡‚" blooming, "Kinotavr" has become the main ÒÚ‡ÌÓ‚ËÚÒˇ „·‚ÌÓÈ ÔÓÙÂÒÒËÓ̇θÌÓÈ professional platform for the first-night showings, Ô·ÚÙÓÏÓÈ ‰Îˇ ÔÂϸÂÌ˚ı ÔÓÒÏÓÚÓ‚, meetings and discussions for all creative ‚ÒÚ˜ Ë ‰ËÒÍÛÒÒËÈ ‚ÒÂı Ú‚Ó˜ÂÒÍËı ÔÓÍÓÎÂÌËÈ generations of Russian cinematographers. ÓÒÒËÈÒÍËı ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. Participation in festival's programme is already an ”˜‡ÒÚË ‚ ÍÓÌÍÛÒÌÓÈ ÔÓ„‡ÏÏ "üËÌÓÚ‡‚‡" achievement, already success for every creative Ò‡ÏÓ ÔÓ Ò· ˇ‚ΡÂÚÒˇ ÛÒÔÂıÓÏ ‰Îˇ ÒÓÁ‰‡ÚÂÎÂÈ person in our film industry. To win at "Kinotavr" ͇ʉÓÈ ËÁ ‚˚·‡ÌÌ˚ı ÎÂÌÚ. œÓ·Â‰‡ ̇ beyond doubt means to receive the best ever proof "üËÌÓÚ‡‚Â" ÒÚ‡ÌÓ‚ËÚÒˇ ·ÂÒÒÔÓÌ˚Ï of innovation and craftsmanship and excellence. ‰Ó͇Á‡ÚÂθÒÚ‚ÓÏ ÌÓ‚‡ÚÓÒÚ‚‡ Ë Ï‡ÒÚÂÒÚ‚‡. The Festival becomes a virtual launch-pad for it's — ΄ÍÓÈ ÛÍË ÙÂÒÚË‚‡Îˇ Â„Ó ÚËÛÏÙ‡ÚÓ˚ Ë winners and nominees who then successfully Û˜‡ÒÚÌËÍË ËÁ „Ó‰‡ ‚ „Ó‰ ÓÚÔ‡‚Ρ˛ÚÒˇ ‚ participate and win at most prestigious 1 ÔÛÚ¯ÂÒÚ‚Ë ÔÓ ‚ÒÂÏ ÒÚ‡Ì‡Ï Ïˇ, international film festivals around the world as Ô‰ÒÚ‡‚Ρˇ ÓÚ˜ÂÒÚ‚ÂÌÌÓ ÍËÌÓ Ì‡ Ò‡Ï˚ı representatives of modern Russian cinema. ÔÂÒÚËÊÌ˚ı ÍËÌÓÒÏÓÚ‡ı. I am sure that all spectators, guests and Δ·˛ ‚ÒÂÏ ÁËÚÂΡÏ, „ÓÒÚˇÏ Ë Û˜‡ÒÚÌËÍ‡Ï participants of the 19-th ORFF will enjoy the 19-„Ó Œ–ü‘ "üËÌÓÚ‡‚" ‡‰ÓÒÚË ÓÚ ‚ÒÚÂ˜Ë Ò encounter with new and indisputably best films of ÌÓ‚˚ÏË Ë, ·ÂÁ ÒÓÏÌÂÌˡ, ÎÛ˜¯ËÏË ÙËθχÏË the year. ˝ÚÓ„Ó „Ó‰‡. ”‰‡˜Ë ‚‡Ï, Ò˜‡ÒÚ¸ˇ Ë ÔÂ͇ÒÌÓ„Ó Ì‡ÒÚÓÂÌˡ. I wish you happiness, best of luck and joy. ¿.¿. ¿‚‰Â‚ A.A. Avdeev ÃËÌËÒÚ ÍÛθÚÛ˚ Minister of Culture of –ÓÒÒËÈÒÍÓÈ ‘‰‡ˆËË the Russian Federation ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ”‚‡Ê‡ÂÏ˚ ۘ‡ÒÚÌËÍË Ë „ÓÒÚË ÙÂÒÚË‚‡Îˇ! Dear participants and visitors of the festival! œÓÁ‰‡‚Ρ˛ ‚‡Ò Ò ÓÚÍ˚ÚËÂÏ ÙÂÒÚË‚‡Îˇ I congratulate you on the opening of the festival ´üËÌÓÚ‡‚ª! ƒ‡‚ÌÓ ÒÚ‡‚¯ËÈ Ú‡‰ËˆËÓÌÌ˚Ï, ‡ ‚ ìKinotavrî! This festival, which takes place on ˜ÂÏ-ÚÓ Ë ÍÛθÚÓ‚˚Ï, ÓÌ ÔÓıÓ‰ËÚ Ì‡ ÍÛ·‡ÌÒÍÓÈ the Kuban soil already for the 19th time, has a ÁÂÏΠÛÊ ‚ ‰Â‚ˇÚ̇‰ˆ‡Ú˚È ‡Á! long tradition and has become something of a ¬ ·Û‰Û˘Û˛ ÒÚÓÎËˆÛ ÓÎËÏÔËÈÒÍËı Ë„ cult event. The representatives of Russiaís best ÔËÂÁʇ˛Ú ÒÓÒÚˇÁ‡Ú¸Òˇ ÎÛ˜¯Ë Ô‰ÒÚ‡‚ËÚÂÎË cinema arrive from all over Russia to compete ÍËÌÂχÚÓ„‡Ù‡ ÒÓ ‚ÒÂÈ –ÓÒÒËË. » Ò Í‡Ê‰˚Ï here, in the future capital of the Olympic Games. „Ó‰ÓÏ Ê·˛˘Ëı ÔËÌˇÚ¸ Û˜‡ÒÚË ‚ And every year the number of those wishing to ´üËÌÓÚ‡‚ª ÒÚ‡ÌÓ‚ËÚÒˇ ‚Ò ·Óθ¯Â. participate in ìKinotavrî grows. ›ÚÓÚ ÙÓÛÏ ÌÂËÁÏÂÌÌÓ ÓÚÍ˚‚‡ÂÚ ÌÓ‚˚ ËÏÂ̇. This forum invariably discovers new names. For ƒÎˇ ÏÌÓ„Ëı ÏÓÎÓ‰˚ı ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ ̇¯Ë many young cinematographers our cinema ÁËÚÂθÌ˚ Á‡Î˚ ÒÚ‡ÎË ÒÚ‡ÚÓ‚ÓÈ ÔÎÓ˘‡‰ÍÓÈ ‚ screens have became the launch pad for the ÏË ·Óθ¯Ó„Ó ÍËÌÓ. world of big cinema. ƒÎˇ ÓÒÒËˇÌ ÒÓ˜ËÌÒÍËÈ ÍËÌÓÙÂÒÚË‚‡Î¸ ñ ˝ÚÓ For Russians, the Sochi Film Festival is also the Â˘Â Ë Ì‡˜‡ÎÓ ÍÛÓÚÌÓ„Ó ÒÂÁÓ̇. ΔËÚÂÎË Ë beginning of the holiday season. Both „ÓÒÚË ÎÂÚÌÂÈ ÒÚÓÎˈ˚ ‚ ˝ÚË ‰ÌË ÛÒÔ‚‡˛Ú inhabitants and visitors of the summerís capital Ó‰ÌÓ‚ÂÏÂÌÌÓ ÓÍÛÌÛÚ¸Òˇ ‚ ÌÂÒÍÓθÍÓ ÏÓÂÈ: ‚ now can plunge into several seas simultaneously: ÏÓ ÒÓÎ̈‡, ‚ ◊ÂÌÓ ÏÓ Ë, ÍÓ̘ÌÓ ÊÂ, ‚ the sea of the sun, the Black sea and, of course, ۉ˂ËÚÂθÌÓÂ Ë ˜Û‰ÂÒÌÓ ÏÓ ÍËÌÓ! the surprising and wonderful sea of cinema! ”‚ÂÂÌ, ˜ÚÓ Ë ‚ ˝ÚÓÏ „Ó‰Û ´üËÌÓÚ‡‚ª ÔÓ‡‰ÛÂÚ I am confident that this year, too,ìKinotavrî Ò‚ÓËı „ÓÒÚÂÈ ÌÓ‚˚ÏË ÓÚÍ˚ÚˡÏË, will bring new discoveries, talented films and a ڇ·ÌÚÎË‚˚ÏË Í‡ÚË̇ÏË Ë ÌÂËÁÏÂÌÌÓÈ continuous atmosphere of celebration! Ô‡Á‰Ì˘ÌÓÈ ‡ÚÏÓÒÙÂÓÈ! I wish you, dear friends, productive work, Δ·˛ ‚‡Ï, ‰ÓÓ„Ë ‰ÛÁ¸ˇ, ÔÎÓ‰ÓÚ‚ÓÌÓÈ brilliant and unforgettable impressions! May ‡·ÓÚ˚, ˇÍËı Ë ÌÂÁ‡·˚‚‡ÂÏ˚ı ‚Ô˜‡ÚÎÂÌËÈ! success accompany every participant of the œÛÒÚ¸ Û‰‡˜‡ ÒÓÔÛÚÒÚ‚ÛÂÚ Í‡Ê‰ÓÏÛ Û˜‡ÒÚÌËÍÛ festival! ÙÂÒÚË‚‡Îˇ! A. N. Tkachev ¿.