ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends!
ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ –ÓÒÒËÈÒÍÓÈ On behalf of Ministry of Culture of the Russian ‘‰‡ˆËË ÔÓÁ‰‡‚Ρ˛ ‚‡Ò Ò Ì‡˜‡ÎÓÏ ‡·ÓÚ˚ Federation I would like to congratulate you all on 19-„Ó ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ the opening of the 19-th Open Russian Film "üËÌÓÚ‡‚". Festival "Kinotavr". ‘ÂÒÚË‚‡Î¸ ‚ —Ó˜Ë ‚Ò„‰‡ ·˚Î Ò‡Ï˚Ï ˇÍËÏ, The Festival in Sochi has always been the most Ò‡Ï˚Ï ÓÊˉ‡ÂÏ˚Ï, Ò‡Ï˚Ï Î˛·ËÏ˚Ï vivid, most anticipated, most admired and most Ô‡Á‰ÌËÍÓÏ Ë ÒÓ·˚ÚËÂÏ Ì‡ˆËÓ̇θÌÓ„Ó ÍËÌÓ. celebrated event for national cinema. But it is Œ‰Ì‡ÍÓ ËÏÂÌÌÓ ÚÂÔ¸, ̇ ‚ÓÎÌ ‡Òˆ‚ÂÚ‡ only now when domestic film industry is ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÓËÒÍÛÒÒÚ‚‡, "üËÌÓÚ‡‚" blooming, "Kinotavr" has become the main ÒÚ‡ÌÓ‚ËÚÒˇ „·‚ÌÓÈ ÔÓÙÂÒÒËÓ̇θÌÓÈ professional platform for the first-night showings, Ô·ÚÙÓÏÓÈ ‰Îˇ ÔÂϸÂÌ˚ı ÔÓÒÏÓÚÓ‚, meetings and discussions for all creative ‚ÒÚ˜ Ë ‰ËÒÍÛÒÒËÈ ‚ÒÂı Ú‚Ó˜ÂÒÍËı ÔÓÍÓÎÂÌËÈ generations of Russian cinematographers. ÓÒÒËÈÒÍËı ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. Participation in festival's programme is already an ”˜‡ÒÚË ‚ ÍÓÌÍÛÒÌÓÈ ÔÓ„‡ÏÏ "üËÌÓÚ‡‚‡" achievement, already success for every creative Ò‡ÏÓ ÔÓ Ò· ˇ‚ΡÂÚÒˇ ÛÒÔÂıÓÏ ‰Îˇ ÒÓÁ‰‡ÚÂÎÂÈ person in our film industry. To win at "Kinotavr" ͇ʉÓÈ ËÁ ‚˚·‡ÌÌ˚ı ÎÂÌÚ. œÓ·Â‰‡ ̇ beyond doubt means to receive the best ever proof "üËÌÓÚ‡‚Â" ÒÚ‡ÌÓ‚ËÚÒˇ ·ÂÒÒÔÓÌ˚Ï of innovation and craftsmanship and excellence. ‰Ó͇Á‡ÚÂθÒÚ‚ÓÏ ÌÓ‚‡ÚÓÒÚ‚‡ Ë Ï‡ÒÚÂÒÚ‚‡. The Festival becomes a virtual launch-pad for it's — ΄ÍÓÈ ÛÍË ÙÂÒÚË‚‡Îˇ Â„Ó ÚËÛÏÙ‡ÚÓ˚ Ë winners and nominees who then successfully Û˜‡ÒÚÌËÍË ËÁ „Ó‰‡ ‚ „Ó‰ ÓÚÔ‡‚Ρ˛ÚÒˇ ‚ participate and win at most prestigious 1 ÔÛÚ¯ÂÒÚ‚Ë ÔÓ ‚ÒÂÏ ÒÚ‡Ì‡Ï Ïˇ, international film festivals around the world as Ô‰ÒÚ‡‚Ρˇ ÓÚ˜ÂÒÚ‚ÂÌÌÓ ÍËÌÓ Ì‡ Ò‡Ï˚ı representatives of modern Russian cinema. ÔÂÒÚËÊÌ˚ı ÍËÌÓÒÏÓÚ‡ı. I am sure that all spectators, guests and Δ·˛ ‚ÒÂÏ ÁËÚÂΡÏ, „ÓÒÚˇÏ Ë Û˜‡ÒÚÌËÍ‡Ï participants of the 19-th ORFF will enjoy the 19-„Ó Œ–ü‘ "üËÌÓÚ‡‚" ‡‰ÓÒÚË ÓÚ ‚ÒÚÂ˜Ë Ò encounter with new and indisputably best films of ÌÓ‚˚ÏË Ë, ·ÂÁ ÒÓÏÌÂÌˡ, ÎÛ˜¯ËÏË ÙËθχÏË the year. ˝ÚÓ„Ó „Ó‰‡. ”‰‡˜Ë ‚‡Ï, Ò˜‡ÒÚ¸ˇ Ë ÔÂ͇ÒÌÓ„Ó Ì‡ÒÚÓÂÌˡ. I wish you happiness, best of luck and joy.
¿.¿. ¿‚‰Â‚ A.A. Avdeev ÃËÌËÒÚ ÍÛθÚÛ˚ Minister of Culture of –ÓÒÒËÈÒÍÓÈ ‘‰‡ˆËË the Russian Federation
ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ”‚‡Ê‡ÂÏ˚ ۘ‡ÒÚÌËÍË Ë „ÓÒÚË ÙÂÒÚË‚‡Îˇ! Dear participants and visitors of the festival!
œÓÁ‰‡‚Ρ˛ ‚‡Ò Ò ÓÚÍ˚ÚËÂÏ ÙÂÒÚË‚‡Îˇ I congratulate you on the opening of the festival ´üËÌÓÚ‡‚ª! ƒ‡‚ÌÓ ÒÚ‡‚¯ËÈ Ú‡‰ËˆËÓÌÌ˚Ï, ‡ ‚ ìKinotavrî! This festival, which takes place on ˜ÂÏ-ÚÓ Ë ÍÛθÚÓ‚˚Ï, ÓÌ ÔÓıÓ‰ËÚ Ì‡ ÍÛ·‡ÌÒÍÓÈ the Kuban soil already for the 19th time, has a ÁÂÏΠÛÊ ‚ ‰Â‚ˇÚ̇‰ˆ‡Ú˚È ‡Á! long tradition and has become something of a ¬ ·Û‰Û˘Û˛ ÒÚÓÎËˆÛ ÓÎËÏÔËÈÒÍËı Ë„ cult event. The representatives of Russiaís best ÔËÂÁʇ˛Ú ÒÓÒÚˇÁ‡Ú¸Òˇ ÎÛ˜¯Ë Ô‰ÒÚ‡‚ËÚÂÎË cinema arrive from all over Russia to compete ÍËÌÂχÚÓ„‡Ù‡ ÒÓ ‚ÒÂÈ –ÓÒÒËË. » Ò Í‡Ê‰˚Ï here, in the future capital of the Olympic Games. „Ó‰ÓÏ Ê·˛˘Ëı ÔËÌˇÚ¸ Û˜‡ÒÚË ‚ And every year the number of those wishing to ´üËÌÓÚ‡‚ª ÒÚ‡ÌÓ‚ËÚÒˇ ‚Ò ·Óθ¯Â. participate in ìKinotavrî grows. ›ÚÓÚ ÙÓÛÏ ÌÂËÁÏÂÌÌÓ ÓÚÍ˚‚‡ÂÚ ÌÓ‚˚ ËÏÂ̇. This forum invariably discovers new names. For ƒÎˇ ÏÌÓ„Ëı ÏÓÎÓ‰˚ı ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ ̇¯Ë many young cinematographers our cinema ÁËÚÂθÌ˚ Á‡Î˚ ÒÚ‡ÎË ÒÚ‡ÚÓ‚ÓÈ ÔÎÓ˘‡‰ÍÓÈ ‚ screens have became the launch pad for the ÏË ·Óθ¯Ó„Ó ÍËÌÓ. world of big cinema. ƒÎˇ ÓÒÒËˇÌ ÒÓ˜ËÌÒÍËÈ ÍËÌÓÙÂÒÚË‚‡Î¸ ñ ˝ÚÓ For Russians, the Sochi Film Festival is also the Â˘Â Ë Ì‡˜‡ÎÓ ÍÛÓÚÌÓ„Ó ÒÂÁÓ̇. ΔËÚÂÎË Ë beginning of the holiday season. Both „ÓÒÚË ÎÂÚÌÂÈ ÒÚÓÎˈ˚ ‚ ˝ÚË ‰ÌË ÛÒÔ‚‡˛Ú inhabitants and visitors of the summerís capital Ó‰ÌÓ‚ÂÏÂÌÌÓ ÓÍÛÌÛÚ¸Òˇ ‚ ÌÂÒÍÓθÍÓ ÏÓÂÈ: ‚ now can plunge into several seas simultaneously: ÏÓ ÒÓÎ̈‡, ‚ ◊ÂÌÓ ÏÓ Ë, ÍÓ̘ÌÓ ÊÂ, ‚ the sea of the sun, the Black sea and, of course, ۉ˂ËÚÂθÌÓÂ Ë ˜Û‰ÂÒÌÓ ÏÓ ÍËÌÓ! the surprising and wonderful sea of cinema! ”‚ÂÂÌ, ˜ÚÓ Ë ‚ ˝ÚÓÏ „Ó‰Û ´üËÌÓÚ‡‚ª ÔÓ‡‰ÛÂÚ I am confident that this year, too,ìKinotavrî Ò‚ÓËı „ÓÒÚÂÈ ÌÓ‚˚ÏË ÓÚÍ˚ÚˡÏË, will bring new discoveries, talented films and a ڇ·ÌÚÎË‚˚ÏË Í‡ÚË̇ÏË Ë ÌÂËÁÏÂÌÌÓÈ continuous atmosphere of celebration! Ô‡Á‰Ì˘ÌÓÈ ‡ÚÏÓÒÙÂÓÈ! I wish you, dear friends, productive work, Δ·˛ ‚‡Ï, ‰ÓÓ„Ë ‰ÛÁ¸ˇ, ÔÎÓ‰ÓÚ‚ÓÌÓÈ brilliant and unforgettable impressions! May ‡·ÓÚ˚, ˇÍËı Ë ÌÂÁ‡·˚‚‡ÂÏ˚ı ‚Ô˜‡ÚÎÂÌËÈ! success accompany every participant of the œÛÒÚ¸ Û‰‡˜‡ ÒÓÔÛÚÒÚ‚ÛÂÚ Í‡Ê‰ÓÏÛ Û˜‡ÒÚÌËÍÛ festival! ÙÂÒÚË‚‡Îˇ! A. N. Tkachev ¿.Õ. “͇˜Â‚ Head of Administration √·‚‡ ‡‰ÏËÌËÒÚ‡ˆËË ü‡ÒÌÓ‰‡ÒÍÓ„Ó Í‡ˇ of the Krasnodar Region ƒÓÓ„Ë ÍÓÎ΄Ë! Dear colleagues!
ü‡ÊÂÚÒˇ, ‚ ˝ÚÓÏ „Ó‰Û ´üËÌÓÚ‡‚ª ÒڇΠÔÓ- This yearís ìKinotavrî has become really important ̇ÒÚÓˇ˘ÂÏÛ ‚‡ÊÌ˚Ï ‰Îˇ ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. for cinematographers. This became clear already at ›ÚÓ ÒÚ‡ÎÓ ÔÓÌˇÚÌ˚Ï ÛÊ ̇ ÒÚ‡‰ËË ÓÚ·Ó‡ the selection stage, where competition radically ÙËθÏÓ‚, „‰Â ÂÁÍÓ Ó·ÓÒÚË·Ҹ ÍÓÌÍÛÂÌˆËˇ Ë increased: there were 130 films competing for 15 ̇ 15 ÏÂÒÚ ‚ ÍÓÌÍÛÒÌÓÈ ÔÓ„‡ÏÏ ÛÊ places in the main competition programme. This is ÔÂÚẨӂ‡ÎË 130 ÙËθÏÓ‚. «Ì‡˜ËÚÂθÌÓ ·Óθ¯Â, significantly greater competition than in previous ˜ÂÏ ‚ Ô‰˚‰Û˘Ë „Ó‰˚. œËÚÓÏ ˜ÚÓ ÓÚ·ÓÓ˜ÌÓÈ years, especially bearing in mind that the selection ÍÓÏËÒÒËÂÈ ‡ÒÒχÚË‚‡ÎËÒ¸ ÚÓθÍÓ ÔÂϸÂ˚ Ë committee considered only premieres and films ÙËθÏ˚ Ò ˇÍÓ ‚˚‡ÊÂÌÌÓÈ ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓÈ, ‡ with a strongly articulated artistic rather than Ì ÍÓÏϘÂÒÍÓÈ ‡Ï·ËˆËÂÈ. commercial remit. Õ‡ ÔÓˇ‰ÍË ‚ÓÁÓÒÎÓ ÍÓ΢ÂÒÚ‚Ó The amount of professionals considering the ÔÓÙÂÒÒËÓ̇ÎÓ‚, Ò˜ËÚ‡˛˘Ëı ÌÂÓ·ıÓ‰ËÏ˚Ï Ò‚Ó presence at the festival necessary has also ÔËÒÛÚÒÚ‚Ë ̇ ÙÂÒÚË‚‡ÎÂ. increased significantly. ¡Óθ¯Ë ÍËÌÓÍÓÏÔ‡ÌËË ‚Ò ˜‡˘Â „ÓÚÓ‚ˇÚ Ë The large film companies more and more often Ó„‡ÌËÁÛ˛Ú ÒÔˆˇθÌ˚ ÒÓ·˚Úˡ, ÔÓÒ‚ˇ˘ÂÌÌ˚ prepare and organize special events devoted to Ò‚ÓËÏ ÌÓ‚˚Ï ÔÓÂÍÚ‡Ï. their new projects. ¬Ò ÚÂÒÌ ÒÓÚÛ‰Ì˘‡ÂÚ ´üËÌÓÚ‡‚ª Ò ìKinotavrî co-operates even more closely with the –ÓÒÒËÈÒÍËÏ ÏÂʉÛ̇ӉÌ˚Ï ÍËÌÓ˚ÌÍÓÏ, ‚ Russian International Film Market, which will ‡Ï͇ı ÍÓÚÓÓ„Ó ‚ ˝ÚÓÏ „Ó‰Û ·Û‰ÛÚ Ô‰ÒÚ‡‚ÎÂÌ˚ present this year over 1000 new films and at ·ÓΠ1000 ÌÓ‚˚ı ÙËθÏÓ‚ Ë Ì‡ ÍÓÚÓÓÏ ÛÊ which already more than 1000 participants have ‡Í͉ËÚÓ‚‡Ì˚ ·ÓΠ1000 Û˜‡ÒÚÌËÍÓ‚. been accredited. œË̈ËÔˇθÌÓ ‚‡ÊÌ˚Ï ˝ÎÂÏÂÌÚÓÏ ´üËÌÓÚ‡‚‡ª An element of principal importance for ìKinotavrî 2 ÒڇΠÍÓÌÍÛÒ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı ÙËθÏÓ‚. is the competition programme of short films. It is ÀÛ˜¯ÂÈ ‚ÓÁÏÓÊÌÓÒÚË ‰Îˇ ÏÓÎÓ‰˚ı hard to imagine a better opportunity for young ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ Á‡ˇ‚ËÚ¸ Ó Ò· ÚÛ‰ÌÓ filmmakers to present themselves. Consequently, Ô‰ÒÚ‡‚ËÚ¸. » ÔÓÚÓÏÛ Ì‡Ò ÓÒÓ·Ó ‡‰ÛÂÚ we are especially pleased with the appearance of ÔÓˇ‚ÎÂÌË ´Ì‡¯Ëıª ÂÊËÒÒÂÓ‚, ìourî directors, who debuted with short films at ‰Â·˛ÚËÓ‚‡‚¯Ëı ̇ ÙÂÒÚË‚‡ÎÂ Ò ÍÓÓÚÍËÏË the festival and later participated in the main ÙËθχÏË Ë ÔÓÁ‰Ì ۘ‡ÒÚ‚Û˛˘Ëı ÛÊ ‚ feature film competition. Thus, for example, ÍÓÌÍÛÒ ÔÓÎÌÓ„Ó ÏÂÚ‡. “‡ÍËı, Í ÔËÏÂÛ, Í‡Í Alexei Mizgirev, whose film ìHard-Heartedî ñ a ¿ÎÂÍÒÂÈ ÃËÁ„Ë‚, ˜ÂÈ ÙËÎ¸Ï ´üÂÏÂ̸ª, winner at Kinotavr 2007 ñ received prizes at ·ÛÂ‡Ú ´üËÌÓÚ‡‚‡ª 2007 „Ó‰‡, ÒڇΠÔËÁÂÓÏ several international festivals. Indeed, his creative ÌÂÒÍÓθÍËı ÏÂʉÛ̇ӉÌ˚ı ÙÂÒÚË‚‡ÎÂÈ. ¿ career had begun with the film ìDismissalî in the ̇˜Ë̇·Ҹ Â„Ó Ú‚Ó˜ÂÒ͇ˇ ͇¸Â‡ ìKinotavr. Shortsî competition. Or Valeria Gai ´”‚ÓθÌÂÌËÂϪ ‚ ÍÓÌÍÛÒ ´üËÌÓÚ‡‚. üÓÓÚÍËÈ Germanika, a participant of both the short and ÏÂÚª. ü‡Í Û˜‡ÒÚÌˈ‡ Ë ÍÓÓÚÍÓÏÂÚ‡ÊÌÓ„Ó, Ë feature competition, whose latest film has been ÔÓÎÌÓÏÂÚ‡ÊÌÓ„Ó ÍÓÌÍÛÒÓ‚ ¬‡ÎÂˡ √‡È selected for the ìCriticsí Weekî (Semaine de la √ÂχÌË͇, ˜¸ˇ ÌÓ‚‡ˇ ͇ÚË̇ ÓÚÓ·‡Ì‡ ‚ Critique) at the Cannes Film Festival of 2008. Or ÔÓ„‡ÏÏÛ ´Õ‰ÂΡ ÍËÚËÍ˪ ü‡ÌÌÒÍÓ„Ó the three participants of the current competition, ÙÂÒÚË‚‡Îˇ 2008 „Ó‰‡. ü‡Í ÚÓ ۘ‡ÒÚÌËÍÓ‚ who last year won prizes in the ìShortsî Ì˚̯ÌÂ„Ó ÓÒÌÓ‚ÌÓ„Ó ÍÓÌÍÛÒ‡, ‚ ÔÓ¯ÎÓÏ „Ó‰Û competition. The previous prize winner Igor ÒÚ‡‚¯Ë ·Û‡ڇÏË ´üÓÓÚÍÓ„Ó ÏÂÚ‡ª. Voloshin has been selected for the ìForumî of the √·‚Ì˚È ÔËÁ »„Ó¸ ¬ÓÎÓ¯ËÌ ÍÓÏ ÚÓ„Ó ·˚Î 58th Berlinale, while the recipients of diplomas ñ ÓÚÓ·‡Ì ‚ ÔÓ„‡ÏÏÛ ´‘ÓÛϪ 58-È ¡ÂÎË̇ÎÂ, ‡ Leonid Rybakov and Bakur Bakuradze ñ took part ‰ËÔÎÓχÌÚ˚ ÀÂÓÌˉ –˚·‡ÍÓ‚ Ë ¡‡ÍÛ ¡‡ÍÛ‡‰Á in the shorts competition of the Venice Film ñ ‚ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚È ÍÓÌÍÛÒ ¬Â̈ˇÌÒÍÓ„Ó Festival in 2007 and in the Directorsí Fortnight ÙÂÒÚË‚‡Îˇ ‚ 2007-Ï Ë ü‡ÌÌÒÍËÈ ´ƒ‚Ûı̉ÂθÌËÍ (Quinzaine des R?alisateurs) in Cannes in 2008 ÂÊËÒÒÂÓ‚ª ‚ 2008 „Ó‰Û ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. respectively. ◊ÂÁ‚˚˜‡ÈÌÓ ‚‡ÊÌÓ ‰Îˇ ´üËÌÓÚ‡‚‡ª, ˜ÚÓ It is extremely important for ìKinotavrî that the ÔËÚ˜ËÌ„ (ÍÓÌÍÛÒ ÔÓÂÍÚÓ‚) Ó˜Â̸ ·˚ÒÚÓ ÔËÌÂÒ pitching (competition of projects) has already born Ò‚ÓË Ô‡ÍÚ˘ÂÒÍË ÔÎÓ‰˚. » ‚ ÒÓ˜ËÌÒÍËı tangible fruits. This yearís Sochi programme ÔÓ„‡Ïχı ˝ÚÓ„Ó „Ó‰‡ ·Û‰ÛÚ ÔÓ͇Á‡Ì˚ ÙËθÏ˚ includes the works of three producers who ÚÂı ÔÓ‰˛ÒÂÓ‚ ñ Û˜‡ÒÚÌËÍÓ‚ ÔÓ¯ÎÓ„Ó‰ÌÂ„Ó participated in last yearís pitching: ìPlus oneî ÔËÚ˜ËÌ„‡ ñ ´œÎ˛Ò Ó‰Ë̪ ≈ÎÂÌ˚ √ÎËÍχÌ, produced by Elena Glikman, ìFour Ages of Loveî ´◊ÂÚ˚ ‚ÓÁ‡ÒÚ‡ β·‚˪ Õ‡Ú‡ÎËË ÃÓÍˈÍÓÈ Ë produced by Natalia Mokritskaya, and ìThe Jokeî ´–ÓÁ˚„˚¯ª œ‡‚· ÀÛÌ„Ë̇. produced by Pavel Lungin. ¬ ˝ÚÓÏ „Ó‰Û ‚ ‡Á΢Ì˚ı ÔÓ„‡Ïχı ÙÂÒÚË‚‡Îˇ This year, the various festival programmes hold in Ì‡Ò Ê‰ÛÚ ·ÓΠ100 ÙËθÏÓ‚, Âʉ̂Ì˚ ÔÂÒÒ- store for us more than 100 films, as well as daily ÍÓÌÙÂÂ̈ËË Ë Ï‡ÒÚÂ-Í·ÒÒ˚, ÔËÚ˜ËÌ„, ÚË press conferences and master classes, the pitching, ´ÍÛ„Î˚ı ÒÚÓ·ª, ÔÓÒ‚ˇ˘ÂÌÌ˚ ‚‡ÊÌ˚Ï ‰Îˇ three round tables devoted to important issues of Ë̉ÛÒÚËË ÚÂχÏ, ÔÂÁÂÌÚ‡ˆËË ÌÓ‚˚ı ÔÓÂÍÚÓ‚ Ë the industry, the presentation of new projects and ˜ÂÁ‚˚˜‡ÈÌÓ Ì‡Ò˚˘ÂÌ̇ˇ ÍÛθÚÛ̇ˇ an extremely rich cultural programme. ÔÓ„‡Ïχ. We try, and will continue to do so, to do Ã˚ ÒÚ‡‡ÂÏÒˇ Ë ·Û‰ÂÏ ÒÚ‡‡Ú¸Òˇ ‰Â·ڸ ‚Ò ‰Îˇ everything possible to make ìKinotavrî one of the ÚÓ„Ó, ˜ÚÓ·˚ ´üËÌÓÚ‡‚ª ÒڇΠӉÌËÏ ËÁ Ò‡Ï˚ı most important national cinematic events: an event ‚‡ÊÌ˚ı ̇ˆËÓ̇θÌ˚ı ÍËÌÓÒÓ·˚ÚËÈ, where participation raises the chances of success. Ô˘‡ÒÚÌÓÒÚ¸ Í ÍÓÚÓÓÏÛ ÔÓ‚˚¯‡ÂÚ ¯‡ÌÒ˚ ̇ After all, the festival also exists just so that we ÔÓÚÂ̈ˇθÌ˚È ÛÒÔÂı. —Ó·ÒÚ‚ÂÌÌÓ, ÙÂÒÚË‚‡Î¸ Ë can see films, discuss, and argue, an thus define ÒÛ˘ÂÒÚ‚ÛÂÚ ‰Îˇ ÚÓ„Ó, ˜ÚÓ·˚ ÙËθÏ˚ ۂˉÂÎË, their destiny; so that new ideas and new creative Ó·ÒÛ‰ËÎË, ÔÓÒÔÓËÎË Ë, Ú‡ÍËÏ Ó·‡ÁÓÏ, unions are born, while old ones are strengthened; ÒÎÓÊË·Ҹ Ëı ÒÛ‰¸·‡. ◊ÚÓ·˚ Ó‰ËÎËÒ¸ ÌÓ‚˚ and so that Russian cinema ñ which is so ˉÂË, ÌÓ‚˚ ڂӘÂÒÍË ÒÓ˛Á˚, ÛÍÂÔËÎËÒ¸ important for all of us ñ may continue its ÔÂÊÌËÂ. » ÔÓ‰ÓÎÊËÎÓ Ò‚Ó ‡Á‚ËÚË ÒÚÓθ development. ‚‡ÊÌÓ ‰Îˇ Ì‡Ò ‚ÒÂı ÓÒÒËÈÒÍÓ ÍËÌÓ. Alexander Rodniansky ¿ÎÂÍ҇̉ –Ó‰ÌˇÌÒÍËÈ Chairman of the Board of Trustees of the film œÂ‰Ò‰‡ÚÂθ ÔÓÔ˜ËÚÂθÒÍÓ„Ó ÒÓ‚ÂÚ‡ festival ìKinotavrî ÍËÌÓÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª ƒÓÓ„Ë ‰ÛÁ¸ˇ, Û‚‡Ê‡ÂÏ˚ ÍÓÎ΄Ë! Dear friends and colleagues!
¬ ̇ÒÚÓˇ˘Â ‚ÂÏˇ ‚ ÓÒÒËÈÒÍÓÏ ÍËÌÓ At present we can see a distinct tendency in Ó·ÓÁ̇˜Ë·Ҹ ÓÚ˜ÂÚÎË‚‡ˇ ÚẨÂÌˆËˇ, ÓÚ‡‰Ì‡ˇ Russian cinema, which is pleasant for me and ‰Îˇ ÏÂÌˇ Ë, ̇‰Â˛Ò¸, ‰Îˇ ÏÌÓ„Ëı hopefully for many film producers. A change of ÍËÌÓÔÓ‰˛ÒÂÓ‚. ¬ ÓÚ˜ÂÒÚ‚ÂÌÌÓÏ ÍËÌÂχÚÓ„‡Ù generations has begun in our cinema. There are ̇ÏÂÚË·Ҹ ÒÏÂ̇ ÔÓÍÓÎÂÌËÈ. ¬ ÍËÌÓ ÔËıÓ‰ˇÚ new directors: graduates of professional schools ÌÓ‚˚ ÂÊËÒÒÂ˚: ‚˚ÔÛÒÍÌËÍË and high schools, or already accomplished ÔÓÙÂÒÒËÓ̇θÌ˚ı ¯ÍÓÎ Ë ‚ÛÁÓ‚ ËÎË ÛÊ masters of the trade. ÒÓÒÚÓˇ‚¯ËÂÒˇ χÒÚ‡ ÚÂÎÂË̉ÛÒÚËË. Today they are debutants. They make their first —Â„Ó‰Ìˇ ÓÌË ñ ‰Â·˛Ú‡ÌÚ˚. ŒÌË ÒÌËχ˛Ú Ò‚ÓË and second feature film, make it brilliantly, with Ô‚˚Â Ë ‚ÚÓ˚ ´ÔÓÎÌ˚ ÏÂÚ˚ª ñ Ë ‰Â·˛Ú ˝ÚÓ talent and originality. We have been saying for ˇÍÓ, ڇ·ÌÚÎË‚Ó, Ò‡ÏÓ·˚ÚÌÓ. ÃÌÓ„Ó ÎÂÚ Ï˚ many years that we do not have enough ideas „Ó‚ÓËÎË: Ì‡Ï Ì ı‚‡Ú‡ÂÚ Ë‰ÂÈ Ë ÒˆÂ̇Ë‚, Û Ì‡Ò and scripts, that we have hardly any young ÔÓ˜ÚË ÌÂÚ ÏÓÎÓ‰˚ı ÂÊËÒÒÂÓ‚, ‚·‰Â˛˘Ëı directors with up-to-date skills. We understood χÒÚÂÒÚ‚ÓÏ Ì‡ ÒÓ‚ÂÏÂÌÌÓÏ ÛÓ‚ÌÂ. Ã˚ that the continuity of cinema had only entered ÔÓÌËχÎË, ˜ÚÓ ÔÂÂÏÒÚ‚ÂÌÌÓÒÚ¸ ‚ ÍËÌÓ ÚÓθÍÓ the process of revival and waited for our own ̇˜Ë̇ÂÚ ‚ÓÒÒڇ̇‚ÎË‚‡Ú¸Òˇ, Ë Ê‰‡ÎË Ì‡¯ÂÈ ìnew waveî. It seems to me sufficient to look at ´ÌÓ‚ÓÈ ‚ÓÎÌ˚ª. ÃÌ ͇ÊÂÚÒˇ, ‰ÓÒÚ‡ÚÓ˜ÌÓ the official festival programme ñ which includes ÔÓÒÏÓÚÂÚ¸ ̇ ÓÙˈˇθÌÛ˛ ÔÓ„‡ÏÏÛ ÙÂÒÚË‚‡Îˇ, a number of interesting works ñ, to be convinced ÍÛ‰‡ ÓÚÓ·‡ÌÓ ÌÂχÎÓ ËÌÚÂÂÒÌ˚ı ‡·ÓÚ, ˜ÚÓ·˚ of the striking change. We hope to discover new ۷‰ËÚ¸Òˇ ‚ Ә‚ˉÌ˚ı ÔÂÂÏÂ̇ı. Ã˚ ̇‰ÂÂÏÒˇ filmmakers here and would like to think that 3 ̇ ÓÚÍ˚Úˡ ‰Â·˛Ú‡ÌÚÓ‚, Ë ıÓ˜ÂÚÒˇ ‚ÂËÚ¸, ˜ÚÓ Ëı their films will not disappoint either the festival ÙËθÏ˚ Ì ‡ÁÓ˜‡Û˛Ú Ì ÚÓθÍÓ ÙÂÒÚË‚‡Î¸ÌÛ˛ public or the professionals at the film-market. ÔÛ·ÎËÍÛ, ÌÓ Ë ÔÓÙÂÒÒËÓ̇ÎÓ‚ ÍËÌÓ˚Ì͇. The cooperation of ìKinotavrî with the Russian —ÓÚÛ‰Ì˘ÂÒÚ‚Ó ´üËÌÓÚ‡‚‡ª Ë –ÓÒÒËÈÒÍÓ„Ó International Film-market that was begun last ÏÂʉÛ̇ӉÌÓ„Ó ÍËÌÓ˚Ì͇, ̇˜‡‚¯ÂÂÒˇ ̇ year continues this year and is even extended. ÏËÌÛ‚¯ÂÏ ÙÂÒÚË‚‡ÎÂ, ‚ ˝ÚÓÏ „Ó‰Û ÔÓ‰ÓÎʇÂÚÒˇ For filmmakers it is very important to have their Ë ‡Ò¯ËˇÂÚÒˇ. ƒÎˇ ÚÂı, ÍÚÓ ÒÌËχÂÚ ÍËÌÓ, films adequately presented and shown to Ó˜Â̸ ‚‡ÊÌÓ, ˜ÚÓ·˚ Ëı ÙËθÏ˚ ‰ÓÒÚÓÈÌÓ audiences. The players of the film market, in Ô‰ÒÚ‡‚ËÎË Ë ÔÓ͇Á‡ÎË ÁËÚÂΡÏ. »„ÓÍ‡Ï turn, value the possibility to see fresh home-made ÍËÌÓ˚Ì͇, ‚ Ò‚Ó˛ Ә‰¸, ‚‡ÊÌÓ Û‚Ë‰ÂÚ¸ films, to get a sense of the tendencies that Ò‚ÂÊË ÓÚ˜ÂÒÚ‚ÂÌÌ˚ ͇ÚËÌ˚, ÔÓ˜Û‚ÒÚ‚Ó‚‡Ú¸ feature distinctly at the festival. The interaction ÚẨÂ̈ËË, ‚ÌˇÚÌÓ ÔÓˇ‚Ρ˛˘ËÂÒˇ ̇ of film-business and cinema art thus acquires new ÙÂÒÚË‚‡ÎÂ. ¬Á‡ËÏÓ‰ÂÈÒÚ‚Ë ÍËÌÓ·ËÁÌÂÒ‡ Ë forms, and we are extremely glad about this. ÍËÌÓËÒÍÛÒÒÚ‚‡ ÔËÓ·ÂÚ‡ÂÚ ÌÓ‚˚ ÙÓÏ˚, Ë Ï˚ ˝ÚÓÏÛ ˜ÂÁ‚˚˜‡ÈÌÓ ‡‰˚. Igor Tolstunov »„Ó¸ “ÓÎÒÚÛÌÓ‚ General Producer of the √Â̇θÌ˚È ÔÓ‰˛Ò Film Festival ìKinotavrî ÍËÌÓÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª ´ü»ÕŒ“¿¬–ª ü¿ü ‘Œ–ÿ ü»ÕŒΔ»«Õ»
¬ ˝ÚÓÏ „Ó‰Û ‚ ÓÒÌÓ‚ÌÓÈ ÍÓÌÍÛÒ ·˚ÎÓ ÔÓ‰‡ÌÓ ‚˚ÔÛÒÚËÚ¸ ڇ·ÌÚÎË‚˚È ÙËθÏ, ÌÓ ÚÂÏ Ì ·ÓΠ130 Á‡ˇ‚ÓÍ ñ ˝ÚÓ ÔÓıÓÊ ̇ ̇ÒÚÓˇ˘ËÈ ÏÂÌ ÔÓ-ÔÂÊÌÂÏÛ ·Óθ¯‡ˇ ˜‡ÒÚ¸ ͇ÚËÌ, ÙÂÒÚË‚‡Î¸Ì˚È ·ÛÏ. fl ‡‰‡, ˜ÚÓ ÓÚ·ÓӘ̇ˇ ÓÚÓ·‡ÌÌ˚ı ̇ÏË ‚ ÍÓÌÍÛÒ, ÒÓÁ‰‡Ì‡ ÍÓÏËÒÒˡ Û‚Â΢Ë·Ҹ, ÔÓÚÓÏÛ ˜ÚÓ ‚ ËÁ‚ÂÒÚÌ˚ÏË ÍÓÏÔ‡ÌˡÏË, ‰‡‚ÌÓ Ëϲ˘ËÏË ‚ÂÒ ÛÒÎÓÊÌË‚¯ÂÈÒˇ ÒËÚÛ‡ˆËË ÌÂÓ·ıÓ‰ËÏÓ ‚ Ë̉ÛÒÚËË, ÔÓ‰ÛχÌÌÛ˛ ÔÓÎËÚËÍÛ Ë ÛÏÂ̸¯ËÚ¸ ËÒÍ ÒÛ·˙ÂÍÚË‚ËÁχ. ŒÚ·Ó ¯ÂÎ ÔÓÙÂÒÒËÓ̇θÌ˚È Â‰‡ÍÚÓÒÍËÈ ÒÓÒÚ‡‚. ¿ ‚ÓÚ ‰ÓÎ„Ó Ë ÛÔÓÌÓ ñ Ò ‰Â͇·ˇ ÔÓ¯ÎÓ„Ó „Ó‰‡. ÏÌÓ„Ë ËÁ ÚÂı, ˜ÚÓ ÓÒÚ‡ÎËÒ¸ Á‡ ·ÓÚÓÏ, ˜‡ÒÚÓ Ì œÓÎۘ˂¯‡ˇÒˇ ‚ ÂÁÛθڇÚ ÍÓÌÍÛÒ̇ˇ ÚÓ ˜ÚÓ Í ËÒÍÛÒÒÚ‚Û, ‰‡ÊÂ Í ÂÏÂÒÎÛ ÓÒÓ·Ó„Ó ÔÓ„‡Ïχ Ì‡Ï Ò‡ÏËÏ Ó˜Â̸ ËÌÚÂÂÒ̇, ÓÚÌÓ¯ÂÌˡ Ì ËϲÚ, ÔÓ‚ÚÓˇˇ ÒıÂÏ˚ Ë ÔÓÒÍÓθÍÛ Ó̇, ̇ ̇¯ ‚Á„Ρ‰, ÚÓ˜ÌÓ Ë ¯Ú‡ÏÔ˚ ÔËÏËÚË‚ÌÓ„Ó ÚÂÎÂÍËÌÓ. ‡ÎËÒÚ˘ÌÓ ÓڇʇÂÚ ÒÂ„Ó‰Ìˇ¯Ì˛˛ ͇ÚËÌÛ ŒÚÒ˛‰‡ ‚ÓÁÌË͇ÂÚ ÔÓ·ÎÂχ ÌÓÏ ‰‚‡ ñ ӷˉ˚ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓ. Ã˚ „Ó‰ËÏÒˇ, ˜ÚÓ ÙÂÒÚË‚‡Î¸ ÚÂı, ÍÚÓ Ì ÔÓԇΠ‚ ÍÓÌÍÛÒ. ”‚˚, ÏÌÓ„Ë Ì ÚÓθÍÓ Ô‰ÒÚ‡‚ΡÂÚ ÙËθÏ˚ ËÁ‚ÂÒÚÌ˚ı ÒÚÂÏˇÚÒˇ ÔÓÔ‡ÒÚ¸ ̇ ´üËÌÓÚ‡‚ª, ˜ÚÓ·˚ ÂÊËÒÒÂÓ‚, ÌÓ Ë ÓÚÍ˚‚‡ÂÚ ˆÂÎÛ˛ Ó·ÓÈÏÛ ÔÓ‰ÂÏÓÌÒÚËÓ‚‡Ú¸ Ò‚ÓËÏ ËÌ‚ÂÒÚÓ‡Ï ÌÓ‚˚ı ËÏÂÌ. »Á 15 ͇ÚËÌ Ì˚̯ÌÂ„Ó ÍÓÌÍÛÒ‡ Ô‡‚ËθÌÓÒÚ¸ ͇ÔËÚ‡ÎÓ‚ÎÓÊÂÌËÈ. » ˝ÚÓ „ÛÒÚÌÓ: ´üËÌÓÚ‡‚‡ª ¯ÂÒÚ¸ ñ Ô‚˚ ÂÊËÒÒÂÒÍË ÙÂÒÚË‚‡Î¸ ‡ÒˆÂÌË‚‡˛Ú Í‡Í ÒÔÓÒÓ· ‡·ÓÚ˚, ‡ ÚË ñ ‚ÚÓ˚Â, ˜ÚÓ ‚ ÏËÓ‚ÓÈ Ô‡ÍÚËÍ ÌÂÍÓÏϘÂÒÍÓÈ ÍÓÏÔÂÌÒ‡ˆËË, Ò‡ÏÓÔˇ‡. ÕÓ ÚÓÊ ҘËÚ‡ÂÚÒˇ ‰Â·˛ÚÓÏ. “‡Í ˜ÚÓ ÔÓÎÓ‚ËÌÛ ÒÂ„Ó‰Ìˇ Ï˚ ÊË‚ÂÏ ‚ Ë̉ÛÒÚˇθÌÓÈ ÒËÚÛ‡ˆËË. 4 ÓÚ·Ó‡ ˝ÚÓ„Ó „Ó‰‡ ÒÓÒÚ‡‚Ρ˛Ú ‰Â·˛Ú‡ÌÚ˚, ˜ÚÓ » Ú‡ÍÓÈ ÙÂÒÚË‚‡Î¸, Í‡Í ´üËÌÓÚ‡‚ª, ·ÂÁÛÒÎÓ‚ÌÓ, ÔÓ͇Á‡ÚÂθÌÓ ‰Îˇ ÒÓ‚ÂÏÂÌÌÓ„Ó ÍËÌÓÔÓˆÂÒÒ‡, ‚ Û‚Â΢˂‡ÂÚ ·Û‰Û˘Û˛ ‡Û‰ËÚÓ˲ ͇ÚËÌ˚, ÍÓÚÓÓÏ Ë‰ÂÚ ·Û̇ˇ ÒÏÂ̇ ÔÓÍÓÎÂÌËÈ. ƒÛ„‡ˇ Ô‰ÓÒÚ‡‚Ρˇ ÂÈ Ò‚Ó˛ ÔÎÓ˘‡‰ÍÛ Ë ‚Îˡˇ ÓÒÓ·ÂÌÌÓÒÚ¸ ñ ÔËÒÛÚÒÚ‚Ë ‚ ̇ˆËÓ̇θÌÓÏ ÍÓÒ‚ÂÌÌ˚Ï Ó·‡ÁÓÏ Ì‡  ÒÛ‰¸·Û. œÓ‰˛ÒÂ˚ ˝ÚÓ ÍÓÌÍÛÒ ÍÓÔÓ‰Û͈ËÈ. ƒÎˇ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓ ÛÊ ÔÓÌËχ˛Ú ñ ÓÌË ÒÔˆˇθÌÓ ÔˉÂÊË‚‡˛Ú Ó˜Â̸ ‚‡ÊÌÓ Ì‡Û˜ËÚ¸Òˇ ‡·ÓÚ‡Ú¸ Ò Á‡Û·ÂÊÌ˚ÏË Ò‚ÓË ÙËθÏ˚ ‰Îˇ ´üËÌÓÚ‡‚‡ª, ÓÚÍ·‰˚‚‡ˇ Ô‡Ú̇ÏË. ›ÚÓ Ó·˚˜ÌÓ Ë‰ÂÚ Ì‡ ÔÓθÁÛ ÔÓ͇Ú. » ÚÓ, ˜ÚÓ Î˛‰Ë ıÓÚˇÚ ÔÓÔ‡ÒÚ¸ ËÏÂÌÌÓ ‚ ͇˜ÂÒÚ‚Û, ˜ÚÓ ÛÊ ‰Ó͇Á‡Î‡ ≈‚ÓÔ‡, „‰Â ‰Ó‚ÓθÌÓ Ì‡¯Ë ÔÓ„‡ÏÏ˚, ̇Í·‰˚‚‡ÂÚ ·Óθ¯Û˛ ÚÛ‰ÌÓ ÓÔ‰ÂÎËÚ¸ ̇ˆËÓ̇θÌÓÒÚ¸ ÙËθχ. ›ÚÓ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚ¸. ¬Â‰¸ ÏÌÓ„ËÏ ËÁ ÌËı ÔË ÂÒÚ¸ ÔˇÏÓ ÓÚ‡ÊÂÌË „ÎÓ·‡Î¸ÌÓ ÏÂÌˇ˛˘ÂÈÒˇ ÚÂÔ¯ÌÂÏ Ì‡Î˘ËË ‚˚·Ó‡ ÔËıÓ‰ËÚÒˇ ÏÂʉÛ̇ӉÌÓÈ ÍËÌÓÒ‰˚. ≈˘Â ıÓ˜ÂÚÒˇ ÓÚ͇Á˚‚‡Ú¸. œ‡‚‰‡, ‰‡ÎÂÍÓ Ì ‚ÒˇÍËÈ ÙËθÏ, Ì ÓÚÏÂÚËÚ¸, ˜ÚÓ ‚ ÍÓÌÍÛÒ ÔÓÔ‡ÎË Ì ÔÓÒÚÓ ÓÚÓ·‡ÌÌ˚È ‚ ÍÓÌÍÛÒ, ˇ‚ΡÂÚÒˇ ÔÎÓıËÏ ËÎË ÎÛ˜¯ËÂ, ÌÓ Ó˜Â̸ ‡ÁÌ˚Â Ë ÔÓÓÈ ÒÚ‡ÌÌ˚ ÔÓ‚‡Î¸Ì˚Ï. œÓÒÚÓ ÔË ·ÛÌÓ ‡Á‚Ë‚‡˛˘ÂÈÒˇ ͇ÚËÌ˚. Ã˚ ÒÔˆˇθÌÓ ÒÚ‡‡ÎËÒ¸ Ô‰ÒÚ‡‚ËÚ¸ Ë̉ÛÒÚËË ÓÚÒ‚ ÌÂËÁ·ÂÊÂÌ: ËÁ ‰Â‚ˇÚË Í‡ÚËÌ ‡·ÓÚ˚ ÌÂÓ‰Ë̇Ì˚Â, ‡‰Ë͇θÌÓ Ì ÔÓıÓÊË Ï˚ ‚˚·Ë‡ÎË Ó‰ÌÛ. ÃÌ ͇ÊÂÚÒˇ, ˜ÚÓ Ë ‡‚ÚÓ‡Ï, ‰Û„ ̇ ‰Û„‡ Ë ‰‡Ê ÒÔÓˇ˘Ë ÏÂÊ‰Û ÒÓ·ÓÈ. Ë ÔÓ‰˛ÒÂ‡Ï ÔÓ‡ ÓÒÓÁ̇ڸ, ˜ÚÓ ÛÊÂ Ò‡Ï Ù‡ÍÚ ◊ÚÓ·˚ Ó·ÓÒÚËÚ¸ ÍÓÌÍÛÒÌÛ˛ ·Ó¸·Û, ‚ ÔÓÔ‡‰‡Ìˡ ‚ ÍÓÌÍÛÒ, ÏӇθ̇ˇ ˆÂ̇ Û˜‡ÒÚˡ ÔÓ„‡ÏÏÛ ‚Íβ˜Â̇ ÔÓÎÌÓÏÂÚ‡Ê̇ˇ ÌÂË„Ó‚‡ˇ ÙËθχ ‚ ÙÂÒÚË‚‡Î ÒÚ‡ÌÓ‚ËÚÒˇ ‚ ˝ÚÓÈ ÒËÚÛ‡ˆËË Í‡ÚË̇ ¬ËÚ‡Îˡ ÇÌÒÍÓ„Ó. » ˝ÚÓ Ì ÓÚ „Ó‡Á‰Ó ‚˚¯Â ñ Ó̇ ÔÓÒÚÂÔÂÌÌÓ ÔË·ÎËʇÂÚÒˇ Í ·Â‰ÌÓÒÚË ‚˚·Ó‡, ‡ ÓÚ ÒÚÂÏÎÂÌˡ Ô‰ÒÚ‡‚ËÚ¸ ÏÂʉÛ̇ӉÌÓÈ. ŒÒÚ‡ÂÚÒˇ ‰Óʉ‡Ú¸Òˇ ÚÂı χÍÒËχθÌÓ ¯ËÓÍËÈ ÒÂÁ ̇¯Â„Ó ‚ÂÏÂÌ, ÍÓ„‰‡ ÔÓÎÛ˜ÂÌË ÔËÁ‡ ̇ ´üËÌÓÚ‡‚ª ÍËÌÂχÚÓ„‡Ù‡, ÒÓ ‚ÒÂÏË Â„Ó ÔÎ˛Ò‡ÏË Ë ·Û‰ÂÚ „‡‡ÌÚËÓ‚‡Ú¸ Û‚Â΢ÂÌË ˚ÌÓ˜ÌÓÈ ÏËÌÛÒ‡ÏË, ·˛‰ÊÂÚ‡ÏË, Ò˛ÊÂÚ‡ÏË Ë ÒÚÓËÏÓÒÚË Ë ÍÓ΢ÂÒÚ‚‡ ÔÓ‰‡Ê ͇ÚËÌ˚. ÕÓ ˝ÚÓ ÔÓ·ÎÂχÏË. Á‡‰‡˜‡ Ì ÓÚ‰ÂθÌÓ„Ó ÙÂÒÚË‚‡Îˇ, ‡ ‚ÒÂÈ œÓ·ÎÂχ ÌÓÏ ӉËÌ ñ ‰Â̸„Ë. ƒÂÌÂÊ̇ˇ ÍËÌÓË̉ÛÒÚËË. χÒÒ‡, Ò‚‡ÎË‚¯‡ˇÒˇ Ô‡Û ÎÂÚ Ì‡Á‡‰ ̇ ÍËÌÓ, “ÂÚ¸ˇ ÔÓ·ÎÂχ ñ Ô‡ÍÚ˘ÂÒÍË ÔÓÎÌÓ Ì ÛÏÂ̸¯‡ÂÚÒˇ, ‡ Û‚Â΢˂‡ÂÚÒˇ. ≈ÒÎË ËÏÂÚ¸ ‚ ÓÚÒÛÚÒÚ‚Ë ͇˜ÂÒÚ‚ÂÌÌÓ„Ó ÏÂÈÌÒÚËχ, ‚Ë‰Û ÔÂÒÔÂÍÚË‚Û, ˝ÚÓ Á‡Ï˜‡ÚÂθÌÓ: ‡Á ‚ ‰ÓÒÚÓÈÌÓ„Ó ÍÓÌÍÛÒ‡. ” Ì‡Ò ‚ ˝ÚÓÏ „Ó‰Û ·˚Î ÍËÌÓË̉ÛÒÚ˲ ‚ÎË‚‡˛ÚÒˇ ·Óθ¯Ë ‰Â̸„Ë, ÚÓ ·Óθ¯ÓÈ Òӷ·ÁÌ Ë Â‡Î¸Ì‡ˇ ‚ÓÁÏÓÊÌÓÒÚ¸ ‡ÌÓ ËÎË ÔÓÁ‰ÌÓ ÍÓ΢ÂÒÚ‚Ó ÔÂÂȉÂÚ ‚ ҉·ڸ ˜ËÒÚÓ ‡Úı‡ÛÒÌÛ˛ ÔÓ„‡ÏÏÛ. Œ‰Ì‡ÍÓ Í‡˜ÂÒÚ‚Ó. Œ‰Ì‡ÍÓ ÔÓ͇ ÙË̇ÌÒÓ‚˚ ÔÓÚÓÍË Ì Á‡‰‡˜‡ „·‚ÌÓ„Ó Ì‡ˆËÓ̇θÌÓ„Ó ÙÂÒÚË‚‡Îˇ ñ ÒËθÌÓ Ò͇Á‡ÎËÒ¸ ̇ ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓÏ ÛÓ‚Ì ÔÓ͇Á˚‚‡Ú¸ ‚ÂÒ¸ ʇÌÓ‚˚È Ë ÒÚË΂ÓÈ ÒÔÂÍÚ ÒÌˇÚ˚ı ÙËθÏÓ‚. ÃÓÊÌÓ Ò Ó„Ó˜ÂÌËÂÏ ÍËÌÓÔÓ‰Û͈ËË. œÓ˝ÚÓÏÛ ‚ ÍÓÌÍÛÒ ÂÒÚ¸ Ë Ú ÔËÁ̇ڸ, ˜ÚÓ ÒÂ„Ó‰Ìˇ ‚ ÍËÌÓ ‚ÂÏˇ ÒÍÓ ÙËθÏ˚, ÍÓÚÓ˚ ÒÌËχÎËÒ¸ Ì ‰Îˇ ÓÚ·ÓÓ˜ÌÓÈ ‡ÍÚË‚Ì˚ı β‰ÂÈ, ˜ÂÏ Ú‡Î‡ÌÚÎË‚˚ı. ¬Ò Á̇˛Ú, ÍÓÏËÒÒËË ËÎË ÍËÌÓÍËÚËÍÓ‚, ‡ ‰Îˇ ¯ËÓÍÓÈ Í‡Í ÌÂ΄ÍÓ ÌÂÁ‡‚ËÒËÏÓÏÛ ÂÊËÒÒÂÛ Ò ËÏÂÌÂÏ ‡Û‰ËÚÓËË ñ Ò Û˜‡ÒÚËÂÏ ‡ÍÚÂÓ‚-Á‚ÂÁ‰, ‚ Ë ÂÔÛÚ‡ˆËÂÈ Ì‡ÈÚË ‰Â̸„Ë Ì‡ ÔÓÂÍÚ. ¿ ÔË ÒÚÓ„Ëı ʇÌÓ‚˚ı ‡Ï͇ı. ü ÒÓʇÎÂÌ˲, ˝ÚÓÏ ‚˚ÔÛÒ͇ÂÚÒˇ χÒÒ‡ ÙËθÏÓ‚, ÔÓ‰ÔËÒ‡ÌÌ˚ı ËÌÚÂÂÒÌ˚ı ͇ÚËÌ Ú‡ÍÓ„Ó Ó‰‡ Ó˜Â̸ χÎÓ Ë ÂÊËÒÒ‡ÏË Ë ÒˆÂ̇ËÒÚ‡ÏË, ÍÓÚÓ˚ Ì ÓÚ˚ÒÍË‚‡Ú¸ Ëı ÔËıÓ‰ËÚÒˇ ÔÓ‰ ÚÓÌ̇ÏË ÔÛÒÚÓÈ ËÏÂ˛Ú ‰‡Ê ·ÎËÁÍÓ„Ó Í ˝ÚËÏ ÔÓÙÂÒÒËˇÏ ÔÓÓ‰˚. Õ‡‰Â˛Ò¸, ˜ÚÓ ‚ ÒÎÂ‰Û˛˘ÂÏ „Ó‰Û Ú‡ÍÓÈ Ó·‡ÁÓ‚‡Ìˡ. «‡ÚÓ ‚ÏÂÒÚÓ ˝ÚÓ„Ó Û ÌËı ÂÒÚ¸ ÔÓÓ‰˚ ·Û‰ÂÚ ÏÂ̸¯Â, ‡ ÍÓÌÍÛÂÌˆËˇ ÙËθÏÓ‚ ÒÔÓÒÓ·ÌÓÒÚ¸ ۷‰ËÚ¸ ͇ÍÓÈ-ÌË·Û‰¸ ´‰ÂÌÂÊÌ˚È ÔË ÓÚ·Ó ÒÚ‡ÌÂÚ Â˘Â ÓÒÚÂÂ, ÌÓ ÙÂÒÚË‚‡Î¸ ͇χ̪ ÔÓÙË̇ÌÒËÓ‚‡Ú¸ ÙËθÏ, Ì‡Ó·Â˘‡‚ ·Û‰ÂÚ ÔÓ‰ÓÎʇڸ ÒÓ‰ÂÈÒÚ‚Ó‚‡Ú¸ Ú‚Ó˜ÂÒÍÓÈ ÂÏÛ Ò ÚË ÍÓÓ·‡ ÔÓ ·Û‰Û˘ËÈ ·ÓÍÒ-ÓÙËÒ Ë ÔÓ‰ÔËÚÍÂ Ë ÓÚÍ˚‚‡Ú¸ ÌÓ‚˚ ËÏÂ̇. Û˜‡ÒÚË ‚ ÙÂÒÚË‚‡Îˇı. » ËÌ‚ÂÒÚÓ˚ ̇ ˝ÚÓ œÓ‰˛ÒÂÒÚ‚Ó ·˚ÎÓ, ÂÒÚ¸ Ë ·Û‰ÂÚ ÁÓÌÓÈ Ë‰ÛÚ, Ì Á‡‰ÛÏ˚‚‡ˇÒ¸ Ó ÂÁÛθڇÚÂ, ÔÓÒÍÓθÍÛ ÔÓ‚˚¯ÂÌÌÓ„Ó ËÒ͇. ÕÓ ·ÂÁ ËÒ͇ ÓÌÓ Ú¡ÂÚ Á‡ ÒÎÓ‚ÓÏ ´ÍËÌÓª ÔÓ-ÔÂÊÌÂÏÛ Ï‡ˇ˜ËÚ ÚÂ̸ Ò‚ÓÈ „·‚Ì˚È ÒÏ˚ÒÎ. –ËÒÍÛÈÚÂ, „ÓÒÔÓ‰‡ ÒÚÓθ Ê·ÌÌÓ„Ó ËÏË „·ÏÛ‡. ›ÚÓ ÒÓ‚ÒÂÏ Ì ÔÓ‰˛ÒÂ˚! ÓÁ̇˜‡ÂÚ, ˜ÚÓ ÍÓÏÔ‡Ìˡ-Ìӂ˘ÓÍ Ì ÒÔÓÒӷ̇ —ËÚÓ‡ ¿ÎË‚‡ ƒËÂÍÚÓ ÔÓ„‡ÏÏ ìKINOTAVRî AS A FORM OF FILM LIFE
This year more than 130 applications have been company cannot produce a talented film. submitted for the main competition: this is like a Nevertheless the majority of films selected for genuine festival boom. I am glad that the the competition have been made by established selection committee has increased in its number, companies that have shown their weight in the because in such a complex situation we have to industry for a long time, alongside a thoughtful minimize the risk of subjectivity. The selection policy and professional editorial structures. process was long and elaborate, staring in Many of those who were left out here have no December of last year. The competition relation to the art or even the craft of programme that has resulted from this process is filmmaking, copying templates and schemes of very interesting for ourselves as well, because, in primitive television films our opinion, it reflects exactly and realistically Whence arises problem No. 2: the insults of Russian cinema of today. We are proud that the those who have not made it into the festival not only represents films of known competition. Alas, many aspire to get to directors, but also discovers a range of new ìKinotavrî and thus justify the capital names. From the 15 films in the competition of investments to their sponsors. Yet it is rather ìKinotavrî, six are debuts and three are second sad to regard the festival as a way of non- films, which could be considered a first in world commercial indemnification, of self-PR. But festival practice. Thus, half of this yearís then, today we live in an industrial world. A 5 selection is made up of debuts, which is festival such as ìKinotavrî certainly increases indicative of the contemporary cinematic process the future audience for a film, giving it a and the brisk change of generations that is platform and influencing its fate indirectly. happening. Another specific feature is the Producers have already understood that: they presence of co-productions at this national specially hold back their films for ìKinotavrî, competition. It is very important for Russian postponing their release. After all, peopleís cinema to learn how to work with foreign desire to get into our programmes is also a huge partners. Such collaboration usually boosts the responsibility. In fact, many films ñ given the quality, which has already been proven in Europe current range and choice ñ have to be turned where it is rather difficult to determine the down. True, not every film that has been not national origin of a film. This is a direct selected for competition is bad or disastrous. reflection of the globally changing international But some elimination is inevitable in a briskly cinematic environment. We should also note that developing industry: we chose one in nine we have not just the best, but also very different films. It seems to me that the time has come for and at times strange films in the competition. authors and producers to realize that in such a We tried especially to include works that are not situation, being in competition, or the moral ordinary, that radically differ from each other value of festival participation, become much and that even contradict each other. And to add higher and gradually approach an international to the complexity of the competition, Vitali level. We just have to wait for the time when Manskyís full-length documentary is included in receiving a prize at ìKinotavrî will guarantee the programme. This is not because of a lack of an increase in the market value and the quantity choice, but due to our aspiration to present a of sales. But that is not the task of a single maximally wide range of our cinema, with all its festival, but of the entire film-industry. pluses and minuses, budgets, plots and problems. The third problem is the practically complete Problem No. 1: money. The monetary mass that lack of a qualitative mainstream worthy of was showered upon cinema a couple of years ago inclusion in the competition. This year we were has not decreased, but increased. If one has in faced with the huge temptation and the real mind prospect, this is wonderful: if money is opportunity to make an art house only poured into the film-industry, then sooner or programme. However, the task of the main later quantity will turn into quality. However, national festival is to show all genres and styles thus far the financial streams have not of film production. Therefore, there are also particularly affected the artistic level of films. It films in the competition that were not made for is with distress that we can observe that in the selection committee or film critics, but for a contemporary cinema the period is characterised wide audience, with star actors and in strict by activity rather than talent. Everyone knows genre structures. Unfortunately, there are not how difficult it is for an independent director enough interesting films of this sort, and in with a name and a reputation to raise money for order to find them one has to search through a project. At the same time, a huge number of tons of dead rock. I hope that next year there films are produced and signed by directors and will be less such rock, and the competition of scriptwriters without any professional education. films during the selection process will become Instead, they possess the ability to convince some even sharper. But: the festival will continue ìmonetary pocketsî to finance their film, talking with its promotion of creative search and its nineteen to the dozen about the future box-office discovery of new names. and festival participation. And ñ the investors Film production was, is, and will be an area of fall for that without thinking about the result, increased risk. But without risk it loses its because behind the word ìcinemaî they see sense. Risk it, Messieurs Producers! looming only the shadow of much-desired glamour. This does not mean to say that a new Sitora Alieva Programme Director œŒœ≈◊»“≈À‹—ü»… BOARD OF TRUSTEES —Œ¬≈“ ‘≈—“»¬¿Àfl OF THE FESTIVAL
¿À≈ü—¿Õƒ– –ŒƒÕflÕ—ü»… ALEXANDER RODNIANSKY œÂ‰Ò‰‡ÚÂθ ÔÓÔ˜ËÚÂθÒÍÓ„Ó ÒÓ‚ÂÚ‡ Chairman of the Board of Trustees of the ÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª Festival "Kinotavr"
œ≈“– ¿¬≈Õ PETR AVEN
ŒÀ≈√ ƒ≈–»œ¿—ü¿ OLEG DERIPASKA
ŒÀ≈√ ƒŒ¡–Œƒ≈≈¬ OLEG DOBRODEEV
¬»“¿À»… »√Õ¿“≈ÕüŒ VITALI IGNATENKO 6 ¿À≈ü—¿Õƒ– “ü¿◊≈¬ ALEXANDER TKACHEV
û’¿»À ÿ¬¤ƒüŒ… MIKHAIL SHVYDKOI
üŒÕ—“¿Õ“»Õ ›–Õ—“ KONSTANTIN ERNST
ƒ»–≈ü÷»fl FESTIVAL ‘≈—“»¬¿Àfl DIRECTION
√Â̇θÌ˚È ÔÓ‰˛Ò General Producer »√Œ–‹ “ŒÀ—“”ÕŒ¬ IGOR TOLSTUNOV
œÓ„‡ÏÏÌ˚È ‰ËÂÍÚÓ Programme Director —»“Œ–¿ ¿À»≈¬¿ SITORA ALIEVA
ƒËÂÍÚÓ ÙÂÒÚË‚‡Îˇ Director of the Festival ≈À≈Õ¿ À¿œ»Õ¿ ELENA LAPINA
ƒËÂÍÚÓ Õ‘ ´üËÌÓÚ‡‚ª Director of the Noncommercial Fund ìKinotavrî œŒÀ»Õ¿ «”≈¬¿ POLINA ZUEVA
–ÛÍÓ‚Ó‰ËÚÂθ PR-ÒÎÛÊ·˚ Head of PR-Service ¿Õ¿—“¿—»fl ¡”À√¿üŒ¬¿ ANASTASIA BULGAKOVA
–ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ ÔÓÚÓÍÓ· Head of Protocol Service Õ¿“¿À‹fl flü”ÿü»Õ¿ NATALIA YAKUSHKINA
‘Ë̇ÌÒÓ‚˚È ‰ËÂÍÚÓ Financial Director ¬»“¿À»… ¡”◊»Õ—ü»… VITALI BUCHINSKY üŒÕü”–— 8 COMPETITION
ü»ÕŒ“¿¬–. üŒ–Œ“ü»… Ã≈“– Contents
40 KINOTAVR. SHORTS CÓ‰ÂʇÌË ÒÓ‰ÂʇÌË contents 7
À≈“Õflfl ›…‘Œ–»fl 64 SUMMER EUPHORIA
—œ≈÷»¿À‹Õ¤… œŒü¿« 79 SPECIAL SCREENING
ü»ÕŒ Õ¿ œÀŒŸ¿ƒ» 85 CINEMA ON THE SQUARE
1958-2000. À”◊ÿ»≈ ‘»À‹Ã¤ » –≈Δ»——≈–¤ 120 ¬˚·Ó √Ëθ‰ËË ÍËÌӂ‰ӂ Ë ÍËÌÓÍËÚËÍÓ‚ 1958-2000: THE BEST FILMS AND DIRECTORS The Selection of the Guild of Film Critics and Film Scholars
ü»ÕŒ, üŒ“Œ–Œ≈ ä Õ≈ «¿Ã≈“»À» 156 THE CINEMA WE FAILED TO NOTICE
¿Õ“ŒÀŒ√»fl –Œ——»…—üŒ√Œ ü»ÕŒ 161 ANTHOLOGY OF RUSSIAN CINEMA
«¿ü–¤“»≈ 162 CLOSING GALA ÍÓÌÍÛÒ competition
ÍÓÌÍÛÒ 8 competition
Δfi–» / JURY
œ‡‚ÂÎ ◊Ûı‡È ÍËÌÓÂÊËÒÒ ñ Ô‰Ò‰‡ÚÂθ Ê˛Ë
Pavel Chukhrai film director ñ jury chairman
–ÓÏ‡Ì Ã‡Ë̇ fiËÈ ¡ÓËÒ‚˘ √ÓÎÛ· À˛·¯ËÌ, ÔÓ‰˛Ò ‡ÍÚËÒ‡ ÍËÌÓÓÔ‡ÚÓ
Roman Marina Yuri Borisevich Golub Liubshin producer actress cinematographer
ÇË̇ ≈ÎÂ̇ ¿ÚÂÏ –‡Á·ÂÊÍË̇ —Ú˯ӂ‡ “͇˜ÂÌÍÓ ÍËÌÓÂÊËÒÒ ÍËÌÓÍËÚËÍ ‡ÍÚÂ
Marina Elena Artiom Razbezhkina Stishova фото: www.spbfoto.ru Tkachenko film director Film critic actor Œ“ü–¤“»≈/ OPENING GALA ÊË‚Ë Ë ÔÓÏÌË LIVE TO REMEMBER ÍÓÌÍÛÒ
·‡ÍÒ˚ competition BAKSY ‰Â‚ÒÚ‚ÂÌÌÓÒÚ¸ VIRGINITY ‰ËÍÓ ÔÓΠWILD FIELD ÌË‚‡Ì‡ 9 NIRVANA ÌÓ‚‡ˇ ÁÂÏΡ TERRA NOVA ÓÍÂ‡Ì OCEAN ÔÎÂÌÌ˚È CAPTIVE ÔÎ˛Ò Ó‰ËÌ PLUS ONE Ò͇ÊË ÎÂÓ SAY LEO ÒÚ‡¯‡ˇ ÊÂ̇ THE ELDER WIFE ÚÓÚ, ÍÚÓ „‡ÒËÚ Ò‚ÂÚ HE WHO SWITCHES OFF THE LIGHTS ˜ÂÚ˚ ‚ÓÁ‡ÒÚ‡ β·‚Ë FOUR AGES OF LOVE ¯ÛθÚÂÒ SHULTES ˛¸Â‚ ‰Â̸ YURI'S DAY 10 ÍÓÌÍÛÒ competition LIVE TOREMEMBER Δ»¬» »œŒÃÕ» Œ“ü–¤“»≈ /OPENINGGALA www.centpart.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó ¿‡Ï ÃÓ‚ÒÂÒˇÌ,fiËÈÃÓÓÁ œÓ‰˛ÒÂ˚ Õ‡Ú‡Îˡ “ÂÚÂÌÓ‚‡ —„ÂÈ ¡ÂıÚ‚,ƒ‡¸ˇ≈͇χÒÓ‚‡,ŒÎ„’‡ËÚÓÌÓ‚, —„ÂÈ Ã‡ÍӂˆÍËÈ,¿Ì̇ÃËı‡ÎÍÓ‚‡,≈‚„ÂÌˡ√ÎÛ¯ÂÌÍÓ, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ˚ –ÂÊËÒÒ ¿ÎÂÍ҇̉ œÓ¯ÍËÌ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,95ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 ≈‚„ÂÌËÈ —ÎË‚˜ÂÌÍÓ,ÇÍÒËÏ–ÂÈÌ·‡ı CP Classics Շڇθˇ üÛ˜ÂÂÌÍÓ ƒ‡¸ˇ ÃÓÓÁ,ÃËı‡ËÎ≈‚·ÌÓ‚, ¿ÎÂÍ҇̉ œÓ¯ÍËÌ —‚ÂÚ·̇ Éӂ‡ˇ ¿ÎÂÍ҇̉ “ÓÎ͇˜Â‚ √ÂÌ̇‰ËÈ ü‡˛Í,¿ÎÂÍ҇̉ü‡˛Í –Û·ÂÌ ƒË¯‰Ë¯ˇÌ,—„Âȃ‡ÌËÂΡÌ, –ÓÏ‡Ì ƒÓÏˉӯËÌ ´ü۸ª ÔÓÁ‡Í‡ÁÛ´÷ÂÌڇΜ‡Ú̯ËÔª ¿ÎÂÍ҇̉ –Ó‰ËÓÌÓ‚, www.centpart.ru Distribution Production Movsesian, YuriMoroz Producers Daria Ekamasova,OlegKharitonov,NataliaTetenova Anna Mikhalkova,EvgeniyaGlushenko,SergeiBekhterev, Cast: Editing Sound Composer Costume Design Design Production Directors ofPhotography Director Scriptwriters 2008, Russia,95min.,col.,1:1.85,DolbyDigital5.1 Daria Moroz,MikhailEvlanov,SergeiMakovetsky, Gennadi Panin Natalia Kucherenko Alexander Proshkin Roman Dormidoshin Ruben Dishdishian,SergeiDanielian,Aram Courier, commissionedbyCentralPartnership CP Classics Alexander Rodionov,Proshkin Svetlana Medovaia Alexander Tolkachev Gennadi Kariuk,AlexanderKariuk ÍÓÌÍÛÒ competition
¿ÎÂÍ҇̉ œÓ¯ÍËÌ –ÂÊËÒÒ ÍËÌÓ Ë ÚÂ΂ˉÂÌˡ, ÒˆÂ̇ËÒÚ. Õ‡Ó‰Ì˚È ‡ÚËÒÚ –ÓÒÒËË, ·ÛÂ‡Ú √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË ———–, ÔËÁ ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ 25.03.1940 ‚ ÀÂÌËÌ„‡‰Â. ŒÍÓ̘ËÎ ‡ÍÚÂÒÍËÈ Ù‡ÍÛθÚÂÚ À√»“ÃËü‡ (1961, ÍÛÒ ¡.¬.«Ó̇). œÓÒΠÓÍÓ̘‡Ìˡ ¬˚Ò¯Ëı ÂÊËÒÒÂÒÍËı ÍÛÒÓ‚ ÔË √ÓÒÚ·‰ËÓ (1968) ñ ÂÊËÒÒ √·‚ÌÓÈ Â‰‡ÍˆËË ÎËÚ‡ÚÛÌÓ-‰‡Ï‡Ú˘ÂÒÍËı ÔÓ„‡ÏÏ ÷ÂÌڇθÌÓ„Ó ÚÂ΂ˉÂÌˡ, Ò 1978 ñ ÚÂÎÂÓ·˙‰ËÌÂÌˡ ´›Í‡Ìª. «‡ „Ó‰˚ ‡·ÓÚ˚ ̇ ÚÂ΂ˉÂÌËË ÔÓÒÚ‡‚ËÎ ·ÓΠÚˉˆ‡ÚË 11 ÚÂÎÂÒÔÂÍÚ‡ÍÎÂÈ Ë ÚÂÎÂÙËθÏÓ‚, ÒÂ‰Ë ÍÓÚÓ˚ı ˝Í‡ÌËÁ‡ˆËË ¯Â‰Â‚Ó‚ ÏËÓ‚ÓÈ ÎËÚ‡ÚÛ˚. — 1987 ñ ÂÊËÒÒ ÍËÌÓÒÚÛ‰ËË ´ÃÓÒÙËθϪ, „‰Â ·˚· ÔÓÒÚ‡‚ÎÂ̇ ͇ÚË̇ ´’ÓÎÓ‰ÌÓ ÎÂÚÓ ÔˇÚ¸‰ÂÒˇÚ ÚÂڸ„Ӫ (√ÓÒÔÂÏˡ, ÔÂÏˡ ´ÕË͇ª), ÍÓÚÓ‡ˇ Òڇ· ıËÚÓÏ Ì‡ˆËÓ̇θÌÓ„Ó ÍËÌÓÔÓ͇ڇ. œÓÒΉÌË ÚË Í‡ÚËÌ˚ ÂÊËÒÒ‡ ÒÌˇÚ˚ ‚ ÍËÌÓÍÓÏÔ‡ÌËË ´÷ÂÌڇΠœ‡Ú̯ËÔª.
»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ: 1975 ....ŒÎ¸„‡ —„‚̇ (Ò¡Î) 1979 ....»ÌÒÔÂÍÚÓ √ÛÎÎ (Ú‚) 1981 ....ŒÔ‡ÒÌ˚È ‚ÓÁ‡ÒÚ (Ú‚) 1984ñ86 ...ÃËı‡ÈÎÓ ÀÓÏÓÌÓÒÓ‚ (Ò¡Î) 1988 ....’ÓÎÓ‰ÌÓ ÎÂÚÓ ÔˇÚ¸‰ÂÒˇÚ ÚÂÚ¸Â„Ó 1990 ....ÕËÍÓÎ‡È ¬‡‚ËÎÓ‚ (Ú‚) 1992 ....”‚ˉÂÚ¸ œ‡ËÊ Ë ÛÏÂÂÚ¸ 1995 ....◊Â̇ˇ ‚ۇθ 2000 ....–ÛÒÒÍËÈ ·ÛÌÚ 2003 ....“ËÓ 2005 ....ƒÓÍÚÓ ΔË‚‡„Ó (Ò¡Î) 2008 ....ΔË‚Ë Ë ÔÓÏÌË Alexander Proshkin Director of cinema and television, scriptwriter. Peopleís Actor of Russia (1995), winner of the USSR State Prize (1989), and prize-winner of festivals. Born 25 March œÓ Ó‰ÌÓËÏÂÌÌÓÈ ÔÓ‚ÂÒÚË ¬‡ÎÂÌÚË̇ –‡ÒÔÛÚË̇ (1974). 1940 in Leningrad. Graduated from the acting faculty of the Leningrad Theatre and «Ëχ 1945 „Ó‰‡. ¬ ‰Â‚Ì ̇ ·ÂÂ„Û ¿Ì„‡˚ ÊÂÌ˘ËÌ˚ ʉÛÚ ‚ÓÁ‚‡˘ÂÌˡ Ò Film Institute LGITMiK (1961, course of B. ÙÓÌÚ‡ Ò‚ÓËı ÏÛÊÂÈ. ÃÓÎÓ‰ÓÈ ÒÓΉ‡Ú ¿Ì‰ÂÈ √ÛÒ¸ÍÓ‚, Ò·Âʇ‚¯ËÈ ËÁ Zon). After graduating from the Higher „ÓÒÔËڇΡ, ‚ÓÁ‚‡˘‡ÂÚÒˇ ‰ÂÁÂÚËÓÏ. Õ‡‚¢‡Ú¸ Â„Ó Ì‡ ÓÚ‰‡ÎÂÌÌÓ ÁËÏÓ‚¸Â Courses for Directors organized by the Soviet State Radio and Television (Gosteleradio) he ıÓ‰ËÚ ÊÂ̇ Õ‡ÒÚÂ̇, ‰ËÌÒÚ‚ÂÌÌ˚È ˜ÂÎÓ‚ÂÍ, ÍÓÚÓÓÏÛ ÓÌ ÏÓÊÂÚ ‰Ó‚ÂËÚ¸ was director of the Main Editorial Office of Ò‚Ó˛ ÊËÁ̸ ñ ÊËÁ̸ ‚˜ÌÓ„Ó ·Â„Έ‡, ӷ˜ÂÌÌÓ„Ó Ì‡ Ó‰ËÌÓ˜ÂÒÚ‚Ó. “ÓθÍÓ literary and drama programmes on Central TV (1968-78), since 1978 the television Ó̇ Ӊ̇ β·ËÚ Â„Ó. ŒÌ‡ ÊË‚ÂÚ Ì‡ÒÚÓˇ˘ËÏ, ÔÓÏÌËÚ Ó ÔÓ¯ÎÓÏ Ë Ì ‚ÂËÚ ‚ association ëScreení. During his time in ·Û‰Û˘ÂÂ. ” Ì ·Û‰ÂÚ Â·ÂÌÓÍ, Ë ‰Îˇ ‚ÒÂÈ ‰Â‚ÌË Ó̇ ñ Ì‚Â̇ˇ ÊÂ̇, Ì television directed over 30 television plays ‰Óʉ‡‚¯‡ˇÒˇ ÏÛʇ... and films, among them adaptations of world classics. Since 1987 director at the film studio Mosfilm where he directed his film Based on Valentin Rasputinís story of the same title (1974). ìThe Cold Summer of ë53î (State Prize, NIKA The winter of 1945. In a village on the Angara embankment the women await Award), which became a hit in Russian film distribution. A master of genre cinema, his the return of their husbands from the front. The young soldier Andrei Guskov, three most recent films were produced by who fled from the hospital, returns as a deserter. In his remote winter hut Central Partnership. only his wife Nastena visits him: she is the only person whom he can trust Select Directorís Filmography: with his life ñ the life of an eternal fugitive doomed to loneliness. Only she 1975 ....Olga Sergeevna (serial) loves him. She lives in the present, remembers the past and does not believe in 1979 ....Inspector Gull (TV) 1981 ....A Dangerous Age (TV) the future. She will have a child, and for the entire village she is an unfaithful 1984-86 ...Mikhail Lomonosov (serial) wife who did not wait for her husband to return... 1988 ....The Cold Summer of ë53 1990 ....Nikolai Vavilov (TV) 1992 ....To See Paris and Die 1995 ....The Black Veil 2000 ....The Russian Revolt (The Captainís Daughter) 2003 ....The Trio 2005 ....Doctor Zhivago (serial) 2008 ....Live to Remember 12 ÍÓÌÍÛÒ competition www.ctb.ru ´—ËÌÂÚÛÎÁ ‘ËθϪ,CaspianBeverageHolding Les PetitesLumieres,´üËÌÓÙ‡·Ë͇ª, œÓËÁ‚Ó‰ÒÚ‚Ó —ÓÔÓ‰˛ÒÂ˚ ¿Ì‡ ü‡¯‡„‡ÌÓ‚‡,Õ‡Ú‡¯‡ƒÂ‚ËÈ œÓ‰˛ÒÂ˚ “ÓÍÚ‡ ¡ÂÍÒÂÌÓ‚,—‡ˇÚÃÂÂÍÂÌÓ‚,ŒÎʇÒÕÛÒÛÔԇ‚ ¿ÎÏ‡Ú ¿ˇÌÓ‚,“ÓÎÂԷ„ÂÌ¡‡È͇҇ÎÓ‚,¿ÒÂθ¿·ÛÚÓ‚‡, ¬ ÓΡı: «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1:1.66, DolbyDigital5.1 2008, –ÓÒÒˡ/ü‡Á‡ıÒÚ‡Ì/‘‡ÌˆËˇ/√ÂχÌˡ,87ÏËÌ., BAKSY ¡¿ü—¤ ¬Î‡‰ËÏË √ÓÎÓÛÌËÌ ÕÂÒËÔÍÛθ ŒÏ‡·ÂÍÓ‚‡,‘‡ı‡Ú¿Ï‡ÌÍÛÎÓ‚, –‡ÙËÍ √‡Î΂ √Û͇ ŒÏ‡Ó‚‡ Ç·ËÌÚ ¬‡Ì‰Â¡ÂÎÚ ¿Îχ„Ûθ ÃÂÌÎË·‡Â‚‡ —„ÂÈ ¡Ó‰Ó‚,—ÂθˇÌÓ‚, ÇÎËÍ ≈ÒÂÌ·‡Â‚,¿ÎχڿıÏÂÚÓ‚ üËÌÓÍÓÏÔ‡Ìˡ ´—“¬ª,ü‡Á‡ıÙËθÏ, —„ÂÈ ¡Ó‰Ó‚,√Û͇ŒÏ‡Ó‚‡ www.ctb.ru Caspian BeverageHolding Lumieres, Kinofabrika,CinetoolsFilm, Production Co-Producers Natacha Devillers Producers Toktar Beksenov,SayatMerekenov,OlzhasNusuppaev Almat Ayanov,TolepbergenBaisakalov,AselAbutova, Cast: Sound Design Costume Production Design Director ofPhotography Director Scriptwriters Dolby Digital5.1 2008, Russia/Kazakhstan/France/Germany,87min.,1:1.66, Nesipkul Omarbekova,FarkhatAmankulov, Vladimir Golounin Guka Omarova Sergei Bodrov,Selianov,AnarKashaganova, Film Company—“¬,Kazakhfilm,LesPetites Malik Esenbaev,AlmatAkhmetov Sergei Bodrov,GukaOmarova Mabinte vandeBelt Almagul Menlibaeva Rafik Galleev ÍÓÌÍÛÒ competition
√Û͇ ŒÏ‡Ó‚‡ –ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ, ‡ÍÚËÒ‡. ¬ 1984 ÓÍÓ̘Ë· Ù‡ÍÛθÚÂÚ ÊÛ̇ÎËÒÚËÍË ü‡Á‡ıÒÍÓ„Ó „ÓÒÛ‰‡ÒÚ‚ÂÌÌÓ„Ó ÛÌË‚ÂÒËÚÂÚ‡. ¬ 1986ñ88 ‡·Óڇ· ̇ ÚÂ΂ˉÂÌËË ‡‰ÏËÌËÒÚ‡ÚÓÓÏ Ë ‡ÒÒËÒÚÂÌÚÓÏ ÂÊËÒÒ‡. ¬ 1998 ÓÍÓ̘Ë· ¿Í‡‰ÂÏ˲ ËÒÍÛÒÒÚ‚ ‚ ¿ÎχÚ˚ ÔÓ ÒÔˆˇθÌÓÒÚË ´ÂÊËÒÒ ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ Ë ÚÂ΂ˉÂÌˡª. — 2001 ÊË‚ÂÚ Ë ‡·ÓÚ‡ÂÚ ‚ √Óη̉ËË. œÂ‚‡ˇ 13 Ë„Ó‚‡ˇ ͇ÚË̇ ñ ´ÿËz‡ª ñ Òڇ· ÍËÌÓÒÓ·˚ÚËÂÏ „Ó‰‡ Ë ËÏ· ·Óθ¯ÓÈ ÙÂÒÚË‚‡Î¸Ì˚È ÛÒÔÂı (·ÓΠ‰ÂÒˇÚË ÔËÁÓ‚, ‚Íβ˜‡ˇ ÔËÁ Á‡ ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú ̇ ´üËÌÓÚ‡‚Â-2004ª).
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 2001 ....À‡Ì‰¯‡ÙÚ˚ Ú·. √ÎËÌˇÌ˚È ÔÓÂÍÚ (‰ÓÍ., Ò –Â̇ÚÓÏ üÓÒ‡ÂÏ) 2004 ....ÿËz‡ 2008 ....¡‡ÍÒ˚ Guka Omarova Director, scriptwriter, actress. In 1984 graduated from the faculty of journalism of the Kazakh State University. From 1986-88 worked on television as manager and assistant director. In 1998 she graduated from the Academy of Arts in Almaty as director of documentary cinema and television. Since 2001 she lives and works in ƒ‡Ï‡. Holland. Her first feature film ìSchizoî ΔËÁ̸ ·˚ÒÚÓÚ˜̇ Ë ÏÂÌˇÂÚÒˇ ͇ʉ˚È ‰Â̸. ÕÓ ÂÒÚ¸ ‚ ̇¯ÂÈ ÊËÁÌË ‚¢Ë, became a major cinematic event and had huge ÍÓÚÓ˚ ·˚ÎË, ÓÒÚ‡˛ÚÒˇ Ë ÓÒÚ‡ÌÛÚÒˇ ÌÂÁ˚·ÎÂÏ˚ÏË. ≈ÒÚ¸ β‰Ë, ÍÓÚÓ˚ festival success (over ten awards, including ÒÛ˘ÂÒÚ‚Û˛Ú ‚Ì ÂÎË„ËÈ, ‚Ì ÒÓˆËÛÏÓ‚ Ë ‚Ì ‚ÂÏÂÌË. À˛‰Ë, ÍÓÚÓ˚ the prize for Directorís Debut at Kinotavr Á̇˛Ú Ó ÊËÁÌË „Ó‡Á‰Ó ·Óθ¯Â, ˜ÂÏ ÓÒڇθÌ˚ ÒÏÂÚÌ˚Â, ñ ˝ÚÓ ¯‡Ï‡Ì˚, 2004). Á̇ı‡Ë, χ„Ë. À˛‰Ë œËÓ‰˚, ƒÛı‡, —ËÎ˚. ´¡‡ÍÒ˚ª ñ ÔÓ-͇Á‡ıÒÍË ´¯‡Ï‡Ìª. ‘ËÎ¸Ï ‡ÒÒ͇Á˚‚‡ÂÚ Ó ÒÛ‰¸·Â ÒÚ‡ÛıË ¿È‰‡È. ü‡Í Ë ‚Ò ͇Á‡ıÒÍË Directorís Filmography: ·‡ÍÒ˚, Ó̇ ÏÓÊÂÚ Ò͇Á‡Ú¸, „‰Â Û͇‰ÂÌÌ˚È ÒÍÓÚ, ΘËÚ¸ β‰ÂÈ Ë Ì‡ÈÚË 2001 ....Body Landscapes. Clay Project ÔÓÚ¡ÌÌÛ˛ ‰Û¯Û ˜ÂÎÓ‚Â͇... (doc., with Renat Kosai) 2004 ....Schizo 2008 ....Baksy Drama. Life is fast and changes every day. But there are things in our life that have always been there, that are there and will remain there. There are people who exist outside religion, outside society and outside time; people who know much more about life than other mortals: these are shamans, sorcerers, magicians. People of Nature, Spirit, Force. ìBaksyî in Kazakh means ìshamanî. The film tells about the destiny of the old Aidai. Like all Kazakh shamans, she can tell where the stolen cattle is, she can treat people, she can find peopleís lost souls... 14 ÍÓÌÍÛÒ competition www.vertov.ru –‡θÌÓ ÍËÌÓª œÓËÁ‚Ó‰ÒÚ‚Ó »ÒÔÓÎÌËÚÂθÌ˚È ÔÓ‰˛Ò œÓ‰˛ÒÂ˚ ÃÓÌÚ‡Ê «‚ÛÍ œÂÒÌˇ ŒÔ‡ÚÓ “ÂÍÒÚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ,86ÏËÌ.,ˆ‚.,35ÏÏ VIRGINITY ƒ≈¬—“¬≈ÕÕŒ—“‹ ≈‚„ÂÌËÈ √ÓˇËÌÓ‚ ƒÏËÚËÈ ¡˚ÍÓ‚ ´≈Î͇ª –ÓÏ‡Ì ÿÍÎÓ‚ÒÍËÈ »Ë̇ ÿ‡Ú‡ÎÓ‚‡ —„ÂÈ ÀË‚Ì‚,À‚ÕËÍÓÎ‡Û üËÌÓÍÓÏÔ‡Ìˡ ´ÀÂÓÔÓÎËÒª,ÒÚÛ‰Ëˇ´¬ÂÚÓ‚. Շڇθˇ ÇÌÒ͇ˇ ¬ËÚ‡ÎËÈ Ã‡ÌÒÍËÈ www.vertov.ru Cinemaî Production Executive Producers Editing Sound Song Director ofPhotography Narrator Scriptwriter andDirector 2008, Russia,86min.,col.,35mm ìYolkaî Evgeni Goryainov Roman Shklovsky Dmitri Bykov Producer NataliaManskaya Sergei Livnev,LevNikolau Film CompanyLeopolis,StudioìVertov.Real Irina Shatalova Vitali Mansky ÍÓÌÍÛÒ competition
¬ËÚ‡ÎËÈ Ã‡ÌÒÍËÈ –ÂÊËÒÒÂ Ë ÔÓ‰˛ÒÂ, ÛÍÓ‚Ó‰ËÚÂθ ÒÚÛ‰ËË ´¬ÂÚÓ‚. –‡θÌÓ ÍËÌÓª. Œ‰ËÌ ËÁ Ò‡Ï˚ı ËÁ‚ÂÒÚÌ˚ı ‰ÓÍÛÏÂÌÚ‡ÎËÒÚÓ‚ –ÓÒÒËË, ·ÛÂ‡Ú ÔÂÏËË ´À‡‚ª Ë ≈‚ÓÔÂÈÒÍÓ„Ó ÔËÁ‡ ÍËÌÓ‰ÓÍÛÏÂÌÚ‡ÎËÒÚËÍË, Û˜ÂʉÂÌÌÓ„Ó ≈‚Ó͇̇ÎÓÏ SAT, ӷ·‰‡ÚÂθ ´—·ˇÌÓ„Ó „ÓÎÛ·ˇª ÀÂÈԈ˄ÒÍÓ„Ó ÙÂÒÚË‚‡Îˇ Ë ‰Û„Ëı ÔËÁÓ‚. 15 »Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ (‰ÓÍ.): 1991-95 ›Ú˛‰˚ Ó Î˛·‚Ë. ◊‡ÒÚË 1-3 1991 ....≈‚ÂÈÒÍÓ Ҙ‡Òڸ (Ë„Ó‚ÓÈ) 1992 ....“ÂÎÓ ÀÂÌË̇ 1993 ....—ÂÁÍË Ó˜Â‰ÌÓÈ ‚ÓÈÌ˚ 1995 ....¡Î‡„Ó‰‡Ú¸ 1999 ....◊‡ÒÚÌ˚ ıÓÌËÍË. ÃÓÌÓÎÓ„ (ÏÓÌÚ‡ÊÌ˚È) 2001 ....¡ÓËÒ ≈θˆËÌ. ƒÛ„‡ˇ ÊËÁ̸ 2001 ....√Ó·‡˜Â‚ ÔÓÒΠËÏÔÂËË 2001 ....¬Î‡‰ËÏË œÛÚËÌ. ¬ËÒÓÍÓÒÌ˚È „Ó‰ 2002 ....¡Ó‰‚ÂÈ. ◊ÂÌÓ ÏÓ 2003 ....¿.Õ.¿.“.Œ.Ã.».fl.T.A.T.U 2003 ....¬‡ÎÂÌÚË̇ ÀÂÓÌڸ‚‡ (Ò ŒÎ„ÓÏ üÓÒÓ·ÔÓ‚˚Ï) 2005 ....Õ‡¯‡ –Ó‰Ë̇ 2005 ....¬˚ÒÓˆÍËÈ. —ÏÂÚ¸ ÔÓ˝Ú‡
Vitali Mansky Director and producer, head of the studio ìVertov. Real Cinemaî. One of the best- known documentary filmmakers in Russia, winner of the ìLaurelsî Award and European prize of documentary cinema founded by —ӈˇθ̇ˇ ‰ÓÍÛÏÂÌڇθ̇ˇ ‰‡Ï‡. “Ë „ÂÓËÌË ñ ÚË ‰Â‚˜ÓÌÍË ËÁ ÔÓ‚Ë̈ËË. ü‡Ê‰‡ˇ ËÁ ÌËı ıÓ˜ÂÚ ÔÓÍÓËÚ¸ Eurochannel SAT, recipient of the ìSilver ÃÓÒÍ‚Û, Ë Û Í‡Ê‰ÓÈ Ò‚ÓÈ Ô·Ì. Œ‰Ì‡ ÒÚÂÏËÚÒˇ ÔÓÔ‡ÒÚ¸ ‚ ÏÓ‰ÌÓ ÚÂίÓÛ Ë Doveî of the Leipzig Film Festival and other ÔÓÒÚÓËÚ¸ β·Ó‚¸ Ò „ÂÓÂÏ Ò‚ÓËı ‰Â‚˘¸Ëı ÒÌÓ‚, ÔÓÔÛÚÌÓ ÔÓ‰‡Ë‚ ÂÏÛ, prizes. ‡ Á̇˜ËÚ, Ë ‚ÒÂÏ ÚÂÎÂÁËÚÂÎˇÏ Ò‚Ó˛ ÌÂÔÓÓ˜ÌÓÒÚ¸. ƒÛ„‡ˇ ÏÌËÚ Ò·ˇ ÌÓ‚ÓÈ Ã‡‰ÓÌÌÓÈ ñ ÌÓ‚ÓÈ ¬ÂÓÌËÍÓÈ ÀÛËÁÓÈ ◊ËÍÍÓÌÂ, ÔÓÔÒÓ‚ÓÈ ËÍÓÌÓÈ ÒÂÍÒ‡. Select Directorís Filmography (doc): 1991-95... Etudes about Love. ¿ ÚÂÚ¸ˇ „ÓÚÓ‚‡ ÔÓ‰‡Ú¸ ‰Â‚ÒÚ‚ÂÌÌÓÒÚ¸ Á‡ ‰Â̸„Ë, ˜ÚÓ·˚ ÔÓÚÓÏ ÔÓÈÚË Part 1/ Part 2/Part 3 Û˜ËÚ¸Òˇ ñ ‚ ͇ÍÓÈ-ÌË·Û‰¸ ËÌÒÚËÚÛÚ, „·‚ÌÓ ñ ‚ ÏÓÒÍÓ‚ÒÍËÈ. ¬ÓÚ Ú‡Í‡ˇ 1991 .... Jewish Happiness (fiction) ´ÃÓÒÍ‚‡ ÒÎÂÁ‡Ï Ì ‚ÂËÚª, ÚÓθÍÓ ÒÓ‚ÂÏÂÌ̇ˇ. 1992 .... Leninís body ´›ÚÓÚ ÙËÎ¸Ï Ô˯ÂÎ Ò‡Ï ÒÓ·ÓÈ. fl ÒÌËχΠÒÓ‚ÒÂÏ ‰Û„Û˛ ͇ÚËÌÛ, ÍÓ„‰‡ 1993 .... Slices of Another War ‚‰Û„ ÔÓÌˇÎ, ˜ÚÓ ˇ ‰ÓÎÊÂÌ, ÏÓ„Û Ë ıÓ˜Û „Ó‚ÓËÚ¸ Ó· ˝ÚÓÏ. Œ˜Â̸ ‚‡ÊÌÓÏ 1995 .... Good Fortune ‰Îˇ ÏÂÌˇ ΢ÌÓ, ‰Îˇ ÏÓÂÈ ÒÂϸË, Ë ‰Îˇ ‚Ò„Ó, ˜ÚÓ ÏÂÌˇ ÓÍÛʇÂÚª 1999 .... Private Chronicles. Monologue ñ¬ËÚ‡ÎËÈ Ã‡ÌÒÍËÈ. (montage) 2001 .... Boris Yeltsin. Another Life Social documentary drama. 2001 .... Gorbachev after the Empire 2001 .... Vladimir Putin. A Leap-Year Three heroines: three girls from the provinces. Each of them wants to conquer 2002 .... Broadway. Black Sea Moscow, and each of them has her own plan. One aspires to get onto a popular 2003 .... A.N.A.T.O.M.Y. T.A.T.U television show and construe a love with the hero of her maiden dreams, in 2003 .... Valentina Leontieva (with Oleg passing giving him ñ as well as all the viewers ñ her purity. Another believes Kosolapov) to be the new Madonna, the new Louisa Veronika Ciccone, pop icon of sex. And 2005 .... Our Native Land the third is ready to sell her virginity for money in order to study at some 2005 .... Vysotsky. Death of a Poet institute, as long as it is in Moscow. This is a contemporary ìMoscow does not Believe in Tearsî. ìThis film came about by itself. I was making a completely different film when I suddenly understood that I should, could and wanted to speak about this. It is very important: for me personally, for my family, and for my surroundingsî (Vitali Mansky). 16 ÍÓÌÍÛÒ competition www.kalatozov.ru ´¡‡Ï‡ÎÂȪ œÓËÁ‚Ó‰ÒÚ‚Ó ¿Ì‰ÂÈ ¡Ó̉‡ÂÌÍÓ œÓ‰˛ÒÂ˚ —ÚÂÔ‡ÌÓ‚, fiËÒÀ‡ÛˆË̸¯ üÓ¯ÛÌÓ‚, ƒ‡Ì˽·—ÚÓˇÌӂ˘,œÂÚ—ÚÛÔËÌ,fiËÈ »Î¸ËÌ-ÏÎ., –ÓχÌljˇÌÓ‚,»Ë̇¡Ûڇ̇‚‡,¿ÎÂÍ҇̉ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,104ÏËÌ.,1:1.85,DolbyDigital5.1 WILD FIELD ƒ»üŒ≈ œŒÀ≈ »„Ó¸ “ÂÂıÓ‚ ŒÎ„ ƒÓÎËÌ,¿ÎÂÍ҇̉»Î¸ËÌ-ÒÚ., œÂÚ ƒÛıÓ‚ÒÍÓÈ ÃËı‡ËÎ ü‡Î‡ÚÓÁ˯‚ËÎË ŒÎ¸„‡ ‘‡‡ÙÓÌÓ‚‡ —„ÂÈ ¿‚ÒÚË‚ÒÍËı ÃËı‡ËÎ ü‡Î‡ÚÓÁ˯‚ËÎË,—„ÂÈ—ÌÂÊÍËÌ, ¿ÎÂÍÒÂÈ ¿È„Ë ´‘Ó̉ ÃËı‡Ë·ü‡Î‡ÚÓÁÓ‚‡ª,ÍËÌÓÒÚÛ‰Ëˇ œÂÚ ÀÛˆËÍË¿ÎÂÍÒÂÈ—‡ÏÓˇ‰Ó‚ www.kalatozov.ru Production Andrei Bondarenko Producers Lautsinysh Daniela Stoyanovich,PetrStupin,YuriStepanov,Juris Roman Madianov,IrinaButanaeva,AlexanderKorshunov, Cast: Sound Composer Design Costume Production Design Director ofPhotography Director Scriptwriters 2008, Russia,104min.,1:1.85,DolbyDigital5.1 Oleg Dolin,AlexanderIlyinSr,Jr., Igor Terekhov Mikhail Kalatozishvili Alexei Aigi Mikhail Kalatozishvili,SergeiSnezhkin, ìMikhail KalatozovFundî,StudioBarmalei Petr LutsikandAlexeiSamoriadov Olga Farafonova Sergei Avstrievskikh Petr Dukhovskoy ÍÓÌÍÛÒ competition
ÃËı‡ËÎ ü‡Î‡ÚÓÁ˯‚ËÎË –ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ, ÒˆÂ̇ËÒÚ, ÔÓ‰˛ÒÂ, ‚˚ÔÛÒÍÌËÍ ¬√»ü‡, ÔÂÁˉÂÌÚ ´‘Ó̉‡ ÃËı‡Ë· ü‡Î‡ÚÓÁÓ‚‡ª, Û˜‡ÒÚÌËÍ Ë 17 ÔËÁ ÍËÌÓÙÂÒÚË‚‡ÎÂÈ.
‘ËθÏÓ„‡Ùˡ: 1981 ....ÃÂı‡ÌËÍ 1992 ....»Á·‡ÌÌËÍ 2000 ....ÃËÒÚÂËË 2001 ....ÃÌ “ËÙÎËÒ „Ó·‡Ú˚È ÒÌËÚÒˇ (‰ÓÍ.) 2001 ....ƒ‚‡ ‡ÚÓχ (‰ÓÍ.) 2008 ....ƒËÍÓ ÔÓΠMikhail Kalatozishvili Director, scriptwriter, producer, graduate of the Film Institute VGIK, president of the Mikhail Kalatozov Fund, participant and prize-winner of film festivals.
Directorís Filmography: 1981 .... The Mechanic 1992 .... The Beloved 2000 .... Mysteries 2001 .... Tiflis, Humpbacked in my Dreams (doc.) 2001 .... Two Atoms (doc.) 2008 .... Wild Field ƒ‡Ï‡. ´ÖÃËÚˇ ÒÚÓˇÎ Û ‚ÓÓÚ Ë „Ρ‰ÂÎ ‚ ÒÚÂÔ¸. ¬ÂÚ Á‡ Â„Ó ÒÔËÌÓÈ Â˘Â „ÓÌˇÎ ÔÓ ‰‚ÓÛ Ô˚θ Ë ÒÓÎÓÏÛ, ÒÚÛ˜‡Î „‰Â-ÚÓ ‚ ‰ÓÏ ÓÍÓÌÌÓÈ ÒÚ‚ÓÍÓÈ. ¬Ó ‰‚Ó ÎÂʇ· ‡Á̇ˇ ÛıΡ‰¸, ÒÚ‡‡ˇ ÚÂ΄‡, ͇ÍËÂ-ÚÓ „Ó¯ÍË, ÔÓ‰ ̇‚ÂÒÓÏ ÒÚӡΠÏÓÚÓˆËÍÎ Ò ÍÓΡÒÍÓÈ. Õ‡‰ ‰ÓÏÓÏ, ̇ ‚˚ÒÓÍÓÏ ¯ÂÒÚ ‚ËÒÂÎ ·ÂÎ˚È Ò Í‡ÒÌ˚Ï ÍÂÒÚÓÏ Ù·„. ÃËÚˇ ‚Ò ÒÏÓÚÂÎ, Ì ÓÚ˚‚‡ˇÒ¸, ‚ Ó‰ÌÛ ÚÓ˜ÍÛÖª. “‡Ï, „‰Â-ÚÓ ‚ ÍËÎÓÏÂÚ ÓÚ Ì„Ó, ̇ „·Ì ıÓÎχ ÒÚӡΠ˜ÂÎÓ‚ÂÍ Ë ÚÓÊ ÒÏÓÚÂÎ ‚ Â„Ó ÒÚÓÓÌÛÖ ÃËÚˇ ñ ‚‡˜. ≈„Ó Ô‡ÍÚË͇ ÚÓθÍÓ Ì‡˜Ë̇ÂÚÒˇ. ¬ÒÍÓ ÔÓˇ‚ˇÚÒˇ ñ Ô‡ˆËÂÌÚ˚. œÂ‚˚Ï ÔË‚ÂÁÛÚ ‰ÓÔË‚¯Â„ÓÒˇ ‰Ó ÔÓÎÛÒÏÂÚË ÏÛÊË͇. ƒÛ„ÓÈ ÔËÚ‡˘ËÚ ÍÓÓ‚Û, ÔÓÚ·ӂ‡‚ ÌÂωÎÂÌÌÓ Â Î˜ËÚ¸. œËÒ͇˜ÂÚ Ô‡Â̸ ̇ ÍÓÌ ñ Ô‡ÒÚÛı‡ Û‰‡Ë· ÏÓÎÌˡ. ≈˘Â ÔÓˇ‚ËÚÒˇ ‰Â‚ۯ͇-͇҇‚ˈ‡, ´‰Ó˜¸ ÒÚÂÔ˪. ŒÌ ·Û‰ÂÚ Ì‡‰ÂˇÚ¸Òˇ ̇ ÚÓ, ˜ÚÓ Ì‚ÂÒÚ‡ Ò ÙÓÚÓ„‡ÙËË ÔˉÂÚ. Õ‚ÂÒÚ‡ ÔˉÂÚ, ÚÓθÍÓ Ì ̇‚Ò„‰‡Ö
Drama. ìMitya stood at the gate and looked on to the steppe. The wind behind his back drove the dust and straw across the courtyard, knocked at a window-shutter somewhere in the house. In the courtyard old stuff is scattered about: an old cart and pots; a motorcycle with a buddy-seat stood in the shed. On top of the roof, on a high pole hung a white flag with a red cross. Without taking his eyes off it, Mitya stared at one and the same pointÖî. There, about a kilometer away, on the crest of a hill, there stood a man who looked in his directionÖ Mitya is a doctor. His practice has only just opened. Soon the patients will come. First a man is brought here, who has half drunk himself to his death; another drags along his cow, demanding for it to be treated immediately. A man on horseback arrives: the shepherd was struck by lightning. And a beautiful girl appears, ìthe daughter of the steppeî. He promises to wait for his bride from the photo. The bride arrives, but not for everÖ 18 ÍÓÌÍÛÒ competition www.ctb.ru www.nirvana-film.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ›‰Û‡‰ Lj‚˘ “‡Ú¸ˇÌ‡ “͇˜,—‡ÏÓÈÎÓ‚‡,ŒÎ„√‡ÍÛ¯‡, ƒÏËÚËÈ »ˆÍӂ˘,¬Î‡‰ËÏË—ÓÓ͇ÎËÚ‡,›ÏÏËœËÚÂÒ, ¿ÚÛ —ÏÓθˇÌËÌÓ‚,ÃËı‡ËÎ≈‚·ÌÓ‚,¿Ì‰ÂÈ’‡·‡Ó‚, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,89ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital NIRVANA Õ»–¬¿Õ¿ ¿ÎÂÍ҇̉ üÓÔÂÈÍËÌ,—ÚÂه̿θ·ËÌ üËÌÓÔÓ͇Ú̇ˇ „ÛÔÔ‡´Õ‡¯ÂÍËÌÓª “‡Ú¸ˇÌ‡ üÛÁ¸Ï˘‚‡ ŒÎ¸„‡ —ÛÚÛÎÓ‚‡,Ã‡Ëˇÿ‡Î‡Â‚‡, ƒÏËÚËÈ fl¯ÓÌÍÓ‚ »„Ó¸ ¬ÓÎÓ¯ËÌ Õ‡‰Âʉ‡ ¬‡ÒË肇 —„ÂÈ —ÂθˇÌÓ‚ œ‡‚ÂÎ œ‡ıÓÏÂÌÍÓ üËÌÓÍÓÏÔ‡Ìˡ ´—“¬ª ŒÎ¸„‡ À‡ËÓÌÓ‚‡ www.ctb.ru www.nirvana-film.ru Distribution Production Producer Samoilova, OlegGarkusha,EduardMartsevich Vladimir Sorokalita,EmmyPiters,TatianaTkach, Mikhail Evlanov,AndreiKhabarov,DmitriItskovich, Cast: Editing Sound Costume Design Production Design Director ofPhotography Director Scriptwriter 2008, Russia,89min.,col.,1:2.35,DolbyDigital Olga Sutulova,MariaShalaeva,ArthurSmolianinov, Alexander Kopeikin,StefanAlbine Tatiana Kuzmicheva Igor Voloshin Sergei Selianov Film Company—“¬ Nashe kino Olga Larionova Nadezhda Vasilieva Pavel Parkhomenko Dmitri Yashonkov ÍÓÌÍÛÒ competition
»„Ó¸ ¬ÓÎÓ¯ËÌ –ÂÊËÒÒÂ, ·ÛÂ‡Ú Ì‡ˆËÓ̇θÌÓÈ ÔÂÏËË ´“ËÛÏÙª, Û˜‡ÒÚÌËÍ Ë ÔËÁ ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ ‚ 1974 „Ó‰Û ‚ —‚‡ÒÚÓÔÓÎÂ. — 1992 ñ ‡ÍÚ ÃÓÎÓ‰ÂÊÌÓ„Ó ‰‡Ï‡Ú˘ÂÒÍÓ„Ó ´“‡ڇ ̇ ¡Óθ¯ÓÈ ÃÓÒÍÓȪ Ô/ ¬.¿. Œ¯‡ÌÒÍÓ„Ó, ÓÍÓ̘ËÎ ÙËΡΠflÓÒ·‚ÒÍÓ„Ó Ú‡ڇθÌÓ„Ó ËÌÒÚËÚÛÚ‡ ‚ —‚‡ÒÚÓÔÓΠ(1996), Ù‡ÍÛθÚÂÚ ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÔÓÙÂÒÒËÓ̇θÌÓ„Ó 19 Ó·‡ÁÓ‚‡Ìˡ ¬√»ü‡ (ÔÓÒÚÛԇΠ‚ χÒÚÂÒÍÛ˛ ‰‡Ï‡ÚÛ„ËË ¬.ü.◊ÂÌ˚ı Ë À.¿.◊ÂÌ˚ı, ÓÍÓ̘ËΠχÒÚÂÒÍÛ˛ ÂÊËÒÒÛ˚ ‡‚ÚÓÒÍÓ„Ó ÙËθχ, 2000). ´ÕË‚‡Ì‡ª ñ ‰Â·˛Ú ‚ Ë„Ó‚ÓÏ ÍËÌÓ.
‘ËθÏÓ„‡Ùˡ: 2000 ....ÃÂÒË‚Ó (Í/Ï, ‰ËÔÎÓÏ, ‰ÓÍ.) 2001 ....—Û͇ (Í/Ï, ‰ÓÍ.) 2003 ....ŒıÓÚ‡ ̇ Á‡ÈˆÂ‚ (Í/Ï, ‰ÓÍ.) 2005 ....√Û·˚ (Í/Ï, ‰ÓÍ.) 2008 ....üÓÁ‡ (Í/Ï, ‰ÓÍ.) 2008 ....ÕË‚‡Ì‡
Igor Voloshin Director, winner of the national award ìTriumphî, participant and the prize-winner of festivals. Born in 1974 in Sevastopol. Since 1992 actor of the Youth Drama Theatre ìOn Bolshaya Morskaya Streetî under V. Orshansky; graduated from the Yaroslavl —ӈˇθ̇ˇ ‰‡Ï‡. Theatre Institute in Sevastopol (1996), 20-ÎÂÚÌˇˇ ¿ÎËÒ‡ ÔËÂÁʇÂÚ ‚ œÂÚ·ۄ,  ÒÓÒ‰ˇÏË ÔÓ ÍÓÏÏÛ̇θÌÓÈ faculty of additional vocational training of Í‚‡ÚË ÒÚ‡ÌÓ‚ˇÚÒˇ ‰Â‚ۯ͇ ÔÓ ËÏÂÌË ¬˝Î Ë ¬‡Î‡ ÃÂÚ‚˚È. ¬˝Î the Film Institute VGIK (enrolled in the ‡·ÓÚ‡ÂÚ ·‡ÏÂÌÓÏ ‚ ÌÓ˜ÌÓÏ ÍÎÛ·Â Ë Ó‰Ì‡Ê‰˚ ÒÚ‡ÌÓ‚ËÚÒˇ ҂ˉÂÚÂÎÂÏ drama workshop of V. and L. Chernykh, ÒÏÂÚË. ƒ‡‚ÌÓ ‡ÁÛ‚ÂË‚¯‡ˇÒˇ ‚ β‰ˇı, Ó̇ ÔÓÌËχÂÚ, ˜ÚÓ ÓÚ Ì graduated from the auteur cinema course in ÔÓÔ˚Ú‡˛ÚÒˇ ËÁ·‡‚ËÚ¸Òˇ. ¬‡ÎÂÛ Ó̇ β·ËÚ, ÌÓ Ë ÂÏÛ Ì ‚ÂËÚ. ” ¬˝Î 2000). ìNirvanaî is his fiction film debut. ÓÒÚ‡ÎÒˇ ÚÓθÍÓ Ó‰ËÌ ˜ÂÎÓ‚ÂÍ, ÍÓÚÓ˚È Ì Ô‰‡ÒÚ, Ë ˝ÚÓ ñ ¿ÎËÒ‡... œÓÒÚ‡ˇ, Ú‡„˘ÂÒ͇ˇ Ë Ó˜Â̸ ÔÓıÓʇˇ ̇ Ô‡‚‰Û ËÒÚÓˡ Ó ‰ÛÊ·Â, β·‚Ë Directorís Filmography: 2000 ....Medley (short, diploma, doc.) Ë Ì‡ÍÓÚË͇ı ‡Á˚„‡Ì‡ ̇ ÛÎˈ‡ı ÒÓ‚ÂÏÂÌÌÓ„Ó œÂÚ·ۄ‡ ‚ 2001 ....The Bitch (short, doc.) ‚Â̈ˇÌÒÍËı χÒ͇ı Ë ÍÓÒÚ˛Ï‡ı-ÍË·ÂÔ‡ÌÍ, ËÒÚÓˡ Ó Î˛‰ˇı, ÍÓÚÓ˚ 2003 ....Hare Hunting (short, doc.) ÛÚ‡ÚËÎË ÒÏ˚ÒÎ ÊËÁÌË ‚ Ò‡ÏÓÏ Â ̇˜‡ÎÂ. 2005 ....Lips (short, doc.) ñ ”˜‡ÒÚÌËÍ ‘ÓÛχ Ãü‘ ‚ ¡ÂÎËÌÂ, 2008. 2008 ....Goat (short, dock.) 2008 ....Nirvana Social drama. The twenty-year-old Alisa comes to Petersburg. Her neighbours in the communal apartment are a girl called Val and Valera Myortvy (the Dead). Val works as barmaid in a nightclub, and here she witnesses a death. Having been disillusioned by people for a long time, she understands that they will try to get rid of her. She likes Valera but she does not trust him. Val has only one person left who will not betray her: Alisa... This simple, tragic and authentic story about friendship, love and drugs unfolds in the streets of modern St Petersburg, donned in Venetian masks and cyberpunk costumes. It is a story about people who have lost the meaning of life at its very beginning. ñ Participant of the Forum of the IFF Berlin, 2008. 20 ÍÓÌÍÛÒ competition TERRA NOVA ÕŒ¬¿fl «≈ÃÀfl www.nkino.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ◊˘Ë̇‰ÁÂ, ÕËÍÓ·ȗÚÓˆÍËÈ,»„Ó¸œËÒ¸ÏÂÌÌ˚È üÓÎÚ‡ÍÓ‚, ¬ËÍÚÓΔ‡ÎÒ‡ÌÓ‚,¬Î‡‰ËÒ·‚¿·‡¯ËÌ,«‡Á‡ ≈‚„ÂÌËÈ “ËÚÓ‚,œ‡‚ÂΗ·Ó˘ËÍÓ‚,“ÓÏÏËÀËÒÚÂ,—„ÂÈ »Ì„·ӄ‡ ƒ‡ÔÍÛ̇ÈÚÂ,LJڡ‡¯‡Ó‚,—„ÂÈΔË„ÛÌÓ‚, ¬ ÓΡı –ÂÊËÒÒ ÏÓÌڇʇ «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍË üÓÏÔÓÁËÚÓ˚ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,143ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 ƒÏËÚËÈ Õ‡Á‡Ó‚ ´Õ‡¯Â ÍËÌÓª : üÓÌÒÚ‡ÌÚËÌÀ‡‚ÓÌÂÌÍÓ,¿Ì‰ÂÈ‘ÂÒ¸ÍÓ‚, »Î¸ˇ ƒÂÏËÌ ¿ÎÂÍ҇̉ ÃÂθÌËÍ √˛Î˛ÏÊ‡Ì ¡ÂȯÂÌÓ‚‡ ¿ÌÚÓÌ ÃÂθÌËÍ —„ÂÈ √Û‰ËÎËÌ,¬Î‡‰ËÏ˃ÓÌÒÍÓ‚ œÓ‰˛ÒÂÒÍËÈ ˆÂÌÚ´¿Ì‰Â‚ÒÍËÈÙ·„ª √η ÇڂÂȘÛÍ,¿Ì‰ÂÈüÓÏËÒÒ‡Ó‚ ¿ËÙ ¿ÎË‚ ŒÎ„ –‡Â‚ÒÍËÈ www.nkino.ru Distribution Production Producer Stotsky, IgorPismenny Zhalsanov, VladislavAbashin,ZazaChichanidze,Nikolai Pavel Sborshchikov,TommiLister,SergeiKoltakov,Viktor Dapkunaite, MaratBasharov,SergeiZhigunov,EvgeniTitov, Cast: Editing Sound Composers Costume Design Production Design Director ofPhotography Director Scriptwriter 2008, Russia,143min.,col.,1:2.35,DolbyDigital5.1 Konstantin Lavronenko,AndreiFeskov,Ingeborga Dmitri Nazarov Oleg Raevsky Alexander Melnik Anton Melnik Gleb Matveichuk,AndreiKomissarov Producersí CentreìAndreevskyFlagî Nashe Kino Arif Aliev Giuliumzhan Beishenova Sergei Gudilin,VladimirDonskov Ilya Demin ÍÓÌÍÛÒ competition
¿ÎÂÍ҇̉ ÃÂθÌËÍ ñ ÍËÌÓÂÊËÒÒÂ. –Ó‰ËÎÒˇ 11 Ë˛Ìˇ 1958 „Ó‰‡ ‚ ¬ÓÓ¯ËÎÓ‚„‡‰ÒÍÓÈ Ó·Î‡ÒÚË. ¬ 1980- Ï ÓÍÓ̘ËÎ Œ‰ÂÒÒÍËÈ √ˉÓÏÂÚÂÓÓÎӄ˘ÂÒÍËÈ ËÌÒÚËÚÛÚ. ¬ 1983ñ92 ‡·ÓڇΠÊÛ̇ÎËÒÚÓÏ ‚ „‡ÁÂÚ ´¬Â˜ÂÌËÈ ü˯ËÌ‚ª, ÔË҇ΠԸÂÒ˚ Ë ÔÛ·ÎˈËÒÚ˘ÂÒÍË ‡ÒÒ͇Á˚. — 1984 „Ó‰‡ ‡·ÓڇΠ̇ ÃÓΉ‡‚ÒÍÓÏ ÏÂÚ‡ÎÎۄ˘ÂÒÍÓÏ Á‡‚Ó‰Â, ˜ÚÓ·˚ ̇ÔËÒ‡Ú¸ Ó ÌÂÏ ÍÌË„Û 21 (´√Óˇ˜Â ÓÔÓ·Ó‚‡Ì˪). ¬ 1992-Ï, ÔÂÂÂı‡‚ Ò ÃÓÒÍ‚Û, ÓÒÌÓ‚‡Î ËÁ‰‡ÚÂθÒÚ‚Ó ´¿Ì‰Â‚ÒÍËÈ Ù·„ª (ÒÂËË ´–ÛÒÒ͇ˇ ÒÓ‚ÂÏÂÌ̇ˇ ÔÓÁ‡ª Ë ´–ÓÒÒËÈÒ͇ˇ ÏÓÒ͇ˇ ·Ë·ÎËÓÚÂ͇ª), ÔÓ‰˛ÒËÓ‚‡Î ‰ÓÍÛÏÂÌڇθÌ˚ ÙËθÏ˚, ÛÍÓ‚Ó‰ËÎ Ò˙ÂÏ͇ÏË ÔˇÏ˚ı Ú‡ÌÒΡˆËÈ —ıÓʉÂÌˡ ·Î‡„Ó‰‡ÚÌÓ„Ó Ó„Ìˇ (Õ“¬, 2003ñ05). ¬ 2004-Ï ÒÓÁ‰‡Î ÍËÌÓÍÓÏÔ‡Ì˲ ´¿Ì‰Â‚ÒÍËÈ Ù·„ª, ÍÓÚÓ‡ˇ ‚ÔÓÒΉÒÚ‚ËË ÒÌˇÎ‡ ÙËθÏ˚ ´Ã‡ˇÍª ÇËË —‡‡ÍˇÌ Ë ´ÃÓÌ„ÓΪ —„¡ ¡Ó‰Ó‚‡-ÒÚ‡¯Â„Ó. “ÂÚËÈ ÙËÎ¸Ï ÍËÌÓÍÓÏÔ‡ÌËË ñ ´ÕÓ‚‡ˇ ÁÂÏΡª ñ ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú ¿ÎÂÍ҇̉‡ ÃÂθÌË͇. Alexander Melnik Film director. Born on 11 June 1958 in the region of Voroshilovgrad. In 1980 graduated from the Odessa Hydro-Meteorological Institute. From 1983 to 1992 worked for the newspaper ìEvening Kishinevî as journalist, ¿ÌÚËÛÚÓÔˡ. whilst he also wrote plays and stories. Since 2013 „Ó‰. ¬Ó ‚ÒÂÏ ÏË ÛÊ ÓÚÏÂÌÂ̇ ÒÏÂÚ̇ˇ ͇Á̸. ÕÓ ˝ÚÓÚ ·Î‡„ÓÓ‰Ì˚È 1984 worked at Moldavian metal factory in ‡ÍÚ ‚ΘÂÚ ·Óθ¯Ë ÒÎÓÊÌÓÒÚË. œÓ ¯ÂÌ˲ ÏÂʉÛ̇ӉÌ˚ı Ó„‡ÌËÁ‡ˆËÈ order to write a book about it, ìHot Testingî. ¯ÂÌÓ ÔÓ‚ÂÒÚË ‚ÂҸχ ËÒÍÓ‚‡ÌÌ˚È ˝ÍÒÔÂËÏÂÌÚ ñ ÒÓÁ‰‡Ú¸ ̇ In 1992 moved to Moscow and founded the ÌÂÓ·ËÚ‡ÂÏÓÏ ÓÒÚÓ‚Â ü‡ÈÌÂ„Ó —‚‡ Ì·Óθ¯Ó ÔÓÒÂÎÂÌËÂ, „‰Â publishing house ìAndreevsky Flagî ÔÂÒÚÛÔÌËÍ‡Ï Ô‰ÓÒÚ‡‚ΡÂÚÒˇ ‚ÓÁÏÓÊÌÓÒÚ¸ ̇˜‡Ú¸ ÌÓ‚Û˛ ÊËÁ̸. Œ‰Ì‡ÍÓ ‚ (publisher of the series ìContemporary ˝ÚËı ÚÛ‰ÌÂȯËı ÔËÓ‰Ì˚ı ÛÒÎӂˡı ̇˜Ë̇ÂÚ ‰ÂÈÒÚ‚Ó‚‡Ú¸ ÒÚ‡¯Ì˚È Russian Proseî and ìRussian Sea Libraryî); Á‡ÍÓÌ, Òӄ·ÒÌÓ ÍÓÚÓÓÏÛ ‚˚ÊË‚‡˛Ú ÚÓθÍÓ Ò‡Ï˚ ÒËθÌ˚Â Ë Û‰‡˜ÎË‚˚Â. he produced documentary films, supervised œÓÌËχˇ ‚Ò˛ Ô‡„Û·ÌÓÒÚ¸ ÔÓ‰Ó·ÌÓ„Ó ÒÛ˘ÂÒÚ‚Ó‚‡Ìˡ, ÍÓÚÓÓ ÏÓÊÂÚ ÔË‚ÂÒÚË the filming of live transmissions for the Ì ÚÓθÍÓ Í ‡ÁÛ¯ÂÌ˲ ˜ÂÎӂ˜ÂÒÍÓÈ Î˘ÌÓÒÚË, ÌÓ Ë Í „Ë·ÂÎË ‚ÒÂı programme ìConvergence of the Holy Fireî Ó·ËÚ‡ÚÂÎÂÈ ÔÓÒÂÎ͇, „·‚Ì˚È „ÂÓÈ ‚ÒÚÛÔ‡ÂÚ ‚ ·Ó¸·Û Ò ÚÂÏË, ÍÚÓ ÒÓÁ‰‡ÂÚ (NTV, 2003-05). In 2004 created the film ÍÛÎ¸Ú „Û·ÓÈ ÒËÎ˚ Ë ÚÓÎ͇ÂÚ Î˛‰ÂÈ Ì‡ ˝ÚÓÚ ÒÚ‡¯Ì˚È ÔÛÚ¸. company ìAndreevsky Flagî which subsequently produced Maria Saakyanís ìThe Anti-Utopia. Lighthouseî and Sergei Bodrov Sr.ís ìThe The year 2013. The death penalty has been abolished all over the world. Mongolî. The third film of the company, However, this noble act brings with it many complexities. International ìTerra Novaî, is Alexander Melnikís organizations decide to carry out a rather risky experiment: to create a small directorial debut. settlement on an uninhabited island in the Far North, where criminals have the opportunity to begin a new life. However, in this harsh environment the terrible law of the survival of the fittest kicks in. Fully aware of the perniciousness of such an existence, capable of bringing about not only the destruction of human personality but also the annihilation of the inhabitants in the settlement, the main hero begins his fight against those who adhere to the cult of brute force and who push people onto this terrible path. 22 ÍÓÌÍÛÒ competition ÃÂʉÛ̇ӉÌ˚È ÔÓÍ‡Ú Ë ÍËÌÂχÚÓ„‡ÙËË ‘Ë̇ÌÒÓ‚‡ˇ ÔÓ‰‰ÂÊ͇ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò Շ‰Ó ÃÂÒÚ‘ÎÓÂÒ ¿ÎË̇ –Ӊ˄ÂÒ–ÛËÒ,fl̇ÒËŒ‰ÓÌÂÒƒ‡Ì‡, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ/üÛ·‡,118ÏËÌ.,1:1.85,DolbySRD OCEAN Œü≈¿Õ ≈‚„ÂÌËÈ ◊‡ÈÍÓ —„ÂÈ »‚‡ÌÓ‚ ƒÊÓ‰Ê ÀÛËÒü‡ÒÚÓ,ÃÓÌÒƒۇÌÂ√ÓÌÒ‡ÎÂÒ, ŒÎ„ ÀÛ͢‚ ÃËı‡ËÎ üÓÒ˚‚-ÕÂÒÚÂÓ‚ ÇË̇ ¿Ì‡Ì¸Â‚‡,»Ë̇ÀÛÌË̇ ´Ãª-‘ËθϪ, ÔËÛ˜‡ÒÚËËICAIC(üÛ·‡) ‘‰‡θÌÓ ‡„ÂÌÚÒÚ‚ÓÔÓÍÛθÚÛ Seagull Films ÃËı‡ËÎ üÓÒ˚‚-ÕÂÒÚÂÓ‚ International and Cinematography With financialsupport Production Producer Nardo MestreFlores Alina RodriguezRuiz,JanasiOrdonezDana, Cast: Editing Sound Production Design Director ofPhotography Scriptwriter andDirector 2008, Russia/Cuba,118min.,1:1.85,DolbySRD George LuisCastro,MonseDuaneGonzalez, Evgeni Chaiko Sergei Ivanov Mikhail Kosyrev-Nesterov M-Film withparticipationofICAIC(Cuba) Distribution SeagullFilms Marina Ananieva,IrinaLunina from theFederalAgencyofCulture Oleg Lukichev Mikhail Kosyrev-Nesterov ÍÓÌÍÛÒ competition
ÃËı‡ËÎ üÓÒ˚‚-ÕÂÒÚÂÓ‚ œÓ‰˛ÒÂ, ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ. –Ó‰ËÎÒˇ 21.11.1963 ‚ ÃÓÒÍ‚Â. ŒÍÓ̘ËÎ ¬√»ü ËÏÂÌË —.¿. √‡ÒËÏÓ‚‡ (1991, χÒÚÂÒ͇ˇ ».¬.“‡Î‡ÌÍË̇). — 1993 ñ ÔÓ‰˛Ò ÍËÌÓÒÚÛ‰ËË ´Ãª-‘ËθϪ, ÔÓ„‡ÏÏÌ˚È ‰ËÂÍÚÓ üËÌÓÙÂÒÚË‚‡Îˇ ÛÒÒÍÓÈ Ù‡ÌÚ‡ÒÚËÍË (—ÿ¿, 2006). ´ŒÍ‡̪ ñ ‰Â·˛Ú ÂÊËÒÒ‡ ‚ Ë„Ó‚ÓÏ ÍËÌÓ. 23
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 1988 ....¬Ë‰ÂÌË ÓÚÓÍÛ ÃËı‡ËÎÛ (Í/Ï, ۘ·Ì˚È) 1995 ....“ÓÔ‡ (‰ËÔÎÓÏ) 2000 ....ՇχÒ͇‡ (‰ÓÍ.) 2005...... œˇÚ¸ ‰ÌÂÈ ¬ˇ˜ÂÒ·‚‡ —‡ÏÓ‰ÛÓ‚‡ (‰ÓÍ.) 2008 ....ŒÍÂ‡Ì Mikhail Kosyrev-Nesterov Producer, director, scriptwriter. Born on 21 November 1963 in Moscow. Graduated from the Film Institute VGIK (1991, workshop of Igor Talankin). Since 1993 producer of the film studio M-Film, programme director of the Film Festival of Russian Fantasy (US, 2006). ìOceanî is his debut as director of fiction films.
Directorís Filmography: 1988 ....Vision of the Boy Michael (short, course work) ƒ‡Ï‡. 1995 ....The Track (diploma) ÇÎÂ̸͇ˇ ˚·‡ˆÍ‡ˇ ‰Â‚ۯ͇ ‰‡ÎÂÍÓ ÓÚ √‡‚‡Ì˚. ƒÊӽθ, ÒÚ‡¯ËÈ ·‡Ú ‚ 2000 ....Namaskaar (doc.) ·Â‰ÌÓÈ ÒÂϸ ÍÛ·ËÌÒÍËı ˚·‡ÍÓ‚, ‚β·ÎÂÌ ‚ ÇËÒ˝Î¸. —ÎÛ˜‡ÈÌÓ ÓÌ ÛÁ̇ÂÚ, 2005 ....Five Days of Viacheslav Samodurov ˜ÚÓ ÒÂϸˇ ‰Â‚Û¯ÍË Ô‰ÔÓ˜ËÚ‡ÂÚ ÂÏÛ ÔÓ„‡Ì˘ÌË͇ ¿ÌıÂΡ. ¬ ÔÓËÒ͇ı (doc.) 2008 ....Ocean ÌÓ‚ÓÈ ÊËÁÌË ƒÊӽθ ÓÚÔ‡‚ΡÂÚÒˇ ‚ √‡‚‡ÌÛ. ¬ ·Óθ¯ÓÏ „ÓӉ ÓÌ Ì‡‰ÂÂÚÒˇ ̇ Û‰‡˜Û, ÌÓ Ì‡ıÓ‰ËÚ ÚÓθÍÓ Ô‰‡ÚÂθÒÚ‚Ó Ë ‡ÁÓ˜‡Ó‚‡ÌËÂ. “‡„˘ÂÒ͇ˇ ÍÓÌÙÓÌÚ‡ˆËˇ Ò Ó·ÒÚÓˇÚÂθÒÚ‚‡ÏË ÔË‚Ó‰ËÚ ƒÊӽΡ Í Â˘Â ·Óθ¯ÂÈ ‰‡ÏÂÖ ´ŒÍ‡̪ ñ ˝ÚÓ Â˘Â Ó‰Ì‡ ÔÓÔ˚Ú͇ ۂˉÂÚ¸ ˜ÂÎÓ‚Â͇ ‚ Ó·˘ÂÒÚ‚Â, „‰Â ·Óθ¯Ë Ï˜Ú˚ ‰ÍÓ ÒÚ‡ÌÓ‚ˇÚÒˇ ‡θÌ˚ÏË.
Drama. A small fishing village far from Havana. Joel, the elder brother in a poor family of Cuban fishermen, is in love with Marisel. By chance he finds out that the girlís family prefers the border-guard Angel to him. In search of a new life Joel goes to Havana. He hopes to find success in the big city, but he encounters only treachery and disappointment. A tragic confrontation with circumstances bring Joel into an even greater dramaÖ ìOceanî is an attempt to observe man in a society where great dreams rarely come true. 24 ÍÓÌÍÛÒ competition CAPTIVE œÀ≈ÕÕ¤… www.rockfilm.ru œÓÍ‡Ú ‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò œÂÚ ÀÓ„‡˜Â‚,fiÎˡœÂÂÒËθ‰ ¬ „·‚Ì˚ıÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ÔË Û˜‡ÒÚËË“ËÏÓÙ¡ƒÂÍË̇ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,80ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 üËËÎÎ ¬‡ÒËÎÂÌÍÓ ´÷ÂÌڇΠœ‡Ú̯ËÔª ≈ÎÂ̇ ¿Ì‰Â‚‡,√ηÕËÍÛθÒÍËÈ fiËÈ üÎËÏÂÌÍÓ ¿ÎÂÍÒÂÈ ”˜ËÚÂθ √‡ÎË̇ ƒÂ‚‡,ÇÍÀË ¿ÎÂÍÒÂÈ ”˜ËÚÂθ ¿Ì‰ÂÈ ¬‡ÒËÌ ÀÂÓÌˉ ƒÂÒˇÚÌËÍÓ‚ “œŒ ´–Œüª,ÔËÛ˜‡ÒÚËˑ‰‡θÌÓ„Ó ¬Î‡‰ËÏË Ã‡Í‡ÌËÌ, »‡ÍÎËÈ Ãˆı‡Î‡ˇ,¬ˇ˜ÂÒ·‚√ÂÍÛÌÓ‚, www.rockfilm.ru Distribution of CultureandCinematography Production Producer Julia Peresild Cast: Editing Sound Composer Costume Design Production Design Director ofPhotography Director Timofei Dekin Scriptwriter VladimirMakanin,withparticipationof 2008, Russia,80min.,col.,1:1.85,DolbyDigital5.1 Irakli Mtskhalaya,ViacheslavGrekunov,PetrLogachev, Kirill Vasilenko Elena Andreeva,GlebNikulsky Alexei Uchitel Alexei Uchitel Leonid Desiatnikov ROCK, withparticipationoftheFederalAgency Central Partnership Galina Deeva,MarkLee Andrei Vasin Yuri Klimenko ÍÓÌÍÛÒ competition
¿ÎÂÍÒÂÈ ”˜ËÚÂθ –ÂÊËÒÒÂ, ÔÓ‰˛ÒÂ. –Ó‰ËÎÒˇ 31.08.1951 ‚ ÀÂÌËÌ„‡‰Â. ŒÍÓ̘ËÎ ÓÔ‡ÚÓÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1975). –‡·ÓÚ‡Î Í‡Í ÓÔ‡ÚÓ Ë ÂÊËÒÒ ̇ ÀÂÌËÌ„‡‰ÒÍÓÈ ÒÚÛ‰ËË ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚. ¬ ̇˜‡Î 90-ı ÓÒÌÓ‚‡Î Ú‚Ó˜ÂÒÍÓ-ÔÓËÁ‚Ó‰ÒÚ‚ÂÌÌÓ ӷ˙‰ËÌÂÌË ´–Œüª. œÓ‰˛Ò ÙËθÏÓ‚ ´—Ó·‡Í‡ œ‡‚ÎÓ‚‡ª ≈͇ÚÂËÌ˚ ÿ‡„‡ÎÓ‚ÓÈ, ´—‚ˇÁ¸ª ¿‚‰ÓÚ¸Ë —ÏËÌÓ‚ÓÈ, ´»„‡ª ¿ÎÂÍ҇̉‡ –Ó„ÓÊÍË̇ Ë ‰Û„Ëı ÔÓÂÍÚÓ‚, 25 ‚Íβ˜‡ˇ ÒÓ·ÒÚ‚ÂÌÌ˚ ÙËθÏ˚. Õ‡Ó‰Ì˚È ‡ÚËÒÚ –ÓÒÒËË, ·ÛÂ‡Ú ÔÂÏËË ÍËÌӇ͇‰ÂÏËË ´ÕË͇ª, ÍËÌÓÔÂÏËË ´«ÓÎÓÚÓÈ ÓÂΪ, ÔËÁ ÏÂʉÛ̇ӉÌ˚ı Ë ÓÒÒËÈÒÍËı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ.
»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ: 1978 ....—ÚÓ Ú˚Òˇ˜ ´flª (‰ÓÍ.) 1979 ....œÛÒÍ. œÓÚÂÚ Ó‰ÌÓ„Ó ÒÓ·˚Úˡ (‰ÓÍ.) 1983 ....¿ÍˆËˇ (‰ÓÍ.) 1986 ....œÎ‡ÌÂÚ‡ Õ‡Ú‡¯‡ (‰ÓÍ.) 1988 ....–ÓÍ (‰ÓÍ.) 1991 ....Œ·‚Ó‰Ì˚È Í‡Ì‡Î (‰ÓÍ.) 1993 ....¡‡ÚÚÂÙÎˇÈ (‰ÓÍ.) 1995 ....ÇÌˡ ΔËÁÂÎË 1997 ....›ÎËÚ‡ (‰ÓÍ.) 2000 ....ƒÌ‚ÌËÍ Â„Ó ÊÂÌ˚ 2003 ....œÓ„ÛÎ͇ 2005 ....üÓÒÏÓÒ Í‡Í Ô‰˜Û‚ÒÚ‚Ë 2008 ....œÎÂÌÌ˚È Alexei Uchitel Director, producer. Born on 31 August 1951 in Leningrad. Graduated from the ƒ‡Ï‡ ÔÓ ÔÓ‚ÂÒÚË ¬Î‡‰ËÏˇ Ç͇ÌË̇ ´ü‡‚͇ÁÒÍËÈ ÔÎÂÌÌ˚Ȫ. cinematography faculty of the Film Institute ƒÂÈÒÚ‚Ë ‡Á‚Ó‡˜Ë‚‡ÂÚÒˇ ‚Ó ‚ÂÏˇ ◊˜ÂÌÒÍÓÈ ‚ÓÈÌ˚. ƒ‚‡ ÛÒÒÍËı ÒÓΉ‡Ú‡ VGIK (1975). Worked as cameraman and ·ÂÛÚ ‚ ÔÎÂÌ ·Ó‚Ë͇, ÏÓÎÓ‰Ó„Ó ˜Â˜ÂÌÒÍÓ„Ó Ô‡Ìˇ. ¬ ÛÒÎӂˡı ‚ÓÈÌ˚ ÓÌË director at the Leningrad studio of ÒÎÂ‰Û˛Ú ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï Ô‡‚Ë·Ï, ÔÓÒÍÓθÍÛ ‚˚·Ó Û Í‡Ê‰Ó„Ó Ó‰ËÌ ñ documentary films. In the early 1990s formed ÊËÁ̸ ËÎË ÒÏÂÚ¸. ÕÓ ÔÓ͇ ÓÌË Â„Ó ‚‰ÛÚ Í Ò‚ÓÂÈ ˜‡ÒÚË, Ëı ÓÚÌÓ¯ÂÌËÂ Í the creative production association ROCK. Producer of the films ìPavlovís Dogî by ÔÓËÒıÓ‰ˇ˘ËÏ ÒÓ·˚ÚËˇÏ ÏÂÌˇÂÚÒˇ ñ ÓÌË Ì‡˜Ë̇˛Ú ÔÓÌËχڸ ‰Û„ ‰Û„‡ Ë Ekaterina Shagalova, ìRelationî by Avdotia ÒËÚÛ‡ˆË˛ ‚ ˆÂÎÓÏ... Smirnova, ìThe Matchî by Alexander Rogozhkin, and other projects, including his Drama based on Vladimir Makaninís story ìThe Caucasian Captiveî. own films. Peopleís Artist of Russia, winner The action unfolds during the Chechen war. Two Russian soldiers capture an of prizes of the Film Academy NIKA, the insurgent, young Chechen. In the conditions of the war they follow a set of film prize ìGolden Eagleî, prize-winner of established rules, since everybody faces the same choice: life or death. But as international and Russian film festivals. they lead him to their headquarters, their attitude towards the ongoing events Select Directorís Filmography: changes, and they begin to understand each other and the general situation... 1978 ....A Hundred Thousand Meís (doc.) 1979...... Starting Up. Portrait of an Event (doc.) 1983 ....Action (doc.) 1986 ....Planet Natasha (doc.) 1988 ....Rock (doc.) 1991 ....Obvodnoy Canal (doc.) 1993 ....Butterfly (doc.) 1995 ....Giselleís Mania 1997 ....Elite (doc.) 2000 ....His Wifeís Diary 2003 ....The Stroll 2005 ....Dreaming of Space 2008 ....Captive 26 ÍÓÌÍÛÒ competition PLUS ONE œÀfi— Œƒ»Õ www.telestofilm.ru œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ fiËÈ üÓÎÓÍÓθÌËÍÓ‚,œ‡‚Â΃‚ˇÌÍÓ,ÃˡϗÂıÓÌ ¬Î‡‰ËÏË »Î¸ËÌ,ÃËÓÒ·‚‡ü‡Ôӂ˘,≈‚„ÂÌËÈ÷˚„‡ÌÓ‚, ¬ ÓΡı: –ÂÊËÒÒ ÏÓÌڇʇ «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,96ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 —‡ÛÎ˛Ò ”·‡Ì‡‚˘˛Ò ljÎÂÌ ƒÊ‡·‡ËÎÓ‚‡,ƒÊÂÚÓ—ÍËÌÌÂ, »‚‡Ì √Û‰ÍÓ‚ ŒÍ҇̇ ¡˚˜ÍÓ‚‡ ŒÎ¸„‡ ¡˚˜ÍÓ‚‡ ŒÎ¸„‡ ’ηÌËÍÓ‚‡ ≈ÎÂ̇ √ÎËÍχÌ,flÓÒ·‚ΔË‚Ó‚ üËÌÓÍÓÏÔ‡Ìˡ ´“ÂÎÂÒÚÓª Շ̇ √Ë̯ÚÂÈÌ,ŒÍ҇̇¡˚˜ÍÓ‚‡ ƒ‡¸ˇ ƒ‡ÌËÎÓ‚‡ www.telestofilm.ru Production Producers Pavel Derevianko,MiriamSekhon Miroslava Karpovich,EvgeniTsyganov,YuriKolokolnikov, Cast: Editing Sound Costume Design Production Design Director ofPhotography Director Scriptwriters 2008, Russia,96min.,col.,1:1.85,DolbyDigital5.1 Madeleine Dzhabrailova,JethroSkinner,VladimirIlyin, Saulius Urbanavicius Daria Danilova Oksana Bychkova Elena Glikman,YaroslavZhivov Film CompanyTele-Hundred Nana Grinstein,OksanaBychkova Olga Bychkova Olga Khlebnikova Ivan Gudkov ÍÓÌÍÛÒ competition
ŒÍ҇̇ ¡˚˜ÍÓ‚‡ –ÂÊËÒÒÂ Ë ÒˆÂ̇ËÒÚ. ŒÍÓ̘Ë· Ù‡ÍÛθÚÂÚ ÊÛ̇ÎËÒÚËÍË –ÓÒÚÓ‚ÒÍÓ„Ó „ÓÒÛ‰‡ÒÚ‚ÂÌÌÓ„Ó ÛÌË‚ÂÒËÚÂÚ‡ (1997), ‡·Óڇ· ̇ ‡‰ËÓ. ¬ 2002 ÓÍÓ̘Ë· ¬˚үˠÍÛÒ˚ ÂÊËÒÒÂÓ‚ Ë ÒˆÂ̇ËÒÚÓ‚ ñ ¬ü—– (χÒÚÂÒ͇ˇ œ.≈. “Ó‰ÓÓ‚ÒÍÓ„Ó, Õ.¡. –ˇÁ‡ÌˆÂ‚ÓÈ). ƒÂ·˛ÚËÓ‚‡Î‡ ÙËθÏÓÏ ´œËÚ FMª, ÍÓÚÓ˚È ËÏÂÎ ÛÒÔÂı ‚ ÔÓ͇Ú (·ÓΠ$7 27 ÏÎÌ.) Ë ·˚Î ÓÚϘÂÌ ÍËÌÓÙÂÒÚË‚‡ÎˇÏË.
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 2001 ....ƒ‚ ÒÚÓÓÌ˚ ÒÚÂÍ· (Í/Ï) 2002 ....“Ë ÒÂÒÚ˚ (Í/Ï) 2005 ....œËÚ FM 2008 ....œÎ˛Ò Ó‰ËÌ Oksana Bychkova Director and scriptwriter. Graduated from the Faculty of Journalism of Rostov State University (1997), worked on the radio. In 2002 graduated from the Higher Courses for Directors and Scriptwriters (workshop of Petr Todorovsky and Natalia Riazantseva). She debuted with the film ìPiter FMî, which was a success in distribution (grossing over $7 million at the box office) and has been noticed by a number of film festivals.
Directorís Filmography: 2001 ....Two Sides of Glass (short) –ÓχÌÚ˘ÂÒ͇ˇ ÍÓωˡ. 2002 ....Three Sisters (short) 2005 ....Piter FM »ÒÚÓˡ β·‚Ë ÏÛʘËÌ˚ Ë ÊÂÌ˘ËÌ˚. ü‡Ê‰˚È ËÁ ÌËı ÔÓ-Ò‚ÓÂÏÛ Ó‰ËÌÓÍ, 2008 ....Plus One ͇ʉ˚È Ë˘ÂÚ Î˛·‚Ë Ë ÔÓÌËχÌˡ. ǯ‡, ÏÓÎÓ‰‡ˇ Úˉˆ‡ÚËÎÂÚÌˇˇ ÊÂÌ˘Ë̇, ÔÓÎÌÓÒÚ¸˛ ÔÓ„ÛÊÂ̇ ‚ ‡·ÓÚÛ Ì‡‰ Ô‚ӉÓÏ Ò¸ÂÁÌÓ„Ó ÎËÚ‡ÚÛÌÓ„Ó ÔÓËÁ‚‰ÂÌˡ. ŒÌ‡ χÎÓ Ó·˘‡ÂÚÒˇ Ò Î˛‰¸ÏË ñ ÓÚ˜‡ÒÚË ÓÚ ÔËÓ‰ÌÓÈ ÒÍÓÏÌÓÒÚË, ÓÚ˜‡ÒÚË ËÁ-Á‡ ÌÂÛ‰‡˜ÌÓ„Ó Á‡ÏÛÊÂÒÚ‚‡. Œ‰Ì‡Ê‰˚ ÂÈ Ô‰·„‡˛Ú ÔÓ‡·ÓÚ‡Ú¸ Ô‚Ӊ˜ËÍÓÏ Û ËÌÓÒڇ̈‡-ÍÛÍÎÓ‚Ó‰‡, ÍÓÚÓ˚È ÔËÂÁʇÂÚ ‚ ÃÓÒÍ‚Û ‚ÂÒÚË ÒÂÏË̇˚ ‰Îˇ ÌÓ‚Ó„Ó ÍÛÍÓθÌÓ„Ó ¯ÓÛ. “‡Í ǯ‡ Á̇ÍÓÏËÚÒˇ Ò “ÓÏÓÏ √ËÌ‚Û‰ÓÏ, Ë ˝Ú‡ ‚ÒÚ˜‡ ÏÂÌˇÂÚ ‚Ò˛ Ëı ÊËÁ̸ ñ ÔÓ¯ÎÛ˛, ̇ÒÚÓˇ˘Û˛, ·Û‰Û˘Û˛. ƒ‚‡ β·ˇ˘Ëı ˜ÂÎÓ‚Â͇ Û˜‡ÚÒˇ ÔÓÌËχڸ ‰Û„ ‰Û„‡ Ë ·˚Ú¸ Ò˜‡ÒÚÎË‚˚ÏËÖ
Romantic comedy. The love story of a man and a woman. Each of them is lonely in their own way; each of them searches for love and understanding. The thirty-year old Masha is entirely absorbed in her translation of a serious literary work. She communicates little with other people, partly because of her natural shyness, partly because of her unhappy marriage. One day she is invited to interpret for a foreign puppeteer who is visiting Moscow to give seminars for a new puppet show. Thus Masha meets Tom Greenwood, and this meeting changes their entire lives: the past, the present, and the future. Two people in love learn to understand each other and to be happyÖ 28 ÍÓÌÍÛÒ competition www.say-leo.ru œÓËÁ‚Ó‰ÒÚ‚Ó ÃÛÁ˚͇θÌ˚È ÔÓ‰˛Ò ÇÍÒËÏ üÓÓ΂ √Â̇θÌ˚ ÔÓ‰˛ÒÂ˚ ÃËı‡ËÎ œ‡‚ÎËÍ,¿Ì̇ÃËı‡ÎÍÓ‚‡ ¬ ÓΡı: –ÂÊËÒÒ ÏÓÌڇʇ «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ,77ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 SAY LEO —ü¿Δ» À≈Œ ƒÏËÚËÈ —„‚ ¿Ì‰ÂÈ ŸËÔ‡ÌÓ‚,¿Ì̇—Ú‡¯ÂÌ·‡ÛÏ, ¿ÚÂÏ œÓÎÓÒ‡Ú˚È ƒÂÌËÒ —Ëχ˜Â‚,«ÓˇœÓÒÂÍÓ‚‡ fiÎˡ ◊‡‡Ì‰‡Â‚‡ ´¬¬œ ¿Î¸ˇÌÒª ÇË̇ ¬‡ÒË肇 »„Ó¸ œ‡Ì¸ÍÓ‚ ¿Ì̇ ÃËı‡ÎÍÓ‚‡, ÀÂÓÌˉ –˚·‡ÍÓ‚ www.say-leo.ru Production Musical Producer General Producers Mikhail Pavlik,AnnaMikhalkova Cast: Editing Sound Costume Design Production Design Director ofPhotography Scriptwriter andDirector 2008, Russia,77min.,col.,1:2.35,DolbyDigital5.1 Andrei Shchipanov,AnnaStarshenbaum, Dmitri Sergeev Marina Vasilieva VVP Alliance Denis Simachev,ZoyaProsekova Igor Pankov Julia Charandaeva Anna Mikhalkova,MaximKorolev Artem Polosaty Leonid Rybakov ÍÓÌÍÛÒ competition
ÀÂÓÌˉ –˚·‡ÍÓ‚ –ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ. –Ó‰ËÎÒˇ ‚ ü˯ËÌ‚ ‚ 1959 „Ó‰Û. ŒÍÓ̘ËÎ ÃÓÒÍÓ‚ÒÍËÈ ËÌÊÂÌÂÌÓ-ÙËÁ˘ÂÒÍËÈ ËÌÒÚËÚÛÚ ñ û‘» (1983) Ë ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1991, χÒÚÂÒ͇ˇ ¬.Õ.Õ‡ÛÏÓ‚‡). üÓÓÚÍÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ´À˛‰Ë ËÁ ͇ÏÌˇª ·˚Î ÓÚϘÂÌ Ãü‘ ‚ ¬Â̈ËË (ÒÔˆˇθÌÓ ÛÔÓÏË̇ÌËÂ Ê˛Ë), Œ–ü‘ ´üËÌÓÚ‡‚. üÓÓÚÍËÈ ÏÂÚª (‰ËÔÎÓÏ Ê˛Ë 29 Ë ´¡ÂÎ˚È ÒÎÓ̪), Ãü‘ ‚ √ËÈÓÌ („·‚Ì˚È ÔËÁ) Ë üÓÚ·ÛÒÂ.
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 1991 ....LJÍÛÚ‡ 2004 ....œÓıËÚËÚÂÎË ÍÌË„ 2007 ....À˛‰Ë ËÁ ͇ÏÌˇ (Í/Ï) 2008 ....—͇ÊË ÀÂÓ
Leonid Rybakov Director, scriptwriter. Born in Kishinev in 1959. Graduated from the Moscow Engineering and Physics Institute MIFI (1983) and from the directorís faculty of the Film Institute VGIK (1991, workshop of V. Naumov). The short film ìStone Peopleî has been shown at the IFF in Venice (Special Mention of the Jury), at the Open Russian Film Festival Kinotavr. Shorts (Jury Diploma and ìWhite Elephantî award), at the IFF in Gijon (main prize) and in Cottbus. “‡ÍÓ ÏÓÊÂÚ ÒÎÛ˜ËÚ¸Òˇ Ò Í‡Ê‰˚Ï ñ ÂÒÎË Ú· 18, ÂÒÎË Ú‚ÓË ‰ÛÁ¸ˇ ÛÊ ÛÒÚÓËÎËÒ¸: ÍÚÓ Á‡‚ÂÎ Ò‚ÓÈ ·ËÁÌÂÒ, ÍÚÓ ÔÓԇΠ‚ ËÌÒÚËÚÛÚ, ‡ ÍÚÓ ‚ ‡ÏË˛Ö » Directorís Filmography: ÚÓθÍÓ Ú˚ ¢ Ì Á̇¯¸, ÍÂÏ ·˚Ú¸ ñ Í‡Í ‚ ‰ÂÚÒÚ‚Â: ÔÓʇÌËÍÓÏ ËÎË 1991 ....Marakuta 2004 ....Book Thieves ÎÂÚ˜ËÍÓÏ. » ÒÔÓÒËÚ¸ ÌÂÍÓ„Ó ñ Ú˚ ÛÊ ÔÓÎÊËÁÌË Ì ‡Á„Ó‚‡Ë‚‡Â¯¸ Ò 2007 ....Stone People (short) Ó‰ËÚÂΡÏË, ‡ χÎÂ̸͇ˇ ÒÂÒÚ‡ ¢ ÒÎ˯ÍÓÏ Ï‡Î‡. » ‰Îˇ Ú·ˇ ÓÒÚ‡ÎÓÒ¸ 2008 ....Say Leo Î˯¸ Ó‰ÌÓ ÓÍÌÓ ‚ ÏË ñ ˝ÚÓ ˝Í‡Ì ÍÓÏÔ¸˛Ú‡. ¿ Ú‡Ï ñ ‚ÌÛÚË ñ ‚Ò ÔÓ- ‰Û„ÓÏÛ: ÊËÁ̸ ‚ —ÂÚË, ÒÔÓÒӷ̇ˇ Ò‚ÂÒÚË Ì‡ ÌÂÚ ÏÌÓ„Ë ˜ÂÎӂ˜ÂÒÍË ÔÓˇ‚ÎÂÌˡ, Ì ÏÓÊÂÚ Û·ËÚ¸ Ê·ÌË ‰ÛÊËÚ¸, β·ËÚ¸, ˜Û‚ÒÚ‚Ó‚‡Ú¸.
This can happen to anyone ñ if you are 18, if your friends have already settled: some have started their business, some got into the college, and some in the armyÖ And only you donít yet know what you want to be, like in childhood: a fireman or a pilot. And there is nobody to ask; you havenít been talking to your parents for ages, and your little sister is too little. There is only one window left to the world, and that is the computer screen. There, inside, everythingís different: the life in the net, which can bring to naught many human aspects, cannot destroy the desire for friendship, love and emotion. 30 ÍÓÌÍÛÒ competition THE ELDERWIFE —“¿–ÿ¿fl Δ≈Õ¿ www.mentor-cinema.ru œÓËÁ‚Ó‰ÒÚ‚Ó √Â̇θÌ˚ ÔÓ‰˛ÒÂ˚ ÃËı‡ËÎ ¡‡„‰‡Ò‡Ó‚ ¡‡¯ËÓ‚, »‚‡Ìÿ‡·‡ÎÚ‡Ò,LJڡ‡¯‡Ó‚, ƒÓÏÓ„‡Ó‚, Àˉˡ¬ÂÎÂÊ‚‡,¡ÂÌËı‡›„ÛÚË,¿ÎÂÍ҇̉ ¬ ÓΡı: –ÂÊËÒÒ ÏÓÌڇʇ «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,90ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 ¿Ì‰ÂÈ ¡ÎÛ‰Û¯ÍËÌ »Ë̇ –ÓÁ‡ÌÓ‚‡,¿Ì‰ÂÈœ‡ÌËÌ,¿ÎÂÍ҇̉ ¬Î‡‰ËÏË üÎËÏÓ‚ »‚‡Ì —ÓÎÓ‚Ó‚ ¿ÎÂÍ҇̉ üËÏ ¿ÎÂÍÒÂÈ ¿È„Ë ´ÃÂÌÚÓ —ËÌÂχª,´Œ·˙ÂÍÚË‚¿Úª «Óˇ üÛ‰ˇ,¿ÎÂÍ҇̉ƒÁ˛·ÎÓ ¿Î¸·Ë̇ ¿ÌÚËÔÂÌÍÓ »‚‡Ì —ÓÎÓ‚Ó‚,ŒÎ„√Ó̘‡Ó‚ www.mentor-cinema.ru Production General Producers Shabaltas, MaratBasharov,MikhailBagdasarov Lydia Velezheva,BenihaEguti,AlexanderBashirov,Ivan Cast: IrinaRozanova,AndreiPanin,AlexanderDomogarov, Editing Sound Composer Art Director Director ofPhotography Director Scriptwriters 2008, Russia,90min.,col.,1:2.35,DolbyDigital5.1 Andrei Bludushkin Albina Antipenko Ivan Solovov Alexei Aygi "Mentor Cinema","ObjectiveArt" Alexander Kim Zoya Kudrya,AlexanderDziublo Ivan Solovov,OlegGoncharov Vladimir Klimov ÍÓÌÍÛÒ competition
»‚‡Ì —ÓÎÓ‚Ó‚ –ÂÊËÒÒÂ, ÔÓ‰˛ÒÂ, ÒˆÂ̇ËÒÚ, ˜ÎÂÌ ≈‚ÓÔÂÈÒÍÓÈ üËÌӇ͇‰ÂÏËË (EFA), «‡ÒÎÛÊÂÌÌ˚È ‰ÂˇÚÂθ ËÒÍÛÒÒÚ‚ –‘, ÔËÁ ÏÂʉÛ̇ӉÌ˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ 29 ÓÍÚˇ·ˇ 1952 „Ó‰‡ ‚ „. ›Ì„ÂθÒ —‡‡ÚÓ‚ÒÍÓÈ Ó·Î‡ÒÚË. ŒÍÓ̘ËÎ Ù‡ÍÛθÚÂÚ ÊÛ̇ÎËÒÚËÍË À¸‚Ó‚ÒÍÓ„Ó ‚˚Ò¯Â„Ó ‚ÓÂÌÌÓ-ÔÓÎËÚ˘ÂÒÍÓ„Ó Û˜ËÎˢ‡, ÒˆÂ̇Ì˚È Ë ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ˚ ¬√»ü‡. ¿‚ÚÓ Ë ÂÊËÒÒ ·ÓΠ40 ‰ÓÍÛÏÂÌڇθÌ˚ı Ë Ë„Ó‚˚ı ÙËθÏÓ‚. ¬ 31 1988 ÒÓÁ‰‡Î Ë ‚ÓÁ„·‚ËÎ üËÌÓÍÓÏÔ‡Ì˲ ´ÃÂÌÚÓ —ËÌÂχª, Ëϲ˘Û˛ ÒÓ·ÒÚ‚ÂÌÌÛ˛ ÚÂıÌ˘ÂÒÍÛ˛ ·‡ÁÛ ÔÓÎÌÓ„Ó ÚÂıÌÓÎӄ˘ÂÒÍÓ„Ó ˆËÍ·. œÓ‰˛Ò ·ÓΠ20 Ò¡ÎÓ‚ Ë ÍËÌÓÙËθÏÓ‚, ‚Íβ˜‡ˇ ÏÂʉÛ̇ӉÌ˚ ÔÓÂÍÚ˚: ´“ÓÈÌÓÈ ‡„ÂÌÚª ›Ë͇ –Óχ ñ ÍÓÌÍÛÒ ¡ÂÎËÌÒÍÓ„Ó ÙÂÒÚË‚‡Îˇ; ´20 ÌÓ˜ÂÈ Ë Ó‰ËÌ ‰ÓʉÎË‚˚È ‰Â̸ª À‡Ï ÀË; ´ΔË‚‡ˇ ‚Ó‰‡ª ¿Ë͇ ü‡ÔÎÛ̇ Ë ‰.
»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ (Ë„Ó‚Ó ÍËÌÓ): 1991 ....√ÎÛıÓχ̸ 1991 ....ü‡‡‚‡Ì ÒÏÂÚË 1992 ....¿ ÒÔ‡Ú¸ Ò ˜ÛÊÓÈ ÊÂÌÓÈ ıÓÓ¯Ó!?. 1998 ....√Óˇ˜‡ˇ ÚӘ͇ 1998 ....◊ÂÌ˚È ÓÍÂ‡Ì 1999 ....—‚ˇÚÓÈ Ë „¯Ì˚È 2001 ....À‡‚Ë̇ 2002 ....ÃÓˇ „‡Ìˈ‡ (Ò¡Î) 2003 ....ΔÂÎÂÁÌÓ‰ÓÓÊÌ˚È ÓχÌÒ 2004 ....—ÎÓ‚‡ Ë ÏÛÁ˚͇ 2007 ....ŒÚˆ Ivan Solovov Director, producer, scriptwriter, member of the European Film Academy (EFA), Honoured ›ÚÌ˘ÂÒ͇ˇ ÔËÚ˜‡. Artist of the Russian Federation, prize- ¬ ͇ÎÏ˚ˆÍÓÏ ‡ÛΠÊË‚ÂÚ ÔÓÒÚ‡ˇ ÒÂϸˇ ñ ¡‡Ë‡ Ë Â ÏÛÊ —˙ÂÁ‰. ŒÌË winner of international and national film β·ˇÚ ‰Û„ ‰Û„‡, ‚ÏÂÒÚ ÒÚË„ÛÚ Ë ÔÓ‰‡˛Ú ·‡‡ÌÓ‚, ‚‰ÛÚ ıÓÁˇÈÒÚ‚Ó, festivals. Born on 29 October 1952 in Engels ÌËÍÓ„‰‡ Ì ‡ÒÒÚ‡˛ÚÒˇ Ë ‰Û„ÓÈ ÊËÁÌË Ì Á̇˛Ú. ÕÓ Ó‰Ì‡Ê‰˚ —˙ÂÁ‰ in the Saratov area. Graduated from the Faculty of Journalism of Lvov Higher ÔË‚Ó‰ËÚ ‚ ‰ÓÏ ‚ÚÓÛ˛ ÊÂÌÛ ñ ӷ¢‡Î ÒÓ҉͠Ô‰ ÒÏÂÚ¸˛ ÊÂÌËÚ¸Òˇ ̇ Military-Political School, then from the  ‚ÌÛ˜ÍÂ. ¬Ì͇ۘ ñ ÏÓÎÓ‰‡ˇ ͇҇‚ˈ‡, ‰‡ Â˘Â Ë ·ÂÂÏÂÌ̇ˇ. œÓ˜Û‚ÒÚ‚Ó‚‡‚ scriptwritersí and directorsí faculties of the Ò·ˇ Î˯ÌÂÈ, ¡‡Ë‡ ÔÓÍˉ‡ÂÚ Ó‰ÌÓÈ ‡ÛÎ Ë Ë‰ÂÚ, ÍÛ‰‡ „·Á‡ „Ρ‰ˇÚ ñ ‚ Film Institute VGIK. Author and director of „ÓÓ‰. ¿ Ú‡Ï ¡‡Ë‡ ·Û‰ÂÚ Ë ‚ ˝ÈÙÓËË ÓÚ Ò˜‡ÒÚ¸ˇ, Ë Ì‡ ‚ÓÎÓÒÍ ÓÚ ÒÏÂÚË. over 40 documentary and fiction films. In 1988 created the Film Company ìMentor ŒÌ‡ ‰‡Ê ÔÓ˜Û‚ÒÚ‚ÛÂÚ Ò·ˇ «ÓÎÛ¯ÍÓÈ, ÍÓ„‰‡  ÔÓβ·ˇÚ. ÕÓ ÒÚ‡¯‡ˇ ÊÂ̇ Cinemaî, which he heads; the company has Ô˯· ‚ „ÓÓ‰ Ì ÔÓÒÚÓ Ú‡Í. ≈ ˆÂθ ñ ̇ÈÚË Ò‰ÒÚ‚Ó, ˜ÚÓ·˚ ÊÂÒÚÓÍÓ its own full-cycle technical base. Producer of ÓÚÓÏÒÚËÚ¸ ÏÛÊÛ... over 20 serials and films, including international projects such as ìTriple Agentî by Eric Rohmer (in competition of the Berlin Ethnic parable. IFF); ìTwenty Nights and a Rainy Dayî by In a Kalmyk aul lives a simple family: Baira and her husband Syezd (literally, Lam Le; ìWater of Lifeî by Arik Kaplun, etc. ìCongressî). They like each other, and together they shave and sell rams, conduct the household, never leave each other and do not know a different way Select Directorís Filmography (fiction films): of life. But once Syezd brings a second wife to the house: he promised the 1991 ....Backwoods neighbour before her death to marry her granddaughter. The granddaughter is 1991 ....Caravan of Death a young beauty, moreover she is pregnant. Feeling superfluous, Baira leaves 1992 ..Is it OK to Sleep with Another Manís Wife!? the native aul and goes to the city. There Baira is both in joyful euphoria and 1998 ....Hotpoint on close to death. She feels like Cinderella when a fairy-tale prince falls for 1998 ....Black Ocean her. But... the elder wife came to town not just like that. Her purpose is to 1999 ....Sacred and Guilty find a way to take a terrible revenge on her husband... 2001 ....The Avalanche 2002 ....My Border (serial) 2003 ....A Railway Romance 2004 ....Words and Music 2007 ....The Father 32 ÍÓÌÍÛÒ competition HE WHOSWITCHESOFFTHELIGHTS “Œ“, ü“Œ√¿—»“—¬≈“ www.nkino.ru www.nonstop-kino.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó —„ÂÈ ÿÛχÍÓ‚ œÓ‰˛ÒÂ˚ œÂÚ —ÂχÍ,¿Ì‰ÂÈ«Ë·Ó‚,ÀÂ̇»‚‡˘Â‚‡ √Ó·ÛÌÓ‚, ≈͇ÚÂË̇¬ËÎÍÓ‚‡,¿Ì‰ÂÈ—ÏÓΡÍÓ‚, ≈͇ÚÂË̇ –‰ÌËÍÓ‚‡,¿ÚÛ—ÏÓθˇÌËÌÓ‚,¿ÎÂÍÒÂÈ ¬ ÓΡı: –ÂÊËÒÒ ÏÓÌڇʇ «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ —˛ÊÂÚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ,86ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 –ÓÒÚËÒ·‚ ¿ÎËÏÓ‚,¿ÎÂÍÒÂÈ¡‡‰˚„Ó‚ ŒÎ„ ŒÒËÔÓ‚(´“ÂÏ̇ˇ‚Ó‰‡ª) ´Õ‡¯Â ÍËÌÓª ¿ÎÂÍÒÂÈ √ÛÒ¸ÍÓ‚,fiËÈ»ˆÍÓ‚,»‚‡ÌüÓÍÓËÌ, —„ÂÈ Ã‡˜ËθÒÍËÈ “‡Ú¸ˇÌ‡ œÓˇÍÓ‚‡ ¬Î‡‰ËÏË fiʇÍÓ‚ —„ÂÈ ÃÂθÍÛÏÓ‚,ƒÏËÚËÈÃÂÒıË‚, fiËÈ œÓÚÂÂÌÍÓ ´Non-Stop Productionª,´◊ÂÂÔ‡ı‡ªÔÓÁ‡Í‡ÁÛ–“– ¿ÎÂÍÒÂÈ Ã‡Í·ÍÓ‚ ¿Ì‰ÂÈ ÀË·ÂÌÒÓÌ www.nkino.ru www.nonstop-kino.ru Distribution on commissionofRTR Production Sergei Shumakov Producers Lena Ivashcheva Vilkova, AndreySmoliakov,PiotrSemak,AndreiZibrov, Rednikova, ArthurSmolianinov,AlexeiGorbunov,Ekaterina Cast: Editing Sound Composer Costumes Design Production Director ofPhotography Theme by Scriptwriter andDirector 2008, Russia,86min.,col.,1:2.35,DolbyDigital5.1 Alexei Guskov,YuriItskov,IvanKokorin,Ekaterina Rostislav Alimov,AlexeiBadygov Alexei Maklakov Tatiana Poiarkova Yuri Poteenko Oleg Osipov(ìDarkWaterî) Sergei Melkumov,DmitriMeskhiev, Non-Stop Production,Cherepakha(Turtle), Nashe Kino Vladimir Yuzhakov Sergei Machilsky Andrei Libenson ÍÓÌÍÛÒ competition
¿Ì‰ÂÈ ÀË·ÂÌÒÓÌ —ˆÂ̇ËÒÚ, ÂÊËÒÒÂ. –Ó‰ËÎÒˇ ‚ ÀÂÌËÌ„‡‰Â 8 ˇÌ‚‡ˇ 1975 „Ó‰‡. ŒÍÓ̘ËÎ —‡ÌÍÚ- œÂÚ·ۄÒÍËÈ ÛÌË‚ÂÒËÚÂÚ ÍËÌÓ Ë ÚÂ΂ˉÂÌˡ ñ —œ·√”üË“ (1999, χÒÚÂÒ͇ˇ À.».ÃÂ͇̇), ·˚Î ‡ÒÒËÒÚÂÌÚÓÏ ÂÊËÒÒ‡ ̇ ÙËθÏ ¬‡ÎÂˡ Œ„ÓÓ‰ÌËÍÓ‚‡ ´ü‡ÒÌÓ Ì·Ó, ˜ÂÌ˚È ÒÌ„ª, ÒÌˇÎ ÍÎËÔ ‰Îˇ „ÛÔÔ˚ ´ÀÂÌËÌ„‡‰ª, ÒÓ‡‚ÚÓ ˇ‰‡ ÒˆÂ̇Ë‚ (´—ÚËÚÂÈÒÂ˚ª, 33 Ò¡· ´fl ‚ÒÂ Â¯Û Ò‡Ï‡ª Ë ‰.). ´“ÓÚ, ÍÚÓ „‡ÒËÚ Ò‚ÂÚª ñ ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú. Andrei Libenson Scriptwriter, director. Born in Leningrad on 8 January 1975. Graduated from St. Petersburg University of Cinema and Television (1999, workshop of L. Menaker), then assistant director to Valeri Ogorodnikovís film ìRed Sky, Black Snowî. He made a clip for the group ìLeningradî, is co-author of several scripts (ìStreet Racersî, serial ìI decide myselfî) and others. ìHe who Switches off the Lightsî is the directorís debut.
“ËÎÎÂ. Õ‚ÂÓˇÚ̇ˇ ÊÂÒÚÓÍÓÒÚ¸ χ̸ˇÍ‡ ÔÓ„ÛʇÂÚ œÂÚ·ۄ ‚ ÒÓÒÚÓˇÌË ·ÂÒÔ‰ÂθÌÓ„Ó Ûʇ҇. –Ó‰ËÚÂÎË ·ÓˇÚÒˇ ÓÚÔÛÒ͇ڸ ‰ÂÚÂÈ Ì‡ ÛÎËˆÛ ·ÂÁ ÒÓÔÓ‚ÓʉÂÌˡ. œÂÒÒ‡ ̇„ÌÂÚ‡ÂÚ ‡ÚÏÓÒÙÂÛ ÒÚ‡ı‡ Ë ËÒÚÂËË, ÍËÚËÍÛÂÚ ÒÔˆÒÎÛÊ·˚, Ì ÒÔÓÒÓ·Ì˚ ÔÓÈχڸ χ̸ˇÍ‡. ÷ÂÔ¸ ÌÂÓ·˙ˇÒÌËÏ˚ı Û·ËÈÒÚ‚ ÔË‚Ó‰ËÚ ÒΉӂ‡ÚÂΡ œÂÚ‡ ÃÓËÒ‚‡ ‚ ÔÓ‚ËÌˆË˛. ◊ÚÓ·˚ ‰ÓÍÓÔ‡Ú¸Òˇ ‰Ó ËÒÚËÌ˚ Ë Ì‡ÈÚË Ï‡Ì¸ˇÍ‡, ÃÓËÒ‚ ‰ÓÎÊÂÌ ‡Á„‡‰‡Ú¸ Ú‡ÈÌ˚ χÎÂ̸ÍÓ„Ó —‚ÂÚÎÓ„ÓÒÍ‡Ö ΔÂÒÚ͇ˇ Ë ·ÂÒÍÓÏÔÓÏËÒÒ̇ˇ ËÒÚÓˡ Ó ÚÓÏ, ÍÛ‰‡ ÏÓÊÂÚ ÔË‚ÂÒÚË ˜ÂÎÓ‚Â͇ ÒÚ‡ı.
Thriller. The incredible cruelty of a maniac immerses Petersburg in a state of boundless horror. Parents are afraid to let their children into the street without accompaniment. The press enforces an atmosphere of fear and hysteria, criticizes the special forces incapable of catching the maniac. The chain of inexplicable murders leads inspector Petr Moiseev to the provinces. In order to get to the bottom of the truth and to find the maniac, Moiseev has to solve the secrets of the small town of SvetlogorskÖ A harsh and uncompromising story about the impact of human fear. 34 ÍÓÌÍÛÒ competition Ë ÍËÌÂχÚÓ„‡ÙËË ‘Ë̇ÌÒÓ‚‡ˇ ÔÓ‰‰ÂÊ͇ üËÌÓÍÓÏÔ‡ÌËË ´“‚Ë̪ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò √·‚Ì˚È ÔÓ‰˛Ò ¿ÚÛÒ ü‡ÈÏË̸¯,—‡¯‡√ÓÌÚ‡ÂÌÍÓ ¿ÎÂÍÒÂÈ —·ˇÍÓ‚,fiÎˡ–Ûڷ„,¬‡‰ËσÂϘӄ, –ÓÏ‡Ì ÿχÍÓ‚,Շڇθˇ—ÛÍÓ‚‡,≈ÎÂ̇ÃÓÓÁÓ‚‡, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,100ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital FOUR AGESOFLOVE ◊≈“¤–≈ ¬Œ«–¿—“¿Àfi¡¬» fiÎˡ ≈„ÓÓ‚‡ ŒÎ¸„‡ √Ë̯ÔÛÌ Àˡ ¿ı‰ʇÍÓ‚‡,»„Ó¸flÒÛÎӂ˘, ¿Î˯ ’‡ÏˉıӉʇ‚ —„ÂÈ ÃÓÍˈÍËÈ Õ‡‰Âʉ‡ ¡Ó„‰‡ÌÓ‚‡ ”θˇÌ‡ —‡‚Â肇 ¬‡ÎÂËÈ ¿ıËÔÓ‚ üËÌÓÍÓÏÔ‡Ìˡ ´ÕÓ‚˚Âβ‰Ëª,ÔËÛ˜‡ÒÚËË ¿ÎÂÍÒÂÈ √ÓÎÓ‚˜ÂÌÍÓ Õ‡Ú‡¯‡ ÃÓÍˈ͇ˇ ‘‰‡θÌÓ ‡„ÂÌÚÒÚ‚ÓÔÓÍÛθÚÛ Cinematography Financial support of theFilmCompanyìTwinî Production: Producer General Producer Gontarenko Rutberg, VadimDemchog,ArtusKaiminysh,Sasha Natalia Surkova,ElenaMorozova,AlexeiSerebriakov,Julia Cast: Editing Sound Costume Design Production Design Director ofPhotography Director Scriptwriter 2008, Russia,100min.,col.,1:1.85,DolbyDigital Lia Akhidzhakova,IgorYasulovich,RomanShmakov, Julia Egorova Olga Grinshpun Sergei Mokritsky Uliana Savelieva Film CompanyìNewPeopleî,withparticipation Alexei Golovchenko Nadezhda Bogdanova Natasha Mokritskaya from theFederalAgencyofCultureand Valeri Arkhipov Alisher Khamidkhodzhaev ÍÓÌÍÛÒ competition
—„ÂÈ ÃÓÍˈÍËÈ ŒÔ‡ÚÓ-ÔÓÒÚ‡ÌÓ‚˘ËÍ, ÂÊËÒÒÂ. –Ó‰ËÎÒˇ ‚ 1961 „Ó‰Û ‚ ”͇ËÌÂ. ŒÍÓ̘ËÎ ÓÔ‡ÚÓÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1991, χÒÚÂÒ͇ˇ ¿.¬. √‡Î¸ÔÂË̇). ŒÔ‡ÚÓ ·ÓΠÚˉˆ‡ÚË Ë„Ó‚˚ı Ë ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚, Ò¡ÎÓ‚ Ë ÚÂÎÂÔÓ„‡ÏÏ, ÒÂ‰Ë ÍÓÚÓ˚ı ÙËθÏ˚ üËËη —·ÂÌÌËÍÓ‚‡ (´»ÁÓ·‡Ê‡ˇ ÊÂÚ‚Ûª, ´–ÓÒÚÓ‚-Ô‡Ô‡ª Ë ´ƒÌ‚ÌËÍ Û·ËȈ˚ª) Ë –ÛÒڇχ ’‡Ï‰‡ÏÓ‚‡ 35 (´¬Ó͇θÌ˚ ԇ‡ÎÎÂÎ˪). ´◊ÂÚ˚ ‚ÓÁ‡ÒÚ‡ β·‚˪ ñ ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú.
Sergei Mokritsky Director of photography, director. Born 1961 in Ukraine. Graduated from the faculty of cinematography of the Film Institute VGIK (1991, workshop pf A. Galperin). Filmed about thirty fiction and documentary films, serials and television programmes, among them Kirill Serebrennikovís films (ìPlaying the Victimî, ìRostov-Daddyî and ìDiary of a Murdererî) and Rustam Khamdamov (ìVocal Parallelsî). ìFour Ages of Loveî is the directorís debut.
ÃÂÎÓ‰‡Ï‡ ‚ ˜ÂÚ˚Âı ÌÓ‚Âηı, ‡ÒÒ͇Á˚‚‡˛˘‡ˇ Ó Ì‡¯Ëı ÒÓ‚ÂÏÂÌÌË͇ı, ÍÓÚÓ˚Â, ÌÂÒÏÓÚˇ ̇ ˛Ì˚È ËÎË ÔÂÍÎÓÌÌ˚È ‚ÓÁ‡ÒÚ, ˢÛÚ Ë Ì‡ıÓ‰ˇÚ Ò‚Ó˛ ‰ËÌÒÚ‚ÂÌÌÛ˛ β·Ó‚¸.
Melodrama in four novellas about our contemporaries who, despite their young or old age, search and find love. Each short story is based on a classical myth. 36 ÍÓÌÍÛÒ competition SHULTES ÿ”À‹“≈— www.nkino.ru www.ctb.ru œÓÍ‡Ú ´—‡Î¸‚‡‰Ó Dî,ÒÚÛ‰Ëˇ´ÀËÏÓ̪ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ üÓÌÒÚ‡ÌÚËÌ ¡ÛÒÎÓ‚,—„ÂÈ¡ÓÎÓڇ‚,»‚‡ÌÀ·‰‚ ÷‡Î·ÚË, –ÛÒ·̗ۯÓÌ,¿Ì̇—ÓÓ͇,¿ÎÂÍ҇̉¿·˜Ë̈, —ÂÒËθ œÎÂÊÂ,¬‡‰ËÏ—ÛÒÎÓ‚,Õӯ‚‡Ì“‡‚ıÂÎˉÁÂ, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ˚ –ÂÊËÒÒ ÔË Û˜‡ÒÚËËÕ‡ËÎËÇ·ıÓ‚ÓÈ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,100ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital ¿ÒÂÌËÈ “ÓˈÍËÈ üËÌÓÔÓ͇Ú̇ˇ „ÛÔÔ‡´Õ‡¯ÂÍËÌÓª ¡‡ÍÛ ¡‡ÍÛ‡‰Á √· ◊ËÚ‡‚‡,–ÛÒ·Ì√·ÂÌÍËÌ,À˛·Ó‚¸‘ËÒÓ‚‡, ¡‡ÍÛ ¡‡ÍÛ‡‰Á ¬Î‡‰ËÏË üÛÔˆÓ‚ üËËÎÎ ÿÛ‚‡ÎÓ‚ ÇË̇ √ÓÌÓÒڇ‚‡,ÕËÍÓ·Ȭ‡‚ËÎÓ‚ —„ÂÈ —ÂθˇÌÓ‚,fiÎˡÃ˯ÍËÌÂÌ üËÌÓÍÓÏÔ‡Ìˡ ´—“¬ª,ÍÓÏÔ‡Ìˡ ¡‡ÍÛ ¡‡ÍÛ‡‰Á www.ctb.ru www.nkino.ru Distribution Limon Stutio Production Producers Konstantin Buslov,SergeiBolotaev,IvanLebedev Tsallati, RuslanSushon,AnnaSoroka,AlexanderAbchinets, Cecile Plaige,VadimSuslov,NoshrevanTavkhelidze, Cast: Editing Sound Costume Design Production Design Nikolai Vavilov Directors ofPhotography Director of NailMalakhova Scriptwriter 2008, Russia,100min,col.,1:1.85,DolbyDigital Gela Chitava,RuslanGrebenkin,LiubovFirsova, Arseni Troitsky Bakur Bakuradze Bakur Bakuradze Sergei Selianov,JuliaMishkinene Film Company—“¬,SalvadorD, Nashe Kino Bakur Bakuradze,withtheparticipation Vladimir Kuptsov Kirill Shuvalov Marina Gornostaeva, ÍÓÌÍÛÒ competition
¡‡ÍÛ ¡‡ÍÛ‡‰Á –ÂÊËÒÒÂ Ë„Ó‚Ó„Ó Ë ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ, ÒˆÂ̇ËÒÚ. –Ó‰ËÎÒˇ 16.03.1969 ‚ “·ËÎËÒË. ŒÍÓ̘ËÎ ÃÓÒÍÓ‚ÒÍËÈ ‡‚ÚÓ‰ÓÓÊÌ˚È ËÌÒÚËÚÛÚ ñ ÿƒ» (1993), ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1998, χÒÚÂÒ͇ˇ Ã.Ã.’ۈ˂‡). —Ú‡‚¯ËÈ ÙÂÒÚË‚‡Î¸Ì˚Ï, ÙËÎ¸Ï ´ÃÓÒÍ‚‡ª ·˚Î ÓÚϘÂÌ Ë ‰ËÔÎÓÏÓÏ Ê˛Ë ÍÓÌÍÛÒ‡ ´üÓÓÚÍËÈ ÏÂÚª ̇ ´üËÌÓÚ‡‚ª (2007). ´ÿÛθÚÂÒª ñ ‰Â·˛Ú ‚ 37 Ë„Ó‚ÓÏ ÍËÌÓ.
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 1997 ....¡ÂÁ ‰ÂÌ„ (Í/Ï) 2001 ....—‰‚ËÌÛÚ˚È (“¬, ÒÓÂÊËÒÒ ¿ÎÂÍ҇̉‡ ¡‡ÒÓ‚‡) 2001 ....¿ÎÂÍ҇̉ ¬ÓÎÍÓÚÛ·Ó‚ (Ò ¿. ¡‡ÒÓ‚˚Ï, ‰ÓÍ.) 2001 ....÷ÂÌÓÈ Ò‚ÓÂÈ ÊËÁÌË (‰ÓÍ.) 2002 ....¬ÂÏˇ ÃËÌÙË̇. 200 ÎÂÚ Ì‡ ÒÎÛÊ·Â ŒÚ˜ÂÒÚ‚Û (‰ÓÍ.) 2003 ....¬ˇ˜ÂÒ·‚ œËÎËÔÂÌÍÓ (Ò ¿. ¡‡ÒÓ‚˚Ï, ‰ÓÍ.) 2003 ....üÛ„Ó‚˚ ‰‚ËÊÂÌˡ ¬.≈. Ë ÓÊˉ‡Ìˡ Œ.≈. (Í/Ï) 2005 ....¿ÎχÁÌ˚È ÔÛÚ¸ (‰ÓÍ.) 2007 ....ÃÓÒÍ‚‡ (Í/Ï, Ò ƒÏËÚËÂÏ Ã‡ÏÛÎˡ) 2008 ....ÿÛθÚÂÒ Bakur Bakuradze Director of fiction and documentary films, scriptwriter. Born 16 March 1969 in Tbilisi. Graduated from the Moscow Road Institute (MADI, 1993), then from the Faculty of üËÏË̇θ̇ˇ ‰‡Ï‡. Directing at the Film Institute VGIK (1998, ¬ ·Óθ¯ÓÏ „ÓӉ ÊË‚ÂÚ ÌÂÁ‡ÏÂÚÌ˚È ÏÓÎÓ‰ÓÈ ˜ÂÎÓ‚ÂÍ ÒÓ Ò‚ÓÂÈ ÒÚ‡ÓÈ workshop of M. Khutsiev). The short film χÚ¸˛. ŒÌ ·Â„‡ÂÚ ÔÓ ÛÚ‡Ï ‚ Ô‡ÍÂ, ıÓ‰ËÚ ‚ Ó‰ËÌ Ë ÚÓÚ Ê χ„‡ÁËÌ, ëMoscowí, shown at numerous festivals, ÒÏÓÚËÚ ÔÓ ‚Â˜Â‡Ï ÒÔÓÚË‚Ì˚È Í‡Ì‡Î ÚÂ΂ËÁÓ‡. œÓ˜ÚË ‚ÒÂ, ˜ÚÓ ÓÌ ‰Â·ÂÚ, received the Juryís Diploma in the Shorts ‰Ó‚‰ÂÌÓ ‰Ó ‡‚ÚÓχÚËÁχ. œÓ˜ÚË, ÌÓ Ì ‚ÒÂ. ¬ Â„Ó ı‡‡ÍÚ ñ Ì ‚˚‡Ê‡Ú¸ Competition at Kinotavr 2007. Ò‚ÓËı ˝ÏÓˆËÈ, Ë ÌËÍÚÓ ËÁ ÓÍÛʇ˛˘Ëı Ì Á̇ÂÚ Ó ÚÓÏ, ÓÚÍÛ‰‡ Û ÌÂ„Ó ‰Â̸„Ë Ì‡ ÊËÁ̸. ÕËÍÚÓ Ì Á̇ÂÚ, ˜ÚÓ Ì‡ÔËÒ‡ÌÓ ‚ Â„Ó ·ÎÓÍÌÓÚÂ, ÍÓÚÓ˚È ÓÌ ‚Ò Directorís Filmography ‚ÂÏˇ ÌÓÒËÚ Ò ÒÓ·ÓÈ. ÕÂÒÍÓθÍÓ ‰ÌÂÈ ÊËÁÌË ¿ÎÂÍÒ¡ ÿÛθÚÂÒ‡ ÔË‚Ó‰ˇÚ 1997 ....Without Money (short) 2001 ....Shifted Â„Ó Í ÔÓÌËχÌ˲, ˜ÚÓ ÓÌ ÌÂ Ú‡Í Á‡·˚‚˜Ë‚, Í‡Í ÂÏÛ ·˚ ˝ÚÓ„Ó ıÓÚÂÎÓÒ¸. (TV, co-directed by Alexander Basov) ñ ”˜‡ÒÚÌËÍ ÔÓ„‡ÏÏ˚ ´ƒ‚Ûı̉ÂθÌËÍ ÂÊËÒÒÂÓ‚ª, Ãü‘ ‚ ü‡Ì̇ı, 2008. 2001 ....Alexander Volkotrubov (with Alexander Basov, doc.) Drama. 2001 ....For the Price of Oneís Life (doc.) An ordinary young man lives with his old mother in a big city. In the 2002 ....The Time of the Ministry of Finance. mornings he runs in the park, he goes to the same shop, and in the evenings 200 Years of Service to the Fatherland (doc.) he watches the sports channel on television. Almost all of his actions are 2003 ....Viacheslav Pilipenko performed on autopilot ñ almost all, but not quite all. In keeping with his (with A. Basov, doc.) character he does not express emotions, so none of the people around him 2003 ....Circular Movements of ¬.≈. and know whence he gets his money for a living. Nobody knows what he writes in the Expectation of Œ.≈ (short) 2005 ....The Diamond Way (doc.) his notebook that he carries with him at all times. Several days from the life 2007 ....Moscow of Alexei Shultes make him realize that he is not as forgetful as he would like (short, with Dmitri Mamuliya) to be. 2008 ....Shultes ñ World premiere at the IFF Cannes 2008, ìQuinzaine des realisateursî. 38 ÍÓÌÍÛÒ competition Medienfoerderung (MDM) ÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË–‘, Mitteldeutsche ‘Ë̇ÌÒÓ‚‡ˇ ÔÓ‰‰ÂÊ͇ Rohfilm (√ÂχÌˡ),´Õ‡ˆËÓ̇θ̇ˇ ÂÁ‚̇ˇÍÓÔÓ‡ˆËˇª œÓËÁ‚Ó‰ÒÚ‚Ó Benny Drechsel —ÓÔÓ‰˛ÒÂ˚ œÓ‰˛Ò √·‚Ì˚È ÔÓ‰˛Ò »„Ó¸ ’ËÔÛÌÓ‚, —„ÂÈ —ÓÒÌÓ‚ÒÍËÈ,–ÓχÌÿχÍÓ‚,É‚‰‚, ¬ ÓΡı: ÏÓÌڇʇ –ÂÊËÒÒ «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ/‘–√,130ÏËÌ.,ˆ‚.,1:2.35,DolbySR YURIíS DAY fi–‹≈¬ ƒ≈Õ‹ Tilo Feinermann üÒÂÌˡ –‡ÔÔÓÔÓÚ,≈‚„ÂÌˡüÛÁ̈ӂ‡, ŒÎ„ ÀÛ͢‚ üËËÎÎ —·ÂÌÌËÍÓ‚ »Ë̇ √‡Ê‰‡ÌÍË̇ ”θˇÌ‡ —‡‚Â肇 fiËÈ √Ë„Óӂ˘ —„ÂÈ Õ‚ÒÍËÈ ÃË· –ÓÁ‡ÌÓ‚‡,KarstenStoeter, üËÌÓÍÓÏÔ‡Ìˡ ´ÕÓ‚˚Âβ‰Ëª,ÔËÛ˜‡ÒÚËË: fiËÈ ¿‡·Ó‚ ŒÎ¸„‡ √Ë̯ÔÛÌ Õ‡Ú‡¯‡ ÃÓÍˈ͇ˇ ‘‰‡θÌÓ ‡„ÂÌÚÒÚ‚ÓÔÓ Medienforderung (MDM) Cinematography oftheRussianFederation, Mitteldeutsche Financial support of Rohfilm(Germany),ìNationalReserve Corporationî Production: Benny Drechsel Co-Producers Producer Producer General Igor Khripunov, Sergei Sosnovsky,RomanShmakov,Medvedev, Cast: Editing Sound Composer Costume Design Production Design Director ofPhotography Director Scriptwriter 2008, Russia/Germany,130min.,col.,1:2.35,DolbySR Ksenia Rappoport,EvgeniyaKuznetsova, Tilo Feinermann Olga Grinshpun Kirill Serebrennikov Uliana Savelieva Sergei Nevsky Film CompanyìNewPeopleî,withparticipation Yuri Arabov Mila Rozanova,KarstenStoeter, Irina Grazhdankina Natasha Mokritskaya from theFederalAgencyofCulture and Yuri Grigorovich Oleg Lukichev ÍÓÌÍÛÒ competition
üËËÎÎ —·ÂÌÌËÍÓ‚ –ÂÊËÒÒ Ú‡ڇ, ÍËÌÓ Ë ÚÂ΂ˉÂÌˡ, ·ÛÂ‡Ú ÃÂʉÛ̇ӉÌÓÈ Ú‡ڇθÌÓÈ ÔÂÏËË —Ú‡ÌËÒ·‚ÒÍÓ„Ó, ÔÂÏËË “›‘» Ë ‰Û„Ëı ÔÓÙÂÒÒËÓ̇θÌ˚ı ÔÂÏËÈ, ӷ·‰‡ÚÂθ „·‚ÌÓ„Ó ÔËÁ‡ Œ–ü‘ ´üËÌÓÚ‡‚ª Ë Ãü‘ ‚ –ËÏ (2006 ñ ´»ÁÓ·‡Ê‡ˇ ÊÂÚ‚Ûª). –Ó‰ËÎÒˇ 7 ÒÂÌÚˇ·ˇ 1969 „Ó‰‡ ‚ –ÓÒÚÓ‚Â-̇-ƒÓÌÛ. ŒÍÓ̘ËÎ ÙËÁËÍÓ-χÚÂχÚ˘ÂÒÍËÈ Ù‡ÍÛθÚÂÚ 39 –ÓÒÚÓ‚ÒÍÓ„Ó ÛÌË‚ÂÒËÚÂÚ‡. –ÂÊËÒÒÂÒÍÛ˛ Ô‡ÍÚËÍÛ Ì‡˜Ë̇Π̇ –ÓÒÚÓ‚ÒÍÓÏ ÚÂ΂ˉÂÌËË, ‚ ÓÒÚÓ‚ÒÍËı Ú‡ڇı ÒÚ‡‚ËÎ Ô‚˚ ÒÔÂÍÚ‡ÍÎË. — 1997 „Ó‰‡ ÊË‚ÂÚ Ë ‡·ÓÚ‡ÂÚ ‚ ÃÓÒÍ‚Â. “‡ڇθ̇ˇ ‰ÂˇÚÂθÌÓÒÚ¸ ‚ ÓÒÌÓ‚ÌÓÏ Ò‚ˇÁ‡Ì‡ Ò Ã’“ ËÏÂÌË ◊ÂıÓ‚‡. Œ‰ËÌ ËÁ ÓÒÌÓ‚‡ÚÂÎÂÈ Ú‡ڇθÌÓ„Ó ÙÂÒÚË‚‡Îˇ ´“ÂËÚÓˡª. — 2008 „Ó‰‡ ÛÍÓ‚Ó‰ËÚ Ï‡ÒÚÂÒÍÓÈ ‚ ÿÍÓÎÂ- ÒÚÛ‰ËË Ã’“.
»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ: 2000 ....–ÓÒÚÓ‚-Ô‡Ô‡ (“¬) 2002 ....ƒÌ‚ÌËÍ Û·ËȈ˚ (“¬) 2003 ....œÓÒÚÂθÌ˚ ҈ÂÌ˚ (“¬) 2006 ....»ÁÓ·‡Ê‡ˇ ÊÂÚ‚Û 2008 ....fi¸Â‚ ‰Â̸ Kirill Serebrennikov Theatre director, film and television director, winner of the Stanislavsky International Theatre Award, the TEFI award and other œÒËıÓÎӄ˘ÂÒÍËÈ ÚËÎÎÂ/ ƒ‡Ï‡ ÔÓ˘‡Ìˡ. professional prizes, recipient of the main ≈ ÁÓ‚ÛÚ À˛·Ó‚¸. ŒÌ‡ ñ ÓÔÂ̇ˇ ‰Ë‚‡. ” Ì ÂÒÚ¸ ‚Ò ñ ڇ·ÌÚ, ·Ó„‡ÚÒÚ‚Ó, prize of the Open Russian Film Festival ÏËÓ‚‡ˇ Ò·‚‡. ≈˘Â Û Ì ÂÒÚ¸ Ò˚Ì, Ë ÂÒÚ¸ χ·ˇ Ó‰Ë̇ ñ Á‡·˚ÚÓ ¡Ó„ÓÏ Kinotavr and the IFF in Rome (2006, for ÏÂÒÚÓ, ÍÓÚÓÓ Ò˚Ì ‰ÓÎÊÂÌ Û‚Ë‰ÂÚ¸ Ë Ò ÍÓÚÓ˚Ï Ó̇ ıÓ˜ÂÚ ÔÓÒÚËÚ¸Òˇ, ìPlaying the Victimî). Born on 7 September ÔÂʉ ˜ÂÏ ÔÓÍËÌÛÚ¸ Ò‚Ó˛ ÒÚ‡ÌÛ. «‡ ÌÂÒÍÓθÍÓ ‰ÌÂÈ Ó̇ ÔÓÚ¡ÂÚ Ò˚̇, 1969 in Rostov-on-Don. Graduated from the ËÏˇ Ë ‚ÒÂ, ˜ÚÓ ÒÓÒÚ‡‚ΡÎÓ ÒÏ˚ÒΠ ÊËÁÌËÖ physics and mathematics faculty of Rostov University. His directorís career began on the Psychological thriller/ Farewell drama. Rostov television and at Rostovís theatres, Her name is Liubov (Love). She is an opera diva. She has everything: talent, where he staged his first productions. Since wealth, world fame. She also has a son, and her small native land ñ a place 1997 lives and works in Moscow. His forgotten by God, which the son should see and to which she wishes to bid theatrical activity is mainly connected with farewell before leaving her country. In the curse of a few days she will lose her the Chekhov Moscow Art Theatre. One of the son, her name and everything that created the meaning of her life, its founders of the theatre festival ìTerritoryî. essenceÖ Since 2008 supervises a workshop at the Moscow Arts Theatre School.