Õ. “͇˜Â‚ Head of Administration √·‚‡ ‡‰ÏËÌËÒÚ‡ˆËË ü‡ÒÌÓ‰‡ÒÍÓ„Ó Í‡ˇ of the Krasnodar Region ƒÓÓ„Ë ÍÓÎ΄Ë! Dear colleagues! ü‡ÊÂÚÒˇ, ‚ ˝ÚÓÏ „Ó‰Û ´üËÌÓÚ‡‚ª ÒڇΠÔÓ- This yearís ìKinotavrî has become really important ̇ÒÚÓˇ˘ÂÏÛ ‚‡ÊÌ˚Ï ‰Îˇ ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. for cinematographers. This became clear already at ›ÚÓ ÒÚ‡ÎÓ ÔÓÌˇÚÌ˚Ï ÛÊ ̇ ÒÚ‡‰ËË ÓÚ·Ó‡ the selection stage, where competition radically ÙËθÏÓ‚, „‰Â ÂÁÍÓ Ó·ÓÒÚË·Ҹ ÍÓÌÍÛÂÌˆËˇ Ë increased: there were 130 films competing for 15 ̇ 15 ÏÂÒÚ ‚ ÍÓÌÍÛÒÌÓÈ ÔÓ„‡ÏÏ ÛÊ places in the main competition programme. This is ÔÂÚẨӂ‡ÎË 130 ÙËθÏÓ‚. «Ì‡˜ËÚÂθÌÓ ·Óθ¯Â, significantly greater competition than in previous ˜ÂÏ ‚ Ô‰˚‰Û˘Ë „Ó‰˚. œËÚÓÏ ˜ÚÓ ÓÚ·ÓÓ˜ÌÓÈ years, especially bearing in mind that the selection ÍÓÏËÒÒËÂÈ ‡ÒÒχÚË‚‡ÎËÒ¸ ÚÓθÍÓ ÔÂϸÂ˚ Ë committee considered only premieres and films ÙËθÏ˚ Ò ˇÍÓ ‚˚‡ÊÂÌÌÓÈ ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓÈ, ‡ with a strongly articulated artistic rather than Ì ÍÓÏϘÂÒÍÓÈ ‡Ï·ËˆËÂÈ. commercial remit. Õ‡ ÔÓˇ‰ÍË ‚ÓÁÓÒÎÓ ÍÓ΢ÂÒÚ‚Ó The amount of professionals considering the ÔÓÙÂÒÒËÓ̇ÎÓ‚, Ò˜ËÚ‡˛˘Ëı ÌÂÓ·ıÓ‰ËÏ˚Ï Ò‚Ó presence at the festival necessary has also ÔËÒÛÚÒÚ‚Ë ̇ ÙÂÒÚË‚‡ÎÂ. increased significantly. ¡Óθ¯Ë ÍËÌÓÍÓÏÔ‡ÌËË ‚Ò ˜‡˘Â „ÓÚÓ‚ˇÚ Ë The large film companies more and more often Ó„‡ÌËÁÛ˛Ú ÒÔˆˇθÌ˚ ÒÓ·˚Úˡ, ÔÓÒ‚ˇ˘ÂÌÌ˚ prepare and organize special events devoted to Ò‚ÓËÏ ÌÓ‚˚Ï ÔÓÂÍÚ‡Ï. their new projects. ¬Ò ÚÂÒÌ ÒÓÚÛ‰Ì˘‡ÂÚ ´üËÌÓÚ‡‚ª Ò ìKinotavrî co-operates even more closely with the –ÓÒÒËÈÒÍËÏ ÏÂʉÛ̇ӉÌ˚Ï ÍËÌÓ˚ÌÍÓÏ, ‚ Russian International Film Market, which will ‡Ï͇ı ÍÓÚÓÓ„Ó ‚ ˝ÚÓÏ „Ó‰Û ·Û‰ÛÚ Ô‰ÒÚ‡‚ÎÂÌ˚ present this year over 1000 new films and at ·ÓΠ1000 ÌÓ‚˚ı ÙËθÏÓ‚ Ë Ì‡ ÍÓÚÓÓÏ ÛÊ which already more than 1000 participants have ‡Í͉ËÚÓ‚‡Ì˚ ·ÓΠ1000 Û˜‡ÒÚÌËÍÓ‚. been accredited. œË̈ËÔˇθÌÓ ‚‡ÊÌ˚Ï ˝ÎÂÏÂÌÚÓÏ ´üËÌÓÚ‡‚‡ª An element of principal importance for ìKinotavrî 2 ÒڇΠÍÓÌÍÛÒ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı ÙËθÏÓ‚. is the competition programme of short films. It is ÀÛ˜¯ÂÈ ‚ÓÁÏÓÊÌÓÒÚË ‰Îˇ ÏÓÎÓ‰˚ı hard to imagine a better opportunity for young ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ Á‡ˇ‚ËÚ¸ Ó Ò· ÚÛ‰ÌÓ filmmakers to present themselves. Consequently, Ô‰ÒÚ‡‚ËÚ¸. » ÔÓÚÓÏÛ Ì‡Ò ÓÒÓ·Ó ‡‰ÛÂÚ we are especially pleased with the appearance of ÔÓˇ‚ÎÂÌË ´Ì‡¯Ëıª ÂÊËÒÒÂÓ‚, ìourî directors, who debuted with short films at ‰Â·˛ÚËÓ‚‡‚¯Ëı ̇ ÙÂÒÚË‚‡ÎÂ Ò ÍÓÓÚÍËÏË the festival and later participated in the main ÙËθχÏË Ë ÔÓÁ‰Ì ۘ‡ÒÚ‚Û˛˘Ëı ÛÊ ‚ feature film competition. Thus, for example, ÍÓÌÍÛÒ ÔÓÎÌÓ„Ó ÏÂÚ‡. “‡ÍËı, Í ÔËÏÂÛ, Í‡Í Alexei Mizgirev, whose film ìHard-Heartedî ñ a ¿ÎÂÍÒÂÈ ÃËÁ„Ë‚, ˜ÂÈ ÙËÎ¸Ï ´üÂÏÂ̸ª, winner at Kinotavr 2007 ñ received prizes at ·ÛÂ‡Ú ´üËÌÓÚ‡‚‡ª 2007 „Ó‰‡, ÒڇΠÔËÁÂÓÏ several international festivals. Indeed, his creative ÌÂÒÍÓθÍËı ÏÂʉÛ̇ӉÌ˚ı ÙÂÒÚË‚‡ÎÂÈ. ¿ career had begun with the film ìDismissalî in the ̇˜Ë̇·Ҹ Â„Ó Ú‚Ó˜ÂÒ͇ˇ ͇¸Â‡ ìKinotavr. Shortsî competition. Or Valeria Gai ´”‚ÓθÌÂÌËÂϪ ‚ ÍÓÌÍÛÒ ´üËÌÓÚ‡‚. üÓÓÚÍËÈ Germanika, a participant of both the short and ÏÂÚª. ü‡Í Û˜‡ÒÚÌˈ‡ Ë ÍÓÓÚÍÓÏÂÚ‡ÊÌÓ„Ó, Ë feature competition, whose latest film has been ÔÓÎÌÓÏÂÚ‡ÊÌÓ„Ó ÍÓÌÍÛÒÓ‚ ¬‡ÎÂˡ √‡È selected for the ìCriticsí Weekî (Semaine de la √ÂχÌË͇, ˜¸ˇ ÌÓ‚‡ˇ ͇ÚË̇ ÓÚÓ·‡Ì‡ ‚ Critique) at the Cannes Film Festival of 2008. Or ÔÓ„‡ÏÏÛ ´Õ‰ÂΡ ÍËÚËÍ˪ ü‡ÌÌÒÍÓ„Ó the three participants of the current competition, ÙÂÒÚË‚‡Îˇ 2008 „Ó‰‡. ü‡Í ÚÓ ۘ‡ÒÚÌËÍÓ‚ who last year won prizes in the ìShortsî Ì˚̯ÌÂ„Ó ÓÒÌÓ‚ÌÓ„Ó ÍÓÌÍÛÒ‡, ‚ ÔÓ¯ÎÓÏ „Ó‰Û competition. The previous prize winner Igor ÒÚ‡‚¯Ë ·Û‡ڇÏË ´üÓÓÚÍÓ„Ó ÏÂÚ‡ª. Voloshin has been selected for the ìForumî of the √·‚Ì˚È ÔËÁ »„Ó¸ ¬ÓÎÓ¯ËÌ ÍÓÏ ÚÓ„Ó ·˚Î 58th Berlinale, while the recipients of diplomas ñ ÓÚÓ·‡Ì ‚ ÔÓ„‡ÏÏÛ ´‘ÓÛϪ 58-È ¡ÂÎË̇ÎÂ, ‡ Leonid Rybakov and Bakur Bakuradze ñ took part ‰ËÔÎÓχÌÚ˚ ÀÂÓÌˉ –˚·‡ÍÓ‚ Ë ¡‡ÍÛ ¡‡ÍÛ‡‰Á in the shorts competition of the Venice Film ñ ‚ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚È ÍÓÌÍÛÒ ¬Â̈ˇÌÒÍÓ„Ó Festival in 2007 and in the Directorsí Fortnight ÙÂÒÚË‚‡Îˇ ‚ 2007-Ï Ë ü‡ÌÌÒÍËÈ ´ƒ‚Ûı̉ÂθÌËÍ (Quinzaine des R?alisateurs) in Cannes in 2008 ÂÊËÒÒÂÓ‚ª ‚ 2008 „Ó‰Û ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
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    October 29, 2019 (XXXIX:10) Larisa Shepitko: THE ASCENT (1977, 111m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Larisa Shepitko WRITING Yuri Klepikov and Larisa Shepitko wrote the screenplay adapted from a novel by Vasiliy Bykov. Production Company Mosfilm MUSIC Alfred Schnittke CINEMATOGRAPHY Vladimir Chukhnov and Pavel Lebeshev EDITING Valeriya Belova CAST Boris Plotnikov...Sotnikov Vladimir Gostyukhin...Rybak Sergey Yakovlev...Village elder Lyudmila Polyakova...Demchikha Viktoriya Goldentul...Basya Anatoliy Solonitsyn...Portnov, the Nazi interrogator Mariya Vinogradova...Village elder's wife Nikolai Sektimenko...Stas' She also adopted his motto, "Make every film as if it's your last." Shepitko graduated from VGIK in 1963 with LARISA SHEPITKO (b. January 6, 1938 in her prize winning diploma film Heat*, or Znoy made Artyomovsk, Ukrainian SSR, USSR [now Artemivsk, when she was 22 years old. The film was influenced by a Donetsk Oblast, Ukraine]—d. July 2, 1979 (age 41) in short story, ''The Camel's Eye'', by Chingiz Aitmatov. near Redkino, Kalinin Oblast, Russian SFSR, USSR), Her 1967 short film, “Homeland of electricity,”* part of whose filmmaking career was tragically cut short by a car the omnibus Beginning of an Unknown Era, suffered accident, was on the verge of becoming a name censorship for its perceived negative portrayal of the synonymous with internationally renowned directors to Bolsheviks, despite its intention to commemorate the emerge from the Soviet Union.