Select Directorís Filmography: 2000 .... Rostov-Daddy (TV) 2002 .... The Diary of a Murderer (TV) 2003 .... Bad Bed Scenes (TV) 2006 .... Playing the Victim 2008 .... Iuri's Day (St Georgeís Day) kinotavr. shorts ÍËÌÓÚ‡‚ ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ ÍÓÓÚÍËÈ ÏÂÚ 4040 kinotavr shorts
Δfi–» / JURY
¿Ì̇ ÃÂÎËÍˇÌ - Շڇθˇ ÀÂÓÌˉ ÍËÌÓÂÊËÒÒ ÃÓÍˈ͇ˇ œ‡‚β˜ËÍ ñ Ô‰Ò‰‡ÚÂθ Ê˛Ë ÔÓ‰˛Ò ÊÛ̇ÎËÒÚ, ÍËÌÓÍËÚËÍ Natalia Anna Melikian - Mokritskaya Leonid Film director Producer Pavliuchik ñ jury chairperson Journalist, film critic pal/secam ‡Ì„ÂÎ˚ „Âı‡ vol. 4 (dee l'do) ANGELS OF SIN VOL. 4 (DEE L'DO) ·Û肇 BOULEVARD
‚ˉ ̇ „Ó˚ kinotavr. shorts A VIEW ON THE MOUNTAINS „‡¸ CINDERS ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ „‡Ú‡ GATA Ê‰Û Ú·ˇ 41 WAITING FOR YOU Á‰‡‚Ìˈ‡ SANATORIUM ÍÓ̈ VI „·‚˚ THE END OF CHAPTER 6 ͇ÚÍË ҂‰ÂÌˡ ÔÓ ÌÂÍÓÚÓ˚Ï ˝ÔËÁÓ‰‡Ï SHORT INFOMATION ON SOME EPISODES χڇÒÓÌËÍ MATASONIC ÌÂÌÛÊÌ˚È ÔÓ‰‡ÓÍ THE UNNECESSARY GIFT ÌÓ‚˚ ÚÂıÌÓÎÓ„ËË NEW TECHNOLOGIES ÔÓÔ·‚ÓÍ FLOAT ÔÛÒÚÓÚ‡ EMPTINESS ÔˇÚ̇¯ÍË TAG ˚·‡ THE FISH Òԇȉ SPIDER ÒÚ‡‡ˇ ÌÓ‚‡ˇ ÓÒÒË OLD NEW ROSSI Ú‡ÒÒ‡ Ï8 HIGHWAY Ã8 ÛÚÓ ‰Û„ËÏË „·Á‡ÏË THE MORNING, WITH DIFFERENT EYES 42 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÌÂθÁˇ. ÕÓ͇ʉ˚È,ÍÚÓ¯ËÎÔÓÒ‚ˇÚËÚ¸Ò·ˇÂÊËÒÒÛÂ,‰ÓÎÊÂÌÒ‡Ï̇ÈÚË‚Ò·ÂÒÏÂÎÓÒÚ¸ÔÓ͇Á‡Ú¸Ò‚ÓÈڇ·ÌÚ. ÓÒÚÓÓÊÌÓÒÚ¸ ÒÚÛ‰ÂÌÚÓ‚Ò‚ÓÂÈÍËÌÓ¯ÍÓÎ˚,ÔËÂÁʇ˛˘ËıÒÓ‚ÒÂÈ≈‚ÓÔ˚.üÓ̘ÌÓ,ÒÏÂÎÓÒÚË,͇ÍËڇ·ÌÚÛ,̇ۘËÚ¸ ›ÚÓ ÌÂÚÓθÍÓ̇¯‡ÔÓ·ÎÂχ.fl‚ÒÚ˜‡Î‡Ò¸Ì‰‡‚ÌÓҿ̉ÊÂÂϬ‡È‰ÓÈ,ËÓÌÒÂÚÓ‚‡Î̇ÚÓ˜ÌÓÚ‡ÍÛ˛ÊÂÔ‡ÍÚ˘ÌÛ˛ ÏÓÎÓ‰˚ı ·ˇÚ,‚˚·Ë‡˛˘ËıÒ‚Ó˛‰ÓÓ„Û‚ÍËÌÓ,‡Ì‡Ó·ÓÓÚ,Á‡„ÓÌˇ˛ÚËı‡ÏÍËÔÓ˜ÚÂÌÌ˚ıÓ·‡ÁˆÓ‚˯ڇÏÔÓ‚. ·‡ÁËÛˇÒ¸ ̇‰ÓÒÚËÊÂÌˡıÔÓ¯ÎÓ„Ó,ÌÂÓËÂÌÚËÛ˛ÚÒÚÛ‰ÂÌÚÓ‚ÒÓ‚ÂÏÂÌÌ˚ÈÏËÓ‚ÓÈÍËÌÓÔÓˆÂÒÒ,‡ÒÍÂÔÓ˘‡˛Ú ÒÌˇÚ˚ Ë‚70-Â,80-Â,90-„Ӊ˚.ƒÛχ˛,˜ÚÓÚ‡ÍÓÏÛÌ˚ÎÓÏÂÏÂÒÎÂÌÌ˘ÂÒÚ‚ÂÂÒÚ¸‚Ë̇̇¯ËıÍËÌÓ¯ÍÓÎ,ÍÓÚÓ˚Â, ÓÚÔ˜‡Ú͇ ̇¯Â„Ó‚ÂÏÂÌË-ÌË‚ÔÓ·ÎÂχÚËÍÂ,ÒÔÓÒÓ·‡ıÒ˙ÂÏÍË,‡·ÓÚÂÒ‡ÍÚ‡ÏË.œÓıÓÊËÂÙËθÏ˚ÏÓ„ÎË·˚Ú¸ ÓÒÚÛÔËÚ¸Òˇ, ÔÓˇ‚ËÚ¸Ò·ˇ‚ÔÓÎÌÛ˛ÒËÎÛË͇ÍÒΉÒÚ‚ËÂ-ÓÚÒÛÚÒڂˇ‚ÚÓÒÍÓÈ΢ÌÓÒÚË̇˝Í‡ÌÂ.œÂ˜‡Î¸ÌÓÚÓ,˜ÚÓÚ‡ÏÌÂÚ ÍËÌÂχÚÓ„‡ÙÓÏ. œÂ‚ÓÂ,˜ÚÓ·ÓÒ‡ÂÚÒˇ‚„·Á‡ÔËÔÓÒÏÓÚÂ,-·‡Ì‡Î¸ÌÓÒÚ¸Ï˚¯ÎÂÌˡ,‰ÂÏÛ˜‡ˇÒ¸ÂÁÌÓÒÚ¸,·ÓˇÁ̸ Ô‰ÒÚ‡‚ÎÂÌÌ˚ ‰ÎˇÓÚ·Ó‡ÒÚÛ‰Â̘ÂÒÍËÂÓÔ˚Ú˚ÌÂÔÓËÁ‚Ó‰ˇÚ‚Ô˜‡ÚÎÂÌËˇÒ‚ÂÊÂÒÚËÓÚÌÓ¯ÂÌËÈÏÓÎÓ‰˚ı‡‚ÚÓÓ‚Ò ‰Â·˛ÚÌ˚ı ÙËθÏÓ‚ˇ‚ÌÓÒڇ΂˚¯Â,ÂÒÎËËÏÂÚ¸‚‚ˉÛÔÓÙÂÒÒËÓ̇θÌÛ˛ÔÓ‰„ÓÚÓ‚ÍÛ.Œ‰Ì‡ÍÓÔÓ-ÔÂÊÌÂÏÛÏÌÓ„Ë ‚˚·Ó‡ ·˚·ÔÓ‰Ú‚ÂʉÂ̇ÏÂʉÛ̇ӉÌ˚ÏË˝ÍÒÔÂÚ‡ÏËü‡ÌÌÒÍÓ„ÓÙÂÒÚË‚‡ÎˇËÒÚÛ‰Â̘ÂÒÍÓ„Ó"ŒÒ͇‡".ƒ‡Ó·˘ËÈÛÓ‚Â̸ ¬ ˝ÚÓÏ„Ó‰Û,ÍÒ˜‡ÒÚ¸˛,̇ÏÚÓÊÂÛ‰‡ÎÓҸӷ̇ÛÊËÚ¸‚Ó·˘ÂÏÔÓÚÓ͈ÂÎ˚Èˇ‰ËÌÚÂÂÒÌ˚ı‡·ÓÚ.œ‡‚ËθÌÓÒڸ̇¯Â„Ó ‰Â·˛Ú ËÔ‰ÒÚ‡‚Ëڸ„ÓÓÚ·ÓÓ˜ÌÓÈÍÓÏËÒÒËË. decided todevote themselvestodirectingshouldfind theboldnesstoshowthattalent. at thefilmschool,comingfromall overEurope.Ofcourse,neitherboldnessnortalentcanbetaught.But everyonewhohas This isnotonlyourproblem.Irecently metAndrzejWajda,whocomplainedaboutpreciselythesamecautiousness ofstudents established frameworksofrespectable examplesandclichÈs. cinema process;theydonotliberate theyoungpeoplewhohavechosenroadofcinema,butinstead they forcethemintothe for suchsadcraftsmanship:theyare basedonachievementsofthepast,withoutorientingstudents tothemodernworld nor inworkwithactors.Similarfilms couldhavebeenmadeinthe1970sor1980s.Ithinkthatourfilm schoolsaretoblame personality onthescreen.Itisalsosadthattherenoimprintofour time,neitherintheproblemsnorwaysoffilm thought, theprimevalseriousness,fearofstumblingandfull exposure and,asaconsequence,theabsenceofauthorí not impresswithfreshattitudesoftheyoungfilmmakers.Thefirstthing thatisevidentfromtheviewingsbanalityof obviously grownasfarprofessionalpreparationisconcerned.However, manystudenttrialssubmittedforselectionstilldo confirmed byinternationalexperts,suchastheCannesfestivaland studentìOscarî.Theoveralllevelofdebutfilmshas This year,fortunately,wealsomanagedtolocateinthegeneralstream anumberofinterestingworks.Ourchoicehasbeen has nothadthetimetofinishhisfull-lengthdebutandpresentit the selectioncommittee. the maincompetitionthisyear:IgorVoloshin,LeonidRybakovandBakur Bakuradze,whoseco-authorDmitriMamuliyasimply competition providesagenuinebaseforinternationalprogrammesand large-scaleprojects.Threewinnersof2007participatein short filmscompetitionisanexchange.Theresultsoflastyearís haveshownthatparticipationintheshorts experienced eye.Ifthemaincompetitioncanbecomparedwithanexhibition ofachievementsthenationaleconomy,then formal responsetotherequirementsfortheirdiploma,butmakesomething extraordinarythatwillcatcheventhemost in thefilmworld.Thereforeyoungpeoplehavearealincentivetomake theirshortsnotsimplyasanaccuratescholasticand international selectorsandproducerswhocometoSochi.Thedevelopmentoftheindustryhasgeneratedafaminefornewnames And competition,asexperienceshows,isathinggood:notonlyourfestivalengagesinthesearchofnewnames,butalso was ashardinthefull-lengthcompetition. usually notgreat.However,allthosefearsdissipated:wereceivedabout150works,andthereforethecompetitionamongshorts up itstrumpcardoftheso-calledìtruthlifeî.Moreover,numbershortfictionfilmssubmittedforselectionwas attempts ofyoungdirectorsintheìsmallîfictionfilmformatobviouslylostoutagainstdocumentarycinema,whichcouldhold getting intoasituationwherewewouldhavenothingtochoosefrom.Goingbytheexperienceofpreviousyears,first When wetookthedecisiontochangeformatforthisyearíscompetitionìKinotavr.Shortsî,thoughtthatwouldrisk The ImportanceofnotBeingSerious ÒÓ‡‚ÚÓ ƒÏËÚËÈÇÏÛÎˡÔÓÒÚÓÌÂÛÒÔÂÎÁ‡ÍÓ̘ËÚ¸Ò‚ÓÈÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÓÒÌÓ‚ÌÓÏ ÍÓÌÍÛÒÂ-»„Ó¸¬ÓÎÓ¯ËÌ,ÀÂÓÌˉ–˚·‡ÍÓ‚Ë¡‡ÍÛ¡‡ÍÛ‡‰ÁÂ,˜ÂÈ ·Óθ¯ËÏ ÔÓÂÍÚ‡Ï.“ÓÂÔӷ‰ËÚÂÎÂÈ2007„Ó‰‡ÛÊÂÒÂ„Ó‰ÌˇÛ˜‡ÒÚ‚Û˛Ú‚ ÍÓÓÚÍÓÏÂÚ‡ÊÂÍ ‰‡ÂÚ‡θÌ˚ÈÒÚ‡ÚË‚ÏÂʉÛ̇ӉÌ˚ÂÔÓ„‡ÏÏ˚,Í –ÂÁÛθڇÚ˚ ÔÓ¯ÎӄӉ̄ÓÍÓÌÍÛÒ‡ÔÓ͇Á‡ÎË,˜ÚÓÛ˜‡ÒÚË‚ÒÓ‚ÌÓ‚‡ÌËË ‰ÓÒÚËÊÂÌËÈ Ì‡Ó‰ÌÓ„ÓıÓÁˇÈÒÚ‚‡,ÚÓÍÓÓÚÍËÈÏÂÚ-˝ÚÓ·ËʇÚÛ‰‡. Ò‡Ï˚È Ì‡ÒÏÓÚÂÌÌ˚Ȅ·Á.≈ÒÎËÓÒÌÓ‚ÌÓÈÍÓÌÍÛÒÏÓÊÌÓÒ‡‚ÌËÚ¸Ò‚˚ÒÚ‡‚ÍÓÈ ÔÓÒÚ‡‡Ú¸Òˇ ҉·ڸ˜ÚÓ-ÚÓ‚˚·Ë‚‡˛˘ÂÂÒˇËÁˇ‰‡,ÒÔÓÒÓ·ÌÓÂÁ‡ˆÂÔËÚ¸‰‡Ê ÍÓÓÚÍÓÏÂÚ‡ÊÍË Í‡Í‡ÍÍÛ‡ÚÌ˚¯ÍÓΡÒÍËÂÓÚÔËÒ͡‰Ë‰ËÔÎÓχ,‡ „ÓÎÓ‰. œÓ˝ÚÓÏÛÛÏÓÎÓ‰˚ıÂÒڸ‡θÌ˚ÈÒÚËÏÛÎÌÂÔÓÒÚÓÒÌËχڸ҂ÓË ÔÓ‰˛ÒÂ˚, ÍÓÚÓ˚ÂÔËÂÁʇ˛Ú‚—Ó˜Ë.–‡Á‚ËÚËÂË̉ÛÒÚËËÔÓÓ‰ËÎÓ͇‰Ó‚˚È Á‡ÌËχÂÚÒˇ ÌÂÚÓθÍÓ̇¯ÙÂÒÚË‚‡Î¸,ÌÓËÏÂʉÛ̇ӉÌ˚ÂÓÚ·Ó˘ËÍË ¿ ÍÓÌÍÛÂÌˆËˇ,͇ÍÔÓ͇Á˚‚‡ÂÚÔ‡ÍÚË͇,‚¢¸ıÓÓ¯‡ˇ.œÓËÒÍÓÏÌÓ‚˚ıËÏÂÌ ÍÓÌÍÛÂÌˆËˇ ·˚·ڇÍÓÈÊÂÊÂÒÚÍÓÈ,͇͂ÔÓÎÌÓÏÏÂÚÂ. ÓÔ‡ÒÂÌˡ ‡ÒÒ¡ÎËÒ¸-̇ÏÔËÒ·ÎËÓÍÓÎÓÔÓÎÛÚÓ‡ÒÓÚÂ̇·ÓÚ,ÔÓ˝ÚÓÏÛ Ô‰ÒÚ‡‚ÎÂÌÌ˚ı ̇ÓÚ·ÓË„Ó‚˚ıÙËθÏÓ‚Ó·˚˜ÌÓ·˚ÎÓÌ‚ÂÎËÍÓ.Œ‰Ì‡ÍÓ‚Ò ÂÒÚ¸ ‚‚ˉÂÍÓÁ˚ÌÓÈ͇Ú˚Ú‡Í̇Á˚‚‡Âχˇ"Ô‡‚‰‡ÊËÁÌË".ƒ‡ËÍÓ΢ÂÒÚ‚Ó Ë„Ó‚ÓÏ ÍËÌÓˇ‚ÌÓÔÓË„˚‚‡ÎˉÓÍÛÏÂÌڇθÌÓÏÛ,ÛÍÓÚÓÓ„Ó͇ÍÏËÌËÏÛÏ ≈ÒÎË ÒÛ‰ËÚ¸ÔÓÔ‰˚‰Û˘ËÏ„Ó‰‡Ï,Ô‚˚ÂÔÓ·˚ÏÓÎÓ‰˚ıÂÊËÒÒÂÓ‚‚"χÎÓÏ" ÏÂÚ", Ï˚‰ÛχÎË,˜ÚÓËÒÍÛÂÏÓ͇Á‡Ú¸Òˇ‚ÒËÚÛ‡ˆËË,ÍÓ„‰‡Ì˜„ӂ˚·Ë‡Ú¸. œËÌˇ‚ ¯ÂÌËÂËÁÏÂÌËÚ¸‚˝ÚÓÏ„Ó‰ÛÙÓχÚÍÓÌÍÛÒ‡"üËÌÓÚ‡‚.üÓÓÚÍËÈ ÀÛ˜¯Â ÏÂ̸¯Â‰‡ÎÛ˜¯Â ÍÛ‡ÚÓ ÔÓ„‡ÏÏ˚ »Ë̇ À˛·‡Ò͇ˇ, Programme Curator Irina Liubarskaya, ing, s 08.. Pal/Secam 2008 .... IfyouSeeSomething, Say .... 2005 Final Cut 2004 .... The Roof 2003 .... Filmography (shorts): film ìPal/Secamî. University, wherehemadehisdiploma enrolled intheFilmSchoolofColombia abandoned hisdancingcareerand In 2003madehisfirstshortfilm, years dancerattheMetropolitanOpera. worked aschoreographer;forseven organized hisowndancegroupand completing theJuilliardSchoolhe Theatre, touredtheUS.After Choreographic SchooloftheBolshoi Born inMoscow,graduatedfromthe Dmitri Povolotsky ....Pal/Secam 2008 ....Ifyouseesomething,say 2005 ....FinalCut 2004 ....TheRoof 2003 ‘ËθÏÓ„‡Ùˡ (Í/Ï): ‰ËÔÎÓÏÌ˚È ÙËθϴPal/Secamª. 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53 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 54 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÒÛ‰¸·‡ ËËÒÚÓˡ. ÍÓÏ ͇ÚÓ˜Í˂͇ڇÎÓ„Â,ÂÒÚ¸Ò‚Óˇ ÏÌÓ„Ó ‚¢ÂÈ,ËÛ͇ʉÓÈËÁÌËı, „ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚ı Á‡Ô‡ÒÌËÍÓ‚ı‡ÌËÚÒˇ ¬ ÚÂÏÌ˚ıı‡ÌËÎˢ‡ı ÔÓ‰‰ÂÊÍ ‘Ó̉‡ÃËı‡Ë·ü‡Î‡ÚÓÁÓ‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ¬‡ÎÂËÈ »‚‡ÍÓ‚ ¬ ÓΡı: «‚ÛÍ Ë ¿ÎÂÍ҇̉‡œÓÎË‰Ë ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ —ÚÂÔ‡Ì ΔË‚Ó‚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ,13ÏËÌ.,ˆ‚.,16:9,ÒÚÂÂÓ THE UNNECESSARYGIFT Õ≈Õ”ΔÕ¤… œŒƒ¿–Œü ¬ËÓÎÂÚÚ‡ ÀÂÓ̇‚˘˛Ú ¿ÎÂÍ҇̉‡ ü‡Ï˚¯Ó‚‡, À‚ ◊ÂÒÌÓ‚ —ÚÂÔ‡Ì ΔË‚Ó‚ ŒÎ¸„‡ ÷˚·‡ —ÚÂÔ‡Ì ΔË‚Ó‚,ÔË destiny andhistory. catalogue, eachofthemhasitsown Apart fromtherecordcardin store-rooms manythingsarekept. In thedarkrepositoriesofState from theMikhailKalatozovFund Production Producer Valeri Ivakov Cast: Sound Alexander Polidi Production Design Director ofPhotography Stepan Zhivov Scriptwriter andDirector 2008, Russia,13min.,col.,16:9,stereo Alexandra Kamyshova, Violetta Leonaviciute Stepan Zhivov Stepan Zhivov,withsupport Olga Tsybaand Lev Chesnov ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú. ‡·ÓÚ˚. ´ÕÂÌÛÊÌ˚ÈÔÓ‰‡Óͪñ ´«ÂÏΡ ñ–‡ÈªË‰Û„ËÂۘ·Ì˚ ‚ÂÏˇ ۘ·˚҉·ÎÏÓÌÚ‡ÊÌ˚ÈÙËÎ¸Ï Ï‡ÒÚÂÒÍÛ˛ œ.≈.“Ó‰ÓÓ‚ÒÍÓ„Ó.¬Ó ÒˆÂ̇ËÒÚÓ‚ ËÂÊËÒÒÂÓ‚,‚ 2005 „Ó‰ÛÔÓÒÚÛÔËÎ̇¬˚Ò¯ËÂÍÛÒ˚ ÙÓÚÓ‰‡ÍÚÓÓÏ ËÊÛ̇ÎËÒÚÓÏ.¬ „Ó‰‡. –‡·ÓÚ‡ÎÙÓÚÓ„‡ÙÓÏ, –Ó‰ËÎÒˇ ‚ÃÓÒÍ‚Â28ÒÂÌÚˇ·ˇ1974 —ÚÂÔ‡Ì ΔË‚Ó‚ is thedirectorísdebut. as coursework.ìTheUnnecessaryGiftî film ìEarthñParadiseîandotherfilms During hisstudymadethemontage Directors (workshopofP.Todorovsky). Higher CoursesforScriptwritersand and journalist.In2005enrolledonthe Worked asphotographer,photoeditor Born inMoscowon28September1974. Stepan Zhivov 08.. NewTechnologies(short) .... 2008 He,SheandHe(withNikolai .... 2006 Amateur video 2004 .... Directorís Filmography: competition ìKinoConnectî. (STS/CTC). Prize-winneroftheInternet director ontheserialìSchoolNo.1î Dobrovolsky). Workedasassistant workshop ofA.Gerasimovand for ScriptwritersandDirectors(2006, and graduatedfromtheHigherCourses Gorky LiteraryInstitute(1998-2003), therapist (2000),studiedpoetryatthe University asteacherandspeech Graduated fromtheMoscowPedagogical Born inMoscowon16January1973. Sergei Groznov ....ÕÓ‚˚ÂÚÂıÌÓÎÓ„ËË(Í/Ï) 2008 2006 ....À˛·ËÚÂθÒÍÓ‚ˉÂÓ 2004 ‘ËθÏÓ„‡Ùˡ: ´üËÌÓ Connectª. (—“—). œËÁ»ÌÚÂÌÂÚ-ÍÓÌÍÛÒÓ‚ ÂÊËÒÒÂÓÏ Ì‡Ò¡δÿÍÓ·π1ª ¿.Ã.ƒÓ·Ó‚ÓθÒÍÓ„Ó). –‡·Óڇ΂ÚÓ˚Ï ¿.Õ.√‡ÒËÏÓ‚‡ Ë ÓÍÓ̘ËÎ ¬ü—–(2006,χÒÚÂÒ͇ˇ ÓÚ‰ÂÎÂÌËË ÔÓ˝ÁËË(1998ñ2003), ËÌÒÚËÚÛÚ ËÏÂÌËÃ.√Ó¸ÍÓ„Ó̇ (2000), Û˜ËÎÒˇ‚ÀËÚ‡ÚÛÌÓÏ ÒÔˆˇθÌÓÒÚË ´Û˜ËÚÂθ-ÎÓ„ÓÔ‰ª Ô‰‡„ӄ˘ÂÒÍËÈ ÛÌË‚ÂÒËÚÂÚÔÓ „Ó‰‡. ŒÍÓ̘ËÎÃÓÒÍÓ‚ÒÍËÈ –Ó‰ËÎÒˇ ‚ÃÓÒÍ‚Â16ˇÌ‚‡ˇ1973 —„ÂÈ √ÓÁÌÓ‚ NEW TECHNOLOGIES ÕŒ¬¤≈ “≈’ÕŒÀŒ√»» ...... ŒÌ, Ó̇ËÓÌ(ÒÕËÍÓ·ÂÏ¡Ó„‰‡- ÌÓ‚˚Ï, ÌÓ‚˚Ï, (ۘ·̇ˇ ‡·ÓÚ‡,Í/Ï) Bogdanov, coursework,short) (course work,short) ÍÛÒÓ‚‡ˇ ‡·ÓÚ‡,Í/Ï) ÌÓ‚˚ ÔÓ‰ıÓ‰˚ËÚÂıÌÓÎÓ„ËË... ÛÒÔÂıÛ ÚÛ‰ÂÌËÚÂÌËÒÚñÌÛÊÌ˚ ŒÌ ıÓ˜ÂÚÒÚ‡Ú¸´Á‚ÂÁ‰ÓȪ,ÌÓÔÛÚ¸Í ƒÏËÚËÈ üÓ¯ÛÌÓ‚ œÓÎË̇ ŒÎ¸‰ÂÌ·Û„, »Î¸ˇ ü‡Á‡ÌÍÓ‚,ƒÏËÚËÈüÓÒÂÌÍËÌ, ÀËÁ‡ ¬Ó‰Ó·ÁÒ͇ˇ,œÓÎË̇¡ÂÎÂ̸͇ˇ, ¬ ÓΡı: «‚ÛÍ ÃÛÁ˚͇ √Ë„ÓËÈ –Û‰‡ÍÓ‚ ŒÔ‡ÚÓ˚ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,13ÏËÌ.,ˆ‚.,16:9,ÒÚÂÂÓ —„ÂÈ √ÓÁÌÓ‚ Piano Sonato —„ÂÈ √Ó·‡˜Â‚, —„ÂÈ √ÓÁÌÓ‚ »‚‡Ì ‘ËÌӄ‚, ≈‚„ÂÌËÈ flˆÂ‚ needed... approaches andnewtechnologiesare to successisdifficultandthorny:new He wantstobecomeastar,butthepath Polina Oldenburg,DmitriKorshunov Ilya Kazankov,DmitriKosenkin, Liza Vodolazskaya,PolinaBelenkaya, Cast: Sound Music Ivan Finogeev,GrigoriRudakov Director ofPhotography Scriptwriter Director 2008, Russia,13min.,col.,16:9,stereo Sergei Gorbachev, Piano Sonato Sergei Groznov Sergei Groznov Evgeni Yartsev
55 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 56 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ‰Û„ ‰Û„Û. ÔÓÏËËÚ¸Òˇ, ÔÓÚÓÏÛ˜ÚÓÌÛÊÌ˚ÚÓθÍÓ ÛÒÔÂı‡. ŒÌËÒÒÓˇÚÒˇ,˜ÚÓ·˚ÓÔˇÚ¸ ‰Ó˜ÂË, ÌÓ„ÓÔÓÔ˚ÚÍËÌÂËÏÂ˛Ú ÚÓÊ ÌÂÚ.ŒÚˆÔ˚Ú‡ÂÚÒˇÛ„Ó‰ËÚ¸ ÊËÁÌË ËÔ‡Á‰Ì˘ÌÓ„Ó̇ÒÚÓÂÌˡ ÓÚˆÓÏ. ”ÌÂÂÛʉ‡‚ÌÓÌÂÚ΢ÌÓÈ ÔÂÂÔËÒ˚‚‡Ìˡ ÌÓÚ,‚ÓÁËÚÒˇÒ·ÓθÌ˚Ï ÛÒÚ‡‚¯‡ˇ ÔÓÒηÂÒÒÓÌÌÓÈÌÓ˜ËÓÚ ¬ Ô‡Á‰Ì˘Ì˚ȉÂ̸9χˇ‰Ó˜¸, œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò »Ë̇ œ‡Ú‡ÍÓ‚‡ ¬ „·‚Ì˚ıÓΡı: «‚ÛÍ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ “‡Ú¸ˇÌ‡ »¯Ë̇ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ Dolby SR,DVD 2007, –ÓÒÒˡ,15ÏËÌ.,ˆ‚.,16:9, FLOAT œŒœÀ¿¬Œü Շڇθˇ œÂÒÚÂÌÒ͇ˇ ¿ÎÂÍ҇̉ «‡ÚÓ̇ üËËÎÎ ÀÓ·‡˜Â‚ “‡Ú¸ˇÌ‡ ÿ͇Ë̇ üËÌÓÍÓÏÔ‡Ìˡ ´À»ƒª √ÂÓ„ËÈ ÿÚËθ, other. reconciled, becausetheyneedeach success. Theyquarrelagainonlytobe please hisdaughter,butwithout celebratory mood.Thefathertriesto for alongtimeandsheisinno father. Shehasnothadaprivatelife copying notes,attendstohersick woman, tiredafterasleeplessnightof On theholidayof9May,ayoung Production Producer Cast: Sound Production Design Alexander Zatona Director ofPhotography Tatiana Ishina Scriptwriter andDirector SR, DVD 2007, Russia,15min.,col.,16:9,Dolby Georgi Shtil,IrinaPatrakova Natalia Prestenskaya Kirill Lobachev LID FilmCompany Tatiana Shkarina 08....ΔËÁ̸҇Ô‡(‰ÓÍ.) 2008 ....ÿ‡„‚·ÂÁ‰ÌÛ(‰ÓÍ.) 2007 ....œÓÔ·‚ÓÍ 2007 ....–‡Á·Ë‡ˇÒÚ‡˚ÂÙÓÚÓ͇ÚÓ˜ÍË 2006 ....ƒÂ̸ÔÂÁˉÂÌÚ‡ 2003 ....≈‚ÂËÁ‡»ËÒÛÒ‡.üÚÓÓÌË? 2002 ....œˇÚ¸„ÓÓ‰Ó‚–ÓÒÒËË(‰ÓÍ.) 2000 ‘ËθÏÓ„‡Ùˡ: ‚ÚÓ˚Ï ÂÊËÒÒÂÓÏ̇´ÀÂÌÙËθϪ. ‡ÒÒËÒÚÂÌÚÓÏ ÂÊËÒÒ‡ÔÓ‡ÍÚ‡ÏË ¬.».’ÓÚËÌÂÌÍÓ). —2004‡·ÓÚ‡ÂÚ ´»ÌÚÂ̸˛Òª (2003,χÒÚÂÒ͇ˇ ÿÍÓÎÛ ÍËÌÓËÚÂ΂ˉÂÌˡ “‡ÚÂ-Îˈ ´÷‡Ëˆ˚ÌÓª.ŒÍÓ̘Ë· ‡ÒÒËÒÚÂÌÚÓÏ ÂÊËÒÒ‡‚ÏÓÒÍÓ‚ÒÍÓÏ ÓÍÛ„‡, ‡·Óڇ·Á‚ÛÍÓÂÊËÒÒÂÓÏË ‡ÏËË œË͇ԇÚÒÍÓ„Ó‚ÓÂÌÌÓ„Ó ‰‡Ï‡Ú˘ÂÒÍÓÏ Ú‡Ú—ӂÂÚÒÍÓÈ ÌÂÒÍÓθÍÓ ÒÔÂÍÚ‡ÍÎÂÈ‚–ÛÒÒÍÓÏ ´ÂÊËÒÒ Ú‡ڇª(1992).œÓÒÚ‡‚Ë· ËÏÂÌË üÓÌÂȘÛ͇ÔÓÒÔˆˇθÌÓÒÚË ŒÍÓ̘Ë· üË‚ÒÍËÈÛÌË‚ÂÒËÚÂÚ “‡Ú¸ˇÌ‡ »¯Ë̇ 08.. TheLifeofaSapper (doc.) .... 2008 AStepintotheVoid (doc.) .... 2007 Float 2007 .... SortingOldPhotographs(doc.) .... 2006 DayofthePresident .... 2003 JewsforJesus.Whoarethey? .... 2002 FiveRussianCities(doc.) .... 2000 Filmography: second directoratLenfilm. assistant directorforactorsandas Khotinenko). Since2004worksas and TVìInternewsî(2003,classofV. Graduated fromtheSchoolofCinema Theatre LyceumìTsaritsynoî. assistant directorintheMoscow district; workedassoundproducerand Army inthePrikarpatskymilitary Russian DramaTheatreoftheSoviet Staged severalperformancesatthe University asdirectoroftheatre(1992). Graduated fromKorneichukKiev Tatiana Ishina (‰ÓÍ.) (‰ÓÍ., »Á‡Ëθ) (‰ÓÍ.) (doc.) (doc., Israel) Film InstituteVGIK. Vladimir Khotinenkoísworkshopatthe wanted tomakeafilm.Enrolledin either ofthem,butunderstoodthathe institutes withoutgraduatingfrom Born inMoscow1985.Studiedattwo Alexander Kargaltsev »‚‡Ìӂ˘‡ ’ÓÚËÌÂÌÍÓ(¬√»ü). ÔÓÒÚÛÔËÎ ‚χÒÚÂÒÍÛ˛¬Î‡‰ËÏˇ ÔÓÌˇÎ, ˜ÚÓıÓ˜ÂÚÒÌËχڸÍËÌÓ,ñË ‚ ‰‚ÛıËÌÒÚËÚÛÚ‡ı,Ó·‡ÌÂÓÍÓ̘ËÎ,ÌÓ –Ó‰ËÎÒˇ ‚ÃÓÒÍ‚Â1985„Ó‰Û.”˜ËÎÒˇ ¿ÎÂÍ҇̉ ü‡„‡Î¸ˆÂ‚ EMPTINESS œ”—“Œ“¿ ÌÂÔÓÒÚ˚Ï Ò˛ÊÂÚÓÏ. ͇ÚË‚ ÂÍ·Ï˚Ò‰ÓÒÚ‡ÚÓ˜ÌÓ œÓÔ˚Ú͇ ÒÓ‚ÏÂÒÚËÚ¸‚ËÁۇθÌ˚È œÓËÁ‚Ó‰ÒÚ‚Ó ¬Î‡‰ËÒ·‚ ü‡ÔÚÛ ¬ ÓΡı: ŒÔ‡ÚÓ ÔÓ‰˛Ò ¿‚ÚÓ ÒˆÂÌ‡Ëˇ,ÂÊËÒÒÂË ÒÚÂÂÓ, HD 2007, –ÓÒÒˡ,10ÏËÌ.,ˆ‚.,16:9, »Ë̇ –ÓÈ, ÇÍÒËÏ ΔÛÍÓ‚ ¿ÎÂÍ҇̉ ü‡„‡Î¸ˆÂ‚ ¬√»ü complex plot. creativeness ofadvertisingwitha An attempttocombinethevisual Production Cast: Maxim Zhukov Director ofPhotography Alexander Kargaltsev Scriptwriter, DirectorandProducer stereo, HD 2007, Russia,10min.,col.,16:9, Irina Roy,VladislavKaptur VGIK
57 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 58 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ‡Á¯ÂÌˡ ñÍÓωˡÔÓÎÓÊÂÌËÈ. ÒËÚÛ‡ˆËˇ ËÌÂÓ·˚˜Ì˚ÈÒÔÓÒӷ ՂÂÓˇÚ̇ˇ ËÒÚÓˡ,ÌÂÎÂÔ‡ˇ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò »„Ó¸ √ۉ‚,¿Ì‰ÂÈ¿‚¸ˇÌÓ‚ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ Õ‡Ú‡Î¸ˇ ”„ÎˈÍËı ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ,13ÏËÌ.,ˆ‚.,16:9 TAG œfl“Õ¿ÿü» ƒÏËÚËÈ ÿˡ‚ “‡Ú¸ˇÌ‡ œ‡¯Ë̇, ¿ÎÂÍÒÂÈ ÀÂÒËÌ —Ú‡ÌËÒ·‚ üÓÌÓÌÓ‚ ¿ÎÂÍÒÂÈ ΔÂÌÓ‚ ƒÏËÚËÈ ÿˡ‚ —ÚÛ‰Ëˇ ´œ‡Ò-ωˇª a wayoutinanunusualwayÖ get intoaridiculoussituationandfind The improbablestoryofhowyoucan Situational comedy. Production Producer Andrei Averianov Cast: Sound Composer Production Design Director ofPhotography Uglitskikh Scriptwriter andDirector 2008, Russia,13min.,col.,16:9 Tatiana Parshina,IgorGudev, Dmitri Shiryaev Stanislav Kononov Dmitri Shiryaev Pas-Media Studio Alexei Zhernov Alexei Lesin Natalia ´œˇÚ̇¯Í˪, ´—‡ÏÓ͇ڪ. ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ ÙËθÏ˚: ÂÊËÒÒÂÓ‚. «‡‚ÂÏˇÓ·Û˜ÂÌˡÒÌˇÎ‡ ¬˚Ò¯Ëı ÍÛÒÓ‚ÒˆÂ̇ËÒÚÓ‚Ë ËÒÍÛÒÒÚ‚, Ò2006ñÒÎÛ¯‡ÚÂθÌˈ‡ ̇ˆËÓ̇θÌÓÏ ËÌÒÚËÚÛÚÂÍÛθÚÛ˚Ë ÂÊËÒÒ ÚÂ΂ˉÂÌˡ‚üË‚ÒÍÓÏ ÔÓÎۘ˷ ‰ËÔÎÓÏÔÓÒÔˆˇθÌÓÒÚË ÂÊËÒÒ ˇ‰‡ÚÂÎÂÒ¡ÎÓ‚.¬2004 ÍËÌÓÍÓÏÔ‡ÌËË ´Õ‡¯ÂÍËÌÓª,‚ÚÓÓÈ ËÒÔÓÎÌËÚÂθÌ˚È ÔÓ‰˛ÒÂÔÓÂÍÚÓ‚ ÚÂ΂ˉÂÌˡ, Ò2000ñ ‰ÓÍÛÏÂÌڇθÌ˚ ÙËθÏ˚‰ÎˇÏÂÒÚÌÓ„Ó ÒÌËχÎË ÂÍ·ÏÌ˚ÂÓÎËÍË,Á‡Í‡ÁÌ˚ ڂӘÂÒÍÓ ӷ˙‰ËÌÂÌË´ÕÂÔÚÛÌ“¬ª, (Œ‰ÂÒÒ͇ˇ Ó·Î.).¬1997Ó„‡ÌËÁÓ‚‡Î‡ –Ӊ˷Ҹ 21ÌÓˇ·ˇ1973„Ó‰‡ Շڇθˇ ”„ÎˈÍËı ìSkateboardî. made theshortfilmsìTagîand and Directors.Duringherstudyshe the HigherCoursesforScriptwriters Culture andArts,since2006attends TV attheKievNationalInstituteof 2004 receivedherdiplomaasdirectorof director forseveraltelevisionserials.In company ìNasheKinoî,assistant producer forprojectsofthefilm television station;since2000executive documentary filmsforthelocal advertising clips,commissioned association ìNeptuneTVî,made Region. In1997organizedthecreative Born on21November1973,Odessa Natalia Uglitskikh 07....œÓÒÚÓÓÌÌËÈ(Ú‚) 2007 ....–˚·‡(Í/Ï) 2007 ....œÂ˜ÓËÌ(Ò¡Î) 2006 ....üÓÌ‚ÓÈPQ-17(Ò¡Î) 2004 07.. TheStranger(TV) .... 2007 TheFish(short) .... 2007 Pechorin (serial) 2006 .... ConvoyPQ-17(serial) .... 2004 PersonalDifficulties(short, .... 2003 Giant (short) 2003 .... Ha(episodeofaserial) .... 2002 Circus (serial) 2002 .... Two Drivers 2001 .... TheScarecrow(short,diploma) .... 1999 TheCord(short,video) .... 1998 TheJourney(short) .... 1997 Alyonushka (short) 1997 .... ThePhotographer(short, .... 1997 Directorís Filmography: Krakow (1997). Andrzej Wajdaísmasterclassin workshop ofV.Khotinenko),attended the FilmInstituteVGIK(1999, Graduated fromthedirectorísfacultyof Born inMoscowon22February1973. Director, prize-winneroffilmfestivals. Alexander Kott ....ÀË 2003 ....¬ÂÎË͇Ì(Í/Ï) 2003 ....’‡(ÙËθÏ˚Ò¡·) 2002 ....÷ËÍ(Ò¡Î) 2002 ....≈ı‡Îˉ‚‡¯ÓÙ‡ 2001 ....œÛ„‡ÎÓ(Í/Ï,‰ËÔÎÓÏ) 1999 ....¬Â‚͇(Í/Ï,‚ˉÂÓ) 1998 ....œÛÚ¯ÂÒÚ‚ËÂ(Í/Ï) 1997 ....¿ÎÂÌۯ͇(Í/Ï) 1997 ....‘ÓÚÓ„‡Ù(Í/Ï,ۘ·̇ˇ) 1997 ‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: (1997). χÒÚÂ-Í·ÒÒ ¿Ì‰Ê¡¬‡È‰˚‚ü‡ÍÓ‚Â ¬.».’ÓÚËÌÂÌÍÓ), ÔÓ¯ÂÎ ¬√»ü‡ (1999,χÒÚÂÒ͇ˇ ŒÍÓ̘ËÎ ÂÊËÒÒÂÒÍËÈÙ‡ÍÛθÚÂÚ 22.02.1973. ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ‚ÃÓÒÍ‚Â –ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ, ÔËÁ ¿ÎÂÍ҇̉ üÓÚÚ THE FISH –¤¡¿ ‚β·ÎÂÌÌ˚ı –‘ª) ‡Î¸Ï‡Ì‡ı ´—ÔËÒÓÍ Russian Federationî) almanac ìListofLoversthe course work) ˜Ì˚ ÚÛ‰ÌÓÒÚË(Í/Ï, ‡ÒÚÓÔËÚ¸ Ή. «Ëχ. ’ÓÎÓ‰ÌÓ.“ÓθÍÓ̇‰Âʉ‡ÏÓÊÂÚ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò fiÎˡ Ç͇ӂ‡,»Î¸ˇ¡ÓÊÍÓ ¬ ÓΡı: ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿ÎÂÍ҇̉ üÓÚÚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2007, –ÓÒÒˡ,15ÏËÌ.,ˆ‚.,ÒÚÂÂÓ,16ÏÏ ¿ÎÂÍÒÂÈ ¡ÓÊÍÓ, œÂÚ ƒÛıÓ‚ÒÍÓÈ ¬Î‡‰ËÒ·‚ ŸÂÔËÌ ›‰Û‡‰ √‡ÎÍËÌ ´œËÎÓڇʪ Production Producer Ilya Bozhko Cast: Production Design Petr Dukhovskoy Director ofPhotography Alexander Kott Scriptwriter andDirector 2007, Russia,15min.,col.,stereo,16mm of meltingtheice. Winter. Itiscold.Onlyhopecapable Alexei Bozhko,JuliaMakarova, Vladislav Shchepin Pilotage Eduard Galkin
59 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 60 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÊËÁÌË Ë‰‡ÊÂÔ˚Ú‡ÂÚÒˇÂÂËÁÏÂÌËÚ¸... ˜Â„Ó ÏËÎˈËÓÌÂÁ‡‰ÛÏ˚‚‡ÂÚÒˇÓÒ‚ÓÂÈ ‰ÓÔÓÒ, Á‡‚ˇÁ˚‚‡ÂÚÒˇ‡Á„Ó‚Ó,ÔÓÒΠ‚ÓÒıÓʉÂÌËÂ. ¬Û˜‡ÒÚÍÂ̇˜Ë̇ÂÚÒˇ Ә‰ÌÓ ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ´˜ÂÎÓ‚Â͇-Ô‡Û͇ª, Á‡‰ÂÊË‚‡˛ÚÁ‡ »Á‚ÂÒÚÌÓ„Ó Ù‡ÌˆÛÁÒÍÓ„Ó‚ÂıÓ·Á‡, “‡„ËÍÓωˡ. œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò √ÓÏÂÌÍÓ, ÕËÍÓθÃÛ̸¯ÛÎË «‚‚, “‡Ú¸ˇÌ‡flÍӂ΂‡,¿Ì̇ ¿‚ÂËÌ, ¬Î‡‰ËÏËœÓÎÓÁÓ‚,ƒÏËÚËÈ ¬Î‡‰ËÏË üÓÒÏˉ‡ÈÎÓ,ƒÏËÚËÈ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ Dolby Digital5.1 2008, –ÓÒÒˡ,17ÏËÌ.,ˆ‚.,1:1.85, SPIDER —œ¿…ƒ≈– ¬Î‡‰ËÏË √ÓÎÓÛÌËÌ ƒÊÛΡÌÓ ‰Ëü‡ÔÛ‡, —ÚÂÔ‡Ì üÓ‚‡ÎÂÌÍÓ —„ÂÈ œÓÎÛˇÌÓ‚ —„ÂÈ —ÂθˇÌÓ‚ ƒË̇ ÀÓ„‚ËÌÓ‚‡ ¬ËÍÚÓ ‘‡È̯ÚÂÈÌ üËÌÓÍÓÏÔ‡Ìˡ ´—“¬ª ¬ÂÓÌË͇ ”ÚÍË̇ try andchangeitÖ policeman toreflectonhisownlife, ensuing conversationforcesthe station theinterrogationbegins.The unauthorized climb.Atthepolice ìspider manîisdetainedforyetanother The well-knownFrenchsteeplejack Tragicomedy. Production Producer Munieshuli Yakovleva, AnnaGromenko,Nicole Polozov, DmitriZverev,Tatiana Kosmidailo, DmitriAverin,Vladimir Cast: Sound Composer Production Design Stepan Kovalenko Director ofPhotography Director Scriptwriter Dolby Digital5.1 2008, Russia,17min.,col.,1:1.85, Giuliano diCapua,Vladimir Vladimir Golounin Sergei Poluyanov Sergei Selianov Viktor Fainshtein Film Company—“¬ Veronika Utkina Dina Logvinova (‰Â·˛Ú, ÌÓ‚Âη‚ÍËÌӇθχ̇ıÂ). ‰Â̸ ÎÂÚ‡ª(‰ËÔÎÓÏ),´—ԇȉª üÓΘ‡Íª. ‘ËθÏ˚(Í/Ï):´œÂ‚˚È ü‡‚˜Û͇ ´»Ú‡Î¸ˇÌˆªË´¿‰ÏˇΠ´“Û‰ÌÓ ·˚Ú¸¡Ó„ÓϪ,¿Ì‰Âˇ Òڇʠ͇̇ÚË̇ı¿ÎÂÍÒ¡√Âχ̇ ‰ËÔÎÓÏ ÔÓÎÛ˜Ë΂2004-Ï.–ÂÊËÒÒÂ- χÒÚÂÒÍÛ˛ ¬ËÚ‡Îˡ¿ÍÒÂÌÓ‚‡, ÛÌË‚ÂÒËÚÂÚ‡ ÍËÌÓËÚÂ΂ˉÂÌˡ‚ Ù‡ÍÛθÚÂÚ —‡ÌÍÚ-œÂÚ·ۄÒÍÓ„Ó „Ó‰Û ÔÓÒÚÛÔËÎ̇ÂÊËÒÒÂÒÍËÈ ¯ÍÓÎÛ ÓÍÓ̘Ë΂ÀÂÌËÌ„‡‰Â,1998 –Ó‰ËÎÒˇ 21˲Ρ1973„Ó‰‡‚flÎÚÂ, —„ÂÈ œÓÎÛˇÌÓ‚ (debut, novellainafilmalmanac). Day ofSummerî(diploma),ìSpiderî Kolchakî. Films(shorts):ìTheFirst Kravchuk ìTheItalianîandìAdmiral ìIt isDifficulttobeGodî;Andrei director onthefilmsofAlexeiGerman, received hisdiplomain2004.Trainee TV inVitaliAksenovísworkshop; Petersburg UniversityofCinemaand the directorísfacultyofSt. school inLeningrad;1998enrolledat Born on21July1973inYalta;finished Sergei Poluyanov his secondshortfictionfilm. and V.Aksenov).ìOldNewRossiîis Television (workshopofV.Semeniuk State UniversityofCinemaand 2007 graduatedfromtheSt.Petersburg of scriptsforseveralshortfilms.In correspondent, tookpartinthewriting and personalcircumstances.Workedas complete hiseducationduetofinancial workshop ofN.Riazantseva.Unableto Institute VGIK;thenenrolledinthe film researchfacultyoftheFilm Alphabetî organizedbythescriptand scriptwriting coursesofìTrade Born inMoscow1979.Studiedonthe Alexander Karavaev ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚È ÙËθÏ. ÌÓ‚‡ˇ –ÓÒÒ˪ñ‚ÚÓÓÈË„Ó‚ÓÈ —ÂÏÂÌ˛Í‡ ˬ.≈.¿ÍÒÂÌÓ‚‡).´—Ú‡‡ˇ ÚÂ΂ˉÂÌˡ (χÒÚÂÒ͇ˇ¬.‘. „ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚È ÛÌË‚ÂÒËÚÂÚÍËÌÓË ÓÍÓ̘ËÎ —‡ÌÍÚ-œÂÚ·ۄÒÍËÈ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı ‡·ÓÚ.¬2007 ̇ÔËÒ‡ÌËË ÒˆÂ̇Ë‚ÌÂÒÍÓθÍËı ÍÓÂÒÔÓ̉ÂÌÚÓÏ, Û˜‡ÒÚ‚Ó‚‡Î‚ ÒÂÏÂÈÌ˚Ï Ó·ÒÚÓˇÚÂθÒÚ‚‡Ï.–‡·ÓڇΠÔÓ‰ÓÎʇڸ ÌÂÒÏÓ„ÔÓÙË̇ÌÒÓ‚˚ÏË Õ. ¡.–ˇÁ‡ÌˆÂ‚ÓÈ.Œ·Û˜ÂÌË ¬√»ü‡, Á‡ÚÂÏÔÓÒÚÛÔË΂χÒÚÂÒÍÛ˛ ÒˆÂ̇ÌÓ-ÍËÌӂ‰˜ÂÒÍÓÏ Ù‡ÍÛθÚÂÚ ÔÓÙÂÒÒË˪, Ó„‡ÌËÁÓ‚‡ÌÌ˚ı̇ ̇ ÒˆÂ̇Ì˚ıÍÛÒ‡ı´¿Á·Û͇ –Ó‰ËÎÒˇ ‚ÃÓÒÍ‚Â1979„Ó‰Û.”˜ËÎÒˇ ¿ÎÂÍ҇̉ ü‡‡‚‡Â‚ OLD NEWROSSI —“¿–¿fl ÕŒ¬¿fl–Œ——» ÔËÈÚË Í‚Á‡ËÏÓÔÓÌËχÌ˲. ÔÓÏÓ„‡ÂÚ ËÏñ̇ÌÂÍÓÚÓÓ‚ÂÏˇ ÌÂÔÓÒÚ˚ ı‡‡ÍÚÂ˚ÔÓ‰ÓÒÚÍÓ‚,Ë ÍÓÌÙÎËÍÚ, ÍÓÚÓ˚ȇÒÍ˚‚‡ÂÚ —ÏÂÚ¸ ·‡·Û¯ÍËӷ̇ʇÂÚ‰‡‚ÌËÈ Ì‡ÈÚË Ó·˘ËÈˇÁ˚͉ۄ҉ۄÓÏ. ·‡Ú¸Â‚, ÍÓÚÓ˚ÂÌË͇ÍÌÂÏÓ„ÛÚ Œ‰ËÒÒ¡ Ó‰ÌÓ„Ó‰ÌˇñËÒÚÓˡ‰‚Ûı Ó·˙‰ËÌÂÌË ´ÕÓÌÍ·ÒÒË͇ª œÓËÁ‚Ó‰ÒÚ‚Ó ŒÎ¸„‡ Ç͇ӂ‡ “‡‡·‡ÌÓ‚, –ÓÏۇθ‰Ã‡Í‡ÂÌÍÓ, ≈¯Ó‚, ¿ÎÂÍ҇̉¡Ó„ۉӂ˘,fiËÈ ¬ ÓΡı: «‚ÛÍ ŒÔ‡ÚÓ ¿ÎÂÍ҇̉ ü‡‡‚‡Â‚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ ÏÓÌÓ, 35ÏÏ 2008, –ÓÒÒˡ,30ÏËÌ.,˜/·,16:9, »‚‡Ì ΔÛÔ‡ÌÓ‚ ¿ÎÂÍ҇̉ ≈¯Ó‚,‘ËÎËÔÔ ÕËÍÓÎ‡È ¡Ó„‡˜Â‚ —œ·√”üË“, “‚Ó˜ÂÒÍÓ to reachamutualunderstanding. characters andhelpsthem,temporarily, which laysbaretheteenagersíuneasy grandmother exposesanoldconflict, language. Thedeathoftheir brothers whocannotfindacommon The odysseyofoneday:thestorytwo Creative University forCinemaandTelevision, Production Makarova Tarabanov, RomualdMakarenko,Olga Alexander Bogurdovich,Yuri Cast: Sound Nikolai Bogachev Director ofPhotography Alexander Karavaev Scriptwriter andDirector mono, 35mm 2008, Russia,30min.,b/w,16:9, Alexander Ershov,Filipp Ivan Zhupanov Association ìNonklassikaî St PetersburgState
61 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 62 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ñ ̇ÓÚˆ‡,Ò·ˇËÒ‚Ó˛ÊËÁ̸. Á‡ÒÚ‡‚ΡÂÚ ü‡Ú˛ÔÓÒÏÓÚÂÚ¸ÔÓ-ÌÓ‚ÓÏÛ ·Î‡„Ó‰‡ˇ ˜Û‰ÛÌÂÒÎۘ˷Ҹ, ̉‡ÎÂÍÓª. “‡„‰ˡ,ÍÓÚÓ‡ˇÚÓθÍÓ ÔÓÌËχÌË Ïˇñ´ÛÁÍÓÂ,ÔÎÓÒÍÓÂË Ì‡‚ˇÁ˚‚‡˛˘ËÏ ÂÈÒ‚Ó‚ˉÂÌËÂË ‡‚ÚÓËÚ‡Ì˚Ï ˜ÂÎÓ‚ÂÍÓÏ, ÊË‚ÂÚ ÒÓÚˆÓÏ,ÊÂÒÚÍËÏ ü‡Úˇ ñÚËı‡ˇ,Á‡·ËÚ‡ˇ‰Â‚ۯ͇ œÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡. œÓËÁ‚Ó‰ÒÚ‚Ó —„ÂÈ œÎÓÚÌËÍÓ‚,»Ì̇À˛·‡‚Ë̇ ¬ ÓΡı: «‚ÛÍ ÃÛÁ˚͇ ÕËÍÓÎ‡È ŒÎÓ‚ ŒÔ‡ÚÓ˚ ÇÒÚ »„ӸÇÒÎÂÌÌËÍÓ‚ Õ‡‰Âʉ‡ «‡ÂˆÍ‡ˇ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2007, –ÓÒÒˡ,20ÏËÌ.,ˆ‚.,ÏÓÌÓ,35ÏÏ HIGHWAY Ã8 “–¿——¿ Ã8 »Ë̇ ü‡Á‡˜ÂÌÍÓ‚‡ ¿ÌÚÓÌËÓ ¬Ë‚‡Î¸‰Ë ¬ËÍÚÓˡ –ÓχÌÂÌÍÓ, ¿Ì‰ÂÈ √ÎÛıÓ‚, ¬√»ü herself andatlife. way attheworld:herfather, miracle, forcesKatyatolookinanew which isavertedonlythankstoa ìnarrow, flatandnearî.Atragedy, understanding oftheworldonher: man whoimposeshisvisionand her father,aharshandauthoritative The quietandtimidKatyaliveswith Psychological drama. Production Sergei Plotnikov,InnaLiubavina Cast: Sound Music by Andrei Glukhov,NikolaiOrlov Directors ofPhotography Supervisor Nadezhda Zaretskaya Scriptwriter andDirector 2007, Russia,20min.,col.,mono,35mm Viktoria Romanenko, Irina Kazachenkova Antonio Vivaldi Igor Maslennikov VGIK (‰ËÔÎÓÏ̇ˇ ‡·ÓÚ‡). ´÷‡‡ÔË̇ª (2005),´“‡ÒÒ‡Ã8ª ÍÓÓÚÍÓÏÂÚ‡ÊÍË: ´Pearlª(2002), «‡ „Ó‰˚ۘ·˚ÒÌˇÎ‡ÚË (2007, χÒÚÂÒ͇ˇ».‘.ÇÒÎÂÌÌËÍÓ‚‡). ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ¬√»ü‡ ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ).ŒÍÓ̘Ë· ‰ËÁ‡È̇), ‚—œ·√”üË“(ÂÊËÒÒÛ‡ ñ —œ·√’œ¿(Ù‡ÍÛθÚÂÚÔÓ„‡ÏÏÌÓ„Ó „Ó‰‡. ”˜Ë·Ҹ‚ÃÛıËÌÒÍÓÏÛ˜ËÎˢ –Ӊ˷Ҹ ‚ÀÂÌËÌ„‡‰Â6Ë˛Ìˇ1975 Õ‡‰Âʉ‡ «‡ÂˆÍ‡ˇ (diploma). Scratchî (2005),andìHighwayÃ8î made threeshorts:ìPearlî(2002),ìThe Maslennikov). Duringhercourseshe Institute VGIK(2007,workshopofI. the directorísfacultyofFilm (documentary cinema).Graduatedfrom University forCultureandTelevision design, andattheStPetersburgState Academy forArt,facultyofprogramme Studied attheStPetersburgState Born inLeningradon6June1975. Nadezhda Zaretskaya of A.Uchitel). at theFilmInstituteVGIK(workshop ìSyndrome oftheDesertî,andenrolled Square toGreatZeleninaStreetîand published twostories:ìFromTheatre distribution companyBOOM!.In2006 the MDMcinema;workedforvideo- (television channelKultura);usherat Worked atthestudioìAlmaMaterî Filipp Yuriev ¿.≈. ”˜ËÚÂΡ. ÔÓÒÚÛÔËÎ ‚Ó¬√»üñ‚χÒÚÂÒÍÛ˛ «ÂÎÂÌËÌÓȪ Ë´—Ë̉ÓÏÔÛÒÚ˚Ì˪, ´ŒÚ “‡ڇθÌÓȉӡÓθ¯ÓÈ 2006 „Ó‰ÛÓÔÛ·ÎËÍÓ‚‡Î‰‚‡‡ÒÒ͇Á‡: ‚ˉÂÓÔÓ͇ÚÌÓÈ ÍÓÏÔ‡ÌËË´¡”Ã!ª.¬ ·ËÎÂÚ˚ ‚ÍËÌÓÚ‡ÚÂÃÃ,‡·ÓڇΠ(ÚÂÎÂ͇̇Π´üÛθÚÛ‡ª),Ôӂ¡Π–‡·ÓڇΠ̇ÒÚÛ‰ËË´Almamaterª ‘ËÎËÔÔ fi¸Â‚ THE MORNING,WITHDIFFERENTEYES ”“–Œ ƒ–”√»Ã»√À¿«¿Ã» ÓÊˉ‡Ìˡ. ÔÓÌˇÚ̇, ÂÒÎˉ‡ÊÂӷχÌÂÚ‚Ò‚‡¯Ë ÕÂÚ, Ô‡‚‰‡,Ó̇ÔÓÒڇ˷ۉÂÚ ›Ú‡ ËÒÚÓËˇÓ˜Â̸ÔÓÒÚ‡. ƒËÂÍÚÓ Í‡ÚËÌ˚ ¬‡ÎÂÌÚËÌ ›ÈÙ ¬ ÓΡı: ‘ËÎËÔÔ fi¸Â‚ ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ ŒÔ‡ÚÓ ‘ËÎËÔÔ fi¸Â‚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ,8ÏËÌ.,ˆ‚.,ÒÚÂÂÓ »Î¸ˇ œÛÁËÍÓ‚,¿ÎÂÍÒÂÈœÛÁËÍÓ‚ ŒÎ¸„‡ ÿ‚˜ÂÌÍÓ, ¬ˇ˜ÂÒ·‚ üËÍÛÌÓ‚, ¿ÚÂÏËÈ ‘ÛÏ‡Ì üÓÌÒÚ‡ÌÚËÌ üÌÂËÍ À˛·Ó‚¸ √˯Ë̇ expectations. But atsomepointitwillbetrayallyour No, really,itissimpleandclear. This storyisverysimple. Managing Director Valentin Eifer Cast: Editing Sound Composer Artemi Furman Director ofPhotography Filipp Yuriev Scriptwriter andDirector 2008, Russia,8min.,col.,stereo Viacheslav Krikunov, Ilya Puzikov,AlexeiPuzikov Olga Shevchenko,FilippYuriev Konstantin Knerik Liubov Grishina
63 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÀÂÚÌˇˇ Summer ˝ÈÙÓˡ Euphoria
—Ú‡ÎÓ ÛÊ ڇ‰ËˆËÂÈ, ˜ÚÓ ‚ ‡Ï͇ı ˝ÚÓÈ It has already become a tradition that, in ÔÓ„‡ÏÏ˚ Ï˚ Ô‰ÒÚ‡‚ΡÂÏ ‚ —Ó˜Ë the framework of this programme in Sochi, ÌÓ‚Ó ÓÒÒËÈÒÍÓ ÍËÌÓ, ÍÓÚÓÓ ÏÓÊÌÓ we showcase new Russian cinema which ̇Á‚‡Ú¸ ÌÂÙÓχÚÌ˚Ï. ›ÚÓ ÓÁ̇˜‡ÂÚ, ˜ÚÓ can be termed non-standard. This means ÎÂÚÌˇˇ ˝ÈÙÓˡ
summer euphoria ÓÌÓ ÓÚıÓ‰ËÚ ÓÚ Ô‡‚ËÎ ÏÂÈÌÒÚËχ Ë Ì that it departs from the rules of ‚Ò„‰‡ ÛÍ·‰˚‚‡ÂÚÒˇ ‚ ͇ÌÓÌ ‡Úı‡ÛÒ‡. mainstream cinema and does not easily fit ›ÚÓ ÓÁ̇˜‡ÂÚ, ˜ÚÓ ÓÌÓ Ò‰Â·ÌÓ into the canon of art house; it means that ÌÂÁ‡‚ËÒËÏ˚ÏË ÔÓ‰˛Ò‡ÏË Ë ‚ÓÁÌËÍÎÓ it is made by independent producers and ‚Ì ‡ÏÓÍ Ú‡‰ËˆËÓÌÌ˚ı ÍËÌÓÒÚÛÍÚÛ. has emerged outside the framework of ›ÚÓ ÓÁ̇˜‡ÂÚ ·Óθ¯Û˛ Ò‚Ó·Ó‰Û traditional cinematic structures; and it Ò‡ÏÓ‚˚‡ÊÂÌˡ Ë, Í‡Í Ô‡‚ËÎÓ, means a great freedom of self-expression ÌÂÓ·˚˜ÌÓÒÚ¸ ʇÌÓ‚Ó„Ó Â¯ÂÌˡ. and, as a rule, an unusual genre decision. —Â‰Ë Í‡ÚËÌ ˝ÚÓ„Ó „Ó‰‡ ÌÂÒÍÓθÍÓ Among this yearís films are several 64 ÌÂË„Ó‚˚ı, ÌÓ Ì‡Á‚‡Ú¸ Ëı non-fiction films, but they cannot be called ‰ÓÍÛÏÂÌڇθÌ˚ÏË Ì ÔÓ‚Ó‡˜Ë‚‡ÂÚÒˇ documentaries either: rather, they are ˇÁ˚Í: ˝ÚÓ ÒÍÓ ӷ‡ÁÌ˚ figurative artistic productions on a subject- ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚ ‚˚Ò͇Á˚‚‡Ìˡ ̇ matter from the arts, and with the χÚ¡ΠËÒÍÛÒÒÚ‚‡ Ë Ò Û˜‡ÒÚËÂÏ Â„Ó participation of cult figures. Many films ÍÛθÚÓ‚˚ı ÙË„Û. ¬Ó ÏÌÓ„Ëı ÙËθχı contain paradoxical situations and ÔËÒÛÚÒÚ‚Û˛Ú Ô‡‡‰ÓÍ҇θÌ˚ ÒËÚÛ‡ˆËË narrative approaches. All this, together Ë Ò˛ÊÂÚÌ˚ ıÓ‰˚. ¬Ò ˝ÚÓ ‚ÏÂÒÚÂ Ò with a playful atmosphere and visual Ë„Ó‚ÓÈ ‡ÚÏÓÒÙÂÓÈ Ë ‚ËÁۇθÌ˚Ï richness, should provide a refined viewing ·Ó„‡ÚÒÚ‚ÓÏ ‰ÓÎÊÌÓ ‰ÓÒÚ‡‚ËÚ¸ ÁËÚÂÎˇÏ pleasure. And that is the purpose of the ÛÚÓ̘ÂÌÌÓ ۉӂÓθÒÚ‚ËÂ. »ÏÂÌÌÓ Ì‡ ˝ÚÓ programme organizers, which is not ̇ԇ‚ÎÂÌ˚ ÛÒËÎˡ Ó„‡ÌËÁ‡ÚÓÓ‚ accidentally called ìEuphoriaî. ÔÓ„‡ÏÏ˚, ÍÓÚÓ‡ˇ Ì ÒÎÛ˜‡ÈÌÓ Ì‡Á˚‚‡ÂÚÒˇ ´›ÈÙÓˡª. Andrei Plakhov, Programme Curator, ¿Ì‰ÂÈ œÎ‡ıÓ‚, üÛ‡ÚÓ ÔÓ„‡ÏÏ˚ ÎÂÚÌˇˇ ˝ÈÙÓˡ ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria summer euphoria
65 ‚Ò ÛÏÛÚ ‡ ˇ ÓÒÚ‡ÌÛÒ¸ EVERYBODY DIES BUT ME Á‡Í˚Ú˚ ÔÓÒÚ‡ÌÒÚ‚‡ CLOSED SPACES Ó΄ ÍÛÎËÍ - ‚˚ÁÓ‚ Ë ÔÓ‚Ó͇ˆËˇ OLEG KULIK - CHALLENGE AND PROVOCATION Ô‰ÒÚ‡‚ÎÂÌË THE REVUE ÒÂÁÓÌ ÚÛχÌÓ‚ SEASON OF MISTS ÒÔËÒÓÍ ÍÓ‡·ÎÂÈ THE LIST OF SHIPS 66 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria ¿ flŒ—“¿Õ”—‹ ¬—≈ ”Ö”“ www.profitkino.ru œÓËÁ‚Ó‰ÒÚ‚Ó —ÓÔÓ‰˛Ò √Â̇θÌ˚È ÔÓ‰˛Ò ≈‚„ÂÌˡ œÂÒÌËÍÓ‚‡,ÇÍÒËÏüÓÒÚÓÏ˚ÍËÌ »Ë̇ «Ì‡ÏÂÌ˘ËÍÓ‚‡,¿ÎÂÍ҇̉‡ü‡Ï˚¯Ó‚‡, »Ì„‡ —ÚÂÎÍÓ‚‡-Œ·ÓΉË̇,√‡Óθ‰—ÚÂÎÍÓ‚, ¿Ì‡ÒÚ‡Òˡ «‡·‡‰‡Â‚‡,ŒÎ¸„‡À‡Ô¯Ë̇,¿ÎÂÍÒÂÈ¡‡„‰‡Ò‡Ó‚, ŒÎ¸„‡ ÿÛ‚‡ÎÓ‚‡,fiÎˡ¿ÎÂÍ҇̉ӂ‡,ƒÓ̇ڇÒ√ۉӂ˘, ¬ ÓΡı: –ÂÊËÒÒÂ˚ ÏÓÌڇʇ «‚ÛÍ ÃÛÁ˚͇ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,84ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital —„ÂÈ Œ‚˜‡ÂÌÍÓ –Óχ «‚¸,StefanosKorkolis œÓÎË̇ ‘ËÎÓÌÂÌÍÓ,¿„ÌˡüÛÁ̈ӂ‡, ¿Î˯ ’‡ÏˉıӉʇ‚ ¬‡ÎÂˡ √‡È√ÂχÌË͇ ¿ÎÂÍ҇̉ œÂÚβ‡ ƒÂÌËÒ ÿË·‡ÌÓ‚ ¿Ì̇ ü‡„‡Îˈ͇ˇ üËÌÓÍÓÏÔ‡Ìˡ ´œÓ‘»“ª ¿ÎÂÍ҇̉ –Ó‰ËÓÌÓ‚,fiËÈü·‚‰Ë‚ fiÎˡ ¡‡Ú‡ÎÓ‚‡,»‚‡ÌÀ·‰‚ »„Ó¸ “ÓÎÒÚÛÌÓ‚ www.profitkino.ru Production Co-Producer General Producer Kamyshova, EvgeniaPresnikova,MaximKostromykin Garold Strelkov,IrinaZnamenshchikova,Alexandra Olga Lapshina,AlexeiBagdasarov,IngaStrelkova-Oboldina, Julia Alexandrova,DonatasGrudovich,AnastasiaZabadaeva, Cast: Editing Sound Music Costume Design Production Design Director ofPhotography Director Scriptwriters 2008, Russia,84min.,col.,1:1.85,DolbyDigital BUT ME EVERYBODY DIES Polina Filonenko,AgniyaKuznetsova,OlgaShuvalova, Roma Zver,StefanosKorkolis Sergei Ovcharenko Julia Batalova,IvanLebedev Valeria GaiGermanika Film CompanyProFIT Anna Kagarlitskaya Alexander Rodionov,YuriKlavdiev Alexander Petlyura Igor Tolstunov Denis Shibanov Alisher Khamidkhodzhaev ÎÂÚÌˇˇ ˝ÈÙÓˡ
¬‡ÎÂˡ √‡È √ÂχÌË͇ summer euphoria ñ ÂÊËÒÒÂ, ÓÔ‡ÚÓ, ÏÓÌÚ‡ÊÂ. –Ӊ˷Ҹ ‚ 1984 „Ó‰Û ‚ ÃÓÒÍ‚Â. ¬ 2005-Ï ÓÍÓ̘Ë· ÿÍÓÎÛ ÍËÌÓ Ë ÚÂ΂ˉÂÌˡ ´»ÌÚÂ̸˛Òª (ÍÛÒ Ã‡ËÌ˚ –‡Á·ÂÊÍËÌÓÈ). —‚ÓÈ Ô‚˚È ÙËÎ¸Ï ÒÌˇÎ‡ ‚ 19 ÎÂÚ. ‘ËÎ¸Ï ´ƒÂ‚Ó˜Í˪ ÒڇΠÎÛ˜¯ËÏ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚Ï ÙËθÏÓÏ ´üËÌÓÚ‡‚‡-2006ª, ÔËÁÂÓÏ Ë Û˜‡ÒÚÌËÍÓÏ ÏÌÓ„Ëı ÙÂÒÚË‚‡ÎÂÈ. 67 »Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ: 2005 ....—ÂÒÚ˚ (‰ÓÍ.) 2005 ....ƒÂ‚Ó˜ÍË (‰ÓÍ.) 2006 ....Çθ˜ËÍË (‰ÓÍ.) 2006 ....”Âı‡Î (‰ÓÍ., Ò ¡ÓËÒÓÏ ’ηÌËÍÓ‚˚Ï) 2007 ....ƒÂ̸ ÓʉÂÌˡ »ÌÙ‡ÌÚ˚ 2008 ....¬Ò ÛÏÛÚ, ‡ ˇ ÓÒÚ‡ÌÛÒ¸ Valeria Gai Germanika Director, cinematographer, editor. Born in 1984 in Moscow. In 2005 graduated from the School of Cinema and TV ìInternewsî (course of Marina Razbezhkina). She made her first film at the age of 19. The film ìGirlsî was the best short film of ìKinotavrî in 2006; prize-winner and participant of many festivals.
Select Directorís Filmography: 2005 .... Sisters (doc.) œÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡. 2005 .... Girls (doc.) “Ë ‰Â‚ˇÚËÍ·ÒÒÌˈ˚ ñ ü‡Úˇ, ¬Ë͇ Ë Δ‡Ì̇, Ò‡Ï˚ ӷ˚ÍÌÓ‚ÂÌÌ˚ 2006 .... Boys (doc.) ‰Â‚˜ÓÌÍË ËÁ ÒԇθÌÓ„Ó ‡ÈÓ̇ ÃÓÒÍ‚˚, ñ ‚ ÔÓ̉ÂθÌËÍ ÛÁ̇˛Ú, ˜ÚÓ ‚ 2006 .... Heís Gone ÒÛ··ÓÚÛ Û ÌËı ‚ ¯ÍÓΠ·Û‰ÂÚ ‰ËÒÍÓÚÂ͇, Ô‚‡ˇ ‚ ÌÓ‚ÓÏ Û˜Â·ÌÓÏ „Ó‰Û. ¬Ò˛ (doc., with Boris Khlebnikov) ̉Âβ ÓÌË ÔÓÊË‚‡˛Ú, „ÓÚÓ‚ˇÒ¸ Í ˝ÚÓÏÛ „·‚ÌÓÏÛ ‚ Ëı ÊËÁÌË ÒÓ·˚Ú˲. 2007 .... Infanteís Birthday ÕÓ ü‡Úˇ ̇„Û·Ë· Û˜ËÚÂθÌˈ ñ Ë ‰ËÒÍÓÚÂÍÛ ÏÓ„ÛÚ ÓÚÏÂÌËÚ¸... ƒÂ‚Ó˜ÍË 2008 .... Everyone Dies but Me Ô˚Ú‡˛ÚÒˇ ̇ÈÚË Ó·˘ËÈ ˇÁ˚Í ÒÓ Ò‚ÓËÏË Ó‰ËÚÂΡÏË, Û˜ËÚÂΡÏË, Ó‰ÌÓÍ·ÒÒÌË͇ÏË Ë ‚ ÍÓ̘ÌÓÏ ËÚÓ„Â ‰Û„ Ò ‰Û„ÓÏ. œÓÒΠ‰ËÒÍÓÚÂÍË ÓÌË ÛÊ Ì ÚÓθÍÓ Ì ÔÓ‰Û„Ë, ÌÓ Ë Ì ÚÂ, ˜ÚÓ ÔÂʉÂ...
ÃËÓ‚‡ˇ ÔÂϸ‡: 21.05.2008 ñ Ãü‘ ‚ ü‡Ì̇ı: ÔÓ„‡Ïχ ´ÃÂʉÛ̇Ӊ̇ˇ ̉ÂΡ ÍËÚËÍ˪.
Psychological drama. Three sixth-formers ñ Katya, Vika and Janna ñ the most ordinary girls from a Moscow suburb, a so-called bedroom community, find out on Monday that there will be a disco at the school on Saturday: the first in the new school year. All week long they prepare for this main event in their lives. But Katya has insulted a teacher and the disco may be cancelled... All week long the girls try to find a common language with parents, teachers, schoolmates, and finally with each other. After the disco they are no longer friends, and they are no longer what they were before...
World Premiere: 21 May 2008, competition of the International Criticsí Weeks (Semaine de la Critique) IFF in Cannes. 68 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria CLOSED SPACES «¿ü–¤“¤≈ œ–Œ—“–¿Õ—“¬¿ www.drugoe-kino.ru œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò »Î¸ËÌ, ÕÂÎÎË”‚‡Ó‚‡,≈ÎÂ̇ÿ‚˜ÂÌÍÓ,¿ÚÂÏ—ÂχÍËÌ ¿ÎÂÍ҇̉ ‘.—ÍΡ,¿Ì‡ÚÓÎËÈ”Á‰ÂÌÒÍËÈ, ¬ ÓΡı: –ÂÊËÒÒ ÏÓÌڇʇ ÃÛÁ˚͇ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ,95ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 ÀÂÓÌˉ ‘‰ÓÓ‚,¬Î‡‰ËÏˬÓÎÍÓ‚ Ã‡Ëˇ ǯÍÓ‚‡,ÀÂÓÌˉ¡Ë˜Â‚ËÌ,ŒÎ„Ç͇ӂ, –ÛÒÎ‡Ì √‡ÒËÏÂÌÍÓ‚ ¬ËÍÚÓ ÕËÍÓÌÂÌÍÓ »„Ó¸ À·‰‚ üËÌÓÍÓÏÔ‡Ìˡ ´ƒüª ŒÎ„ ÇÎ˚„ËÌ »„Ó¸ ¬ÓÒÍ· www.drugoe-kino.ru Production Producer Nelli Uvarova,ElenaShevchenko,ArtemSemakin Alexander F.Skliar,AnatoliUzdensky,Ilyin, Cast: Editing Music Production Design Director ofPhotography Scriptwriter andDirector 2008, Russia,95min.,col.,1:2.35,DolbyDigital5.1 Maria Mashkova,LeonidBichevin,OlegMakarov, Leonid Fedorov,VladimirVolkov Oleg Malygin Igor Lebedev Film CompanyDK Viktor Nikonenko Ruslan Gerasimenkov Igor Vorskla ÎÂÚÌˇˇ ˝ÈÙÓˡ
»„Ó¸ ¬ÓÒÍ· summer euphoria (»„Ó¸ À·‰‚) –Ó‰ËÎÒˇ 4 χˇ 1970 „Ó‰‡. ŒÍÓ̘ËÎ ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ √»“»—‡/ –¿“» (1995, χÒÚÂÒ͇ˇ ¿.¿. √Ó̘‡Ó‚‡). — 1996 „Ó‰‡ ñ PR-‰ËÂÍÚÓ ÍËÌÓÍÓÏÔ‡ÌËË ´ü‡ÏÂ̪. ¬ 2000 ÓÒÌÓ‚‡Î ÚÓ„Ó‚Û˛ χÍÛ ´ƒÛ„Ó ÍËÌÓª ñ ÍÓÏÔÎÂÍÒÌ˚È ·Ẩ ‰Îˇ ‰ËÒÚË·ÛˆËË ‡Ú-ÍËÌÓ, Ò 2002 ñ ۘ‰ËÚÂθ Ë ÛÍÓ‚Ó‰ËÚÂθ ÍÓÏÔ‡ÌËË ´ü‡ÏÂÌ ¬Ë‰ÂÓª 69 (‚ˉÂÓÔÓÍ‡Ú Í·ÒÒËÍË ÏËÓ‚Ó„Ó ÍËÌÓ), ‚ 2007 ۘ‰ËÎ ÍËÌÓÍÓÏÔ‡Ì˲ ´ƒüª ‰Îˇ ÔÓËÁ‚Ó‰ÒÚ‚‡ ´‰Û„Ó„Ó ÍËÌÓ ‰Îˇ ¯ËÓÍÓÈ ‡Û‰ËÚÓË˪. ´«‡Í˚Ú˚ ÔÓÒÚ‡ÌÒÚ‚‡ª ñ ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú.
Igor Vorskla (Igor Lebedev) Born on 4 May 1970. Graduated from the directorís faculty of the Theatre Institute GITIS/RATI (1995, class of A. Goncharov). Since 1996 PR director of the film company ìCarmenî. In 2000 founded the label ìAnother Cinemaî (Drugoe Kino), an umbrella brand name for the distribution of art-house cinema; since 2002 founder and head of the company ìCarmen Videoî (video distribution of world cinema classics); in 2007 founded the film company DK for the “‡„ËÍÓωˡ. production of ìanother cinema for a wide ƒÂ‚ۯ͇ ¬Ë͇ ÔË‚ÓÁËÚ ÔÓ Á‡Í‡ÁÛ ÔˈˆÛ ‚ Í‚‡ÚËÛ Ì‡ χÌÒ‡‰ÌÓÏ ˝Ú‡ÊÂ. audiencesî. ìClosed Spacesî is the directorís ÃÓÎÓ‰ÓÈ ˜ÂÎÓ‚ÂÍ ¬ÂÌˇ ‡ÒÔ·˜Ë‚‡ÂÚÒˇ Á‡ Á‡Í‡Á, ÔÓÒΠ˜Â„Ó ¬Ë͇ debut. ӷ̇ÛÊË‚‡ÂÚ, ˜ÚÓ ‰‚¸ Á‡ÔÂÚ‡. ¬ÂÌˇ Ó·˙ˇ‚ΡÂÚ ÔÎÂÌÌËˆÂ Ó Ò‚ÓÂÏ Ô·Ì ÒÂÍÒۇθÌÓ„Ó Ì‡ÒËÎˡ Ë Ò‡ÁÛ Ê Ô˚Ú‡ÂÚÒˇ Â„Ó Â‡ÎËÁÓ‚‡Ú¸. œÓÒΠ˜Â‰˚ Â„Ó ‡„ÂÒÒË‚Ì˚ı ‚˚ıÓ‰ÓÍ ÒÎÂ‰Û˛Ú ÓÁ˚„˚¯Ë, ÒÚ‡ÌÌ˚ ‚ËÍÚÓËÌ˚ Ë ÔӘˠڇÍË Ê ÒÚ‡ÌÌ˚ ÏÂÓÔˡÚˡ, ‚ ÂÁÛθڇÚ ÍÓÚÓ˚ı ¬Ë͇ ÒÚ‡ÌÓ‚ËÚÒˇ ıÓÁˇÈÍÓÈ ÔÓÎÓÊÂÌˡÖ
Tragicomedy. The girl Vika delivers a pizza to an attic apartment. The young man Venya pays for his order, but then Vika finds the door locked. Venya announces his plan of sexual violence to his captive, and immediately tries to implement it. After a series of aggressive tricks follow draws, quizzes and other, equally strange actions, as a result of which Vika gains control of the situationÖ 70 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria œÓËÁ‚Ó‰ÒÚ‚Ó √ÂÓ„ËÈ ÀÓ‰ÍËÔ‡ÌˉÁ œÓ‰˛ÒÂ˚ üÓÏÔÓÁËÚÓ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ,74ÏËÌ.,ˆ‚.,1:1.1.66,DolbyStereo OLEG KULIKñCHALLENGEANDPROVOCATION ŒÀ≈√ ü”À»üñ¬¤«Œ¬»œ–Œ¬Œü¿÷»fl ¿ÎÂÍ҇̉ üÛÁ̈ӂ ¿ÎÂÍ҇̉ ÿÂÈÌ,≈‚„ÂÌËÈÃËÚÚ‡, ƒÂϸˇÌ üÛ˜ÂÌÍÓ üËÌÓÍÓÏÔ‡Ìˡ ´¿ÚƒËÁ‡È̪ ≈‚„ÂÌËÈ ÃËÚÚ‡ Production Georgiy Lordkipanidze Producers Composer Director ofPhotography Scriptwriter andDirector 2008, Russia,74min.,col.,1:1.1.66,DolbyStereo Demian Kurchenko Alexander Shein,EvgeniMitta, Film CompanyArtDesign Alexander Kuznetsov Evgeni Mitta ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria
≈‚„ÂÌËÈ ÃËÚÚ‡ ’Û‰ÓÊÌËÍ, ÒˆÂÌÓ„‡Ù. –Ó‰ËÎÒˇ ‚ ÃÓÒÍ‚Â ‚ 1963 „Ó‰Û. — 1976 „Ó‰‡ ÒÌËχÎÒˇ ‚ ÍËÌÓ. ŒÍÓ̘ËÎ ÃÓÒÍÓ‚ÒÍËÈ ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚È ËÌÒÚËÚÛÚ ËÏÂÌË ¬.—ÛËÍÓ‚‡ (1988). —Óۘ‰ËÚÂθ ´œÂ‚ÓÈ „‡ÎÂË˪ (1988-92), Û˜‡ÒÚÌËÍ „ÛÔÔÓ‚˚ı Ë ÔÂÒÓ̇θÌ˚ı 71 ‚˚ÒÚ‡‚ÓÍ, ÍÛ‡ÚÓ ˇ‰‡ ‡Ú-ÔÓÂÍÚÓ‚ (´ÕÓ˜¸ ËÒÍÛÒÒÚ‚ª ‚ ÍÎÛ·Â ´œËÎÓÚª, ´’Û‰ÓÊÌËÍË ÔÓÚË‚ ÒÂÍÒ‡ª - ÍÎÛ· ´Ã‡Ìı˝ÚÚÂÌ- ›ÍÒÔÂÒÒªÖ), ÒˆÂÌÓ„‡Ù ÒÔÂÍÚ‡ÍÎÂÈ Ú‡ڇ ´—Ó‚ÂÏÂÌÌËÍ-2ª (´“Â̸ª, ´œÒËıª) Ë Ã’“ ËÏÂÌË ◊ÂıÓ‚‡ (´«ÎÓ‰ÂÈ͇, ËÎË üËÍ œ‡‚ÎË̇ª), ıÛ‰ÓÊÌËÍ-ÔÓÒÚ‡ÌÓ‚˘ËÍ ÙËθÏÓ‚ ´8 Ò ÔÓÎÓ‚ËÌÓÈ ‰Óηӂª √Ë„Óˡ üÓÌÒÚ‡ÌÚËÌÓÔÓθÒÍÓ„Ó Ë ´œÓ„ÛÎ͇ª ¿ÎÂÍÒ¡ ”˜ËÚÂΡ. ¿‚ÚÓ- ÂÊËÒÒ ‰ÓÍÛÏÂÌڇθÌÓ„Ó ˆËÍ· ´’Û‰ÓÊÌËÍ˪, ̇˜‡ÚÓ„Ó ÍËÌÓ˝ÒÒ ӷ ŒÎ„ üÛÎËÍÂ. Evgeni Mitta Artist, set designer. Born in Moscow in 1963. Since 1976 in cinema. Graduated from the Surikov Moscow Art Institute (1988). Co- Founder of the ìFirst Galleryî (1988-92), participant of group and personal exhibitions, curator of several art projects (ìNight of ƒÓÍÛÏÂÌڇθÌ˚È ÙËÎ¸Ï Ó Ú‚Ó˜ÂÒÚ‚Â ŒÎ„‡ üÛÎË͇, Ó‰ÌÓ„Ó ËÁ Ò‡Ï˚ı Artî in the club ìPilotî, ìArtists Against ËÁ‚ÂÒÚÌ˚ı ÛÒÒÍËı ıÛ‰ÓÊÌËÍÓ‚ ̇ ÏËÓ‚ÓÈ ‡Ú-ÒˆÂÌÂ, Û˜‡ÒÚÌË͇ Aexî in the club ìManhattan Expressî), set ÏÂʉÛ̇ӉÌ˚ı ÔÓÂÍÚÓ‚: ¬Â̈ˇÌÒÍÓÈ ¡ËÂÌ̇Π1997, 2001, 2003 „Ó‰Ó‚, designer of theatre productions of the theatre ¡ËÂÌ̇Π‚ ¬‡ÎÂÌÒËË Ë —‡Ì-œ‡ÛÎÓ Ë ‚˚ÒÚ‡‚ÓÍ ‚ √ÂÌÚÒÍÓÏ ÏÛÁ ìSovremennik 2î (ìThe Shadowî, ìThe ÒÓ‚ÂÏÂÌÌÓ„Ó ËÒÍÛÒÒÚ‚‡, „‡Î Tate Modern, ÃÛÁ Lehmbruk ‚ ƒÛÈÒ·Û„Â, Psycheî) and the Chekhov Moscow Art ÃÛÁ ‘Âȉ‡ ‚ ÀÓ̉ÓÌÂ, ÃÛÁ ÒÓ‚ÂÏÂÌÌÓ„Ó ËÒÍÛÒÒÚ‚‡ ‚ –ËÏÂ Ë Theatre (ìThe Evildoer, or the Peacockís ¿ÌÚ‚ÂÔÂÌÂ, ÃÛÁ √Û„„ÂÌı‡Èχ ‚ Õ¸˛-…ÓÍÂ Ë ¡Ëθ·‡Ó. œÓËÁ‚‰ÂÌˡ Screamî), production designer of films such üÛÎË͇ ̇ıÓ‰ˇÚÒˇ ‚ ÍÛÔÌÂȯËı ˜‡ÒÚÌ˚ı Ë „ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚ı ÒÓ·‡Ìˡı ÔÓ as Grigori Konstantinopolskyís ì$8.5î and ‚ÒÂÏÛ ÏËÛ. ‘ËÎ¸Ï ‡ÒÍ˚‚‡ÂÚ Ô‰ ̇ÏË „ÎÛ·ÓÍËÈ Ë ËÌÚÂÂÒÌ˚È ÏË Alexei Uchitelís ìThe Strollî. Author of the ıÛ‰ÓÊÌË͇, ‚ÌÛÚÂÌÌË ÏÓÚË‚˚ Â„Ó Ú‚Ó˜ÂÒÚ‚‡, ÙËÎÓÒÓÙ˲ Ë ‰‡Ï‡ÚÛ„Ë˛ documentary cycle ìArtistsî which starts ‡Á‚ËÚˡ Â„Ó Í‡¸Â˚. with this film-essay about Oleg Kulik. Documentary film about the oeuvre of Oleg Kulik, one of the best-known Russian artists on the world art scene, participant of international projects such as the Venice Biennale 1997, 2001, 2003; the Biennale in Valencia and Sao Paolo; exhibitions in Ghentís Museum of Modern Art, Tate Modern, Lehmbruck Museum in Duisburg, the Freud Museum in London, the Museums of Modern Art in Rome and Antwerp, the Guggenheim Museums in New York and Bilbao. Kulikís works are located in the largest private and state collections worldwide. The film unfolds for us the deep and interesting world of this artist, the motives for his creativity, his philosophy and the dramaturgy of his career development. 72 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria THE REVUE œ–≈ƒ—“¿¬À≈Õ»≈ www.loznitsa.com www.cinedoc.ru œÓÍ‡Ú —ƒ‘ (—œ·),InspirationFilms(”͇Ë̇) œÓËÁ‚Ó‰ÒÚ‚Ó ¬ˇ˜ÂÒ·‚ “ÂθÌÓ‚ œÓ‰˛ÒÂ˚ ÃÓÌÚ‡Ê «‚ÛÍ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ Dolby Digital5.1,35ÏÏ 2008, –ÓÒÒˡ/√ÂχÌˡ/”͇Ë̇,83ÏËÌ.,˜/·,1:1.66, ¬Î‡‰ËÏË √ÓÎÓ‚ÌˈÍËÈ Deckert Distribution —„ÂÈ ÀÓÁÌˈ‡ ’ÂÈÌÓ ƒÂÍÍÂÚ,—‚ÂÚ·̇«ËÌÓ‚¸Â‚‡, Ma.Ja.De filmproduktion(√ÂχÌˡ), —„ÂÈ ÀÓÁÌˈ‡ www.loznitsa.com www.cinedoc.ru Distribution Inspiration Films(Ukraine) Production Viacheslav Telnov Producers Editing Sound Scriptwriter andDirector Dolby Digital5.1,35mm 2008, Russia/Germany/Ukraine,83min.,b/w, Vladimir Golovnitsky Sergei Loznitsa Heino Deckertt,SvetlanaZinovieva, Ma.Ja.De. (Germany),SDF(SPb), Deckert Distribution Sergei Loznitsa ÎÂÚÌˇˇ ˝ÈÙÓˡ
—„ÂÈ ÀÓÁÌˈ‡ summer euphoria üËÌÓÂÊËÒÒÂ. À‡ÛÂ‡Ú ÔÂÏËË ´À‡‚ª, ÔÂÏËË ÍËÌӇ͇‰ÂÏËË ´ÕË͇ª, ÏÌÓÊÂÒÚ‚‡ ‰Û„Ëı ÔÓÙÂÒÒËÓ̇θÌ˚ı ÔÂÏËÈ, ÔËÁ ÏÂʉÛ̇ӉÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ 5 ÒÂÌÚˇ·ˇ 1964 „Ó‰‡ ‚ „ÓӉ ¡‡‡ÌÓ‚Ë˜Ë (¡ÂÎÓÛÒÒˡ). ¬ 1987 ÓÍÓ̘ËÎ üË‚ÒÍËÈ ÔÓÎËÚÂıÌ˘ÂÒÍËÈ ËÌÒÚËÚÛÚ. ¬ 1987ñ91 ‡·ÓڇΠ̇ۘÌ˚Ï ÒÓÚÛ‰ÌËÍÓÏ ‚ »ÌÒÚËÚÛÚ ÍË·ÂÌÂÚËÍË, Á‡ÌËχÎÒˇ ‡Á‡·ÓÚÍÓÈ ˝ÍÒÔÂÚÌ˚ı ÒËÒÚÂÏ, ÒËÒÚÂÏ ÔËÌˇÚˡ ¯ÂÌËÈ Ë ÔÓ·ÎÂχÏË ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó 73 ËÌÚÂÎÎÂÍÚ‡. œ‡‡ÎÎÂθÌÓ ‡·ÓڇΠÔ‚Ӊ˜ËÍÓÏ Ò ˇÔÓÌÒÍÓ„Ó ˇÁ˚͇. «‡ÚÂÏ ÓÍÓ̘ËÎ ÓÚ‰ÂÎÂÌË ÂÊËÒÒÛ˚ Ë„Ó‚Ó„Ó ÍËÌÓ ¬√»ü‡ (1997, χÒÚÂÒ͇ˇ Õ‡Ì˚ ƒÊӉʇ‰ÁÂ), ·˚Î ÒÚËÔẨˇÚÓÏ ÕËÔÍÓ‚ ÔÓ„‡ÏÏ ‚ ¡ÂÎËÌÂ. — 2000 ñ ÂÊËÒÒ —‡ÌÍÚ-œÂÚ·ۄÒÍÓÈ ÒÚÛ‰ËË ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚ (—œ—ƒ‘). ¬ 2001 ˝ÏË„ËÓ‚‡Î ‚ÏÂÒÚÂ Ò ÒÂϸÂÈ ‚ √ÂχÌ˲, ˜ÚÓ Ì Ï¯‡ÂÚ ÂÏÛ ‡·ÓÚ‡Ú¸ ‚ –ÓÒÒËË.
‘ËθÏÓ„‡Ùˡ (ÌÂË„Ó‚Ó ÍËÌÓ): 1996 .... —Â„Ó‰Ìˇ Ï˚ ÔÓÒÚÓËÏ ‰ÓÏ 1997 .... ΔËÁ̸, ÓÒÂ̸ 2000 .... œÓÎÛÒÚ‡ÌÓÍ 2001 .... œÓÒÂÎÂÌË 2002 .... œÓÚÂÚ 2003 .... œÂÈÁ‡Ê 2004 .... ‘‡·Ë͇ 2005 .... ¡ÎÓ͇‰‡ 2006 .... ¿ÚÂθ 2008 .... œÂ‰ÒÚ‡‚ÎÂÌËÂ
Sergei Loznitsa Film director. Winner of the ìLaurelsî ›ÍÒÔÂËÏÂÌڇθÌ˚È ÏÓÌÚ‡ÊÌ˚È ÙËθÏ, ÒÌˇÚ˚È Ì‡ ÓÒÌÓ‚Â ÒÓ‚ÂÚÒÍËı Award, the prize of the Film Academy NIKA, ÔÓÔ‡„‡Ì‰ËÒÚÒÍËı ÍËÌÓÓÎËÍÓ‚. ¬ ͇˜ÂÒÚ‚Â ËÒıÓ‰ÌÓ„Ó Ï‡Ú¡· ‡‚ÚÓ ·ÂÂÚ and a set of other professional awards; prize- winner of international film festivals. Born ‚˚ÔÛÒÍË ÍËÌÓÊÛ̇ÎÓ‚ ´Õ‡¯ ͇Ȫ Ë ´¬ÂÏˇ, ‚Ô‰ª, ÒÌˇÚ˚ ̇ on 5 September 1964 in Baranovichi ÀÂÌËÌ„‡‰ÒÍÓÈ ÒÚÛ‰ËË ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚ ‚ 1950ñ60-ı, Ë ÏÓÌÚËÛÂÚ (Belarus). In 1987 graduated from the Kiev ̇˷ÓΠ‚˚‡ÁËÚÂθÌ˚ ه„ÏÂÌÚ˚. ŒÔ‡ˆËˇ ÔÓ‚Ó‰ËÚÒˇ Ó˜Â̸ ÚÓÌÍÓ, Ì Polytechnic Institute. From 1987-91 worked ÓÒÚ‡ÂÚÒˇ ıËۄ˘ÂÒÍËı ¯‚Ó‚, ÌÂÚ Ì‡ÒËÎˡ ̇‰ χÚ¡ÎÓÏ, ÌË͇ÍÓ„Ó as scientist in the Institute of Cybernetics, engaged in the development of systems of ÍÓÏÏÂÌڇˡ. ›ÚÓ ËÏÂÂÚ Ï‡ÎÓ Ó·˘Â„Ó Ò ÒÓˆ-‡ÚÓÏ Ë ÔÓÒÚÏÓ‰ÂÌËÁÏÓÏ. ÕÓ expertise, decision-making and artificial ÚÂÏ ÓÚ˜ÂÚÎ˂ ÔÓÒÚÛÔ‡ÂÚ ÒÂ„Ó‰Ìˇ¯ÌËÈ ÍÓÌÚÂÍÒÚ. Ã˚ ÒÏÓÚËÏ ÒÚ‡Û˛ intellect. Simultaneously worked as translator ÔÓÔ‡„‡Ì‰ËÒÚÒÍÛ˛ ıÓÌËÍÛ ÒÓ‚ÒÂÏ ‰Û„ËÏË „·Á‡ÏË, ˜ÂÏ ÒÏÓÚÂÎË ÂÂ Ë from Japanese. Then graduated from the ÒÚÓÓÌÌËÍË, Ë ÔÓÚË‚ÌËÍË ÒÓ‚ÂÚÒÍÓ„Ó ÂÊËχ. section of fiction film of the Film Institute ÃËÓ‚‡ˇ ÔÂϸ‡: 28.01.2008 ñ Ãü‘ ‚ –ÓÚÚ‰‡ÏÂ. VGIK (1997, workshop of Nana Dzhordzhadze), received a grant by the Nipkow Programme in Berlin. Since 2000 Experimental montage film, made on the basis of Soviet propaganda reels. As director at the St. Petersburg Studio of starting point the author takes releases of the newsreel ìOur Regionî of the Documentary Films (SPSDF). In 2001 1950s and 1960s that were made at the Leningrad studio of documentary emigrated with his family to Germany, which does not prevent him from working in films; he isolates and singles out the most expressive fragments. This process Russia. is carried out with great sensitivity, without leaving any traces of surgical intrusion, without doing any violence to the material, and without offering any Filmography (non-fiction films): comment. This has little in common with sots-art and postmodernism. But the 1996 .... Today we Build a House contemporary context is distinct and apparent. We are looking at an old 1997 .... Life, Autumn 2000 .... The Halt propaganda chronicle with completely different eyes than the supporters and 2001 .... The Settlement opponents of the Soviet regime. 2002 .... Portrait World premiere: 28 January 2008 ñ IFF Rotterdam. 2003 .... Landscape 2004 .... Factory 2005 .... The Blockade 2006 .... The Artel 2008 .... The Revue 74 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria THE SEASONOFMISTS —≈«ŒÕ “”ÿՌ¬ www.theseasonofmists.com Ë ÍËÌÂχÚÓ„‡ÙËË ‘Ë̇ÒÓ‚‡ˇ ÔÓ‰‰ÂÊ͇ Zaleski Enterprises(¬ÂÎËÍÓ·ËÚ‡Ìˡ) œÓËÁ‚Ó‰ÒÚ‚Ó √Â̇θÌ˚È ÔÓ‰˛Ò »Ù‡Ì ’¸˛ƒ‡Ùˉ‰,ƒ‡‰ÎË—‡ÚÚÓÌ,À‡ËÒ‡œ‡Ì˜ÂÌÍÓ ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ Dolby Digital5.1 2008, –ÓÒÒˡ/¬ÂÎËÍÓ·ËÚ‡Ìˡ,98ÏËÌ.,ˆ‚.,1:1.85, —„ÂÈ Œ‚˜‡ÂÌÍÓ,–˝È’ËÎΠÇ‡Ú Ç„‡Ï·ÂÚÓ‚ ÇË̇ ¡Î˝ÈÍ,—„ÂÈ◊ÓÌ˯‚ËÎË, ƒÏËÚËÈ ≈χÍÓ‚ ¿Ì̇ ◊Â̇ÍÓ‚‡ √˝‚ËÌ ¡‡È‡Ò ´üËÌӄ·Áª ÔËÛ˜‡ÒÚËËMcCartneyMedia, ¿Ì̇ ◊Â̇ÍÓ‚‡,≈‚„ÂÌˡ“ˉ‡ÚÓ‚‡ ‘‰‡θÌÓ ‡„ÂÌÚÒÚ‚ÓÔÓÍÛθÚÛ ≈‚„ÂÌˡ “ˉ‡ÚÓ‚‡ www.theseasonofmists.com McCartney MediaandZaleskiEnterprisesLtd.(UK) Production General Producer Dudley Sutton,LarissaPanchenko Cast: Editing Sound Sergei Composer Director ofPhotography Director Scriptwriters 2008, Russia/UK,98min,col.,1:1.85,DolbyDigital5.1 Marina Blake,SergeiChonishvili,IfanHuwDafydd, Marat Magambetov Anna Tchernakova Gavin Bryars Kinoglaz (Russia)withtheparticipationof Anna Tchernakova,EvgeniaTirdatova Ovcharenko, RayHill Evgenia Tirdatova Dmitri Ermakov ÎÂÚÌˇˇ ˝ÈÙÓˡ
¿Ì̇ ◊Â̇ÍÓ‚‡ summer euphoria –ÂÊËÒÒÂ Ë„Ó‚Ó„Ó Ë ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ. –Ӊ˷Ҹ ‚ ÀÂÌËÌ„‡‰Â. ŒÍÓ̘Ë· ÂÊËÒÒÂÒÍÓ ÓÚ‰ÂÎÂÌË ¬√»ü‡ (1993, χÒÚÂÒ͇ˇ Ã.Ã. ’ۈ˂‡). ◊ÎÂÌ √Ëθ‰ËË ÂÊËÒÒÂÓ‚ –ÓÒÒËË Ë √Ëθ‰ËË ÂÊËÒÒÂÓ‚ ¬ÂÎËÍÓ·ËÚ‡ÌËË. — 1994 „Ó‰‡ ‡·Óڇ· Í‡Í ÒˆÂ̇ËÒÚ, ÂÊËÒÒÂ Ë ÔÓ‰˛Ò ‚ ¬ÂÎËÍÓ·ËÚ‡ÌËË Ë ü‡Ì‡‰Â. –ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú ‚ Ë„Ó‚ÓÏ ÍËÌÓ ñ ´¬Ë¯Ì‚˚È Ò‡‰ª 75 („‡Ì-ÔË ÙÂÒÚË‚‡Îˇ ´ÀËÒÚÓÔ‡‰ª ‚ ÃËÌÒÍÂ). ≈ ÙËθÏ˚ Û˜‡ÒÚ‚Ó‚‡ÎË ‚Ó ÏÌÓ„Ëı ÏÂʉÛ̇ӉÌ˚ı ÍËÌÓÙÂÒÚË‚‡Îˇı, ‚Íβ˜‡ˇ “ÓÍËÓ Ë ÃÓ̇θ. ¬ ̇ÒÚÓˇ˘Â ‚ÂÏˇ ‡·ÓÚ‡ÂÚ Ì‡‰ ÔÓÎÌÓÏÂÚ‡ÊÌÓÈ Ë„Ó‚ÓÈ Í‡ÚËÌÓÈ ´“ÂÎÂÏÂÚˡª (–ÓÒÒˡ/ ü‡Ì‡‰‡).
»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ: 1992 ....œÓÒÎÂÒÎÓ‚ËÂ Í ´¡ÂÒÍÓ̘ÌÓÒÚ˪ (‰ÓÍ., “¬) 1993 ....¬Ë¯Ì‚˚È Ò‡‰ 2000 ....œÓÒΉÌ ÎÂÚÓ (ü‡Ì‡‰‡, “¬) 2001 ....√ËÏÌ Ú˚Òˇ˜ÂÎÂÚ˲ (¬ÂÎËÍÓ·ËÚ‡Ìˡ, ‰ÓÍ., “¬) 2002 ....ÃÓÂ Ë Á‚ÂÁ‰˚ (ü‡Ì‡‰‡, ‡ÌËχˆËˇ) 2003 ....Õ‡‰ÔËÒË Ì‡ ‚Ӊ (¬ÂÎËÍÓ·ËÚ‡Ìˡ/ »Ú‡Îˡ, ‰ÓÍ., “¬) 2006 ....ƒÛ˝Ú (¬ÂÎËÍÓ·ËÚ‡Ìˡ/ ü‡Ì‡‰‡, ‰ÓÍ., “¬) 2007 ....´Ã»–ª Ë ‰Û„Ë ÍÓÒÏ˘ÂÒÍË ËÒÚÓËË (¬ÂÎËÍÓ·ËÚ‡Ìˡ, ‰ÓÍ.) 2008 ....—ÂÁÓÌ ÚÛχÌÓ‚
Anna Tchernakova ÃÂÎÓ‰‡Ï‡. Director of fiction and documentary films. ÕÂÒÍÓθÍÓ ÎÂÚ Ì‡Á‡‰ ÇË̇ ÛÂı‡Î‡ Ò ÔˇÚËÎÂÚÌÂÈ ‰Ó˜Â¸˛ ËÁ ÃÓÒÍ‚˚ ‚ Born in Leningrad. Graduated from the ¿Ì„Î˲, „‰Â ‚˚¯Î‡ Á‡ÏÛÊ Á‡ √„ÓË, ‚·‰Âθˆ‡ „‡‡Ê‡, Ë ÔÓÒÂÎË·Ҹ Ò faculty of directing of the Film Institute ÌËÏ ‚ χÎÂ̸ÍÓÈ ‰Â‚ÌÂ. ≈ ÔËÒ‡ÚÂθÒ͇ˇ ͇¸Â‡ Ó·Ó‚‡Î‡Ò¸, Ì ÛÒÔ‚ VGIK (1993, workshop of M. Khutsiev). ̇˜‡Ú¸Òˇ, Ë ÚÂÔ¸ Ó̇ ‡·ÓÚ‡ÂÚ ‚ ÏÂÒÚÌÓÈ Ô‡ËÍχıÂÒÍÓÈ. œË ‚ÒÂÏ Ò‚ÓÂÏ Member of Russian Guild of Directors and of ÒÚ‡‡ÌËË √„ÓË Ì ÏÓÊÂÚ Ò‰Â·ڸ Ò˜‡ÒÚÎË‚ÓÈ ÊÂÌ˘ËÌÛ, ÍÓÚÓÛ˛ β·ËÚ. ” the Guild of Directors of Great Britain. Since ¿ÎÂÍ҇̉‡ ñ ‚ÚÓÓÈ ÒÍËÔÍË ‚ Í‚‡ÚÂÚÂ Ë ´‚ÚÓÓÈ ÒÍËÔÍ˪ ÔÓ ÊËÁÌË ñ 1994 worked as a scriptwriter, director and ÚÓÊ ‚Ò ÒÎÓÊËÎÓÒ¸ Ì ڇÍ, Í‡Í ÍÓ„‰‡-ÚÓ Ï˜ڇÎÓÒ¸. Œ‰Ì‡Ê‰˚ ÓÔÓÁ‰‡‚ ̇ producer in Great Britain and Canada. Her ÔÓÂÁ‰, ÇË̇ Á̇ÍÓÏËÚÒˇ Ò ¿ÎÂÍ҇̉ÓÏ. ÃÂÊ‰Û ÌËÏË ‚ÒÔ˚ıË‚‡ÂÚ Î˛·Ó‚¸. directorial debut in fiction film was ìThe ¿ ‰‡Î¸¯Â ‚Ò ÌÂÒÂÚÒˇ ‚ ÒÛχү‰¯ÂÏ ‚Ëı ñ ‚ ÒÚ‡ÒÚÌÓÏ Ê·ÌËË Ì‡ÈÚË Cherry Orchardî(Grand Prix of the festival ËÒÚËÌÌÛ˛, Ò‚Ó˛ ÊËÁ̸ Ë Ó·ÂÒÚË Ò·ˇ. Listopad in Minsk). Her films have participated in many international film Melodrama. festivals, including Tokyo and Montreal. Marina lives in a small village in England. A few years ago she left Moscow Currently she is working on a full-length with her five-year-old daughter and married Gregory, a garage owner in the fiction film ìTelemetryî (Russia/Canada). village. A writer in her previous life, she now works at the local hairdressers. Gregory loves her, but Marina doesnít feel happy and satisfied with her life ñ Select Directorís Filmography: and canít really explain why. A chance encounter with a touring baroque 1992 ....Postscriptum to ìInfinitasî (doc., TV) quartet from Moscow throws her out of her daily routines, and unexpected love 1993 ....The Cherry Orchard 2000 ....Last Summer (Canada, TV) opens up all the questions, which Marina has been hiding deep insideÖ 2001 ....Millennium Hymn (UK, doc., TV) 2002 ....Sea and Stars (Canada, animation) 2003 ....Writings on Water (UK/Italy, doc., TV 2006 ....Duo (UK/Canada, doc., TV) 2007 ....ìMIRî and other Space Stories (UK, doc., TV) 2008 ....Season of Mists 76 ÎÂÚÌˇˇ ˝ÈÙÓˡ summer euphoria THE LISTOFSHIPS —œ»—Œü üŒ–¿¡À≈… www.seance.ru œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò «‚ÛÍ üÓÏÔÓÁËÚÓ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ Ë‰ÂË ¿‚ÚÓ ÚÂÍÒÚ‡ 2008, –ÓÒÒˡ,52ÏËÌ.,ˆ‚., ¬Î‡‰ËÏË œÂÒÓ‚ œ‡‚ÂÎ üÓÒÚÓχӂ ¿ÎÂÍÒÂÈ √ÛÒ‚ À˛·Ó‚¸ ¿ÍÛÒ À˛·Ó‚¸ ¿ÍÛÒ ÀÂÓÌˉ ƒÂÒˇÚÌËÍÓ‚ ¿Í‡‰ËÈ »ÔÔÓÎËÚÓ‚ ÇÒÚÂÒ͇ˇ ї‡ÌÒì www.seance.ru Production Producer Sound Composer Director ofPhotography Director Author ofIdea Text 2008, Russia,52min,col. Arkadi Ippolitov Vladimir Persov Alexei Gusev Liubov Arkus Leonid Desiatnikov Workshop StudioìSeanceî Liubov Arkus Pavel Kostomarov ÎÂÚÌˇˇ ˝ÈÙÓˡ
¿ÎÂÍÒÂÈ √ÛÒ‚ summer euphoria –Ó‰ËÎÒˇ ‚ ÀÂÌËÌ„‡‰Â ‚ 1977 „Ó‰Û. ”˜ËÎÒˇ ̇ ÏÂı‡ÌËÍÓ-χÚÂχÚ˘ÂÒÍÓÏ Ù‡ÍÛθÚÂÚ —œ·√” (1993ñ96), ÓÍÓ̘ËÎ ÒˆÂ̇ÌÓ- ÍËÌӂ‰˜ÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (2006, χÒÚÂÒ͇ˇ ¿. «ÓÎÓÚÛıËÌÓÈ Ë ¬. ”ÚËÎÓ‚‡; ÔÂÏˡ ÊÛ̇· ´üËÌӂ‰˜ÂÒÍË Á‡ÔËÒÍ˪ Á‡ ÎÛ˜¯Û˛ ‰ËÔÎÓÏÌÛ˛ ‡·ÓÚÛ). — 1997 ó ÂÊËÒÒ Ú‡ڇ ´—‡ÚÛÕª (—œ·), Û˜‡ÒÚÌËÍ ÏÂʉÛ̇ӉÌ˚ı Ú‡ڇθÌ˚ı ÙÂÒÚË‚‡ÎÂÈ. 77 œÛ·ÎËÍÛÂÚÒˇ Ò 1997 „Ó‰‡ (‡Î¸Ï‡Ì‡ıË ´¿ÔÓÎӄˡ ڇ̈‡ª, ´—iÌÂχÚÓ„‡Ù˙ª, ´¬Â˘¸.docª, „‡ÁÂÚ˚ ´’ÓÌË͇ª Ë ‰.). –ÛÍÓ‚Ó‰ËÚÂθ ‡Á‰Â· ´ÃËÓ‚Ó ÍËÌÓª ËÁ‰‡Ìˡ ´ÕÓ‚Âȯ‡ˇ ËÒÚÓˡ ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÓ. 1986ñ2000ª. ◊ÎÂÌ Â‰ÍÓÎ΄ËË ËÁ‰‡ÚÂθÒÚ‚‡ ´—‡ÌÒª. À‡ÛÂ‡Ú œÂÏËË ËÏ. Ã. À‚ËÚË̇, √Ëθ‰Ëˇ ÍËÌӂ‰ӂ Ë ÍËÌÓÍËÚËÍÓ‚ –ÓÒÒËË, 2006. Alexei Gusev Born in Leningrad in 1977. Studied at the Mechanical Mathematics Faculty of St. Petersburg State University (1993-96); graduated from the script and research faculty of the Film Institute VGIK (2006, workshop of A. Zolotukhina and V. Utilova; prize of the journal ìKinovedcheskie zapiskiî for the best diploma work). Since 1997 director at the theatre ìSaturNî (St Petersburg), participant of international Õ‡ Û·ÂÊ XV Ë XVI ‚ÂÍÓ‚ ‚ ËÒÚÓËË ˜ÂÎӂ˜ÂÒÚ‚‡ ÔÓËÒıÓ‰ËÚ Ô‚ÓÓÚ: theatre festivals. Publishes since 1997 ‚ 1492 „Ó‰Û üÓÎÛÏ· ̇ Ò‚ÓËı ͇‡‚Âηı ‰ÓÔÎ˚‚‡ÂÚ ‰Ó ¿ÏÂËÍË. (almanacs ìApologia of Danceî, Õ‡˜Ë̇ÂÚÒˇ ˝ÔÓı‡, ÍÓÚÓÛ˛ ÔÓÁÊ ̇ÁÓ‚ÛÚ ÕÓ‚˚Ï ‚ÂÏÂÌÂÏ. ÃË ·˚Î ìCinematographî, ìVeshch.docî, and the ÛÒÚÓȘ˂, ÓÌ ÒÚӡΠÌ ÚÓ Ì‡ ÒÎÓ̇ı, Ì ÚÓ Ì‡ ˜ÂÂÔ‡ı‡ı, Ë ÚÓθÍÓ Ò‡Ï˚ newspaper ìChronicleî, etc.). Head of the ÓÚ˜‡ˇÌÌ˚ ËÌÚÂÎÎÂÍÚÛ‡Î˚ ÔÓ‰‚„‡ÎË ˝ÚÓ ÒÓÏÌÂÌ˲. ŒÌ ·˚Î ·ÓÎÂÂ-ÏÂÌ section ìWorld Cinemaî of the ìNew History ËÁ‚ÂÒÚÂÌ, ËÁÛ˜ÂÌÖ » ‚‰Û„ Ó͇Á‡ÎÓÒ¸, ˜ÚÓ ‚ ÌÂÏ ÂÒÚ¸ ÌÓ‚‡ˇ ˜‡ÒÚ¸ Ò‚ÂÚ‡. ◊ÚÓ of Russian Cinema: 1986-2000î. Associate ÒÛ˘ÂÒÚ‚Û˛Ú Ó„ÓÏÌ˚ ÁÂÏÎË, ̇ÒÂÎÂÌÌ˚ Òӂ¯ÂÌÌÓ ÌÂËÁ‚ÂÒÚÌ˚ÏË editor of the publishing house Seance. ̇Ӊ‡ÏË, ÌÂÍËÏË ‡ÌÚËÔÓ‰‡ÏË, ÍÓÚÓ˚ ıÓ‰ˇÚ ÔÓ‰ ̇ÏË ‚ÌËÁ „ÓÎÓ‚‡ÏË. Winner of the Levitin Award, Guild of Film ŒÚÔ‡‚ÌÓÈ ÚÓ˜ÍÓÈ ‰Îˇ ÒÓÁ‰‡Ìˡ ÙËθχ ÔÓÒÎÛÊË· ÎÂÍˆËˇ ¿Í‡‰Ëˇ Scholars and Film Critics of Russia, 2006. »ÔÔÓÎËÚÓ‚‡, ÔÓ˜ËÚ‡Ì̇ˇ ÒÚÛ‰ÂÌÚ‡Ï ”ÌË‚ÂÒËÚÂÚ‡ ÍËÌÓ Ë ÚÂ΂ˉÂÌˡ (ÓÔÛ·ÎËÍÓ‚‡Ì‡ ̇ Ò‡ÈÚ ËÁ‰‡ÚÂθÒÚ‚‡ ´—‡ÌÒª ñ www.seance.ru).
On the threshold of the 15th and 16th centuries a revolution occurred in the history of mankind: in 1492 Columbus reached America on his caravels. The epoch that will later be called New Age has begun. The world had been steady ñ standing if not on elephants, then on turtles ñ and only the most desperate intellectuals called this into question. The world was more or less known, studiedÖ And suddenly it transpired that there were new parts in the world, huge territories occupied by unknown peoples, some antipodes that walk ëdown underí, upside down. A lecture by Arkadi Ippolitov to students of the University of Cinema and Television (published on the web site of the publishing house Seance at the URL www.seance.ru) served as a starting point for the creation of this film. 78
www.kinotavr.ru special screening ÒÔˆˇθÌ˚È ÔÓ͇Á ÒÔˆˇθÌ˚È ÔÓ͇Á special screening 79
ËÓËÚ‡ RIORITA ˜ÛÊË STRANGERS –»Œ–»“¿ RIORITA special screening ÒÔˆˇθÌ˚È ÔÓ͇Á
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2008, –ÓÒÒˡ, 98 ÏËÌ., ˆ‚., 1:1.85, Dolby Digital 5.1 2008, Russia, 98 min., col., 1:1.85, Dolby Digital 5.1
¿‚ÚÓ ÒˆÂÌ‡Ëˇ Ë ÂÊËÒÒ œÂÚ “Ó‰ÓÓ‚ÒÍËÈ Scriptwriter and Director Petr Todorovsky ŒÔ‡ÚÓ fiËÈ ÿ‡È„‡‰‡ÌÓ‚ Director of Photography Yuri Shaigardanov ’Û‰ÓÊÌËÍ ¿ÎÂÍ҇̉ ◊ÂÚӂ˘ Production Design Alexander Chertovich üÓÒÚ˛Ï˚ À˛‰ÏË· ÃËθ˜‡ÌË̇ Costume Design Liudmila Milchanina üÓÏÔÓÁËÚÓ œÂÚ “Ó‰ÓÓ‚ÒÍËÈ Composer Petr Todorovsky «‚ÛÍ ≈‚„ÂÌËÈ œÓÁ‰ÌˇÍÓ‚ Sound Evgeni Pozdniakov –ÂÊËÒÒ ÏÓÌڇʇ Õ‡Ú‡Îˡ ÿÏË‰Ú Editing Natalia Schmidt ¬ ÓΡı: ƒÏËÚËÈ ”θˇÌÓ‚, üÓÌÒÚ‡ÌÚËÌ ¬ÓÓ·¸Â‚, Cast: Dmitri Ulianov, Konstantin Vorobiev, Alexei Gorbunov, ¿ÎÂÍÒÂÈ √Ó·ÛÌÓ‚, »‚‡Ì üË‚ÓÛ˜ÍÓ, flÍÓ‚ ÿ‡Ï¯ËÌ, Ivan Krivoruchko, Yakov Shamshin, Anatoli Gushchin ¿Ì‡ÚÓÎËÈ √Û˘ËÌ Producer Mira Todorovskaya œÓ‰˛Ò Ãˇ “Ó‰ÓÓ‚Ò͇ˇ Production Studio Mirabelle œÓËÁ‚Ó‰ÒÚ‚Ó ÒÚÛ‰Ëˇ ´Ãˇ·Âθª special screening
œÂÚ “Ó‰ÓÓ‚ÒÍËÈ ÒÔˆˇθÌ˚È ÔÓ͇Á ñ ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ, ÍÓÏÔÓÁËÚÓ, ÓÔ‡ÚÓ, Ô‰‡„Ó„ ¬ü—–.. Õ‡Ó‰Ì˚È ‡ÚËÒÚ –ÓÒÒËË, ·ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÔÂÏËÈ Ë Ô‡‚ËÚÂθÒÚ‚ÂÌÌ˚ı ̇„‡‰, ÔËÁ ÏÂʉÛ̇ӉÌ˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. «‡ ÙËθÏ˚ ´¬ÓÂÌÌÓ- ÔÓ΂ÓÈ Óχ̪, ´¿ÌÍÓ, ¢ ‡ÌÍÓ!ª Ë ´ü‡Í‡ˇ ˜Û‰Ì‡ˇ Ë„‡ª Û‰ÓÒÚÓÂÌ √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË –‘ (1996), Á‡ 81 ‚˚‰‡˛˘ËÈÒˇ ‚Í·‰ ‚ ‡Á‚ËÚË ÓÒÒËÈÒÍÓ„Ó ÍËÌÓ ÔÓÎÛ˜ËÎ —ÔˆˇθÌ˚È ÔËÁ ÔÂÁˉÂÌÚ‡ –ÓÒÒËË (2000).
‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 1962 ....ÕËÍÓ„‰‡ (Ò ¬Î‡‰ËÏËÓÏ ƒ¸ˇ˜ÂÌÍÓ) 1965 ....¬ÂÌÓÒÚ¸ 1967 ....‘ÓÍÛÒÌËÍ 1970 ....√ÓÓ‰ÒÍÓÈ ÓχÌÒ 1973 ....—‚Óˇ ÁÂÏΡ (Ú‚) 1975 ....œÓÒÎÂ‰Ìˇˇ ÊÂÚ‚‡ 1978 ....¬ ‰Â̸ Ô‡Á‰ÌË͇ 1981 ....À˛·Ëχˇ ÊÂÌ˘Ë̇ ÏÂı‡ÌË͇ √‡‚ËÎÓ‚‡ 1983 ....¬ÓÂÌÌÓ-ÔÓ΂ÓÈ ÓÏ‡Ì 1986 ....œÓ „·‚ÌÓÈ ÛÎËˆÂ Ò ÓÍÂÒÚÓÏ 1989 ....»ÌÚ‰‚Ә͇ 1992 ....¿ÌÍÓ, ¢ ‡ÌÍÓ! 1995 ....ü‡Í‡ˇ ˜Û‰Ì‡ˇ Ë„‡ 1998 ....–ÂÚÓ ‚ÚÓÂÏ 2002 ....ΔËÁ̸ Á‡·‡‚‡ÏË ÔÓÎ̇ 2003 ....¬ —ÓÁ‚ÂÁ‰ËË ¡˚͇ Petr Todorovsky Director, scriptwriter, composer, cameraman, teacher at the Higher Courses for Directors and ƒ‡Ï‡ ‚ÓÂÌÌ˚ı ÎÂÚ, ÔˇÚ˚È ÙËÎ¸Ï œÂÚ‡ “Ó‰ÓÓ‚ÒÍÓ„Ó Ó ˜ÂÎÓ‚ÂÍ ‚ Scriptwriters. National Artist of Russia, Ó·ÒÚÓˇÚÂθÒÚ‚‡ı ‚ÓÈÌ˚. winner of professional prizes and government üÓ̈ 1944 „Ó‰‡, ¬ÂÎË͇ˇ ŒÚ˜ÂÒÚ‚ÂÌ̇ˇ ‚ÓÈ̇. üÂÒÚ¸ˇÌË̇ œË˜Û„Ó‚‡ Ë awards, prize-winner of international and Â„Ó ÚÓËı Ò˚ÌÓ‚ÂÈ ËÁ χÎÂ̸ÍÓ„Ó ·ÂÎÓÛÒÒÍÓ„Ó Ò·, ÓÒ‚Ó·ÓʉÂÌÌÓ„Ó ÓÚ national film festivals. For the films A Military Field Romance, Encore, Another Encore! and ÌÂψÍÓÈ ÓÍÍÛÔ‡ˆËË, ÔËÁ˚‚‡˛Ú Í ‚ÓËÌÒÍÓÈ ÒÎÛÊ·Â. ÃÛʘËÌ˚ ‚ÎË‚‡˛ÚÒˇ What a Wonderful Game he was awarded the ‚ ‡ÏÂÈÒÍÓ ÔÓ‰‡Á‰ÂÎÂÌËÂ, ÛÒÔ¯ÌÓ Ì‡ÒÚÛÔ‡˛˘Â ̇ «‡Ô‡‰. ¬ Ó‰ÌÓÏ ‚Á‚Ӊ Russian State Prize (1996), and for his Ò ÒÂϸÂÈ Ó͇Á˚‚‡ÂÚÒˇ ˇ‰Ó‚ÓÈ ÂÙÂÈÚÓ ¡‡ı‡ÚÓ‚, ·˚‚¯ËÈ Ì‡‰ÁˇÚÂθ outstanding contribution to the development of ·„¡ ÔÓÎËÚÁ‡Íβ˜ÂÌÌ˚ı. œÓθÁÛˇÒ¸ ̇˂ÌÓÒÚ¸˛ Ë ÌÂÓ·‡ÁÓ‚‡ÌÌÓÒÚ¸˛ Russian cinema he received the Special Prize of the President of Russia (2000). ˜ÂÚ˚Âı ÍÂÒÚ¸ˇÌ, ÂÙÂÈÚÓ Á‡Ú‚‡ÂÚ ‰¸ˇ‚ÓθÒÍÛ˛ Ë„ÛÖ
Directorís Filmography War Drama. Todorovskyís fifth film about man in the circumstance of war. 1962 .... Nevermore (with Vladimir The end of 1944, the Great Patriotic War. The peasant Pichugov and his three Diachenko) sons from a small Belarus village that has been liberated from German 1965 .... Fidelity 1967 .... The Magician occupation are called up for military service. The men are immersed in an 1970 .... Urban Romance army division that successfully attacks the West. Corporal Barkhatov, a former 1973 .... My Own Land (TV) supervisor of a camp of political prisoners, fights in the same platoon as the 1975 .... The Last Victim family. Exploiting the naivety and ignorance of the four peasants, the corporal 1978 .... On a Holiday 1981 .... The Mechanic Gavrilovís Beloved conceives an evil gameÖ Woman 1983 .... A Military Field Romance 1986 .... Through the Main Street with an Orchestra 1989 .... Intergirl 1992 .... Encore, Another Encore! 1995 .... What a Wonderful Game 1998 .... Retro a trois 2002 .... Life is Full of Fun 2003 .... In the Sign of Taurus ◊”Δ»≈ STRANGERS special screening ÒÔˆˇθÌ˚È ÔÓ͇Á
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2008, –ÓÒÒˡ/ —ÿ¿/ ≈„ËÔÂÚ, 106 ÏËÌ., ˆ‚., 1:2.35, 2008, Russia / US/ Egypt, 106 min, col., 1:2.35, Dolby Digital 5.1 Dolby Digital 5.1
¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ¿ÎÂÍ҇̉ –ÂÏÌ‚, ¬Î‡‰ËÏË Ã‡Îˇ„ËÌ, Scriptwriters Alexander Remnev, Vladimir Malyagin, fiËÈ √˚ÏÓ‚ Yuri Grymov –ÂÊËÒÒ fiËÈ √˚ÏÓ‚ Director Yuri Grymov ŒÔ‡ÚÓ ¿Ì‰ÂÈ ü‡ÚÓÊÂÌÍÓ Director of Photography Andrei Katorzhenko ’Û‰ÓÊÌËÍË fiËÈ √˚ÏÓ‚, Abbas Saber (≈„ËÔÂÚ) Production Design Yuri Grymov, Abbas Saber (Egypt) üÓÒÚ˛Ï˚ Ã‡Ëˇ ƒ‡ÌËÎÓ‚‡ Costume Design Maria Danilova ÃÛÁ˚͇θÌ˚È ÔÓ‰˛ÒÂ Ë ÍÓÏÔÓÁËÚÓ ¿Ì‰ÂÈ ‘ÂÓÙ‡ÌÓ‚ Musical Producer and Composer Andrei Feofanov «‚ÛÍ ¬‡‚‡‡ ¡ÂÎÓÛÒ Sound Varvara Belous –ÂÊËÒÒ ÏÓÌڇʇ »Ë̇ ¡˚˜ÍÓ‚‡ Editing Irina Bychkova ’Û‰ÓÊÌËÍ ÔÓ „ËÏÛ ≈‚„ÂÌˡ ÿ‚Â΂‡ Make-Up Evgenia Sheveleva ¬ ÓΡı: —͇ÎÂÚÚ Ã‡Í¿ÎËÒÚÂ, Ã‡Í ›‰‡Ï, ü˝ÚÎËÌ √‡ÚË, Cast: Scarlett McAlister, Mark Adam, Kathleen Gati, ÕËÎ —Ú˛‡Ú, ƒÊ˝ÙÙ √˝ÈÒ, ¬ËÍÚÓ ¡˚˜ÍÓ‚, Neil Stewart, Jeff Grays, Viktor Bychkov, Alexei Poluyan, ¿ÎÂÍÒÂÈ œÓÎÛˇÌ, ƒÂÌËÒ Õ‡„ÂÚ‰ËÌÓ‚, ¿ÎË ¿ıω ¿ÎË Denis Nagretdinov, Ali Ahmed Ali √Â̇θÌ˚È ÔÓ‰˛Ò fiËÈ √˚ÏÓ‚ General Producer Yuri Grymov œÓ‰˛Ò œ‡‚ÂÎ œÓΡÍÓ‚ Producer Pavel Poliakov œÓËÁ‚Ó‰ÒÚ‚Ó ´“‚Ó˜ÂÒÍÓ ӷ˙‰ËÌÂÌË fi√ª Production Creative Association YuG
www.grimov.ru www.grimov.ru www.chuzhiemovie.ru www.chuzhiemovie.ru fiËÈ √˚ÏÓ‚ special screening ñ ÂÊËÒÒÂ, ÔÓ‰˛ÒÂ, ıÛ‰ÓÊÌËÍ- ÒÔˆˇθÌ˚È ÔÓ͇Á ÔÓÒÚ‡ÌÓ‚˘ËÍ, ıÛ‰ÓÊÌËÍ-ÙÓÚÓ„‡Ù. ¿Í‡‰ÂÏËÍ ÍËÌÂχÚÓ„‡Ù˘ÂÒÍËı ËÒÍÛÒÒÚ‚, ‡Í‡‰ÂÏËÍ ÂÍ·Ï˚ –¿–¿ (¿ü¿–), ·ÛÂ‡Ú œÂÏËË ÔÂÁˉÂÌÚ‡ –‘, ÔÂÏËË ÍËÌӇ͇‰ÂÏËË ´ÕË͇ª Ë ‰Û„Ëı ÔÓÙÂÒÒËÓ̇θÌ˚ı ÔÂÏËÈ ‚ ӷ·ÒÚË ÍËÌÓ Ë ÂÍ·Ï˚, ÔËÁ ÙÂÒÚË‚‡ÎÂÈ. –ÛÍÓ‚Ó‰ËÚÂθ Ú‚Ó˜ÂÒÍÓ„Ó Ó·˙‰ËÌÂÌˡ ´fi√ª. 83
‘ËθÏÓ„‡Ùˡ: 1996 ....◊ÛÊË ÓÚÍÓ‚ÂÌˡ (Í/Ï) 1998 ....ÃÛ-ÃÛ 2001 ....üÓÎÎÂ͈ËÓÌ 2005 ....ü‡ÁÛÒ üÛÍÓˆÍÓ„Ó 2008 ....◊ÛÊËÂ
Yuri Grymov Director, producer, production designer, photographer. Member of the Academy of Film Arts, of the Academy of Advertising (RARA), winner of the prize of the President of the Russian Federation, of the prize of the Film Academy NIKA and other professional awards in the field of cinema and advertising, as well as prize-winner of festivals.
Head of the creative association YuG (South). ƒ‡Ï‡. ƒÂÈÒÚ‚Ë ÔÓËÒıÓ‰ËÚ ‚ ̇¯Ë ‰ÌË ‚ ÁÓÌ ‚ÌÛÚË̇ˆËÓ̇θÌÓ„Ó ÍÓÌÙÎËÍÚ‡. Directorís Filmography: œˇÚ¸ ‚‡˜ÂÈ, Ô‰ÒÚ‡‚Ρ˛˘Ëı ·Î‡„ÓÚ‚ÓËÚÂθÌÛ˛ Ó„‡ÌËÁ‡ˆË˛ —ÿ¿, 1996 .... Somebody Elseís Revelations (short) ̇ԇ‚ÎÂÌ˚ Ò ·Î‡„ÓÓ‰ÌÓÈ ÏËÒÒËÂÈ ñ ÔÓ‚ÂÒÚË Ó·ÒΉӂ‡ÌËÂ Ë ‚‡ÍˆË̇ˆË˛ 1998 .... Ãu-Mu ‰ÂÚÂÈ. Àˉ „ÛÔÔ˚ Ë Â„Ó ÍÓÎÎÂ„Ë Ô‰ÒÚ‡˛Ú Ô‰ ÁËÚÂÎÂÏ ÒÔÎÓ˜ÂÌÌÓÈ 2001 .... The Collector ÍÓχ̉ÓÈ ‚ ÎÛ˜¯Ëı ‡ÏÂË͇ÌÒÍËı Ú‡‰ËˆËˇı. Œ‰Ì‡ÍÓ ÒÛ‰¸·‡ Û„ÓÚÓ‚Ë· ‰Îˇ 2005 .... Kukotskyís Case ‚‡˜ÂÈ Ú‡ÍË ËÒÔ˚Ú‡Ìˡ, ‚ ÂÁÛθڇÚ ÍÓÚÓ˚ı ËÏ ÔˉÂÚÒˇ ËÒÍÓ‚‡Ú¸ Ì 2008 .... Strangers ÚÓθÍÓ Ò‚ÓÂÈ Í‡¸ÂÓÈÖ œÂϸ‡ ÙËθχ ÒÓÒÚÓËÚÒˇ ÓÒÂ̸˛ 2008 „Ó‰‡. «Ó̇ ÔÓ͇ڇ: –ÓÒÒˡ, ÒÚ‡Ì˚ —Õ√, —ÿ¿, ü‡Ì‡‰‡, ¿ÙË͇.
Drama. The action takes place in a region of internal, national conflict in our days. Five doctors who represent a US-based charity are dispatched on a noble mission: to check out and vaccinate children. The group leader and his colleagues form a rallied team in the best American tradition. However, destiny holds such tests in store for the doctors that in the end they have to risk not only their careersÖ Premiere to be held in the autumn of 2008. Distribution: Russia, CIS, USA, Canada, Africa. 84
www.kinotavr.ru ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë
12 cinema on the square 12 (TWELVE) ‡ÌÚËÒÂÍÒ ANTISEX ‡ÒÒ‡ 85 ASSA ·ÓÈ Ò ÚÂ̸˛ 2: ‚‡Ì¯ SHADOW BOXING 2: REVENGE „ÓÒÔÓ‰‡ ÓÙˈÂ˚. ÒÔ‡ÒÚË ËÏÔ‡ÚÓ‡ GENTLEMEN OFFICERS. SAVE THE EMPEROR ‰Â̸ ‡‰ËÓ DAY OF RADIO ÁÂÎÂÌ˚È ÚÂ‡Ú ‚ ÁÂÏÙË GREEN THEATRE IN ZEMFIRA Ë„‡ THE GAME Ëθˇ ÏÛÓψ Ë ÒÓÎÓ‚ÂÈ ‡Á·ÓÈÌËÍ ILYA MUROMETS AND NIGHTINGALE-ROBBER ËÌ‰Ë„Ó INDIGO ËÒ˜ÂÁÌÛ‚¯‡ˇ ËÏÔÂˡ THE VANISHED EMPIRE ÏÓÌ„ÓÎ MONGOL ÏÛı‡ MUKHA (THE FLY) Ï˚ ËÁ ·Û‰Û˘Â„Ó WE ARE FROM THE FUTURE ÓÁ˚„˚¯ THE JOKE ҇ȉ-ÒÚÂÔ SIDE STEP ıÓÎÓ‰ÌÓ ÒÓÎ̈ THE COLD SUN 86 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 12 (Twelve) 12 www.trite.ru œÓÍ‡Ú ‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ —„ÂÈ ¿ˆ˚·‡¯Â‚,¬ËÍÚÓˡ“ÓÎÒÚÓ„‡ÌÓ‚‡,»„Ó¸¬ÂÌËÍ ¿ÎÂÍÒÂÈ √Ó·ÛÌÓ‚,–ÓχÌljˇÌÓ‚,¿·ÚËÇ„‡Ï‡Â‚, ¿ÎÂÍ҇̉ ¿‰‡·‡¯¸ˇÌ,¬ËÍÚÓ¬ÂʷˈÍËÈ, fiËÈ —ÚÓˇÌÓ‚,ÃËı‡ËÎ≈ÙÂÏÓ‚,—„ÂÈ√‡Á‡Ó‚, —„ÂÈ √‡Ï‡¯,¿ÎÂÍÒÂÈœÂÚÂÌÍÓ,¬‡ÎÂÌÚËÌ√‡ÙÚ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¬Î‡‰ËÏË ÃÓËÒÂÂÌÍÓ,ÕËÍËÚ‡ÃËı‡ÎÍÓ‚ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,153ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital ¿Ì‰Â –Ë„Ó ´ü‡ÓœÓ͇ڪ ÕËÍËÚ‡ ÃËı‡ÎÍÓ‚,—„ÂÈÇÍӂˆÍËÈ, ¬Î‡‰ËÒ·‚ ŒÔÂθˇÌˆ ÕËÍËÚ‡ ÃËı‡ÎÍÓ‚ ¬ËÍÚÓ œÂÚÓ‚ ÕËÍËÚ‡ ÃËı‡ÎÍÓ‚,ÀÂÓÌˉ¬Â¢‡„ËÌ ›‰Û‡‰ ¿ÚÂϸ‚ ´“Ë“˝ª, ÔËÛ˜‡ÒÚËˑ‰‡θÌÓ„Ó ¿ÎÂÍ҇̉ ÕÓ‚ÓÚÓˆÍËÈ-¬Î‡ÒÓ‚, www.trite.ru Distribution Culture andCinematography Production Producers Igor Vernik Abti Magamaev,SergeiArtsybashev,ViktoriaTolstoganova, Viktor Verzhbitsky,AlexeiGorbunov,RomanMadianov, Mikhail Efremov,SergeiGazarov,AlexanderAdabashian, Alexei Petrenko,ValentinGaft,YuriStoyanov, Cast: Sound Composer Production Design Director ofPhotography Director Vladimir Moiseenko,NikitaMikhalkov Scriptwriters 2007, Russia,153min.,col.,1:1.85,DolbyDigital Nikita Mikhalkov,SergeiMakovetsky,Garmash, Andr? Rigaut Nikita Mikhalkov Eduard Artemiev Nikita Mikhalkov,LeonidVereshchagin TriTe, withparticipationoftheFederalAgency Karo Alexander Novototsky-Vlasov, Viktor Petrov Vladislav Opelyants Nikita Mikhalkov ....12 2007 ....—Ë·ËÒÍËÈ ˆË˛Î¸ÌËÍ 1998 ....”ÚÓÏÎÂÌÌ˚ ÒÓÎ̈ÂÏ 1994 ....”„‡ 1991 ....¿‚ÚÓÒÚÓÔ (Ò/Ï) 1990 ....–ÛÒÒ͇ˇ˝Î„ˡ(Í/Ï) 1990 ....Œ˜Ë ˜ÂÌ˚ 1987 ....¡ÂÁ ҂ˉÂÚÂÎÂÈ 1983 ....–Ó‰Ìˇ 1981 ....ÕÂÒÍÓθÍÓ ‰ÌÂÈËÁÊËÁÌË 1979 ....œˇÚ¸ ‚˜ÂÓ‚ 1978 ....ÕÂÓÍÓ̘ÂÌ̇ˇ Ô¸ÂÒ‡‰Îˇ 1976 ....–‡·‡ β·‚Ë 1975 ....—‚ÓÈÒ‰˘ÛÊËı,˜ÛÊÓÈÒ‚ÓËı 1974 ....—ÔÓÍÓÈÌ˚ȉÂ̸‚ÍÓ̈‚ÓÈÌ˚ 1970 ‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡(Ë„Ó‚ÓÂÍËÌÓ): ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. ÏÂʉÛ̇ӉÌ˚ı ËÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ̇„‡‰ ËÔÓÙÂÒÒËÓ̇θÌ˚ıÔÂÏËÈ,ÔËÁ ÔÂÏËË “›‘»Ë‰Û„Ëı„ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚ı œÂÏËË ËÏÂÌˬËÚÚÓËӃ—Ë͇(»Ú‡Îˡ), √ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚ı ÔÂÏËÈ–‘,·ÛÂ‡Ú ÍÛθÚÛÛª (‘‡ÌˆËˇ),·ÛÂ‡Ú œÓ˜ÂÚÌÓ„Ó Î„ËÓ̇´«‡‚Í·‰‚ÏËÓ‚Û˛ ÎËÚ‡ÚÛ˚ ËËÒÍÛÒÒÚ‚‘‡ÌˆËË,üÓÏ‡Ì‰Ó Õ‡Ó‰Ì˚È ‡ÚËÒÚ–ÓÒÒËË,ü‡‚‡ÎÂŒ‰Â̇ ñ ÂÊËÒÒÂ,‡ÍÚÂ,ÔÓ‰˛ÒÂ,ÒˆÂ̇ËÒÚ ÕËÍËÚ‡ ÃËı‡ÎÍÓ‚ 07.. 12 2007 .... TheBarberof Siberia .... 1998 BurntbytheSun .... 1994 Urga 1991 .... Hitchhike(mediumlength) .... 1990 Russianelegy(short) .... 1990 Dark Eyes 1987 .... Without Witnesses 1983 .... Kinfolk 1981 .... SomeDaysfromthe LifeofI. .... 1979 Five Evenings 1978 .... UnfinishedPieceforaMechanical .... 1976 ASlaveofLove .... 1975 AtHomeamongStrangers, a .... 1974 AQuietDayatthe EndofWar .... 1970 Select DirectorísFilmography: of internationalandnationalfilmfestivals. awards andprofessionalprizes,prize-winner Prize (Italy),theTEFIawardandotherstate Federation, winneroftheVittoriodeSica winner ofStatePrizestheRussian contribution toworldcultureî(France), Commander oftheLegionHonourìFor Order ofLiteratureandtheArts,France; Peopleís ArtistofRussia,Cavalierthe is adirector,actor,producer,scriptwriter; ».». Œ·ÎÓÏÓ‚‡ ÏÂı‡Ì˘ÂÒÍÓ„Ó ÔˇÌËÌÓ (‰ËÔÎÓÏ) I.Oblomov Piano Stranger atHome (diploma) ñ Nominationfor theOSCARAcademyAward(Best ForeignFilm),2007. ñ PrizeoftheFilmAcademyNIKA (2007)inthenominations:BestFilm ñ NationalFilmPrizeìGoldenEagleî (2007)inthenominations:BestFiction ñ SpecialPrizeìGoldenLionî(NikitaMikhalkov)ìforthedemonstration of stepfather, anofficeroftheRussianarmy... jurymen decideoverthefateofaChechenboyaccusedmurdering his The actionhasbeentransferredtomodernRussia.Inaschoolgym,twelve play ìTwelveAngryMenî. Psychological thriller,judicialdramabasedonthemotivesofReginald Roseís ñ ÕÓÏË̇ˆËˇÌ‡ÔÂÏ˲´ŒÒ͇ªÎÛ˜¯ËÈÁ‡Û·ÂÊÌ˚ÈÙËθÏ. ñ œÂÏËËüËÌӇ͇‰ÂÏËË´ÕË͇ª(2007)‚ÌÓÏË̇ˆËˇı:ÎÛ˜¯‡ˇÏÛÁ˚͇ Í ñ Õ‡ˆËÓ̇θÌ˚ÂÍËÌÓÔÂÏËË´«ÓÎÓÚÓÈŒÂΪ(2007)‚ÌÓÏË̇ˆËˇı: ñ —ÔˆˇθÌ˚ÈÔËÁ´«ÓÎÓÚÓÈÀ‚ª(ÕËÍËÚ‡ÃËı‡ÎÍÓ‚)´«‡ Ó·‚ËÌÂÌÌÓ„Ó ‚Û·ËÈÒÚ‚ÂÒ‚Ó„ÓÓÚ˜Ëχ,ÓÙˈ‡–ÓÒÒËÈÒÍÓȇÏËË... ‰‚Â̇‰ˆ‡Ú¸ ÔËÒˇÊÌ˚ıÁ‡Ò‰‡ÚÂÎÂȯ‡˛ÚÒÛ‰¸·Û˜Â˜ÂÌÒÍÓ„Óχθ˜Ë͇, ÔÂÂÌÂÒÂÌÓ ‚ÒÓ‚ÂÏÂÌÌÛ˛–ÓÒÒ˲.¬¯ÍÓθÌÓÏÙËÁÍÛθÚÛÌÓÏÁ‡Î –ÓÛÁ‡ ´ƒ‚Â̇‰ˆ‡Ú¸‡Á„Ì‚‡ÌÌ˚ıÏÛʘË̪.ƒÂÈÒÚ‚ËÂÔÓ‚ÂÒÚ‚Ó‚‡Ìˡ œÒËıÓÎӄ˘ÂÒÍËÈ ÚËÎÎÂ,Òۉ·̇ˇ‰‡Ï‡ÔÓÏÓÚË‚‡ÏÔ¸ÂÒ˚–‰ÊË̇艇 Music, BestActor(SergeiGarmash); Film, BestDirector;Actors(12 jurors),BestFilmMusic; complexityî ñIFFVenice,2007; humanism andthedirectorísunique abilitytoinvestigatelifeinallits ÙËθÏÛ, ÎÛ˜¯‡ˇÏÛÊÒ͇ˇÓθ(—„ÂÈ√‡Ï‡¯); Óθ (12ËÒÔÓÎÌËÚÂÎÂÈ),ÎÛ˜¯‡ˇÏÛÁ˚͇ÍÙËθÏÛ; ÎÛ˜¯ËÈ Ë„Ó‚ÓÈÙËθÏ,ÎÛ˜¯‡ˇÂÊËÒÒÂÒ͇ˇ‡·ÓÚ‡;ÏÛÊÒ͇ˇ ËÒÒΉӂ‡Ú¸ ÊËÁ̸‚Ó‚ÒÂÈÂÂÒÎÓÊÌÓÒÚ˪ñÃü‘‚¬Â̈ËË,2007; ‰ÂÏÓÌÒÚ‡ˆË˛ „ÛχÌËÁχËÛÌË͇θÌÛ˛ÒÔÓÒÓ·ÌÓÒÚ¸ÂÊËÒÒ‡
87 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 88 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò œ‡‚ÂÎ —·Ó˘ËÍÓ‚,“‡Ú¸ˇÌ‡À˛Ú‡Â‚‡,À‡ËÒ‡»Ò‡Â‚‡ »„Ó¸ «ÓÎÓÚӂˈÍËÈ,üÓÌÒÚ‡ÌÚËÌü‡‡ÒËÍ, ÀÓ· üÓ˜ÂÚÍÓ‚‡,¿Ï‡Îˡ&¿Ï‡Îˡ,ÃËı‡ËÎ≈ÙÂÏÓ‚, ¬ ÓΡı: ’ÓÂÓ„‡Ù ¿‚ÚÓ˚ ÔÂÒÂÌ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ Ë‰ÂË ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,74ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 ANTISEX ¿Õ“»—≈ü— ƒË‡Ì‡ ÇÍÒËÏÓ‚‡,»„̇ڿ͇˜ÍÓ‚, ≈‚„ÂÌËÈ œË‚ËÌ À‡ËÒ‡ »Ò‡Â‚‡ ≈‚„ÂÌˡ ◊‚ÓÌÒ͇ˇ,≈ÎÂ̇◊ÂÔÂ΂‡ À‡ËÒ‡ »Ò‡Â‚‡ —„ÂÈ ƒ‡ÌËÎÓ‚ ¿Ì‰ÂÈ —„Ë‚ÒÍËÈ ¬Î‡‰ËÏË œ‡ÍÓ‚ –ÓÏ‡Ì ÃÛı‡˜Â‚ üËÌÓÍÓÏÔ‡Ìˡ ´Ã¿ü—ª –ÓÏ‡Ì ¡ÂÍÍÛÎÓ‚,„ÛÔÔ‡´œÓ‚Ó‰‡ª –ÓÏ‡Ì ¡ÂÍÍÛÎÓ‚,À‡ËÒ‡»Ò‡Â‚‡ Production Producer Larissa Isaeva Konstantin Karasik,PavelSborshchikov,TatianaLiutaeva, Amalia andAmalia,MikhailEfremov,IgorZolotovitsky, Cast: Choreographer Songs by Composer Costume Design Production Design Director of Director Idea by Scriptwriters 2008, Russia,74min.,col.,1:1.85,DolbyDigital5.1 Diana Maksimova,IgnatAkrachkov,LolaKochetkova, Vladimir Parkov Larissa Isaeva Larissa Isaeva Roman Bekkulov,GroupëProvodaí(ëWireí) Roman Mukhachev Photography EvgeniPrivin Film CompanyÿX Roman Bekkulov,LarissaIsaeva Andrei Sergievsky Evgeniya Chervonskaya,ElenaChepeleva Sergei Danilov ìAntisexî isherdirectorialdebut. MAX. company ÿX,directoroftheactorsíagency ñ Producer,generaldirectorofthefilm Larissa Isaeva ‡ÍÚÂÒÍÓ„Ó ‡„ÂÌÚÒÚ‚‡´Ã¿ü—ª. ÍËÌÓÍÓÏÔ‡ÌËË ´Ã¿ü—ª,‰ËÂÍÚÓ ñ ÔÓ‰˛ÒÂ,„Â̇θÌ˚ȉËÂÍÚÓ À‡ËÒ‡ »Ò‡Â‚‡ ´¿ÌÚËÒÂÍÒª ñÂÊËÒÒÂÒÍËȉ·˛Ú passion. amusing andsadadventurestheyrediscoverinthemselveslove,fidelity and about modernpeoplewhoareintheeternalsearchforharmony.Through sexualî, hedespisescarnaljoysñbutisaguyforalljobs.This afilm themselves createbarriersintheirrelationship.Sheproudlycallsherself ìa- Musical comedy,cheerfulfairytaleaboutthemeetingofìtwohalvesî, who ÓÚÍ˚‚‡˛Ú ‚Ò·Âβ·Ó‚¸,‚ÂÌÓÒÚ¸ËÒÚ‡ÒÚ¸. ÔÓËÒ͇ „‡ÏÓÌËËñ˜ÂÂÁÁ‡·‡‚Ì˚ÂË„ÛÒÚÌ˚ÂÔËÍβ˜ÂÌˡÁ‡ÌÓ‚Ó ıÓÚ¸ ÍÛ‰‡ª.›ÚÓÙËθÏÓÒÓ‚ÂÏÂÌÌ˚ıβ‰ˇı,ÍÓÚÓ˚Â̇‚˜ÌÓÏÔÛÚË Ò·ˇ ´‡ÒÂÍÒÛ‡ÎÍÓȪËÔÂÁˇÂÚ‚Òˇ˜ÂÒÍËÂÔÎÓÚÒÍËÂÛÚÂıË,‡ÓÌñ´Ô‡Â̸ ÔÓÎÓ‚ËÌÍ˪ ËÒ‡ÏËÒÚÓˇÚÒ·ÂÔ„‡‰˚‚ÓÚÌÓ¯ÂÌˡı.ŒÌ‡„Ó‰Ó̇Á˚‚‡ÂÚ ÃÛÁ˚͇θ̇ˇ ÍÓωˡ,‚ÂÒ·ˇÒ͇Á͇ÓÚÓÏ,͇ʹ‚ÒÚ˜‡˛ÚÒˇ‰‚Â
89 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 90 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.cinema-line.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó “ÂÍÒÚ ˜ËÚ‡ÂÚ ¿ÎÂÍ҇̉ ƒÓÏÓ„‡Ó‚ ¿Ì‡ÚÓÎËÈ —ÎË‚ÌËÍÓ‚,üËËÎÎüÓÁ‡ÍÓ‚, ¿ÎÂÍ҇̉ ¡‡¯ËÓ‚,»Î¸ˇ»‚‡ÌÓ‚,¬ËÍÚÓ÷ÓÈ, ¿ÌËÚ‡ ΔÛÍÓ‚Ò͇ˇ,¿Ì‰ÂÈ’‡Îˇ‚ËÌ,»ÂÌÂüÛÍÒÂ̇ÈÚÂ, —Ú‡ÌËÒ·‚ √Ó‚ÓÛıËÌ,ƒÏËÚËÈÿÛÏËÎÓ‚,¬ËÍÚÓ¡Â¯Îˇ„‡, ¬ ÓΡı: «‚ÛÍ ¬Ó͇Π≈‚„ÂÌËÈ ’‡‚Ú‡Ì,¿ÎÂÍ҇̉—ËÌˈ˚Ì »ÒÔÓθÁÛÂχˇ ÏÛÁ˚͇ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1987, ———–,153ÏËÌ.,ˆ‚.,1:1.85,DolbyA ASSA ¿——¿ ≈͇ÚÂË̇ œÓÔÓ‚‡ ¬ËÍÚÓ ÷ÓÈ,Δ‡Ì̇¿„ÛÁ‡Ó‚‡ Cinema-Line —„ÂÈ ¡Û„‡Â‚,“‡Ú¸ˇÌ‡ƒÛ·Ë˜, œ‡‚ÂÎ À·¯‚ —„ÂÈ —ÓÎÓ‚¸Â‚ »Ë̇ √ÛÌÌÓ Ã‡ÍÒ˝Ì √‡ÛıχÌ-—‚‰ÎÓ‚ ¡ÓËÒ √·ÂÌ˘ËÍÓ‚ Õ‡Ú‡Ì ›È‰ÂÎ¸Ï‡Ì ´üÛ„ª, ´ÃÓÒÙËθϪ —„ÂÈ ÀË‚Ì‚,—ÓÎÓ‚¸Â‚ ¡ÓËÒ √·ÂÌ˘ËÍÓ‚,¬ËÍÚÓ÷ÓÈ, www.cinema-line.ru Distribution Production Narrator Alexander Domogarov Ilya Ivanov,ViktorTsoi,AnatoliSlivnikov,KirillKozakov, Andrei Khaliavin,IrenaKuksenaite,AlexanderBashirov, Dmitri Shumilov,ViktorBeshliaga,AnitaZhukovskaya, Cast: Sound Vocals Alexander Sinitsyn Music by Composer Costume Design Production Design Director ofPhotography Director Scriptwriters 1987, USSR,153min.,col.,1:1.85,DolbyA Sergei Bugaev,TatianaDrubich,StanislavGovorukhin, Ekaterina Popova Victor Tsoi,ZhannaAguzarova Sergei Soloviev Boris Grebenshchikov,VictorTsoi,EvgeniKhavtan, Natan Eidelman Boris Grebenshchikov KRUG, Mosfilm Cinema-Line Sergei Livnev,Soloviev Irina Gunno Marksen Gaukhman-Sverdlov Pavel Lebeshev 08.. 2-ASSA-2;AnnaKarenina .... 2008 About Love 2003 .... Tender Age 2000 .... Three Sisters 1994 .... TheHouseundertheStarrySkies .... 1991 BlackRoseñEmblemofSorrow, .... 1989 ASSA 1987 .... SomeoneElseísWhiteandSpeckled .... 1986 The Chosen Ones 1983 .... Direct Heiress 1982 .... The Lifeguard 1980 .... MelodiesofaWhiteNight .... 1976 OneHundredDaysafterChildhood .... 1975 TheStationmaster(TV) .... 1972 EgorBulychovandOthers .... 1971 ëOut ofNothingtoDoí;ëThe .... 1969 Directorís Filmography: of theRussianAcademyArts. Peopleís ArtistofRussia,HonoraryMember festivals, winneroftheUSSRStatePrize, prize-winner ofinternationalandnationalfilm Debuts ìSpiritofFireîinKhanty-Mansiisk; president oftheInternationalFestivalFilm 08....2-¿ÒÒ‡-2;¿Ì̇ü‡ÂÌË̇ 2008 ....ŒÎ˛·‚Ë 2003 ....ÕÂÊÌ˚È‚ÓÁ‡ÒÚ 2000 ....“ËÒÂÒÚ˚ 1994 ....ƒÓÏÔÓ‰Á‚ÂÁ‰Ì˚ÏÌ·ÓÏ 1991 ....◊Â̇ˇÓÁ‡ñ˝Ï·ÎÂχÔ˜‡ÎË, 1989 ....¿ÒÒ‡ 1987 ....◊Ûʇˇ¡Â·ˇË–ˇ·ÓÈ 1986 ....»Á·‡ÌÌ˚ 1983 ....Õ‡ÒΉÌˈ‡ÔÓÔˇÏÓÈ 1982 ....—Ô‡Ò‡ÚÂθ 1980 ....ÃÂÎÓ‰ËË·ÂÎÓÈÌÓ˜Ë 1976 ....—ÚÓ‰ÌÂÈÔÓÒΉÂÚÒÚ‚‡ 1975 ....—ڇ̈ËÓÌÌ˚ÈÒÏÓÚËÚÂθ(Ú‚) 1972 ....≈„Ó¡ÛÎ˚˜Ó‚ˉۄË 1971 ....ŒÚ̘„Ӊ·ڸ;œÂ‰ÎÓÊÂÌË 1969 ‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: –ÓÒÒËÈÒÍÓÈ ‡Í‡‰ÂÏËËıÛ‰ÓÊÂÒÚ‚. ‡ÚËÒÚ –ÓÒÒËË,œÓ˜ÂÚÌ˚ȇ͇‰ÂÏËÍ √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË———–,Õ‡Ó‰Ì˚È Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ıÍËÌÓÙÂÒÚË‚‡ÎÂÈ,·ÛÂ‡Ú ’‡ÌÚ˚-ÇÌÒËÈÒÍ ñÔËÁÂÏÂʉÛ̇ӉÌ˚ı ÍËÌÂχÚÓ„‡Ù˘ÂÒÍËı ‰Â·˛ÚÓ‚´ƒÛıÓ„Ìˇª‚ ÔÂÁˉÂÌÚ ÃÂʉÛ̇ӉÌÓ„ÓÙÂÒÚË‚‡Îˇ ñ ÂÊËÒÒÂ,ÒˆÂ̇ËÒÚ,ÔÓ‰˛ÒÂ,Ô‰‡„Ó„, —„ÂÈ —ÓÎÓ‚¸Â‚ Sergei Soloviev is director,scriptwriter,producer,teacher, ͇Ò̇ˇ ÓÁ‡ñ˝Ï·ÎÂÏ‡Î˛·‚Ë (‡Î¸Ï‡Ì‡ı ´—ÂÏÂÈÌÓÂÒ˜‡Òڸª) Red RoseñEmblemofLove Happinessî) Proposalí (almanacìFamily ñ SpecialJuryPrize IFFinGijon,Spain,1989. ñ MainPrizeatthe IFFinSalerno,Italy,1988; ñ PrizeoftheFilmAcademyNIKA for1988inthenominationBest Distribution (1988):17.8millionspectators released: ì2-ASSA-2î. In 2008,twentyyearsaftertherelease ofthefirstìASSAîsecondfilmis rock groups:ìKinoî,ìAquariumî, ìBravoî, ìUnionofComposersîandothers. and evenamusicalñthecharacters singoraremotivesofsongsbypopular triangle, aromanticdrama,socio-psychological drama,acriminalmelodrama The filmrepresentsacollageofgenres: adetectivestoryinsideromantic a lotoftimetogether,untilnothingcanseparatethemanymore... young manwiththeridiculousnameBananancapturesherattention.They spend very young,and,despitethemanísrigidity,sheislefttoherowndevices. A he intendstorelaxanddosomebusiness.Hismistressisverybeautiful and The industrialMafiosiKrymovvisitsYaltawithhismistressinthewinter. Here ñ —ÔˆˇθÌ˚ÈÔËÁÊ˛ËÃü‘‚’ËıÓÌÂ,»ÒÔ‡Ìˡ,1989. ñ √·‚Ì˚ÈÔËÁÃü‘‚—‡ÎÂÌÓ,»Ú‡Îˡ,1988; ñ œÂÏˡüËÌӇ͇‰ÂÏËË´ÕË͇ªÁ‡1988„Ó‰‚ÌÓÏË̇ˆËË´ÎÛ˜¯ËÈ œÓÍ‡Ú (1988)ñ17.8ÏÎÌ.ÁËÚÂÎÂÈ. ‚ ÍËÌÓÔÓ͇ڂ˚ıÓ‰ËÚ‚ÚÓÓÈÙËθωËÎÓ„ËËñ´2-¿——¿-2ª. Ë ‰Û„Ëı.¬2008„Ó‰Ûñ˜ÂÂÁ‰‚‡‰ˆ‡Ú¸ÎÂÚÔÓÒ΂˚ÔÛÒ͇Ô‚ÓÈ´¿ÒÒ˚ª ñ ÔÓÔÛΡÌ˚ı ÓÍ-„ÛÔÔ:´üËÌÓª,´¿Í‚‡ËÛϪ,´¡‡‚Óª,´—Ó˛ÁÍÓÏÔÓÁËÚÓÓ‚ª ÎË·Ó Ò‡ÏËÔÓ˛Ú,ˇ‚Ρ˛ÚÒˇÏÓÚË‚‡ÏËÁ‚Û˜‡˘Ëı‚ÙËθÏÂÔÂÒÂÌ ‰‡Ï‡, ÍËÏË̇θ̇ˇÏÂÎÓ‰‡Ï‡Ë‰‡ÊÂÏ˛ÁËÍÎ,ÔÓÒÍÓθÍÛÔÂÒÓ̇ÊËÂ„Ó ÚÂÛ„ÓθÌË͇, β·Ó‚̇ˇÓχÌÚ˘ÂÒ͇ˇ‰‡Ï‡,ÒӈˇθÌÓ-ÔÒËıÓÎӄ˘ÂÒ͇ˇ ‘ËÎ¸Ï Ô‰ÒÚ‡‚ΡÂÚÒÓ·ÓÈÍÓηÊʇÌÓ‚:‰ÂÚÂÍÚË‚‚ÌÛÚËÓχÌÚ˘ÂÒÍÓ„Ó ‚ÏÂÒÚÂ, Ë̇ÒÚÛÔ‡ÂÚÏÓÏÂÌÚ,ÍÓ„‰‡ËıÛÊÂÌ˘ÚÓÌÂÏÓÊÂÚ‡ÁÎÛ˜ËÚ¸... ÔË‚ÎÂ͇ÂÚ ˛ÌÓ¯‡ÒÌÂÎÂÔ˚ÏËÏÂÌÂÏ¡‡Ì‡Ì‡Ì.ŒÌËÏÌÓ„Ó‚ÂÏÂÌËÔÓ‚Ó‰ˇÚ ÌÂÒÏÓÚˇ ̇ÒÛÓ‚˚È̇‚„ÓÒÔÓ‰Ë̇,Ô‰ÓÒÚ‡‚ÎÂ̇҇χÒ·Â.≈‚ÌËχÌË ÍÓÂ-͇ÍË ‰ÂÎ˯ÍË.≈„Ó‚ÓÁβ·ÎÂÌ̇ˇÓ˜Â̸͇ÒË‚‡ËÏÓÎÓ‰‡,Ë, flÎÚÛ. «‰ÂÒ¸ÓÌ̇ÏÂÂÌÒÌˇÚ¸Ì‡ÔˇÊÂÌËÂ,ÔÂÂ͇ÌÚÓ‚‡Ú¸ÒˇËÁ‡Ó‰ÌÓÔÓ‚ÂÌÛÚ¸ œÓÏ˚¯ÎÂÌÌ˚È Ï‡ÙËÓÁËü˚ÏÓ‚ÔÓÒ¢‡ÂÚÒβ·ËÏÓÈÊÂÌ˘ËÌÓÈÁËÏÌ˛˛ Production Design (M.Gaukhman-Sverdlov); ıÛ‰ÓÊÌËÍ „Ó‰‡ª(Ã.√‡ÛıχÌ-—‚‰ÎÓ‚);
91 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 92 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square SHADOW BOXING2:REVENGE ¡Œ… —“≈Õ‹fi2:–≈¬¿Õÿ www.shadowboxing2.ru œÓÍ‡Ú ´÷ÂÌڇΠœ‡Ú̯ËÔª œÓËÁ‚Ó‰ÒÚ‚Ó ÃÛÁ˚͇θÌ˚È ÔÓ‰˛Ò œÓ‰˛ÒÂ˚ ƒÊÓ‚‡ÌÌË ¡Âˇ‡ÌÓ,¬ËÍÚÓ›ÌËÎËÓÀÓÔÂÒ,›ÌÚÓÌË–˝Èœ‡Í ÃËı‡ËÎ √Ó‚ÓÈ,≈͇ÚÂË̇ÇÎËÍÓ‚‡,ƒÊÂÂÏË¡‡ÚËÒÚÂ, »‚‡Ì Ç͇‚˘,ƒÏËÚËÈÿ‚˜ÂÌÍÓ,œ‡‚Â΃‚ˇÌÍÓ, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ’Û‰. ÛÍ. –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,135ÏËÌ.,ˆ‚.,1:2.35,DolbySR ¿ÎÂÍ҇̉ ¿·‡ÏÓ‚ ´÷ÂÌڇΠœ‡Ú̯ËÔª ŒÎ¸„‡ œÓ¯ÍË̇,¿ÌÚÓÌĉ˘‚ ƒÂÌËÒ ÕËÍËÙÓÓ‚,¿Ì‰ÂÈœ‡ÌËÌ,≈ÎÂ̇œ‡ÌÓ‚‡, ¿ÎÂÍÒÂÈ —ˉÓÓ‚ ¿ÌÚÓÌ ¿ÌÚÓÌÓ‚ ¿ÌÚÓÌ Ã„‰˘‚ ÇË̇ ¿Ì‡Ì¸Â‚‡ ¬Î‡‰ËÒ·‚ “‡‚ËÌÒÍËÈ –Û·ÂÌ ƒË¯‰Ë¯ˇÌ,¿ÎÂÍÒÂȗˉÓÓ‚ ¿ÎÂÍÒÂÈ ÿÂÎ˚„ËÌ ´ÿ‡Ï‡Ì-œË͘ÂÒª ÔÓÁ‡Í‡ÁÛ ¿ÎÂÍÒÂÈ —ˉÓÓ‚,¿ÎÂÍ҇̉ƒÓ·ËÌˇÌ »Î¸ˇ √ÛÁ‰Â‚ www.shadowboxing2.ru Distribution Partnership Production Musical Producer Producers Giovanni Bejarano,VictorLopez,AnthonyRayParker Mikhail Gorevoy,EkaterinaMalikova,JeremyBatiste, Ivan Makarevich,DmitriShevchenko,PavelDerevianko, Cast: Editing Sound Composer Costume Design Production Design Director ofPhotography Director Artistic Director Scriptwriters 2007, Russia,135min.,col.,1:2.35,DolbySR Denis Nikiforov,AndreiPanin,ElenaPanova, Alexander Abramov Olga Proshkina,AntonMegerdichev Anton Megerdichev Alexei Shelygin Ruben Dishdishian,AlexeiSidorov Shaman Pictures,commissionedbyCentral Central Partnership Alexei Sidorov,AlexanderDorbinian Marina Ananieva Alexei Sidorov Ilya Gruzdev Vladislav Travinsky Anton Antonov 07.. Shadowboxing2.TheRevenge .... 2007 OntheTracesof .... 2004 ToKillKennedy(doc.) .... 2003 RussianEmpire.NicholasII(doc.) .... 2003 ñ director: Anton Megerdichev ¡ÓÈÒÚÂ̸˛2.–‚‡Ì¯(‰Â·˛Ú‚ .... 2007 œÓÒΉ‡Ï‚Ò‡‰ÌË͇ÔÓËÏÂÌËÒÏÂÚ¸ .... 2004 ”·ËÚ¸ üÂÌ̉Ë(‰ÓÍ.) .... 2003 –ÓÒÒËÈÒ͇ˇËÏÔÂˡ.ÕËÍÓ·ÈII .... 2003 ñ ÂÊËÒÒÂ: ¿ÌÚÓÌ Ã„‰˘‚ (debut incinema) (‰ÓÍ.) Ë„Ó‚ÓÏ ÍËÌÓ) (‰ÓÍ.) ìA RiderNamedDeathî(doc). and thatisArtemísswornenemyÖ person intheworldwhocanhelpKolchingetoutofdangerousalteration, severe verdict:Vikaísbloodfortheofhislostson.Thereisonly one knocked outtheadoptedsonofaMexicandrugbaron,whohaspronounced a dies inhospital.Butherethetroubleonlystarts.Artemdiscoversthat hehas boxer whoisalsocompetingforthetitle.Afteraheavyfight,Mexican will takeplaceinAmerica.Butbeforethefinal,hehastofightaMexican Artem Kolchinisonceagaininthering.Thefinalfightforchampion title Action film,sequeltoìShadowboxingî(2005). ¿ÚÂÏ‡Ö ÔÓÏÓ˜¸ üÓΘËÌÛ‚˚ÔÛÚ‡Ú¸ÒˇËÁÓÔ‡ÒÌÓÈÔ‰ÂÎÍË,ËÓÌñÁ‡ÍΡÚ˚È ‚‡„ ÔÓ„Ë·¯Â„Ó Ò˚̇ª.Õ‡Ò‚ÂÚÂÂÒÚ¸ÚÓθÍÓÓ‰Ë̘ÂÎÓ‚ÂÍ,ÍÓÚÓ˚ÈÏÓÊÂÚ Ì‡ÍÓ·‡Ó̇, ÍÓÚÓ˚È‚˚ÌÂÒÒÛÓ‚˚ÈÔË„Ó‚Ó:´ÍÓ‚¸¬ËÍËÁ‡ÍÓ‚¸ ¿ÚÂÏÛ ÒÓÓ·˘‡˛Ú,˜ÚÓÓÌÁ‡·ËÎ̇ËÌ„ÂÔËÂÏÌÓ„ÓÒ˚̇ÏÂÍÒË͇ÌÒÍÓ„Ó ÏÂÍÒË͇̈ ÛÏˇÂÚ‚„ÓÒÔËÚ‡ÎÂ.ÕÓÌÂÔˡÚÌÓÒÚËÚÓθÍÓ̇˜Ë̇˛ÚÒˇ. ·ÓÍÒÂÓÏ, ÍÓÚÓ˚ÈÚ‡ÍÊ‚ÂÚÒˇÍ‚Â¯ËÌÂ.œÓÒÎÂÚˇÊÂÎÓ„ÓÔÓ‰ËÌ͇ Ôӂ‰ÂÚ ‚¿ÏÂËÍÂ.ÕÓÔ‰ÙË̇ÎÓÏÂÏÛÔ‰ÒÚÓËÚ·ÓÈÒÏÂÍÒË͇ÌÒÍËÏ ¿ÚÂÏ üÓΘËÌÒÌÓ‚‡Ì‡ËÌ„Â.‘Ë̇θÌ˚È·ÓÈÁ‡˜ÂÏÔËÓÌÒÍËÈÚËÚÛÎÓÌ ¡Ó‚ËÍ, ÔÓ‰ÓÎÊÂÌËÂÙËθχ´¡ÓÈÒÚÂ̸˛ª(2005).
93 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 94 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square GENTLEMEN OFFICERS.SAVETHEEMPEROR √Œ—œŒƒ¿ Œ‘»÷≈–¤.—œ¿—“»»Ãœ≈–¿“Œ–¿ www.karofilm..ru œÓÍ‡Ú ‘‰‡θÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ √Â̇θÌ˚ ÔÓ‰˛ÒÂ˚ —Ú˚˜ÍËÌ, √Âȉ‡—‡‰˚ıÓ‚,œ‡‚Âο·‰‡ÎÓ‚ ƒÛÊÌËÍÓ‚, —„ÂÈü‡ÒÌÓ‚,¿ÎÂÍ҇̉–‡ÔÓÔÓÚ,≈‚„ÂÌËÈ ¬Î‡‰ËÏË ¬ËÌÓ„‡‰Ó‚,ÃËı‡ËÎ√Ó‚ÓÈ,—Ú‡ÌËÒ·‚ Ç‡Ú ¡‡¯‡Ó‚,¿Ì‡ÚÓÎËÈ¡ÂÎ˚È,¿ÎÂÍ҇̉¡Ûı‡Ó‚, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,105ÏËÌ..,ˆ‚.,1:1.85,DolbyDigital5.1 ¿Ì‰ÂÈ ΔËΡ‚ ´ü‡ÓœÓ͇ڪ ≈ÎÂ̇ ‘‡·ÎÓ‚‡ ŒÎ„ ‘ÓÏËÌ,¿Ì̇¿Á‡Ó‚‡,—„ÂÈ¡‡Ú‡ÎÓ‚, ¬‡Òˇ —Ë͇˜ËÌÒÍËÈ ŒÎ„ ‘ÓÏËÌ ¿ÎËÒ‡ ‘ÓÏË̇ fiËÈ üÓÌÒÚ‡ÌÚËÌÓ‚ ¿ÎÂÍÒÂÈ –ˇÁ‡ÌˆÂ‚,fiËÈŒ·ÛıÓ‚ ¿ÎÂÍÒÂÈ ÿÂÎ˚„ËÌ ´ü‡ÓœÓ͇ڪ, ´—Ú‡Ú-“ª,ÔËÛ˜‡ÒÚËË —„ÂÈ üÛÁ¸ÏËÌ˚ı ÀÂÓÌˉ Œ„ÓÓ‰ÌËÍÓ‚,ŒÎ„¿Ì‰Â‚ www.karofilm.ru Distribution Federal AgencyofCultureandCinematography Production Producers General Producers Geidar Sadykhov,PavelAbdalov Sergei Krasnov,AlexanderRapoport,EvgeniStychkin, Vladimir Vinogradov,MikhailGorevoy,StanislavDuzhnikov, Marat Basharov,AnatoliBely,AlexanderBukharov, Cast: Editing Sound Composer Costume Design Production Design Director ofPhotography Director Scriptwriter 2008, Russia,105min.,col.,1:1.85,DolbyDigital5.1 Oleg Fomin,AnnaAzarova,SergeiBatalov, Andrei Zhiliaev Elena Fablova Oleg Fomin Alexei Shelygin Alexei Riazantsev,YuriObukhov KaroProkat, ìStart-Tî,withparticipationofthe KaroProkat Sergei Kuzminykh Alisa Fomina Yuri Konstantinov Leonid Ogorodnikov,OlegAndreev Vasia Sikachinsky 08....TheAfghanPhantom(serial) 2008 ....GentlemenOfficers. 2008 ....ElectionDay 2007 ....TheYoungWolfhound(serial) 2006 ....KGBinaTuxedo(serial) 2005 ....OíKey(TV) 2002 ....ConferenceoftheManiacs(serial) 2001 Next1/2/3(serial) 2001-03 ....TheFatalists(serial) 2001 ....TheDebtCollector 1997 ....TimeofYourLife 1992 ....LovelyEp 1991 Selected DirectorísFilmography: Director, actor. Oleg Fomin ....¿Ù„‡ÌÒÍËÈÔËÁ‡Í(Ò¡Î) 2008 ....√ÓÒÔÓ‰‡ÓÙˈÂ˚. 2008 ....ƒÂ̸‚˚·ÓÓ‚ 2007 ....ÃÓÎÓ‰ÓȬÓÎÍÓ‰‡‚(Ò¡Î) 2006 ....ü√¡‚ÒÏÓÍËÌ„Â(Ò¡Î) 2005 ....ŒíüÂÈ(Ú‚) 2002 ....üÓÌÙÂÂÌˆËˇÏ‡Ì¸ˇÍÓ‚(Ò¡Î) 2001 ..Next1/2/3(Ò¡Î) 2001ñ03 ....‘‡Ú‡ÎËÒÚ˚(Ò¡Î) 2001 ....Ã˚Ú‡¸ 1997 ....¬ÂÏˇ‚‡¯ÂÈÊËÁÌË 1992 ....ÃËÎ˚È›Ô 1991 »Á·‡Ì̇ˇ ÙËθÏÓ„‡ÙˡÂÊËÒÒ‡: ñ ÂÊËÒÒÂ,‡ÍÚÂ. ŒÎ„ ‘ÓÏËÌ Save theEmperor —Ô‡ÒÚË ËÏÔ‡ÚÓ‡ leaders... The Redsbeginafight,whichisultimatelyresolvedinduelbetween thetwo commander AivarBeitiksarrivesinthetownordertoliquidate group. betrays them.OntheorderofVChK(ExtraordinaryCommission), theRed the emperorNicholasIIandtotakethemoutofYekaterinburg.Someone 1918, theCivilWar.AgroupofWhiteofficerstriestorescuefamily of Adventure actionmovie. ·ÓÂ‚Û˛ ÓÔ‡ˆË˛,ÍÓÚÓ‡ˇ‚ËÚÓ„ÂÒ‚Ó‰ËÚÒˇÍ‰Û˝Îˉ‚ÛıÎˉÂÓ‚... ÔË·˚‚‡ÂÚ Í‡ÒÌ˚ÈÍÓχ̉˿Ȃ‡¡ÂÈÚËÍÒ.ŒÚˇ‰Í‡ÒÌ˚ı̇˜Ë̇ÂÚ Ô‰‡ÂÚ. ◊ÚÓ·˚ÎË͂ˉËÓ‚‡Ú¸„ÛÔÔÛ,ÔÓÔÓÛ˜ÂÌ˲¬◊ü‚„ÓÓ‰ ÒÂϸ˛ ËÏÔ‡ÚÓ‡ÕËÍÓ·ˇIIË‚˚‚ÂÁÚËÂÂËÁ≈͇ÚÂËÌ·Û„‡.üÚÓ-ÚÓËı 1918 „Ó‰ñ√‡Ê‰‡ÌÒ͇ˇ‚ÓÈ̇.√ÛÔÔ‡·ÂÎ˚ıÓÙˈÂÓ‚Ô˚Ú‡ÂÚÒˇÒÔ‡ÒÚË œËÍβ˜Â̘ÂÒÍËÈ ·Ó‚ËÍ.
95 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 96 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square DAY OFRADIO ƒ≈Õ‹ –¿ƒ»Œ www.kvartet-i.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó ÃÛÁ˚͇θÌ˚È ÔÓ‰˛Ò –ÓÒÚËÒ·‚ ’‡ËÚ,¿ÎÂÍ҇̉÷Â͇ÎÓ √Â̇θÌ˚ ÔÓ‰˛ÒÂ˚ ÃËı‡ËÎ ¡ÂÒÍÓÓ‚‡ÈÌ˚È,üÓÌÒÚ‡ÌÚËÌ◊ÂÔÛËÌ Ã‡ÍÒËÏ ¬ËÚÓ„‡Ì,¿Ì̇ü‡Ò‡ÚÍË̇,¿ÎÂÍÒÂÈ’‡‰ËÍÓ‚, ÃËı‡ËÎ œÓÎˈÂÈχÍÓ,ÕÓ̇√˯‡Â‚‡,ƒÏËÚËÈǸˇÌÓ‚, ‘Â‰Ó ƒÓ·Ó̇‚Ó‚,¿Ï‡ÎˡÃÓ‰‚ËÌÓ‚‡, ¿ÎÂÍ҇̉ ƒÂÏˉӂ,ÃËı‡ËÎüÓÁ˚‚,ü‡ÏËθÀ‡ËÌ, ¬ ÓΡı: «‚ÛÍ ´¬ÓÔÎË ¬Ó‰ÓÔΡÒÓ‚‡ª,ÕËÍÓ·ȑÓÏÂÌÍÓ,´¡Ó·˚ªË‰. ´◊‡È‘ª, ´ÕÓ˜Ì˚ÂÒ̇ÈÔÂ˚ª,´ÕÓ„ÛÒ‚ÂÎÓ!ª, —‡Û̉ÚÂÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ –ÓÒÚËÒ·‚ ’‡ËÚ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,98ÏËÌ.,ˆ‚.,1:1.66,DolbyDigital2.1 »„Ó¸ √ӈχÌÓ‚ ´÷ÂÌڇΠœ‡Ú̯ËÔª ÀÂÓÌˉ ¡‡‡ˆ,–ÓÒÚËÒ·‚’‡ËÚ, ÇÍÒËÏ “‡ÔÓ ƒÏËÚËÈ ƒ¸ˇ˜ÂÌÍÓ “‡Ú¸ˇÌ‡ üÓθˆÓ‚‡ ´ÃÛÏËÈ “ÓÎθª,´ÕÂÒ˜‡ÒÚÌ˚ÈÒÎÛ˜‡Èª, ŒÎ„ —χӂÒÍËÈ ´ƒÃ —ÚÛ‰Ëˇª ÀÂÓÌˉ ¡‡‡ˆ,—„ÂÈœÂÚÂÈÍÓ‚, ÃËı‡ËÎ üÓÁ˚‚ ÀÂÓÌˉ ¡‡‡ˆ,—„ÂÈœÂÚÂÈÍÓ‚, www.kvartet-i.ru Distribution Production Musical Producer Khait, AlexanderTsekalo General Producers Khardikov, MikhailBeskorovainy,KonstantinChepurin Marianov, MaximVitorgan,AnnaKasatkina,Alexei Mordvinova, MikhailPolitseimako,NonaGrishaeva,Dmitri Mikhail Kozyrev,KamilLarin,FedorDobronravov,Amalia Cast: Sound Screams), NikolaiFomenko,Bobry(Beavers),etc. svelo! (TwistedLeg),VopliVodopliasova(Vodopliasovís (Accident), ChaiF,Nochnyesnaipery(NightSnipers),Nogu Soundtrack Costume Design Production Design Director ofPhotography Director Scriptwriters 2008, Russia,98min.,col.,1:1.66,DolbyDigital2.1 Leonid Barats,RostislavKhait,AlexanderDemidov, Igor Gotsmanov Dmitri Diachenko DM Studio Mumii Troll(MummyTroll),NeschastnySluchai Central Partnership Leonid Barats,SergeyPetreikov,RostislavKhait Tatiana Koltsova Mikhail Kozyrev Oleg Smarovsky Leonid Barats,SergeiPetreikov,Rostislav Maxim Trapo 08....DayofRadio(cinemadebut) 2008 ....LoveontheEdgeofaKnife(TV 2007 ....Doomsday(TV) 2006 ....SpecialGroup(episodeofaserial) 2006 ....America2(doc.) 2006 ....TheAdventurer(serial) 2005 ....KulaginandPartners 2005 director: Dmitri Diachenko, ....ƒÂ̸‡‰ËÓ(‰Â·˛Ú‚ÍËÌÓ) 2008 ....À˛·Ó‚¸Ì‡ÓÒÚËÂÌÓʇ 2007 ....üÓ̈҂ÂÚ‡(Ú‚-ÏÛ‚Ë) 2006 ....—Ôˆ„ÛÔÔ‡(ÒÂˡÒ¡·) 2006 ....¿ÏÂË͇-2(‰ÓÍ.) 2006 ....¿‚‡ÌÚ˛ËÒÚ͇(Ò¡Î) 2005 ....üÛ·„ËÌËÔ‡ÚÌÂ˚ 2005 ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: ƒÏËÚËÈ ƒ¸ˇ˜ÂÌÍÓ, with OlegShtrom) (3 episodesofaserial) (Ú‚-ÏÛ‚Ë; Ҍ΄ÓÏÿÚÓÏÓÏ) (3 ÒÂËËÒ¡·) film isshotonthebasisofperformance ofthecomictheatreìI-Quartetî. hysterics, everydayheroism,cynicism andtraditionalRussiandisorder,the An ironicalmusicalshowfromthe worldofthemediawithelements radio station.Butcancellingthemarathonisimpossible! intercepted bythecompetitorsandactivelydiscussedonairofìenemyî supportÖ however,itdoesnotmatter,becausethethemeofmarathon is marathon beginsonliveairandpopularRussianrockgroupsgo in everything goeswrongfallsthroughÖattheverymoment whena One dayinthelifeofafashionableMoscowradiostation.Notbest day: Comedy. Ó‰ÌÓËÏÂÌÌÓ„Ó ÒÔÂÍÚ‡ÍΡÍÓÏ˘ÂÒÍÓ„ÓÚ‡ڇ´ü‚‡ÚÂÚ‡»ª. ˆËÌËÁχ ËÚ‡‰ËˆËÓÌÌÓ„ÓÓÒÒËÈÒÍÓ„Ó·ÂÒÔÓˇ‰Í‡,ÙËθÏÒÌˇÚ̇ ÓÒÌÓ‚Â ¯ÓÛ ËÁÊËÁÌËωˇ-·ËÁÌÂÒ‡Ò˝ÎÂÏÂÌÚ‡ÏËËÒÚÂËÍË,·˚ÚÓ‚Ó„Ó„ÂÓËÁχ, ‡‰ËÓÒڇ̈ËË. ÕÓχ‡ÙÓÌÓÚÏÂÌˇÚ¸ÌÂθÁˇ!..»ÓÌ˘ÂÒÍÓÂÏÛÁ˚͇θÌÓ ÔÂÂı‚‡˜Â̇ ÍÓÌÍÛÂÌÚ‡ÏˡÍÚË‚ÌÓÓ·ÒÛʉ‡ÂÚÒˇ‚˝ÙË´‚‡ÊÂÒÍÓȪ ˜ÚÓ·˚ ÔÓ‰‰ÂʇڸւÔÓ˜ÂÏ,˝ÚÓÛÊÂÌ‚‡ÊÌÓ,ÔÓÚÓÏÛ˜ÚÓÚÂχχ‡ÙÓ̇ ´ÊË‚ÓȪ χ‡ÙÓÌ,‡ÔÓÔÛΡÌ˚ÂÓÒÒËÈÒÍËÂÓÍ-„ÛÔÔ˚ÔˉÛÚ‚˝ÙË, ÏÓÏÂÌÚ, ÍÓ„‰‡Ì‡Òڇ̈ËË‚ÔˇÏÓÏ˝ÙË‚ÓÚ-‚ÓÚ‰ÓÎÊÂÌ̇˜‡Ú¸Òˇ ‰Â̸ ñÛ¯‡ÚÒˇ‚ÒÂÔ·Ì˚,‚‡ÎËÚÒˇËÁÛÍÖ»ËÏÂÌÌÓ‚ÚÓÚ Œ‰ËÌ ‰Â̸ËÁÊËÁÌËÏÓ‰ÌÓÈÏÓÒÍÓ‚ÒÍÓȇ‰ËÓÒڇ̈ËË.ÕÂÒ‡Ï˚ÈÎÛ˜¯ËÈ üÓωˡ.
97 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 98 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.zemfira.ru www.timeline.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó ‘ÂÎËÍÒ ÃËı‡ÈÎÓ‚ œÓ‰˛ÒÂ˚ ¬Ó͇Π(Ò˙ÂÏÍË ËÌÚ‚¸˛) ŒÔ‡ÚÓ˚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ Digital Video 2008, –ÓÒÒˡ,76ÏËÌ.,ˆ‚.,16:9,DolbyDigital5.1, GREEN THEATREINZEMFIRA «≈À≈Õ¤… “≈¿“–¬«≈Ñ»–≈ «ÂÏÙˇ –‡Ï‡Á‡ÌÓ‚‡ ´÷ÂÌڇΠœ‡Ú̯ËÔª —„ÂÈ Ã‡˜ËθÒÍËÈ,ŒÎ„ÀÛ͢‚ –Â̇ڇ ÀËÚ‚ËÌÓ‚‡,«ÂÏÙˇ–‡Ï‡Á‡ÌÓ‚‡, ´“‡ÈÏ·È̪ –Â̇ڇ ÀËÚ‚ËÌÓ‚‡ www.zemfira.ru www.timeline.ru Distribution Production Felix Mikhailov Producers Vocals (interview) Directors ofPhotography Scriptwriter andDirector Digital Video 2008, Russia,76min,col.,16:9,DolbyDigital5.1, Zemfira Ramazanova Renata Litvinova,ZemfiraRamazanova, Timeline Central Partnership Sergei Machilsky,OlegLukichiov Renata Litvinova 08....«ÂÎÂÌ˚ÈÚ‡ڂ«ÂÏÙË 2008 ....¡Ó„ËÌˇ:͇͡ÔÓβ·Ë· 2004 ....ÕÂÚÒÏÂÚˉΡÏÂÌˇ(‰ÓÍ.) 2000 ‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË–‘,ÔËÁ «‡ÒÎÛÊÂÌ̇ˇ ‡ÚËÒÚ͇–ÓÒÒËË,·ÛÂ‡Ú ÚÂÎÂ‚Â‰Û˘‡ˇ. ñ ÒˆÂ̇ËÒÚ,‡ÍÚËÒ‡,ÂÊËÒÒÂ, –Â̇ڇ ÀËÚ‚ËÌÓ‚‡ 08.. GreenTheatreinZemfira .... 2008 TheGoddess:HowILoved .... 2004 ThereisnoDeathforMe(doc.) .... 2000 Directorís Filmography: winner atfilmfestivals. State PrizeoftheRussianFederation,award Merited ActressofRussia,winnerthe presenter. ñ scriptwriter,actress,director,television Renata Litvinova singer ofthelastdecade. film concert,butareliefportraitandanengagedimageofthemain Russian at theGreenTheatreinMoscowwasfilmedby12cameras.Thisisnot justa on thevideomaterialofoneconcert.Zemfiraísconcertinsummer of2007 The firstinthehistoryofRussiandistributionfull-lengthmusicalfilm based Film Concert. ‰ÂÒˇÚËÎÂÚˡ. ÂθÂÙÌ˚È, ̇‚ÌÓ‰Û¯Ì˚ÈÔÓÚÂڄ·‚ÌÓÈÓÒÒËÈÒÍÓÈÔ‚ˈ˚ÔÓÒΉÌÂ„Ó 2007 „Ó‰‡‚«ÂÎÂÌÓÏÚ‡ÚÂÃÓÒÍ‚Â.›ÚÓÌÂÔÓÒÚÓÙËθÏ-ÍÓ̈ÂÚ,ÌÓ —˙ÂÏÍË ‚ÂÎËÒ¸12-˛Í‡Ï‡ÏË̇ÍÓ̈ÂÚ«ÂÏÙË˚,ÔÓıӉ˂¯ÂÏÎÂÚÓÏ ÏÛÁ˚͇θÌ˚È ÙËθÏ,ÔÓÒÚÓÂÌÌ˚È̇‚ˉÂÓχÚ¡ÎÂÓ‰ÌÓ„ÓÍÓ̈ÂÚ‡. œÂ‚˚È ‚ËÒÚÓËËÓÚ˜ÂÒÚ‚ÂÌÌÓ„ÓÍËÌÓÔÓ͇ڇÔÓÎÌÓÏÂÚ‡ÊÌ˚È ‘ËθÏ-ÍÓ̈ÂÚ.
99 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 100 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.nkino.ru www.rockfilm.ru œÓÍ‡Ú ÍËÌÂχÚÓ„‡ÙËË ÔÓ‰‰ÂÊÍ ‘‰‡θÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂË ´–ÓÒÒËÈÒÍËÈ ÙÛÚ·ÓθÌ˚ÈÒÓ˛Áª,–Œ——√Œ–—“¿’,ÔË œÓËÁ‚Ó‰ÒÚ‚Ó —ÓÔÓ‰˛Ò œÓ‰˛Ò ¿ÎÂÍÒÂÈ ¡ÛΉ‡ÍÓ‚,Շڇθˇ—ÛÍÓ‚‡ √ÓÓʇÌÍËÌ, ¿ÎÂÍ҇̉À˚χ‚,üËËÎÎœËÓ„Ó‚, ¿ÚÛ ¬‡ı‡,ƒ‡ÌËËΗڇıÓ‚,»„Ó¸—Ú‡ËÎÓ‚,œ‡‚ÂÎ ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ,96ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 THE GAME »√–¿ ¿Ì‡ÚÓÎËÈ √Û‰ÍÓ‚ÒÍËÈ ´Õ‡¯Â ÍËÌÓª,´ü‡ÓœÓ͇ڪ fiÎˡ –ÛÏˇÌˆÂ‚‡ fiËÈ —ÚÂÔ‡ÌÓ‚,À˛·Ó‚¸À¸‚Ó‚‡,¿ÚÂϬÓÎÓ·Û‚, ¿ÎÂÍ҇̉ —ÏËÌÓ‚ ¬‡ÎÂÌÚË̇ ü‡ÏÂÌ‚‡ ¿ÎÂÍÒÂÈ ”˜ËÚÂθ ¿ÎÂÍ҇̉ «‡„ÓÒÍËÌ —„ÂÈ “ËÚËÌÍÓ‚ ƒÏËÚËÈ œ‡‚ÎÓ‚ “œŒ ´–ÓͪÔÓÁ‡Í‡ÁÛ´œÂ‚˚È͇̇Ϊ, ¿ÎÂÍ҇̉ –Ó„ÓÊÍËÌ www.nkino.ru www.rockfilm.ru Distribution Cinematography with supportfromtheFederalAgencyofCultureand the RussianFootballAssociation,ìRosgosstrakhîInsurances, Production Co-Producer Producer Alexei Buldakov,NataliaSurkova Pavel Gorozhankin,AlexanderLymarev,KirillPirogov, Arthur Vakha,DaniilStrakhov,IgorStarilov, Cast: Editing Sound Composer Costume Design Production Design Director ofPhotography Scriptwriter andDirector 2008, Russia,96min.,col.,1:1.85,DolbyDigital5.1 Yuri Stepanov,LiubovLvova,ArtemVolobuyev, Anatoli Gudkovsky Julia Rumiantseva Alexei Uchitel Dmitry Pavlov Company ROCKcommissionedbyFirstChannel, Karo, NasheKino Sergei Titinkov Valentina Kameneva Alexander Zagoskin Alexander Smirnov Alexander Rogozhkin 08.. »„‡ .... 2008 œÂ„ÓÌ .... 2006 —‚Óˇ˜ÛʇˇÊËÁ̸(Ú‚) .... 2004 üÛÍۯ͇ .... 2002 ŒÒÓ·ÂÌÌÓÒÚË̇ˆËÓ̇θÌÓÈÓıÓÚ˚ .... 2000 ¡ÓΉËÌÒ͇ˇÓÒÂ̸(Í/Ï) .... 1999 ŒÒÓ·ÂÌÌÓÒÚË̇ˆËÓ̇θÌÓÈ˚·‡ÎÍË .... 1998 ¡ÎÓÍÔÓÒÚ .... 1998 ƒ‡(Í/Ï) .... 1997 ŒÔ‡ˆËˇ´—ÕÓ‚˚Ï„Ó‰ÓϪ .... 1996 ŒÒÓ·ÂÌÌÓÒÚË̇ˆËÓ̇θÌÓÈÓıÓÚ˚ .... 1995 ¿ÍÚ;ΔËÁ̸ÒˉËÓÚÓÏ .... 1993 ◊ÂÍËÒÚ .... 1991 “ÂÚ¸ˇ Ô·ÌÂÚ‡ .... 1990 ü‡‡ÛÎ .... 1989 ÃËÒÒ ÏËÎÎËÓ̯‡ .... 1988 –‡‰Ë ÌÂÒÍÓθÍËıÒÚÓ˜ÂÍ .... 1985 »Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ: ÍËÌÓÔÂÏËÈ. ÍËÌÓÙÂÒÚË‚‡ÎÂÈ, ·Û‡ÚÔÓÙÂÒÒËÓ̇θÌ˚ı ÏÂʉÛ̇ӉÌ˚ı ËÓÚ˜ÂÒÚ‚ÂÌÌ˚ı Õ‡Ó‰Ì˚È ‡ÚËÒÚ–ÓÒÒËË,ÔËÁ ñ ÂÊËÒÒÂ,ÒˆÂ̇ËÒÚ,ıÛ‰ÓÊÌËÍ. ¿ÎÂÍ҇̉ –Ó„ÓÊÍËÌ 08.. TheMatch .... 2008 Transit .... 2006 MyOwnStrangeLife(TV) .... 2004 TheCuckoo .... 2002 PeculiaritiesoftheNational Huntin .... 2000 BoldinoAutumn(short) .... 1999 PeculiaritiesofNationalFishing .... 1998 Checkpoint .... 1998 TheGift(short) .... 1997 Operation´HappyNew Year! ª .... 1996 PeculiaritiesoftheNational Hunt .... 1995 TheAct;LifewithanIdiot .... 1993 TheChekist .... 1991 TheThirdPlanet .... 1990 TheGuard .... 1989 MissMillionaire .... 1988 FortheSakeofaFewLines .... 1985 Selected Filmography: awards. national filmfestivals,winnerofprofessional of Russia,prize-winnerinternationaland Director, scriptwriter,artist.PeopleísArtist Alexander Rogozhkin ‚ ÁËÏÌËÈÔÂËÓ‰ Winter in Autumn the contenders?Willtheywin? here thefinalbegins.Alleyesare glued tothescreens.Canourplayersbeat contrary wantstoassist.Theheroes trytounderstandwhatisgoingon.And the camp.Someonewantstotakeadvantage ofthematch,orsomeoneon football. However,somestrange,and attimesfunny,eventsbegintooccuron the decisivematchdependsonthese people.Theyallselflesslysurrenderto coaches, managers,doctors,watchmenandeventhecleaners.Theoutcome of remaining daysbeforethematch.Allthosewhoworkherehelpthem win:the the trainingcampofRussianteam,whereplayerspracticeduring the Moscow, 2018,theworldchampionshipinfootball.Alleyesaretransfixed on Sports comedy. ÒÓÔÂÌËÍÓ‚. œÓ·Â‰ˇÚÎË? ‚Á„Ρ‰˚ ÔËÍÓ‚‡Ì˚Í˝Í‡Ì‡Ï.—ÛϲÚÎË̇¯ËË„ÓÍËÔÓÒ‡ÏËÚ¸ ‡ÁÓ·‡Ú¸Òˇ ‚ÔÓËÒıÓ‰ˇ˘ÂÏ.»ÚÛÚ̇˜Ë̇ÂÚÒˇÙË̇θÌ˚Èχژ.¬Ò ËÁ ÔÓËÒıÓ‰ˇ˘Â„Ó,ÍÚÓ-ÚÓ,̇ӷÓÓÚ,ÔÓÏÓ˜¸.√·‚Ì˚„ÂÓËÒÚ‡‡˛ÚÒˇ ÒÚ‡ÌÌ˚Â, ‡ÔÓÓÈËÍÛ¸ÂÁÌ˚ÂÒÓ·˚Úˡ.üÚÓ-ÚÓıÓ˜ÂÚËÁ‚Θ¸Ò‚Ó˛ ‚˚„Ó‰Û ·ÂÁÁ‡‚ÂÚÌÓ Ô‰‡Ì˚ÙÛÚ·ÓÎÛ.Œ‰Ì‡ÍÓ̇·‡ÁÂ̇˜Ë̇˛ÚÔÓËÒıÓ‰ËÚ¸ Û·Ó˘Ëˆ˚. ŒÚ˝ÚËıβ‰ÂÈÁ‡‚ËÒËÚÒÛ‰¸·‡Â¯‡˛˘Â„Óχژ‡.¬ÒÂÓÌË ËÏ ‚˚Ë„˚‚‡Ú¸:ÚÂÌÂ˚,‡‰ÏËÌËÒÚ‡ÚÓ˚,‚‡˜Ë,ÒÚÓÓʇˉ‡Ê ‰Ó χژ‡ÚÂÌËÛ˛ÚÒˇÌ‡¯ËË„ÓÍË.«‰ÂҸʇ·ÓÚ‡˛Ú‚ÒÂÚÂ,ÍÚÓÔÓÏÓ„‡ÂÚ ÏÂÒÚÛ ÔËÍÓ‚‡Ì˚‚Á„Ρ‰˚‚ÒÂÈÒÚ‡Ì˚,Á‰ÂÒ¸‚ÓÒÚ‡‚¯ËÂÒˇÒ˜ËÚ‡ÌÌ˚‰ÌË Õ‰‡ÎÂÍÓ ·Û‰Û˘ÂÂ.“ÂÌËӂӘ̇ˇ·‡Á‡ÓÒÒËÈÒÍÓÈÒ·ÓÌÓÈñÍ˝ÚÓÏÛ —ÔÓÚ˂̇ˇ ÍÓωˡ.
101 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 102 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square ILYA MUROMETSANDNIGHTINGALE-ROBBER »À‹fl Ô–ŒÃ≈÷»—ŒÀŒ¬≈…–¿«¡Œ…Õ»ü www.3bogatirya.ru œÓÍ‡Ú ‘‰‡θÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ¿Ì‰ÂÈ “ÓÎ۷‚,≈͇ÚÂË̇√ÓÓıÓ‚Ò͇ˇ,ŒÎ„“‡·‡ÍÓ‚ –ÓÎË ÓÁ‚Û˜ËÎË: –ÂÊËÒÒ ÏÓÌڇʇ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ –ÂÊËÒÒ ÇÍÒËχ —‚¯ÌËÍÓ‚‡ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,80ÏËÌ.,ˆ‚.,DolbyDigital ´Õ‡¯Â ÍËÌÓª ¬Î‡‰ËÏË “ÓÓÔ˜ËÌ ŒÎ„ ÇÍÂÎÓ‚ —„ÂÈ —ÂθˇÌÓ‚,¿ÎÂÍ҇̉¡ÓˇÒÍËÈ ¬‡ÎÂÌÚËÌ ¬‡ÒÂÌÍÓ‚ ´—“¬ª, ´ÃÂθÌˈ‡ª,ÔËÛ˜‡ÒÚËË ¬‡ÎÂËÈ —ÓÎÓ‚¸Â‚,—„ÂÈÇÍӂˆÍËÈ, ¿ÎÂÍ҇̉ ¡ÓˇÒÍËÈÔËÛ˜‡ÒÚËË —„ÂÈ √ÎÂÁËÌ www.3bogatirya.ru Distribution Federal AgencyofCultureandCinematography Production Producers Ekaterina Gorokhovskaya,OlegTabakov Voices: Editing Composer Production Director Maxim Sveshnikov Scriptwriter 2007, Russia,80min.,col.,DolbyDigital Valeri Soloviev,SergeiMakovetsky,AndreiTolubeev, Sergei Glezin Vladimir Toropchin Valentin Vasenkov Sergei Selianov,AlexanderBoyarsky —“¬, Melnitsa(TheMill),withparticipationofthe Design OlegMarkelov Nashe Kino Alexander Boyarsky,withparticipationof the directorísdebut. ìIlya MurometsandNightingale-Robberîis computer games. animator offilms,adverts,clipsand Vladimir Toropchin, —ÓÎÓ‚ÂÈ –‡Á·ÓÈÌËͪñÂÊËÒÒÂÒÍËȉ·˛Ú. ÍÓÏÔ¸˛ÚÂÌ˚ı Ë„.´»Î¸ˇÃÛÓÏÂˆË ÂÍ·ÏÌ˚ı ÓÎËÍÓ‚,ÍÎËÔÓ‚Ë ñ ıÛ‰ÓÊÌËÍ-‡ÌËχÚÓÏÛθÙËθÏÓ‚, ¬Î‡‰ËÏË “ÓÓÔ˜ËÌ Emperor waswaitingalreadyforthemÖ journey wasnoteasy,leadingthemrighttoTsargrad,wheretheByzantine treasure, followedbyacorrespondentoftheannalsìNewBirch-Barkî. The from undereverybodyísnose.ThePrinceandIlyawenttosearchfor the stolen The gangster,thedamnedNightingale-Robber,tookStateístreasure right knights (bogatyrs). An animationcomedy,thefinalfilmintrilogyaboutepicRussian »ÏÔ‡ÚÓ ¬ËÁ‡ÈÌÚËÈÒÍËÈÖ ‚˚‰‡Î‡Ò¸ ÌÂÔÓÒÚ‡ˇ,‰ÓÒ‡ÏÓ„Ó÷‡¸„‡‰‡‰Ó‚·,„‰ÂË‚ÒÚÂÚËÎËıÒ‡Ï ‚ÒΉ Û‚ˇÁ‡Î‡Ò¸ÍÓÂÒÔÓ̉ÂÌÚ͇ÎÂÚÓÔËÒË´ÕÓ‚‡ˇ·ÂÂÒÚ‡ª.¿‰ÓÓ„‡ ÔÓ‰ ÌÓÒ‡.»ÓÚÔ‡‚ËÎËÒ¸üÌˇÁ¸Ò»Î¸ÂÈ̇ÔÓËÒÍËÔÓıˢÂÌÌÓ„Ó,‡Á‡ÌËÏË ”‚ÂÎ ·‡Ì‰ËÚÓ͇ˇÌÌ˚È—ÓÎÓ‚ÂÈ–‡Á·ÓÈÌËÍ͇ÁÌÛ„ÓÒÛ‰‡ÒÚ‚ÂÌÌÛ˛ÔˇÏÓËÁ- ÛÒÒÍËı ·Ó„‡Ú˚ˇı. ¿ÌËχˆËÓÌ̇ˇ ÍÓωˡ,Á‡‚¯‡˛˘ËÈÙËθÏÚËÎÓ„ËËÓ·˚ÎËÌÌ˚ı
103 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 104 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square INDIGO »Õƒ»√Œ www.indigo-film.ru œÓÍ‡Ú ÍËÌÂχÚÓ„‡ÙËË ÔË Û˜‡ÒÚËˑ‰‡θÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂË œÓËÁ‚Ó‰ÒÚ‚Ó ÃËı‡ËÎ ÃËÍÓˆ œÓ‰˛ÒÂ˚ œÂÚ —Í‚ÓˆÓ‚,»‚‡ÌÃÛ‰Ó‚ œ‡‚ÂÎ —ÎË‚‡,ÇËÛÒÿڇ̉Âθ,flÒÂÌÓÍ, √Ó¯‡ üÛˆÂÌÍÓ,¿Ì‡ÒÚ‡Òˡ–˘Ë,–ÓχÌÿχÍÓ‚, Ã‡Ëˇ ÿÛͯË̇,¿ÚÂϓ͇˜ÂÌÍÓ,≈ÎÂ̇ƒÓ·˚¯Â‚‡, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,95ÏËÌ.,ˆ‚.,DolbyDigital5.1 ¿ÎÂÍ҇̉ üÓÔÂÈÍËÌ ´ü‡ÓœÓ͇ڪ »‚‡Ì flÌÍÓ‚ÒÍËÈ,ÃËı‡ËÎ≈ÙÂÏÓ‚, ƒÊÂÈÏÒ √Û˜˜Ë‡‰Ó –ÓÏ‡Ì œ˚„ÛÌÓ‚ ¿ÎÂÍ҇̉‡ ¿Ì‰Â‚‡,¿Ì‰ÂȃÂÈÌ˘ÂÌÍÓ ›‰Û‡‰ √‡ÎÍËÌ –ÂÌ‡Ú ƒ‡‚ÎÂÚ¸ˇÓ‚,¿ÎÂÍ҇̉üÓÚÂ΂ÒÍËÈ, ¿Í‡‰ËÈ ”ÍÛÔÌËÍ ´»ÌÚÂÙÂÒÚª, VoxFilm,´–‡Î-ƒ‡ÍÓÚ‡ª, ¿ÎÂÍÒÂÈ “ËÏÏ,¬‡ÎÂÌÚËÌ—ÔËˉÓÌÓ‚ www.indigo-film.ru Distribution Cinematography participation oftheFederalAgencyCultureand Production Mikhail Mikots Producers RenatDavletiarov,AlexanderKotelevsky, Standel, PavelYasenok,PetrSkvortsov,IvanMudrov Anastasia Ricci,RomanShmakov,PavelSliva,Marius Artem Tkachenko,ElenaDrobysheva,GoshaKutsenko, Cast: Sound Composer Costume Design Production Design Director ofPhotography Director Scriptwriters 2007, Russia,95min.,col.,DolbyDigital5.1 Ivan Yankovsky,MikhailEfremov,MariaShukshina, Alexander Kopeikin Roman Prygunov Arkadi Ukupnik Interfest, VoxFilm,Real-Dakota,with KaroProkat Alexei Timm,ValentinSpiridonov Alexander Andreeva,AndreiDeinichenko Eduard Galkin James Gucciardo 07....Indigo 2007 ....TheSolitudeofBlood 2002 director: Roman Prygunov, ....»Ì‰Ë„Ó 2007 ....Œ‰ËÌÓ˜ÂÒÚ‚ÓÍÓ‚Ë 2002 ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: –ÓÏ‡Ì œ˚„ÛÌÓ‚, maniac pursuingonlyIndigo... teenage problemsandwouldnever believe intheseriousnessofastoryabout confident onlyinonething:thattheadultworldnormallydisregards strange methodically andtheIndigosvanishoneafterother.Thissomeone is impregnable onlywhentheyaretogether.Butsomeonetracksthemdown living indifferentpartsofmodernMoscow.Thesegiftedpeoplefeel free and see throughobjects,Andreihasapresentimentfordanger.Theyare Indigo, language ofanimals,Zhakaeasilycracksanycomputerprogramme,Lekha can Tikhon rememberseverythingabouthisformerlife,Tanyaunderstands the Adventure thriller. Ò¸ÂÁÌÓÒÚ¸ ËÒÚÓËËÓχ̸ˇÍÂ,ÔÂÒÎÂ‰Û˛˘ÂÏÎ˯¸»Ì‰Ë„Ó... ÓÚÒÚ‡ÌËÚÒˇ ÓÚÒÚ‡ÌÌ˚ıÔÓ‰ÓÒÚÍÓ‚˚ıÔÓ·ÎÂÏËÌËÍÓ„‰‡ÌÂÔÓ‚ÂËÚ ‚ ‰Û„ËÏ. ¿˝ÚÓÚÍÚÓ-ÚÓÛ‚ÂÂÌÎ˯¸‚Ó‰ÌÓÏ:ÏË‚ÁÓÒÎ˚ıÔË‚˚˜ÌÓ ÍÚÓ-ÚÓ ÏÂÚӉ˘ÌÓËı‚˚ÒÎÂÊË‚‡ÂÚñ»Ì‰Ë„Ó̇˜Ë̇˛ÚÔÓÔ‡‰‡Ú¸Ó‰ËÌÁ‡ ‚ÏÂÒÚÂ, Ó‰‡ÂÌÌ˚·ˇÚ‡˜Û‚ÒÚ‚Û˛ÚÒ·ˇÒ‚Ó·Ó‰Ì˚ÏËËÌÂÛˇÁ‚ËÏ˚ÏË.ÕÓ ÓÌË ÊË‚ÛÚ‚‡ÁÌ˚ı‡ÈÓ̇ıÒÓ‚ÂÏÂÌÌÓÈÃÓÒÍ‚˚.»ÚÓθÍÓ̇ıÓ‰ˇÒ¸ ÒÍ‚ÓÁ¸ Ô‰ÏÂÚ˚,¿Ì‰ÂÈ‚Ò„‰‡Ô‰˜Û‚ÒÚ‚ÛÂÚÓÔ‡ÒÌÓÒÚ¸.ŒÌËñ»Ì‰Ë„Ó, ΔÂ͇ Ò΄ÍÓÒÚ¸˛‚Á·Ï˚‚‡ÂÚβ·Û˛ÍÓÏÔ¸˛ÚÂÌÛ˛ÔÓ„‡ÏÏÛ,ÀÂı‡‚ˉËÚ “ËıÓÌ ÔÓÏÌËÚ‚ÒÂÓÒ‚ÓÂÈÔÓ¯ÎÓÈÊËÁÌË,“‡ÌˇÔÓÌËχÂÚˇÁ˚ÍÊË‚ÓÚÌ˚ı, œËÍβ˜Â̘ÂÒÍËÈ ÚËÎÎÂ.
105 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 106 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square THE VANISHEDEMPIRE »—◊≈«Õ”¬ÿ¿fl »Ãœ≈–»fl www.mosfilm.ru œÓÍ‡Ú ‘‰‡θÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó √Â̇θÌ˚È ÔÓ‰˛Ò ¬‡ÒËÎËÈ ÿ‡ı̇Á‡Ó‚,¬Î‡‰ËÏËüÓÌÍËÌ,¿ÎÂÍÒÂÈΔ‡ÍÓ‚ ¬Î‡‰ËÏË »Î¸ËÌ,¿Ì‰Âȡ·„ÓÒÎÓ‚ÂÌÒÍËÈ, flÌË̇ ü‡Î„‡ÌÓ‚‡,ŒÎ¸„‡“ÛχÈÍË̇,¿ÏẪÊË„‡ı‡ÌˇÌ, ≈„Ó ¡‡‡ÌÓ‚ÒÍËÈ,»‚‡ÌüÛÔÂÂÌÍÓ,√Ë„ÓËȃӷ˚„ËÌ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ≈‚„ÂÌˡ ÕËÍ˯ӂ‡ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,105ÏËÌ.,ˆ‚.,1:1.66,DolbySRD √Ûθ҇‡ ÃÛ͇ڇ‚‡ ´ü‡ÓœÓ͇ڪ ¿ÎÂÍ҇̉ ÀˇÔËÌ,ÀˉˡÃËβÁË̇, ÿ‡Ì‰Ó ¡ÂÍÂ¯Ë ü‡ÂÌ ÿ‡ı̇Á‡Ó‚ ¿Î· ŒÎÂÌ‚‡,—‚ÂÚ·̇“ËÚÓ‚‡ À˛‰ÏË· üÛÒ‡ÍÓ‚‡ üÓÌÒÚ‡ÌÚËÌ ÿ‚Â΂ üËÌÓÍÓ̈ÂÌ ´ÃÓÒÙËθϪ,ÔËÛ˜‡ÒÚËË —„ÂÈ –ÓÍÓÚÓ‚ÔËÛ˜‡ÒÚËË ü‡ÂÌ ÿ‡ı̇Á‡Ó‚ www.mosfilm.ru Distribution of CultureandCinematography Production General Producer Zharkov Blagoslovensky, VasiliShakhnazarov,VladimirKonkin,Alexei Tumaikina, ArmenDzhigarkhanian,VladimirIlyin,Andrei Ivan Kupreenko,GrigoriDobrygin,YaninaKalganova,Olga Cast: Sound Composer Costume Design Production Design Director ofPhotography Director Nikishova Scriptwriter 2008, Russia,105min.,col.,1:1.66,DolbySRD Alexander Liapin,LydiaMiliuzina,EgorBaranovsky, Gulsara Mukataeva Karen Shakhnazarov Konstantin Shevelev Mosfilm, withparticipationoftheFederalAgency KaroProkat Sergei Rokotov,withparticipationofEvgeniya Alla Oleneva,SvetlanaTitova Karen Shakhnazarov Liudmila Kusakova Shandor Berkeshi 08....»Ò˜ÂÁÌÛ‚¯‡ˇËÏÔÂˡ 2008 ....¬Ò‡‰ÌËÍÔÓËÏÂÌË—ÏÂÚ¸ 2004 ....fl‰˚,ËÎˬÒÂÏË̇ˇËÒÚÓˡ 2001 ....ƒÂ̸ÔÓÎÌÓÎÛÌˡ 1998 ....¿ÏÂË͇ÌÒ͇ˇ‰Ó˜¸ 1995 ....—Ì˚(Ò¿ÎÂÍ҇̉ÓÏ¡ÓÓ‰ˇÌÒÍËÏ) 1993 ....÷‡ÂÛ·ËȈ‡ 1991 ....√ÓÓ‰«ÂÓ 1988 ....ü۸ 1986 ....«ËÏÌËȂ˜‚√‡„‡ı 1985 ....Ã˚ËÁ‰Ê‡Á‡ 1983 ....ƒÓ·ˇÍË 1979 ‘ËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. ÏÂʉÛ̇ӉÌ˚ı ËÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÔÓÙÂÒÒËÓ̇θÌ˚ı ÔÂÏËÈ,ÔËÁ ¡‡Ú¸Â‚ ¬‡ÒËθ‚˚ıˉۄËı √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË–—‘—–ËÏÂÌË √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË–‘, Õ‡Ó‰Ì˚È ‡ÚËÒÚ–ÓÒÒËË,·ÛÂ‡Ú Ô‡‚ÎÂÌˡ ÍËÌÓÍÓ̈Â̇´ÃÓÒÙËθϪ. √Â̇θÌ˚È ‰ËÂÍÚÓ,Ô‰Ò‰‡ÚÂθ ≈‚ÓÔÂÈÒÍÓÈ ÍËÌӇ͇‰ÂÏËË. üËÌÓÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ,ÔÓ‰˛ÒÂ,˜ÎÂÌ ü‡ÂÌ ÿ‡ı̇Á‡Ó‚ 08.. TheVanishedEmpire .... 2008 ARidernamedDeath .... 2004 Poisons,ortheWorldHistoryof .... 2001 DayoftheFullMoon .... 1998 TheAmericanDaughter .... 1995 Dreams(withAlexander .... 1993 TheTsarísAssassin .... 1991 CityZero .... 1988 TheMessenger .... 1986 WinterEveninginGagry .... 1985 Jazzmen .... 1983 KindMen .... 1979 Directorís Filmography: international andnationalfilmfestivals. professional awards,prize-winnerof Vasilievî StatePrizeoftheRSFSRandother Prize oftheRussianFederation,ìBrothers National ArtistofRussia,winnertheState Film CompanyMosfilm. Director-General, ChairmanofBoardthe of theEuropeanFilmAcademy. Film director,scriptwriter,producer,Member Karen Shakhnazarov ÓÚ‡‚ÎÂÌËÈ Poisoning Borodiansky) but irrevocablypastepochisKaren Shakhnazarovísnewfilm. and, atthesametime,beginningofitsdemise.Aboutthisseemingly recent map. ThetimeistheblossomingofSovietempire,peakits power country wheretheywerebornandlivewoulddisappearfrom the and scorethefirstvictories,withoutguessingthatalreadyverysoon the institute, theyquarrelandreconcile,experiencetheirfirstdisappointments stands aclassicallovetriangle:twoguysandgirl.Theystudyatthe same The filmísactionunfoldsinthe1970sMoscow.Incentreof plot Romantic tragicomedybasedonmotivesofSergeiRokotovísnovel. ÙËÎ¸Ï ü‡Â̇ÿ‡ı̇Á‡Ó‚‡. ·ÎËÁÍÓÈ, ͇Á‡ÎÓÒ¸·˚,ÌÓ·ÂÁ‚ÓÁ‚‡ÚÌÓۯ‰¯ÂÈ˝ÔÓı¡ÒÒ͇ÊÂÚ ÌÓ‚˚È Â ÏÓ„Û˘ÂÒÚ‚‡Ë‚ÏÂÒÚÂÒÚÂÏ˝ÚÓÓÚÔ‡‚̇ˇÚӘ͇ÍÓ̈‡.Œ·˝ÚÓÈ, Ú‡ÍÓÈ Ò Í‡Ú˚Ïˇ.¬ÂÏˇ‰ÂÈÒڂˡ͇ÚËÌ˚ñ˝ÚÓ‡Òˆ‚ÂÚËÏÔÂËË———–,ÔËÍ ÚÓÏ, ˜ÚÓÛÊÂÓ˜Â̸ÒÍÓÓÒڇ̇,‚ÍÓÚÓÓÈÓÌËÓ‰ËÎËÒ¸ËÊË‚ÛÚ,ËÒ˜ÂÁÌÂÚ Ô‚˚ ‡ÁÓ˜‡Ó‚‡Ìˡ,Ó‰ÂÊË‚‡˛ÚÔӷ‰˚,‰‡ÊẨӄ‡‰˚‚‡ˇÒ¸Ó ‰Â‚ۯ͇. ŒÌËÛ˜‡ÚÒˇ‚Ó‰ÌÓÏËÌÒÚËÚÛÚÂ,ÒÒÓˇÚÒˇ,ÏˡÚÒˇ,ËÒÔ˚Ú˚‚‡˛Ú ˆÂÌÚÂ Ò˛ÊÂڇͷÒÒ˘ÂÒÍËÈβ·Ó‚Ì˚ÈÚÂÛ„ÓθÌËÍñ‰‚‡Ô‡ÌˇË ƒÂÈÒÚ‚Ë ÙËθχ‡Á‚Ó‡˜Ë‚‡ÂÚÒˇ‚70-„Ӊ˚ÔÓ¯ÎÓ„Ó‚Â͇ÃÓÒÍ‚Â.¬ –ÓχÌÚ˘ÂÒ͇ˇ Ú‡„ËÍÓωˡÔÓÏÓÚË‚‡ÏÓχ̇—„¡–ÓÍÓÚÓ‚‡.
107 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 108 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square MONGOL ÃŒÕ√ŒÀ www.ctb.ru www.mongolfilm.ru œÓÍ‡Ú ´≈‚‡ÁˡÙËθϪ GmbH (‘–√),X-FilmeCreativePoolNeftex, œÓËÁ‚Ó‰ÒÚ‚Ó —ÓÔÓ‰˛ÒÂ˚ —„ÂÈ ¡Ó‰Ó‚-ÒÚ. œÓ‰˛ÒÂ˚ —„ÂÈ—ÂθˇÌÓ‚,¿ÌÚÓÌÃÂθÌËÍ, ¡‡Ò‡Ì, ¿Îˡ,¿Ï‡‰ÛÇχ‰‡ÍÓ‚,Œ‰Ì‡ÏŒ‰ÒÛ˝Ì ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ˚ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ Dolby SRD 2007, –ÓÒÒˡ/√ÂχÌˡ/ü‡Á‡ıÒÚ‡Ì/üËÚ‡È,120ÏËÌ.,ˆ‚., ÿÚÂÙ‡Ì üÓÌÍÂÌ ´Õ‡¯Â ÍËÌÓª,´ü‡ÓœÓ͇ڪ «‡Í —ÚÂ̷„ “‡‰‡ÌÓ·Û ¿Ò‡ÌÓ,—ÛÌ’ÓÌ„ÀÂÈ,’Û·Ì◊ÛÎÛÛÌ, —„ÂÈ ¡Ó‰Ó‚-ÒÚ‡¯ËÈ ÀÓ ü‡ËÌ –Ӊʠ—ÚÓÙÙÂÒ,—„ÂÈ“ÓÙËÏÓ‚ ƒ‡¯Ë Շω‡ÍÓ‚,≈ÎÂ̇ΔÛÍÓ‚‡ –Ë˜Ë —‡Í‡ÏÓÚÓ Ã‡ÌÛ˝Î‡ —ÚÂ,—ÚÂه̿̉Ú,¿ÎÂÍÿÛθχÌÌ ´—“¬ª, ´¿Ì‰Â‚ÒÍËÈÙ·„ª,Kinofabrika ¿ËÙ ¿ÎË‚,—„ÂÈ¡Ó‰Ó‚-ÒÚ‡¯ËÈ www.ctb.ru www.mongolfilm.ru Distribution Eurasiafilm (Germany), X-FilmeCreativePoolNeftex, Production Co-Producers Producers Ba San,Aliya,AmaduMamadakov,OdnyamOdsuren Cast: Editing Sound Composer Costume Design Production Design Directors ofPhotography Director Scriptwriters Dolby SRD 2007, Russia/Germany/Kazakhstan/China,120min.,col., Tadanobu Asano,HongleiSun,KhulanChuluun, Stephan Konken Zach Staenberg Sergei BodrovSr. Ricci Sakamoto Sergei Selianov,AntonMelnik,BodrovSr. —“¬, AndreevskyFlag,KinofabrikaGmbH Nashe Kino,Karo Manuela Stehr,StefanArndt,AlecSchulmann Arif Aliev,SergeiBodrovSr. Karin Lohr Dashi Namdakov,ElenaZhukova Rogier Stoffers,SergeiTrofimov 07.. TheMongol .... 2007 TheNomad(withIvanPasser) .... 2005 DrunkenSailor(TheTigerLillies) .... 2005 TheBearísKiss .... 2002 TheQuickie .... 2001 RunningFree .... 1999 ThePrisoneroftheMountains .... 1996 IWantedtoSeeAngels .... 1992 WhiteKing,RedQueen .... 1992 SER(FreedomisParadise) .... 1989 KatalañTheGambler .... 1989 IHateYou(TV) .... 1986 Nonprofessionals(rel..1988) .... 1985 SweetJuiceinsidetheGrass .... 1984 Directorís Filmography: ñ director,scriptwriter,producer. Sergei BodrovSr. ....ÃÓÌ„ÓÎ 2007 ....Nomad/üӘ‚ÌËÍ 2005 ....DrunkenSailor/TheTigerLillies/ 2005 ....BearísKiss/É‚ÂÊËÈÔÓˆÂÎÛÈ 2002 ....TheQuickie/ƒ‡‚‡È҉·ÂÏ˝ÚÓÔÓ- 2001 ....RunningFree/¡Â„Û˘ËÈÒ‚Ó·Ó‰Ì˚Ï 1999 ....ü‡‚͇ÁÒÍËÈÔÎÂÌÌËÍ 1996 ....flıÓÚ·ۂˉÂÚ¸‡Ì„ÂÎÓ‚ 1992 ....¡ÂÎ˚ÈÍÓÓθ,͇Ò̇ˇÍÓÓ΂‡ 1992 ....—.›.–(—‚Ó·Ó‰‡ñ˝ÚÓ‡È) 1989 ....ü‡Ú‡Î‡ 1989 ....flÚ·ˇÌÂ̇‚ËÊÛ(“¬) 1986 ....ÕÂÔÓÙÂÒÒËÓ̇Î˚(‚˚Ô.1988) 1985 ....—·‰ÍËÈÒÓÍ‚ÌÛÚËÚ‡‚˚ 1984 ‘ËθÏÓ„p‡Ùˡ ÂÊËÒÒ‡: ñ ÂÊËÒÒÂ,ÒˆÂ̇ËÒÚ,ÔÓ‰˛ÒÂ. —„ÂÈ ¡Ó‰Ó‚-ÒÚ‡¯ËÈ (with A.Alpiev) (Ò »‚‡ÌÓÏœ‡ÒÒÂÓÏ) œ¸ˇÌ˚È Ï‡ÚÓÒ ·˚ÒÚÓÏÛ (Ò ¿.¿Î¸ÔË‚˚Ï) ñ NominationfortheOSCARAcademy Award,2008. ñ PrizeoftheFilmAcademyNIKA (2007)inthenominations:BestFiction ñ PrizeofFilmCriticsandthe PressìWhiteElephantî(2007):Best ñ NationalFilmAwardìGoldenEagleî(2007)inthenominations:Best provide peaceandresttohisnumerouschildren. end ofhislife.ThemainaimChingisKhaníscampaignswasthewish to a greatnumberconcubinesñhismainassistantandadviser,rightuntil the same marrieshisbelovedBorte,whowouldbecomingñdespitefour wives and slavery. Butwhenhereturnsaftermanyyearsasafreewarrior, all the Merkits hasnotsucceeded,thefatherispoisonedandTemurjintaken into Khanís mother,butthesontakesagirlfromanotherclan.Theunion withthe bride inthetribeofMerkits,fromwhencehehadoncestolenChingis feats thatchangedanddeterminedhislife.Hisfathertooktheboyto choosea of alltheMongols.Whenhewasstillachild,accomplishednumber of this onlybeganandnobodyknewthatTemurjinwouldbecomethegreatkhan who exercisedgreatinfluenceontheworldandRussia;abouttimewhen An epic,historicalsagaabouttheyouthofgreatwarriorChingisKhan, ñ ÕÓÏË̇ˆËˇÌ‡ÔÂÏ˲´ŒÒ͇ª,2008. ñ œÂÏËËüËÌӇ͇‰ÂÏËË´ÕË͇ª(2007)‚ÌÓÏË̇ˆËˇı:ÎÛ˜¯ËÈË„Ó‚ÓÈ ñ œÂÏˡÍËÌÓÍËÚËÍËËÍËÌÓÔÂÒÒ˚´¡ÂÎ˚ÈÒÎÓ̪(2007)ÎÛ˜¯‡ˇ ñ Õ‡ˆËÓ̇θÌ˚ÂÍËÌÓÔÂÏËË´«ÓÎÓÚÓÈŒÂΪ(2007)‚ÌÓÏË̇ˆËˇı: ÔÓÍÓÈ. ◊ËÌ„ËÒı‡Ì‡ ÒÚ‡ÎÓÊ·ÌËÂÓ·ÂÒÔ˜ËÚ¸Ò‚ÓËÏÏÌÓ„Ó˜ËÒÎÂÌÌ˚ωÂÚˇÏÏËË ÔÓÏÓ˘ÌËÍÓÏ ËÒÓ‚ÂÚ˜ËÍÓωÓÍÓ̈‡ÊËÁÌË.√·‚ÌÓȈÂθ˛ÔÓıÓ‰Ó‚ ÒÚ‡‚¯ÂÈ, ÌÂÒÏÓÚˇÌ‡˜ÂÚ˚ÂıÊÂÌË·Óθ¯Ó˜ËÒÎÓ̇ÎÓÊÌˈ,„ӄ·‚Ì˚Ï ÎÂÚ Ò‚Ó·Ó‰Ì˚Ï‚ÓËÌÓÏ,ÓÌ‚ÒÂ-Ú‡ÍËÊÂÌËÎÒˇÌ‡Ò‚ÓÂÈ‚ÓÁβ·ÎÂÌÌÓÈ¡ÓÚÂ, ÓÚˆ‡ ÓÚ‡‚ËÎË,‡“ÂÏÛ‰ÊËÌÔÓԇ΂‡·ÒÚ‚Ó.ÕÓ,‚ÂÌÛ‚¯ËÒ¸˜ÂÂÁÏÌÓ„Ó ÌÓ Ò˚Ì‚˚·‡Î‰Â‚Û¯ÍÛËÁ‰Û„Ó„ÓÍ·̇.—Ó˛ÁÒÏÂÍËÚ‡ÏËÌÂÒÓÒÚÓˇÎÒˇ, Ì‚ÂÒÚÛ ‚ÔÎÂÏˇÏÂÍËÚÓ‚,ËÁÍÓÚÓÓ„ÓÍÓ„‰‡-ÚÓÔÓıËÚËÎχڸ◊ËÌ„ËÒı‡Ì‡, ÍÓÚÓ˚ ËÁÏÂÌËÎËËÓÔ‰ÂÎË„ÓÊËÁ̸.ŒÚˆÔÓ‚ÂÁχθ˜Ë͇‚˚·Ë‡Ú¸ ‚ÂÎËÍËÏ ı‡ÌÓÏ‚ÒÂıÏÓÌ„ÓÎÓ‚.≈˘Â·ÂÌÍÓÏÓÌÒ‰Â·Ρ‰ÔÓÒÚÛÔÍÓ‚, ÚÓθÍÓ Ì‡˜Ë̇ÎÓÒ¸ËÍÓ„‰‡Â˘ÂÌËÍÚÓÌÂÁ̇Î,˜ÚÓ“ÂÏÛ‰ÊËÌÒÚ‡ÌÂÚ Ó͇Á‡‚¯Â„Ó Ó„ÓÏÌÓ‚ÎˡÌËÂ̇ÏËË–ÓÒÒ˲,Ó‚ÂÏÂÌË,ÍÓ„‰‡‚Ò ›Ô˘ÂÒ͇ˇ ËÒÚÓ˘ÂÒ͇ˇÒ‡„‡Ó˛Ì˚ı„Ó‰‡ı‚ÂÎËÍÓ„Ó‚ÓË̇◊ËÌ„ËÒı‡Ì‡, Costume Design; Film, BestDirector,Sound; Camera,BestProductionDesign, Production Design; Costume Design,BestSound; ÔÓÒÚ‡ÌÓ‚˘Ë͇, ÎÛ˜¯‡ˇ‡·ÓÚ‡ıÛ‰ÓÊÌË͇ÔÓÍÓÒÚ˛Ï‡Ï; ÎÛ˜¯‡ˇ ÓÔ‡ÚÓÒ͇ˇ‡·ÓÚ‡,‡·ÓÚ‡ıÛ‰ÓÊÌË͇- ÙËθÏ, ÎÛ˜¯‡ˇÂÊËÒÒÂÒ͇ˇ‡·ÓÚ‡,‡·ÓÚ‡Á‚ÛÍÓÂÊËÒÒ‡; ‡·ÓÚ‡ ıÛ‰ÓÊÌË͇-ÔÓÒÚ‡ÌÓ‚˘Ë͇; ÎÛ˜¯ËÈ ıÛ‰ÓÊÌËÍÔÓÍÓÒÚ˛Ï‡Ï,ÎÛ˜¯‡ˇ‡·ÓÚ‡Á‚ÛÍÓÂÊËÒÒ‡;
109 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 110 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.tvindie.ru œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò üÓÌÒÚ‡ÌÚËÌ œÓˇÍËÌ —„ÂÈ —ÂÎËÌ,≈‚„ÂÌˡƒÓ·Ó‚ÓθÒ͇ˇ,¿ÎÂÍ҇̉√ÓÎÛ·ÍÓ‚, ¬ „·‚Ì˚ıÓΡı: ÏÓÌڇʇ –ÂÊËÒÒÂ˚ ÃÛÁ˚͇/ ƒËÁ‡ÈÌÁ‚Û͇ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 2008, –ÓÒÒˡ,107ÏËÌ.,ˆ‚.,1:1.66,DolbySRD 2008, –ÓÒÒˡ,107ÏËÌ.,ˆ‚.,1:1.66,DolbySRD MUKHA (TheFly) Ô’¿ ≈‚„ÂÌËÈ œË‚ËÌ »Ë̇ √‡Ê‰‡ÌÍË̇ ≈‚„ÂÌËÈ √Ë̉ËÎËÒ ŒÎ„ ”ıÓ‚ üËÌÓÍÓÏÔ‡Ìˡ ´“‚Ë̉˪,Õ“¬ ¿ÎÂÍÒÂÈ ü‡‚˜ÂÌÍÓ,¿ÎÂÍ҇̉‡“˛ÙÚÂÈ, ŒÎ¸„‡ √Ë̯ÔÛÌ,¬‡ÎÂËÈÃ˚ÁÌËÍÓ‚ ¿ÌÚÓÌ —Ë·‚ ¬Î‡‰ËÏË üÓÚÚ www.tvindie.ru Production Producer Konstantin Poyarkin Evgenia Dobrovolskaya,AlexanderGolubkov, Cast: Editing Composer/ SoundDesigner Costume Design Production Designer Director ofPhotography Scriptwriter andDirector 2008, Russia,107min,col.,1:1.66,DolbySRD Alexei Kravchenko,AlexandraTiuftey,SergeiSelin, Olga Grinshpun,ValeriMyznikov Evgeni Gindilis Film CompanyTvindie,NTV Irina Grazhdankina Oleg Ukhov Evgeni Privin Vladimir Kott Anton Silaev 08....ÃÛı‡ 2008 ....—·ˇÌ˚ÈÒ‡ÏÛ‡È. 2006 ....ŒıÓÚÌËÍ(Ò¡Î) 2006 ....–Ó‰ÒÚ‚ÂÌÌ˚ÈÓ·ÏÂÌ(Ò¡Î) 2005 ....ƒ‚¸(‰ËÔÎÓÏ̇ˇ‡·ÓÚ‡,Í/Ï) 2004 ‘ËθÏÓ„‡Ùˡ: ÂÊËÒÒÂ, ÔËÁÂÍËÌÓÙÂÒÚË‚‡ÎÂÈ. ¬Î‡‰ËÏË üÓÚÚ, 08....Mukha(TheFly) 2008 ....TheSilverSamurai. 2006 ....TheHunter(TV-serial) 2006 ....Familyexchange(TV-serial) 2005 ....TheDoor(graduationfilm,short) 2004 Director's Filmography: of thefilmfestivals. film director,prize-winner Vladimir Kott, Œ‡ÌËÂÌ·‡ÛÏ (TÂÎÂÒ¡Î) Oranienbaum (TV) which doesnotacceptoutsidersandspareinsidersÖ that sheneedshim;hehastofindthekeycruelworldofteenagers, the truckerFyodorfindsoutthathehasadaughter.Hetoprove toher choice betweenfreedomandresponsibilityforanotherhumanbeing. One day This isastoryaboutthechoiceeachofushastomakeatonepointinlife: Ò‚ÓËıÖ ÊÂÒÚÍÓÏÛ ÏËÛÔÓ‰ÓÒÚÍÓ‚,ÍÓÚÓ˚ÈÌÂÔËÌËχÂÚ˜ÛÊËıËʇÎÂÂÚ ÌÂ„Ó ÂÒÚ¸‰Ó˜¸.≈ÏÛÔ‰ÒÚÓËÚ‰Ó͇Á‡Ú¸,˜ÚÓÓÌÂÈÌÛÊÂÌ;̇ÈÚËÍβ˜Í Ë ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚ¸˛Á‡‰Û„Ó„Ó.ƒ‡Î¸ÌÓ·ÓÈ˘Ë͑‰ӂÌÂÁ‡ÔÌÓÛÁ̇ÂÚ,˜ÚÓÛ »ÒÚÓˡ Ó‚˚·ÓÂ,ÍÓÚÓ˚ÈӉ̇ʉ˚‰Â·ÂÚ͇ʉ˚È:ÏÂʉÛÒ‚ÓÂÈÒ‚Ó·Ó‰ÓÈ
111 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 112 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square WE AREFROMTHEFUTURE ä »«¡”ƒ”Ÿ≈√Œ www.nkino.ru www.m-i-b.ru œÓÍ‡Ú ÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË ´–ÓÒÒˡª, ÔËÔÓ‰‰ÂÊÍ‘‰‡θÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓ œÓËÁ‚Ó‰ÒÚ‚Ó ¿Ì„ÂÎË̇ œ‡‚΢ÂÌÍÓ,¿Òˇ√„ӂ‡ ¿Òˇ √„ӂ‡ œÓ‰˛ÒÂ˚ √Â̇θÌ˚È ÔÓ‰˛Ò —„ÂÈ Ã‡ıÓ‚ËÍÓ‚ ≈͇ÚÂË̇ üÎËÏÓ‚‡,¡ÓËÒ√‡ÎÍËÌ,—„ÂÈfi¯Í‚˘, ¿Ì‰ÂÈ “ÂÂÌڸ‚,ƒÏËÚËȬÓÎÍÓÒÚÂÎÓ‚,ƒ‡ÌËËΗڇıÓ‚, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ ÃÛÁ˚͇θÌÓ ÓÙÓÏÎÂÌË üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ˚ –ÂÊËÒÒ ÔË Û˜‡ÒÚËËüËËη¡Â΂˘‡ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,110ÏËÌ.,ˆ‚.,DolbyDigital ÃËı‡ËÎ ÕËÍÓ·‚ ´ü‡ÓœÓ͇ڪ, ´Õ‡¯ÂÍËÌÓª Ã‡Ëˇ —„ÂÂÌÍÓ‚‡ ƒ‡ÌË· üÓÁÎÓ‚ÒÍËÈ,¬Î‡‰ËÏËfl„Î˚˜, ¿Ì‰ÂÈ Ã‡Î˛ÍÓ‚ ÇÍÒËÏ œ‡ÁËÎÓ‚ ¬Î‡‰ËÏË ƒÛ¯ËÌ ¬Î‡‰ËÏË —ÔÓ˚¯ÍÓ‚,ŒÎ¸„‡ÀË‚ËÌÒ͇ˇ À˛‰ÏË· üÛÍÓ·‡,¿Ì„ÂÎË̇œ‡‚΢ÂÌÍÓ, ´¿-1 üËÌӬˉÂÓªÔÓÁ‡Í‡ÁÛ“ÂÎÂ͇̇Π¿ÎÂÍ҇̉ ÿ‚ˆÓ‚,›‰Û‡‰¬ÓÎÓ‰‡ÒÍËÈ —„ÂÈ ÿÛχÍÓ‚ »‚‡Ì ¡ÛΡ‚ www.nkino.ru www.m-i-b.ru Distribution Culture andCinematography channel ìRussiaî,withsupportfrom theFederalAgencyof Production Asya Gergova Producers General Producer Boris Galkin,SergeiYushkevich,Makhovikov Dmitri Volkostrelov,DaniilStrakhov,EkaterinaKlimova, Cast: Editing Sound Composer Costume Design Production Design Olga Livinskaya Directors ofPhotography Director participation ofKirillBelevich Scriptwriters 2008, Russia,110min.,col.,DolbyDigital Danila Kozlovsky,VladimirYaglych,AndreiTerentiev, Mikhail Nikolaev Maria Sergeenkova Andrei Maliukov Ivan Burliaev Liudmila Kukoba,AngelinaPavlichenko, A-1 KinoVideo,commissionedbythe television KaroProkat, NasheKino Alexander Shevtsov,EduardVolodarsky,with Maxim Pazilov Sergei Shumakov Vladimir Dushin Vladimir Sporyshkov, 08.. WearefromtheFuture .... 2008 TheStormGate(4series) .... 2005 TheSaboteur(4series) .... 2004 SpecialTroops2 .... 2003 BadHabit .... 2002 SpecialTroops(episodesofaserial) .... 2002 2000-01.. IAmaRussiansoldier .... 1995 LittlePeoplefromBolshvikLane, .... 1993 Butterflies(Babochki) .... 1991 LoveattheDeathIsland .... 1991 Doit,One! .... 1990 FaithfulnesswePledge .... 1988 FireoneastTrain34 .... 1981 UnansweredLove .... 1979 IntheZoneofSpecialAttention .... 1977 director: Andrei Maliukov, ....Ã˚ËÁ·Û‰Û˘Â„Ó 2008 ....√ÓÁÓ‚˚‚ÓÓÚ‡(4ÒÂËË) 2005 ....ƒË‚ÂÒ‡ÌÚ(4ÒÂËË) 2004 ....—Ôˆ̇Á-2(ÙËθÏ˚Ò¡·) 2003 ....ƒÛ̇ˇÔË‚˚˜Í‡ 2002 ....—Ôˆ̇Á(ÙËθÏ˚Ò¡·) 2002 »ÏÔÂˡ ÔÓ‰Û‰‡ÓÏ(Ò¡Î) 2000-01 ....flñÛÒÒÍËÈÒÓΉ‡Ú 1995 ....ÇÎÂ̸͢ÂÎӂ˜ÍË 1993 ....¡‡·Ó˜ÍË 1991 ....À˛·Ó‚¸Ì‡ÓÒÚÓ‚ÂCÏÂÚË 1991 ....ƒÂ·Èñ‡Á! 1990 ....¬ÂÌ˚ÏËÓÒÚ‡ÌÂÏÒˇ 1988 ....34-ÈÒÍÓ˚È 1981 ....¡ÂÁÓÚ‚ÂÚ̇ˇÎ˛·Ó‚¸ 1979 ....¬ÁÓÌÂÓÒÓ·Ó„Ó‚ÌËχÌˡ 1977 ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: ¿Ì‰ÂÈ Ã‡Î˛ÍÓ‚, ËÎË ’Ó˜ÛÔË‚‡ ¡Óθ¯Â‚ËÒÚÒÍÓ„Ó ÔÂÂÛÎ͇, The EmpireunderAttack(serial) (several episodesoftheserial) or IWantBeer different... back into1942.Whentheyreturnfromthewar,willbecompletely in whichtheyfindtheirownphotos;fromthisfollowsthathave lapsed on thebattlefieldsofGreatPatrioticWar.Theyfindasoldierísnotebook, Four youngguysñSkull,Spirit,BormanandChukhaconductexcavations Historical adventureactionwithfantasticelements. ‚ÂÌÛÚÒˇ Ò‚ÓÈÌ˚,ÓÌË·Û‰ÛÚÒÓ‚ÒÂωۄËÏË... ÙÓÚÓ„‡ÙËË, ËÁ˜Â„ÓÒΉÛÂÚ,˜ÚÓÓÌËÔÓÔ‡ÎË‚1942„Ó‰.üÓ„‰‡ ÒÓΉ‡ÚÒÍËı Á‡ÔËÒÌ˚ıÍÌËÊ͇ıÒΉÓÔ˚Ú˚ӷ̇ÛÊË‚‡˛ÚÒÓ·ÒÚ‚ÂÌÌ˚ ‚‰ÛÚ ‡ÒÍÓÔÍË̇ÏÂÒÚ‡ı·Ó‚¬ÂÎËÍÓȌژÂÒÚ‚ÂÌÌÓÈ‚ÓÈÌ˚.¬Ì‡È‰ÂÌÌ˚ı ◊ÂÚ‚ÂÓ ÒÓ‚ÂÏÂÌÌ˚ıÏÓÎÓ‰˚ı·ˇÚñ◊ÂÂÔ,—ÔËÚ,¡ÓχÌË◊Ûı‡ »ÒÚÓËÍÓ-ÔËÍβ˜Â̘ÂÒÍËÈ ·Ó‚ËÍÒ˝ÎÂÏÂÌÚ‡ÏËÙ‡ÌÚ‡ÒÚËÍË.
113 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 114 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square THE JOKE –Œ«¤√–¤ÿ www.lunginstudio.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ≈‚‰ÓÍˡ √ÂχÌÓ‚‡,ƒÏËÚËÈ’‡‡Ú¸ˇÌ fiËÈ üÛÁ̈ӂ,fl̇≈ÒËÔӂ˘,ƒÏËÚËȃ˛Ê‚, ƒÓÌ‡Ú‡Ò √ۉӂ˘,¿Ì‰ÂÈΔÂϘÛÊÌ˚È,»Ë̇üÛÔ˜ÂÌÍÓ, Ã‡Ëˇ √Ó·‡Ì¸,ü·‚‰ËˇüÓ¯ÛÌÓ‚‡,¿Ì‰ÂÈÕ‡ÁËÏÓ‚, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ’Û‰. ÛÍ. –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,84ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 —„ÂÈ √ÛÒËÌÒÍËÈ ´ü‡ÓœÓ͇ڪ Noize MC(»‚‡Ì¿ÎÂÍÒ‚),≈‚„ÂÌËȃÏËÚË‚, œ‡‚ÂÎ ÀÛÌ„ËÌ œ‡‚ÂÎ üÛ·ÍÓ‚ ¿Ì‰ÂÈ üÛ‰ËÌÂÌÍÓ ≈͇ÚÂË̇ ƒ˚ÏËÌÒ͇ˇ Շڇθˇ Õ‡‚ÓÂÌÍÓ ŒÎ¸„‡ ¬‡ÒË肇,œ‡‚ÂÎÀÛÌ„ËÌ Noize MC ´—ÚÛ‰Ëˇ œ‡‚·ÀÛÌ„Ë̇ª ¿Ì‰ÂÈ ΔËÚÍÓ‚,¿ÎÂÍ҇̉ü‡˜‡Ì www.lunginstudio.ru Distribution Production Producers Evdokiya Germanova,DmitriKharatian Kuznetsov, YanaEsipovich,DmitriDiuzhev, Grudovich, AndreiZhemchuzhny,IrinaKupchenko,Yuri Maria Gorban,KlavdiyaKorshunova,AndreiNazimov,Donatas Cast: Sound Composer Costume Design Production Design Director ofPhotography Director Artistic Director Scriptwriters 2008, Russia,84min,col.,1:1.85,DolbyDigital5.1 Noize MC(IvanAlekseev),EvgeniDmitriev, Sergei Gusinsky Andrei Kudinenko Noize MC Olga Vasilieva,PavelLungin Studio PavelLungin KaroProkat Andrei Zhitkov,AlexanderKachan Ekaterina Dyminskaya Pavel Lungin Natalia Navoenko Pavel Kulakov 08.. The Joke 2008 .... Operative.ChroniclesofaLethal .... 2005 Occupation.Mysteries .... 2003 FightofFiveTroops(DV) .... 2002 AGuerrillaMystery(short) .... 2001 PlanetXX(montage) .... 2000 TheRam(diploma,short) .... 1999 V.V.ísDreams(ìValentin .... 1998 ñ director: Andrei Kudinenko ....–ÓÁ˚„˚¯ 2008 ....ŒÔ‡.’ÓÌËÍËÛ·ÓÈÌÓ„ÓÓډ· 2005 ....ŒÍÍÛÔ‡ˆËˇ.ÃËÒÚÂËË 2003 ....¡ËÚ‚‡ÔˇÚË‚ÓËÌÒÚ‚(DV) 2002 ....œ‡ÚËÁ‡ÌÒ͇ˇÏËÒÚÂˡ(Í/Ï) 2001 ....œÎ‡ÌÂÚ‡XX(ÏÓÌÚ‡ÊÌ˚È) 2000 ....¡‡‡Ì(‰ËÔÎÓÏ,Í/Ï) 1999 ....—Ì˚¬.¬.(´—Ì˚¬‡ÎÂÌÚË̇ 1998 ñ ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: ¿Ì‰ÂÈ üÛ‰ËÌÂÌÍÓ (ÙËÎ¸Ï Ò¡·) ¬ËÌÓ„‡‰Ó‚‡ª, ÏÓÌÚ‡ÊÌ˚È) Department (episodeinaserial) Vinogradovís Dreamsî,montage) before publiclyhumiliatingher,thus signinghisownverdictÖ enemy, KomarovdeceivesTayaand makes heraccomplishalowacttowards she hastoleavetheschool.Having made theDirectorofStudieshisserious does notliketheexactingEnglishteacher, andhesetsuparoughjoke,forwhich general doesnotlikethetoneand rulesoftheestablishedcollective.Komarov joins theclass.HelikesTayaPetrova, doubtsOlegKomarovísleadership,andin Director ofStudies,ishopelesslyinlovewithOleg.IgorGlushko,anew pupil, school. TayaPetrova,whoisstronginmathandthefavouritepupilof the Komarov, isanexcellentpupil,handsomeandlucky.Hisfathersponsors the The 11-BisthemostusualclassofaMoscowschool.elder, Oleg (1976). Psychological drama,remakeofthefilmsametitlebyVladimirMenshov ÔÓ‰ÎÓÒÚ¸ ËÁ‡ÚÂÏÔÛ·Î˘ÌÓÛÌËʇÂÚÂÂ,ÔÓ‰ÔËÒ˚‚‡ˇÚÂÏÒ‡Ï˚ÏÒ·ÂÔË„Ó‚ÓÖ Îˈ Á‡‚Û˜‡,üÓχӂӷχÌÓÏÒÍÎÓÌˇÂÚ“‡˛Òӂ¯ËÚ¸ÔÓÓÚÌÓ¯ÂÌ˲ ÍÌÂÈ ÍÓÚÓÓ„Ó Ú‡‚˚ÌÛʉÂ̇ÛÈÚËËÁ¯ÍÓÎ˚.«‡ÔÓÎۘ˂ӘÂ̸Ò¸ÂÁÌÓ„Ó ‚‡„‡ ‚ ̇‚ËÚÒˇ Ú·ӂ‡ÚÂθ̇ˇ‡Ì„΢‡Ì͇,ÓÌÛÒڇ˂‡ÂÚÊÂÒÚÓÍËÈÓÁ˚„˚¯, ËÁ-Á‡ Ì ÔËÌËχÂÚÚÓÌËÔ‡‚Ë·ÒÎÓÊË‚¯Â„ÓÒˇÍÓÎÎÂÍÚË‚‡.¿üÓÏ‡Ó‚Û Ì ̇‚ËÚÒˇ “‡ˇœÂÚÓ‚‡,ÓÌÒÓÏÌ‚‡ÂÚÒˇ‚ÎˉÂÒڂŒ΄‡üÓχӂ‡ËˆÂÎÓÏ Î˛·ËÏˈ‡ Á‡‚Û˜‡.¬Í·ÒÒÂÔÓˇ‚ΡÂÚÒˇÌÓ‚˚ÈÛ˜ÂÌËÍ»„Ó¸√ÎÛ¯ÍÓ.≈ÏÛ ¬ ŒÎ„‡·ÂÁ̇‰ÂÊÌӂβ·ÎÂ̇“‡ˇœÂÚÓ‚‡,ÎÛ˜¯‡ˇÔÓχÚÂχÚËÍÂË ŒÎ„ üÓχӂñÓÚ΢ÌËÍ,͇҇‚˜ËÍ,‚ÂÁÛ̘ËÍ.≈„ÓÓÚˆÒÔÓÌÒËÛÂÚ¯ÍÓÎÛ. 11 ´·ªñÒ‡Ï˚ÈÓ·˚˜Ì˚ÈÍ·ÒÒÓ·˚˜ÌÓÈÏÓÒÍÓ‚ÒÍÓȯÍÓÎ˚.ÀˉÂÍ·ÒÒ‡ ÃÂ̸¯Ó‚‡ (1976). œÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡,ÂÏÂÈÍÓ‰ÌÓËÏÂÌÌÓ„ÓÙËθχ¬Î‡‰ËÏˇ
115 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 116 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square œÓËÁ‚Ó‰ÒÚ‚Ó √Â̇θÌ˚È ÔÓ‰˛Ò ¬Â‡ √·„Ó΂‡,¬Î‡‰ËÏËÕÓÂÌÍÓ,¿ÎÂÍ҇̉–ÓÁÂÌ·‡ÛÏ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ÇËÌ˚ ÃË„ÛÌÓ‚ÓÈ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2007, –ÓÒÒˡ,107ÏËÌ.,ˆ‚.,1:1.85,DolbySR SIDE STEP —¿…ƒ-—“≈œ —„ÂÈ ¬‡ˆ‡Ì ŒÎ„ ¿ÎχÁÓ‚,¬Î‡‰ËÏË¡Ó„‰‡ÌÓ‚, —„ÂÈ ÕÂ͇ÒÓ‚ ÇË̇ ÃË„ÛÌÓ‚‡ Õ‡Ú‡Îˡ üӘ„Ë̇ ƒ‡ÌË· ñχÒÚ¬ÓÓ¯ËÎÓ‚ ´Ã‡ÍÒËÏÛÒª ÇË̇ Ç‚‡ÔËÛ˜‡ÒÚËË —„ÂÈ —Ẩ˚Í Production General Producer Vladimir Norenko,AlexanderRosenbaum Cast: Sound Composer Danila Production Design Director ofPhotography Director of MarinaMigunova Scriptwriter 2007, Russia,107minutes,col.,1:1.85,DolbySR Oleg Almazov,VladimirBogdanov,VeraGlagoleva, Sergei Vartsan Marina Migunova Maximus Marina Mareeva,withparticipation - MasterVoroshilov Sergei Sendyk Natalia Kochergina Sergei Nekrasov 08.. SideStep .... 2008 AndtheSnowFallsÖ(serial) .... 2007 Lovers(TV) .... 2006 CountMontenegro .... 2006 Farewell,DoctorFreud .... 2004 AKnifeintheClouds(serial) .... 2002 TheLadyVagabond(serial) .... 2001 DirectoryofDeath .... 1999 PureMonday(diploma,short) .... 2000 director: Marina Migunova, ....—‡È‰-ÒÚÂÔ 2008 ....»Ô‡‰‡ÂÚÒÌ„Ö(Ò¡Î) 2007 ....À˛·Ó‚ÌËÍË(Ú‚) 2006 ....√‡ÙÃÓÌÚÂÌÂ„Ó 2006 ....œÓ˘‡ÈÚÂ,‰ÓÍÚÓ‘Âȉ 2004 ....ÕÓʂӷ·͇ı(Ò¡Î) 2002 ....À‰ˡÓÏÊ(Ò¡Î) 2001 ....ƒËÂÍÚÓˡÒÏÂÚË 1999 ....◊ËÒÚ˚ÈÔÓ̉ÂθÌËÍ(‰ËÔÎÓÏ,Í/Ï) 2000 ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: ÇË̇ ÃË„ÛÌÓ‚‡, (ÙËθÏ˚ Ò¡·) (episodes ofaserial) againÖ ìcriminal tangleî,takepartinthe fateofayoungboxer,andmeethislove connected withthecriminalbusiness. Nowhehastountanglethecomplex Having returnedtoSaintPetersburg,Georgemeetshisoldenemywho is closest persontohim.Tenyearsagotheywereseparatedinahugequarrel. is brokenwhenhelearnsoftheseriousillnesshiscoach,whowas once the career andemigratetotheUS.Hesworeneverreturnhome.Buthis pledge But duetotheintriguesofhiscompetitorshehadinterruptsporting Once Georgewasawell-knownboxer.HehadnoequalsinRussiaor Europe. Melodrama. ‚ÌÓ‚¸ ‚ÒÚÂÚËÚ¸Ò‚Ó˛Î˛·Ó‚¸Ö ´ÍËÏË̇θÌ˚È ÍÎÛ·Óͪ,ÔËÌˇÚ¸Û˜‡ÒÚË‚ÒÛ‰¸·ÂÏÓÎÓ‰Ó„Ó·ÓÍÒ‡ Ë ÍËÏË̇θÌ˚Ï ·ËÁÌÂÒÓÏ.“ÂÔ¸ÂÏÛÔ‰ÒÚÓËÚ‡ÒÔÛÚ‡Ú¸ÒÎÓÊÌ˚È —‡ÌÍÚ-œÂÚ·ۄ, √ÂÓ„ËÈ‚ÒÚ˜‡ÂÚÒ‚Ó„Ӊ‡‚Ì„ӂ‡„‡,ÍÓÚÓ˚È Ò‚ˇÁ‡ÌÒ ˜ÂÎÓ‚ÂÍÓÏ. ƒÂÒˇÚ¸ÎÂÚ̇Á‡‰Ëı‡Á‚·ÍÛÔ̇ˇÒÒÓ‡.¬ÂÌÛ‚¯ËÒ¸‚ ÚˇÊ·ˇ ·ÓÎÂÁ̸ÚÂ̇,ÌÂÍÓ„‰‡·˚‚¯Â„ӉΡÌ„ÓÒ‡Ï˚Ï·ÎËÁÍËÏ ‚ÓÁ‚‡˘‡Ú¸Òˇ ̇–Ó‰ËÌÛ.ÕÓÁ‡ÓÍ·˚Î̇ۯÂÌ.œË˜ËÌÓÈÔÓÒÎÛÊË· Ò‚Ó˛ ÒÔÓÚË‚ÌÛ˛Í‡¸ÂÛË˝ÏË„ËÓ‚‡Ú¸‚—ÿ¿.ŒÌÔÓÍΡÎÒˇÌËÍÓ„‰‡Ì –ÓÒÒËË, ÌË‚≈‚ÓÔÂ,ÌÓËÁ-Á‡ËÌÚË„ÍÓÌÍÛÂÌÚÓ‚ÂÏÛÔ˯ÎÓÒ¸Ô‚‡Ú¸ üÓ„‰‡-ÚÓ √ÂÓ„ËÈ·˚ÎÁ̇ÏÂÌËÚ˚Ï·ÓÍÒÂÓÏ.≈ÏÛÌ·˚ÎÓ‡‚Ì˚ıÌË‚ ÃÂÎÓ‰‡Ï‡.
117 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 118 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò —„ÂÈ üÓÁËÍ,ƒ‡¸ˇ–ÛÏˇÌˆÂ‚‡,üËÒÚË̇üÛÁ¸ÏË̇ ¬ ÓΡı: üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 2008, –ÓÒÒˡ,110ÏËÌ.,ˆ‚.,Dolby THE COLDSUN ’ŒÀŒƒÕŒ≈ —ŒÀÕ÷≈ “‡Ú¸ˇÌ‡ flÍÓ‚ÂÌÍÓ,“‡‡Ò¡Ë·Ë˜,—„ÂÈ√‡Ï‡¯, ¿ÎÂÍ҇̉ ÕÓÒÓ‚ÒÍËÈ —„ÂÈ œÓÔÓ‚ ¿ÎÂÍ҇̉ ÀËÚ‚ËÌÓ‚ ¿Á‡Ï‡Ú ’ËÒ‡ÏÂÚ‰ËÌÓ‚ –ÓÏ‡Ì ƒÓÏˉӯËÌ ´üËÌÓÏ˪ ¿ÎÂÍ҇̉ ÃËÚÚ‡,fiÎˡ»Á‡ÌÓ‚‡ Production Producer Sergei Kozik,DariaRumiantseva,KristinaKuzmina Cast: Composer Production Design Director ofPhotography Director Scriptwriters 2008, Russia,110min.,col.,Dolby Tatiana Yakovenko,TarasBibich,SergeiGarmash, Sergei Popov Alexander Litvinov Roman Dormidoshin Kinomir Alexander Mitta,JuliaIzranova Azamat Khisametdinov Alexander Nosovsky 08.. TheColdSun .... 2008 TheGoddessofPrimeTime(serial) .... 2007 Ours-Theirs(serial) .... 2005 IconHunters(serial) .... 2004 Revelation(short,diploma) .... 2002 Directorís Filmography: Sergei Popov ....’ÓÎÓ‰ÌÓÂÒÓÎ̈ 2008 ....¡Ó„ËÌˇÔ‡ÈÏÚ‡Èχ(Ò¡Î) 2007 ....—‚ÓÈ-˜ÛÊÓÈ(Ò¡Î) 2005 ....ŒıÓÚÌËÍËÁ‡ËÍÓ̇ÏË(Ò¡Î) 2004 ....ŒÚÍÓ‚ÂÌËÂ(‰ËÔÎÓÏ,Í/Ï) 2002 ñ ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ: —„ÂÈ œÓÔÓ‚ stop her.Sheisready tosufferjustbewithhimÖ than he,andheisaprofessionalthief andwomanizerñyetnoneofthosethings revives inherastrongfeelingofmad andpassionatelove.Sheismucholder husbandís lettersfromAustriaand not answeringthem.Klimísappearance buried hermother,Elenaremainsin Moscow,stillmarried,rarelyreadingher desire, Elenachoosesdutyandsends herhusbandtoAustriaonhisown.Having the airportshereceivesacallthather motherisdying.Tornbetweendutyand Klim, aretheonlypeoplewhocanhelpcriticallyinjuredpassenger. Onceat Before thearrivalofambulanceElenaandayoungmanshedoesnot know, husband. Duringthejourneytoairportcouplewitnessaterrible accident. Elena Kelchevskaya,achildrenísdoctor,isabouttogoAustriawith her Melodrama. ÓÒڇ̇‚ÎË‚‡˛Ú ÂÂ.ŒÌ‡„ÓÚÓ‚‡ÚÂÔÂÚ¸‚ÒÂ,˜ÚÓ·˚·˚Ú¸ÒÌËÏˇ‰ÓÏÖ ÔÓÙÂÒÒËÓ̇θÌ˚È ‚Ó,ËÚÓ,˜Úӄ·‚̇ˇÂ„ÓÒ··ÓÒÚ¸ñÊÂÌ˘ËÌ˚, Ì ÒÚ‡ÒÚÌÓÈ Î˛·‚Ë.»ÚÓ,˜ÚÓÓ̇̇ÏÌÓ„Ó„ÓÒÚ‡¯Â,ËÓÌñ œÓˇ‚ÎÂÌË üÎËχ‚ÓÁÓʉ‡ÂÚ‚ÌÂÈÒËθÌÂȯ˜ۂÒÚ‚Ó·ÂÁÛÏÌÓÈ Ë Á‡ÏÛÊÂÏ, ËÁ‰͇˜ËÚ‡ÂÚ‡‚ÒÚËÈÒÍËÂÔËҸχÏÛʇ,ÌÂÓڂ˜‡ˇÌ‡ ÌËı. Ó‰ÌÓ„Ó. œÓıÓÓÌ˂χڸ,≈ÎÂ̇ÓÒÚ‡ÂÚÒˇ‚ÃÓÒÍ‚Â,Ó̇ÔÓ-ÔÂÊÌÂÏÛ –‡Á˚‚‡Âχˇ ‰Ó΄ÓÏËÊ·ÌËÂÏ,≈ÎÂ̇‚˚·Ë‡ÂÚ‰Ó΄ÓÚÔ‡‚ΡÂÚÏÛʇ Ô‡ÒÒ‡ÊËÛ. ¬‡˝ÓÔÓÚÛÔÓÚÂÎÂÙÓÌÛÓ̇ÛÁ̇ÂÚ,˜ÚÓÂÂχÚÂËÓ˜Â̸ÔÎÓıÓ. ˜ÂÎÓ‚ÂÍ ñüÎËωËÌÒÚ‚ÂÌÌ˚Âβ‰Ë,ÒÔÓÒÓ·Ì˚ÂÔÓÏÓ˜¸ÚˇÊÂÎÓ‡ÌÂÌÓÏÛ ‡‚‡ËË. ƒÓÔËÂÁ‰‡ÒÍÓÓÈÔÓÏÓ˘Ë≈ÎÂ̇ËÌÂÁ̇ÍÓÏ˚ÈÂÈÏÓÎÓ‰ÓÈ ¬Ó ‚ÂÏˇÔÓÂÁ‰ÍË‚‡˝ÓÔÓÚÒÛÔÛ„ËÒÚ‡ÌÓ‚ˇÚÒˇÒ‚Ë‰ÂÚÂΡÏËÒÚ‡¯ÌÓÈ ≈ÎÂ̇ üÂθ˜Â‚Ò͇ˇ,‰ÂÚÒÍËÈ‚‡˜,ÓÚÔ‡‚ΡÂÚÒˇÒÓÒ‚ÓËÏÏÛÊÂÏ‚¿‚ÒÚ˲. ÃÂÎÓ‰‡Ï‡.
119 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square ¬ „ÓÎÓÒÓ‚‡ÌËË Participants Û˜‡ÒÚ‚Ó‚‡ÎË: in the Vote: «‡‡ ¿·‰Û炇 Zara Abdullaeva ≈ÎÂ̇ ¿‰‡·‡ˆÍ‡ˇ Elena Ardabatskaya Õ‡Ú‡Îˡ ¡‡ÒË̇ Natalia Basina ¡ÓËÒ ¡ÂÏ‡Ì Boris Berman Շڇθˇ ¡Ó·Ó‚‡ Natalia Bobrova ¬‡ÎÂËÈ ¡ÓÒÂÌÍÓ Valeri Bosenko œÂÚ ¬‡Èθ Nancy Condee Õ‡Ú‡Îˡ ¬ÂÌÊ Vladimir Dmitriev “‡Ú¸ˇÌ‡ ¬ÂÚÓ‚‡ Anton Dolin fiËÈ √·‰Ëθ˘ËÍÓ‚ Tamara Dularidze ¿ÎÂÍÒÂÈ √ÛÒ‚ Tatiana Egorova ¬Î‡‰ËÏË ƒÏËÚË‚ Alexander Fedorov ¿ÌÚÓÌ ƒÓÎËÌ Sergei Filippov “‡Ï‡‡ ƒÛ·ˉÁ Yuri Gladilshchikov “‡Ú¸ˇÌ‡ ≈„ÓÓ‚‡ Alexei Gusev »Î¸‰‡ Δ‡Ì‰‡Â‚ Nikolai Izvolov
1958-2000: the best films and directors —„ÂÈ «ÂÏΡÌÛıËÌ Irina Izvolova ÕËÍÓÎ‡È »Á‚ÓÎÓ‚ Dmitri Karavaev 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ »Ë̇ »Á‚ÓÎÓ‚‡ Natalia Kirillova ƒÏËÚËÈ ü‡‡‚‡Â‚ Julia Khomiakova 120 Շڇθˇ üËËÎÎÓ‚‡ Svetlana Khokhriakova ¿ÎÂÍ҇̉ üÓηӂÒÍËÈ Nikolai Khrustalev fiËÈ üÓ˜‡„Ó‚ Anna Khrustaleva Õ˝ÌÒË üÓÌ‰Ë Alexander Kolbovsky —„ÂÈ À‡‚ÂÌڸ‚ Yuri Korchagov ¬ËÍÚÓˡ À‚ËÚÓ‚‡ Sergei Lavrentiev ≈‚„ÂÌˡ ÀÂÓÌÓ‚‡ Viktoria Levitova »Ë̇ À˛·‡Ò͇ˇ Evgenia Leonova ≈‚„ÂÌËÈ Ã‡„ÓÎËÚ Irina Liubarskaya ¬ËÍÚÓ Ã‡ÚËÁÂÌ Evgeni Margolit ¿Ì‡ÒÚ‡Òˡ ǯÍÓ‚‡ Viktor Matizen ÇË̇ ÃÛÁË̇ Anastasia Mashkova “‡Ú¸ˇÌ‡ ÃÛ¯Ú‡ÍÓ‚‡ Marina Murzina Շڇθˇ ÕÛÒËÌÓ‚‡ Tatiana Mushtakova ÀÂÓÌˉ œ‡‚β˜ËÍ Natalia Nusinova ¡ÓËÒ œËÌÒÍËÈ Leonid Pavliuchik ¿Ì‰ÂÈ œÎ‡ıÓ‚ Boris Pinsky √ÂÌ̇‰ËÈ œÓ΢ÍÓ Andrei Plakhov ≈‚„ÂÌˡ œÓΡÍÓ‚‡ Gennadi Polichko ¿ÎÂ̇ —ÓÎ̈‚‡ Evgenia Poliakova ≈ÎÂ̇ —Ú˯ӂ‡ Alena Solntseva ŒÎ„ —ÛθÍËÌ Elena Stishova ŒÎ¸„‡ —ÛÍÓ‚‡ Oleg Sulkin —„ÂÈ —˚˜Â‚ Olga Surkova ƒËΡ‡ “‡Ò·Û·ÚÓ‚‡ Sergei Sychev ≈‚„ÂÌˡ “ˉ‡ÚÓ‚‡ Diliara Tasbulatova —Ú‡Ò “˚ÍËÌ Evgenia Tirdatova ¿ÎÂÍ҇̉ ‘‰ÓÓ‚ Stas Tyrkin —„ÂÈ ‘ËÎËÔÔÓ‚ Kora Tsereteli fiÎˡ ’ÓÏˇÍÓ‚‡ Alexander Shpagin —‚ÂÚ·̇ ’ÓıˇÍÓ‚‡ Viacheslav Shmyrov ÕËÍÓÎ‡È ’ÛÒڇ΂ Olga Shumiatskaya ¿Ì̇ ’ÛÒڇ΂‡ Peter Vail üÓ‡ ÷ÂÂÚÂÎË Natalia Venzher ¿ÎÂÍ҇̉ ÿÔ‡„ËÌ Tatiana Vetrova ¬ˇ˜ÂÒ·‚ ÿÏ˚Ó‚ Sergei Zemlianukhin ŒÎ¸„‡ ÿÛÏˇˆÍ‡ˇ Ildar Zhandarev 1958-2000. ÀÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ ¬˚·Ó „Ëθ‰ËË ÍËÌӂ‰ӂ Ë ÍËÌÓÍËÚËÍÓ‚ 1958-2000: the best films and directors The selection of the guild of film critics and film scholars
¿Ì‰ÂÈ Û·Î‚ ŒÍ‡Ë̇ 1958-2000: the best films and directors
ANDREI RUBLEV OUTSKIRTS 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ ¡‡Î·‰‡ Ó ÒÓΉ‡Ú ¬ Ó„Ì ·Ó‰‡ ÌÂÚ BALLAD OF A SOLDIER NO PATH THROUGH FIRE 121 «Â͇ÎÓ œÓÎÂÚ˚ ‚Ó ÒÌÂ Ë Ì‡ˇ‚Û MIRROR DREAM FLIGHTS ÃÓÈ ‰Û„ »‚‡Ì À‡Ô¯ËÌ √‡ÏÎÂÚ MY FRIEND IVAN LAPSHIN HAMLET ü‡ÎË̇ ͇Ò̇ˇ ŒıÓÚ‡ ̇ ÎËÒ THE RED GUELDER BERRY FOX HUNT üÓÏËÒÒ‡ ŒÒÂÌÌËÈ Ï‡‡ÙÓÌ THE COMMISSAR AUTUMN MARATHON ÃÌ ‰‚‡‰ˆ‡Ú¸ ÎÂÚ ’ÛÒڇ΂, χ¯ËÌÛ! I AM TWENTY KHRUSTALYOV, MY CAR! ÕÂÓÍÓ̘ÂÌ̇ˇ Ô¸ÂÒ‡ ‰Îˇ ¡‡Ú ÏÂı‡Ì˘ÂÒÍÓ„Ó ÔˇÌËÌÓ BROTHER UNFINISHED PIECE FOR MECHANICAL PIANO œˇÚ¸ ‚˜ÂÓ‚ ƒÓ·Ó ÔÓʇÎÓ‚‡Ú¸, ËÎË FIVE EVENINGS ÔÓÒÚÓÓÌÌËÏ ‚ıÓ‰ ‚ÓÒÔ¢ÂÌ ÃÓÌÓÎÓ„ WELCOME, OR NO TRESPASSING THE MONOLOGUE »˛Î¸ÒÍËÈ ‰Óʉ¸ üÓÓÚÍË ‚ÒÚÂ˜Ë JULY RAIN SHORT ENCOUNTERS 9 ‰ÌÂÈ Ó‰ÌÓ„Ó „Ó‰‡ —ÚÓ ‰ÌÂÈ ÔÓÒΠ‰ÂÚÒÚ‚‡ NINE DAYS OF ONE YEAR ONE HUNDRED DAYS AFTER CHILDHOOD ÇÎÂ̸͇ˇ ¬Â‡ ¿ÒÚÂÌ˘ÂÒÍËÈ ÒË̉ÓÏ LITTLE VERA ASTHENIC SYNDROME »ÒÚÓˡ ¿ÒË üΡ˜ËÌÓÈ, œ‡‡‰ Ô·ÌÂÚ ÍÓÚÓ‡ˇ β·Ë·, PARADE OF PLANETS ‰‡ Ì ‚˚¯Î‡ Á‡ÏÛÊ ¿È·ÓÎËÚ-66 THE STORY OF ASYA KLYACHINA AIBOLIT 66 Õ‡˜‡ÎÓ ƒÌË Á‡ÚÏÂÌˡ THE BEGINNING DAYS OF ECLIPSE 122 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ˜ÚÓ·˚ ÏÓÊÌÓ·˚ÎÓ ‰Â·ڸ‰‡Î¸ÌËÂÔÓ„ÌÓÁ˚. ˜ËÒÎÓ "‚ÂÎËÍËı", ˜ÂÏ Ú¡Î.ÕÓÍËÌÓ-ÒÎ˯ÍÓÏÏÓÎÓ‰Ó ËÒÍÛÒÒڂӉΡÚÓ„Ó, ˜ÚÓ ÒÔËÒÓÍÎËÚ‡ÚÛÌ˚ıÍ·ÒÒËÍÓ‚ ÒÓ‚ÂÏÂÌÂÏ‚Íβ˜‡Î„Ó‡Á‰Ó·Óθ¯Â ‰Û„ËÏË ÍËÚË͇Ïˡıˡ·Û‰ÂÚ ËÌÓÈ,ÌÓ̇ÒÍÓθÍÓ?Ã˚,ÍÓ̘ÌÓ,Á̇ÂÏ, ÚӘ̠„Ó‚Óˇ-ÒÓ‚ÂÏÂÌÌÓÂÒÓÒÚÓˇÌË ÍËÚËÍË.◊ÂÂÁ50ÎÂÚ‚˚ÒÚÓÂÌ̇ˇ ı‡‡ÍÚÂËÁÛ˛Ú ÌÂÚÓθÍÓÙËθÏ˚ Ë ÌÂÚÓθÍÓÂÊËÒÒÂÓ‚,ÌÓÍËÚËÍÓ‚, P.S. œÓÒχÚË‚‡ˇÂÈÚËÌ„Ë,˜ËÚ‡ÚÂθ ‰ÓÎÊÂÌËÏÂÚ¸‚‚ˉÛ,˜ÚÓÓÌË ÒÔËÒ͇ -‰ÂÎÓ·Û‰Û˘Â„Ó. ‡·ÓÚ‡Ú¸ ‚ÍËÌÓ‰Ó1958„Ó‰‡,ÒÍÓ‚҄ÓÔÓ‰ÌËÏÂÚÒˇ.ÕÓÒÓÒÚ‡‚ÎÂÌË ڇÍÓ„Ó ÎÂÚÌË ÔÂËÓ‰˚,ÂÈÚËÌ„◊Ûı‡ˇ,’ۈ˂‡Ë–ˇÁ‡ÌÓ‚‡,ÍÓÚÓ˚Â̇˜‡ÎË ÌÓ ÂÒÎËÒÓÒÚ‡‚ËÚ¸ÒÔËÒÓÍÎÛ˜¯ËıÂÊËÒÒÂÓ‚Á‡ÒÚÓÎÂÚ,̉ÂΡ‚ÂÍ Ì‡50- Á̇˜ËÚÂθÌ˚Ï ÓÚ˚‚ÓÏÓÚ„ÛÔÔ˚ÂÊËÒÒÂÓ‚,‚ÍÓÚÓÓÈÎˉËÛÂÚÃÛ‡ÚÓ‚‡, ÎˉËÛ˛Ú “‡ÍÓ‚ÒÍËÈË√ÂχÌ,̇ÚÂÚ¸ÂÏÏÂÒÚÂÃËı‡ÎÍÓ‚ÒÌÂÓ˜Â̸ ‰ÂÎÂÌË ‚ÌÛÚËÒÔËÒ͇ÎÛ˜¯Ëı-Ò·Óθ¯ËÏÓÚ˚‚ÓÏÓÚ‰Û„Ëıˉۄ ÓÚ‰Û„‡ Ó͇Á‡ÎËÒ¸ ÃËı‡ÎÍÓ‚,ÃÛ‡ÚÓ‚‡Ë¿·‰‡¯ËÚÓ‚-ÔÓ6ÎÂÌÚ.Œ·Ì‡ÛÊËÎÓÒ¸ ÂÈÚËÌ„Â ÎÛ˜¯ËıÙËθÏÓ‚‰‚ÛÏˇË·ÓÎÂÂ͇ÚË̇ÏË.–ÂÍÓ‰ÒÏÂ̇ÏË „ÓÎÓÒ‡. œË˝ÚÓÏ·Óθ¯ËÌÒÚ‚ÓÎÛ˜¯ËıÂÊËÒÒÂÓ‚Ó͇Á‡ÎÓÒ¸Ô‰ÒÚ‡‚ÎÂÌÓ ‚ ÚÓθÍÓ ÚÂı,˜ÚÓÔÓÔ‡ÎË‚ÒÔËÒÓÍÎÛ˜¯Ëı,‡‚ÒÂı,̇·‡‚¯Ëı·ÓÎÂÂÓ‰ÌÓ„Ó ÂÊËÒÒÂÓ‚ ·˚ÎËÔÓ‰Ò˜ËÚ‡Ì˚ÒÛÏÏËÓ‚‡ÌËÂÏÂÈÚËÌ„Ó‚ËıÙËθÏÓ‚, ÌÓÌ ÒÔËÒ͇ ËÁÓÚÂÁ‡ÌÌÓ„Ó"ı‚ÓÒÚ‡",ÌÓÚÛÚÛÊÌ˘„ÓÌÂÔÓÔ˯¯¸.–ÂÈÚËÌ„Ë Í‡Í Ó‰Ë̉ÓÔÓÎÌËÚÂθÌ˚È˝ÍÒÔÂÚÏÓ„·˚Ô‚ÂÒÚËÓ‰ËÌ-‰‚‡ÙËθχ ‚ÚÂÎÓ ‰ÂÒˇÚÓÈ ˜‡ÒÚË˝ÍÒÔÂÚÓ‚.–‡ÁÛÏÂÂÚÒˇ,˝Ú‡ÌËÊÌˇˇ„‡Ìˈ‡ÚÓÊÂÛÒÎӂ̇, Ú‡Í ‚Íβ˜ÂÌˡ ÙËθχ‚¯ÓÚ-ÎËÒÚÎÛ˜¯Ëı-ÌÂÏÂÌÂÂ6„ÓÎÓÒÓ‚,ÚÓÂÒÚ¸ ÒÓÔÂÌË͇ -"¡‡Î·‰˚ÓÒÓΉ‡ÚÂ".ƒ‡Î·˚·ÛÒÚ‡ÌÓ‚ÎÂ̇ÌÓχ‰Îˇ - 48„ÓÎÓÒÓ‚ÒÓÁ̇˜ËÏ˚ÏÓÚ˚‚ÓÏ(·ÓÎÂÂ10%„ÓÎÓÒÓ‚)ÓÚ·ÎËÊ‡È¯Â„Ó ¿·ÒÓβÚÌÓ ÎˉÂÒÚ‚ÓÁ‡ı‚‡ÚËÎ"¿Ì‰ÂȖ۷΂"(ÚÓ˜ÌÂÂ,"—Ú‡ÒÚËÔÓ¿Ì‰Â˛") ‰Û„ËÂ. »Ì˚ÏËÒÎÓ‚‡ÏË,Á‡Í‡Ê‰˚ÈÙËθϷ˚ÎÓÔÓ‰‡ÌÓÌ·ÓÎÂÂ57„ÓÎÓÒÓ‚. „ÓÎÓÒÓ‚, Ó͇Á‡ÎË·˚·ÓÎÂÂÒËθÌÓÂÒÛ·˙ÂÍÚË‚ÌÓ‚ÓÁ‰ÂÈÒÚ‚ËÂ̇ÂÁÛθڇÚ,˜ÂÏ Ëı ÒÓÒÚ‡‚ËÚÂÎËÌÂÒÏÓ„ÎËÓ„‡Ì˘ËÚ¸Òˇ25͇ÚË̇ÏËË,‚ÒÎÛ˜‡ÂÛ˜ÂÚ‡ ¬ÒÂ„Ó ·˚ÎÓÔÓÎÛ˜ÂÌÓ59‡ÌÍÂÚ,ËÁÍÓÚÓ˚ı‰‚ÂÔ˯ÎÓÒ¸Á‡·‡ÍÓ‚‡Ú¸,Ú‡ÍÍ‡Í "ÎÛ˜¯ËÈ ÙËθÏ"ËÂÊËÒÒÂ". ÔÓÒΠ˜Â„ÓÛÒÚ‡ÌÓ‚ËÚ¸·ÓÎÂÂÂÒÚÂÒÚ‚ÂÌÌ˚ÂÌËÊÌË„‡Ìˈ˚‰ÎˇÔÓÌˇÚˡ ÍÓÏÔÓÏËÒÒÌÓ ¯ÂÌËÂÔÓ‰Ò˜ËÚ‡Ú¸‰‚‡ÂÈÚËÌ„‡-ÙËθÏÓ‚ËÂÊËÒÒÂÓ‚, Á‡ÈÏÂÚ ÏÂÒÚÓÙËθχ“‡ÍÓ‚ÒÍÓ„Ó?“Ó„‰‡Ë·˚ÎÓ̇ȉÂÌÓÛÒÚÓË‚¯Â‚ÒÂı ÂÈÚËÌ„Ó‚˚È ÙËθÏÂÊËÒÒ‡N,ÚÓÔÓ͇ÍÓÏÛÔ‡‚Û˝ÚÓÚN ÌÂÂÈÚËÌ„Ó‚˚È ÙËθϓ‡ÍÓ‚ÒÍÓ„Ó̇·‡Î·Óθ¯Â„ÓÎÓÒÓ‚,˜ÂÏÒ‡Ï˚È ÒÓÒÚ‡‚ΡÂÚÒˇ ÒÔËÒÓÍÎÛ˜¯ËıÙËθÏÓ‚,‡ÌÂÂÊËÒÒÂÓ‚,ËÂÒÎËÒ‡Ï˚È ÔÓ‰‰ÂʇÎË, ‰Û„ËÂ-͇Ú„Ó˘ÂÒÍËÓڂ„ÎË̇ÚÓÏÓÒÌÓ‚‡ÌËË,˜ÚÓ Û¯Â‰¯Â„Ó ÓÚ̇҄ÂÌˡ.Œ‰ÌËÛ‚‡Ê‡ÂÏ˚½ÍÒÔÂÚ˚„ÓÒ˝ÌÚÛÁˇÁÏÓÏ ·˚Ú¸ ÏÓÊÂÚ,‰ÎˇÓ‰ÌÓ„Ó¿Ì‰Âˇ“‡ÍÓ‚ÒÍÓ„Ó͇ͷÂÒÒÔÓÌÓ„ÓËÛÊ ÙË̇θÌ˚È ÒÔËÒÓÍÔÓÓ‰ÌÓÈ͇ÚËÌÂÓÚÓ‰ÌÓ„ÓÂÊËÒÒ‡,҉·‚ËÒÍβ˜ÂÌËÂ, Ô‰ÎÓÊÂÌË "‚Ó‰ÌËÛÍË·Óθ¯ÂÍËÎÓ„‡Ïχ̉‡‚‡Ú¸",ÚÓÂÒÚ¸‚Íβ˜ËÚ¸‚ ÎÛ˜¯Ëı ÓÒÒËÈÒÍËı͇ÚËÌ.¬˝ÚÓÚ‰‡Ï‡Ú˘ÂÒÍËÈÏÓÏÂÌÚÔÓÒÚÛÔËÎÓ ÍÓÚÓ˚ı ÏÌӄ˽ÍÒÔÂÚ˚ÚÓÊÂÌÂÏ˚ÒÎËÎËÒ·ÂÂÔÂÁÂÌÚ‡ÚË‚ÌÛ˛‚˚·ÓÍÛ Ó͇Á‡ÎÓÒ¸ ·˚,̇ÔËÏÂ,ÙËθÏÓ‚¿·‰‡¯ËÚÓ‚‡,—ÓÎÓ‚¸Â‚‡Ë—ÓÍÛÓ‚‡,·ÂÁ ÂÒÎË ·˚Ï˚‰ÓÔÓÎÌËÚÂθÌ˚Ï„ÓÎÓÒÓ‚‡ÌËÂÏ‚˚·‡ÎËÓ‚ÌÓ25,ÚÓÒ‰ËÌËıÌ ÓÚ˚‚ÓÏ Ì‡Ó‰ËÌ„ÓÎÓÒÓÚÔ‰˚‰Û˘ÂÈËÔÓÒÎÂ‰Û˛˘ÂÈ„ÛÔÔ˚ÎÂÌÚ.»˜ÚÓ Ì‡·‡‚¯Ëı ‡‚ÌÓ˜ËÒÎÓ„ÓÎÓÒÓ‚,Ô˘ÂÏÒÓÒÚ‡ÚËÒÚ˘ÂÒÍËÌÂÁ̇˜ËÏ˚Ï „ÓÎÓÒÓ‚ ӷ̇ÛÊËÎÓÒ¸,˜ÚÓ̇25-ÏÏÂÒÚÂÓ͇Á‡ÎÓÒ¸ÌÂÒÍÓθÍÓ͇ÚËÌ, ÔÓ-ÛÒÒÍË: ÌÂÔÓÁ‡ÍÓÌÛ,‡ÒÔ‡‚‰ÎË‚ÓÒÚË.¬ÚÂÚ¸Ëı,ÔÓÒÎÂÔÓ‰Ò˜ÂÚ‡ Ò‚ÓÂÈ, Ï˚·Û‰ÂÏÚÓθÍÓ‡‰˚:˝ÚÓÊÂÌÂÁÂÏβ‰ÂÎËÚ¸.¬ÂÁÛθڇÚ¯ËÎË „ÛÁËÌÒÍËÂ, ‡"ƒÓ΄ËÂÔÓ‚Ó‰˚"-ÛÒÒ͇ˇ.’ÓÚˇÂÒÎ˔͇Ë̇ÒÓ˜ÚÂÚÂÂË Ú‡Ï, „‰ÂıÓ˜ÂÚ."œÓ͇ˇÌËÂ"Ë"ΔËÎÔ‚˜ËȉÓÁ‰"-͇ÚËÌ˚‚ÂÎËÍËÂ,ÌÓ,Û‚˚, ÌÂÙÓχÎËÁÛÂÏ˚È, ÌÓӘ‚ˉÌ˚È:ÛÒÒÍËÈˇÁ˚ÍˉÛı,ÍÓÚÓ˚È‚ÂÂÚ ˝ÍÒÔÂÚÓ‚), ‚ÓÔÓÒÓ‚ÔÓ˜ÚËÌ·˚ÎÓ.üËÚÂËȇÁ„‡Ì˘ÂÌˡ·˚Î ÒÔËÒÍ —Œ¬≈“—ü»’ÙËθÏÓ‚,ÒÓÒÚ‡‚ÎÂÌÌÓÏÔÓËÚÓ„‡Ï‡ÌÍÂÚËÓ‚‡ÌˡÚÂıÊ œ‡‡‰Ê‡ÌÓ‚‡, »ÓÒÂΡÌËË¿·Û·‰ÁÂ(ÍÓÚÓ˚ÂÁ‡ÌˇÎË·˚‚ˉÌ˚ÂÏÂÒÚ‡‚ ŒÚÌÓÒËÚÂθÌÓ Í‡ÚË̉ۄËıÂÒÔÛ·ÎË͇ÌÒÍËıÂÊËÒÒÂÓ‚-‚˜‡ÒÚÌÓÒÚË, Ô‰ÒÚ‡‚ΡÎË Ò·ÂÔ‰ÒÚ‡‚ËÚÂθÌÓÈÔ‡ÌÓ‡Ï˚ÓÚ˜ÂÒÚ‚ÂÌÌÓ„ÓÍËÌÓ. ÍË‚ÒÍÓÈ ÒÚÛ‰ËËËÏÂÌ˃ӂÊÂÌÍÓ,Ë·ÂÁÍÓÚÓ˚ı‚ÓÔÓ¯‡‚¯ËÂÌ ڇÍÊ Ò"œÓÎÂÚ‡ÏË‚ÓÒÌÂË̇ˇ‚Û"–Óχ̇¡‡Î‡ˇÌ‡,̇ÍÓÚÓ˚ıÒÚÓËÚÁÌ‡Í ÔÓ΂˚Ï ÓχÌÓÏ"œÂÚ‡“Ó‰ÓÓ‚ÒÍÓ„Ó,҉·ÌÌ˚ÏË̇Œ‰ÂÒÒÍÓÈÒÚÛ‰ËË,‡ ÔÓÒ˚Ô‡ÎËÒ¸ ‚ÓÔÓÒ˚,͇ͷ˚Ú¸Ò͇ÚË̇ÏËüË˚ÃÛ‡ÚÓ‚ÓÈË"¬ÓÂÌÌÓ- ‰Û„Ëı, ËËı‡ÌÍÂÚ˚Ô˯ÎÓÒ¸ÒÒÓʇÎÂÌËÂÏÁ‡·‡ÍÓ‚‡Ú¸.¬Ó-‚ÚÓ˚ı,Ò‡ÁÛ ËÁ‚ÂÒÚÌÓÈ ˝Ú˘ÂÒÍÓÈÁ‡‰‡˜Â,ÊÂÚ‚Ó‚‡Ú¸Ó‰ÌËÏËβ·ËÏ˚ÏËÎÂÌÚ‡Ïˇ‰Ë Ó‰ÌËÏ ˜ÎÂÌÓÏ√Ëθ‰ËË)‰Ó25,ÔÓÒÍÓθÍÛ‰Îˇ˝ÚÓ„ÓÌÛÊÌÓ·˚ÎÓ,͇͂ ͇ÚËÌ (ÍÛ‰‡‚Ó¯Îˬ—≈ÙËθÏ˚,Ô‰ÎÓÊÂÌÌ˚‚͇˜ÂÒÚ‚ÂÎÛ˜¯ËııÓÚˇ·˚ ÒÓ͇ÚËÚ¸ Ô‚Ó̇˜‡Î¸Ì˚ÈÎÓÌ„-ÎËÒÚËÁÔÓ˜ÚË300 ÌÂÍÓÚÓ˚ı ˝ÍÒÔÂÚÓ‚ÌÂı‚‡ÚËÎÓÏӇθÌ˚ıÒËΠ̇ÚÓÎÍÌÛÎÓÒ¸ ̇Ò¸ÂÁÌ˚ÂÔÂÔˇÚÒڂˡ.¬Ó-Ô‚˚ı,Û 25 ÎÛ˜¯Ëı͇ÚËÌ1958-2007„„.Ò‡ÁÛÊ ‚˚Á‚‡ÎÓ ÓÒÓ·˚ıÁ‡ÚÛ‰ÌÂÌËÈ,ÚÓÒÓÒÚ‡‚ÎÂÌËÂÔÂÂ˜Ìˇ ‚˚ÔÛÒ͇, ÍÓÚÓÓÂÏ˚ÔÓ‚ÂÎË‚ÔÓ¯ÎÓÏ„Ó‰Û,Ì √Ëθ‰ËË ÓÒÒËÈÒÍËıÍËÌÓÙËθÏÓ‚1908-1957„„. ≈ÒÎË ÙÓÏËÓ‚‡ÌËÂÒÔËÒ͇25ÎÛ˜¯ËıÔÓ‚ÂÒËË √Ëθ‰ËË ÍËÌӂ‰ӂËÍËÌÓÍËÚËÍÓ‚): (¬ËÍÚÓ Ã‡ÚËÁÂÌ,ÔÂÁˉÂÌÚ Œ“ üŒŒ–ƒ»Õ¿“Œ–¿ Œ·Î‡ÍÓ-‡È ..6 Œ·Î‡ÍÓ-‡È . ..6 ü˚θˇ . .6 Õ·˚‚‡Î¸˘Ë̇ ..6 ÔÓÂÁ‰ ŒÒÚ‡ÌÓ‚ËÎÒˇ ..6 ‡ÌÂ͉ÓÚ —Í‚ÂÌ˚È ..6 ÚËıË Á‰ÂÒ¸ ÁÓË ¿ ..6 ÒÎÓ‚‡ œÓ¯Û . ..6 ÃÓÎÓı ..6 ÓÏ‡Ì ¬ÓÂÌÌÓ-ÔÓ΂ÓÈ ..6 –Ó‰Ìˇ ..6 ÊËÁ̸ Ò˜‡ÒÚÎË‚‡ˇ ƒÓ΄‡ˇ ..7 „Ó‰‡ 1953 ÎÂÚÓ ’ÓÎÓ‰ÌÓ . ..7 ÔËҸχ ◊ÛÊË ..7 β‰ÂÈ Ë ÛÓ‰Ó‚ œÓ ..7 ÎËÒ Ì‡ ŒıÓÚ‡ ..7 ÒÓÎ̈ÂÏ ”ÚÓÏÎÂÌÌ˚ ..7 ÒÓ·‡˜ÍÓÈ Ò ƒ‡Ï‡ ..7 ÚÓ‚‡Ë˘‡ ‰‚‡ —ÎÛÊËÎË ..7 „ÂÓˇ ‰Îˇ «Â͇ÎÓ ..8 ¡Â„ . . .8 ‚ÂËÚ Ì ÒÎÂÁ‡Ï ÃÓÒÍ‚‡ ..8 Á‚ÂÁ‰‡ ÏÓˇ „ÓË, √ÓË, ..8 Á‡ÚÏÂÌˡ ƒÌË . . .8 ˜ÂÎÓ‚Â͇ „ÓÎÓÒ Œ‰ËÌÓÍËÈ ..9 ÔÎÂÌÌˈ‡ ü‡‚͇ÁÒ͇ˇ ..9 —ÓΡËÒ ..9 ŒÍ‡Ë̇ ..9 ‰ÂÚÒÚ‚‡ ÔÓÒΠ‰ÌÂÈ —ÚÓ . . .9 ◊Û˜ÂÎÓ ..10 ¿È·ÓÎËÚ-66 ..10 ¡‡Ú ..10 ÔÓ̉ÂθÌË͇ ‰Ó ƒÓÊË‚ÂÏ ..10 ¿„ÓÌˡ ..11 œÎ˛˘Ëı ̇ ÚÓÔÓΡ" "“Ë ..11 ˜ÂÎÓ‚Â͇ —Û‰¸·‡ ..11 ÒÛ‰¸·˚ »ÓÌˡ ..11 ÃÓÌÓÎÓ„ ..12 „Ó˛È Õ ..12 Ô·ÌÂÚ œ‡‡‰ ..12 ÒÏÓÚË Ë »‰Ë ..13 ÒË̉ÓÏ ¿ÒÚÂÌ˘ÂÒÍËÈ ..13 ‚ÓÍÁ‡Î ¡ÂÎÓÛÒÒÍËÈ . . .13 ¿ÒÒ‡ ..14 ‚ÒÚÂ˜Ë üÓÓÚÍË ..14 ‰ÂÚÒÚ‚Ó »‚‡ÌÓ‚Ó ..14 ÏË Ë ¬ÓÈ̇ ..15 ‚ÓÈÌ˚ ·ÂÁ ‰ÌÂÈ ƒ‚‡‰ˆ‡Ú¸ ..16 ‚˜ÂÓ‚ œˇÚ¸ ..16 —Ú‡ÎÍ ..17 χ¯ËÌÛ! ’ÛÒڇ΂, ..18 ‰ÓÓ„‡ı ̇ œÓ‚Â͇ ..18 χ‡ÙÓÌ ŒÒÂÌÌËÈ ..18 √‡ÏÎÂÚ ..19 ̇ˇ‚Û Ë ÒÌ ‚Ó œÓÎÂÚ˚ ..20 Û͇ ¡ËÎΡÌÚÓ‚‡ˇ ..20 ÌÂÚ ·Ó‰‡ Ó„Ì ¬ ..22 ÃÓÒÍ‚Â ÔÓ ¯‡„‡˛ fl . . .23 ÔÓ‚Ó‰˚ ƒÓ΄Ë ..22 Õ‡˜‡ÎÓ ..23 üΡ˜ËÌÓÈ ¿ÒË »ÒÚÓˡ ..24 ¬Â‡ ÇÎÂ̸͇ˇ ..24 „Ó‰‡ Ó‰ÌÓ„Ó ‰ÌÂÈ ƒÂ‚ˇÚ¸ ..25 ‰Óʉ¸ »˛Î¸ÒÍËÈ ƒÓ·Ó ÔÓʇÎÓ‚‡Ú¸, ..26 ¬ÓÒıÓʉÂÌË ÕÂÓÍÓ̘ÂÌ̇ˇ Ô¸ÂÒ‡ ..28 »Î¸Ë˜‡ «‡ÒÚ‡‚‡ ..31 ‡‚ÚÓÏÓ·ËΡ ¡Â„ËÒ¸ ..32 üÓÏËÒÒ‡ ..32 ÔÛÒÚ˚ÌË ÒÓÎ̈ ¡ÂÎÓ ..32 ͇Ò̇ˇ ü‡ÎË̇ ..37 À‡Ô¯ËÌ »‚‡Ì ‰Û„ ÃÓÈ ..40 «Â͇ÎÓ ..41 ÒÓΉ‡ÚÂ Ó ¡‡Î·‰‡ ..48 –۷΂ ¿Ì‰ÂÈ ÙËθχ ‚‡ÌÍÂÚ‡ı˝ÍÒÔÂÚÓ‚): (ÔÓ ˜ËÒÎÛÛÔÓÏË̇ÌËȉ‡ÌÌÓ„Ó –”——ü»≈ ‘»À‹Ã¤ À”◊ÿ»≈ ËÎË œÓÒÚÓÓÌÌËÏ ‚ıÓ‰ ‚ÓÒÔ¢ÂÌ .25 ËÎË œÓÒÚÓÓÌÌËÏ‚ıÓ‰‚ÓÒÔ¢ÂÌ ..27 ÔˇÌËÌÓ ÏÂı‡Ì˘ÂÒÍÓ„Ó ‰Îˇ –≈Δ»——≈–¤ À”◊ÿ»≈ ¿Ì‰ÂÈ “‡ÍÓ‚ÒÍËÈ (Û˜ÚÂÌ˚ 5 ÙËθÏÓ‚) . . ¿Ì‰ÂÈ “‡ÍÓ‚ÒÍËÈ(Û˜ÚÂÌ˚5ÙËθÏÓ‚) ÌËı ÔÓԇ΂ÒÔËÒÓÍÎÛ˜¯ËıÙËθÏÓ‚). „ÓÎÓÒÓ‚, ÔËÛÒÎÓ‚ËË,˜ÚÓıÓÚˇ·˚Ó‰ËÌËÁ Û͇Á‡ÌÌ˚È ÔÂËÓ‰Ë̇·‡‚¯Ëı·ÓÎÂÂ2 ÙËθÏÓ‚ ‰‡ÌÌÓ„ÓÂÊËÒÒ‡,‚˚ÔÛ˘ÂÌÌ˚ı‚ 1958ñ2000 „„. Û‡ ‡ ˇÓ . . .2 –ˇ·ÓÈ Ë ¡Â·ˇ ◊Ûʇˇ . ..2 ÒÚ‡Ìˈ˚ “ËıË . . .2 —ÎÛ„‡ ..2 ËÒÚÓËË “Ë ..2 ‰ÌË —˜‡ÒÚÎË‚˚ ..2 ÒÔÓÚ ÒÔÓÚ, —ÔÓÚ, ..2 ‚β·ÎÂÌÌ˚ı Ó –ÓχÌÒ . ..2 β·‚Ë ‚ Œ·˙ˇÒÌÂÌË ..2 ‚ıÓ‰ˇ˘ÂÏÛ ÃË ..2 ‰‚¸ ÓÚÍÓÈÚ «‚ÓÌˇÚ, ..2 Ì·ÓÏ Á‚ÂÁ‰Ì˚Ï ÔÓ‰ ƒÓÏ ..2 ÓχÌÒ ΔÂÒÚÓÍËÈ ..2 ·‡Ú Ë Ò˚Ì ¬‡¯ . ..2 ¬‡ÒÒ‡ ..2 ”ıÓ ◊ÂÌÓ ¡ËÏ ¡ÂÎ˚È . . .2 ¡‡Ú-2 ..2 "¿Ï‡‚Ë" . . .3 "¤" ŒÔ‡ˆËˇ ..3 üËÌ-‰Á‡-‰Á‡ .3 ÕÂÒÍÓθÍÓ ‰ÌÂÈËÁÊËÁÌË».».Œ·ÎÓÏÓ‚‡ ..3 Ò‚ÂÚ ·ÂÎ˚È œÓÁ̇‚‡ˇ ..3 “Âχ . ..3 ÀË üÓÓθ ..4 ÏËÎˈËÓÌ ◊Û‚ÒÚ‚ËÚÂθÌ˚È ..4 ¡ÂÒÍÓ̘ÌÓÒÚ¸ ..4 —˷ˡ‰‡ ..4 ¬‡Ìˇ ƒˇ‰ˇ ..4 ”„‡ ..4 “ÂΈ ..4 ÌÂ·Ó ◊ËÒÚÓ ..4 ÃËÏËÌÓ ..4 ڇ̈Ӈ ¬ÂÏˇ ..5 œÓ˘‡ÌË ..5 Ô‡Â̸ Ú‡ÍÓÈ ΔË‚ÂÚ ..5 œÂ˜ÍË-·‚Ó˜ÍË ÒÓÒÚ‡‚ÎÂÌËË ÂÈÚËÌ„‡ÂÊËÒÒÂÓ‚: ·‡ÎÎ˚ ÍÓÚÓ˚ı·˚ÎËÛ˜ÚÂÌ˚ÔË ‘ËθÏ˚, ÒÓ·‡‚¯Ë·ÓÎÂÂ1„ÓÎÓÒ‡, ..6 (1) Œ‚˜‡Ó‚ —„ÂÈ ..6 (1) ƒÓÒڇθ ÕËÍÓÎ‡È ..6 (1) “Ó‰ÓÓ‚ÒÍËÈ œÂÚ ..7 (2) ü‡Î‡ÚÓÁÓ‚ ÃËı‡ËÎ ..7 (1) ü‡ÂÎÓ‚ ≈‚„ÂÌËÈ ..7 (1) œÓ¯ÍËÌ ¿ÎÂÍ҇̉ . ..7 (1) ’ÓÚËÌÂÌÍÓ ¬Î‡‰ËÏË ..7 (1) ’ÂÈÙˈ »ÓÒËÙ ..8 (1) ÃÂ̸¯Ó‚ ¬Î‡‰ËÏË ..9 (1) ÀÛˆËÍ œÂÚ ..10 (2) ÃËÚÚ‡ ¿ÎÂÍ҇̉ ..11 (1) ÀËÓÁÌÓ‚‡ “‡Ú¸ˇÌ‡ ..13 (1) —ÏËÌÓ‚ ¿Ì‰ÂÈ . .16 ¿ÎÂÍ҇̉ ¿Îӂˬ·‰ËÏËÕ‡ÛÏÓ‚(3) ..18 (2) –ÓÒÚÓˆÍËÈ —Ú‡ÌËÒ·‚ ..19 (1) ¡‡Î‡ˇÌ –ÓÏ‡Ì ..19 (2) ¡˚ÍÓ‚ –ÓÎ‡Ì ..20 (3) ¿‚·‡ı »Î¸ˇ ..21 (2) üÓÁË̈‚ √Ë„ÓËÈ ..21 (4) ¡‡Î‡·‡ÌÓ‚ ¿ÎÂÍÒÂÈ ..24 (1) œË˜ÛÎ ¬‡ÒËÎËÈ ..24 (1) –ÓÏÏ ÃËı‡ËÎ ..25 (2) ¡Ó̉‡˜ÛÍ —„ÂÈ ..26 (4) —ÓÎÓ‚¸Â‚ —„ÂÈ ..28 (5) —ÓÍÛÓ‚ ¿ÎÂÍ҇̉ ..32 (1) ¿ÒÍÓθ‰Ó‚ ¿ÎÂÍ҇̉ ..32 (1) ÃÓÚ˚θ ¬Î‡‰ËÏË ..32 (3) √‡È‰‡È ÀÂÓÌˉ ..33 (4) üÓ̘‡ÎÓ‚ÒÍËÈ ¿Ì‰ÂÈ ..33 (6) ¿·‰‡¯ËÚÓ‚ ¬‡‰ËÏ ..38 (3) ÿÂÔËÚ¸ÍÓ À‡ËÒ‡ ..44 (5) ÿÛͯËÌ ¬‡ÒËÎËÈ ..44 (3) –ˇÁ‡ÌÓ‚ ›Î¸‰‡ ..45 (2) ◊Ûı‡È √Ë„ÓËÈ ..53 (4) œ‡ÌÙËÎÓ‚ √η ..54 (5) üÎËÏÓ‚ ›ÎÂÏ ..56 (4) ƒ‡ÌÂÎˡ √ÂÓ„ËÈ ..57 (3) ’ۈ˂ ÇÎÂÌ ..59 (6) ÃÛ‡ÚÓ‚‡ üˇ ..63 (6) ÃËı‡ÎÍÓ‚ ÕËÍËÚ‡ ..87 (4) √ÂÏ‡Ì ¿ÎÂÍÒÂÈ (ÔÓ ˜ËÒÎÛÛÔÓÏË̇ÌËÈ 127 ŒÒڇθÌÓ -ÏÓΘ‡ÌËÂ. ‚ÂÎËÍÓÏ ‰Û„ÂË‚ÓʉÂ". ÔӉ̇ÚÛÊË‚¯ËÒ¸, ÒÎÓÊËÏ"‡‰ÓÒÚÌÛ˛ÔÂÒÌ˛Ó ˜ÚÓ Á‡Í‡ÎˇÚ¸Òˇ‚·ËÚ‚‡ıËÚÛ‰Â.ÕÛ‡Á‚Â, ÔÓÒÚÓ‡ı –Ó‰ËÌ˚˜Û‰ÂÒÌÓÈÏ˚ÚÓθÍÓËÏÓÊÂÏ, β‰ÂÈ", ÂÁÛθڇڷÓθ¯Â‚ËÒÚÒÍÓÈÒÂÎÂ͈ËË.Õ‡ Ô‰ÒÚ‡‚ËÚÂÎË "ÌÓ‚ÓÈËÒÚÓ˘ÂÒÍÓÈÓ·˘ÌÓÒÚË ÍËÌÓÊÛ̇ÎËÒÚÓ‚ Ì˘„Ó̉‡ÒÚ.Ã˚- „Ëθ‰ËË Ì‡ÒÓÓ·˘ÂÒÚ‚‡ÍËÌÓ‚Â‰Ó‚Ë ƒ‡Ê ˉ¡‡Á‰ÂÎÂÌËˇÌ‡¯ÂÈÔÓÙÂÒÒËÓ̇θÌÓÈ ÚÂÔÂÚ. Õ˚̘ÂÏÓÊÌÓÎ˯¸„Ó¸ÍÓÛÎ˚·ÌÛÚ¸Òˇ. 100 ÎÂÚ̇Á‡‰˝ÚËÒÎÓ‚‡‚˚Á˚‚‡ÎËÒ‚ˇ˘ÂÌÌ˚È "À˛·ËÚ ËÒÍÛÒÒÚ‚Ó‚Ò·Â,‡ÌÂÒ·ˇËÒÍÛÒÒÚ‚Â". » ·ÂÒÒÏ˚ÒÎÂÌÌÓÔÓ‚ÚӡڸͷÒÒ˘ÂÒÍÛ˛Ù‡ÁÛ: ÂÊËÒÒÂ˚. ¬ÒÂÒ„ÓËÚ‚ÍÓÒÚ‡ϷˈËÈ. ÍËÌÓ, ‚ÂÎËÍËÂÙËθÏ˚,Á‡Ï˜‡ÚÂθÌ˚ «‡ ‚ÒÂÏ˝ÚËÏıÓÓ‚Ó‰ÓÏ͇Í-ÚÓÁ‡·Û‰ÂÚÒˇÌ‡¯Â ÒÚ‡ÌÂÚ ‰Ûχڸ,˜ÚÓÌÂÛÒÚÛÔË·üÓÒÚÓÏÓÎÓÚÓ‚ÓÈ. ‚ÓÁ¸ÏÂÚ ‚Âı̇‰«‡„ÓˇÈÍËÌÓÈ,‡«‡„ÓˇÈÍË̇ ÒÚ‡Ú¸Â. »‚ÒÂÒÚ‡ÌÛÚÎÛ˜¯ËÏË.üÓÒÚÓÏÓÎÓÚÓ‚‡ ‚˚¯ÂÛÔÓÏˇÌÛÚ˚È Ã‡ÚËÁÂÌ̇Ô˯ÂÚ‚Ò‚ÓÂÈ ÓÒڇθÌ˚Â, ÚÂ,˜ÚÓÔÓÚÂ΂ˉÂÌ˲˜‡ÒÚÓÍÛÚˇÚ, “ÂÔ¸ ·Û‰ÛÚÔÓ͇Á‡Ì˚Úˉˆ‡Ú¸Í‡ÚËÌ,‡ÔÓ ÂÈ ÔËÌËχڸ‚ÓËÒÚËÌÛÒÓÎÓÏÓÌÓ‚Ó¯ÂÌËÂ. ·Â‰ÌÓÈ ÊÂÌ˘ËÌ˚—ËÚÓ˚¿ÎË‚ÓÈ.»ÔˉÂÚÒˇ ÚÂÎÂÙÓÌÌ˚ Á‚ÓÌÍË,ÍÓÚÓ˚‡ÒÒÚÓˇÚÌ‚˚ ˜ÂÎÓ‚ÂÍ „ÓÎÓÒÛ˛Ú,‡·Óθ¯Â!..»ÔÓȉÛÚ œÛÔÍË̇?! ƒ‡ÍÚÓÓ̇ڇ͇ˇ?!Ú‡ÏÌÂ50 Ú‡ÍÓÂ! ƒ‡ÍÚÓڇτÓÎÓÒÛÂÚ!œÓ˜ÂÏÛ͇͇ˇ-ÚÓ ÕÓ ÌÂÚ!ü‡ÍʽÚÓÏÓÊÌÓ‰ÓÔÛÒÚËÚ¸!◊ÚÓ œÓÊÏËÚ ÔΘ‡ÏËËÒÚÛÔ‡ÈÚÂÁ‡„Ӈڸ̇ÔΡÊ. ËÌÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË-Á‡Ï˜‡ÚÂθÌÓ. „ÓÎÓ‚Â ÙËθÏ˚ËÂÊËÒÒÂ˚‡ÒÔÓÎÓÊËÎËÒ¸‚ ‚ ˝ÚÛÒ‡ÏÛ˛ËÒÚÓ˲‚ÔËÒ‡Ú¸.»ÂÒ΢¸ÂÈ-ÚÓ ‚˚˜ÂÍÌÛÚ¸ ÍÓ„Ó-ÚÓËÁËÒÚÓËË̇¯Â„ÓÍËÌÓËÎË Ë‰ÂÓÎӄ˘ÂÒÍÛ˛ ‡·ÓÚÛÌÂÒÚ‡ÌÛÚ.ŒÌÏÓÊÂÚ ‡ÒÒ˚·ڸ Ì·ۉÛÚËÒÚÓËÚ¸ÔÓÌÂÏÛ ÍËÌÓÙÂÒÚË‚‡Îˇ. œÓ„ÓÍÓχÏˇÈÍÓχÏÂ„Ó Ì‡Ô˜‡Ú‡˛Ú, ‡‚͇ڇÎÓ„ÂŒÚÍ˚ÚÓ„ÓÓÒÒËÈÒÍÓ„Ó ‡Ì„‡ı. Õ‚„‡ÁÂÚÂ"œ‡‚‰‡"1975„Ó‰‡Â„Ó Ú‡Í ÔÓ„ÓÎÓÒÓ‚‡ÎË.ƒ‡ÌÌ˚ÈÒÔËÒÓÍ-ÌÂÚ‡·ÂÎ¸Ó ÙËθÏ. ÕÛ,˜ÚÓʉ·ڸ.›ÚËÔˇÚ¸‰ÂÒˇÚ˜ÂÎÓ‚ÂÍ ÛʇÒ, ÃËı‡ÎÍÓ‚‡ÔÓÎÛ˜ËÎÓÒ¸·Óθ¯Â,˜ÂÏÓ‰ËÌ ÂÊËÒÒÂÓ‚. ¿Û“‡ÍÓ‚ÒÍÓ„Ó,√Âχ̇Ë,Ó, 25 ͇ÚËÌÌÂÓ͇Á‡ÎÓÒ¸ÌÂÍÓÚÓ˚ıËÁ‚ÂÒÚÌ˚ı ·ÓΠËÎËÏÂÌÂÂÒÓ‚ÂÏÂÌÌÓ„ÓÍËÌÓ.¬ÒÔËÒÍÂËÁ œÓÚ‡Á‡ÌÓ‚Â, ‚ÒÂÚ‡ÍË·˚ÎÓ.ÕÓ‚ÓÚ̇ÒڇΘ‰ ‚ ÔÓ¯ÎÓÏ„Ó‰Û˜¸¯Î‡Ó·›ÈÁÂ̯ÚÂÈÌÂË ‚ —Ó˜ËÔÓ‚Ó‰ËÚÒˇÂÚÓÒÔÂÍÚË‚Ì˚ÈÔÓ͇Á.üÓ„‰‡ χÚÂχÚËÍ Ã‡ÚËÁÂÌÒ˜ËÚ‡ÂÚ,Á‡ÚÂÏÔÓÂÁÛÎ¸Ú‡Ú‡Ï Ã‡ÒÚ‡ Ô‡„ÓÎÓÒÛ˛Ú,ÔÂÁˉÂÌÚ√Ëθ‰ËË ÎÛ˜¯Ëı ÙËθÏÓ‚ÔÓÏÌÂÌ˲50ÍËÚËÍÓ‚. ÎÂÚ˲ ÓÒÒËÈÒÍÓ„ÓÍËÌÓÒÓÁ‰‡Ú¸ÒÔËÒÓÍ50 ÔÓ˘Â. «‡Ï˜‡ÚÂθ̇ˇË‰Âˇ"üËÌÓÚ‡‚‡"-Í100 ÒÔËÒÍ‡Ï ÎÛ˜¯ËıËÁÎÛ˜¯Ëı.ü‡Á‡ÎÓÒ¸·˚,˜Â„Ó ÓÚÌÓ¯ÂÌ˲ ÍÓ‚ÒˇÍÓ„ÓÓ‰‡ÔËÁ‡Ï,ÓÚÎË˜ËˇÏ, ÕÓ ÌÂÛÒÚ‡˛ÔÓ‡Ê‡Ú¸ÒˇÍ‡ÍÓÏÛ-ÚÓËÒÚ¢ÂÒÍÓÏÛ ƒ‡‚ÌÓ Ê˂ۂ̇¯ÂÈ˛ÌÓÈ,ÔÂ͇ÒÌÓÈÒÚ‡ÌÂ. –Œƒ»Õ¤ ◊”ƒ≈—ÕŒ… Õ¿ œ–Œ—“Œ–¿’ üÓÔËË ÙËθÏÓ‚‰Îˇ ÂÚÓÒÔÂÍÚË‚Ô‰ÓÒÚ‡‚ÎÂÌ˚ √ÓÒÙËθÏÓÙÓ̉ÓÏ–‘. ËÒÚÓËÍ ÍËÌÓ,ÍËÚËÍ —„ÂÈ À‡‚ÂÌڸ‚