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    October 30, 2012 (XXV:9) Elim Klimov, COME AND SEE/Иди и смотри (1985, 136 min) Directed by Elem Klimov Written by Ales Adamovich and Elem Klimov Original Music by Oleg Yanchenko Cinematography by Aleksei Rodionov Film Editing by Valeriya Belova Production Design by Viktor Petrov Art Direction by Viktor Petrov Set Decoration by Viktor Petrov P. Gutenko…military advisor Aleksey Kravchenko…Florya Gaishun Olga Mironova…Glasha Liubomiras Lautsyavichius …Kosach Vladas Bagdonas Jüri Lumiste Viktor Lorents Kazimir Rabetsky Yevgeni Tilicheyev Aleksandr Berda vracha, 1964 Welcome, or No Trespassing, 1962 Smotrite, nebo!, G. Velts 1960 Zhenikh, and 1959 Ostorozhno: poshlost. V. Vasilyev Igor Gnevashev ALEKSEI RODIONOV (April 26, 1947, Moscow, Soviet Union) has 23 Vasili Domrachyov cinematographer credits: 2011 Generation P, 2008 Admiral, 2004/I G. Yelkin Yes, 2002 Letniy dozhd, 2002 Where Eskimos Live, 2000 24 Hours, Ye. Kryzhanovsky 2000 Eisenstein, 2000/I “Cinderella”, 1998 Talk of Angels, 1997 N. Lisichenok Passion in the Desert, 1995-1996 “Red Shoe Diaries”, 1995 Viktor Manaev Musulmanin, 1993 Ya khotela uvidet angelov, 1992 Orlando, 1989 Takhir Matyullin Zhena kerosinshchika, 1987 Shura i Prosvirnyak, 1986 My vesely, Pyotr Merkurev schastlivy, talantlivy!, 1985 Come and See (as A. Rodionov), 1985 Valentin Mishatkin “Vstrecha pered razlukoy”, 1985 “Protivostoyanie”, 1983 Sredi G. Matytsky serykh kamney, 1983 Proshchanie,, and 1970 Moya sudba. Yevgeniya Polyakova Anatoli Slivnikov Georgi Strokov ALEKSEY KRAVCHENKO… Florya Gaishun (Aleksei Yevgenyevich
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