123 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 124 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors make suchdistantforecasts. to includemanymoreìgreatwritersîthanithaslost.Butcinemaistoo youngto extent? Wecansayforcertainthatthelistofliteraryclassicsgradually hascome generation ofcriticswouldsuggestwillnodoubtbedifferentñbutto what modern conditionofcriticism.Inanotherfiftyyearsthehierarchythat afuture only filmsanddirectors,butalsocritics:preciselyspeaking,theyreflect the P.S. Perusingtheratings,readershouldrememberthattheycharacterize not But drawingupsuchalististhingforthefuture. Chukhrai, KhutsievandRiazanovwhostartedtheircareerincinemabefore 1958. the centuryinto50-yearperiodswouldhaveboostedratingofdirectors like However, compilingalistofthebestdirectorshundredyearswithout dividing insignificant gaptoanothergroupofdirectorswithMuratovainthelead. ahead oftheothers,followedafteragapbyMikhalkovonthirdplace, with an six films.Adivideinthelistofbestappeared:TarkovskyandGerman lead more titles.ThechampionsherewereMikhalkov,MuratovaandAbdrashitovwith majority ofthebestdirectorsemergedfromfilmratingsthroughtwoand were inthelistofbest,butallfilmsthathadreceivedasinglevote.Thus, counted upbysummationoftheratingsfortheirfilms:notonlythosefilmsthat end intothemainlist,butthatcanítbehelped.Theratingsofdirectorshavebeen because oneextraexpertvotecouldhaveshiftedortwofilmsfromthetail no lessthe10percentofexpertsívotes.Ofcourse,thislowermarginisrelative, Furthermore theminimumforafilmísinclusioninshortlistwas6votes,i.e. significant leadofover10%tothenearestcontender,ìBalladaSoldierî. (more precisely,ìPassionsaccordingtoAndreiî)with48votes;ithada could receiveamaximumof58votes.TheabsoluteleaderwasìAndreiRublevî stronger subjectiveinfluenceontheresultthanothers).Inotherwords,eachfilm to limittheirchoice25films(and,ifcounted,theywouldhaveexerteda In total,60questionnaireswerereceived;twoinvalidatedbyvotersíinability directorî. establish moreflexibledefinitionsforwhatconstitutesìbestfilmîandìbest agreeable toeverybody:countuptworatingsñfilmsanddirectorsñ,then place ofafilmbyTarkovsky?Thenwefoundconciliatoryproposalthatwas than themostratedfilmbydirectorNN,thenwhyshouldNNístake and notthebestdirectors.IfTarkovskyísleastratedfilmcollectedmorevotes categorically rejecteditonthegroundthatthiswastobealistofbestfilms us. Somekindexpertsenthusiasticallysupportedthisproposal,whileothers the exceptionofAndreiTarkovsky,indisputablegeniuswhoisnolongerwith customerî: thatis,toincludeinthefinallistonefilmperdirector,maybewith this dramaticmomentcametheofferìnottotakemorethanakilogramper many expertscannotimaginearepresentativelistofthebestRussianfilms?At would havebeennofilmbyAbdrashitov,SolovievorSokurov,withoutwhich chosen exactly25filmsbyasecondroundofvotes,andwhatifamongthemthere of onevotetothepreviousorsubsequentgroupfilms).Now,whatifwehad several filmswithanequalnumberofvotes(withastatisticallyinsignificantgap Third, afterthecalculationofvotesittranspiredthaton25thplacetherewere fairness. here. IntheenddecisionwastypicallyRussian:notbasedonrules,but Ukraine considersititsown,weshallonlybeglad:arenotsplittingtheland alas, theyareGeorgianfilms,whileìLongFarewellsîisaRussianfilm.Evenif appropriate. ìRepentanceîandLivedOnceaSong-Thrushîaregreatfilms,but, Russian inlanguageandspirit,featureswhichmaybefoundwherever questions arose.Thecriterionofdifferentiationwasnotformalized,butobvious: ranks ofalistSOVIETfilmscompiledbythesameexperts),hardlyany particular Paradjanov,IoselianiandAbuladze(whomighthavefeaturedintop panorama ofourcinema.Regardingfilmsotherrepublicandirectors,in in Kiev.Withoutthesefilmsthevoterscouldnotenvisionarepresentative Roman BalayanísìDreamFlightsîmadeunderthesealofDovzhenkoStudio Petr TodorovskyísìWartimeRomanceîñmadeattheOdessastudio,aswell Second, questionsatoncearoseaboutthestatusoffilmsbyKiraMuratovaand invalidated. for thesakeofanother;thustheirquestionnairesunfortunatelyhadtobe Guild member)downto25,becausethatrequiredsacrificingonefavouritefilm of almost300films(containingALLthatwerenominatedatleastbyone First, someexpertsdidnothaveenoughcouragetoreducetheinitiallong-list obstacles. up ofthelist25bestfilms1958-2007immediatelyposedserious which wecompiledlastyear,didnotcauseanyspecialdifficulties,thendrawing If theformationofGuildíslist25bestRussianfilmsfrom1908-57, of FilmScholarsandCritics Viktor Matizen,PresidentoftheGuild FROM THECOORDINATOR lu aaie. ..6 Paradise Cloud . ..6 Wings ..6 (Nebyvalshchina) Not or It Believe ..6 Stopped Train The ..6 Joke Nasty A . . . . .6 And theDawnsHerearesoQuiet ..6 Speak to Wish I . ..6 Molokh ..6 Romance Wartime A ..6 Kinfolk ..6 Life Happy and Long ..7 1953 of Summer Cold The Letters . ..7 Anotherís ..7 Men and Freaks About ..7 Hunt Fox . ..7 Sun the by Burnt ..7 Lapdog the with Lady ..7 Comrades Two Served There . ..7 Hero the for Mirror ..8 Flight The . . . . .8 Moscow doesnotBelieveinTears ..8 Star my Burn, Burn, ..8 Eclipse of Days ..8 Man of Voice Lonely The ..9 Style Caucasian Kidnapping, ..9 Solaris ..9 Outskirts . . . .9 One HundredDaysafterChildhood ..9 Scarecrow The ..10 66 Aibolit . ..10 Brother . ..10 Monday till Wait Letís ..10 Agony . . .11 Three PoplarsonPliushchikhaStreet ..11 Man a of Fate . . .11 Fate of Irony ..11 Monologue ..12 Grieve Donít ..12 Planets of Parade ..12 See and Go ..13 Syndrome Asthenic ..13 Station Railway Belarussian The ..13 ASSA ..14 Encounters Short ..14 Childhood Ivanís ..14 Peace and War ..15 War without Days Twenty ..16 Evenings Five ..16 Stalker ..17 Car! the Khrustalyov, ..18 Roads the on Trial ..18 Marathon Autumn ..18 Hamlet ..19 Flights Dream ..20 Arm Diamond ..20 Fire through Path No ..22 Moscow around Walk I ..23 Farewells Long ..22 Beginning The ..23 Kliachina Asya of Story The ..24 Vera Little ..24 Year One of Days Nine ..25 Rain July ..25 Trespassing no or Welcome, ..26 Ascent The .27 Unfinished PieceforaMechanicalPiano ..28 Gates Ilyich ..31 Car the of Beware ..32 Commissar The ..32 Desert the of Sun White The ..32 Guelder-Rose Red ..37 Lapshin Ivan Friend My ..40 Mirror ..41 Soldier a of Ballad ..48 Rublev Andrei given filmintheexpertsíquestionnaires): (based onthenumberofmentionsa BEST RUSSIANFILMS of 1958-2000 DIRECTORS BEST RUSSIAN oen lesWieadteSeke . . .2 Someone ElseísWhite andtheSpeckled . ..2 Pages Silent . ..2 Servant The . ..2 Stories Three . . .2 Days Happy ..2 Sport Sport, Sport, ..2 Lovers for Romance . . .2 Love of Declaration . . .2 Enters Who Him to Peace . ..2 Door the Open ñ Doorbell! ..2 Sky Starry the under House The . . .2 Romance Cruel A ..2 Brother and Son Your ..2 Vassa . . .2 Ear Black and Bim White ..2 2 Brother ..2 Armavir . ..3 Y Operation ..3 Kin-Dza-Dza . .3 Some DaysfromtheLifeofI.I.Oblomov Getting toKnowtheBigWideWorld . . . . .3 ..3 Theme The . . .3 Lear King ..4 Policeman Sentimental The ..4 Infinity ..4 Siberiade ..4 Vanya Uncle ..4 Eden to Close Urga: ..4 Taurus ..4 Sky Clear ..4 Mimino ..4 Dancer the of Time ..5 Farewell ..5 Guy a Such Lived There ..5 (Pechki-Lavochki) Happy-Go-Lucky for thedirectorsírating: have beentakenintoaccount Films withmorethanonevote,wherepoints ..6 (1) Ovcharov Sergei 6 . (1) Dostal Nikolai ..6 (1) Todorovsky Petr ..7 (2) Kalatozov Mikhail . . .7 (1) Karelov Evgeni . ..7 (1) Proshkin Alexander ..7 (1) Khotinenko Vladimir . . .7 (1) Kheifits Iosif ..8 (1) Menshov Vladimir ..9 (1) Lutsik Petr ..10 (2) Mitta Alexander ..11 (1) Lioznova Tatiana . ..13 (1) Smirnov Andrei . .16 Alexander AlovandVladimirNaumov(3) ..18 (2) Rostotsky Stanislav ..19 (1) Balayan Roman ..19 (2) Bykov Rolan ..20 (3) Averbakh Ilya ..21 (2) Kozintsev Grigori ..21 (4) Balabanov Alexei ..24 (1) Pichul Vasili ..24 (1) Romm Mikhail ..25 (2) Bondarchuk Sergei ..26 (4) Soloviev Sergei . ..28 (5) Sokurov Alexander ..32 (1) Askoldov Alexander ..32 (1) Motyl Vladimir ..32 (3) Gaidai Leonid ..33 (4) Konchalovsky Andrei ..33 (6) Abdrashitov Vadim ..38 (3) Shepitko Larissa ..44 (5) Shukshin Vasili ..44 (3) Riazanov Eldar ..45 (2) Chukhrai Grigori ..53 (4) Panfilov Gleb ..54 (5) Klimov Elem ..56 (4) Daneliya Georgi (3) ..57 Khutsiev Marlen ..59 (6) Muratova Kira ..63 (6) Mikhalkov Nikita ..87 (4) German Alexei 127 points Andrei Tarkovsky(5filmstakenintoaccount) included onthelistofbestfilms). two votes,providedthatoneofthemis specified periodandreceivingmorethan of agivendirector,releasedduringthe (based onthenumberofmentionsfilms great friendandleader".Therestissilence. ourselves, wecompose"ajoyfulsongaboutour through battleandwork.Unless,stretching wonderful homelandwecanonlybetempered Bolshevik selection.Inthewidespacesofour "new historicalcommunityofpeople",theresult journalists ispointless.Wearerepresentativesofa guild intothecommunitiesoffilmscholarsand Even theideaofdivisionourprofessional tremors; nowonecanonlysmilebitterly. in art".Ahundredyearsagothesewordscreated phrase: "loveartwithinyourself,insteadofyourself ambition. Anditispointlesstorepeattheclassical dance. Everythinghasburntdowninthefireof directors, aresomehowforgotteninallthisround Yet ourcinema,greatfilmsandremarkable thinks thatshehasnotconcededtoKostomolotova. over Zagoryaikina(MrsBlazing),and Kostomolotova (MrsBone-Grinder)takesthelead article. Thus,everyonewillbethebest. that arefrequentlyshownontelevision-inhis mentioned Matizencanwriteabouttherest-those decision: thirtyfilmswillbeshown.Andtheabove Sitora Alieva.ShetakesagenuinelySolomonian phone calls,whichwreckthenervesofpoor There's not50voters,butmore!..Alsothenfollow Why isthatPupkinavoting?!Whoshe,anyway?! that! Inanycase,whoisdoingthevotinghere! beach. Butno!Howcanthatbeadmitted!Whatis You mayshrugyourshouldersandsunbatheonthe figure inadifferentorder,thenthatiswonderful. And ifinanybody'smindthefilmsanddirectors cinema or,indeed,addsomebodytothathistory. cannot annihilateanybodyfromthehistoryofour the basisforanyideologicalprogramme.Thelist town anddistrictcommittees,willnotserveas Russian FilmFestival.Itwillnotbedispatchedto Pravda of1975,butinthecatalogueOpen ranks. Itwillnotbeprintedinthenewspaper that way.Andthislistis,afterall,notableof Well, whatistobedone?Fiftypeoplehadvoted Tarkovsky, Germanand-whathorror!Mikhalkov. more thanonefilmhadbeenincludedfor directors' namesweremissing.Atthesametime, On thefinallistwith25filmssomewell-known the turncametomoderneraofcinema. and Protazanov,everythingwasjustfine.Butnow When lastyear'schoicerangedbetweenEisenstein Sochi wouldpresentthefilmsasaretrospective. Matizen counted;andthen,accordingtotheresults, voted; theGuild'spresident,mathematician opinion of50critics.Themasterstheplume cinema withalistofthe50bestfilms-in remarkable ideatomarkthecentenaryofRussian Nothing wouldappearsimpler:Kinotavrhadthe distinctions, orratingsofthebestbest. hysterical attitudestoanykindofprizes,awards, fine country.ButIneverstoptobeamazedbysome For alongtimeIhavebeenlivinginouryoung, WONDERFUL HOMELAND IN THEWIDESPACEOFOUR through thecourtesy ofGosfilmofond. The printsforthe retrospectivehavebeenmadeavailable Film historian,critic Sergei Lavrentiev
125 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 126 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors œÓËÁ‚Ó‰ÒÚ‚Ó “‡Ï‡‡ Œ„ÓÓ‰ÌËÍÓ‚‡ ͇ÚËÌ˚ ƒËÂÍÚÓ ÕËÍÓÎ‡È √·ÁÍÓ‚,—‡‚ÂÎËÈflÏ˘ËÍÓ‚ üÛÚÛÁÓ‚, ÕÂÎÎË—Ì„Ë̇,—·‚‡÷‡Â‚, ¡ÂȯÂ̇ÎË‚, ¬ÓÎÓ‰ˇ“ËÚÓ‚,ÕËÍÓÎ‡È »Ë̇ ÃËÓ¯Ì˘ÂÌÍÓ,¡ÓÎÓÚ —ÚÂÔ‡Ì ü˚ÎÓ‚, ÕËÍÓÎ‡È √‡··Â,ÃËı‡ËÎüÓÌÓÌÓ‚, fiËÈ ÕËÍÛÎËÌ,–Ó·̡˚ÍÓ‚, ÕËÍÓÎ‡È ¡ÛΡ‚,fiËÈÕ‡Á‡Ó‚, ÕËÍÓÎ‡È —„‚,»Ï‡–‡Û¯, »‚‡Ì À‡ÔËÍÓ‚,ÕËÍÓ·È√Ë̸ÍÓ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ Ã‡Èˇ ¿·‡-¡‡‡ÌÓ‚Ò͇ˇ üÓÒÚ˛Ï˚ —„ÂÈ ¬ÓÓÌÍÓ‚ »ÔÔÓÎËÚ ÕÓ‚Ó‰ÂÂÊÍËÌ, ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ üÓ̘‡ÎÓ‚ÒÍËÈ, ¿Ì‰ÂÈ“‡ÍÓ‚ÒÍËÈ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ÏËÌ., ˆ‚.+˜/·,1:1.85 1966 (‚˚Ô.24.12.1971),———–,185 ñ œÓÓÔÓÒÛ˜ÎÂÌÓ‚≈‚ÓÔÂÈÒÍÓÈ ñ œÓËÚÓ„‡ÏÓÔÓÒ‡ÍËÌӂ‰ӂÏˇ ñ ¡Óθ¯‡ˇÔÂÏËˇÃ‘ÙËθÏÓ‚Ó· ñ œÓ˜ÂÚÌ˚ȉËÔÎÓÏÃü‘‚¡Â΄‡‰Â, ñ ´’ÛÒڇθ̇ˇÁ‚ÂÁ‰‡ªÔÂÏˡ ñ œÂÏËˇÙ‡ÌˆÛÁÒÍÓÈÍËÚËÍË´œËÁ ñ ŒÒÓ·˚ÈÔËÁ‘»œ–≈——»Ãü‘‚ ANDREI RUBLEV ¿Õƒ–≈… –”¡À≈¬ ÙËθÏÓ‚ ÏËÓ‚Ó„Ó ÍËÌÓ(8-ÂÏÂÒÚÓ). ÙËÎ¸Ï ‚Ó¯Â΂‰ÂÒˇÚÍÛ ÎÛ˜¯Ëı ¿Í‡‰ÂÏËË ÍËÌÓËÚÂ΂ˉÂÌˡ(1995) ÒÚ‡ ÎÛ˜¯ËıÙËθÏÓ‚; (1978) ͇ÚË̇‚Íβ˜Â̇‚˜ËÒÎÓ Ó ıÛ‰ÓÊÌË͇ı‚¿ÁÓÎÓ,1973; ËÒÍÛÒÒÚ‚Â Ë·ËÓ„‡Ù˘ÂÒÍËıÙËθÏÓ‚ 1973; “‡ÍÓ‚ÒÍÓÈ); ‡ÍÚËÒ »Ï–‡Û¯(»ËÌ ‘‡ÌˆÛÁÒÍÓÈ ÍËÌӇ͇‰ÂÏËËñ ‘‡ÌˆËË ‚1969„Ó‰Û; ‰ÂÏÓÌÒÚËÓ‚‡‚¯ÂÏÛÒˇ ̇˝Í‡Ì‡ı ËÌÓÒÚ‡ÌÌÓÏÛ ÙËθÏÛ, ÀÂÓ̇ ÃÛÒÒË͇̇ªñÎÛ˜¯ÂÏÛ Û˜‡ÒÚ‚Ó‚‡ÎË); (ÙËθÏ˚ ———–‚ÍÓÌÍÛÒÂÌ ü‡ÌÌÂ, 1969:´ƒ‚ẨÂÎËÂÊËÒÒÂÓ‚ª »Ì̇ «ÂÎÂ̈ӂ‡ ¿Ì‡ÚÓÎËÈ —ÓÎÓÌˈ˚Ì, ¬‡‰ËÏ fiÒÓ‚ ¿Ì‰ÂÈ “‡ÍÓ‚ÒÍËÈ Àˉˡ ÕÓ‚Ë, ≈‚„ÂÌËÈ ◊ÂÌˇÂ‚, ¬ˇ˜ÂÒ·‚ Œ‚˜ËÌÌËÍÓ‚ ´ÃÓÒÙËθϪ ¿Ì‰ÂÈ ñ Accordingtoasurveyofmembers of ñ Accordingtoasurveyoffilmscholars ñ GrandPrixoftheFestivalFilms ñ HonoraryDiplomaoftheIFF ñ ìCrystalStarîPrizeoftheFrench ñ FrenchCriticsíPrizeìPrixL?on ñ SpecialFIPRESCIPrizeIFF Production Tamara Ogorodnikova Executive Director Saveli Yamshchikov Slava Tsarev,NikolaiGlazkov, Nikolai Kutuzov,NelliSnegina, Bolot Beishenaliev,VolodiaTitov, Irina Miroshnichenko, Mikhail Kononov,StepanKrylov, Rolan Bykov,NikolaiGrabbe, Yuri Nazarov,Nikulin, Irma Rausch,NikolaiBurliaev, Nikolai Grinko,Sergeev, Cast: Sound Composer Maya Abar-Baranovskaya Costume Design Ippolit Novoderezhkin,SergeiVoronkov Production Design Director ofPhotography Director Andrei Tarkovsky Scriptwriters 185 min.,col.&b/w,1:1.85 1966 (release24Dec.1971),USSR, top tenofworldcinema (8thplace). TV (1995)thefilmranksamong the EuropeanAcademyofFilmand among thebesthundredfilms; around theworld(1978)filmis about ArtandArtistsinAsolo,1973; Belgrade, 1973; Rausch (IrinaTarkovskaya); Film AcademyfortheactressIrma film onFrenchscreensin1969; Moussinacî ñforthebestforeign competition); r?alisateursî (noSovietfilmsin Cannes, 1969:ìQuinzainedes Anatoli Solonitsyn,IvanLapikov, Inna Zelentsova Andrei Tarkovsky Viacheslav Ovchinnikov Mosfilm Andrei Konchalovsky, Lydia Novi, (´—Ú‡ÒÚË ÔÓ¿Ì‰Â˛ª) Evgeni Chernyaev, Vadim Yusov “‡ÍÓ‚ÒÍËÈ. ۷΂ÒÍÛ˛ ´“Óˈ۪ªñ¿Ì‰ÂÈ Ú‡Ú‡ÒÍÓ„Ó Ë„‡Ó‰Ë·„ÂÌˇθÌÛ˛ ˝ÔÓıÛ ‰ËÍËıÏÂʉÓÛÒÓ·ËˆË Í‡Í Ì‡Ó‰Ì‡ˇÚÓÒ͇ÔÓ·‡ÚÒÚ‚Û‚ ÙËÎ¸Ï ‰ÓÎÊÂÌ·Û‰ÂÚ‡ÒÒ͇Á‡Ú¸ÓÚÓÏ, ˆÂÌÌÓÒÚË Ó„ÓÏÌÓ„ÓÁ̇˜ÂÌˡ.›ÚÓÚ ıÛ‰ÓÊÌË͇, ÒÓÁ‰‡˛˘Â„ÓÏӇθÌ˚ ÒÓÒÚÓˇÌˡ Ë„‡Ê‰‡ÌÒÍËı˜Û‚ÒÚ‚ ËÌÚÂÂÒÛÂÚ ‡Ì‡ÎËÁ‰Û¯Â‚ÌÓ„Ó ÛÒÒÍÓ„Ó ÊË‚ÓÔËÒˆ‡...Õ‡ÒÚ‡ÍÊ ı‡‡ÍÚ‡ ÔÓ˝Ú˘ÂÒÍÓ„Ó‰‡‡‚ÂÎËÍÓ„Ó ËÌÚÂÂÒÛÂÚ ‰Û„ÓÂ:ËÒÒΉӂ‡ÌË ·ËÓ„‡Ù˘ÂÒÍÓ„Ó Ê‡Ì‡.Õ‡Ò Â¯ÂÌ ‚‰ÛıÂËÒÚÓ˘ÂÒÍÓ„ÓËÎË ´...ÙËÎ¸Ï ÌË‚ÍÓÂÏÒÎÛ˜‡ÂÌ·ۉÂÚ ÊË‚ÓÔËÒˆ‡. –۷΂‡, ‚ÂÎËÍÓ„ÓÛÒÒÍÓ„Ó ÃË ËÚ‚Ó˜ÂÒ͇ˇÒÛ‰¸·‡¿Ì‰Âˇ Trinityî ñAndreiTarkovsky. gave birthtoRublevísingenious epoch ofcivilwarsandtheTataryoke melancholy forbrotherhoodduringthe should explainhowthenational important moralvalues.Thisfilm of anartistwhocreatedhugely spiritual conditionandthecivilfeelings interested alsointheanalysisofhis this greatRussianpainter...Weare characterís searchforthepoeticgiftof interested insomethingelse:the historical orbiographicalgenre.Weare ìThe filmwillnotatallbemadeinthe Russian painterAndreiRublev. The worldandcreativelifeofthegreat million spectators. Distribution (1959,12thplace)ñ30.1 his regimentforthefinalbattle. minuteî, inordertoreturntime manages todropinathomeìfora and reachherdestination.Heonly he helpsagirlhideinthetraincarriage mother. Onthewaytohisnativevillage gets twodaysleavetogoandseehis accomplished afeatinhisfirstfight, soldier AleshaSkvortsov,who The GreatPatrioticWar.young Lyrical drama. ÁËÚÂÎÂÈ. œÓÍ‡Ú (1959,12-ÂÏÂÒÚÓ)ñ30.1ÏÎÌ. Ë ÔËÏÂÚÔÓÒΉÌËÈ·ÓÈ. ÏËÌÛÚÍÛª, ‚ÒÓÍ‚ÂÌÂÚÒˇÒ‚ÓÈÔÓÎÍ ƒÓÏÓÈ ÓÌÒÏÓÊÂÚÁ‡ÒÍÓ˜ËÚ¸Î˯¸´Ì‡ Ë ÔÓÂı‡Ú¸‰ÓÌÛÊÌÓÈÂÈÒڇ̈ËË. ÔÓÏÓ„‡ÂÚ ‰Â‚Û¯ÍÂÒÔˇÚ‡Ú¸Òˇ‚‚‡„ÓÌ œÓ ÔÛÚË‚Ó‰ÌÛ˛‰ÂÂ‚Ì˛ÓÌ Â‰ÂÚ ‚‰‚Ûı‰Ì‚Ì˚ÈÓÚÔÛÒÍÍχÚÂË. Òӂ¯˂¯ËÈ ÔÓ‰‚Ë„‚Ô‚ÓÏ·Ó˛, ÃÓÎÓ‰ÓÈ ÒÓΉ‡Ú¿Î¯‡—Í‚ÓˆÓ‚, ¬ÂÎË͇ˇ ŒÚ˜ÂÒÚ‚ÂÌ̇ˇ‚ÓÈ̇. ÀˢÂÒ͇ˇ ‰‡Ï‡. BALLAD OFASOLDIER ¡¿ÀÀ¿ƒ¿ Œ—ŒÀƒ¿“≈ ñ œÂÏˡ´«ÓÎÓÚÓÈ Î‡‚ª,Û˜ÂʉÂÌ̇ˇ‡ÏÂË͇ÌÒÍËÏ ñ œÂÏˡ´ƒ‡‚ˉ‰ËƒÓ̇ÚÂÎÎÓª(1960, Û‰ÓÒÚÓÂÌ√.◊Ûı‡È)Ë ñ œËÁ´’‡ÎËÒÍÓª(´—·ˇÌÓÂÒÓÏ·ÂÓª) ñÃü‘‚ÃÂÍÒËÍÂ, ñ —·ˇÌ‡ˇÏ‰‡Î¸Á‡ÂÊËÒÒÛÛ ñ Ãü‘‚“„‡ÌÂ,1960; ñ √‡Ì-ÔËÁ‡ÂÊËÒÒÛÛÃü‘‚ ÀÓ̉ÓÌÂ,1960; ñ œÓ˜ÂÚÌ˚ȉËÔÎÓÏËÔÂÏˡ‡ÒÒӈˇˆËËËڇθˇÌÒÍËı ñ œÂÏˡÔÓθÒÍÓÈÍËÚËÍË´¬‡¯‡‚Ò͇ˇÒËÂ̇ª,1960; ñ œËÁ´«ÓÎÓÚ˚‚ÓÓÚ‡ª(Ô‚‡ˇÔÂÏˡ)Ãü‘‚—‡Ì- ñ ¡Óθ¯‡ˇÔÂÏˡüËÌÓÙÂÒÚË‚‡Î¸ÚÛ‰ˇ˘ËıÒˇ‚ ñ œÂ‚‡ˇÔÂÏˡÁ‡ÙËθÏ,Ô‚‡ˇÂÊËÒÒÛÛ, ñ œÂÏˡÁ‡ÎÛ˜¯Û˛ÍÓÌÍÛÒÌÛ˛ÔÓ„‡ÏÏÛÙËθÏÓ‚(Ò ñ ÀÂÌËÌÒÍËÂÔÂÏËË(1961,Û‰ÓÒÚÓÂÌ˚ÂÊËÒÒÂ√Ë„ÓËÈ ÍËÌÓÙÂÒÚË‚‡ÎÂÈ Ïˇ: 107 ÔËÁÓ‚,ÔÂÏËÈˉËÔÎÓÏÓ‚ „ÛχÌËÒÚ˘ÂÒÍÓ ÒÓ‰ÂʇÌËÂ, 1962,ˉ. ÔÓ‰˛ÒÂÓÏ ƒ˝‚ˉÓÏ Œ.—ÂÎÁÌËÍÓÏÁ‡‚˚ÒÓÍÓ üÎÛ·‡ ÓÚÍ˚Ú˚ı‰‚ÂÂÈ,»Ú‡Îˡ, 1960; ̇ ÂÊ„ӉÌÓÏÂÙÂẨÛϘÎÂÌÓ‚ÃÂʉÛ̇ӉÌÓ„Ó ÍÎÛ·‡Ë ÔÂÏˡ ´—‡Ì¬ËÌÒÂÌÚªÎÛ˜¯ÂÏÛ‡ÍÚÂÛ „Ó‰‡(¬.»‚‡¯Ó‚) 1960; ÍËÌÓÍËÚËÍÓ‚ ´—·ˇÌ‡ˇÎÂÌÚ‡ªñÃü‘‚ÃË·ÌÂ,1960; ‘‡ÌˆËÒÍÓ, 1960; ◊ÂıÓÒÎÓ‚‡ÍËË, 1960; ÔÂÏˡ ÍËÌÓÍËÚËÍËñ¬ü‘‚ÃËÌÒÍÂ,1960; ‰Îˇ ÏÓÎÓ‰ÂÊËñÃü‘‚ü‡ÌÌÂ,1960; ÙËθÏÓÏ ´ƒ‡Ï‡ÒÒÓ·‡˜ÍÓȪ)ËÔÂÏˡÁ‡ÎÛ˜¯ËÈÙËÎ¸Ï ◊Ûı‡È ËÒˆÂ̇ËÒڬ·‰ËÏË≈ÊÓ‚); œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ —ÓÍÓÎÓ‚‡, ÕË̇ÃÂ̸¯ËÍÓ‚‡ fiχÚÓ‚, ≈‚„ÂÌËÈ“ÂÚÂËÌ,À˛·Ó‚¸ ÃÛ‡ÚÓ‚, ¬Î‡‰ËÏËü‡¯ÔÛ,√ÂÓ„ËÈ üÛÁ̈ӂ, √ÂÌ̇‰ËÈfiıÚËÌ,–‡‰Ì˝ ÇË̇ üÂÏÌ‚‡,¿ÎÂÍ҇̉ ¬‡ÎÂÌÚË̇ “Â΄Ë̇,À‚¡ÓËÒÓ‚, ≈‚„ÂÌËÈ ”·‡ÌÒÍËÈ,›Î¸Á‡ÀÂʉÂÈ, ÇÍÒËÏÓ‚‡, ÕËÍÓ·Èü˛˜ÍÓ‚, Δ‡Ì̇ œÓıÓÂÌÍÓ,¿ÌÚÓÌË̇ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ›‡ —‡‚Â肇 ŒÔ‡ÚÓ˚ –ÂÊËÒÒ √Ë„ÓËÈ ◊Ûı‡È ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 89 ÏËÌ.,˜/·,1:1.37 1959 (‚˚Ô.01.12.1959),———–, ¬ÂÌˇÏËÌ ü˯ÂÌ·‡ÛÏ ¬Î‡‰ËÏË »‚‡¯Ó‚, √Ë„ÓËÈ ◊Ûı‡È À˛‰ÏË· –ˇ¯Â̈‚‡ ¡ÓËÒ ÕÂϘÂÍ ¬Î‡‰ËÏË ÕËÍÓ·‚, ÃËı‡ËÎ «Ë‚ ´ÃÓÒÙËθϪ ¬‡ÎÂÌÚËÌ ≈ÊÓ‚, œ‡‚ÂÎ ƒ‡ÌËθˇÌˆ ñ PrizeìGoldenLaurelî,foundedby the AmericanproducerDavid ñ PrizeìDaviddiDonatelloî(1960, awarded toG.Chukhrai)and ñ PrizeJalisco(ìSilverSombreroî) IFFinMexico,1960; ñ SilverMedalfordirectionIFFinTeheran,1960; ñ GrandPrixfordirectionIFFinLondon,1960; ñ HonoraryDiplomaandPrizeoftheAssociationItalianFilm ñ PrizeofPolishCriticsìWarsawSirenî,1960; ñ ìGoldenGateî(mainprize)IFFinSanFrancisco,1960; ñ GrandPrixattheFilmFestivalofWorkersinCzechoslovakia, ñ FirstPrizeforbestfilm,director,andfilmcriticsí ñ PrizefortheBestCompetitionProgramme(withìLadywith ñ LeninPrize(1961,directorGrigoriChukhraiandscriptwriter festivals aroundtheworld: 107 prizes,awardsanddiplomasatfilm O. Selznick,forhighhumanisticcontents, 1962,etc. and theClubofOpenDoors,Italy,1960; at theannualreferendumofmembers oftheInternationalClub ìSan Vincentîprizetothebestactor oftheyear(V.Ivashov) Critics ìSilverTapeîñIFFinMilan,1960; 1960; award ñAll-UnionFFinMinsk,1960; Lapdogî) andBestYouthFilmñIFFinCannes,1960; Vladimir Ezhov); Production Executive Director Nina Menshikova Evgeni Teterin,LiubovSokolova, Vladimir Kashpur,GeorgiYumatov, Gennadi Yukhtin,RadnerMuratov, Kremneva, AlexanderKuznetsov, Telegina, LevBorisov,Marina Urbansky, ElsaLezhdei,Valentina Maximova, NikolaiKriuchkov,Evgeni Zhanna Prokhorenko,Antonina Cast: Sound Composer Costume Design Production Design Nikolaev, EraSavelieva Directors ofPhotography Director Chukhrai Scriptwriters min., b/w,1:1.33 1959 (release1Dec.1959),USSR,89 Vladimir Ivashov, Veniamin Kirshenbaum Grigori Chukhrai Mikhail Ziv Mosfilm Valentin Ezhov,Grigori Liudmila Riashentseva Boris Nemechek Pavel Daniliants Vladimir
127 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 128 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ ¿·‡ÏÓ‚‡ “‡Ï‡‡ –¯ÂÚÌËÍÓ‚‡,Õ‡Ú‡¯‡ fi‡ —‚ÂÌÚËÍÓ‚,“‡Ï‡‡Œ„ÓÓ‰ÌËÍÓ‚‡, fiËÈ Õ‡Á‡Ó‚,‘ËÎËÔÔflÌÍÓ‚ÒÍËÈ, ¿Î· ƒÂÏˉӂ‡,À‡ËÒ‡“‡ÍÓ‚Ò͇ˇ, —ÓÎÓÌˈ˚Ì, ÕËÍÓ·È√Ë̸ÍÓ, ¿ÒÂÌËÈ “‡ÍÓ‚ÒÍËÈ(„ÓÎÓÒ),¿Ì‡ÚÓÎËÈ »ÌÌÓÍÂÌÚËÈ —ÏÓÍÚÛÌÓ‚ÒÍËÈ(„ÓÎÓÒ), »„Ì‡Ú ƒ‡ÌËθˆÂ‚,ŒÎ„flÌÍÓ‚ÒÍËÈ, ¬ ÓΡı: «‚ÛÍ œÂ„ÓÎÂÁË, √ÂÌËœÂÒÂÎÎ »ÒÔÓθÁÛÂχˇ ÏÛÁ˚͇ üÓÏÔÓÁËÚÓ ¿‚ÚÓ ÒÚËıÓ‚ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ Ã˯‡ËÌ, ¿Ì‰ÂÈ“‡ÍÓ‚ÒÍËÈ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ÏËÌ., ˆ‚.+˜/·,1:1.37 1974 (‚˚Ô.07.03.1975),———–,108 MIRROR «≈–ü¿ÀŒ —ÂÏÂÌ ÀËÚ‚ËÌÓ‚ Ç„‡ËÚ‡ “ÂÂıÓ‚‡, √ÂÓ„ËÈ –·„ ¿Ì‰ÂÈ “‡ÍÓ‚ÒÍËÈ Õ˝ÎÎË ‘ÓÏË̇ ÕËÍÓÎ‡È ƒ‚Ë„Û·ÒÍËÈ ›‰Û‡‰ ¿ÚÂϸ‚ ¿ÒÂÌËÈ “‡ÍÓ‚ÒÍËÈ ´ÃÓÒÙËθϪ ¿ÎÂÍ҇̉ ›ËÍ ¬‡Èҷ„ ».-—. ¡‡ı, Production Executive Director Natasha Abramova Ogorodnikova, TamaraReshetnikova, Yankovsky, YuraSventikov,Tamara Tarkovskaya, YuriNazarov,Filipp Grinko, AllaDemidova,Larissa (voice), AnatoliSolonitsyn,Nikolai Smoktunovsky (voice),ArseniTarkovsky Daniltsev, OlegYankovsky,Innokenti Cast: Sound Pergolesi, HenryPurcell Music by Composer Verses by Costume Design Production Design Director ofPhotography Director Andrei Tarkovsky Scriptwriters 108 min.,col.&b/w,1:1.37 1974 (release7March1975),USSR, Margarita Terekhova,Ignat Semen Litvinov Andrei Tarkovsky J. S.Bach,Giovanni Eduard Artemiev Arseni Tarkovsky Mosfilm Alexander Misharin, Nelli Fomina Nikolai Dvigubsky Eric Vaisberg Georgi Rerberg “‡ÍÓ‚ÒÍËÈ. ·ÂÒÔÓÍÓÈÒÚ‚Ó...ª ñ¿Ì‰ÂÈ Óʉ‡˛Ú ‚ÌÂÏÚÓÒÍÛË ÔÓ Ô˘ËÌˇ˛ÚÂÏÛÒÚ‡‰‡Ìˡ, ÓÌ ‚ÒÔÓÏË̇ÂÚÔ‰ÒÏÂÚ¸˛,‰ÓÒËı ‰ËÍÚÓÒÍËÈ ÚÂÍÒÚ...›ÔËÁÓ‰˚,ÍÓÚÓ˚ ÏÓÊÂÚ ·˚Ú¸,˜ÂÎÓ‚ÂÍ,ÔÓËÁÌÓÒˇ˘ËÈ ‡ÒÒ͇Á˜ËÍ, ÏÓÊÂÚ·˚Ú¸,ÏÓÌÚ‡ÊÂ, „ÂÓÈ Í‡ÚËÌ˚ñ‡‚ÚÓ,ÌÂÍÚÓ, Ì‚ÓÒÔÓÎÌËÏÓÏ ˜Û‚Òڂ‰Ó΄‡.ƒÎˇÌ‡Ò ‚˜ÌÓÈ Ê‡ÎÓÒÚËÍÌËÏË ÏÓËı ‚Á‡ËÏÓÓÚÌÓ¯ÂÌˡıÒÌËÏË,Ó Ò‚ˇÁ‡ÌÌ˚ı Ò·ÎËÁÍËÏËβ‰¸ÏË,Ó Ì ÓÒ·Â,‡Ò‚ÓËı˜Û‚ÒÚ‚‡ı, ´¬ ´«Â͇ΪÏÌÂıÓÚÂÎÓÒ¸‡ÒÒ͇Á‡Ú¸ ̇Á‚‡ÌË ñ´¡ÂÎ˚È,·ÂÎ˚ȉÂ̸ª). ‘ËθÏ-‡ÁÏ˚¯ÎÂÌË (‡·Ó˜Â and anxiety...îñAndreiTarkovsky. suffering; theygiverisetomelancholy recollects beforehisdeathcausehim narrator... Theepisodeswhichhe teller ñmaybe,aneditora hero isanauthor,asomebody,story- irreplaceable feelingofduty.Thefilmís eternal compassionforthemandthe my relationshipwiththem,about connected withpeopleclosetome,about about myself,butthefeelings ìIn MirrorIwouldliketotalknot ìWhite, WhiteDayî). A filmicreflection(workingtitle entitled ìChiefof Operationsî(1982). The firstversionofthefilmwas The filmhadalimitedrelease. returned toUchanskÖ. but hehasrunfromprisonand Soloviev hadalreadybeensentenced, brutal, slyandruthlessmurderer. March tocatchSolovievísgang,a Lapshin chasedaroundthedistrictuntil sworn enemies.Duringthewinter indifference. Hehadtruefriendsand perhaps toostrictly,butneverwith what hadtobedone,andhediditwell: walk inthisgardenî.Healwaysdid garden andstillhavetimetotakea clean theground,weshallplanta liked tosay:ìnevermind,weshall War hecommandedasquadron.He terrible dramas,andduringtheCivil Leningrad. Heparticipatedinmany provincial townUchanskusedtolivein investigation departmentofthesmall Lapshin, thechiefofcriminal In the1930s,beforeWar.Ivan German. Film-story basedontheproseofYuri ´Õ‡˜‡Î¸ÌËÍ ÓÔ„ÛÔÔ˚ª(1982). œÂ‚˚È ‚‡Ë‡ÌÚÙËθχñ ÔÓ͇ÚÂ. ‘ËÎ¸Ï ‚˚¯Â΂ӄ‡Ì˘ÂÌÌÓÏ ‚ÂÌÛÎÒˇ ̇Á‡‰ñ‚”˜‡ÌÒÍ... ·˚Î ÓÒÛʉÂÌ,ÌÓËÁÚ˛¸Ï˚·ÂʇÎË ·ÂÒÔÓ˘‡‰ÌÓ„Ó Û·ËȈÛ.—ÓÎÓ‚¸Â‚ÛÊ ·‡Ì‰Û —ÓÎÓ‚¸Â‚‡,ÊÂÒÚÓÍÓ„Ó,ıËÚÓ„ÓË ‰Ó χڇÏÓÚ‡ÎÒˇÔÓ‡ÈÓÌÛñÎÓ‚ËÎ Á‡ÍΡÚ˚ ‚‡„Ë.¬˝ÚÛÁËÏÛÀ‡Ô¯ËÌ ·˚ÎÓ. ”Ì„ӷ˚ÎË‚ÂÌ˚‰ÛÁ¸ˇË ÊÂÒÚÍÓ, ÌÓ‡‚ÌÓ‰Û¯ËˇÌËÍÓ„‰‡Ì ıÓÓ¯Ó. ÃÓÊÂÚ·˚Ú¸,ËÁÎ˯Ì ÚÓ, ˜ÚÓ‰ÓÎÊÂÌ·˚ΉÂ·ڸ,ˉ·ΠÔÓ„ÛΡڸ ‚˝ÚÓÏÒ‡‰Ûª.ŒÌ‚Ò„‰‡‰Â·ΠÔÓÒ‡‰ËÏ Ò‡‰˚Ë¢ÂÒ‡ÏËÛÒÔÂÂÏ „Ó‚ÓËÚ¸: ´Õ˘„Ó,‚˚˜ËÒÚËÏÁÂÏβ, ÍÓχ̉ӂ‡Î ˝Ò͇‰ËθÂÈ.ŒÌβ·ËÎ ÊÛÚÍËı ‰‡Ï,‡‚√‡Ê‰‡ÌÒÍÛ˛ ÀÂÌËÌ„‡‰Â, ·˚ÎÛ˜‡ÒÚÌËÍÓÏÏÌÓ„Ëı „ÓӉ͇ ”˜‡ÌÒ͇,‡Ì¸¯ÂÊË΂ Û„ÓÎÓ‚ÌÓ„Ó ÓÁ˚Ò͇ÔÓ‚Ë̈ˇθÌÓ„Ó ‚ÓÈÌ˚. »‚‡ÌÀ‡Ô¯ËÌ,̇˜‡Î¸ÌËÍ ›ÚÓ ·˚ÎÓ‚Úˉˆ‡Ú˚ÂñÂ˘Â‰Ó üËÌÓÔÓ‚ÂÒÚ¸ ÔÓÔÓÁÂfiˡ√Âχ̇. MY FRIENDIVANLAPSHIN (´Õ‡˜‡Î¸ÌËÍ ÓÔ„ÛÔÔ˚ª) ÃŒ… ƒ–”√»¬¿ÕÀ¿œÿ»Õ ñ √ÓÒÛ‰‡ÒÚ‚ÂÌ̇ˇÔÂÏˡ–—‘—– ñ œËÁÊ˛Ë´¡ÓÌÁÓ‚˚ÈÎÂÓÔ‡‰ª, œÓËÁ‚Ó‰ÒÚ‚Ó √ÓÓ¯ÌËÍÓ‚‡, ¬ËÍÚÓ»Á‚ÂÍÓ‚ ƒËÂÍÚÓ˚ ͇ÚËÌ˚ “ÂÍÒÚ ˜ËÚ‡ÂÚ ”Ò‡ÚÓ‚‡ ƒÛ‰‡ÂÌÍÓ, —ÂÏÂÌ‘‡‡‰‡,ÕË̇ ¿Ì‡ÚÓÎËÈ —ÎË‚ÌËÍÓ‚,¿Ì‰ÂÈ üÛÁ̈ӂ, ¬‡ÎÂËÈ‘ËÎÓÌÓ‚, ¿ÎÂÍ҇̉ ‘ËÎËÔÔÂÌÍÓ,fiËÈ Δ‡ÍÓ‚, «Ë̇ˉ‡¿‰‡Ïӂ˘, –ÛÒ·ÌÓ‚‡, ¿Ì‰ÂÈÃËÓÌÓ‚,¿ÎÂÍÒÂÈ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 1984, ———–,100ÏËÌ.,˜/·+ˆ‚.,1:1.66 ıÛ‰ÓÊÌËÍ fi.œÛ„‡˜). ‡ÍÚÂ˚ ¿.¡ÓÎÚÌ‚ËÕ.–ÛÒ·ÌÓ‚‡, ¿.√ÂχÌ, ÓÔ‡ÚÓ¬.‘‰ÓÒÓ‚, ÒˆÂ̇ËÒÚ ›.¬ÓÎÓ‰‡ÒÍËÈ,ÂÊËÒÒ ËÏÂÌË ¡‡Ú¸Â‚¬‡ÒËθ‚˚ı(1987, ¿Ú‡Ë‡ ñÃü‘¬ÀÓ͇ÌÓ,1986; ÔËÁ ‘»œ–≈——»,›ÌÂÒÚ‡ ÕËÍÓÎ‡È ¿ÒÚ‡ıÓ‚ ¿Ì‰ÂÈ ¡ÓÎÚÌ‚,ÕË̇ ¬‡ÎÂËÈ ‘‰ÓÒÓ‚ ¿ÎÂÍÒÂÈ √ÂÏ‡Ì √‡ÎË̇ ƒÂ‚‡ fiËÈ œÛ„‡˜ ¿Í‡‰ËÈ √‡„Û·¯‚ËÎË ¬‡ÎÂËÈ üÛÁËÌ ´ÀÂÌÙËθϪ ›‰Û‡‰ ¬ÓÎÓ‰‡ÒÍËÈ ¬‡ÎÂÌÚË̇ ñ ìVasilievBrothersîStatePrizeofthe ñ JuryPrizeìBronzeLeopardî, Production Valentina Goroshnikova,ViktorIzvekov Executive Directors Narrator Usatova Dudarenko, SemenFarada,Nina Filonov, AnatoliSlivnikov,Andrei Filippenko, YuriKuznetsov,Valeri Zinaida Adamovich,Alexander Andrei Mironov,AlexeiZharkov, Cast: Sound Composer Costume Design Production Design Director ofPhotography Director Scriptwriter 1984, USSR,100min.,b/w&col.,1:1.66 designer Yu.Pugach). A. BoltnevandN.Ruslanova, cinematographer V.Fedosov,actors Volodarsky, directorA.German, RSFSR (1987,scriptwriterE. Prize ñIFFinLocarno,1986; FIPRESCI award,ErnestArtaria Andrei Boltnev,NinaRuslanova, Nikolai Astakhov Alexei German Valeri Kuzin Arkadi Gagulashvili Lenfilm Eduard Volodarsky Galina Deeva Yuri Pugach Valeri Fedosov
129 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 130 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ ‘ËθςӯÂ΂´ÔˇÚÂÍÛÎÛ˜¯Ëı ñ ŒÒÓ·˚ÂÛÔÓÏË̇Ìˡ‘»œ–≈——»Ë ñ ÀÛ˜¯ËÈÙËθÏ1974„Ó‰‡,¬‡ÒËÎËÈ ñ œËÁÔÓθÒÍËıÍËÌÓÍËÚËÍÓ‚ ñ √·‚̇ˇÔÂÏˡÙËθÏÛ, œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ Շڇθˇ √‚ÓÁ‰ËÍÓ‚‡ ¿Ì‡ÚÓÎËÈ √Ó·ÂÌÍÓ,ÕËÍÓ·È√‡··Â, ŒÎ„ üÓ˜ËÍÓ‚,»ˇ¿ÂÔË̇, “‡Ú¸ˇÌ‡ √‡‚ËÎÓ‚‡,¿ÚÛÇ͇ӂ, ÕËÍÓÎ‡È œÓ„Ó‰ËÌ,√ÂÓ„ËÈ¡ÛÍÓ‚, Δ‡Ì̇ œÓıÓÂÌÍÓ,À‚ƒÛÓ‚, ŒÙËÏˡ ¡˚ÒÚÓ‚‡, ¿ÎÂÍÒÂÈ ¬‡ÌËÌ,Ã‡Ëˇ¬ËÌÓ„‡‰Ó‚‡, »‚‡Ì –˚ÊÓ‚,Ã‡Ëˇ—Í‚ÓˆÓ‚‡, Àˉˡ ‘‰ÓÒ‚‡-ÿÛͯË̇, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¬‡ÒËÎËÈ ÿÛͯËÌ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 108 ÏËÌ.,ˆ‚. 1973 (‚˚Ô.25.03.1974),———–, THE REDGUELDERBERRY ü¿À»Õ¿ ü–¿—Õ¿fl fi„ÓÒ·‚ˡ. ÙËθÏÓ‚ª Ãü‘‘≈—“-1975, «‡Ô‡‰ÌÓÏ ¡ÂÎËÌÂ,1975; ÔÓ͇Á‡Ì ‚ÌÂÍÓÌÍÛÒ‡)ñÃü‘‚ ˝ÍÛÏÂÌ˘ÂÒÍÓ„Ó Ê˛Ë(ÙËθϷ˚Î ÓÔÓÒÛ ÊÛ̇·´—Ó‚ÂÚÒÍËÈ˝Í‡Ìª; ÿÛͯËÌ ÎÛ˜¯ËȇÍÚ„Ӊ‡ñÔÓ ÔÓ͇Á‡ÌÌ˚È ‚œÓθ¯Â; ËÌÓÒÚ‡ÌÌ˚È ÙËθÏ1973„Ó‰‡, ´¬‡¯‡‚Ò͇ˇ ÒËÂ̇ªÁ‡ÎÛ˜¯ËÈ (¬.ÿÛͯËÌ) ñ¬ü‘‚¡‡ÍÛ,1974; ÔËÒ‡ÚÂΡ, ÂÊËÒÒ‡ˇÍÚ‡ª Ò‡ÏÓ·˚ÚÌ˚È, ˇÍËÈڇ·ÌÚ ÔÂÒÓ̇θ̇ˇ ÔÂÏˡ´«‡ ¬ËÍÚÓ ¡ÂΡӂ ¬‡ÒËÎËÈ ÿÛͯËÌ, ¿Ì‡ÚÓÎËÈ «‡·ÓÎÓˆÍËÈ ¿Î· ƒÓÍÛ˜‡Â‚‡ »ÔÔÓÎËÚ ÕÓ‚Ó‰ÂÂÊÍËÌ œ‡‚ÂÎ ◊Â͇ÎÓ‚ ´ÃÓÒÙËθϪ √ÂÏ‡Ì ü˚ÎÓ‚ ñ filmincludedintheìfivebestfilmsî ñ SpecialMentionofFIPRESCIand ñ BestFilmof1974,VasiliShukshinas ñ PrizeofPolishFilmCriticsìWarsaw ñ MainPrizeforthefilm,personal Production Executive Director Nikolai Grabbe,NataliaGvozdikova Iya Arepina,AnatoliGorbenko, Arthur Makarov,OlegKorchikov, Georgi Burkov,TatianaGavrilova, Lev Durov,NikolaiPogodin, Ofimia Bystrova,ZhannaProkhorenko, Alexei Vanin,MariaVinogradova, Ivan Ryzhov,MariaSkvortsova, Lidia Fedoseeva-Shukshina, Cast: Sound Composer Costume Design Novoderezhkin Production Design Zabolotsky Director ofPhotography Vasili Shukshin Scriptwriter andDirector 108 min.,col. 1973 (release25March1974),USSR, IFF FESTin1975,Yugoslavia. Berlin, 1975; out ofcompetition)ñIFFWest the EcumenicalJury(filmscreened Screenî; a surveyofthejournalìSoviet best actoroftheyearñaccordingto 1973 showninPoland; Sirenî forthebestforeignfilmof 1974; Shukshin) ñFilmFestivalinBaku, of thewriter,directorandactorî(V. prize ìfortheoriginal,brillianttalent Vasili Shukshin, Viktor Beliarov Pavel Chekalov Mosfilm Alla Dokuchaeva Ippolit German Krylov Anatoli 62.5 ÏÎÌ.ÁËÚÂÎÂÈ. Àˉ ÔÓ͇ڇ(1974,2-ÂÏÂÒÚÓ)ñ „Ó... Á̇ÂÚ Ó„ÓÔÓ¯ÎÓÈÊËÁÌËËβ·ËÚ Ì‡ ˝ÚÓÈÁÂÏΘÂÎÓ‚ÂÍ,ÍÓÚÓ˚È‚Ò ·Û‰ÂÚ ÊËÚ¸,ÓÌÒ˜‡ÒÚÎË‚,˜ÚÓ̇¯ÂÎÒˇ Ò‰ˆÂÏ, ÓÌÁ̇ÂÚ,‡‰Ë˜Â„ÓÚÂÔ¸ ÔÓ¯Î˚Ï. ŒÌÔÓβ·ËÎÀ˛·Û‚ÒÂÏ Ë Ó̯‡ÂÚ̇‚Ò„‰‡ÔÓ‚‡Ú¸Ò ‰Â‚Ì ۯËÚ‚ÒÂÔ·Ì˚œÓÍÛ‰Ë̇, ÔÂÂʉ‡Ú¸ ËÓÒÏÓÚÂÚ¸Òˇ.ÕÓÊËÁ̸‚ ÔÂÂÔËÒ˚‚‡ÎÒˇ, ñ‚‰¸Ì‡‰ÓÌÂÏÌÓ„Ó ¡‡È͇ÎÓ‚‡, ÒÍÓÚÓÓÈÓÌ ÊË‚ÂÚ ÒËÌ„·Á‡ˇÌÂÁ̇ÍÓÏ͇À˛·‡ Á‡Íβ˜ÂÌËË, ‰ÂÚ‚‰ÂÂ‚Ì˛,„‰Â ÒÛ‰¸·˚, ÏÌÓ„ÓÎÂÚÔÓ·˚‚¯ËÈ‚ ≈„Ó œÓÍÛ‰ËÌ,˜ÂÎÓ‚ÂÍÔÓÚ¡ÌÌÓÈ ƒ‡Ï‡/ “‡„˘ÂÒ͇ˇÏÂÎÓ‰‡Ï‡. ñ 62.5millionspectators. 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Klavdiyaisputupinthe refused tocarryoutanabortionevenat her horse,afterwhichtimethedoctor three monthsshedidnotdismountfrom She didnotwanttokeepthechild:for Klavdiya Vavilovashouldgivebirth. between thefighting,Commissar southern town.Here,inabreak The CivilWar.Redsoccupyasmall Berdichevî. Grossmanís storyìInthetownof Drama basedonthemotivesofVasili ‚˚‡ÒÚËÚ¸ Ë΄ÍÓÛ·ËÚ¸... β·ËÚ¸, ÚÛ‰ÌÓÓ‰ËÚ¸, Í‡Í ÚÛ‰ÌÓ˜ÂÎÓ‚ÂÍÛÊËÚ¸, ÍÛ˜‡ ‰ÂÚÂÈ)ËÍÓÚÓ˚ÈÓÚ¡Ó„‡Á̇ÂÚ, ÊË‚ÂÚÒˇ ÌÂ΄ÍÓ(ÒÚ‡‡ˇÏ‡Ú¸,ÊÂÌ‡Ë Ã‡„‡Á‡ÌÌË͇, ÍÓÚÓÓÏÛË·ÂÁÚÓ„Ó Â‚ÂÈÒÍÓÈ ÒÂϸËÊÂÒÚˇÌ˘Ë͇≈ÙËχ ‚ÒÂΡÂÚÒˇ ‚ı‡ÎÛÔÛÏÌÓ„Ó‰ÂÚÌÓÈ ÓÚ͇Á‡ÎÒˇ ‰Â·ڸ‡·ÓÚ.ü·‚‰Ëˇ ‰ÓÍÚÓ ‰‡ÊÂÔÓ‰‰ÛÎÓÏχÛÁ‡ Ì ÒÎÂÁ‡Î‡,Á‡ÔÛÒÚË··ÂÂÏÂÌÌÓÒÚ¸,Ë ÒÓı‡ÌˇÚ¸ ·ÂÌ͇:ÚËÏÂÒˇˆ‡ÒÍÓÌˇ Ô‰ÒÚÓËÚ Óʇڸ.ŒÌ‡ÌÂıÓÚ· ÍÓÏËÒÒ‡Û ü·‚‰Ëˬ‡‚ËÎÓ‚ÓÈ «‰ÂÒ¸, ‚ÔÂÂ˚‚ÂÏÂÊ‰Û·ÓˇÏË, Á‡ÌËχ˛Ú χÎÂ̸ÍËÈ˛ÊÌ˚È„ÓÓ‰ÓÍ. √‡Ê‰‡ÌÒ͇ˇ ‚ÓÈ̇.ü‡ÒÌ˚˜‡ÒÚË √ÓÒÒχ̇ ´¬„ÓӉ¡‰˘‚ª. ƒ‡Ï‡ ÔÓÏÓÚË‚‡Ï‡ÒÒ͇Á‡¬‡ÒËÎˡ THE COMMISSAR üŒÃ»——¿– ñ œÂÏËËüËÌӇ͇‰ÂÏËË´ÕË͇ª Á‡ ñ √‡Ì-ÔËÃü‘‚üÂÏÔÂÂ,‘‡ÌˆËˇ, ñ —ÔˆˇθÌ˚ÈÔËÁÊ˛ËÃü‘‚ ñ —ÔˆˇθÌ˚ÈÔËÁÊ˛Ë Ã. √Ó¸ÍÓ„Ó,ÔËÛ˜‡ÒÚËË´ÃÓÒÙËθϪ œÓËÁ‚Ó‰ÒÚ‚Ó √‡ÎË̇ ¡ÂÎËÌÒ͇ˇ ƒËÂÍÚÓ˚ ͇ÚËÌ˚ ¬ËÍÚÓ ÿ‡ıÓ‚ —„ÂÈ ÕËÍÓÌÂÌÍÓ,ÀÂÓÌˉ–ÂÛÚÓ‚, »„Ó¸ ‘˯χÌ,ŒÚ‡üÓ·ÂˉÁÂ, ƒËχ üÎÂÈχÌ,Çڇ¡‡ÚÍÓ‚‡, ÿÛͯËÌ, À˛·‡ü‡ˆ,œ‡‚ÎËÍÀ‚ËÌ, À˛‰ÏË· ¬ÓÎ˚ÌÒ͇ˇ,¬‡ÒËÎËÈ –ÓÎ‡Ì ¡˚ÍÓ‚,–‡ËÒ‡Õ‰‡¯ÍÓ‚Ò͇ˇ, ¬ ÓΡı: ÕËÍÓÎ‡È ÿ‡˚È,≈‚„ÂÌËÈ¡‡Á‡ÌÓ‚ «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿ÎÂÍ҇̉ ¿ÒÍÓθ‰Ó‚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ ˜/·, 1:2.35 1967 (‚˚Ô.11.1988),———–,110ÏËÌ., ñ Á‡Óθ‚ÚÓÓ„ÓÔ·̇). –.¡˚ÍÓ‚, ‡ÍÚËÒ‡–.Õ‰‡¯ÍÓ‚Ò͇ˇ ÍÓÏÔÓÁËÚÓ ¿.ÿÌËÚÍÂ,‡ÍÚ 1988 „Ó‰(ÓÔ‡ÚÓ¬.√ËÌÁ·Û„, 1988; √ÂÌÚÂ, ¡Âθ„ˡ,1988; 1988; Ê˛Ë ñÃü‘‚«‡Ô‡‰ÌÓÏ¡ÂÎËÌÂ, ÃÂʉÛ̇ӉÌÓ„Ó Â‚‡Ì„Â΢ÂÒÍÓ„Ó ŒÚÚÓ ƒË·ÂÎËÛÒ‡ÓÚ ËÌÙÓχˆËË (Œ—»ü),œËÁËÏÂÌË Ë ‡Û‰ËÓ‚ËÁۇθÌ˚ıÒ‰ÒÚ‚ Ó„‡ÌËÁ‡ˆËË ÍËÌÂχÚÓ„‡Ù˘ÂÒÍËı ÃÂʉÛ̇ӉÌÓÈ Í‡ÚÓ΢ÂÒÍÓÈ ‘»œ–≈——», ÔËÁÊ˛Ë ´—·ˇÌ˚È Ï‰‚‰¸ª,ÔËÁ Àˡ ¡ÂÌ‚ÓθÒ͇ˇ, ÕÓÌ̇ ÃÓ‰˛ÍÓ‚‡, ¬‡ÎÂËÈ √ËÌÁ·Û„ flÍÓ‚ –Ë‚Ó¯ —„ÂÈ —·ÂÌËÍÓ‚ ¿Î¸Ù‰ ÿÌËÚÍ üËÌÓÒÚÛ‰Ëˇ ËÏÂÌË ¡. ƒÓÍÛ˜‡Â‚, ñ PrizesoftheFilmAcademyNIKAfor ñ GrandPrixoftheIFFinQuimper, ñ SpecialJuryPrizeIFFinGhent, ñ SpecialJuryPrizeìSilverBearî, participation ofMosfilm Production Galina Belinskaya Executive Directors Shakhov Nikonenko, LeonidReutov,Victor Fishman, OtarKoberidze,Sergei Kleiman, MartaBratkova,Igor Liuba Katz,PavlikLevin,Dima Liudmila Volynskaya,VasiliShukshin, Bykovs, RaisaNedashkovskaya, Cast: Nikolai Shary,EvgeniBazanov Sound Composer Costume Design Production Design Valeri Ginzburg Director ofPhotography Alexander Askoldov Scriptwriter andDirector min., b/w,1:2.35 1967 (releaseNov.1988),USSR,110 Nedashkovskaya). Bykov, supportingactressR. composer A.Schnitke,actorR. 1988 (cinematographerV.Ginzburg, France, 1988; Belgium, 1988; West Berlin,1988; International EvangelicJuryñIFF Otto DibeliusPrizeofthe for CinemaandAudiovisual(OCIC), International CatholicOrganization FIPRESCI Award,JuryPrizeofthe Nonna Mordiukova,Rolan Liya Benevolskaya, Alfred Schnitke Gorky FilmStudio,with Yakov Rivosh Sergei Serebrenikov B. Dokuchaev,
131 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 132 1958-2000. 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Zakharova Nikolai Petrov Margarita (1988) (´«‡ÒÚ‡‚‡ »Î¸Ë˜‡ª) Ê ·˚ÎÒÌˇÚÒÔÓ͇ڇ. ̇Á‚‡ÌËÂÏ ´«‡ÒÚ‡‚‡»Î¸Ë˜‡ªËÒ‡ÁÛ ‘ËÎ¸Ï ‚˚¯ÂÎ1965„Ó‰ÛÔÓ‰ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË. 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Everythingwaswonderfuland loved astudent,thestudent Once therelivedagirlcalledSonya.She Chekhovís works. Drama basedonthemotivesofAnton ¬‡ÒËθ‚˘‡... ÒÎÓÊË·Ҹ ÊËÁ̸ÛÃËı‡Ë· —Ó̘͇, ËÁ-Á‡ÍÓÚÓÓÈÚ‡ÍÌÂÛ‰‡˜ÌÓ ÌÂÎÂÔÓ„Ó ÛÒÓÙË·—Âʇ,ñڇ҇χˇ „ÓÒÚÂÈ ·˚·˗ÓÙ¸ˇ≈„Óӂ̇,ÊÂ̇ ·Ó„ÓÚ‚ÓËÎ). —‰ËÁ‡Ô‡Á‰˚‚‡˛˘Ëı ÓÌ ˜ÂÒÚÌÓÒÎÛÊËÎËÍÓÚÓ˚ıÍÓ„‰‡-ÚÓ Ê‡ÎÍÓ ÔÓÚ‡ÚËÚ¸ÒˇÌ‡„ÓÒÔÓ‰,ÍÓÚÓ˚Ï √‡ÒËÏÛ üÛÁ¸Ï˘Û(ÂÏÛËÒÂȘ‡ÒÌ ”Ò‡‰¸·‡ Á‡‰Ó΄ˉ‡‚ÌÓÔÂÂ¯Î‡Í ÒÓ·‡ÎËÒ¸ Ó‰ÒÚ‚ÂÌÌËÍËË„ÓÒÚË. ÃËı‡Ë· ¬‡ÒËθ‚˘‡œÎ‡ÚÓÌÓ‚‡, ÔÓÎÍÓ‚ÌË͇, ÓÚˆ‡ÿÛÓ˜ÍË,ÊÂÌ˚ ‰ÌÂÏ ‚ÔÓÏÂÒÚ¸ÂÓÚÒÚ‡‚ÌÓ„Ó ‚ÓÚ ÂÏÛÛÊÂ35ÎÂÚ.“ÂÔÎ˚ÏÎÂÚÌËÏ Â·ÂÌÍÓÏ, ÔÓÎۘ˷·ÓÚÛÛ˜ËÚÂΡ.» ÊÂÌËÎÒˇ, ·ÓÒËÎÔËÚ¸,Ó·Á‡‚ÂÎÒˇ ÔÓÚÂˇÎ Ì‡‰ÂʉÛ,Á‡·˚Ή‚ӘÍÛ, ̇‰ÂˇÎÒˇ, ÔËÎ,·ÓÒËÎÛÌË‚ÂÒËÚÂÚ, ͇ʉ˚È ‰Â̸ıÓ‰ËÎ̇‚ÓÍÁ‡Î,ʉ‡Î, Ì ‚ÂÌÛ·Ҹ.¿Ã˯ÂθœÎ‡ÚÓÌÓ‚ ‚ œÂÚ·ۄ‚Ò„ÓÎ˯¸Ì‡‰‚‡‰ÌˇË ˆÂ·ˇ ÊËÁ̸.Œ‰Ì‡Ê‰˚‰Â‚Ә͇ÛÂı‡Î‡ Ò˜‡ÒÚÎË‚˚, Ë‚Ô‰ËÛÌËı·˚· ·˚ÎÓ ˜Û‰ÌÓËÔÂ͇ÒÌÓ,ÓÌË·˚ÎË ÒÚÛ‰ÂÌÚ‡, ÒÚÛ‰ÂÌÚβ·ËΉ‚ӘÍÛ.¬Ò ΔË· ·˚·‰Â‚Ә͇—ÓÌˇ.ŒÌ‡Î˛·Ë· ¿.œ.◊ÂıÓ‚‡. ƒ‡Ï‡ ÔÓÏÓÚË‚‡ÏÔÓËÁ‚‰ÂÌËÈ UNFINISHED PIECEFORMECHANICALPIANO Ã≈’¿Õ»◊≈—üŒ√Œ œ»¿Õ»ÕŒ Õ≈ŒüŒÕ◊≈ÕÕ¿fl œ‹≈—¿ƒÀfl ñ œÓÓÔÓÒÛÊÛ̇·´—Ó‚ÂÚÒÍËÈ ñ —ÔˆˇθÌ˚ÈÔËÁÊ˛ËÁ‡‚˚ÒÓÍÓ ñ œÂÏˡ´ƒ‡‚ˉ‰ËƒÓ̇ÚÂÎÎÓªÁ‡ ñ √‡Ì-ÔË—Ó˛Á‡ıÛ‰ÓÊÌËÍÓ‚ÍËÌÓË ñ ´«ÓÎÓÚ‡ˇÔ·ÒÚË̇ªÃü‘‚ ñ ´¡Óθ¯‡ˇ«ÓÎÓÚ‡ˇ‡ÍÓ‚Ë̇ª œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ —„ÂÈ ÕËÍÓÌÂÌÍÓ,—ÂÂʇ√۸‚ Շڇθˇ Õ‡Á‡Ó‚‡,üÒÂÌˡÃËÌË̇, ¿Ì‡ÚÓÎËÈ –Óχ¯ËÌ, œ‡‚ÂÎ ü‡‰Ó˜ÌËÍÓ‚,ÕËÍËÚ‡ÃËı‡ÎÍÓ‚, ÕËÍÓÎ‡È œ‡ÒÚÛıÓ‚, fiËÈ ¡Ó„‡Ú˚‚,ŒÎ„“‡·‡ÍÓ‚, ¿ÌÚÓÌË̇ ÿÛ‡ÌÓ‚‡, ≈ÎÂ̇ —ÓÎÓ‚ÂÈ,≈‚„ÂÌˡ√ÎÛ¯ÂÌÍÓ, ¬ ÓΡı: «‚ÛÍ –‡ıχÌËÌÓ‚ ƒÓÌˈÂÚÚË, ‘ÂÂ̈ÀËÒÚ,—„ÂÈ »ÒÔÓθÁÛÂχˇ ÏÛÁ˚͇ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ¿ÎÂÍ҇̉ —‡ÏÛÎÂÍËÌ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‰‡·‡¯¸ˇÌ, ÕËÍËÚ‡ÃËı‡ÎÍÓ‚ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 103 ÏËÌ.,ˆ‚.,1:1.37/1:2.35 1976 (‚˚Ô.05.09.1977),———–, ÎÛ˜¯ËÏ ‡ÍÚÂÓÏ1977„Ó‰‡. ˝Í‡Ìª ¿ÎÂÍ҇̉ü‡Îˇ„ËÌÔËÁÌ‡Ì Ãü‘ ‚ü‡Ú‡ıÂÌÂ,1977; (‡ÍÚ ¿ÎÂÍ҇̉ü‡Îˇ„ËÌ)ñ ËÒÔÓÎÌËÚÂθÒÍÓ χÒÚÂÒÚ‚Ó ËڇθˇÌÒÍÓÏ ÔÓ͇ÚÂ1978„Ó‰‡; ÎÛ˜¯ËÈ ËÌÓÒÚ‡ÌÌ˚ÈÙËθς ´‘≈—“ª ‚¡Â΄‡‰Â,1978; ÚÂ΂ˉÂÌˡ fi„ÓÒ·‚ËËñÑ‘ ◊Ë͇„Ó, 1978; Ãü‘ ‚—‡Ì-—·‡ÒÚ¸ˇÌÂ,1977; ¬‡ÎÂÌÚËÌ ¡Ó·Ó‚ÒÍËÈ ¿ÎÂÍ҇̉ ü‡Îˇ„ËÌ, œ‡‚ÂÎ À·¯‚ ÕËÍËÚ‡ ÃËı‡ÎÍÓ‚ Ã‡Èˇ ¿·‡-¡‡‡ÌÓ‚Ò͇ˇ ¿ÎÂÍ҇̉ ¿‰‡·‡¯¸ˇÌ, ›‰Û‡‰ ¿ÚÂϸ‚ ´ÃÓÒÙËθϪ ¿ÎÂÍ҇̉ “‡Ú¸ˇÌ‡ ΔË„‡Â‚‡ √‡˝Ú‡ÌÓ ñ Accordingtoasurveyofthejournal ñ SpecialJuryPrizeforhighmastery ñ ìDaviddiDonatelloîPrizeforthe ñ GrandPrixoftheUnionArtists ñ ìGoldenPlateîIFFinChicago, ñ ìGoldenShellîIFFinSan Production Executive Director Serezha Guriev Ksenia Minina,SergeiNikonenko, Anatoli Romashin,NataliaNazarova, Pavel Kadochnikov,NikitaMikhalkov, Oleg Tabakov,NikolaiPastukhov, Antonina Shuranova,YuriBogatyrev, Solovei, EvgeniyaGlushenko, Cast: Sound Ferenc Liszt,SergeiRakhmaninov Music by Composer Maya Abar-Baranovksay Costume Design Adabashian, AlexanderSamulekin Production Design Director ofPhotography Director Nikita Mikhalkov Scriptwriters min., col.,1:1.37/1:2.35 1976 (release5Sept.1977),USSR,103 1977. is recognizedasthebestactorof ìSoviet ScreenîAlexanderKalyagin Cartagena, 1977; (actor AlexanderKalyagin)ñIFFin distribution 1978; best foreignfilminItalian FEST inBelgrade,1978; Cinema andTVofYugoslaviañIFF 1978; Sebastian, 1977; Alexander Kaliagin,Elena Valentin Bobrovsky Nikita Mikhalkov Gaetano Donizetti, Edward Artemyev Mosfilm Alexander Adabashian, Alexander Tatiana Zhigaeva Pavel Lebeshev
133 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 134 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ œÂÏËˇÊ˛ËÙÂÒÚË‚‡Îˇ,ÔÂÏˡ œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ ”‡Î¸ÒÍËÈ, “‡Ú¸ˇÌ‡¡‡˚¯Â‚‡ ≈͇ÚÂË̇ ÇÁÛÓ‚‡,¬ËÍÚÓ fi‡ ¡Ó̉‡ÂÌÍÓ,Àˉ‡¬ÓÎÍÓ‚‡, ÕË̇ ÿ‡ˆÍ‡ˇ,¬ËÍÚÓüÓÒ˚ı, Àˉˡ —ÏËÌÓ‚‡,¿ÎÂÍÒÂÈ—ÏËÌÓ‚, ¿Ë̇ ¿ÎÂÈÌËÍÓ‚‡,»Î¸ˇ–Ûڷ„, ¬ ÓΡı: «‚ÛÍ »„Ó¸ flÍÛ¯ÂÌÍÓ üÓÏÔÓÁËÚÓ˚ üÓÒÚ˛Ï˚ ¡ÓËÒ ¡Î‡ÌÍ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ (‰ËÔÎÓÏ̇ˇ ‡·ÓÚ‡) –ÂÊËÒÒ »Î¸ˇ ÕÛÒËÌÓ‚ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 74 ÏËÌ.,˜/· 1964 (‚˚Ô.05.1964),———–, WELCOME, ORNOTRESPASSING »À» œŒ—“Œ–ŒÕջì’Œƒ¬Œ—œ–≈Ÿ≈Õ ƒŒ¡–Œ œŒΔ¿ÀŒ¬¿“‹, ü‡ÌÌÂ, 1967. ‚ÒÚ˜‡ ÙËθÏÓ‚‰ÎˇÏÓÎÓ‰ÂÊË‚ Ê˛Ë Ó‰ËÚÂÎÂÈñÃÂʉÛ̇Ӊ̇ˇ ¬ËÍÚÓ «ÓËÌ ≈‚„ÂÌËÈ ≈‚ÒÚË„Ì‚, ¿Ì‡ÚÓÎËÈ üÛÁ̈ӂ ›ÎÂÏ üÎËÏÓ‚ À˛‰ÏË· –ˇ¯Â̈‚‡ ¬Î‡‰ËÏË ü‡ÏÒÍËÈ, ´ÃÓÒÙËθϪ ÃË͇˝Î “‡Ë‚‰Ë‚, —ÂÏÂÌ ÀÛÌ„ËÌ, √Ë„ÓËÈ ÀÛÍËÌ ñ JuryPrize,ParentsíPrizeofthe Production Executive Director Tatiana Barysheva Ekaterina Mazurova,ViktorUralsky, Yura Bondarenko,LidaVolkova, Nina Shatskaya,ViktorKosykh, Lydia Smirnova,AlexeiSmirnov, Arina Aleinikova,IlyaRutberg, Cast: Sound Igor Yakushenko Composers MikaelTariverdiev, Costume Design Boris Blank Production Design Anatoli Kuznetsov Director ofPhotography Director Semen Lungin,IlyaNusinov Scriptwriters 74 min.,b/w 1964 (releaseMay1964),USSR, in Caen,1967. International MeetingofYouthFilms Evgeni Evstigneev, Viktor Zorin Elem Klimov(diplomawork) Mosfilm Liudmila Riashentseva Vladimir Kamsky, Grigori Lukin ‡ÌÚËÒÓ‚ÂÚÒÍËÈ, ·˚ÎÒÌˇÚÒÔÓ͇ڇ. œÓÒΠԂ˚ıÔÓÒÏÓÚÓ‚ÙËθÏ,Í‡Í ÌÂ΄‡Î¸ÌÓ ÔÓÎÓÊÂÌËÂ... ‚ÓÁ‚‡˘‡ÂÚÒˇ ËÔÂÂıÓ‰ËÚ̇ β·ËÏÛ˛ ·‡·Û¯ÍÛ,»ÌÓ˜ÍËÌÚ‡ÈÌÓ Î‡„¡. ÕÓ˜ÚÓ·˚ÌÂÓ„Ó˜‡Ú¸ ËÌÒÚÛ͈ËË, ñËÓÌÓÚ˜ËÒΡÂÚÒˇËÁ Û‰‡ÂÚÒˇ ‚ÔËÒ‡Ú¸Òˇ‚·„ÂÌ˚ ËÏÂÌÌÓ ‚ÚÓÏ,˜ÚÓÂÏÛÌË͇ÍÌ ÕÂÒ˜‡Òڸ ÔËÓ̇üÓÒÚË»ÌÓ˜ÍË̇ ‰ËÌÒÚ‚ÂÌÌÓ ÓÛÊËÂ͇ʉӄÓ. ÔÓÚÓÏÛ ˜ÚÓÔÓˇ‰ÓÍñ˝ÚÓ ƒ˚ÌËÌ, ‚·ÒÚ‚ÛˇÌ‡‰‚ÒÂÏË‚ÒÂÏË, Ò‚ËÂÔÓÈ ‰ÓÍÚÓ¯Â҇ωËÂÍÚÓ Û„ÓÁÓÈ ˝ÔˉÂÏËË.œÓÍÓ‚ËÚÂθÒÚ‚ÛÂÚ ¬ ÔËÓÌÂÒÍÓÏ·„‚ÒÂ̇ÔÛ„‡Ì˚ üÓωˡ. Soviet. removed fromdistributionasanti- After thefirstscreeningsfilmwas over intoanillegalposition... Inochkin secretlyreturnsandcrosses disappointing hisbelovedgrandmother, camp. Butinordertoavoid instructions, soheisdismissedfromthe manage tofitinwiththecamp Inockin liesinthefactthathedoesnot misfortune ofthepioneerKostya because orderishisonlyweapon.The dominating everyoneandeverything Dynin patronizesthefuriousdoctor, of theoutbreakanepidemic.Director In apioneercampeverybodyisscared Comedy. Khutsiev). becomes adistantstrangerî(Marlen Lena losestheclosestpersonwho This isattimesconnectedwithlosses. another, clearerandmoreglaringlight. superficial: everythingappearsin understand thatheroldvalueswere has alottoreconsider.Shebegins Lena, theheroineofìJulyRainî.She Such arevisionalsotakesplacefor people oftenrevisetheirexistingviews. are aboutthirty.Atthisparticularage the secondmaturity.Thefilmísheroes which heheldtrue.Thiscanbecalled which untilthensuitedhimwelland certain age,manchangeshisviews ìIt happensthat,havingreacheda Lyrical filmstory. ÇÎÂÌ ’ۈ˂. ÒÚ‡ÌÓ‚ËÚÒˇ ˜ÛÊËÏˉ‡ÎÂÍËϪñ Ò‡ÏÓ„Ó ·ÎËÁÍÓ„Ó˜ÂÎÓ‚Â͇,ÍÓÚÓ˚È Ò‚ˇÁ‡ÌÓ ÒÔÓÚ¡ÏË.ÀÂ̇Ú¡ÂÚ ˇÒÌÓÏ ËÂÁÍÓÏÒ‚ÂÚÂ.›ÚÓÔÓÓÈ Ô‰ÒÚ‡ÂÚ Ô‰ÌÂÈ‚ËÌÓÏ,·ÓΠÔÂÊÌË ӈÂÌÍËÔÓ‚ÂıÌÓÒÚÌ˚,‚Ò Á‡ÌÓ‚Ó. ŒÌ‡Ì‡˜Ë̇ÂÚÔÓÌËχڸ,˜ÚÓ ‰Óʉˇª. ≈ÈÏÌÓ„ÓÂ̇‰ÓÓ·‰ÛÏ˚‚‡Ú¸ ÔËıÓ‰ËÚ ÀÂ̇,„ÂÓËÌˇ´»˛Î¸ÒÍÓ„Ó ÔÓÁˈËÈ. üÚ‡ÍÓÏÛÔÂÂÒÏÓÚÛË ÔÂÂÒÏÓÚ‡ ÛÊ‚˚‡·ÓÚ‡ÌÌ˚ı‡Ì ‚ÂÏˇ Ûβ‰ÂÈ̇ÒÚÛÔ‡ÂÚÔÂËÓ‰ Úˉˆ‡Ú¸. Œ˜Â̸˜‡ÒÚÓËÏÂÌÌÓ‚˝ÚÓ ÁÂÎÓÒÚ¸˛. √ÂÓˇÏÙËθχñÔËÏÂÌÓ ‚ÂÌ˚ÏË. ›ÚÓÏÓÊÌÓ̇Á‚‡Ú¸‚ÚÓÓÈ ÛÒڇ˂‡ÎË, ÍÓÚÓ˚ÂÓÌÒ˜ËڇΠÏÂÌˇÂÚ ‚Á„Ρ‰˚,ÍÓÚÓ˚‰ÓÚÓ„ÓÂ„Ó ÓÔ‰ÂÎÂÌÌÓ„Ó ‚ÓÁ‡ÒÚ‡,˜ÂÎÓ‚ÂÍ ´¡˚‚‡ÂÚ Ú‡Í,˜ÚÓ‰ÓÒÚË„ÌÛ‚ ÀˢÂÒ͇ˇ ÍËÌÓÔÓ‚ÂÒÚ¸. JULY RAIN »fiÀ‹—ü»… ƒŒΔƒ‹ œÓËÁ‚Ó‰ÒÚ‚Ó ¿ÎÂÍ҇̉ fl·ÎÓ˜ÍËÌ ƒËÂÍÚÓ «ËÌÓ‚ËÈ √Â‰Ú ¬ËÚ‡ÎËÈ ¡ÂΡÍÓ‚,»„Ó¸ü‡¯Ë̈‚, ¡ÂÒÍÓ‚‡, ¬‡ÎÂÌÚË̇ÿ‡˚ÍË̇, »Î¸˜ÛÍ, ¡.¡ÂÎÓÛÒÓ‚,¬ËÍÚÓˡ ».¡˚ÎËÌÍËÌ, ¿Î·œÓÍÓ‚Ò͇ˇ,fiËÈ üÓÁ˚‚‡, ¿ÎÂÍ҇̉ÃËÚÚ‡, ¡ÂΡ‚ÒÍËÈ, fiËȬËÁ·Ó,≈‚„ÂÌˡ ¬ ÓΡı: «‚ÛÍ ¬Ó͇ΠfiËÈ ¬ËÁ·Ó,≈‚„ÂÌËÈüΡ˜ÍËÌ ¿‚ÚÓ˚ ÔÂÒÂÌ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿Ì‡ÚÓÎËÈ √·Ì‚ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ÏËÌ., ˜/·,1:2.35 1966 (‚˚Ô.30.09.1967),———–,109 ¡ÓËÒ ¬ÂÌ„ÂÓ‚ÒÍËÈ fiËÈ ¬ËÁ·Ó ≈‚„ÂÌˡ ”‡ÎÓ‚‡,¿ÎÂÍ҇̉ √ÂÏ‡Ì À‡‚Ó‚ ͇ÚËÌ˚ ÇÎÂÌ ’ۈ˂ Շڇθˇ ≈Ù‡ÌÓ‚‡ √ÂÓ„ËÈ üÓ΄‡ÌÓ‚ ´ÃÓÒÙËθϪ ¡ÛÎ‡Ú ŒÍۉʇ‚‡, ÇÎÂÌ ’ۈ˂, Production Yablochkin Executive Director Zinovi Gerdt Vitali Beliakov,IgorKashintsev, Viktoria Beskova,ValentinaSharykina, Yuri Ilchuk,B.Belousov, I. Bylinkin,AllaPokrovskaya, Evgeniya Kozyreva,AlexanderMitta, Beliavsky, YuriVizbor, Cast: Sound Vocals Yuri Vizbor,EvgeniKliachkin Songs by Costume Design Production Design German Lavrov Director ofPhotography Director Anatoli Grebnev Scriptwriters 109 min.,b/w,1:2.35 1966 (release30Sept.1967),USSR, Evgeniya Uralova,Alexander Boris Vengerovsky Yuri Vizbor Marlen Khutsiev Bulat Okudzhava, Mosfilm Marlen Khutsiev, Natalia Efanova Georgi Kolganov Alexander
135 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 136 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ √ÓÒÛ‰‡ÒÚ‚ÂÌ̇ˇÔÂÏˡ–—‘—– ñ œÓ˜ÂÚÌ˚ȉËÔÎÓÏÃü‘‚ ñ ÀÛ˜¯ËÈÙËθÏ1962„Ó‰‡ÔÓÓÔÓÒÛ ñ œËÁÍÎÛ·‡ÔÓθÒÍËıÍËÌÓÍËÚËÍÓ‚ ñ œÓ˜ÂÚÌ˚ȉËÔÎÓÏÃü‘‚—‡Ì- ñ √·‚̇ˇÔÂÏˡÃü‘ÚÛ‰ˇ˘ËıÒˇ, ñ ´’ÛÒڇθÌ˚È„ÎÓ·ÛÒª„·‚Ì˚È œÓËÁ‚Ó‰ÒÚ‚Ó Í‡ÚËÌ˚ ƒËÂÍÚÓ “ÂÍÒÚ ˜ËÚ‡ÂÚ flÒÛÎӂ˘, ÕËÍÓ·È√‡·Â —ÏËÌÓ‚, ¡ÓËÒfl¯ËÌ,»„Ó¸ ¿‰‡ ¬ÓȈËÍ,ÕËÍÓ·ȗ„‚,¿Ì‰ÂÈ Œ‚˜ËÌÌËÍÓ‚‡, —„ÂÈ¡ÎËÌÌËÍÓ‚, ¬‡ÎÂÌÚËÌ ÕËÍÛÎËÌ,À˛Ò¸Â̇ ≈‚„ÂÌËÈ ≈‚ÒÚË„Ì‚,ÃËı‡ËÎüÓÁ‡ÍÓ‚, “‡Ú¸ˇÌ‡ À‡‚Ó‚‡,ÕËÍÓ·ȜÎÓÚÌËÍÓ‚, »ÌÌÓÍÂÌÚËÈ —ÏÓÍÚÛÌÓ‚ÒÍËÈ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ƒ‡ÌËËÎ ’‡·Ó‚ˈÍËÈ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ÏËÌ., ˜/·,1:1.37/1:1.85 1961 (‚˚Ô.05.03.1962),———–,111 NINE DAYSOFONEYEAR 9 ƒÕ≈…ŒƒÕŒ√Œ√Œƒ¿ ËÏÂÌË ¡‡Ú¸Â‚¬‡ÒËθ‚˚ı,1966. ÃÂθ·ÛÌÂ, 1965; ÊÛ̇· ´—Ó‚ÂÚÒÍËÈ˝Í‡Ìª; œÓθ¯Ë, 1962; Á‡Û·ÂÊÌ˚È ÙËθÏ̇˝Í‡Ì‡ı ´¬‡¯‡‚Ò͇ˇ ÒËÂ̇ªÁ‡ÎÛ˜¯ËÈ ‘‡ÌˆËÒÍÓ, 1962; ◊ÂıÓÒÎÓ‚‡Íˡ, 1962; ÔËÁ Ãü‘‚ü‡ÎÓ‚˚ı¬‡‡ı,1962; ¡ÓËÒ ¬ÓθÒÍËÈ ¿ÎÂÍÒÂÈ ¡‡Ú‡ÎÓ‚, √ÂÏ‡Ì À‡‚Ó‚ ÃËı‡ËÎ –ÓÏÏ ¬‡ÎÂÌÚË̇ üËÒÂ΂‡ √ÂÓ„ËÈ üÓ΄‡ÌÓ‚ ƒÊÓÌ “Â-“‡Ú‚ÓÒˇÌ «ËÌÓ‚ËÈ √Â‰Ú ´ÃÓÒÙËθϪ ÃËı‡ËÎ –ÓÏÏ, »„Ó¸ ¬‡Í‡ ñ ìVasilievBrothersîStatePrizeofthe ñ HonoraryDiplomaoftheIFFin ñ BestFilmof1962accordingtoa ñ PrizeoftheclubPolishFilm ñ HonoraryDiplomaoftheIFFinSan ñ MainPrizeoftheIFFWorkers, ñ ìCrystalGlobeîmainprizeofthe Produc Executive Director Narrator Nikolai Grabbe Smirnov, BorisYashin,IgorYasulovich, Ada Voitsek,NikolaiSergeev,Andrei Liusena Ovchinnikova,SergeiBlinnikov, Mikhail Kozakov,ValentinNikulin, Nikolai Plotnikov,EvgeniEvstigneev, Smoktunovsky, TatianaLavrova, Cast: Sound Composer Costume Design Production Design German Lavrov Director ofPhotography Director Daniil Khrabrovitsky Scriptwriters min., b/w,1:1.33/1:1.85 1961 (release5March1962),USSR,111 RSFSR, 1966. Melbourne, 1965; Screenî; survey ofthejournalìSoviet foreign filmonPolishscreens,1962; Critics ìWarsawSirenîforthebest Francisco, 1962; Czechoslovakia, 1962; IFF inKarlovyVary,1962; Alexei Batalov,Innokenti tion Mosfilm Boris Volsky Mikhail Romm Zinovi Gerdt Dzhon Ter-Tatevosian Mikhail Romm, Valentina Kiseleva Georgi Kolganov Igor Vakar ÔÓËÒ͇ı ËÒÚËÌ˚... ÓÒڇ̇‚ÎË‚‡˛Ú ÏÓÎÓ‰Ó„ÓÛ˜ÂÌÓ„Ó‚ ‡‰Ë‡ˆËË. œÂ‰ÛÔÂʉÂÌˡ‚‡˜ÂÈÌ ÔÓÎÛ˜‡ÂÚ ÓÔ‡ÒÌÛ˛‰ÎˇÊËÁÌˉÓÁÛ ÂÁÛθڇÚ ˝ÍÒÔÂËÏÂÌÚÓ‚√ÛÒ‚ ‚β·ÎÂÌÌ˚ ‚Ó‰ÌÛÊÂÌ˘ËÌÛ.¬ ÚÂÓÂÚËÍ üÛÎËÍÓ‚ñ‰‡‚ÌˉÛÁ¸ˇ, ˝ÍÒÔÂËÏÂÌÚ‡ÚÓ √ÛÒ‚ËÒÍÂÔÚ˘Ì˚È ‘ËÁËÍË-ˇ‰Â˘ËÍË ñÓ‰ÂÊËÏ˚È »ÌÚÂÎÎÂÍÚۇθ̇ˇ ‰‡Ï‡. search forthetruth... do notstoptheyoungscientistfromhis radiation. Thewarningsofthedoctors exposed toadangerousdozeof result ofhisexperimentsGusevis are inlovewiththesamewoman.Asa theorist Kulikovñareoldfriendswho experimenter Gusevandtheskeptical Two nuclearphysicistsñtheobsessed Intellectual drama. distribution spectators duringthefirstyearin Soviet filmtocollectover50million ñ 56.0millionspectators;thelast Leader ofdistribution(1988,1stplace) and forgiveness. Vera findssupportinlifethroughlove through thehellofsilly,plannedlife, love storythathappenstoher.Going Vera isbrokenupbytheunexpected The grey,everydaylifeoftheyoung Summer, asouthernindustrialport. Social drama/Lovestory. ÁËÚÂÎÂÈ Á‡Ô‚˚È„Ó‰ÔÓ͇ڇ. ÙËθÏ, ÒÓ·‡‚¯ËÈ·ÓÎÂÂ50ÏÎÌ. ÏÎÌ. ÁËÚÂÎÂÈñÔÓÒΉÌËÈÒÓ‚ÂÚÒÍËÈ Àˉ ÔÓ͇ڇ(1988,1-ÂÏÂÒÚÓ)ñ56.0 ÔÓ˘ÂÌËË. „·‚ÌÛ˛ ÓÔÓÛÒ‚ÓÂÈÊËÁÌ˂β·‚ËË ÛÒÚÓÂÌÌÓ„Ó ·˚Ú‡,¬Â‡Ì‡ıÓ‰ˇÚ œÓȉˇ ˜ÂÂÁ‡‰ÌÂÒÛ‡ÁÌÓ ËÒÚÓËÂÈ, ÒÎۘ˂¯ÂÈÒˇÒÌÂ˛Ò‡ÏÓÈ. ‚Á˚‚‡˛ÚÒˇ ÌÂÓÊˉ‡ÌÌÓÈβ·Ó‚ÌÓÈ „ÓÓ‰. —Â˚·ۉÌ˲ÌÓȬÂ˚ ÀÂÚÓ, ˛ÊÌ˚ÈÔÓÏ˚¯ÎÂÌÌÓ-ÔÓÚÓ‚˚È —ӈˇθ̇ˇ ‰‡Ï‡/Lovestory. LITTLE VERA ÿÀ≈Õ‹ü¿fl ¬≈–¿ ñ œÓÓÔÓÒÛÊÛ̇·´—Ó‚ÂÚÒÍËÈ ñ —·ˇÌ‡ˇÏ‰‡Î¸¬ƒÕ’(1989, ñ œËÁ˚ü‘´—ÓÁ‚ÂÁ‰ËÂ-1989ªÁ‡ ÓÎË ñ œÂÏˡüËÌӇ͇‰ÂÏËË´ÕË͇ªÁ‡ ñ √‡Ì-ÔËÁ‡ÎÛ˜¯ËÈ ñ œÂÏˡ≈‚ÓÔÂÈÒÍÓÈÍËÌӇ͇‰ÂÏËË ñ œÂp‚˚ÈÔpËÁÁ‡ÎÛ˜¯Û˛ÊÂÌÒÍÛ˛ ñ œËÁ´√ÓÎÛ·Óȷ„ªÁ‡ÎÛ˜¯ËÈ ñ √‡Ì-ÔË´«ÓÎÓÚÓÈ’¸˛„ÓªÁ‡ ñ œÂÏˡ‘»œ–≈——»Ãü‘‚ ñ ¡Óθ¯ÓÈÒÔˆˇθÌ˚ÈÔËÁÊ˛Ë Ã.√Ó¸ÍÓ„Ó œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ ¿ÎÂÍ҇̉ ÀÂ̸ÍÓ‚ ¿ÎÂÍ҇̉ ÃËÓÌÓ‚, ¿ÎÂÍ҇̉‡ “‡·‡ÍÓ‚‡,¿Ì‰ÂÈ‘ÓÏËÌ, ¿ÎÂÍ҇̉ ¿ÎÂÍÒ‚-Õ„·‡, À˛‰ÏË· «‡ÈˆÂ‚‡, ¿Ì‰ÂÈ —ÓÍÓÎÓ‚,fiËÈÕ‡Á‡Ó‚, ¬ ÓΡı: «‚ÛÍ “ÂÍÒÚ ÔÂÒÂÌ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 135 ÏËÌ.,ˆ‚.,1:1.66,ÏÓÌÓ 1988 (‚˚Ô.26.09.1988),———–, ÎÛ˜¯ÂÈ ‡ÍÚËÒÓÈ 1988„Ó‰‡. ˝Í‡Ìª Շڇθˇ Õ„Ӊ‡ÔËÁ̇̇ ÙËθÏÛ); ¬.œÓÒÚÂÌ‡Í ñÁ‡˝ÒÍËÁ˚Í À.«‡ÈˆÂ‚‡); ‚ÚÓÓ„Ó Ô·̇(fi.Õ‡Á‡Ó‚Ë ÊÂÌÒ͇ˇ Óθª(Õ.Õ„Ӊ‡); 1988 „Ó‰‚ÌÓÏË̇ˆËË´ÎÛ˜¯‡ˇ ¿ÌÊÂ, 1989; ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËθÏñÃü‘‚ (Ã.’ÏÂÎËÍ), 1989; ´‘ÂÎËÍÒª Á‡ÎÛ˜¯ËÈÒˆÂ̇ËÈ 1989; ´«‡‚Úp‡¯ÌË Á‚ÂÁ‰˚ª,ΔÂÌ‚‡, Óθ (Õ.Õ„Ӊ‡)ñÃü‘ ‰Â·˛Ú ñÃü‘‚“ÓÂ,1989; Ãü‘ ‚◊Ë͇„Ó,1988; ÎÛ˜¯Û˛ ÊÂÌÒÍÛ˛Óθ(Õ.Õ„Ӊ‡)ñ ¬Â̈ËË, 1988; Ãü‘ ‚ÃÓ̇ÎÂ,1988; œ‡‚ÂÎ ƒÓÁ‰Ó‚ Շڇθˇ Õ„Ӊ‡, ≈ÙËÏ –ÂÁÌËÍÓ‚ ¬‡ÒËÎËÈ œË˜ÛΠՇڇθˇ œÓΡı ¬Î‡‰ËÏË œÓÒÚÂÌ‡Í »„Ó¸ ÿ‡ÙÂ‡Ì ¬Î‡‰ËÏË Ã‡ÚˆÍËÈ üËÌÓÒÚÛ‰Ëˇ ËÏÂÌË Ã‡Ëˇ ’ÏÂÎËÍ ƒ‡‚ˉ œÓ·Â ñ Accordingtothesurveyof ñ SilverMedaloftheAll-Union ñ PrizeofthefilmfestivalìSozvezdieî ñ PrizeoftheFilmAcademyNIKAfor ñ GrandPrixforbestfeaturefilm ñ PrizeoftheEuropeanFilmAcademy ñ FirstPrizeforthebestactress(N. ñ PrizeìBlueCoastîforthebestdebut ñ GrandPrixìGoldenHugoîforthe ñ FIPRESCIPrizeIFFinVenice, ñ GrandSpecialJuryPrizeIFFin Production Executive Director Mironov, AlexanderLenkov Tabakova, AndreiFomin,Alexander Alexander Alexeev-Negreba,Alexandra Yuri Nazarov,LiudmilaZaitseva, Cast: Sound Lyrics by Composer Costume Design Production Design Efim Reznikov Director ofPhotography Director Scriptwriter 135 min.,col.,1:1.66,mono 1988 (release26Sept.1988),USSR, of 1988. Negoda isrecognizedasbestactress journal ìSovietScreenîNatalia sketches tothefilm); Exhibition (1989,V.Pasternakfor Nazarov andL.Zaitseva); 1989 forsupportingroles(Yu. (N. Negoda); 1988 inthenominationìbestactressî IFF inAngers,1989; 1989; FELIX forbestscript(M.Khmelik), Geneva, 1989; Negoda) ñIFFìTomorrowísStarsî, ñ IFFinTroy,1989; Chicago, 1988; best actress(N.Negoda)ñIFFin 1988; Montreal, 1988; Natalia Negoda,AndreiSokolov, Pavel Drozdov Vasili Pichul Igor Shaferan Vladimir Matetsky Maxim GorkyFilmStudio Maria Khmelik Natalia Polyakh Vladimir Pasternak David Prober
137 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 138 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ œÂÏˡ‘»œ–≈——»‰Îˇ ñ —ÔˆˇθÌ˚ÈÔËÁËڇθˇÌÒÍÓ„Ó ñ œÂÏˡüËÌӇ͇‰ÂÏËË´ÕË͇ªÁ‡ ñ √·‚Ì˚ÈÔËÁ¬ü‘‚¡‡ÍÛ,1988; œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚¬ üÓΡ œÓ„Ó‰ËÌ Õ. —ÂÓ‚‡,≈.¿ÒÂÒÒÓÓ‚‡, œ‡ÙÂÌÓ‚, —„ÂÈ À. «‡ÈˆÂ‚‡,Õ.Õ‡Á‡Ó‚,¡ÓËÒ √ÂÌ̇‰ËÈ ≈„Ó˚˜Â‚,»‚‡ÌœÂÚÓ‚, ¿ÎÂÍ҇̉ —ÛËÌ,À˛·Ó‚¸—ÓÍÓÎÓ‚‡, ¬ ÓΡı: «‚ÛÍ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 99 ÏËÌ.,˜/· 1967 (‚˚Ô.23.09.1988),———–, THE STORYOFASYAKLYACHINA (´¿ÒËÌÓ Ò˜‡Òڸª) Àfi¡»À¿, ƒ¿Õ≈¬¤ÿÀ¿«¿Ã”Δ »—“Œ–»fl ¿—»üÀfl◊»ÕŒ…,üŒ“Œ–¿fl «‡Ô‡‰ÌÓÏ ¡ÂÎËÌÂ,1988. ‚ÌÂÍÓÌÍÛÒÌ˚ı ÙËθÏÓ‚ñÃü‘‚ ÔÓ͇ڇ ñÃü‘‚œÂÁ‡Ó,1988; 1988; ÎÛ˜¯Û˛ ÂÊËÒÒÂÒÍÛ˛‡·ÓÚÛ, –‡ËÒ‡ Ç„‡˜Â‚‡ »ˇ —‡‚‚Ë̇, √ÂÓ„ËÈ –·„ ¿Ì‰ÂÈ üÓ̘‡ÎÓ‚ÒÍËÈ ÃËı‡ËÎ –Óχ‰ËÌ ´ÃÓÒÙËθϪ fiËÈ üÎÂÔËÍÓ‚ .üÓ‚‡Î‚ÒÍËÈ ñ FIPRESCIPrizefornon-competition ñ SpecialPrizeofItaliandistribution ñ PrizeoftheFilmAcademyNIKAfor ñ MainPrizeoftheAll-UnionFilm Production Executive Director E. Asessorova,KolyaPogodin Sergei Parfenov,N.Serova, N. Nazarov,BorisParfenov, Ivan Petrov,LiudmilaZaitseva, Liubov Sokolova,GennadiEgorychev, Cast: Sound Production Design Georgi Rerberg Director ofPhotography Director Scriptwriter 99 min.,b/w 1967 (release23Sept.1988),USSR, films ñIFFinWestBerlin,1988. IFF Pesaro,1988; the bestdirector,1988; Festival inBaku,1988; Iya Savvina,AlexanderSurin, Raisa Margacheva Andrei Konchalovsky Mosfilm Yuri Klepikov Mikhail Romadin V. Kovalevsky 1988. Soviet people,wasreleasedonlyin film, madewithpainandprideforthe provinces: pure,light,andpoor.The reflected reallifeoftheSoviet this istheplotoffilmwhich Prideî (theoriginaltitleofthefilm)ñ Loved butdidnotMarrybecauseofher ìThe StoryofAsyaKliachinawho Melodrama. ‚˚¯ÂΠ̇˝Í‡Ì˚ÚÓθÍÓ‚1988„Ó‰Û. ·Óθ˛ Ë„Ó‰ÓÒÚ¸˛Á‡ÒÓ‚ÂÚÒÍËÈ̇Ӊ, Ò‚ÂÚÎÛ˛, ÌË˘Û˛.‘ËθÏ,҉·ÌÌ˚ÈÒ ÒÓ‚ÂÚÒÍÓÈ ÔÓ‚Ë̈ËË:˜ËÒÚÛ˛, ÓÚ‡ÁË‚¯Â„Ó Â‡Î¸ÌÛ˛ÊËÁ̸ ͇ÚËÌ˚) ñËÂÒÚ¸Ò˛ÊÂÚÙËθχ, ˜ÚÓ „Ó‰‡ˇ·˚·ª(Ô‚ÓÂ̇Á‚‡ÌË β·Ë·, ‰‡Ì‚˚¯Î‡Á‡ÏÛÊ,ÔÓÚÓÏÛ ´»ÒÚÓˡ ¿ÒËüΡ˜ËÌÓÈ,ÍÓÚÓ‡ˇ ÃÂÎÓ‰‡Ï‡. and whofaithfullylovesamarriedman. accidental roleincinema:JeannedíArc; plays herfirst,andmaybelast,butnot pretty, buttalentedandwhoconfidently The simplehistoryofagirlwhoisnot Melodrama. ƒí¿Í ñËÔ‰‡ÌÌÓβ·ËÚÊÂ̇ÚÓ„Ó. ÒÎÛ˜‡ÈÌÛ˛ Óθ‚ÍËÌÓñΔ‡ÌÌÛ ·˚Ú¸, ÔÓÒÎÂ‰Ì˛˛,ÌÓÓÚÌ˛‰¸Ì ۂÂÂÌÌÓ Ë„‡ÂÚÒ‚Ó˛ÔÂ‚Û˛Ë,ÏÓÊÂÚ ÌÓ Ú‡Î‡ÌÚÎË‚Óȉ‚ۯÍË,ÍÓÚÓ‡ˇ œÓÒÚ‡ˇ ËÒÚÓËˇÒ‚Ë‰ÛÌÂ͇ÒË‚ÓÈ, ÃÂÎÓ‰‡Ï‡. THE BEGINNING Õ¿◊¿ÀŒ ñ œÓÓÔÓÒÛÍËÌÓÁËÚÂÎÂÈ¡Ó΄‡ËË ñ œÓÓÔÓÒÛÊÛ̇·´—Ó‚ÂÚÒÍËÈ ñ œËÁ´fiÊÌ˚ÈÍÂÒÚª(‡ÍÚËÒ‡ ñ œËÁ´—·ˇÌ˚È΂҂.Ç͇ª ñ œÂÏˡÀÂÌËÌ„‡‰ÒÍÓ„ÓÍÓÏÒÓÏÓ· œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ ¬Ò‚ÓÎÓ‰ —Ó·Ó΂,≈͇ÚÂË̇¬‡ÒË肇 ¬ˇ˜ÂÒ·‚ ¬‡ÒËθ‚,√‡ΔÛÍÓ‚ÒÍËÈ, fiËÈ ¬ËÁ·Ó,≈‚„ÂÌËÈÀ·‰‚, fiËÈ üÎÂÔËÍÓ‚,√ÂÌ̇‰Ëȡ„ÎÓ‚, ÕË̇ —ÍÓÏÓÓıÓ‚‡,“‡Ú¸ˇÌ‡¡Â‰Ó‚‡, “‡Ú¸ˇÌ‡ —ÚÂÔ‡ÌÓ‚‡,ÃËı‡ËÎüÓÌÓÌÓ‚, ÀÂÓÌˉ üÛ‡‚΂,¬‡ÎÂÌÚË̇“Â΢ÍË̇, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ √‡ÎË̇ ¿ÌÚËÔË̇ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ≈‚„ÂÌËÈ √‡·ËÎӂ˘,√ηœ‡ÌÙËÎÓ‚ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 91 ÏËÌ.,˜/·,1:2.35 1970 (‚˚Ô.12.10.1970),———–, ´Õ‡˜‡ÎÓª). „Ó‰Ó‚ (´¬Ó„Ì·Ӊ‡ÌÂÚª, Á‡Û·ÂÊÌÓÈ ‡ÍÚËÒÓÈ1970Ë1971 »Ì̇ ◊ÛËÍÓ‚‡ÔËÁ̇̇ÎÛ˜¯ÂÈ ÎÛ˜¯ÂÈ ‡ÍÚËÒÓÈ1971„Ó‰‡; ˝Í‡Ìª »Ì̇◊ÛËÍÓ‚‡ÔËÁ̇̇ ¿‰Â·ˉÂ, ¿‚ÒÚ‡Îˡ,1972; »Ì̇ ◊ÛËÍÓ‚‡)ñÃü‘‚ ‚ ¬Â̈ËË,1971; (‡ÍÚËÒ‡ »Ì̇◊ÛËÍÓ‚‡)ñÃü‘ ÌÂÚª Ë´Õ‡˜‡ÎÓª); ÒÓÁ‰‡ÌË ÙËθÏÓ‚´¬Ó„Ì·Ӊ‡ (1970, ÂÊËÒÒÂ√ηœ‡ÌÙËÎÓ‚Á‡ √‡ÎË̇ √‡‚ËÎÓ‚‡ »Ì̇ ◊ÛËÍÓ‚‡, ƒÏËÚËÈ ƒÓÎËÌËÌ √η œ‡ÌÙËÎÓ‚ Շڇθˇ ¬‡ÒË肇, ÇÍÒ˝Ì √‡ÛıχÌ-—‚‰ÎÓ‚ ¬‡‰ËÏ ¡Ë·Â„‡Ì ´ÀÂÌÙËθϪ ¿.“‡‡ÒÓ‚ ñ Accordingtoasurveyofspectatorsin ñ Accordingtoasurveyofthejournal ñ PrizeìSouthernCrossî(actressInna ñ PrizeìSilverLionî(actressInna ñ PrizeoftheLeningradKomsomol Production Executive Director Vsevolod Sobolev,EkaterinaVasilieva Viacheslav Vasiliev,GeraZhukovsky, Yuri Vizbor,EvgeniLebedev, Yuri Klepikov,GennadiBeglov, Nina Skomorokhova,TatianaBedova, Tatiana Stepanova,MikhailKononov, Valentina Telichkina, Cast: Sound Composer Galina Antipina Costume Design Marksen Gaukhman-Sverdlov Production Design Dmitri Dolinin Director ofPhotography Director Evgeni Gabrilovich,GlebPanfilov Scriptwriters min., b/w,1:2.35 1970 (release12Oct.1970),USSR,91 Fireî andìTheBeginningî). for 1970and1971(ìNoPaththrough recognized asthebestforeignactress Bulgaria InnaChurikovais recognized asthebestactressof1971; ìSoviet ScreenîInnaChurikovais Australia, 1972; Churikova) ñIFFinAdelaide, Churikova) ñIFFinVenice,1971; through FireîandìTheBeginningî); creation ofthefilmsìNoPath (1970, directorGlebPanfilovforthe Inna Churikova,LeonidKuravlev, Galina Gavrilova Gleb Panfilov Vadim Bibergan Lenfilm Natalia Vasilieva, A. Tarasov
139 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 140 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ ´PhilippMorrisFreedomªÃü‘ ‚ ñ œËÁ´ƒÓÌüËıÓÚªÃÂʉÛ̇ӉÌÓ„Ó ñ Õ‡ˆËÓ̇θ̇ˇÔÂÏˡ√Ëθ‰ËË ñ ƒËÔÎÓÏÊ˛ËÃü‘´ÃÓÎÓ‰ÓÒÚ¸ª, ñ œËÁËÏÂÌËÕËÍÓ·ˇŒ‚ÒˇÌÌËÍÓ‚‡ ñ œÂÏˡ‘»œ–≈——»Ãü‘‚ ñ —ÔˆˇθÌ˚ÈÔËÁÊ˛ËÍÓÌÍÛÒ‡ ñ œËÁËÏÂÌË›ÈÁÂ̯ÚÂÈ̇Á‡ œÓÍ‡Ú ´»ÌÚÂÒËÌÂχ-¿Úª Û˜‡ÒÚËË √Œ—ü»ÕŒ œÓËÁ‚Ó‰ÒÚ‚Ó ´”ÚÓXXI‚Â͇ª,ÔË œÓ‰˛Ò œÂÚÀÛˆËÍ ¬ˇ˜ÂÒ·‚ üÛ·ÍÓ‚ «ÓÎÓڇ‚‡, ŒÎ„ÃÓͯ‡ÌˆÂ‚, ¬ÂÌÂÒ, ¿ÎÂÍ҇̉¬‰Ó‚ËÌ,√‡ÎË̇ —ÚÂÔ‡ÌÓ‚, ¿Ì‡ÚÓÎËÈüӢ‚,¬ËÍÚÓ ¬‡ÌËÌ, –ËÏχÇÍÓ‚‡,¬ËÍÚÓ ŒÎˇÎËÌ, ¿ÎÂÍÒÂȜۯÍËÌ, ¬ ÓΡı:fiËȃ۷ӂËÌ,ÕËÍÓÎ‡È «‚ÛÍ ¬ˇ˜ÂÒ·‚üβ˜ÌËÍÓ‚ ¿‡ÌÊËӂ͇ »„Ó¸ü‡ÌÚ˛ÍÓ‚ √ÂÓ„ËÈ —‚Ëˉӂ »ÒÔÓθÁÛÂχˇ ÏÛÁ˚͇√‡‚ËËÎœÓÔÓ‚, üÓÒÚ˛Ï˚ ÇÍÒËÏœ‡ÁËÎÓ‚ ’Û‰ÓÊÌËÍ ¿Ì‰ÂÈ¡ÂÒÒÓÎˈ˚Ì ŒÔ‡ÚÓ ÕËÍÓ·Ȼ‚‡ÒË‚ –ÂÊËÒÒ œÂÚÀÛˆËÍ ¿ÎÂÍÒÂÈ —‡ÏÓˇ‰Ó‚ ¿‚ÚÓ˚ ÒˆÂÌ‡ËˇœÂÚÀÛˆËÍ, 100 ÏËÌ.,˜/·,1:1.66 1998 (‚˚Ô.30.10.1998),–ÓÒÒˡ, OUTSKIRTS Œü–¿»Õ¿ ü‡ÎÓ‚˚ı ¬‡‡ı,1999ˉ. ¡ÂÎËÌÂ: ‘ÓÛÏ,1999; Ê˛Ë ÍËÌÓÍÎÛ·Ó‚ñÃü‘‚ ÙËθÏ-‰Â·˛Ú; ´«ÓÎÓÚÓÈ Œ‚Â̪(1998)ñÁ‡ÎÛ˜¯ËÈ ÍËÌӂ‰ӂ ËÍËÌÓÍËÚËÍÓ‚ üË‚, 1998; ñ ‘‘‚—‡ÌÍÚ-œÂÚ·ۄÂ,1998; Á‡ ÂÊËÒÒÂÒÍËȉ·˛Ú(œ.ÀÛˆËÍ) ◊Ë͇„Ó, 1998; 1998; –ÓÒÒËË ñŒ–ü‘´üËÌÓÚ‡‚ª,—Ó˜Ë, √Ëθ‰ËË ÍËÌӂ‰ӂËÍËÌÓÍËÚËÍÓ‚ ´ƒÂ·˛Úª, œÓ˜ÂÚÌ˚ȉËÔÎÓÏ ÍËÌÓÒˆÂ̇ËÈ ´ƒËÍÓÂÔÓΪ; ñ ìPhilippMorrisFreedomîIFFin ñ PrizeìDonQuixoteîofthe ñ NationalPrizeoftheGuildFilm ñ JuryDiplomaIFFMolodistin ñ NikolaiOvsiannikovPrizefor ñ FIPRESCIPrizeIFFinChicago, ñ SpecialJuryPrizeofthedebut ñ EisensteinPrizeforthefilmscript Distribution: Intercinema-Art Centuryî, withparticipationofGoskino Production ìMorningofthe21st Producer PetrLutsik Mokshantsev, ViacheslavKulakov Vdovin, GalinaZolotareva,Oleg Koshcheev, ViktorVenes,Alexander Markova, ViktorStepanov,Anatoli Alexei Pushkin,Vanin,Rimma Cast: YuriDubrovin,NikolaiOlialin, Sound ViacheslavKliuchnikov Arrangement IgorKantiukov Music byGavriilPopov,GeorgiSviridov Costume DesignMaximPazilov Production DesignAndreiBessolitsyn Director ofPhotographyNikolaiIvasiv Director PetrLutsik Samoriadov Scriptwriters PetrLutsik,Alexei 100 min.,b/w,1:1.66 1998 (release30Oct.1998),Russia, Karlovy Vary,1999,etc. IFF inBerlin:Forum,1999; International JuryofFilmClubsñ Ariesî (1998)forbestdebutfilm; Scholars andFilmCriticsìGolden Kiev, 1998; Festival inSaintPetersburg,1998; directorís debut(P.Lutsik)ñFilm 1998; Film FestivalKinotavr,Sochi,1998; Critics ofRussiañOpenRussian Guild ofFilmScholarsand competition, HonoraryDiplomaofthe ìWild Fieldî; of Russianfilmclassics. the backdropofthemesandpoetics The actionofthefilmunfoldsagainst thing awayfromthem... that landandwhyhehastakenthe last Russian menwhathehasdonewith for theirmisfortunes:mayhetellthe Moscow, tofindthepersonresponsible travel acrossRussia,fromtheUralsto farmers gathertheirlastforcesand land now.Buttheformercollective life andwillnotreadilydieforthat the chairmanisweakenedfromahard who needthislandappeartoknowthat collective-farmís plough-lands.Those sign apaperagreeingtothesaleof district; theyforceVasiliIvanovichto together withaworkerfromthe the chairmanofacollectivefarm Representatives ofaco-operativevisit The Uralsintheearly1990s. Samoriadov ìWildFieldî based onthescriptbyP.LutsikandA. An ironicpopularadventureepicdrama ÍËÌÓÍ·ÒÒËÍË. Ò˛ÊÂÚÓ‚ ËÔÓ˝ÚËÍËÓÚ˜ÂÒÚ‚ÂÌÌÓÈ ƒÂÈÒÚ‚Ë ÙËθχ‡Á‚Ë‚‡ÂÚÒˇÌ‡ÙÓÌ ÔÓÒΉÌÂÂ... Û˜ËÌËÎ ËÔÓ˜ÂÏÛÓÚÌˇÎÛÌËı ÛÒÒÍËÏ ÏÛÊË͇Ï,˜ÚÓ˝ÚÓÓÌÒÁÂÏÎÂÈ ÌÂÒ˜‡ÒÚ¸ˇ, ÔÛÒÚ¸‡ÒÒ͇ÊÂÚËÏ, ËÒ͇ڸ ÓÚ‚ÂÚ˜Ë͇Á‡‚ÒÂÔ˘ËÌÂÌÌ˚ –ÓÒÒËË ñÓÚ”‡Î‡‰ÓÒ‡ÏÓÈÃÓÒÍ‚˚ ÔÓÒΉÌËÏË ÒË·ÏËËÔÓ¯ÎËÔÓ ÕÓ ·˚‚¯ËÂÍÓÎıÓÁÌËÍËÒÓ·‡ÎËÒ¸Ò Á‡ ˝ÚÛÁÂÏβÂÏÛÚÂԸ̂‡‰ÓÒÚ¸. ˜ÂÎÓ‚ÂÍ ÓÚÚÛ‰ÌÓÈÊËÁÌËËÔÓ„Ë·‡Ú¸ ÔÓ̇‰Ó·Ë·Ҹ, ·Û‰ÚÓÁ̇ÎË,˜ÚÓÓÒ·· ÁÂÏÎË. “Â,ÍÓÏÛ˝Ú‡ÁÂÏΡ ̇ ÔÓ‰‡ÊÛÍÓÎıÓÁÌÓÈÔ‡ıÓÚÌÓÈ ¬‡ÒËÎˡ »‚‡Ìӂ˘‡ÔÓ‰ÔËÒ‡Ú¸·Ûχ„Û Ó·ÍÓÏÓ‚ÒÍËÏ ‡·ÓÚÌËÍÓÏËÁ‡ÒÚ‡‚ËÎË Ô‰Ò‰‡ÚÂβ ÍÓÎıÓÁ‡ÍÓÓÔ‡ÚÓ˚Ò ”‡Î ̇˜‡Î‡90-ı„Ó‰Ó‚.œËÂı‡ÎËÍ ´ƒËÍÓ ÔÓΪ. ÒˆÂÌ‡Ë˛ œ.ÀÛˆË͇˿.—‡ÏÓˇ‰Ó‚‡ ÔËÍβ˜Â̘ÂÒ͇ˇ ˝Ô˘ÂÒ͇ˇ‰‡Ï‡ÔÓ »ÓÌ˘ÂÒ͇ˇ ̇ӉÌÓ- difficult timesofwar. finds andlosesintheseintolerable to peoplecloseherñandwhomshe drawings andthroughherrelationships what shetriestoexpressinher many thingsshemerelysenses,whichis everything thatgoesonaroundher: soldier Alesha.Shedoesnotunderstand from growingfondoftheRedArmy out herjob,whichdoesnotstop girl sincerelyandself-denyinglycaries front linesoftheCivilWar.Thetimid which takesthewoundedmenfrom works asnurseonahospitaltrain The komsomolmemberTaniaTetkina Evgeni Gabrilovichísstory. A film-storybasedonthemotivesof Ì‚˚ÌÓÒËÏÓ ÚÛ‰Ì˚‰ÌË‚ÓÈÌ˚. ÍÓÚÓ˚ı Ó̇̇ıÓ‰ËÚËÚ¡ÂÚ‚ Ë ÓÚÌÓ¯ÂÌËÂÏÍ·ÎËÁÍËÏβ‰ˇÏ, Ô˚Ú‡ÂÚÒˇ ‚˚‡ÁËÚ¸Ò‚ÓËÏËËÒÛÌ͇ÏË ÏÌÓ„Ó Î˯¸ÒÏÛÚÌÓÓ˘Û˘‡ÂÚ,˜ÚÓË ÔÓÌËχÂÚ ËÁÔÓËÒıÓ‰ˇ˘Â„Ó‚ÓÍÛ„, ͇ÒÌÓ‡ÏÂȈ‡ ¿Î¯Û.ŒÌ‡Ì‚Ò ˜ÚÓ ÌÂϯ‡ÂÚÂÈÔÓβ·ËÚ¸ Ò‡ÏÓÓÚ‚ÂÊÂÌÌÓ Ô‰‡Ì‡Ò‚ÓÂÏÛ‰ÂÎÛ, «‡ÒÚÂ̘˂‡ˇ ‰Â‚ۯ͇ËÒÍÂÌÌÂË ÍÓÏÒÓÏÓÎ͇ “‡Ìˇ“ÂÚÍË̇. ‚ÓÈÌ˚, ‡·ÓÚ‡ÂÚÒ‡ÌËÚ‡ÍÓÈ ‡ÌÂÌ˚ı ÒÙÓÌÚÓ‚√‡Ê‰‡ÌÒÍÓÈ ¬ Ò‡ÌËÚ‡ÌÓÏÔÓÂÁ‰Â,‚˚‚ÓÁˇ˘ÂÏ ≈‚„ÂÌˡ √‡·ËÎӂ˘‡. üËÌÓÔÓ‚ÂÒÚ¸ ÔÓÏÓÚË‚‡Ï‡ÒÒ͇Á‡ NO PATHTHROUGHFIRE ¬ Œ√Õ≈¡–Œƒ¿Õ≈“ ñ œÂÏˡÀÂÌËÌ„‡‰ÒÍÓ„ÓÍÓÏÒÓÏÓ· ñ œËÁ´«ÓÎÓÚÓÈÎÂÓÔ‡‰ªÁ‡ÎÛ˜¯Û˛ œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ À˛·Ó‚¸ ÇÎËÌÓ‚Ò͇ˇ ÃËı‡ËÎ üÓͯÂÌÓ‚, ¬Î‡‰ËÏË ü‡¯ÔÛ,¬‡‰ËÏ¡ÂÓ‚, ≈‚„ÂÌËÈ À·‰‚,¿Ì‡ÚÓÎËÈÇÂÌ˘, ÃËı‡ËÎ üÓÌÓÌÓ‚,Ã‡Èˇ¡Û΄‡ÍÓ‚‡, —ÓÎÓÌˈ˚Ì, ÃËı‡ËÎ√ÎÛÁÒÍËÈ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ –ËÒÛÌÍË ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ≈‚„ÂÌËÈ √‡·ËÎӂ˘,√ηœ‡ÌÙËÎÓ‚ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ÏËÌ., ˜/·,1:1.37/1:2.35 1967 (‚˚Ô.01.06.1968),———–,95 ÌÂÚª Ë´Õ‡˜‡ÎÓª). ÒÓÁ‰‡ÌË ÙËθÏÓ‚´¬Ó„Ì·Ӊ‡ (1970, ÂÊËÒÒÂ√ηœ‡ÌÙËÎÓ‚Á‡ ◊ÛËÍÓ‚‡) ñÃü‘‚ÀÓ͇ÌÓ,1969; ËÒÔÓÎÌÂÌË ÊÂÌÒÍÓÈÓÎË(»Ì̇ œ‡ÌÙËÎÓ‚), ÔÂÏËˇÊ˛ËÁ‡ÎÛ˜¯Â ‡·ÓÚÛ ÏÓÎÓ‰Ó„ÓÂÊËÒÒ‡(√η √ÂÓ„ËÈ —‡Î¸Â Շڇθˇ ¬‡ÒË肇 »Ì̇ ◊ÛËÍÓ‚‡,¿Ì‡ÚÓÎËÈ ƒÏËÚËÈ ƒÓÎËÌËÌ √η œ‡ÌÙËÎÓ‚ ≈.—ÓÎÓ‚ˆÓ‚‡ ÇÍÒ˝Ì √‡ÛıχÌ-—‚‰ÎÓ‚ ¬‡‰ËÏ ¡Ë·Â„‡Ì ´ÀÂÌÙËθϪ (Œ “‡Ì“ÂÚÍËÌÓÈËÂÂËÒÛÌ͇ı) ÕËÍÓÎ‡È ÕÂÂÎÓ‚ ñ PrizeoftheLeningradKomsomol ñ ìGoldenLeopardîforthebestworkof Production Executive Director Liubov Malinovskaya Mikhail Kokshenov, Vladimir Kashpur,VadimBeroev, Evgeni Lebedev,AnatoliMarenich, Mikhail Kononov,MayaBulgakova, Solonitsyn, MikhailGluzsky, Cast: Sound Composer Costume Design Drawings by Marksen Gaukhman-Sverdlov Production Design Director ofPhotography Director Gleb Panfilov Scriptwriters min., b/w,1:1.37/1:2.35 1967 (release1June1968),USSR,95 ìBeginningî). films ìNoPaththroughFireîand (1970, directorGlebPanfilovforthe in Locarno,1969; performance (InnaChurikova)ñIFF Jury Prizeforthebestfemale a youngdirector(GlebPanfilov), Inna Churikova,Anatoli George Salie Gleb Panfilov Vadim Bibergan Lenfilm Natalia Vasilieva Evgeni Gabrilovich, E. Solovtsova Nikolai Neelov Dmitri Dolinin
141 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 142 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ √ÓÒÛ‰‡ÒÚ‚ÂÌ̇ˇÔÂÏˡ———– ËÏÂÌË ¿.œ.ƒÓ‚ÊÂÌÍÓ œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ √‡ÎË̇ ÿË„‡Â‚‡ ¿ÎÂ̇ Œ‰ËÌÓÍÓ‚‡,—„ÂÈ»‚‡ÌÓ‚, ÕËÍËÚ‡ ÃËı‡ÎÍÓ‚,≈ÎÂ̇◊ÂÌˇÍ, –ۉ̂‡, ¿ÎÂÍ҇̉¿‰‡·‡¯¸ˇÌ, üÓÒÚË̇, ŒÎ„ÃÂ̸¯ËÍÓ‚,À˛·Ó‚¸ »‚‡ÌÓ‚‡, À˛‰ÏË·«ÓË̇,≈ÎÂ̇ √Û˜ÂÌÍÓ, ŒÎ„“‡·‡ÍÓ‚,À˛‰ÏË· ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 92 ÏËÌ.,ˆ‚. 1982 (‚˚Ô.17.01.1983),———–, DREAM FLIGHTS œŒÀ≈“¤ ¬Œ—Õ≈»Õ¿fl¬” (1987). À˛‰ÏË· À˛·ÂÌÒ͇ˇ ŒÎ„ flÌÍÓ‚ÒÍËÈ,À˛‰ÏË· ¬ËÎÂÌ ü‡Î˛Ú‡ –ÓÏ‡Ì ¡‡Î‡ˇÌ Õ‡‰Âʉ‡ œ‡ÒÚÛ¯ÂÌÍÓ ¬ËÚ‡ÎËÈ ¬ÓÎ˚ÌÒÍËÈ ¬‡‰ËÏ ’‡Ô‡˜Â‚ üË‚Ò͇ˇ ÍËÌÓÒÚÛ‰Ëˇ ¬ËÍÚÓ ÃÂÂÊÍÓ ŒÎ„ œËÍÂÒÍËÈ ñ StatePrizeoftheUSSR(1987). Production Executive Director Shigaeva Odinokova, SergeiIvanov,Galina Mikhalkov, ElenaCherniak,Alena Rudneva, AlexanderAdabashian,Nikita Kostina, OlegMenshikov,Liubov Ivanova, LiudmilaZorina,Elena Gurchenko, OlegTabakov,Liudmila Cast: Sound Composer Costume Design Production Design Director ofPhotography Director Scriptwriter min., col. 1982 (release17Jan.1983),USSR,92 Oleg Yankovsky,Liudmila Liudmila Liubenskaya Roman Balayan Vadim Khrapachev Dovzhenko StudioKiev Viktor Merezhko Nadezhda Pastushenko Vitali Volynsk Oleg Pikersky Vilen Kaliuta ÁÂÏÎÂÚˇÒÂÌ˪ ñ–Óχ̡‡Î‡ˇÌ. ˝ÚÓ, ͇ÍÌÂÏËÌÛÂχˇÍ‡Ú‡ÒÚÓÙ‡ËÎË ÔÓÍÓÎÂÌËÈ. ÕÂÒÎÛ˜ËÚ¸ÒˇÓÌÌÂÏÓ„ñ ´√ÂÓÈ Í‡ÚËÌ˚ñËÚÓ„ÌÂÒÍÓθÍËı Î˯¸ ÔÓÒÓ˜Û‚ÒÚ‚Ó‚‡Ú¸... ÊÂÌ˘Ë̇ ˉÛÁ¸ˇ,ÍÓÚÓ˚ÂÏÓ„ÛÚÂÏÛ ÂÏÛ ‡‰ÓÒÚË,ÂÒڸβ·ˇ˘‡ˇÂ„Ó ÂÒÚ¸ β·Ó‚Ìˈ‡,ÍÓÚÓ‡ˇÌÂÔËÌÓÒËÚ ‰Ó˜¸, ÓÍÓÚÓÓÈÓ̉ÍÓ‚ÒÔÓÏË̇ÂÚ, ÊÂ̇, ÍÓÚÓÛ˛ÓÌÌÂβ·ËÚ,ÂÒÚ¸ ËÒÔÓÎÌˇÂÚÒˇ ÒÓÓÍÎÂÚ.”Ì„ÓÂÒÚ¸ —„² Ç͇ӂۘÂÂÁÚË‰Ìˇ »ÌÊÂÌÂÛ ÍÓÌÒÚÛÍÚÓÒÍÓ„Ó·˛Ó ƒ‡Ï‡. ñ RomanBalayan. inevitable catastropheoranearthquakeî have notemerged:itislikean of severalgenerations.Hecouldnot ìThe heroofthefilmissumtotal sympathize withhim... him andfriendswhocanonly not bringhimjoy,awomanwholoves rarely remembers,amistresswhodoes does notlove,adaughterwhomhe in threedays.Hehasawifewhomhe The engineerSergeiMakarovwillbe40 Drama. ñ ÀÛ˜¯ËÈÙËθÏ1964„Ó‰‡, ñ œÂÏˡ´‘ÂÏË̇ª,¡Âθ„ˡ,1966; ñ ´«ÓÎÓÚÓÈ·‚Ó‚˚È‚ÂÌÓͪ‘Ó̉‡ ñ œËÁ˚´—·ˇÌÓ·β‰Óª ñ —Ôˆ.ÔËÁÊ˛ËËÔÂÏˡ ñ ¬˚Ò¯‡ˇÔÂÏˡ—Ó‚ÂÚ‡¡ËÚ‡ÌÒÍÓÈ ñ —Ôˆˇθ̇ˇÔÂÏËˇÊ˛Ë´«‡ ñ —Ôˆˇθ̇ˇÔÂÏËˇÊ˛Ë´«‡ ñ ÀÛ˜¯‡ˇÍ‡ÚË̇1964„Ó‰‡ÔÓ ñ ÀÛ˜¯‡ˇÍ‡ÚË̇ü‘ ñ ÀÂÌËÌÒÍËÂÔÂÏËË(1965,Û‰ÓÒÚÓÂÌ˚ (translation byBorisPasternak). same titlebyWilliamShakespeare Screen versionofthetragedy œ‡ÒÚÂ͇̇). ¬ËθˇÏ‡ ÿÂÍÒÔˇ(Ô‚Ӊ¡ÓËÒ‡ ›Í‡ÌËÁ‡ˆËˇ Ó‰ÌÓËÏÂÌÌÓÈÚ‡„‰ËË HAMLET √¿ÃÀ≈“ (23 ̇„‡‰˚Á‡˜ÂÚ˚„Ӊ‡). ÊÛ̇· ´—Ó‚ÂÚÒÍËÈ˝Í‡ÌªË‰. ÎÛ˜¯ËÈ ‡ÍÚ„Ӊ‡ÔÓÓÔÓÒÛ »ÌÌÓÍÂÌÚËÈ —ÏÓÍÚÛÌÓ‚ÒÍËÈñ ‘‡ÌˆËÒÍÓ, 1966; ‚˚Ò¯Â„Ó ÛÓ‚ÌˇªñÃü‘‚—‡Ì- ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓ„Ó ËÒÍÛÒÒÚ‚‡ ‰ÂÏÓÌÒÚ‡ˆËË Ó·˘Â˜ÂÎӂ˜ÂÒÍËı ÚÂÏË ÔÛÚÂÏ ‡Á‡·ÓÚÍË ‚ ÏÂʉÛ̇ӉÌÓ‚Á‡ËÏÓÔÓÌËχÌË ƒ˝‚ˉ‡ ŒÎ˂‡—ÂÎÁÌË͇´«‡‚Í·‰ œ‡Ì‡ÏÂ, 1966; Í/ÒÚ ´ÀÂÌÙËθϪ)ñÃü‘‚ (√.üÓÁË̈‚, ».—ÏÓÍÚÛÌÓ‚ÒÍËÈ, —·‡ÒÚ¸ˇÌÂ, 1965; ÍËÌÓÍÎÛ·Ó‚ ñÃü‘‚—‡Ì- Õ‡ˆËÓ̇θÌÓÈ Ù‰‡ˆËËËÒÔ‡ÌÒÍËı ËÌÓÒÚ‡ÌÌ˚È ‡ÍÚ„Ӊ‡; ».—ÏÓÍÚÛÌÓ‚ÒÍËÈ ñÎÛ˜¯ËÈ ËÒÔÓÎÌËÚÂθ ÓÎË√‡ÏÎÂÚ‡ ¿Ì„ÎËË ‚1965„Ó‰Û,‡Ú‡ÍÊ ‰ÂÏÓÌÒÚËÓ‚‡‚¯ËÈÒˇ ̇˝Í‡Ì‡ı ËÌÓÒÚ‡ÌÌ˚È ÙËθÏ, ÍËÌӇ͇‰ÂÏËË (√.üÓÁË̈‚),ÎÛ˜¯ËÈ ÀÂÌËÌ„‡‰Â, 1964; (».—ÏÓÍÚÛÌÓ‚ÒÍËÈ) ñ¬ü‘‚ ———– Á‡ËÒÔÓÎÌÂÌËÂÓÎË√‡ÏÎÂÚ‡ (≈.≈ÌÂÈ, —.¬Ë҇·‰ÁÂ),‰ËÔÎÓÏ—ü ‰ËÔÎÓÏ˚ —Ó˛Á‡ıÛ‰ÓÊÌËÍÓ‚———– ÏÛÁ˚ÍÛ ÍÙËθÏÛ(ƒ.ÿÓÒÚ‡Íӂ˘), Ú‡„‰ËË ÿÂÍÒÔˇª,Á‡ÎÛ˜¯Û˛ ‚˚‰‡˛˘ÂÂÒˇ ‚ÓÔÎÓ˘ÂÌËÂ̇˝Í‡Ì ¬Â̈ËË, 1964; (».—ÏÓÍÚÛÌÓ‚ÒÍËÈ) ñÃü‘‚ ÎÛ˜¯Â ËÒÔÓÎÌÂÌËÂÏÛÊÒÍÓÈÓÎË ÊÛ̇· ´◊ËÌÂχÌÛÓ‚‡ª)Á‡ „ÂÌˡª, ´«ÓÎÓÚ‡ˇ‰ÓÒ͇ª(ÔÂÏˡ ‚˜Ì˚ÏË ÚÂχÏ˯ÂÍÒÔËÓ‚ÒÍÓ„Ó ÔÓ·ÎÂÏ˚ ÒÂ„Ó‰Ìˇ¯ÌÂ„Ó‰ÌˇÒ Ú‡ÍÚÛ˛ÚÒˇ ËÒ‚ˇÁ˚‚‡˛ÚÒˇ ˝ÙÙÂÍÚË‚ÌÓÒÚ¸, ÒÍÓÚÓ˚ÏË Û·ÂʉÂÌÌÓÒÚ¸, ıÛ‰ÓÊÂÒÚ‚ÂÌÌÛ˛ ÍËÌÂχÚÓ„‡ÙËË; ÔËÁ̇Ì˲ ¿Ì„ÎËÈÒÍÓ„ÓËÌÒÚËÚÛÚ‡ ¬ËÒ·‡‰ÂÌÂ, 1964; ¯ÂÍÒÔËÓ‚ÒÍËı ÙËθÏÓ‚‚ ».—ÏÓÍÚÛÌÓ‚ÒÍËÈ); ÂÊËÒÒ √.üÓÁË̈‚,‡ÍÚ œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ fiËÈ ¡ÂÍÛÌ ¿ÂÌ, ¿ÌÚÒÀ‡ÛÚÂ,¬ËÍÚÓüÓÎÔ‡ÍÓ‚, ŒÎÂÍÒÂÌÍÓ, »„Ó¸ƒÏËÚË‚,–ÂÈÌÓ ¬Î‡‰ËÏË ›Â̷„,—ÚÂÔ‡Ì ¬ÂÚËÌÒ͇ˇ, ¬‡‰ËÏÉ‚‰‚, fiËÈ “ÓÎ۷‚,¿Ì‡ÒÚ‡Òˡ ÃËı‡ËÎ Õ‡Á‚‡ÌÓ‚,›Î¸Á–‡‰ÁËÌˇ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ √Ë„ÓËÈ üÓÁË̈‚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 140 ÏËÌ.,˜/·,1:2.35 1964 (‚˚Ô.24.04.1964),———–, ñ Bestfilmof1964,InnokentySmoktunovsky asbestactoroftheyearaccording ñ PrizeìFeminaî,Belgium,1966; ñ ìGoldenLaurelîoftheDavidOliverSelznickFundìForcontribution to ñ PrizesìSilverPlateî(G.Kozintsev,I.Smoktunovsky,studioLenfilm) ñIFFin ñ SpecialJuryPrizeandoftheNationalFederationSpanish FilmClubs ñ HighestAwardoftheCouncilBritishFilmAcademy(G.Kozintsev), best ñ SpecialJuryPrizeìForanoutstandingscreenrenderingofShakespeareís ñ SpecialJuryPrizeìForconviction,artisticefficiencywithwhichcontemporary ñ BestFilmof1964,accordingtotheBFI(BritishInstitute); ñ BestFilmFestivalofShakespeareFilmsinWiesbaden,1964; ñ LeninPrize(1965,directorG.Kozintsev,actorI.Smoktunovsky); to asurveyofthejournalìSoviet Screenî, etc.(23awardsinfouryears). 1966; demonstrations ofcinematicartat thehighestlevelîñIFFinSanFrancisco, international understandingthroughthedevelopmentofuniversalthemes and Panama, 1966; ñ IFFinSanSebastian,1965; role ofHamlet:I.Smoktunovskyñbestforeignactortheyear; foreign filmshownonBritishscreensin1965,andalsobestperformer ofthe Smoktunovsky) ñFilmFestivalinLeningrad,1964; Union oftheUSSRforperformanceroleHamlet(I. Artists oftheUSSR(E.Enei,S.Virsaladze),diplomaFilmmakersí tragedyî, forthebestfilmmusic(D.Shostakovich),diplomasof Union of for thebestactor(I.Smoktunovsky)ñIFFinVenice,1964; Shakespeareís geniusî,ìGoldenBoardî(prizeofthejournalìCinemaNuovoî) problems aretreatedandrenderedinconjunctionwiththeeternalthemesof ¡ÓËÒ ’ÛÚÓˇÌÒÍËÈ »ÌÌÓÍÂÌÚËÈ —ÏÓÍÚÛÌÓ‚ÒÍËÈ, …ÓÌ‡Ò √ˈ˛Ò —ËÏÓÌ ¬Ë҇·‰Á ≈‚„ÂÌËÈ ≈ÌÂÈ ƒÏËÚËÈ ÿÓÒÚ‡Íӂ˘ ´ÀÂÌÙËθϪ ÃËı‡ËÎ ÿÓÒÚ‡Í Production Executive Director Yuri Berkun Aren, AntsLauter,ViktorKolpakov, Stepan Oleksenko,IgorDmitriev,Reino Vadim Medvedev,VladimirErenberg, Yuri Tolubeev,AnastasiaVertinskaya, Mikhail Nazvanov,ElseRadzinia, Cast: Sound Composer Costume Design Production Design Director ofPhotography Grigori Kozintsev Scriptwriter andDirector 140 min.,b/w,1:2.35 1964 (release24April1964),USSR, Innokenti Smoktunovsky, Boris Khutoriansky Dmitri Shostakovich Lenfilm Simon Virsaladze Evgeni Enei Mikhail Shostak Jonas Gritsius
143 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 144 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors –ÂÏÓ, 1982. (¬Î‡‰ËÏË √ÓÒÚ˛ıËÌ)ñÃü‘‚—‡Ì- Ë Á‡ÎÛ˜¯ÂÂËÒÔÓÎÌÂÌËÂÏÛÊÒÍÓÈÓÎË ñ —ÔˆˇθÌ˚ÈÔËÁÊ˛ËÁ‡ÙËÎ¸Ï œÓËÁ‚Ó‰ÒÚ‚Ó ¬ËÚ‡ÎËÈ ¡Ó„ÛÒ·‚ÒÍËÈ ƒËÂÍÚÓ Í‡ÚËÌ˚ √‡ÎË̇ ¡Ó˜‡Ó‚‡,ÿ‡‚͇Ú√‡ÁË‚ fiËÈ ÃËıÂÂÌÍÓ‚,ÃËı‡ËΡӘ‡Ó‚, ¿ÎÂÍ҇̉ “ÛÍÓ‚,fiËÈÀÂÓÌˉӂ, »„Ó¸ ¡ÂÁˇÂ‚,¬‡ÎÂÌÚË̇—‡ÙÓÌÓ‚‡, ¿Î· œÓÍÓ‚Ò͇ˇ,ƒÏËÚËÈ’‡‡Ú¸ˇÌ, »Ë̇ ÃÛ‡‚¸Â‚‡,»„Ó¸ÕÂÙ‰ӂ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ¿ÎÂÍ҇̉ 97 ÏËÌ.,ˆ‚. 1980 (‚˚Ô.22.12.1980),———–, FOX HUNT Œ’Œ“¿ Õ¿À»— flÌ œÓÚÓˆÍËÈ ¬Î‡‰ËÏË √ÓÒÚ˛ıËÌ, fiËÈ Õ‚ÒÍËÈ ¬‡‰ËÏ ¿·‰‡¯ËÚÓ‚ –ÓÁ‡ —‡ÚÛÌÓ‚Ò͇ˇ ¬Î‡‰ËÏË üÓÓ‚ËÌ ›‰Û‡‰ ¿ÚÂϸ‚ ´ÃÓÒÙËθϪ ÃË̉‡‰Á in SanRemo,1982. best actor(VladimirGostiukhin)ñIFF ñ SpecialJuryPrizeforbestfilmand Production Executive Director Galina Bocharova,ShavkatGaziev Yuri Mikheenkov,MikhailBocharov, Alexander Turkov,YuriLeonidov, Igor Beziaev,ValentinaSafonova, Alla Pokrovskaya,DmitriKharatian, Irina Muravieva,IgorNefedov, Cast: Sound Composer Costume Design Production Design Director ofPhotography Director Scriptwriter min., col. 1980 (release22Dec.1980),USSR,97 Vladimir Gostiukhin, Jan Pototsky Vadim Abdrashitov Eduard Artemiev Mosfilm Alexander Mindadze Roza Satunovskaya Vladimir Korovin Vitali Boguslavsky Yuri Nevsky ‰ÓÒÓ˜ÌÓÏ Â„ÓÓÒ‚Ó·ÓʉÂÌËË... ҂ˉ‡ÌËÈ ËÔËÌËχÂÚÛ˜‡ÒÚË‚ ‰ÂÚ ‚ÍÓÎÓÌ˲,‰Ó·Ë‚‡ÂÚÒˇÒÌËÏ Á‡Íβ˜ÂÌÌÓ„Ó ÔÓ‰ÓÒÚ͇¡ÂÎËÍÓ‚‡,ÓÌ ÔÓ͇Á‡ÎÓÒ¸. ◊ÚÓ·˚ËÁÏÂÌËÚ¸Û˜‡ÒÚ¸ Ú‡Ï ÌÂÚ‡ÍÔ‡‚ËθÌÓ,͇ÍÂÏÛÚÓ„‰‡ Òۉ Ì‰‡˛Ú¬ËÍÚÓÛÔÓÍÓˇ.¬Ò·˚ÎÓ Œ‰Ì‡ÍÓ ‚ÓÒÔÓÏË̇ÌˡÓÔӯ‰¯ÂÏ Á‡‚Ó‰ÒÍË ÒÔÓÚË‚Ì˚ÂÒÓÒÚˇÁ‡Ìˡ. Ó‰ÌÓÁ̇˜Ì‡: Á‡‚Ó‰,ÊÂ̇Ë„ÛΡÌ˚ ÊË‚ÂÚ Ë‡·ÓÚ‡ÂÚ.ΔËÁ̸ÔÓÒÚ‡ ÒÓÍ ÛÒÎÓ‚ÌÓ.¿¡ÂÎÓ‚ÔÓ-ÔÂÊÌÂÏÛ ÚÛ‰Ó‚Û˛ ÍÓÎÓÌ˲,‰Û„ÓÈñÔÓÎÛ˜‡ÂÚ ÔÓÔ‡‰‡ÂÚ Ì‡‰‚‡„Ó‰‡‚ËÒÔ‡‚ËÚÂθÌÓ- Œ‰ËÌ ËÁÌËıñ¬Î‡‰ËÏË¡ÂÎËÍÓ‚ ËÁ·Ë‚‡˛Ú ‚ԇ͉‚ÓÂÔÓ‰ÓÒÚÍÓ‚. –‡·Ó˜Â„Ó Á‡‚Ó‰‡¬ËÍÚÓ‡¡ÂÎÓ‚‡ œÓ‚Ë̈ˇθÌ˚È ÒÓ‚ÂÚÒÍËÈ„ÓÓ‰ÓÍ. —ӈˇθÌÓ-ÔÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡. early release... colony, meetshimandtriestoobtain an of theteenagerBelikov,hevisits to himthen.Inorderchangethe fate everything wasascorrectitseemed trial doesnotletViktorrest.Not meetings. However,thememoryof factory, wifeandregularsports His lifeissimpleandunequivocal: Belov carriesonwithhislifeandwork. other receivesaconditionalsentence. in acorrectionallabourcamp,whilethe them, VladimirBelikov,getstwoyears up intheparkbytwoteenagers.Oneof factory workerViktorBelovisbeaten A small,provincialSoviettown.The Socio-psychological drama. the door... and theunhappywifestandsagainin beloved womanisagainìonthelineî, makes adecisiontochangeÖandthe him. HismistressleavesBuzykin is literallytornapart.Hiswifeleaves more complex,andsofrequentthathe hero getsentangledbecomemoreand forty. Butthesituationsinwhich live hisownlife,yetheisalreadyover offend nobody.Hedoesnotmanageto Buzykin triestohelpeverybodyand The kindandsympathetictranslator script ìTheSadLifeofaTricksterî. On themotivesofAlexanderVolodinís ÌÂÒ˜‡ÒÚ̇ˇ ÊÂ̇ÒÌÓ‚‡‚‰‚¡ı... ÊÂÌ˘Ë̇ ÓÔˇÚ¸´Ì‡ÔӂӉª,‡ ‰Û„ËÏ ˜ÂÎÓ‚ÂÍÓÏÖÕÓβ·Ëχˇ ¡ÛÁ˚ÍËÌ ÔËÌËχÂÚ¯ÂÌËÂÒÚ‡Ú¸ ÊÂ̇. ≈„ÓÓÒÚ‡‚ΡÂÚβ·Ó‚Ìˈ‡. ‡Á˚‚‡ÂÚÒˇ ̇˜‡ÒÚË.ŒÚÌ„ÓÛıÓ‰ËÚ ˜Û‚ÒÚ‚ÛÂÚ, ͇͂·ÛÍ‚‡Î¸ÌÓÏÒÏ˚ÒΠÒÚÂÔÂÌË ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ÏË,˜ÚÓÓÌÛÊ ÒÎÓÊÌ˚ÏË, ‡„·‚ÌÓÂñ‰ÓÚ‡ÍÓÈ ÔÓÔ‡‰‡ÂÚ „ÂÓÈ,ÒÚ‡ÌÓ‚ˇÚÒˇ·ÓΠÒÓÓÍ. ÕÓÒËÚÛ‡ˆËË,‚ÍÓÚÓ˚ ÊËÁ̸˛ ÂÏÛÌÂÛ‰‡ÂÚÒˇ,‡ÛÊÂÁ‡ ÒÚ‡‡ÂÚÒˇ ‚ÒÂÏÔÓÏÓ˜¸.ΔËÚ¸Ò‚ÓÂÈ ¡ÛÁ˚ÍËÌ, ˜ÚÓ·˚ÌËÍÓ„ÓÌÂӷˉÂÚ¸, ƒÓ·˚È ËÓÚÁ˚‚˜Ë‚˚ÈÔ‚Ӊ˜ËÍ ¬ÓÎÓ‰Ë̇ ´√ÓÂÒÚ̇ˇÊËÁ̸ÔÎÛÚ‡ª. œÓ ÏÓÚË‚‡ÏÒˆÂÌ‡Ëˇ¿ÎÂÍ҇̉‡ AUTUMN MARATHON Œ—≈ÕÕ»… ÿ–¿‘ŒÕ ñ —ÔˆˇθÌ˚ÈÔËÁÃü‘ ñ œÂÏˡŒ·˘ÂÒÚ‚‡ÒÓ‚ÂÚÒÍÓ- ñ √·‚Ì˚ÈÔËÁÃü‘ÍÓωËÈÌ˚ı ñ √·‚Ì˚ÈÔËÁ¬ü‘‚ƒÛ¯‡Ì·Â, ñ œËÁ´¡Óθ¯‡ˇ«ÓÎÓÚ‡ˇ‡ÍÓ‚Ë̇ª ñ œËÁ—Ó˛Á‡ÊÛ̇ÎËÒÚÓ‚ÎÛ˜¯ÂÏÛ ñ √ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚ÂÔÂÏËË–—‘—– œÓËÁ‚Ó‰ÒÚ‚Ó ¬ËÚ‡ÎËÈ üË‚ÓÌÓ˘ÂÌÍÓ Í‡ÚËÌ˚ ƒËÂÍÚÓ √‡ÏχÚËÍÓ‚, ÕËÍËÚ‡œÓ‰„ÓÌ˚È ¡ÓËÒ·‚ ¡Ó̉ÛÍÓ‚,¬Î‡‰ËÏË ÕËÍÓÎ‡È ü˛˜ÍÓ‚,√‡ÎË̇¬ÓΘÂÍ, ≈‚„ÂÌËÈ ÀÂÓÌÓ‚,ÕÓ·ÂÚüÛıËÌÍÂ, Շڇθˇ √Û̉‡Â‚‡,ÇË̇ÕÂÂÎÓ‚‡, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ›ÎÂÓÌÓ‡ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 94 ÏËÌ.,ˆ‚. 1979 (‚˚Ô.28.12.1979),———–, 1981. ÍÓωËÈÌ˚ı ÙËθÏÓ‚‚¡Ó΄‡ËË, ü‡ÎÓ‚˚ı ¬‡‡ı,1980; ·Ó΄‡ÒÍÓÈ ‰ÛÊ·˚ñÃü‘‚ ÙËθÏÓ‚ ‚ÿ‡ÏÛÒÂ,1980; 1980; ñ Ãü‘‚—‡Ì-—·‡ÒÚ¸ˇÌÂ,1979; Ãü‘ ‚¬Â̈ËË,1979; (≈.ÀÂÓÌÓ‚), ÔËÁ‘»œ–≈——»ñ ËÒÔÓÎÌËÚÂβ ÏÛÊÒÍÓÈÓÎË ÕÂÂÎÓ‚‡); √Û̉‡Â‚‡, ≈‚„ÂÌËÈÀÂÓÌÓ‚,ÇË̇ ›ÎÂÓÌÓ‡ ÕÂϘÂÍ,Շڇθˇ ¬ÓÌÒÍËÈ, À‚‡ÌÿÂÌ„ÂÎËˇË ¿ÎÂÍ҇̉ ¬ÓÎÓ‰ËÌ,—„ÂÈ Û‰ÓÒÚÓÂÌ˚: √ÂÓ„Ëȃ‡ÌÂÎˡ, ËÏÂÌË ¡‡Ú¸Â‚¬‡ÒËθ‚˚ı(1981, ¿ÎÂÍ҇̉ œÓ„ÓÒˇÌ ŒÎ„ ¡‡ÒË·¯‚ËÎË, ÕÂϘÂÍ —„ÂÈ ¬ÓÌÒÍËÈ √ÂÓ„ËÈ ƒ‡ÌÂÎˡ —.ŒÎ¸¯Â‚Ò͇ˇ À‚‡Ì ÿÂÌ„ÂÎˡ, ¿Ì‰ÂÈ œÂÚÓ‚ ´ÃÓÒÙËθϪ ¿ÎÂÍ҇̉ ¬ÓÎÓ‰ËÌ (œÂ˜‡Î¸Ì‡ˇ ÍÓωˡ) ñ SpecialPrizeoftheIFFcomedy ñ PrizeoftheSocietySoviet- ñ MainPrizeoftheIFFcomedy ñ MainPrizeoftheAll-UnionFilm ñ PrizeìGoldenShellîIFFinSan ñ PrizeoftheUnionJournaliststo ñ ìVasilievBrothersîStatePrizeofthe Production Vitali Krivonoshchenko Executive Director Nikita Podgorny Brondukov, VladimirGrammatikov, Kriuchkov, GalinaVolchek,Borislav Leonov, NorbertKuchinke,Nikolai Gundareva, MarinaNeelova,Evgeni Cast: Sound Composer Costume Design Eleonora Nemechek Production Design Sergei Vronsky Director ofPhotography Director Scriptwriter 94 min.,col. 1979 (release28Dec.1979),USSR, films inBulgaria,1981. Karlovy Vary,1980; Bulgarian friendshipñIFFin films inChamrousse,1980; Festival inDushanbe,1980; Sebastian, 1979; 1979; FIPRESCI PrizeñIFFinVenice, the bestactor(E.Leonov), Neelova); Gundareva, EvgeniLeonov,Marina Eleonora Nemechek,Natalia Vronsky, LevanShengeliyaand Daneliya, AlexanderVolodin,Sergei RSFSR (1981,awardedtoGeorgi Oleg Basilashvili,Natalia Alexander Pogosian Georgi Daneliya Andrei Petrov Mosfilm Alexander Volodin S. Olshevskaya Levan Shegeliya,
145 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 146 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ Õ‡ˆËÓ̇θÌ˚ÂÔÂÏËË√Ëθ‰ËË ñ œÂÏËËüËÌӇ͇‰ÂÏËË´ÕË͇ª ñ œÓ˜ÂÚ̇ˇ·Âθ„ËÈÒ͇ˇ La SeptCinema(‘‡ÌˆËˇ),œË›‘Ö Sodaperaga (‘‡ÌˆËˇ),ÔËÛ˜‡ÒÚËË: œÓËÁ‚Ó‰ÒÚ‚Ó ¬ˇ˜ÂÒ·‚ “ÂθÌÓ‚ ¿ÎÂÍ҇̉ √ÓÎÛÚ‚‡,√Ë—ÂÎ˄χÌ, œÓ‰˛ÒÂ˚ œÓÓ¯ËÌ flÌÓ‚Ò͇ˇ, ¿ÎÂÍÒÂÈΔ‡ÍÓ‚,¬‡ÎÂËÈ —‡ÏÓ¯Ë̇, “‡Ï‡‡—ÂÍÓ‚‡,√ÂÌËÂÚÚ‡ ÃËı‡ÈÎÓ‚, ÕËÂÎÂÕ‡ÏÓÌÚ‡ÈÚÂ,ŒÎ¸„‡ œ‡ÛÎË̇ ÃˇÒÌËÍÓ‚‡,¬ËÍÚÓ Õ‡Ú‡Î¸ˇ À¸‚Ó‚‡,»‚‡ÌLj͂˘, Ã˯‡ ƒÂÏÂÌڸ‚,¿ÎÂÍ҇̉¡‡¯ËÓ‚, ÕË̇ –ÛÒ·ÌÓ‚‡,fiËfl‚ÂÚ-ÏÎ., ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ √ÂÓ„ËÈ üÓÔ‡˜Â‚,ÃËı‡ËÎ√‡ÒËÏÓ‚ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ ü‡Ï‡ÎËÚ‡, ¿ÎÂÍÒÂÈ√ÂÏ‡Ì ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ Dolby Digital ‘‡ÌˆËˇ, 137ÏËÌ.,˜/·,1:1.37, 1998 (‚˚Ô.27.08.1999),–ÓÒÒˡ/ KHRUSTALYOV, MYCAR! ’–”—“¿À≈¬, ÿÿ»Õ”! ‡·ÓÚ‡ ıÛ‰ÓÊÌË͇ˉ. ÂÊËÒÒÂÒ͇ˇ ‡·ÓÚ‡,ÎÛ˜¯‡ˇ ÎÛ˜¯ËÈ ÙËθÏ,ÎÛ˜¯‡ˇ Œ‚Â̪ (1999)‚ÌÓÏË̇ˆËˇı: ÍËÌӂ‰ӂ ËÍËÌÓÍËÚËÍË´«ÓÎÓÚÓÈ ıÛ‰ÓÊÌË͇ ÔÓÍÓÒÚ˛Ï‡Ï; ‡·ÓÚ‡ ıÛ‰ÓÊÌË͇,ÎÛ˜¯‡ˇ ÓÔ‡ÚÓÒ͇ˇ ‡·ÓÚ‡,ÎÛ˜¯‡ˇ ÂÊËÒÒÂÒ͇ˇ ‡·ÓÚ‡,ÎÛ˜¯‡ˇ Ë„Ó‚ÓÈ ÙËθÏ,ÎÛ˜¯‡ˇ (1999) ‚ÌÓÏË̇ˆËˇı:ÎÛ˜¯ËÈ ´«ÓÎÓÚÓÈ ‚Âͪ(1999); ÍËÌÂχÚÓ„‡Ù˘ÂÒ͇ˇ ÔÂÏˡ ÕËÍÓÎ‡È ¿ÒÚ‡ıÓ‚ fiËÈ ÷ÛËÎÓ, ¬Î‡‰ËÏË »Î¸ËÌ ¿ÎÂÍÒÂÈ √ÂÏ‡Ì ≈͇ÚÂË̇ ÿ‡Ô͇Ȉ ¿ÏÂÌ Ã‰‚‰‚, ¬Î‡‰ËÏË —‚ÂÚÓÁ‡Ó‚, ¿Ì‰ÂÈ œÂÚÓ‚ ´ÀÂÌÙËθϪ, √ÓÒÍËÌÓ, —‚ÂÚ·̇ ñ NationalAwardoftheGuildFilm ñ PrizesoftheFilmAcademyNIKA ñ HonoraryPrizeofBelgianCinema os LaSeptCinema(France),PiEF Sodaperaga (France),withparticipation Production Telnov Golutva, GuySeligman,Viacheslav Producers Valeri Poroshin Genrietta Yanovskaya,AlexeiZharkov, Olga Samoshina,TamaraSerkova, Viktor Mikhailov,NieleNarmontaite, Ivan Matskevich,PaulinaMiasnikova, Alexander Bashirov,NataliaLvova, Yuro YarvetJr.,MishaDementiev, Cast: Sound Composer Costume Design Mikhail Gerasimov Vladimir Svetozarov,GeorgiKropachev, Production Design Director ofPhotography Director Alexei German Scriptwriters Dolby Digital Russia/France, 137min.,b/w,1:1.37, 1998 (release27Aug.1999), production design,etc. best film,director, Ariesî (1999)inthenominations: Critics andFilmScholarsìGolden design, bestcostumedesign; cinematography, bestproduction fiction film,bestdirector, (1999) inthenominations:best ìGolden Ageî(1999); Yuri Tsurilo,NinaRuslanova, Nikolai Astakhov Alexei German Andrei Petrov Armen Medvedev,Alexander Lenfilm, Goskino, Svetlana Karmalita, Ekaterina Shapkaits Vladimir Ilyin ‚ ü‡Ì̇ı ÃËÓ‚‡ˇ ÔÂϸ‡ñ20.05.1998,Ãü‘ ¿ÎÂÍÒÂÈ √ÂχÌ. ÁÎÓÒÚ¸ ۯ·,‡Î˛‰ËÓÒÚ‡ÎËÒ¸...ªñ ‡Áӷ·˜ËÚÂθÌÓ ÍËÌÓ,ÌÓÔÓÚÓÏ ´fl Ò̇˜‡Î‡ıÓÚÂÎÒÌˇÚ¸ ÒÛ‰¸·˚. ÛÒÒÍÓÈ ‰Û¯ËËÚËÔ˘ÌÓÒÓ‚ÂÚÒÍÓÈ üÎÂÌÒÍÓ„Ó ñ˜ÂÎÓ‚Â͇ËÒÚËÌÌÓ „Â̇· ωˈËÌÒÍÓÈÒÎÛÊ·˚fiˡ χθ˜Ë͇, Ò˚̇„·‚ÌÓ„Ó„ÂÓˇ, 1953 „Ó‰‡.–‡ÒÒ͇Á‚‰ÂÚÒˇÓÚÎˈ‡ ‰ÌÂÈ ‚ÍÓ̈ÂÙ‚‡Îˇñ̇˜‡ÎÂχڇ ‡Á‚Ó‡˜Ë‚‡ÂÚÒˇ ‚Ú˜ÂÌËÂÌÂÒÍÓθÍËı ̇Á˚‚‡ÂÏÓÏ ƒÂ΂‡˜ÂÈ.ƒÂÈÒÚ‚Ë Œ β‰ˇıÔÓÒ΂ÓÂÌÌÓ„Ó‚ÂÏÂÌËËÚ‡Í —ӈˇθÌÓ-ËÒÚÓ˘ÂÒ͇ˇ ‰‡Ï‡. Cannes World Premiere20May1998,IFF people remained...îñAlexeiGerman. exposes, butoncetheragedisappeared, ìI firstwantedtomakeafilmthat soul andatypicallySovietdestiny. services, amanwithtrulyRussian Klensky, ageneralofthemedical boy, thesonofmainheroYuri March 1953.Thestoryisnarratedbya the endofFebruaryandbeginning action unfoldswithinseveraldaysat about theso-calledìDoctorsíPlotî.The About peopleofthepost-warperiodand Socio-historical drama. Balabanov. move towardsgenreîñAlexei it. Ihavemadethegreatestpossible the mid1990sasIunderstandandfeel this film:issimplylifeinRussia ìI donotwanttosayanythingwith the businessÖ murderer andtriestoinvolveDanilain a longtime.Hisbrotherishired elder brotherwhomhehasnotseenfor before goingtoPetersburgvisithis service tohissmallprovincialtown Danila Bagrovreturnsfromarmy Criminal actionfilm/Drama. ʇ̇ª ñ¿ÎÂÍÒÂÈ¡‡Î‡·‡ÌÓ‚. ‚ÓÁÏÓÊÌ˚È ‰ÎˇÒ·ˇ¯‡„‚ÒÚÓÓÌÛ ˜Û‚ÒÚ‚Û˛. fl҉·ÎχÍÒËχθÌÓ Ò‰ËÌ˚ 90-ı,͇ÍÓÈˇÂÂÔÓÌËχ˛Ë Ò͇Á‡Ú¸ ñÔÓÒÚÓ˝ÚÓÊËÁ̸‚–ÓÒÒËË ´ÕË˜Â„Ó ˝ÚËÏÙËθÏÓÏÌÂıÓ˜Û Ô˚Ú‡ÂÚÒˇ ‚ÚˇÌÛÚ¸ƒ‡ÌËÎÛ‚Ò‚Ó‰ÂÎÓÖ Ó͇Á˚‚‡ÂÚÒˇ ̇ÂÏÌ˚ÏÛ·ËȈÂÈË ÍÓÚÓÓ„Ó ‰‡‚ÌÓÌ‚ˉÂÎ.¡‡Ú ‰ÂÚ ‚œËÚÂÍÒÚ‡¯ÂÏÛ·‡ÚÛ, ‚ ÔÓ‚Ë̈ˇθÌ˚È„ÓÓ‰ÓÍ,‡Á‡ÚÂÏ ƒ‡ÌË· ¡‡„Ó‚‚ÓÁ‚‡˘‡ÂÚÒˇËÁ‡ÏËË üËÏË̇θÌ˚È ·Ó‚ËÍ/ƒ‡Ï‡. BROTHER ¡–¿“ ñ œËÁÁ‡ÎÛ˜¯Û˛ÏÛÊÒÍÛ˛Óθ ñ √‡Ì-ÔË´«ÓÎÓÚ‡ˇÏ‰‡Î¸ªÃü‘ ñ —ÔˆˇθÌ˚ÈÔËÁÊ˛Ë,ÔÓ˜ÂÚÌ˚È ñ —ÔˆˇθÌ˚ÈÔËÁÊ˛ËÃü‘‚ ñ √‡Ì-ÔËÙËθÏÛ,ÔËÁÁ‡ÎÛ˜¯Û˛ www.ctb.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛Ò ¿Ì‰ÂÈ ü‡ÒÍÓ,“‡Ú¸ˇÌ‡«‡ı‡Ó‚‡ Õ‡ÒÚˇ œÓ΂‡,»„Ó¸ÿË·‡ÌÓ‚, ¿Ì‰ÂÈ ‘‰ӈӂ,»„Ó¸üÓÔ˚ÎÓ‚, –‡Í¯Ë̇, ¿Ì‡ÚÓÎËÈΔÛ‡‚΂, ◊Ë„‡ÍÓ‚, —„Âȃ·ËÊ‚,»Ë̇ üÛÁ̈ӂ, ¬ˇ˜ÂÒ·‚¡ÛÚÛÒÓ‚,—„ÂÈ Ã‡Ëˇ ΔÛÍÓ‚‡,—„ÂÈÃÛÁËÌ,fiËÈ —ÛıÓÛÍÓ‚, —‚ÂÚ·̇œËÒ¸Ï˘ÂÌÍÓ, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ (´Õ‡ÛÚËÎÛÒ œÓÏÔËÎËÛÒª) —‡Û̉ÚÂÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ ¿ÎÂÍÒÂÈ ¡‡Î‡·‡ÌÓ‚ ¿‚ÚÓ ÒˆÂÌ‡ËˇËÂÊËÒÒ 1997, –ÓÒÒˡ,100ÏËÌ.,ˆ‚.,1:1.33 1997 ˉ. (—.¡Ó‰Ó‚-ÏÎ.) ñÃü‘‚◊Ë͇„Ó, ‚ “ËÂÒÚÂ,1997; ‚ üÓÚ·ÛÒÂ,1997; ‰ËÔÎÓÏ Ê˛Ë‘»œ–≈——»ñÃü‘ “ÛËÌÂ, 1997; Œ–ü‘ ´üËÌÓÚ‡‚ª,—Ó˜Ë,1997; ÏÛÊÒÍÛ˛ Óθ(—.¡Ó‰Ó‚-ÏÎ.)ñ ÇÍÒËÏ ¡ÂÎÓ‚ÓÎÓ‚ ´—“¬ª, ´»ÌÚÂÒËÌÂχ-¿Úª ÇË̇ ÀËÔ‡Úˡ —„ÂÈ ¡Ó‰Ó‚,¬ËÍÚÓ —„ÂÈ ¿ÒÚ‡ıÓ‚ Õ‡‰Âʉ‡ ¬‡ÒË肇 —„ÂÈ —ÂθˇÌÓ‚ ¬ˇ˜ÂÒ·‚ ¡ÛÚÛÒÓ‚ ¬Î‡‰ËÏË ü‡Ú‡¯Ó‚ ´—“¬ª, √Œ—ü»ÕŒ ñ Prizeforbestactor(S.BodrovJr) ñ ñ GrandPrixìGoldMedalîIFFin ñ SpecialJuryPrize,Honorary ñ SpecialJuryPrizeIFFinTurin, ñ GrandPrixforthefilm,Prize www.ctb.ru Distribution Production Producer Andrei Krasko,TatianaZakharova Nastia Poleva,IgorShibanov, Andrei Fedortsov,IgorKopylov, Irina Rakshina,AnatoliZhuravlev, Sergei Chigrakov,Debizhev, Yuri Kuznetsov,ViacheslavButusov, Maria Zhukova,SergeiMurzin, Sukhorukov, SvetlanaPismichenko, Cast: Editing Sound (ìNautilus Pompiliusî) Soundtrack Costume Design Production Design Sergei Astakhov Director ofPhotography Alexei Balabanov Scriptwriter andDirector 1997, Russia,100min.,col.,1:1.33 IFF inChicago,1997,etc. Trieste, 1997; IFF inCottbus,1997; Diploma oftheFIPRESCIJuryñ 1997; Sochi, 1997; Russian FilmFestivalKinotavr, Best Actor(S.BodrovJr).ñOpen Sergei BodrovJr,Viktor Maxim Belovolov Marina Lipartiya Sergei Selianov —“¬, Goskino Viacheslav Butusov —“¬, Intercinema-Art Nadezhda Vasilieva Vladimir Kartashov
147 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 148 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ œÓÓÔÓÒÛÊÛ̇·´—Ó‚ÂÚÒÍËÈ ñ ÀÛ˜¯ËÈËÌÓÒÚ‡ÌÌ˚ÈÙËθÏ̇ ñ œÂÏˡÙËθÏÛ,ÔÂÏˡÁ‡ÎÛ˜¯Û˛ œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ √‡ÈÎËÍÓ‚Ò͇ˇ —„ÂÈ À‡·‡ÌÍÓ‚,À˛‰ÏË· ÕË̇ “Â-ŒÒËÔˇÌ,ŒÎ¸„‡ÕËÍÓ·‚‡, ¿‰‡·‡¯¸ˇÌ, ¬‡ÎÂÌÚË̇“Â΢ÍË̇, À‡ËÒ‡ üÛÁ̈ӂ‡,¿ÎÂÍ҇̉ À˛‰ÏË· √Û˜ÂÌÍÓ,»„Ó¸ÕÂÙ‰ӂ, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ ¿‚ÚÓ ÔÂÒÂÌ üÓÒÚ˛Ï˚ ¿ÎÂÍ҇̉ ¿‰‡·‡¯¸ˇÌ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ ÕËÍËÚ‡ ÃËı‡ÎÍÓ‚ ¿ÎÂÍ҇̉ ¿‰‡·‡¯¸ˇÌ, ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 103 ÏËÌ.,ˆ‚.+˜/·,‚ËËÓ‚‡ÌÌ˚È 1978 (‚˚Ô.04.06.1979),———–, FIVE EVENINGS œfl“‹ ¬≈◊≈–Œ¬ ÎÛ˜¯ËÏ ‡ÍÚÂÓÏ1979„Ó‰‡. ˝Í‡Ìª —Ú‡ÌËÒ·‚À˛·¯ËÌÔËÁÌ‡Ì ˝Í‡Ì‡ı œÓθ¯ËË¡Ó΄‡ËË(1979); ‚ …ÂÂ,1979; ÏÛÊÒÍÛ˛ Óθ(—.À˛·¯ËÌ)ñÃü‘ ≈͇ÚÂË̇ œÓÔÓ‚‡ ›ÎÂÓÌÓ‡ œ‡ÍÒË̇ —Ú‡ÌËÒ·‚ À˛·¯ËÌ, œ‡‚ÂÎ À·¯‚ ÕËÍËÚ‡ ÃËı‡ÎÍÓ‚ Ã‡Èˇ ¿·‡-¡‡‡ÌÓ‚Ò͇ˇ ¿ÎÂÍ҇̉ —‡ÏÛÎÂÍËÌ, fiÎËÈ üËÏ ´ÃÓÒÙËθϪ ¬ËÎÎË √ÂÎΠñ Accordingtoasurveyofthejournal ñ BestforeignfilmonPolishand ñ Prizeforbestfilm,actor(S. Production Executive Director Liudmila Gailikovskaya Olga Nikolaeva,SergeiLabankov, Valentina Telichkina,NinaTer-Osipian, Kuznetsova, AlexanderAdabashian, Gurchenko, IgorNefedov,Larissa Cast: Editing Sound Songs by Maya Abar-Baranovskaya Costume Design Samulekin, AlexanderAdabashian Production Design Pavel Lebeshev Director ofPhotography Director Nikita Mikhalkov Scriptwriters min., col.&b/w 1978 (release4June1979),USSR,103 recognized asthebestactorof1979. ìSoviet ScreenîStanislavLiubshinis Bulgarian screens(1979); Liubshin) ñIFFinHyeres,1979; Stanislav Liubshin,Liudmila Ekaterina Popova Eleonora Praksina Nikita Mikhalkov Yuli Kim Mosfilm Alexander Adabashian, Alexander Villi Geller Moscow... up overseveralyears andvisited Therefore hehastaken aholidaysaved married, butheneverforgotTamara. to inaccessiblesettlements.Hehas as adriverinVorkuta,deliveringgoods passed. 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ÏÓÚË‚‡Ï Ó‰ÌÓËÏÂÌÌÓÈÔ¸ÂÒ˚ œÒËıÓÎӄ˘ÂÒ͇ˇ ÏÂÎÓ‰‡Ï‡ÔÓ personal tragedies... already hasherownprivatelifeand and hisfavouritegranddaughterwho compelled tocomebackhishouse, daughter whofromtimetois the complexrelationsofSretensky,his satisfactionÖ Thebasisoftheplotare discovery hemakesbringshimno number ofcircumstances.Butthe and whichheleftuncompletedduetoa the beginningofhisscientificcareer laboratory researchwhichhestartedat director oftheinstituteandreturnsto Vasilievich Sretenskyleavesthepostof The elderlyacademicianNikodim Drama. ÊËÁ̸ Ë΢̇ˇ‰‡Ï‡... ‚ÌÛ˜ÍË, ÛÍÓÚÓÓÈÛÊÂÒ‚ÓˇÎ˘̇ˇ ‚ÓÁ‚‡˘‡Ú¸Òˇ ‚„ӉÓÏ,Ëβ·ËÏÓÈ ‚ÂÏˇ ÓÚ‚ÂÏÂÌË‚˚ÌÛʉÂ̇ —ÂÚÂÌÒÍÓ„Ó, „ӉӘÂË,ÍÓÚÓ‡ˇ ÒÓÒÚ‡‚Ρ˛Ú ÒÎÓÊÌ˚‚Á‡ËÏÓÓÚÌÓ¯ÂÌˡ Û‰Ó‚ÎÂÚ‚ÓÂÌËˇÖ ŒÒÌÓ‚ÛÒ˛ÊÂÚ‡ ÓÚÍ˚ÚË ÌÂÔËÌÓÒËÚÂÏÛ ˇ‰Û Ó·ÒÚÓˇÚÂθÒÚ‚.ÕÓ҉·ÌÌÓ ̇ۘÌÓÈ Í‡¸Â˚ËÌÂÁ‡‚¯ÂÌÌ˚ÏÔÓ ËÒÒΉӂ‡ÌˡÏ, ̇˜‡Ú˚ς̇˜‡Î ‚ÓÁ‚‡˘‡ÂÚÒˇ Í··Ó‡ÚÓÌ˚Ï ÔÓÒÚ ‰ËÂÍÚÓ‡ËÌÒÚËÚÛÚ‡Ë —ÂÚÂÌÒÍËÈ Ì‡ÒÍÎÓÌÂÎÂÚÓÒÚ‡‚ΡÂÚ ¿Í‡‰ÂÏËÍ ÕËÍÓ‰ËϬ‡ÒËθ‚˘ ƒ‡Ï‡. THE MONOLOGUE ÌՌÀŒ√ ñ œÂÏˡÔÓθÒÍÓ„ÓÊÛ̇·´›Í‡Ìª ñ œÓ˜ÂÚÌ˚ȉËÔÎÓÏÃü‘‚ œÓËÁ‚Ó‰ÒÚ‚Ó ¿¯‡ÌÒÍËÈ ƒËÂÍÚÓ Í‡ÚËÌ˚ ≈ÎÂ̇ ü‡Ôˈ‡,√ηœÎ‡ÍÒËÌ ÀÂ̇ «‡ı‡Ó‚‡,¬Â‡ü‡‚‡ÎÂÓ‚‡, ¬ËÚ‡ÎËÈ Ã‡Ú‚Â‚,›ÌÒÚ–ÓχÌÓ‚, ÀÂÓÌˉ Õ‚‰ÓÏÒÍËÈ,√‡ÎÎËÒ, —Ú‡ÌËÒ·‚ À˛·¯ËÌ,≈‚„ÂÌˡ’‡Ì‡Â‚‡, ÇË̇ ÕÂÂÎÓ‚‡,Ç„‡ËÚ‡“ÂÂıÓ‚‡, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 1972 (‚˚Ô.09.1973),———–,100ÏËÌ.,ˆ‚. 1974 „Ó‰‡. ÎÛ˜¯ÂÏÛ ËÌÓÒÚ‡ÌÌÓÏÛÙËθÏÛ ƒÊÓ‰ÊÚ‡ÛÌÂ, √‡È‡Ì‡,1976; ›‰Û‡‰ ¬‡ÌÛ̈ ≈‚„ÂÌˡ Çı‡Ì¸ÍÓ‚‡ ÃËı‡ËÎ √ÎÛÁÒÍËÈ, ƒÏËÚËÈ ÃÂÒıË‚ »Î¸ˇ ¿‚·‡ı ».ÿ‡¯ËÎË̇ ÇË̇ ¿ÁËÁˇÌ ŒÎ„ ü‡‡‚‡È˜ÛÍ ´ÀÂÌÙËθϪ ≈‚„ÂÌËÈ √‡·ËÎӂ˘ ¿ÎÂÍ҇̉ ñ PrizeofthePolishmagazineìScreenî ñ HonoraryDiplomaIFFin Production Alexander Arshansky Executive Director Elena Kapitsa,GlebPlaksin Lena Zakharova,NadezhdaKavalerova, Vitali Matveev,ErnstRomanov, Leonid Nevedomsky,Gallis, Stanislav Liubshin,EvgeniyaKhanaeva, Margarita Terekhova, Cast: Editing Sound Composer Costume Design Production Design Dmitri MeskhievSr. Director ofPhotography Director Scriptwriter 100 min.,col. 1972 (releaseSept.1973),USSR, to thebestforeignfilmof1974. Georgetown, Guyana,1976; Mikhail Gluzsky,MarinaNeelova, Eduard Vanunts Evgeniya Makhankova Ilya Averbakh Oleg Karavaichuk Lenfilm Evgeni Gabrilovich I. Sharshilina Marina Azizian
149 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 150 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ œÂÏˡüËÌӇ͇‰ÂÏËË´ÕË͇ª œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ ¿ÎÂÍ҇̉ –‡‰¸ÍÓ —‚ÂÚ·̇ ÕÂÏÓΡ‚‡,“‡Ú¸ˇÌ‡Ã‰̇ˇ, ŒÎ¸„‡ ¬ËÍ·̉Ú,¿ÎÂÍÒÂÈ√·Á˚ËÌ, Àˉˡ ¡‡ÁËθÒ͇ˇ,¬‡ÎÂËȻ҇ÍÓ‚, ¬Î‡‰ËÏË ¬˚ÒÓˆÍËÈ,ÕË̇–ÛÒ·ÌÓ‚‡, ¬ ÓΡı: «‚ÛÍ ¬Î‡‰ËÏË ¬˚ÒÓˆÍËÈ ¿‚ÚÓ ËËÒÔÓÎÌËÚÂθÔÂÒÂÌ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ¿ÎÂÍ҇̉‡ üÓ̇‰Ó‚‡ ’Û‰ÓÊÌËÍË ŒÔ‡ÚÓ –ÂÊËÒÒ ÀÂÓÌˉ ΔÛıӂˈÍËÈ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 96 ÏËÌ.,˜/· 1967 (‚˚Ô.13.07.1967,1987),———–, SHORT ENCOUNTERS üŒ–Œ“ü»≈ ¬—“–≈◊» ´«Ì‡Í ·Â‰˚ª. ‚ÒÚ˜˪, ´«‡‚Ú‡·˚·‚ÓÈ̇ª, –ÛÒ·ÌÓ‚‡ Á‡ÙËθÏ˚:´üÓÓÚÍË Á‡ 1987„Ó‰ñ‡ÍÚËÒ‡ÕË̇ »„Ó¸ —ÍË̉ üˇ ÃÛ‡ÚÓ‚‡, √ÂÌ̇‰ËÈ ü‡˛Í üˇ ÃÛ‡ÚÓ‚‡ À. “ÓÎÒÚ˚ı ŒÎ„ œÂ‰ÂËÈ, ŒÎ„ ü‡‡‚‡È˜ÛÍ Œ‰ÂÒÒ͇ˇ ÍËÌÓÒÚÛ‰Ëˇ üˇ ÃÛ‡ÚÓ‚‡, ¿ÎÂÍÒÂÈ —‰˛ÍÓ‚ ñ PrizeoftheFilmAcademyNIKAfor Production Executive Director Alexander Radko Svetlana Nemoliaeva,TatianaMednaya, Olga Viklandt,AlexeiGlazyrin, Lydia Bazilskaya,ValeriIsakov, Vysotsky, NinaRuslanova, Cast: Sound Vladimir Vysotsky Songs writtenandperformedby Composer Costume Design Alexandra Konardova Production Design Gennadi Kariuk Director ofPhotography Director Leonid Zhukhovitsky Scriptwriters USSR, 96min.,b/w 1967 (release13July1967,and1987), Troubleî. ìTomorrow therewasWarî,ìSignof films: ìShortEncountersî, 1987: actressNinaRuslanovaforthe Kira Muratova,Vladimir Igor Skinder Kira Muratova Oleg Karavaichuk Odessa FilmStudio Kira Muratova, L. Tolstykh Oleg Peredery, Alexei Serdiukov „Ó‰Û Í‡ÚË̇‚ÌÓ‚¸‚˚¯Î‡Ì‡˝Í‡Ì˚. ˜ÚÓ ·˚ÎÓ҉·ÌÓ725ÍÓÔËÈ.¬1987 ÓÒÚ‡ÌÓ‚ÎÂÌ ‚ÔÓ͇ÚÂ,ÌÂÒÏÓÚˇÌ‡ÚÓ, —Ó·‡‚ 4.4ÏÎÌ.ÁËÚÂÎÂÈ,ÙËθϷ˚Î ‰Û„‡, Ó̇ÔÓÍËÌÂÚ˝ÚÓÚ‰ÓÏÖ Ã‡ÍÒËÏ Ë¬‡ÎÂÌÚËÌ‡Î˛·ˇÚ‰Û„ ‰Óχ·ÓÚÌˈ˚. üÓ„‰‡Ó̇ÔÓÈÏÂÚ,˜ÚÓ ÓÒÚ‡ÂÚÒˇ Á‰ÂÒ¸ÊËڸ̇ԇ‚‡ı Ô‰ÎÓÊÂÌ˲ ÏÓÎÓ‰ÓÈıÓÁˇÈÍË Ó·˙ˇÒÌËÚ¸ Ô˘ËÌÛÒ‚Ó„ӂËÁËÚ‡ËÔÓ —‚ËˉӂÓÈ. Õ‡‰ˇÌÂÏÓÊÂÚÚÓÎÍÓÏ ‡ÈÒÓ‚ÂÚ‡ ¬‡ÎÂÌÚËÌ˚»‚‡ÌÓ‚Ì˚ ÔÓÔ‡‰‡ÂÚ ‚Í‚‡ÚËÛÔ‰Ò‰‡ÚÂΡ ÔËÂÁʇÂÚ ‚„ÓÓ‰,„‰ÂÓÌÊË‚ÂÚ,Ë ƒÂ‚ۯ͇ Ú‡ÈÍÓωÓÒÚ‡ÂÚ„Ӈ‰ÂÒ, ‚Ì ˝ÍÒÔ‰ˈËË̉‡ÂÚÂÈÔÓÍÓˇ. „ÂÓÎÓ„‡ ÇÍÒËχ,Ë„Ó΢̇ˇÊËÁ̸ œÓ‚‡Ëı‡ ˝ÍÒÔ‰ˈËËÕ‡‰ˇÎ˛·ËÚ ΔÛıӂˈÍÓ„Ó. ÃÂÎÓ‰‡Ï‡ ÔÓÓ˜ÂÍÛÀÂÓÌˉ‡ again released. been prepared.In1987thefilmwas despite thefactthat725copieshad the filmwasstoppedindistribution Having attracted4.4millionspectators, leaves thehouseÖ Valentina reallylikeeachother,she When sheunderstandsthatMaximand mistress, shestaysñashousekeeper. her visitand,assuggestedbytheyoung cannot properlyexplainthereasonof Valentina IvanovnaSviridova.Nadya chairman ofthedistrictcouncil arrives attheapartmentof goes tothecitywherehelives,and rest. Thegirlsecretlygetshisaddress, outside hisexpeditionsdoesnotlether geologist Maxim;buthisprivatelife for expeditions,fallsinlovewiththe Nadya, whoworksasacookcatering Zhukhovitskyís sketch. Melodrama basedonLeonid ìPrologueî. Airî, ìUnexpectedDownpour.Augustî, Compoteî, ìOutdoorGamesattheOpen ìSleeplessness. MidSummerî,ìCherry Masquerade: SecondActî, White Stoneî,ìTheMisanthropeî, stories: ìEpilogueî,ìWhoiswhoî,ìThe on... Thenarrativeconsistsof11short everything willbedifferentfromnow time hehasthesensationthat dreams areshattered,butforthefirst date withher,afterwhichallhis attention: hewriteslettersandgetsa awkward attemptstoattractLenaís group leaderGlebLunev.Mityamakes Lena Ergolina,hashereyessetonthe for thefirsttime,buthischosenone, summer inapioneercamp.Heislove Mitya Lopukhinspendshislastschool same title. Alexander Alexandrovísstoryofthe Lyrical dramabasedonthemotivesof ¿‚„ÛÒÚª, ´œÓÎÓ„ª. ‚ÓÁ‰Ûıª, ´ÕÂÓÊˉ‡ÌÌ˚ÈÎË‚Â̸. ´œÓ‰‚ËÊÌ˚ ˄˚̇҂ÂÊÂÏ ÎÂÚ‡ª, ´üÓÏÔÓÚËÁ‚˯Ì˪, ¿ÍÚ ‚ÚÓÓȪ,´¡ÂÒÒÓÌÌˈ‡.—‰Ë̇ ͇ÏÂ̸ª, ´ÃËÁ‡ÌÚÓÔª,´Ã‡Ò͇‡‰. ´›ÔËÎÓ„ª, ´üÚÓÂÒÚ¸ÍÚÓª,´¡ÂÎ˚È ÔÓ‚ÂÒÚ‚Ó‚‡Ìˡ ÒÓÒÚÓËÚËÁ11ÌÓ‚ÂÎÎ: ‚Ò ·Û‰ÂÚË̇˜Â...—˛ÊÂÚ ÔËıÓ‰ËÚ Ó˘Û˘ÂÌËÂÚÓ„Ó,˜ÚÓÚÂÔ¸ Â„Ó Ï˜Ú˚Û¯‡ÚÒˇ,ÌÓÍÌÂÏÛ‚Ô‚˚ ‰Ó·Ë‚‡ÂÚÒˇ ҂ˉ‡Ìˡ,ÔÓÒΘ„ӂÒ ‚ÌËχÌˡ ÀÂÌ˚,Ô˯ÂÚÂÈÔËÒ¸ÏÓË ÌÂÎÓ‚ÍË ÔÓÔ˚ÚÍËÔ˂Θ¸ÍÒ· ÓÚˇ‰‡ √ηÓÏÀÛÌ‚˚Ï.ÃËÚˇ‰Â·ÂÚ ÀÂ̇ ≈„ÓÎË̇ñۂΘÂ̇ÎˉÂÓÏ ‚Ô‚˚ ‚β·ÎÂÌ,ÌÓ„ÓËÁ·‡ÌÌˈ‡ñ ·„ ÔÓÒΉÌ¯ÍÓθÌÓÂÎÂÚÓ.ŒÌ ÃËÚˇ ÀÓÔÛıËÌÔÓ‚Ó‰ËÚ‚ÔËÓÌÂÒÍÓÏ ¿ÎÂÍ҇̉ӂ‡. Ó‰ÌÓËÏÂÌÌÓÈ ÔÓ‚ÂÒÚË¿ÎÂÍ҇̉‡ ÀˢÂÒ͇ˇ ‰‡Ï‡ÔÓÏÓÚË‚‡Ï ONE HUNDREDDAYSAFTERCHILDHOOD —“Œ ƒÕ≈…œŒ—À≈ƒ≈“—“¬¿ ñ √·‚Ì˚ÈÔËÁÁ‡ÎÛ˜¯Û˛ÂÊËÒÒÛÛ ñ √·‚̇ˇÔÂÏˡÍÓÎÎÂÍÚË‚ÛËÔËÁ ñ —·ˇÌ‡ˇÏ‰‡Î¸Ãü‘‚ ñ ´—·ˇÌ˚Èω‚‰¸ªÁ‡ÎÛ˜¯Û˛ ñ œÂÏˡÀÂÌËÌÒÍÓ„ÓÍÓÏÒÓÏÓ· ñ √ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚ÂÔÂÏËË———– œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ —„ÂÈ ’ηÌËÍÓ‚,¬ËÍÚÓÇÍËÌ fi‡ —ÓÍËÌ,“‡Ú¸ˇÌ‡fiËÌÓ‚‡, ¿ÎÂÈÌËÍÓ‚‡, ¿Ì‰ÂÈ«‚ˇ„ËÌ, ÕË̇ ÃÂ̸¯ËÍÓ‚‡,¿Ë̇ fiËÈ ¿„ËÎËÌ,—„ÂÈÿ‡ÍÛÓ‚, “‡Ú¸ˇÌ‡ ƒÛ·Ë˜,»Ë̇ÇÎ˚¯Â‚‡, ¬ ÓΡı: ¬Î‡‰ËÏË ¡‡ıχˆÍËÈ «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿ÎÂÍ҇̉ӂ, —„ÂÈ—ÓÎÓ‚¸Â‚ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 94 ÏËÌ.,ˆ‚.,1:2.35 1975 (‚˚Ô.01.12.1975),———–, ¡Â΄‡‰Â, 1976ˉ. ñ Ãü‘‰ÂÚÒÍËıÙËθÏÓ‚‚ ¬ü‘, „.‘ÛÌÁÂ,1976; Á‡ ÎÛ˜¯Û˛ÓÔ‡ÚÓÒÍÛ˛‡·ÓÚÛ ñ ¿‚ÂÎÎËÌÓ, 1976; ¡ÂÎËÌÂ, 1975; ÂÊËÒÒÛÛ ñÃü‘‚«‡Ô‡‰ÌÓÏ (1976, ˝ÚÓÏÛÊÂÒÓÒÚ‡‚Û); ¿.¡ÓËÒÓ‚); À.ü‡Î‡¯ÌËÍÓ‚, ıÛ‰ÓÊÌËÍ ÂÊËÒÒ —.—ÓÎÓ‚¸Â‚,ÓÔ‡ÚÓ ¿.¿ÎÂÍ҇̉ӂ, ÒˆÂ̇ËÒÚË (1977, Û‰ÓÒÚÓÂÌ˚ÒˆÂ̇ËÒÚ ¬Î‡‰ËÏË ü‡˜ÍÓ‚ÒÍËÈ, ¡ÓËÒ “Ó͇‚, ÀÂÓÌˉ ü‡Î‡¯ÌËÍÓ‚ —„ÂÈ —ÓÎÓ‚¸Â‚ À˛‰ÏË· üÛÒ‡ÍÓ‚‡ ¿ÎÂÍ҇̉ ¡ÓËÒÓ‚ »Ò‡‡Í ÿ‚‡ˆ ´ÃÓÒÙËθϪ ¿ÎÂÍ҇̉ ¡ÓËÒ √ÓÒÚ˚ÌÒÍËÈ ñ MainPrizeforbestdirectionIFFof ñ MainPrizetothecollectiveand ñ SilverMedal,IFFinAvellino,1976; ñ ìSilverBearîforbestdirectionIFF ñ PrizeoftheLeninKomsomol(1976, ñ StatePrizeoftheUSSR(1977,script Production Executive Director Khlebnikov, ViktorMarkin Yura Sorkin,TatianaYurinova,Sergei Arina Aleinikova,AndreiZviagin, Sergei Shakurov,NinaMenshikova, Irina Malysheva,YuriAgilin, Cast: Vladimir Bakhmatsky Sound Composer Costume Design Production Design Kalashnikov Director ofPhotography Director Sergei Soloviev Scriptwriters min., col,1:2.35 1975 (release1Dec.1975),USSR,94 childrenís filmsinBelgrade,1976,etc. Film FestivalFrunze,1976; for BestCinematographyñAll-Union in WestBerlin,1975; same recipients); production designerA.Borisov); cinematographer L.Kalashnikov, and directorS.Soloviev, writer A.Alexandrov,scriptwriter Boris Tokarev,TatianaDrubich, Vladimir Krachkovsky, Sergei Soloviev Isaak Schwarz Mosfilm Alexander Alexandrov, Liudmila Kusakova Alexander Borisov Boris Gostynsky Leonid
151 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 152 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ œËÁ‘ÂÒÚË‚‡Îˇ‡ÍÚÂÓ‚ÍËÌÓ ñ œÂÏˡüËÌӇ͇‰ÂÏËË´ÕË͇ª ñ ´—·ˇÌ˚Èω‚‰¸ª,ÒÔˆˇθÌ˚È ÔË Û˜‡ÒÚËË√ÓÒÍËÌÓ œÓËÁ‚Ó‰ÒÚ‚Ó √„‡Ï “‡¯˜‡Ì ƒËÂÍÚÓ˚ ͇ÚËÌ˚ ÀÂÓÌˉ üÛ¯ÌË ¬Â‡ —ÚÓÓÊ‚‡,¿ÎÂÍ҇̉◊ÂÌ˚ı, ÕËÍÓÎ‡È —ÂÏÂÌÓ‚,ŒÎ„ÿÍÓθÌËÍ, √‡ÎË̇ ü‡ÒÔÂӂ˘,¬ËÍÚÓ¿ËÒÚÓ‚, œ‡‚ÂÎ œÓÎˢÛÍ,Շڇθˇ–‡Î΂‡, Շڇθˇ ¡ÛÁ¸ÍÓ,¿ÎÂÍ҇̉‡—‚ÂÌÒ͇ˇ, —„ÂÈ œÓÔÓ‚,√‡ÎË̇«‡ıÛ‰‡Â‚‡, ¬ ÓΡı: «‚ÛÍ ÃÛÁ˚͇ üÓÒÚ˛Ï˚ ƒÂÍÓ‡ˆËË ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿ÎÂÍ҇̉ ◊ÂÌ˚ı,üˇÃÛ‡ÚÓ‚‡ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1:1.37, ÏÓÌÓ 1989, ———–,153ÏËÌ.,ˆ‚.+˜/·, ASTHENIC SYNDROME ¿—“≈Õ»◊≈—ü»… —»Õƒ–ŒÃ ´—ÓÁ‚ÂÁ‰Ëª (ŒÎ¸„‡¿ÌÚÓÌÓ‚‡),1990. (1990) ñÁ‡ÎÛ˜¯ËÈË„Ó‚ÓÈÙËθÏ; ¡ÂpÎËÌÂ, 1990; ÔËÁ Ê˛ËñÃü‘‚«‡Ô‡‰ÌÓÏ ≈ÎÂ̇ ƒÂÏˉӂ‡ ‘‡Ìˆ ÿÛ·ÂÚ ŒÎ¸„‡ ¿ÌÚÓÌÓ‚‡, ¬Î‡‰ËÏË œ‡ÌÍÓ‚ üˇ ÃÛ‡ÚÓ‚‡ Ã. ¡Ó‰ÍË̇ ŒÎ„ »‚‡ÌÓ‚ ≈‚„ÂÌËÈ √ÓÎÛ·ÂÌÍÓ Œ‰ÂÒÒ͇ˇ ÍËÌÓÒÚÛ‰Ëˇ, —„ÂÈ œÓÔÓ‚, Õ‡‰Âʉ‡ œÓÔÓ‚‡, ñ PrizeoftheFestivalFilmActors ñ PrizeoftheFilmAcademyNIKA ñ ìSilverBearî,SpecialJuryPrize with participationofGoskino Production Gegam Tashchan Executive Director Alexander Chernykh,LeonidKushnir Oleg Shkolnik,VeraStorozheva, Viktor Aristov,NikolaiSemenov, Natalia Ralleva,GalinaKasperovich, Alexandra Svenskaya,PavelPolishchuk, Galina Zakhurdaeva,NataliaBuzko, Cast: Sound Music Costume Design Set Production Design Vladimir Pankov Director ofPhotography Director Alexander Chernykh,KiraMuratova Scriptwriters 1:1.37, mono 1989, USSR,153min.,col.&b/w, ìSozvezdieî (OlgaAntonova),1990. (1990) forbestfictionfilm; IFF inBerlin,1990; Evgeni Golubenko Olga Antonova,SergeiPopov, Franz Schubert Elena Demidova Kira Muratova Odessa FilmStudio, Sergei Popov, M. Brodkina Oleg Ivanov Nadezhda Popova, Ò‡ÏÓÏ ‰ÂÎÂ... ÒÚ‡ÌÓ‚ËÚÒˇ Ú‡ÍËÏ,͇ÍÓÈÓÌÂÒڸ̇ ÏÛʇ, β·ËÏÓ„Ó˜ÂÎÓ‚Â͇,ñËÏË ΔÂÌ˘Ë̇ ÔÓËÏÂÌËÕ‡Ú‡¯‡ıÓÓÌËÚ ƒ‡Ï‡. world turnsintowhatitactuallyis... husband, herfavouriteperson,andthe A womancalledNatashaburiesher Drama. youth andthefutureofoldage. own lives,throughthepastpftheir some forty-year-oldmenthroughtheir fantastic storyaboutthejourneyof A parableaboutfreedom,analmost ÏÓÎÓ‰ÓÒÚ¸ Ë·Û‰Û˘Û˛ÒÚ‡ÓÒÚ¸. ÒÓ·ÒÚ‚ÂÌÌÓÈ ÊËÁÌ˘ÂÂÁÔӯ‰¯Û˛ ÔÛÚ¯ÂÒÚ‚ËË ÒÓÓ͇ÎÂÚÌËıÏÛʘËÌÔÓ Ù‡ÌÚ‡ÒÚ˘ÂÒ͇ˇ ËÒÚÓËˇÓ œËÚ˜‡ ÓÒ‚Ó·Ó‰Â,ÔÓ˜ÚË PARADE OFPLANETS œ¿–¿ƒ œÀ¿Õ≈“ ñ √·‚Ì˚ÈÔËÁ´«ÓÎÓÚÓÂÔ·ÚÓªÁ‡ œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ ÿËχÌÒ͇ˇ, ¿ÌÊÂÎË͇Õ‚ÓÎË̇ √ˈÂÌÍÓ, ≈ÎÂ̇ÇÈÓÓ‚‡,ÇË̇ ¿ÎÂÍÒÂÈ Δ‡ÍÓ‚,¡ÓËÒ–ÓχÌÓ‚,ÀËÎˡ ¿ÎÂÍ҇̉ œ‡¯ÛÚËÌ,œÂÚ«‡È˜ÂÌÍÓ, —„ÂÈ ÿ‡ÍÛÓ‚,ÕËÍÓÌÂÌÍÓ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ ÏËÌ., ˆ‚. 1984 (‚˚Ô.23.11.1984),———–,97 Ãü‘ ‚¿‚ÂÎÎËÌÓ,1985. (¬‡‰ËÏ ¿·‰‡¯ËÚÓ‚)ñ ÎÛ˜¯Û˛ ÂÊËÒÒÛÛ flÌ œÓÚÓˆÍËÈ ŒÎ„ ¡ÓËÒÓ‚, ¬Î‡‰ËÏË ÿ‚ˆËÍ ¬‡‰ËÏ ¿·‰‡¯ËÚÓ‚ –ÓÁ‡ —‡ÚÛÌÓ‚Ò͇ˇ ¿ÎÂÍ҇̉ “ÓÎ͇˜Â‚ ¬ˇ˜ÂÒ·‚ √‡ÌÂÎËÌ ´ÃÓÒÙËθϪ ¿ÎÂÍ҇̉ ÃË̉‡‰Á À˛‰ÏË· √‡·Â·ˇ ñ ìGoldenPlateauîAwardforbest Production Executive Director Anzhelika Nevolina Mayorova, MarinaShimanskaya, Romanov, LiliaGritsenko,Elena Petr Zaichenko,AlexeiZharkov,Boris Sergei Nikonenko,AlexanderPashutin, Cast: Sound Composer Costume Design Production Design Vladimir Shevtsik Director ofPhotography Director Scriptwriter min., col. 1984 (release11Nov.1984),USSR,97 in Avellino,1985 direction (VadimAbdrashitov)ñIFF Oleg Borisov,SergeiShakurov, Yan Pototsky Vadim Abdrashitov Viacheslav Ganelin Mosfilm Alexander Mindadze Roza Satunovskaya Alexander Tolkachev Liudmila Gabelaya
153 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 154 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors ñ œËÁÃ√ü¬Àü—ìÒÂÒÓ˛Á̇ˇ œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ ¬Î‡‰ËÏË œËˆÂÍ «Óˇ »Ò‡Â‚‡,À˛‰ÏË·ü‡‡Û¯, ¬‡ÎÂÌÚËÌ √‡˜Â‚,√Û„ẪʇÌË·Â͡Ì, »„Ó¸ flÒÛÎӂ˘,»Î¸ˇ–Ûڷ„, ÀÂÓÌˉ ≈Ì„Ë·‡Ó‚,–ÛÒ·̿ıÏÂÚÓ‚, ¿ÎÂÍÒÂÈ —ÏËÌÓ‚,‘ÛÌÁËÍÃÍÚ˜ˇÌ, Àˉˡ üÌˇÁ‚‡,≈‚„ÂÌËȬ‡ÒËθ‚, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ¬ËÍÚÓ flÍۯ‚ ŒÔ‡ÚÓ˚ –ÂÊËÒÒ –ÓÎ‡Ì ¡˚ÍÓ‚ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 99 ÏËÌ.,ˆ‚.,1:1.87/1:2.35 1966 (‚˚Ô.19.04.1967),———–, AIBOLIT 66 ¿…¡ŒÀ»“-66 ̉ÂΡ ‰ÂÚÒÍÓ„ÓÙËθχ,1967. fiËÈ –‡·ËÌӂ˘ ŒÎ„ ≈ÙÂÏÓ‚,–Ó·̡˚ÍÓ‚, –ÓÎ‡Ì ¡˚ÍÓ‚ À˛‰ÏË· üÛÒ‡ÍÓ‚‡ ¿ÎÂÍ҇̉ üÛÁ̈ӂ √ÂÌ̇‰ËÈ ÷Â͇‚˚È, ¡ÓËÒ ◊‡ÈÍÓ‚ÒÍËÈ ´ÃÓÒÙËθϪ ¬‡‰ËÏ üÓÓÒÚ˚΂, ¡ÓËÒ √ÓÒÚ˚ÌÒÍËÈ ñ PrizeoftheLeninCommunistYouth Production Executive Director Isaeva, LiudmilaKaraush,VladimirPitsek Grachev, GurgenDzhanibekian,Zoya Yasulovich, IlyaRutberg,Valentin Engibarov, RuslanAkhmetov,Igor Smirnov, FrunzikMkrtchian,Leonid Lydia Kniazeva,EvgeniVasiliev,Alexei Cast: Sound Composer Costume Design Alexander Kuznetsov Production Design Gennadi Tsekavy,ViktorYakushev Director ofPhotography Director Rolan Bykov Scriptwriters min., col.,1:1.87/1:2.35 1966 (release19April1967),USSR,99 Childrenís Film,1967. League ñAll-UnionWeekof Oleg Efremov,RolanBykov, Yuri Rabinovich Rolan Bykov Boris Chaikovsky Mosfilm Vadim Korostylev, Liudmila Kusakova Boris Gostynsky ̇ÒÚÓˇ˘ËÏË ‡ÍÚ‡ÏË. ڇ̈‡ÏË, ÌÂ̇ÒÚÓˇ˘ÂÈÒÚÂθ·ÓÈË ‚ÁÓÒÎ˚ı ñÒÔÂÒÌˇÏË,ÏÛÁ˚ÍÓÈ, ´¿È·ÓÎËÚª, Ô‰ÒÚ‡‚ÎÂÌË‰Ρ‰ÂÚÂÈË ÍÓωˡ ÔÓÒ͇ÁÍÂüÓÌ¡◊ÛÍÓ‚ÒÍÓ„Ó ›ÍÒˆÂÌÚ˘ÂÒ͇ˇ ÏÛÁ˚͇θ̇ˇ shooting andrealactors. with songs,music,dances,unreal representation forchildrenandadults ìAibolitî (Ouch-it-hurts),a fairy talebyKorneiChukovsky Eccentric musicalcomedybasedonthe still hopestobeuseful... Malyanov remainsineffectaloneand the departureofhisonlyfriend every reasonsandrighttoleave.After die, killthemselves,gomad.Dmitrihas However, peopleleavethisworld:they treats peopleandisalmosthappy. conscience remainsquiet.Heworks, impossible tohide.InitiallyMalyanovís heat andemptinesswhereitis range ofwaysalife,poorurbanism, with amultilingualenvironment, assigned toasmalltowninCentralAsia The youngdoctorDmitriMalyanovis doomsdayî. story ìForabillionyearsupto motives oftheStrugatskyBrothersí Social anti-utopia,parableonthe Â˘Â Ì‡‰ÂÂÚÒˇ·˚Ú¸ÔÓÎÂÁÌ˚Ï... Ã‡ÎˇÌÓ‚ ÓÒÚ‡ÂÚÒˇ‚ÒÛ˘ÌÓÒÚËÓ‰ËÌË œÓÒΠÓÚ˙ÂÁ‰‡Â‰ËÌÒÚ‚ÂÌÌÓ„Ó‰Û„‡ ÓÒÌÓ‚‡Ìˡ ËÔ‡‚ÓÛÂı‡Ú¸ÓÚÒ˛‰‡. ÒıÓ‰ˇÚ ÒÛχ.ƒÏËÚËÈËÏÂÂÚ‚Ò ÏË ñÛÏˇ˛Ú,ÍÓ̘‡˛ÚÒÒÓ·ÓÈ, Ò˜‡ÒÚÎË‚. Œ‰Ì‡ÍÓβ‰ËÔÓÍˉ‡˛Ú˝ÚÓÚ ‡·ÓÚ‡ÂÚ, ΘËÚβ‰ÂÈñÔÓ˜ÚË ÒÓ‚ÂÒÚ¸ Ã‡ÎˇÌÓ‚‡ÒÔÓÍÓÈ̇.ŒÌ ÒÍ˚Ú¸ Ò·ˇÌ‚ÓÁÏÓÊÌÓ.»Á̇˜‡Î¸ÌÓ Ê‡ÓÈ ËÔÛÒÚ˚ÌÌÓÒÚ¸˛,‚ÍÓÚÓÓÈ ÛÍ·‰ÓÏ ·˚Ú‡,Û·Ó„ËÏÛ·‡ÌËÁÏÓÏ, ÏÌÓ„ÓˇÁ˚˜ÌÓÈ Ò‰ÓÈ,‡Á΢Ì˚Ï Ò‰Ì‡ÁˇÚÒÍËÈ „ÓÓ‰ÓÍÒ ÔËÂÁʇÂÚ ÔÓ‡ÒÔ‰ÂÎÂÌ˲‚ ÃÓÎÓ‰ÓÈ ‚‡˜ƒÏËÚËÈÃ‡ÎˇÌÓ‚ ´«‡ ÏËÎΡ‰ÎÂÚ‰ÓÍÓ̈‡Ò‚ÂÚ‡ª. ÏÓÚË‚‡Ï ÔÓ‚ÂÒÚË·‡Ú¸Â‚—ÚÛ„‡ˆÍËı —ӈˇθ̇ˇ ‡ÌÚËÛÚÓÔˡ,ÔËÚ˜‡ÔÓ DAYS OFECLIPSE ƒÕ» «¿“Ã≈Õ»fl ñ ÀËÚ‡ÚÛ̇ˇÔÂÏˡ´—Ú‡ÌÌËͪ ñ œËÁ—ü———–Á‡ÎÛ˜¯Û˛‡·ÓÚÛ ñ œÂÏˡüËÌӇ͇‰ÂÏËË´ÕË͇ª ñ ƒËÔÎÓÏ˚Ãü‘‚“ÓÓÌÚÓË ñ ŒÒÓ·˚ÈÔËÁ≈‚ÓÔÂÈÒÍÓÈ ´“ÓˈÍËÈ ÏÓÒÚª œÓËÁ‚Ó‰ÒÚ‚Ó ƒËÂÍÚÓ Í‡ÚËÌ˚ ¬ËÍÚÓ ¡ÂÎÓ‚ÓθÒÍËÈ,—ÂÂʇü˚ÎÓ‚ üËËÎÎ ƒÛ‰ÍËÌ,¿ÎÂÍÒÂÈflÌÍÓ‚ÒÍËÈ, ¬Î‡‰ËÏË «‡Ï‡ÌÒÍËÈ, ›ÒÍẨ ”χӂ,»Ë̇—ÓÍÓÎÓ‚‡, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿Í‡‰Ëˇ —ÚÛ„‡ˆÍËı Û˜‡ÒÚËË œÂÚ‡ü‡‰Ó˜ÌËÍÓ‚‡,¡ÓËÒ‡Ë ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 1988, ———–,125ÏËÌ.,ˆ‚.,1:2.35 (¿.—ÓÍÛÓ‚). Ù‡ÌÚ‡ÒÚ˘ÂÒÍÓ„Ó ÍËÌÂχÚÓ„‡Ù‡ª ‚ ÌÓÏË̇ˆËË´À„Ẩ‡ÛÒÒÍÓ„Ó ÓÔ‡ÚÓ‡; Á‚ÛÍÓÂÊËÒÒÛ‡ª; (1988) ‚ÌÓÏË̇ˆËË´ÎÛ˜¯‡ˇ ŒÌÚ‡ËÓ, 1988; ÎÛ˜¯Û˛ ÏÛÁ˚ÍÛÍÙËθÏÛ; ÍËÌӇ͇‰ÂÏËË ´‘ÂÎËÍÒª(1988)Á‡ ¬Î‡‰ËÏË œÂÒÓ‚ ¿ÎÂÍÒÂÈ ¿Ì‡Ì˯ÌÓ‚, —„ÂÈ fiËÁ‰ËˆÍËÈ ¿ÎÂÍ҇̉ —ÓÍÛÓ‚ Àˉˡ ü˛ÍÓ‚‡ ≈ÎÂ̇ ¿Ï¯ËÌÒ͇ˇ fiËÈ ’‡ÌËÌ ´ÀÂÌÙËθϪ, fiËÈ ¿‡·Ó‚ÔË “‡Ú¸ˇÌ‡ Õ‡ÛÏÓ‚‡ ñ LiteraryawardìWandererîinthe ñ PrizeoftheFilmmakersíUnion ñ PrizeoftheFilmAcademyNIKA ñ DiplomasattheIFFinTorontoand ñ SpecialPrizeoftheEuropeanFilm Production Executive Director Serezha Krylov Yankovsky, ViktorBelovolsky, Zamansky, KirillDudkin,Alexei Umarov, IrinaSokolova,Vladimir Cast: Sound Composer Costume Design Production Design Yurizditsky Director ofPhotography Director Boris andArkadiStrugatskikh with participationofPetrKadochnikov, Scriptwriter 1988, USSR,125min.,col.,1:2.35 Fantastic Cinemaî(A.Sokurov). nomination ìLegendofRussian USSR forbestcinematography; soundî; (1988) inthenominationìbest Ontario, 1988; music; Academy FELIX(1988)forbestfilm Alexei Ananishnov,Eskender Vladimir Persov Alexander Sokurov Yuri Khanin Lenfilm, ìTroitskyMostî Yuri Arabov, Lydia Kriukova Elena Amshinskaya Tatiana Naumova Sergei
155 1958-2000. ÎÛ˜¯Ë ÙËθÏ˚ Ë ÂÊËÒÒÂ˚ 1958-2000: the best films and directors 80-Â: œÂ‰ ·ÛÂÈ the 1980s: before the storm
” Ì‡Ò ·˚· ‚ÂÎË͇ˇ ˝ÔÓı‡. üÓÚÓÛ˛ Ï˚ Ì Á‡ÏÂÚËÎË. It was a great epoch. One which we did not notice. —ÚÓ„Ó „Ó‚Óˇ, Û Ì‡Ò Ëı ·˚ÎÓ ÌÂÒÍÓθÍÓ, Ë Í‡Ê‰‡ˇ ËÁ ÌËı Strictly speaking, we had several such eras and each of them ËÁÓ·ËÎÓ‚‡Î‡ ۉ˂ËÚÂθÌ˚ÏË ÓÚÍ˚ÚˡÏË ‚ ӷ·ÒÚË abounded with surprising discoveries in the field of culture ÍÛθÚÛ˚ Ë ËÒÍÛÒÒÚ‚‡, ÏÓ˘Ì˚ÏË ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚ÏË, ‰‡ Ë and art, with powerful artistic and social fulfilment. One such ÒӈˇθÌ˚ÏË Ò‚Â¯ÂÌˡÏË. Œ‰ÌÓÈ ˝ÔÓı ñ 60-Ï „Ó‰‡Ï ’’ epoch, the 1960s, were lucky enough to have found ‚Â͇ ñ ÔÓ‚ÂÁÎÓ,  ӈÂÌËÎË ÔÓ ‰ÓÒÚÓËÌÒÚ‚Û, Ú‡ÍÊ ÌÂχÎ˚ appreciation, and considerable honours were done to another ÔÓ˜ÂÒÚË ‚ÓÁ‰‡ÎË Ë ‰Û„ÓÈ ˝ÔÓı ñ Ô‰‚ÓβˆËÓÌÌÓÈ. ¿ epoch, the pre-Revolutionary era. But perestroika has not been ‚ÓÚ ÔÂÂÒÚÓÈÍ ÔÓ‚ÂÁÎÓ Ì ÒÎ˯ÍÓÏ. ¬ ËÒÚÓ˲ Ó̇ ‚ÓȉÂÚ too lucky. It will enter history more likely not as a time of ÒÍÓ ÌÂ Í‡Í ‚ÂÏˇ ÒÓÁˉ‡Ìˡ, ‡ Í‡Í ‚ÂÏˇ ‡ÁÛ¯ÂÌˡ. creation, but as a time of destruction: a destruction that was –‡ÁÛ¯ÂÌˡ ‚‡ÊÌÓ„Ó Ë ·Î‡„Ó„Ó ‰Îˇ Ó·˘ÂÒÚ‚‡, ÌÓ ñ both important and good for society, but that was nevertheless ‡ÁÛ¯ÂÌˡ. —ÓÁ‰‡ÌÌÓ ҇ÏÓÈ ˝ÔÓıÓÈ Í‡Í-ÚÓ Á‡·Û‰ÂÚÒˇ, destruction. What was created in the epoch was somehow ÒÓÚÂÚÒˇ ËÁ Ô‡ÏˇÚË. »·Ó ‚ ÍÓ̈ 80-ı ‚Ò ̇ÒÚÓθÍÓ „ÓÂÎË forgotten and erased from memory. Because at the end of the Ô‡ÙÓÒÓÏ Ò‚Â‰ÂÌˡ Ò˜ÂÚÓ‚ Ò ÔÓ¯Î˚Ï, ˜ÚÓ Ì‡ÒÚÓˇ˘Â 1980s everybody was inflamed with the pathos of squaring Á‡ÏÂÚËÚ¸ ÔÓÒÚÓ Ì ÛÒÔ‚‡ÎË. » Î˯¸ ËÌÓ„‰‡ ‡Á‰‡‚‡ÎËÒ¸ accounts with the past, and people simply had no time to ·˛Áʇ˘Ë „ÓÎÓÒ‡: Ï˚, ‰ÂÒ͇ڸ, ʉ‡ÎË Ò ÔËıÓ‰ÓÏ Ò‚Ó·Ó‰˚ notice the present. Only a few grumbling voices could ÌÓ‚˚ı ҂¯ÂÌËÈ ‚ ËÒÍÛÒÒÚ‚Â, ‡ Ëı ‚Ò ÌÂÚ Ë ÌÂÚ. sometimes be heard: we expected the arrival of freedom and ÃÂÊ ÚÂÏ ÓÌË ·˚ÎË. ÕÂÚ ‚ÓÁÏÓÊÌÓÒÚË ‚ ‰‡ÌÌÓÈ Á‡ÏÂÚÍ new artistic fulfilment, but this is not happening at all. The cinema we failed to notice ‡ÒÒ͇Á˚‚‡Ú¸ Ó Ò‚Â¯ÂÌˡı ‚Ó ‚ÒÂı ËÒÍÛÒÒÚ‚‡ı. Ã˚ Meanwhile it was all there. There is no room here to discuss üËÌÓ, ÍÓÚÓÓ Ï˚ Ì Á‡ÏÂÚËÎË ÓÒÚ‡ÌÓ‚ËÏÒˇ ̇ ÍËÌÂχÚÓ„‡ÙÂ. √·‚ÌÓÈ Á‡ÒÎÛ„ÓÈ ÌÓ‚Ó„Ó the achievements in all artistic disciplines: we shall focus on ‚ÂÏÂÌË ·˚Î Ì‚ÂÓˇÚÌ˚È ÔÓ‰˙ÂÏ Ò‰ÌÂ„Ó ÛÓ‚Ìˇ, cinema. The main merit of the new era was the improbable 156 Á‡ÍÎÂÈÏÂÌÌ˚È ‚ÔÓÒΉÒÚ‚ËË ıÎÂÒÚÍËÏ ÒÎÓ‚ˆÓÏ ´˜ÂÌÛı‡ª. rise of the average level, branded subsequently with the biting ÃÂÊ ÚÂÏ Ì ·˚ÎÓ ÌË͇ÍÓÈ ÔÓ‚‡Î¸ÌÓÈ ´˜ÂÌÛı˪ (ÓÚ‰ÂθÌ˚ word ëchernukhaí (making dark or black). Meanwhile, there ·ÂÒÔÓÒ‚ÂÚÌ˚Â Ë ‰ÂÔÂÒÒË‚Ì˚ ÔÓËÁ‚‰ÂÌˡ ñ Ì ‚ Ò˜ÂÚ), was no epidemic of ëchernukhaí ñ individual gloomy and ·˚ÎÓ ÓÚÍ˚ÚË ÕÓ‚Ó„Ó Â‡ÎËÁχ. –‡ÎËÁχ, Î˯ÂÌÌÓ„Ó depressive works not taken into account ñ, but there was the ÔË‚˚˜ÌÓ„Ó Ë‰ÂÓÎӄ˘ÂÒÍÓ„Ó ‰ËÒÍÛÒ‡, Ô˂Ӊ˂¯Â„Ó ‚ „Ó‰˚ discovery of New Realism: a realism deprived of the usual ´Á‡ÒÚÓˇª Í ˜Û‰Ó‚ˢÌÓÏÛ ÍÓ΢ÂÒÚ‚Û ÏÛÚÌÓÈ ÒÂÓÒÚË, ÍÓÚÓ‡ˇ ideological discourse, which had, in the stagnation era, led to ÒÓÒÚ‡‚Ρ· 80 ÔÓˆÂÌÚÓ‚ ÓÚ Ó·˘ÂÈ ÔÓ‰Û͈ËË. ›ÚÓÚ ÕÓ‚˚È a huge amount of muddy greyness that made up 80 per cent ‡ÎËÁÏ ÒڇΠÁ‡ÌÓ‚Ó ÓÚÍ˚‚‡Ú¸ ÒÓ‚ÂÚÒÍÓ„Ó, ‡, ÚÓ˜ÌÂÂ, ÛÒÒÍÓ„Ó of the overall film production. This New Realism began to ˜ÂÎÓ‚Â͇ ‚Ó ‚ÒÂÈ Â„Ó ÒÎÓÊÌÓÒÚË Ë Ô‡‡‰ÓÍ҇θÌÓÒÚË. »Ò˜ÂÁ‡ÂÚ rediscover the Soviet, or more precisely, Russian man with all ÔË‚˚˜ÌÓ ÔÓ ÔÓ¯Î˚Ï „Ó‰‡Ï ‰ÂÎÂÌË ̇ ´˜ÂÌÓª Ë his complexities and paradoxes. The commonly assumed ´·ÂÎÓª, ̇ ´Ô‡‚ËθÌ˚ıª „ÂÓ‚ Ë ´ÌÂÔ‡‚ËθÌ˚ıª. division of the past into ëblackí and ëwhiteí, or ërightí and œÂÒÓ̇ÊË ÍÓ̈‡ 80-ı Ó͇Á˚‚‡˛ÚÒˇ ̇ ´Ô‡Á‰ÌËÍ ӷ˘ÂÈ ëwrongí heroes, disappeared. The characters of the late 1980s ·Â‰˚ª, „‰Â ͇ʉ˚È ‰ÓÎÊÂÌ Á‡ÌÓ‚Ó ÓÚÍ˚‚‡Ú¸ ‚ Ò· ÔÛÚË celebrate ëthe time of troublesí, where everyone has to find in ÔÓÒÚËÊÂÌˡ Ò·ˇ ‚ ÏËÂ, ˜ÂÂÁ ‡ÒÚ¡ÌÌÓÒÚ¸ Ë himself ways of comprehending the world and move through ÓÔÛÒÚÓ¯ÂÌÌÓÒÚ¸ ‰‚Ë„‡Ú¸Òˇ Í ÔÓÌËχÌ˲ Ò‡ÏÓˉÂÌÚËÙË͇ˆËË. confusion and spiritual bankruptcy to an understanding of the ÕÓ‚˚È Â‡ÎËÁÏ Â˘Â Ì ÔÓ‰‚ÂÊÂÌ ÔÂÍÎÓÌÂÌËÂÏ Ô‰ self. The New Realism did not yet worship market values and ˚ÌÓ˜Ì˚ÏË ˆÂÌÌÓÒÚˇÏË, Ó Ï‡ÒÒÓ‚˚ı ‚ÍÛÒ‡ı Ë Ï‡ÒÒÓ‚ÓÈ was oblivious to mass taste and mass culture. It was open to ÍÛθÚÛ ÓÌ ‚ÓÓ·˘Â Ì ËÏÂÂÚ Ô‰ÒÚ‡‚ÎÂÌˡ. ŒÌ ÓÚÍ˚Ú life, as in the 1960s. But if the generation of the 1960s ÊËÁÌË ñ Ú‡Í ÊÂ, Í‡Í Ë ‚ 60- „Ó‰˚. ÕÓ ÂÒÎË ¯ÂÒÚˉÂÒˇÚÌËÍË discovered the complexity of existence through its lighter ÓÚÍ˚‚‡ÎË ÒÎÓÊÌÓÒÚ¸ ·˚Úˡ ˜ÂÂÁ Â„Ó Ò‚ÂÚÎ˚ ˜ÂÚ˚, features, the directors of the late 1980s explored this ÂÊËÒÒÂ˚ ÍÓ̈‡ 80-ı ÓÚÍ˚‚‡˛Ú ˝ÚÛ ÒÎÓÊÌÓÒÚ¸ ˜ÂÂÁ “¸ÏÛ, complexity through Darkness and Hell. Nevertheless, there is ˜ÂÂÁ ¡ÂÁ‰ÌÛ. ÕÓ Á‰ÂÒ¸ ¢ ÌÂÚ ÚÓ„Ó ‡ÔÓ͇ÎËÔÚ˘ÂÒÍÓ„Ó Ûʇ҇ none of the apocalyptical horror of life that would envelop the Ô‰ ÊËÁ̸˛, ÍÓÚÓ˚È Ó·ÂÌÂÚÒˇ ‚ ̇˜‡Î 90-ı ̇ ˝Í‡Ì films of the early 1990s with eclecticism, chaos and ˝ÍÎÂÍÚËÍÓÈ, ı‡ÓÒÓÏ Ë ÔÂÚÂ̈ËÓÁÌ˚Ï ·ÂÒÔ‰ÂÎÓÏ. «‰ÂÒ¸ pretentious limitlessness. The quiet, distinct understanding of ÚÓÊÂÒÚ‚ÛÂÚ ÒÔÓÍÓÈÌÓÂ, ‚ÌˇÚÌÓ ÓÒÏ˚ÒÎÂÌË ÔÓËү‰¯Â„Ó ÒÓ the events in the country and Soviet space triumphed here. ÒÚ‡ÌÓÈ Ë ÒÓ ‚ÒÂÏ ÒÓ‚ÂÚÒÍËÏ ÍÓÒÏÓÒÓÏ. ¬ÓÁÌË͇ÂÚ The common Soviet myths were being reconsidered: Wars as a ÔÂÂÓÒÏ˚ÒÎÂÌË ÔË‚˚˜Ì˚ı ÒÓ‚ÂÚÒÍËı ÏËÙÓ‚ ñ ¬ÓÈÌ˚ Í‡Í Great Test of Strength; the Revolution as Total Cleansing ¬ÂÎËÍÓÈ œÓ‚ÂÍË Ì‡ œÓ˜ÌÓÒÚ¸, –‚ÓβˆËË Í‡Í “ÓڇθÌÓ„Ó Fire. All previous dogmas crumbled under the targeted, Œ˜ËÒÚËÚÂθÌÓ„Ó œÓʇ‡. ¬Ò ÔÂÊÌË ‰Ó„Ï˚ Û¯‡ÚÒˇ ÔÓ‰ precise and distinct gaze of the artists debunking old myths ÔˈÂθÌ˚Ï, ÚÓ˜Ì˚Ï, ‚ÌˇÚÌ˚Ï ‚Á„Ρ‰ÓÏ ıÛ‰ÓÊÌËÍÓ‚, and trying to create a deep and complex image of life. ÓÚÒÚ‡Ìˇ˛˘Ëı ÒÚ‡˚ ÏËÙ˚ Ë Ô˚Ú‡˛˘ËıÒˇ ‚ÓÒÒÓÁ‰‡Ú¸ Frequently these attempts remained just that: attempts; they „ÎÛ·ÓÍÛ˛, ÒÎÓÊÌÛ˛ ͇ÚËÌÛ ÊËÁÌË. «‡˜‡ÒÚÛ˛ ÔÓÔ˚ÚÍË Ú‡Í Ë lacked artistic content, but the meaning, full of reflection, ÓÒÚ‡˛ÚÒˇ ÔÓÔ˚Ú͇ÏË ñ ËÏ Ì ı‚‡Ú‡ÂÚ ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓ„Ó was genuinely beautiful. Today such a message is lacking ̇ÔÓÎÌÂÌˡ ñ ÌÓ Ò‡Ï ÔÓÒ˚Î, ‚ ÓÒÌÓ‚Â ÍÓÚÓÓ„Ó ñ terribly, but also such art. Today, the market triumphs and ‡ÁÏ˚¯ÎÂÌËÂ, ‚ÓËÒÚËÌÛ ÔÂ͇ÒÂÌ. Õ‡Ï ÒÂ„Ó‰Ìˇ ÒÚ‡¯ÌÓ Ì the average level is taken up by monotonous film-clones that ı‚‡Ú‡ÂÚ ÔÓ‰Ó·ÌÓ„Ó ÔÓÒ˚·. » ÔÓ‰Ó·ÌÓ„Ó ËÒÍÛÒÒÚ‚‡. »·Ó strongly and firmly stand on their feet, but whose content is ÒÂ„Ó‰Ìˇ ÚÓÊÂÒÚ‚ÛÂÚ ˚ÌÓÍ, Ë Ò‰ÌËÈ ÛÓ‚Â̸ Á‡ÔÓÎÓÌÂÌ instantly forgotten after the viewing. Clones with Ó‰ÌÓÓ·‡ÁÌ˚ÏË, ÍÂÔÍËÏË Ë Ú‚Â‰Ó ÒÚÓˇ˘ËÏË Ì‡ Ò‚ÓËı ÌÓ„‡ı indispensable happy endings, which can be predicted already Ó‰ÌÓ‡ÁÓ‚˚ÏË ÙËθχÏË-ÍÎÓ̇ÏË, ÒÓ‰ÂʇÌË ÍÓÚÓ˚ı after ten minutes of screening, thus obscuring the reason why Ï„ÌÓ‚ÂÌÌÓ Á‡·˚‚‡ÂÚÒˇ ÔÓÒΠÔÓÒÏÓÚ‡. üÎÓ̇ÏË Ò such films should be watched at all. All this is, by and large, ÌÂÔÂÏÂÌÌ˚Ï ı˝ÔÔË-˝Ì‰ÓÏ, ÍÓÚÓ˚È ÏÓÊÌÓ Ô‰Ò͇Á‡Ú¸ ÛÊ rather awful, because Russian culture is an inherently sad ̇ ‰ÂÒˇÚÓÈ ÏËÌÛÚ ÔÓÒÏÓÚ‡, ‡ ÔÓÚÓÏÛ Ë Ì ӘÂ̸ ÔÓÌˇÚÌÓ, culture, sated with alarm and pain, and concerned not only ̇‰Ó ÎË ‚ÓÓ·˘Â ÒÏÓÚÂÚ¸ Ò‡ÏÓ ÔÓËÁ‚‰ÂÌËÂ. » ˝ÚÓ ‚Ò ÔÓ with the condition of senseless glamorous pleasure, but also ·Óθ¯ÓÏÛ Ò˜ÂÚÛ ÛʇÒÌÓ, Ë·Ó ÛÒÒ͇ˇ ÍÛθÚÛ‡ ñ ÍÛθÚÛ‡ ÔÓ with existential and metaphysical anxiety. Today we have ÒÛÚË Ò‚ÓÂÈ Ô˜‡Î¸Ì‡ˇ, Ó̇ ̇Ò˚˘Â̇ Ú‚ӄÓÈ Ë ·Óθ˛, Ó̇ almost forgotten that. ÍÓ̈ÂÌÚËÛÂÚ ‚ Ò· Ì ÒÚÓθÍÓ ÒÓÒÚÓˇÌË „·ÏÛÌÓÈ This retrospective intends to acquaint the viewer only with a ·ÂÒÒÏ˚ÒÎÂÌÌÓÈ ‡‰ÓÒÚË, ÒÍÓθÍÓ ˝ÍÁËÒÚÂ̈ˇθÌÓÂ Ë small portion of those films which, as well as the majority of ÏÂÚ‡ÙËÁ˘ÂÒÍÓ ·ÂÒÔÓÍÓÈÒÚ‚Ó. Ã˚ ÒÂ„Ó‰Ìˇ Ó· ˝ÚÓÏ ÔÓ˜ÚË films from 1987-89, have passed unnoticed by everybody: Á‡·˚ÎË. they have turned into a part of a cinema which we have ›Ú‡ ÂÚÓÒÔÂÍÚË‚‡ ÔÓÁ̇ÍÓÏËÚ Î˯¸ Ò Ï‡ÎÓÈ ˜‡ÒÚ¸˛ ÚÂı genuinely lost. In my opinion, it is crucial to remember its ÎÂÌÚ, ÍÓÚÓ˚Â, Í‡Í Ë ·Óθ¯ËÌÒÚ‚Ó ÙËθÏÓ‚ 1987ñ89 „Ó‰Ó‚, lessons right now. ÔÓ¯ÎË ÏËÏÓ ‚ÒÂı, ÒÚ‡‚ ˜‡ÒÚ¸˛ ÍËÌÂχÚÓ„‡Ù‡, ÍÓÚÓÛ˛ Ï˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ÔÓÚ¡ÎË. ¿ ‚ÒÔÓÏÌËÚ¸ Â„Ó ÛÓÍË ËÏÂÌÌÓ Alexander Shpagin ÒÂȘ‡Ò, ̇ ÏÓÈ ‚Á„Ρ‰, ÌÂÓ·ıÓ‰ËÏÓ. film historian, critic
¿ÎÂÍ҇̉ ÿÔ‡„ËÌ ËÒÚÓËÍ ÍËÌÓ, ÍËÚËÍ
üÓÔËË ÙËθÏÓ‚ ‰Îˇ ÂÚÓÒÔÂÍÚË‚ Ô‰ÓÒÚ‡‚ÎÂÌ˚ The prints for the retrospective have been made available √ÓÒÙËθÏÓÙÓ̉ÓÏ –‘. through the courtesy of Gosfilmofond. üËÌÓ, ÍÓÚÓÓ Ï˚ Ì Á‡ÏÂÚËÎË The cinema The cinema we failed to notice üËÌÓ, ÍÓÚÓÓ Ï˚ Ì Á‡ÏÂÚËÎË we failed to notice 157
·ÓÏÊ. ·ÂÁ ÓÔ‰ÂÎÂÌÌÓ„Ó ÏÂÒÚ‡ ÊËÚÂθÒÚ‚‡ FOOTLOOSE ...Ë ‚Òˇ β·Ó‚¸ ...AND ALL THE LOVE ̇ Ò‚ÓÂÈ ÁÂÏΠIN ONE'S OWN LAND ÓÚÒÚÛÔÌËÍ THE APOSTATE ÔÂÚÓ„‡‰ÒÍË „‡‚Ó¯Ë PETROGRAD'S GAVROCHES Ò͇Á‡ÌËÂ Ó ı‡·ÓÏ ıÓ˜·‡Â TALE OF THE BRAVE KHOCHBAR 158 üËÌÓ, ÍÓÚÓÓ Ï˚ Ì Á‡ÏÂÚËÎË The cinema we failed to notice ñ PrizeforBestActor(V.Steklov) ñFestivalofActors ñ PrizeoftheFilmAcademyNIKA forBestSound; surprises. in acollapsingworldwhichwould soon presentthemwithnew condition ofalmostallSovietpeople attheendof1980s life andliveonlybyinertia.Inother words,thisisthe consciousness, whoaredeprivedof theirhabitualthewayof the conditionofpeoplewhoareirritated bylifeandlack There arenovagabondsinthisfilm,butthetermdescribes with hisson:theydonotheareachotherÖ expected norremembered.Butnothingcomesofhismeeting still ababy,Viktorgoestothisplace,whereheisneither his alreadygrown-upsonwhomhedumpedwhenthewas somewhere, inafarprovincialtownliveshisformerwifewith Having livedalmosthalfofhislifeandrememberingthat Socio-psychological drama. Production Leonid Yukhin Alexander Lebedev,VitaliBykov,SergeiReusenko, Valentin Migunov,NikitaAstakhov,YuriKlepikov, Cast: Sound Composer Production Design Director ofPhotography Director Scriptwriter 1988, USSR,97min.,col. ñ œËÁÁ‡ÎÛ˜¯Û˛ÏÛÊÒÍÛ˛Óθ(¬.—ÚÂÍÎÓ‚)ü‘ ñ œÂÏˡüËÌӇ͇‰ÂÏËË´ÕË͇ªÁ‡ÎÛ˜¯Û˛‡·ÓÚÛ ÏËÂ, ÍÓÚÓ˚È‚ÒÍÓÂÔÂÔÓ‰ÌÂÒÂÚËÏÌÓ‚˚ÂÒ˛ÔËÁ˚. ÒÓ‚ÂÚÒÍËı β‰ÂÈ,ÊË‚Û˘Ëı‚ÍÓ̈Â80-ı‡ÒÔ‡‰‡˛˘ÂÏÒˇ Ë̈ËË. »Ì˚ÏËÒÎÓ‚‡ÏË,˝ÚÓÒÓÒÚÓˇÌËÂÔÓ˜ÚË‚ÒÂı ‚˚˜ÂÍÌÛÚ˚ı ËÁÔË‚˚˜ÌÓ„ÓËÏÛÍ·‰‡,ÊË‚Û˘ËıÔÓ ‡ÒÚ¡‚¯ËıÒˇ ‚ÊËÁÌËËÎ˯ÂÌÌ˚ı‚ÌˇÚÌÓ„ÓÒÓÁ̇Ìˡ, ¡ÓÏÊÂÈ ÚÛÚÌÂÚ,¡ŒÃΔñ˝ÚÓÓ·˘ÂÂÒÓÒÚÓˇÌËÂβ‰ÂÈ, ÒÎ˚¯‡Ú ‰Û„‰Û„‡Ö ÕÓ Ì˘„ÓËÁ˝ÚÓÈ‚ÒÚ˜ËÒÒ˚ÌÓÏÌÂÔÓÎÛ˜‡ÂÚÒˇñÓÌË Ï·‰Â̈ÂÏ, ¬ËÍÚÓ‰ÂÚÚÛ‰‡,„‰Â„ÓÌÂʉÛÚËÔÓÏÌˇÚ. Ò ÛÊÂÔÓ‚ÁÓÒ΂¯ËÏÒ˚ÌÓÏ,ÍÓÚÓÓ„ÓÓÌ·ÓÒË΢ ÚÓ ‚‰‡ÎÂÍÓÏÔÓ‚Ë̈ˇθÌÓÏ„ÓÓ‰ÍÂÊË‚ÂÚ·˚‚¯‡ˇÊÂ̇ œÓÊË‚ ‰Ó·Û˛ÔÓÎÓ‚ËÌÛÊËÁÌËË‚ÒÔÓÏÌË‚ÓÚÓÏ,˜ÚÓ„‰Â- —ӈˇθÌÓ-ÔÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡. œÓËÁ‚Ó‰ÒÚ‚Ó –ÂÛÒÂÌÍÓ, ÀÂÓÌˉfiıËÌ üÎÂÔËÍÓ‚, ¿ÎÂÍ҇̉À·‰‚,¬ËÚ‡ÎËÈ¡˚ÍÓ‚,—„ÂÈ —ÂÏË̇, ¬‡ÎÂÌÚËÌÃË„ÛÌÓ‚,ÕËÍËÚ‡¿ÒÚ‡ıÓ‚,fiËÈ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 1988, ———–,97ÏËÌ.,ˆ‚. FOOTLOOSE Ã≈—“¿ Δ»“≈À‹—“¬¿ ¡ŒÃΔ. ¡≈«Œœ–≈ƒ≈À≈ÕÕŒ√Œ Cinema ëSozvezdie, 1989. ‡ÍÚÂÓ‚ ÍËÌÓ´—ÓÁ‚ÂÁ‰Ëª,1989. Á‚ÛÍÓÂÊËÒÒ‡; ¡ÓËÒ ¬ÂÌ„ÂÓ‚ÒÍËÈ Vladimir Steklov,SergeiKharvat,TamaraSemina, Boris Vengerovsky Nikolai Skuibin ¬Î‡‰ËÏË —ÚÂÍÎÓ‚,—„ÂÈ’‡‚‡Ú,“‡Ï‡‡ ¬‡‰ËÏ ¿ÎËÒÓ‚ Alexander Goldstein ÕËÍÓÎ‡È —ÍÛÈ·ËÌ ¿ÎÂÍ҇̉ ¡ÓËÒÓ‚ Mosfilm Valeri Zalotukha ¿ÎÂÍ҇̉ √Óθ‰¯ÚÂÈÌ ´ÃÓÒÙËθϪ ¬‡ÎÂËÈ «‡ÎÓÚÛı‡ Alexander Borisov Vadim Alisov ÓÚÒÚ‡ÌÂÌÌÓ-ËÓÌ˘ÂÒÍÓÈ ËÌÚÓ̇ˆËË. ΔÂÒÚ͇ˇ, „ÎÛ·Ó͇ˇÍ‡ÚË̇,ÌÂÎ˯ÂÌ̇ˇÎ˛·ÓÔ˚ÚÌÓÈ ‚˚Û˜ËÚ¸ ËÁ·Â‰˚Ô‰Ò‰‡ÚÂÎˇÖ Î˯‡˛Ú ‚ÒÂı·Î‡„,ÌÓÔÓ͇ÌÂϯ‡˛ÚÂÂÔÓÔ˚ÚÍ‡Ï Ó·‚ËÌˇ˛Ú ‚χıË̇ˆËˇıËÓÚ‰‡˛ÚÔÓ‰ÒÛ‰,‡¬‡ÎÂÌÚËÌÛ ‰‡‚ÌÓ ËÒÓÁ̇ÚÂθÌÓ̇ۯ‡‚¯Â„ÓÛÒڇ‚¯ËÂËÌÒÚÛ͈ËË, Œ‰Ì‡ÍÓ Ò˜‡ÒÚ¸˛ÌÂÒÛʉÂÌÓ·˚ÎÓÒÓÒÚÓˇÚ¸Òˇ:–ÓÊÍÓ‚‡, ÔÓβ·Ë· Ò‚Ó„ÓÔÓÍÓ‚ËÚÂΡñÔ‰Ò‰‡ÚÂΡÍÓÎıÓÁ‡. Ô‰ӂËÍÓÏ ÔÓËÁ‚Ó‰ÒÚ‚‡,‡Á‡ÚÂÏË̇ӉÌ˚ωÂÔÛÚ‡ÚÓÏ, ¬˚ÔÛÒÍÌˈ‡ ÒÂθıÓÁÚÂıÌËÍÛχ¬‡ÎˇƒË‰ÂÌÍÓ,ÒÚ‡‚ ƒ‡Ï‡. œÓËÁ‚Ó‰ÒÚ‚Ó ¿ÎÂÍ҇̉ œˇÚÍÓ‚ üÓ‚‡ÎÂÌÍÓ, œ‡‚ÂΗËÓÚËÌ,—„ÂÈ¡‡‡·‡Ì˘ËÍÓ‚, —ËË̇, ¬‡ÎÂËÈÕÂ̇¯Â‚,ÕË̇ÃÂ̸¯ËÍÓ‚‡,»Ë̇ ¬‡ÒËÎËÈ œÂÚÂÌÍÓ,fiËÈÕ‡Á‡Ó‚,»„Ó¸—ÍË·ËÌ,ŒÎ¸„‡ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1989, ———–,104ÏËÌ.,ˆ‚. ...AND ALLTHELOVE ...» ¬—flÀfi¡Œ¬‹ alienation andirony. The harsh,profoundfilmpossesses acuriousintonationof chairman introublearenothamperedÖ of herpossessions,butatleast attemptstohelpthe accused offraudandprosecuted,while Valentinaisdeprives long timeknowinglybreakingtheoutdatedinstructions,is farm. However,theirhappinessisnottobe:Rozhkov,fora fell inlovewithherpatron,thechairmanofcollective became productionleaderandthenPeopleísDeputy,beforeshe After graduatingfromagriculturalcollegeValentinaDidenko Drama. Production Pavel Sirotin,SergeiBarabanshchikov,AlexanderPiatkov Valeri Nenashev,NinaMenshikova,IrinaKovalenko, Vasili Petrenko,YuriNazarov,IgorSkibin,OlgaSirina, Cast: Sound Composer Production Design of AlexanderMursa Director ofPhotography Director Scriptwriters 1989, USSR,104min.,col. –ÓÏ‡Ì ¡ÂÁ Irina Biakova,SergeiVarchuk,YuriPlatonov, Roman Berz Anatoli Vasiliev »Ë̇ ¡ˇÍÓ‚‡,—„ÂȬ‡˜ÛÍ,fiËȜ·ÚÓÌÓ‚, fiËÈ Õ‚ÒÍËÈÔËÛ˜‡ÒÚËË¿ÎÂÍ҇̉‡ÃÛÒ˚ Victor Babushkin ¿Ì‡ÚÓÎËÈ ¬‡ÒËθ‚ —ÂÏÂÌ ¬‡Î˛¯ÓÍ Mosfilm ¬ËÍÚÓ ¡‡·Û¯ÍËÌ Sergei Bodrov,IrinaVasilieva ´ÃÓÒÙËθϪ —„ÂÈ ¡Ó‰Ó‚,»Ë̇¬‡ÒË肇 Semen Valiushok Yuri Nevsky,withparticipation Õ¿ —¬Œ≈… «≈ÃÀ≈ Œ“—“”œÕ»ü IN ONEíS OWN LAND THE APOSTATE
1987 (‚˚Ô. 13.11.1987), ———–, 99 ÏËÌ., ˆ‚. 1987 (‚˚Ô. 1988), ———–/‘–√/¿‚ÒÚˡ, 163 ÏËÌ., ˆ‚. The cinema we failed to notice üËÌÓ, ÍÓÚÓÓ Ï˚ Ì Á‡ÏÂÚËÎË ¿‚ÚÓ ÒˆÂÌ‡Ëˇ ¬‡‰ËÏ “ÛÌËÌ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ Ë ÂÊËÒÒ ¬‡ÎÂËÈ –Û·Ë̘ËÍ –ÂÊËÒÒ »„Ó¸ ¿Ô‡ÒˇÌ ŒÔ‡ÚÓ fiËÈ ≈ÎıÓ‚ 159 ŒÔ‡ÚÓ ÀÂÓÌˉ ¡Û·͇ ’Û‰ÓÊÌËÍ ¿ÎÂÍ҇̉ ◊ÂÚӂ˘ ’Û‰ÓÊÌËÍ ÀÂÓÌˉ –ÓÁÒÓı‡ «‚ÛÍ ¬ËÍÚÓ ÃÓÒ üÓÒÚ˛Ï˚ “‡Ú¸ˇÌ‡ “‡Ó‚‡ ¬ ÓΡı: √Ë„ÓËÈ √·‰ËÈ, ÕËÍÓÎ‡È ≈ÂÏÂÌÍÓ-ÒÚ., À‡ËÒ‡ üÓÏÔÓÁËÚÓ˚ ŒÎ„ fl̘ÂÌÍÓ, —„ÂÈ “ÂÂÌڸ‚ ¡ÂÎÓ„ÛÓ‚‡, ¬‡ÎÂÌÚË̇ ÿẨËÍÓ‚‡, ü‡Ë̇ ÃÓËÚˆ, «‚ÛÍ ¿ÎÂÍ҇̉ ÕËÍÓ·‚ÒÍËÈ ¿Ì‰ÂÈ ü‡¯ÍÂ, ≈ÎÂ̇ üÓÌÓÌÂÌÍÓ, ¬‡ÒËÎËÈ ü‡‚ˆÓ‚, ¬ ÓΡı: —„ÂÈ ü‡Ìˢ‚, ƒÏËÚËÈ –ˇ·˚ı, ¬Î‡‰ËÏË ¬ËÍÚÓ –˚·˜ËÌÒÍËÈ, ¿ÎÂÍ҇̉ —ÚÛÌËÌ “‡Ê‡ÌÓ‚, ≈‚„ÂÌˡ ÃÛ‡‚¸Â‚‡, ≈ÎÂ̇ ƒÛÌ‚‡, –ÛÒÎ‡Ì œÓËÁ‚Ó‰ÒÚ‚Ó ´¡Â·ÛÒ¸ÙËθϪ, ÔË Û˜‡ÒÚËË ◊Û̇‚, ¬Î‡‰ËÒ·‚ √‡ÎÍËÌ, ¿ÎÂÍÒÂÈ ‘ÓÏÍËÌ, Շڇθˇ ´¬.ÇÈ˘ ü√ª, ´—ÚÛ‰ËÓ √‡Ï·Û„ª (‘–√), œÓÔÓ‚‡, ¿Ì‚‡ ’‡ÎËÚÓ‚, ¬Î‡‰ËÏË ¬‡Â̈ӂ, ¬‡ÎÂËÈ ´üÎËÌÍ‡Ú ‘ËθϪ (¿‚ÒÚˡ) À„ËÌ, “‡Ï‡‡ “ËÏÓÙ‚‡, ÕÓ‡ √ˇÍ‡ÎÓ‚‡, »‚‡Ì Lj͂˘ œÓËÁ‚Ó‰ÒÚ‚Ó Œ‰ÂÒÒ͇ˇ ÍËÌÓÒÚÛ‰Ëˇ œÓ ÏÓÚË‚‡Ï ÔÓ‚ÂÒÚË œ‡‚· ¡‡„ˇÍ‡ ´œˇÚ¸ ÔÂÁˉÂÌÚÓ‚ª. œÓÙÂÒÒÓ ›‰‚‡‰ ÃËÎΠÒÍÓÌÒÚÛËÓ‚‡Î ÔË·Ó, ƒ‡Ï‡. ÒÔÓÒÓ·Ì˚È ÍÓÔËÓ‚‡Ú¸ ÊË‚˚ ӄ‡ÌËÁÏ˚. œÂ‚˚È ‰‚ÓÈÌËÍ, »ÌÒÚÛÍÚÓ ‡ÈÍÓχ üÓÎ˚˜Â‚ ÔËÂÁʇÂÚ ÔÓÒΠ‚ÓÈÌ˚ ‚ ‚ÌÂ¯Ìˇˇ ÍÓÔˡ Ò‡ÏÓ„Ó ÔÓÙÂÒÒÓ‡, ‚ ÓÚ΢ˠÓÚ ËÒÚËÌÌÓ„Ó ÒÓÊÊÂÌÌÛ˛ ÌÂψ‡ÏË ‰ÂÂ‚Ì˛ ”Ò‡˜Â‚ÍÛ, Ò ˆÂθ˛ ÔÓÏÓ˜¸ ÊÂÒÚÓÍ Ë ˝„ÓËÒÚ˘ÂÌ. ŒÌ ‡ÍÚË‚ÌÓ Ë ·ÂÒˆÂÂÏÓÌÌÓ ‚ÚÓ„‡ÂÚÒˇ β‰ˇÏ ÔÂÂÒÂÎËÚ¸Òˇ ̇ ÌÓ‚˚ ÁÂÏÎË. ÕÓ Ì ‚Ò ÒÂÏ¸Ë ‚ ÊËÁ̸ Ò‚ÓÂ„Ó ÒÓÁ‰‡ÚÂΡ, Ë ÚÂÔ¸ ̇ÏÂÂÌ ÔÓ‰‡Ú¸ ÔÓÍËÌÛÎË Ò‚ÓË ‰Óχ. Õ‡„ˇÌÛ‚¯‡ˇ ‚ÂÒÂÌÌˇˇ ‡ÒÔÛÚˈ‡ ‚ÓÂÌÌ˚Ï ÒÚÛÍÚÛ‡Ï ËÁÓ·ÂÚÂÌËÂ, ÒÔÓÒÓ·ÌÓ ÌÂÓ„‡Ì˘ÂÌÌÓ ÓÚÂÁ‡Î‡ Ëı ÓÚ ‚̯ÌÂ„Ó Ïˇ, ‡ ̇‰‚Ë„‡˛˘ËÈÒˇ „ÓÎÓ‰ Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÒÓΉ‡Ú... ¬ ËÚÓ„Â ÔÓˇ‚ΡÂÚÒˇ ÌÂÏÂÂÌÓ Ô‚˚ ‚ÂÒÂÌÌË ÏËÌ˚ ‰ÌË Ò·ÎËÁËÎË ‚ÒÂı ÓÒÚ‡‚¯ËıÒˇ, ÍÓ΢ÂÒÚ‚Ó ÍÎÓÌÓ‚, Ë ÏË ‡ÁÛ¯‡ÂÚÒˇ. ÒÂ‰Ë ÍÓÚÓ˚ı Ó͇Á‡ÎÒˇ Ë ¡Ó¸Í‡, Ò˚Ì ·Âʇ‚¯Â„Ó œËÚ˜‡, ÒÓÁ‰‡Ì̇ˇ ‚ ÒÌӂˉ˜ÂÒÍÓÈ ˝ÒÚÂÚËÍÂ. ÔÓÎˈ‡ˇÖ œÓ‡ÁËÚÂθ̇ˇ ÔÓ Ò‚ÓÂÈ ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓÈ ‰ÓÒÚÓ‚ÂÌÓÒÚË ÎÂÌÚ‡, ÒÌˇÚ‡ ‚ ˝ÒÚÂÚËÍ „ËÔ‡ÎËÁχ.
1987 (rel. 13.11.1987), USSR, 99 min., col. 1987 (rel. 1988), USSR/Germany/Austria, 163 min., col.
Scriptwriter Vadim Trunin Scriptwriter and Director Valeri Rubinchik Director Igor Apasian Director of Photography Yuri Yelkhov Director of Photography Leonid Burlaka Production Design Alexander Chertovich Production Design Leonid Rozsokha Sound Viktor Mors Costume Design Tatiana Tarova Cast: Grigory Glady, Nikolai Eremenko Sr., Larissa Composers Oleg Yanchenko, Sergei Terentiev Belogurova, Valentina Shendrikova, Karina Moritts, Sound Alexander Nikolaevsky Andrei Kashker, Elena Kononenko, Vasili Kravtsov, Cast: Sergei Kanishchev, Dmitri Ryabykh, Vladimir Viktor Rybchinsky, Alexander Strunin Tarzhanov, Evgenia Muravieva, Elena Durneva, Ruslan Production: Belarusfilm, with participation of V. Majic KG, Chunaev, Vladislav Galkin, Alexei Fomkin, Natalia Popova, Studio Hamburg (Germany), Klinkard Film (Austria) Anvar Khalitov, Vladimir Varentsov, Valeri Legin, Tamara Timofeeva, Nora Griakalova, Ivan Matskevich Based on the motives of Pavel Bagriakís story ëFive Production: Odessa Film Studio Presidentsí. Professor Edward Miller has designed a device that copies Drama. living organisms. The first double, a copy of the professor After the war, the instructor of district committee, Kolychev, himself, is harsh and egoistic, just the opposed of the real comes to the village Usachevka that was burnt by the professor. He actively and inconsiderately interferes into the Germans. He wants to help the people move to new lands. But professorís life and intends to sell to the military the not all the families want to leave their homes. The sudden invention that can forever duplicate soldiers... In the end the spring cuts them off from the outside world, and the world is inundated with clones and destroyed. impending famine and the first peaceful spring days bring The parable is made in dream-like aesthetics. closer all those who have stayed, among them Borka, the son of a policeman who ran awayÖ The film amazes with its artistic verisimilitude and is shot in the aesthetics of hyperrealism. 160 üËÌÓ, ÍÓÚÓÓ Ï˚ Ì Á‡ÏÂÚËÎË The cinema we failed to notice hyperrealism. A parableabouttheRevolution,shotinaestheticsof revolution succeeds,butheperishesfirst. revolution againstthelocalorderinchildreníshome;this pupil nicknamedRobbespierrearrivesandstartsasmall during thechaosofOctoberDayswithoutfinances,anew The year1917.Inadesertedshelterforhomelesschildren, Production Makrodchenko Alyosha Yefimov,DimaKuzmin,DenisMakrodchenko,Kolya Balabolenkov, SergeiBekhterev,SeryozhaGoloshchapov, Alexandrov, DimaAlifanov,SeryozhaBalabonin, Cast: Sound Composer Costume Design Production Design Director ofPhotography Director Scriptwriter 1987 (rel.02.11.1987),USSR,95min.,col.,1:2.35 œËÚ˜‡ Ó‚ÓβˆËË,ÒÌˇÚ‡ˇ‚˝ÒÚÂÚËÍ„ËÔ‡ÎËÁχ. Ô‚˚Ï. ÔÓˇ‰ÍÓ‚, ÍÓÚÓ‡ˇÛ‰‡ÂÚÒˇ,ÌÓ‚ÌÂÈÓÌÊÂËÔÓ„Ë·‡ÂÚ Ì‡˜Ë̇ÂÚ ‚‰ÂÚ‰ÓÏÂχÎÂ̸ÍÛ˛Â‚ÓβˆË˛ÔÓÚË‚ÏÂÒÚÌ˚ı ÔÓÔ‡‰‡ÂÚ ÌÓ‚˚È‚ÓÒÔËÚ‡ÌÌËÍÔÓÔÓÁ‚Ë˘Û–Ó·ÂÒÔ¸ÂË ı‡ÓÒ ŒÍÚˇ·¸ÒÍËı‰ÌÂÈÎ˯˂¯ËÈÒˇÙË̇ÌÒËÓ‚‡Ìˡ, 1917 „Ó‰.¬Á‡·Ó¯ÂÌÌ˚ÈÔ˲ډΡ·ÂÁ‰ÓÏÌ˚ı‰ÂÚÂÈ,‚ œÓËÁ‚Ó‰ÒÚ‚Ó üÓΡ ÇÍÓ‰˜ÂÌÍÓ ¿Î¯‡ ≈ÙËÏÓ‚,ƒËχüÛÁ¸ÏËÌ,ƒÂÌËÒÇÍÓ‰˜ÂÌÍÓ, —ÂÂʇ ¡‡Î‡·ÓÎÂÌÍÓ‚,—„ÂÈ¡ÂıÚ‚,√ÓÎÓ˘‡ÔÓ‚, ¿Ì‰ÂÈ ¿ÎÂÍ҇̉ӂ,ƒËχ¿ÎËÙ‡ÌÓ‚,—ÂÂʇ¡‡Î‡·ÓÌËÌ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ –ÂÊËÒÒ ¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ 1987 (‚˚Ô.02.11.1987),———–,95ÏËÌ.,ˆ‚.,1:2.35 PETROGRADíS GAVROCHES œ≈“–Œ√–¿ƒ—ü»≈ √¿¬–Œÿ» ¿ÎˇÍÔ √‡Ò‡Ì-Á‡‰Â Evgeni Lebedev,ValyaGroznov,AdolfIlyin,Andrei Aliakper Gasan-Sade Sergei Snezhkin ≈‚„ÂÌËÈ À·‰‚,¬‡Îˇ√ÓÁÌÓ‚,¿‰ÓθٻθËÌ, ≈‚„ÂÌËÈ √Û‚˘ Alexander Knaifel —„ÂÈ —ÌÂÊÍËÌ »Ë̇ ü‡‚ÂÁË̇ ¿ÎÂÍÒÂÈ –Û‰ˇÍÓ‚ Lenfilm Valeri Mnatsakanov,SergeiSnezhkin ¿ÎÂÍ҇̉ ü̇ÈÙÂθ ´ÀÂÌÙËθϪ Irina Kaverzina ¬‡ÎÂËÈ Ã̇ˆ‡Í‡ÌÓ‚,—„ÂÈ—ÌÂÊÍËÌ Alexei Rudiakov Evgeni Gurevich is shotintheaesthetics ofhyperrealism. stronger isalsoright. Bloodshedandchaoscontinue. Thefilm There arenoëmountainlawsíhere that assertsthe divine goodfortunesí,asthevoiceover ofthefilmcomments. A terribleandpowerfulparableabout ëpeopledeprivedof him intothepalacetoexecutehimÖ authorities. Thedzhigitkeepshispromise, butNutsallures independent aulthatrefusestosurrender tothesultanís father: thatinreturnheshouldnot attackhisnative political reasons.KhochbarmakesoneconditiontoSaadatís marriage tothesonofRuleroverCaspianLandsfor the NutsalofKhunzhakKhanate,whoisgivenin risking hislife,agreestoaccompanySaadat,thedaughterof The endofthe17thcentury,Dagestan.dzhigitKhochbar, about theKhunzakhNutsalandhisdaughterSaadatí. Khochbar fromtheaulGidatl,aboutkhanKazi-Kumukhsky, Screen adaptationofRasulGamzatovíspoemëTheLegendabout Production Paukste, YunusYusupov Mukhtarbek Kantemirov,MagomedKhalilov,Vitautas Logunovich, BogdanMagomedov,DanyaPodolsky, Cast: Sound Composer Costume Production Nikolai Pokoptsev Director ofPhotography Art Director Director Scriptwriter ÒÌˇÚ ‚˝ÒÚÂÚËÍ„ËÔ‡ÎËÁχ. ÍÚÓ ÒËθÌÂÂ,ÚÓÚËÔ‡‚.—ÔÎÓ¯ÌÓÈÍÓ‚‡‚˚Èı‡ÓÒ.‘ËÎ¸Ï ÍÓÏÏÂÌÚ‡ËË ÙËθχ.ÕÂÚÁ‰ÂÒ¸ÌË͇ÍÓ„Ó´Á‡ÍÓ̇„Óªñ ·ÓÊÂÒÚ‚ÂÌÌÓÈ ·Î‡„Ó‰‡Ú˪,͇ÍÒ͇Á‡ÌÓ‚Á‡Í‡‰Ó‚ÓÏ —Ú‡¯Ì‡ˇ ËÏÓ˘Ì‡ˇÔËÚ˜‡Ó´Ì‡Ó‰Â,Î˯ÂÌÌÓÏ ˝ÚÓ ÌÛˆ‡ÎÁ‡Ï‡ÌË‚‡ÂÚ„ÓÍÒ·‚Ӊ‚Óˆ,˜ÚÓ·˚Ú‡Ï͇ÁÌËÚ¸Ö ‚·ÒÚË ÒÛÎڇ̇.ƒÊË„ËÚËÒÔÓÎÌˇÂÚÒ‚ÓÂӷ¢‡ÌËÂ,ÌÓ‚ÓÚ‚ÂÚ̇ ̇·Â„Ë Ì‡Â„Ó‚ÓθÌ˚ȇÛÎ,ÓÚ͇Á˚‚‡˛˘ËÈÒˇÔÓ‰˜ËÌˇÚ¸Òˇ ÒÚ‡‚ËÚ ÛÒÎÓ‚ËÂ,˜ÚÓ‚ÓÚ‚ÂÚÚÓÚÌËÍÓ„‰‡Ì‰ÓÎÊÂÌÒӂ¯‡Ú¸ ‚·ÒÚËÚÂΡ œË͇ÒÔËÈÒÍËıÁÂÏÂθ.œÂ‰ÂÂÓÚˆÓÏ’Ó˜·‡ —‡‡‰‡Ú, ‚˚‰‡ÌÌÛ˛Á‡ÏÛÊÔÓÔÓÎËÚ˘ÂÒÍËÏÏÓÚË‚‡ÏÁ‡Ò˚̇ Òӄ·¯‡ÂÚÒˇ ÒÓÔÓ‚Ó‰ËÚ¸‰Ó˜¸ÌÛˆ‡Î‡’ÛÌÁ‡ıÒÍÓ„Óı‡ÌÒÚ‚‡ üÓ̈ XVII‚Â͇,ƒ‡„ÂÒÚ‡Ì.ƒÊË„ËÚ’Ó˜·‡,ËÒÍÛˇÊËÁ̸˛, ıÛÌÁ‡ıÒÍÓÏ ÌÛˆ‡ÎÂËÓ‰Ó˜ÂË„ӗ‡‡‰‡Úª. ÛÁ‰ÂÌ ËÁ‡Û·√ˉ‡Úθ,Óı‡ÌÂü‡ÁË-üÛÏÛıÒÍÓÏ, ›Í‡ÌËÁ‡ˆËˇ ÔÓ˝Ï˚–‡ÒÛ·√‡ÏÁ‡ÚÓ‚‡´—͇Á‡ÌËÂÓ’Ó˜·‡Â, œÓËÁ‚Ó‰ÒÚ‚Ó ¬ËÚ‡ÛÚ‡Ò œ‡ÛͯÚÂ,fiÌÛÒfiÒÛÔÓ‚ ÃÛıÚ‡·ÂÍ ü‡ÌÚÂÏËÓ‚,Ç„Óω’‡ÎËÎÓ‚, »Ë̇ ÀÓ„ÛÌӂ˘,¡Ó„‰‡ÌÇ„Óωӂ,ƒ‡ÌˇœÓ‰ÓθÒÍËÈ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔ‡ÚÓ˚ ’Û‰. ÛÍ. –ÂÊËÒÒÂ˚ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ 1987, ———–,96ÏËÌ.,ˆ‚./USSR,min.,col. , TALE OFTHEBRAVEKHOCHBAR ’Œ◊¡¿–≈ —ü¿«¿Õ»≈ Œ’–¿¡–ŒÃ ÃËı‡ËÎ ¬ËÍÚÓÓ‚ Konstantin Butaev,AbdurashidMakssudov,Irina Mikhail Viktorov Askhab Abakarov,MikhailOrdovsky Design MarinaKaishauri ¿ÎÂÍÒÂÈ √ÂÏ‡Ì üÓÌÒÚ‡ÌÚËÌ ¡Ûڇ‚,¿·‰Û‡¯Ë‰Ã‡ıÒÛ‰Ó‚, Shirvani Chalaev ÇË̇ ü‡È¯‡ÛË ¬‡ÎÂËÈ fiÍ‚˘ Lenfilm Design ValeriYurkevich ŒÎ„ üÛıÓ‚‡ÂÌÍÓ,ÕËÍÓ·ȜÓÍÓԈ‚ ¿Òı‡· ¿·‡Í‡Ó‚,ÃËı‡ËÎŒ‰Ó‚ÒÍËÈ Svetlana Karmalita ÿË‚‡ÌË ◊‡Î‡Â‚ Alexei German ´ÀÂÌÙËθϪ —‚ÂÚ·̇ ü‡Ï‡ÎËÚ‡ Oleg Kukhovarenko, ¿Õ“ŒÀŒ√»fl –Œ——»…—üŒ√Œ ü»ÕŒ ANTHOLOGY OF RUSSIAN CINEMA ǡÌ̇ üË‚‡ Marianna Kireeva ÓÍÓ̘Ë· ÍËÌӂ‰˜ÂÒÍËÈ Ù‡ÍÛθÚÂÚ Graduated in cinema studies from the ¬√»ü‡ (1987, χÒÚÂÒ͇ˇ À. Film Institute VGIK (1987, course of ÇχÚÓ‚ÓÈ, ≈. —ÛÍÓ‚‡), Á‡ÚÂÏ - L. Mamatova and E. Surkov), then ‡ÒÔˇÌÚÛÛ. ¬ 1992-2002 ‡·Óڇ· postgraduate study. From 1992-2002 ̇ ‡Á΢Ì˚ı ‰ÓÎÊÌÓÒÚˇı ‚ ÒËÒÚÂÏ worked in various jobs in film ÍËÌÓÔÓ͇Á‡ –ÓÒÒËÈÒÍÓ„Ó programming for Russian television. ÚÂ΂ˉÂÌˡ. —Ó‡‚ÚÓ Ë ÂÊËÒÒ Co-author and director of the cycle ˆËÍÎÓ‚ÓÈ ÔÓ„‡ÏÏ˚ "ÃÛÁÂÈ ÍËÌÓ" "Museum of Cinema" ("Masterpieces of ("ÿ‰‚˚ ÒÚ‡Ó„Ó ÍËÌÓ", 1993-1997, Old Cinema", 1993-1997, television ÚÂÎÂ͇̇Î˚ "–ÓÒÒˡ" Ë "–ÓÒÒËÈÒÍË channels "Russia" and "Russian ÛÌË‚ÂÒËÚÂÚ˚"). —Ó‡‚ÚÓ Ë Universities"). Co-author and co- ÒÓÂÊËÒÒ ÙËθχ Ó —„ director of a film about Sergei ›ÈÁÂ̯ÚÂÈÌ "ƒÓÏ Ã‡ÒÚ‡" (ÔÂÏˡ Eisenstein, "The House of the Master" "“›‘»"). — 2002 ‡·ÓÚ‡ÂÚ Ì‡‰ (TEFI award). Since 2002 works on
‰ÓÍÛÏÂÌڇθÌ˚Ï ˆËÍÎÓÏ "¿ÌÚÓÎӄˡ the documentary cycle "Anthology of Anthology of russian cinema ÓÒÒËÈÒÍÓ„Ó ÍËÌÓ". Russian Cinema". AÌÚÓÎӄˡ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓ 161 1 ‘»À‹Ã 10-…: "9 /2" (1963 - 1969)
‘»À‹Ã 11-…: "ƒ–”√¿fl Δ»«Õ‹" (1969 - 1975)
2006, –ÓÒÒˡ, (59+52) ÏËÌ., ‰ÓÍ.
¿‚ÚÓ˚ ÒˆÂÌ‡Ëˇ ǡÌ̇ üË‚‡, ≈‚„ÂÌËÈ Ã‡„ÓÎËÚ –ÂÊËÒÒ ÇˇÌ̇ üË‚‡ –ÂÊËÒÒ ÏÓÌڇʇ fiËÈ üÓÚÓ‚ üÓÏÔÓÁËÚÓ ¿ÎÂÍ҇̉ ◊‡ÈÍÓ‚ÒÍËÈ «‚ÛÍ √‡ÎË̇ —Ë‚Â “ÂÍÒÚ ˜ËÚ‡ÂÚ ¿ÎÂÍ҇̉ √Ó‰ÓÌ œÓ‰˛Ò ÇË̇ “Û¯ œÓËÁ‚Ó‰ÒÚ‚Ó "¿ÚËχ", ‘‰‡θÌÓ ‡„ÂÌÚÒÚ‚Ó ÔÓ ÍÛθÚÛÂ Ë ÍËÌÂχÚÓ„‡ÙËË
FILM 10: 1 "9 /2" (1963 - 1969)
FILM 11: "ANOTHER LIFE" (1969 - 1975)
2006, Russia, (59+52) min, doc.
Script Marianna Kireeva, Evgeni Margolit Director Marianna Kireeva Editing Yuri Kotov Composer Alexander Chaikovsky Sound Galina Siver Text read by Alexander Gordon Producer Marina Trush Production Artima Studio, Federal Agency of Culture and Cinematography
1 1 ‘ËÎ¸Ï 10-È "9 /2" (1963 - 1969) Film 10 "9 /2" (1963-1969) –‡ÒÒ͇Á Ó ÚÓÏ, ͇Í, ۂˉ‚ ̇ ÃÓÒÍÓ‚ÒÍÓÏ ÍËÌÓÙÂÒÚË‚‡Î The story about how, seeing Fellini's film at the Moscow Film 1963 „Ó‰‡ ÙËÎ¸Ï ‘ÂÎÎËÌË, ÒÓ‚ÂÚÒÍË ÍËÌÂχÚÓ„‡ÙËÒÚ˚ Festival in 1963, the Soviet cinematographers decided to make ¯ËÎË Ò‰Â·ڸ ÔÓ˝Ú˘ÂÒÍÓ ‚ÓÓ·‡ÊÂÌË „·‚Ì˚Ï ÓÛÊËÂÏ the poetic imagination the main weapon for the transformation ÔÂÓ·‡ÁÓ‚‡Ìˡ Ïˇ, Ë ˜ÚÓ ËÁ ˝ÚÓ„Ó ‚˚¯ÎÓ. of the world - and the consequences of that decision.
‘ËÎ¸Ï 11-È "ƒÛ„‡ˇ ÊËÁ̸" (1969 - 1975) Film 11 "Another Life" (1969-1975) — ̇ÒÚÛÔÎÂÌËÂÏ ˝ÔÓıË "Á‡ÒÚÓˇ" ÍËÌÓ ‚˚ÌÓÒËÚ ÓÍÛʇ˛˘ÂÈ With the approach of the period of "stagnation" cinema ‡θÌÓÒÚË ‚ÓÚÛÏ Ì‰ӂÂˡ. √ÂÓË Ë ‡‚ÚÓ˚ ‚ÌÓ‚¸ announced a vote of no-confidence to the surrounding world. ÓÚÔ‡‚Ρ˛ÚÒˇ ̇ ÔÓËÒÍË ‰Û„ÓÈ ÊËÁÌË - ÊËÁÌË-Ô‡Á‰ÌË͇. The heroes and authors again search for another life: the life of a holiday. 162 «‡Í˚ÚË ÍËÌÓÙÂÒÚË‚‡Îˇ Festival closure THE ROLLINGSTONES!SHINEALIGHT THE ROLLINGSTONES.ƒ¿¡”ƒ≈“—¬≈“! «¿ü–¤“»≈ ü»ÕŒ‘≈—“»¬¿Àfl/FESTIVALCLOSURE www.shinealight.es œÓÍ‡Ú ‚–ÓÒÒËË Concert PromotionsInternational œÓËÁ‚Ó‰ÒÚ‚Ó «˝ÈÌ ¬‡ÈÌ œÓ‰˛ÒÂ˚ ƒÊÂÍ ”‡ÈÚ,ÀËÁ‡‘˯ÂÖ,ÇÚËÌ—ÍÓÒÂÁ ◊‡ÎË ”ÓÚÚÒ,–Ó̬ۉ,üËÒÚË̇¿„Ë·,¡‡‰‰Ë√‡È, ¬ ÙËθÏÂÒÌËχÎËÒ¸: ÃÓÌÚ‡Ê «‚ÛÍ √·‚Ì˚È ÓÔ‡ÚÓ ¿‚ÚÓ ÒˆÂÌ‡Ëˇ –ÂÊËÒÒ Dolby Digital 2008, —ÿ¿/¬ÂÎËÍÓ·ËÚ‡Ìˡ,122ÏËÌ.,˜/·+ˆ‚.,1:1.85, ‘ËÎËÔ —ÚÓÍÚÓÌ ƒ‡‚ˉ “‰ÂÒÍË Ã‡ÚËÌ —ÍÓÒÂÁ —ÚË‚ ¡ËÌ„,ÇÈÍÎüÓÎ,¬ËÍÚÓˡœËχÌ, Shangri-La Entertainment, ”ËθˇÏ ÃÓ̇ı˝Ì ´Õ‡¯Â ÍËÌÓª –Ó·ÂÚ –˘‡‰ÒÓÌ ÃËÍ ƒÊ‡„„Â,üËږ˘‡‰Ò, www.shinealight.es Distribution inRussia Concert PromotionsInternational Production Zane Weiner Producers Martin Scorsese Christina Aguilera,BuddyGuy,JackWhite,LisaFischer, Cast: Editing Sound Director ofPhotography Scriptwriter Director Dolby Digital 2008, USA/UK,122min,b&w/col.,1:1.85, Mick Jagger,KeithRichards,CharlieWatts,RonWood, Philip Stockton David Tedeschi Martin Scorsese Steve Bing,MichaelCohl,VictoriaPearman, Shangri-La Entertainment, William Monahan Nashe Kino Robert Richardson Festival closure ÇÚËÌ —ÍÓÒÂÁ (—ÿ¿) –ÂÊËÒÒ 44 ÙËθÏÓ‚, ÔÓ‰˛Ò ñ 34, ‡ÍÚ ñ 23, ÒˆÂ̇ËÒÚ ñ 13. À‡ÛÂ‡Ú ÔÂÏËË ´ŒÒ͇ª Ë ‰Û„Ëı ‚ÓÒ¸ÏˉÂÒˇÚË ÔËÁÓ‚, ‚ ÚÓÏ ˜ËÒΠ´«ÓÎÓÚ‡ˇ
ԇθÏÓ‚‡ˇ ‚ÂÚ‚¸ª ‚ ü‡Ì̇ı Ë ´—·ˇÌ˚È «‡Í˚ÚË ÍËÌÓÙÂÒÚË‚‡Îˇ ΂ª ‚ ¬Â̈ËË. –Ó‰ËÎÒˇ ‚ 1942 ‚ Õ¸˛- …ÓÍÂ, ‚ ÍËÌÓ ‰Â·˛ÚËÓ‚‡Î ‚ 1963 ñ Í‡Í ÒˆÂ̇ËÒÚ, Í‡Í ÂÊËÒÒ ñ ‚ 1967. ΔË‚ÂÚ ‚ Õ¸˛-…ÓÍÂ Ë ÒΉÛÂÚ ÚÓθÍÓ Ò‚ÓËÏ ÔÛÚÂÏ, 163 ÒÌËχˇ „ÎÛ·ÓÍÓ Î˘Ì˚Â Ë ˜‡ÒÚÓ ‡‚ÚÓ·ËÓ„‡Ù˘Ì˚ ÎÂÌÚ˚, ‚ ÚÓÏ ˜ËÒÎÂ Ë ‰ÓÍÛÏÂÌڇθÌ˚Â, ‡ÍÚË‚ÌÓ Û˜‡ÒÚ‚ÛÂÚ ‚ ÒÓı‡ÌÂÌËË ÒÚ‡˚ı ÎÂÌÚ.
»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ ÂÊËÒÒ‡: 1974 ....¿ÎËÒ‡ Á‰ÂÒ¸ ·Óθ¯Â Ì ÊË‚ÂÚ 1976 ....“‡ÍÒËÒÚ 1977 ....Õ¸˛-…ÓÍ, Õ¸˛-…ÓÍ 1980 ....¡Â¯ÂÌ˚È ·˚Í 1982 ....üÓÓθ ÍÓωËË 1985 ....œÓÒΠ‡·ÓÚ˚ 1988 ....œÓÒΉÌ ËÒÍÛ¯ÂÌË ’ËÒÚ‡ 1990 ....—·‚Ì˚ ԇÌË 1991 ....Ã˚Ò ÒÚ‡ı‡ 1993 ....›ÔÓı‡ Ì‚ËÌÌÓÒÚË 1995 ....ü‡ÁËÌÓ 1997 ....üÛ̉ÛÌ 2002 ....¡‡Ì‰˚ Õ¸˛-…Ó͇ 2004 ....¿‚ˇÚÓ 2006 ....ŒÚÒÚÛÔÌËÍË Martin Scorsese (US) Directed 44 films, produced 34, acted in 23, ƒÓÍÛÏÂÌڇθÌ˚È ÙËθÏ, ÏËÓ‚‡ˇ ÔÂϸ‡ ÍÓÚÓÓ„Ó ÒÓÒÚÓˇÎ‡Ò¸ ̇ and scripted 13. ÓÚÍ˚ÚËË ¡ÂÎËÌÒÍÓ„Ó Ãü‘, ÔÓÒ‚ˇ˘ÂÌ Ú‚Ó˜ÂÒÚ‚Û Î„Ẩ‡ÌÓÈ „ÛÔÔ˚ Winner of the OSCAR Academy Award and ´The Rolling Stonesª. ¬ ÓÒÌӂ ͇ÚËÌ˚ - ‰‚‡ ÍÓ̈ÂÚ‡ 2006 „Ó‰‡ (Beacon another eighty prizes, including the Golden Theatre, Õ¸˛-…ÓÍ), ËÒÔÓθÁÓ‚‡Ì˚ ‰ÍË ‡ıË‚Ì˚ Á‡ÔËÒË, Á‡ÍÛÎËÒÌ˚ Palm of the Cannes Film Festival and the Ò˙ÂÏÍË, ÓÚ˚‚ÍË ËÁ ÍÎËÔÓ‚ Ë ËÌÚ‚¸˛ ‡ÁÌ˚ı ÎÂÚ. —Â‰Ë Ô˄·¯ÂÌÌ˚ı Silver Lion of Venice. Born in 1942 in New Á‚ÂÁ‰ ñ ƒÊÂÍ ”‡ÈÚ (´White Stripesª), ¡‡‰‰Ë √‡È, üËÒÚË̇ ¿„Ë· Ë York, debut in cinema in 1963 as script ·˚‚¯ËÈ ÔÂÁˉÂÌÚ —ÿ¿ ¡ËÎÎ üÎËÌÚÓÌ Ë Â„Ó ÒÛÔÛ„‡ ’ËÎÎ‡Ë üÎËÌÚÓÌ. writer, and in 1967 as director. Lives in New York and follows only his own way, making deeply personal and frequently autobiographical films, including Documentary film that had its world premiere at the opening of the Berlin documentaries. He actively participates in the International Film Festival. It is devoted to the creative work of the legendary preservation of old films. group ìThe Rolling Stonesî. At the heart of the film lie two concerts of 2006 (Beacon Theatre, New York), and rare archival recordings, back stage Selected Directorís Filmography: shootings, fragments from clips and interviews of different years. Among the 1974 ....Alice Doesnít Live Here Anymore 1976 ....Taxi Driver invited stars ate Jack White (ìWhite Stripesî), Buddy Guy, Christina Aguilera 1977 ....New York, New York and the former US president Bill Clinton and his spouse Hillary. 1980 ....Raging Bull 1982 ....The King of Comedy 1985 ....After Hours 1988 ....The Last Temptation of Christ 1990 ....Goodfellas 1991 ....Cape Fear 1993 ....The Age of Innocence 1995 ....Casino 1997 ....Kundun 2002 ....Gangs of New York 2004 ....The Aviator 2006 ....The Departed 164 KÛ„Î˚ ÒÚÓÎ˚ Round tables RUSSIAN CINEMA" FOREIGN CRITICSJUDGERECENT "FROM RUSSIAWITHLOVE. ФИПРЕССИ президент ЗАРУБЕЖНАЯ КРИТИКА» СОВРЕМЕННОЕ РОССИЙСКОЕКИНОИ «ИЗ РОССИИСЛЮБОВЬЮ. Dondurei, Daniil “TOPICAL CINEMA:DON’TFILM!” Дондурей, Даниил «АКТУАЛЬНОЕ КИНО–НЕСНИМАТЬ!» MODERATORS: ÃŒƒ≈–¿“Œ–¤: ROUND TABLES ü–”√À¤≈ —“ŒÀ¤ Viacheslav Shmyrov Viacheslav «DISTRIBUTION FORBLOCKBUSTERS”: Шмыров Вячеслав ЕСТЬ ЛИАЛЬТЕРНАТИВЫ?» «ПРОКАТ ДЛЯБЛОКБАСТЕРОВ»: журнала «Искусство кино» «Искусство журнала FIPRESCI president president FIPRESCI и генеральный секретарь ФИПРЕССИ секретарь генеральный и Art) (Film kino” “Iskusstvo journal of the journal “KinoProcess” journal the of журнала «Кинопроцесс» «Кинопроцесс» журнала ARE THEREALTERNATIVES?” and FIPRESCI General Secretary Secretary General FIPRESCI and Клаус Эдер Эдер Клаус Klaus Eder Klaus (Germany) (Германия) editorinchief of the of editorinchief Andrei Plakhov Andrei – – , главный редактор главный , , editorinchief editorinchief , главный редактор главный Андрей Плахов Андрей – – – – – ´¿ÍÚۇθÌÓ ÍËÌÓ ñ Ì ÒÌËχڸ!ª ìTopical cinema: donít film!î ´üÛ„Î˚ ÒÚÓÎ˚ª ÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª ÔÓ Ú‡‰ËˆËË Round tables of the festival ìKinotavrî are traditionally ÔÓÒ‚ˇ˘‡˛ÚÒˇ ÒÚ‡Ú„˘ÂÒÍËÏ ‚ÓÔÓÒ‡Ï ÙÓÏËÓ‚‡Ìˡ devoted to strategic questions of the formation of Russian ÍÓÌÚÂÌÚ‡ ÓÒÒËÈÒÍÓ„Ó ÍËÌÂχÚÓ„‡Ù‡. ¬ ˝ÚÓÏ „Ó‰Û ÓÌ ·Û‰ÂÚ cinema and its content. This yearís round table will be devoted ÔÓÒ‚ˇ˘ÂÌ Ò‡ÏÓÈ ‚‡ÊÌÓÈ Ë ‚Ò„‰‡ ‡ÍÚۇθÌÓÈ ÚÂÏ ñ ÔÓ ˜ÚÓ to a crucial and always essential topic: what are we going to ÒÌËχÂÏ ÍËÌÓ? œÓ˜ÂÏÛ Ú‡Í Ï‡ÎÓ ÙËθÏÓ‚ ‰Â·ÂÚÒˇ ̇ make a film about? Why are so few films being made about Á̇˜ËÏ˚Â, Ì ‚˚˜ÛÌ˚Â, ÔÂÂÊË‚‡ÂÏ˚ ÏËÎÎËÓ̇ÏË Î˛‰ÂÈ problems of contemporary life that are significant, ÔÓ·ÎÂÏ˚ Ì˚̯ÌÂÈ ÊËÁÌË? œÓ˜ÂÏÛ ÂÊËÒÒÂ˚ ‚ÒÂÏË unpretentious, and experienced by millions of people? Why do Ò‚ÓËÏË Ú‚Ó˜ÂÒÍËÏË ÒË·ÏË ÛÍÎÓÌˇ˛ÚÒˇ ÓÚ Â ‡Ì‡ÎËÁ‡ ñ directors with their whole creative power avoid analysis, and χÒÒÓ‚Ó ÛıÓ‰ˇÚ ‚ ÂÚÓ, ‚ ʇÌ, ‚ Ù˝ÌÚÂÁË, ‚ ‡ÁÌÓ„Ó Ó‰‡ instead turn en masse to retro, genre, fantasy, all sorts of Round tables ÒÚ‡¯ËÎÍË, ‚ χ„Ë̇θÌ˚ ÚÂÏ˚ Ë ÒÚËÎËÒÚËÍÛ. œÓ˜ÂÏÛ ‚ horror stories, to marginal themes and styles. Why are young
ÍÓÏϘÂÒÍÓÏ ÍËÌÓ ˛Ì˚ ÁËÚÂÎË ÒÚ‡ÎÍË‚‡˛ÚÒˇ ‚ ÓÒÌÓ‚ÌÓÏ spectators of commercial cinema basically presented with KÛ„Î˚ ÒÚÓÎ˚ Ò ·Ó‚Ë͇ÏË, ‡ ‚ ‡‚ÚÓÒÍÓÏ ñ Ò ‡ÁÌ˚ÏË ‚‡Ë‡ÌÚ‡ÏË action movies, while in art cinema they are mainly shown ËÒÚÓËÈ Ó „ÎÛ·ÓÍÓ ÌÂÒ˜‡ÒÚÌÓÈ Ë ‰ÂÔÂÒÒË‚ÌÓÈ ÒÚ‡ÌÂ? different versions of stories about a deeply unfortunate and Õ‡ ´ÍÛ„ÎÓÏ ÒÚÓΪ ´¿ÍÚۇθÌÓ ÍËÌÓ ñ Ì ÒÌËχڸ!ª, Í‡Í utterly depressive country? ‚Ò„‰‡, ÔËÌËχ˛Ú Û˜‡ÒÚË ‚Â‰Û˘Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ Participants of the round table ìTopical cinema: donít film!î ÔÓ‰˛ÒÂ˚, ÂÊËÒÒÂ˚, ‰‡Ï‡ÚÛ„Ë, ÓÚ·Ó˘ËÍË ‚Â‰Û˘Ëı will, as always, include leading producers, directors, ÏÂʉÛ̇ӉÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ, ÛÍÓ‚Ó‰ËÚÂÎË playwrights, selectors of international film festivals, heads of ÚÂ΂ËÁËÓÌÌ˚ı ͇̇ÎÓ‚ Ë ÍËÌÓÒÚÛ‰ËÈ. television channels and film studios. ƒ‡ÌËËÎ ƒÓ̉ÛÂÈ Daniil Dondurei
´»Á –ÓÒÒËË Ò Î˛·Ó‚¸˛. "From Russia with Love. —Ó‚ÂÏÂÌÌÓ ÓÒÒËÈÒÍÓ ÍËÌÓ Foreign Critics Judge Recent 165 Ë Á‡Û·ÂÊ̇ˇ ÍËÚË͇ª Russian Cinema"
ÕÂÒÓÏÌÂÌÌÓ, –ÓÒÒˡ ‚Ò„‰‡ ·˚· Ó‰ÌÓÈ ËÁ ‚Â‰Û˘Ëı Undoubtedly, Russia has been one of the leading cinema ÍËÌÂχÚÓ„‡Ù˘ÂÒÍËı ÒÚ‡Ì Ïˇ ñ ÒÚÓθ Ê ‚ÎˡÚÂθ̇ˇ Í‡Í nations of the world ñ as influential as the United States, —Ó‰ËÌÂÌÌ˚ ÿÚ‡Ú˚, √ÂχÌˡ ËÎË ‘‡ÌˆËˇ. ¬ „Ó‰˚ ÒÓ‚ÂÚÒÍÓÈ Germany or France. Under Soviet rule, cinema was considered ‚·ÒÚË Í ÍËÌÓ ÓÚÌÓÒËÎËÒ¸ Ë Í‡Í Í ËÒÍÛÒÒÚ‚Û, Ë Í‡Í Í Ò‰ÒÚ‚Û as art (and as a means of propaganda), and there was not ÔÓÔ‡„‡Ì‰˚, Ë ÒÓÁ‰‡‚‡Ú¸ ¯Â‰Â‚˚ Ô‡ÍÚ˘ÂÒÍË ·˚ÎÓ rarely a space and chance to create masterpieces (often linked Ì‚ÓÁÏÓÊÌÓ. ◊‡˘Â ‚ÒÂ„Ó ˝ÚÓ ·˚ÎÓ Ò‚ˇÁ‡ÌÓ Ò ÔÓÎËÚ˘ÂÒÍËÏË to political difficulties and personal pain, as we know, see the ÚÛ‰ÌÓÒÚˇÏË (Í‡Í ˝ÚÓ ·˚ÎÓ Ò Ú‡Í Ì‡Á˚‚‡ÂÏ˚ÏË ÔÓÎÓ˜Ì˚ÏË history of the ´shelved filmsª). They toured through festivals, ÙËθχÏË). »ı ÒÏÓÚÂÎË Ì‡ ÙÂÒÚË‚‡Îˇı, ‚ ÍËÌÓÍÎÛ·‡ı, ̇ film clubs and cinemas and increased the glory of the country Á‡Í˚Ú˚ı ÔÓÒÏÓÚ‡ı, Ë ÓÌË ÔÓÒ·‚ËÎË ÒÚ‡ÌÛ, ÒÚ‡‚¯Û˛ as a source of astonishing films (sometimes against the will of ËÒÚÓ˜ÌËÍÓÏ Û‰Ë‚ËÚÂθÌ˚ı ÙËθÏÓ‚, ñ ËÌÓ„‰‡ ÔÓÚË‚ Ê·ÌËÈ the authorities, see the turbulences around Tarkovskyís ‚·ÒÚÂÈ (Í‡Í ˝ÚÓ ·˚ÎÓ ‚ˉÌÓ ÔÓ ÒÚ‡ÒÚˇÏ, ‡Á˚„‡‚¯ËÏÒˇ ´Andrei Rublyovª and its Cannes screening of 1969). After ‚ÓÍÛ„ ÙËθχ “‡ÍÓ‚ÒÍÓ„Ó ´¿Ì‰ÂÈ –۷΂ª Ë Â„Ó ÔÓ͇Á‡ ̇ the end of the system, it became irritatingly quiet. Russian ü‡ÌÌÒÍÓÏ ÙÂÒÚË‚‡Î ‚ 1969 „Ó‰Û). œÓÒΠ‡ÒÔ‡‰‡ ÒËÒÚÂÏ˚ ÒÚ‡ÎÓ films enter today only occasionally the competition of the ‡Á‰‡ÊËÚÂθÌÓ ÚËıÓ. –ÓÒÒËÈÒÍË ÙËθÏ˚ ÒÂ„Ó‰Ìˇ ‰ÍÓ ‚ıÓ‰ˇÚ major festivals (see this yearís Cannes programme: no Russian ‚ ÍÓÌÍÛÒÌ˚ ÔÓ„‡ÏÏ˚ „·‚Ì˚ı ÙÂÒÚË‚‡ÎÂÈ (Ú‡Í, ̇ÔËÏÂ, ‚ film in competition). A few names only managed to cross the ÓÒÌÓ‚ÌÓÏ ÍÓÌÍÛÒ Ì˚̯ÌÂ„Ó ü‡ÌÌÒÍÓ„Ó ÙÂÒÚË‚‡Îˇ ÌÂÚ ÌË border: Nikita Mikhalkov of course and Alexander Sokurov, or Ó‰ÌÓÈ ÓÒÒËÈÒÍÓÈ Í‡ÚËÌ˚). À˯¸ ÌÂÒÍÓθÍÓ ËÏÂÌ ÂÊËÒÒÂÓ‚ Andrei Zviagintsev and Ilya Khrzhanovsky (acting for a few ÒÛÏÂÎË ÔÂÂÒ˜¸ „‡ÌˈÛ: ˝ÚÓ ñ ÕËÍËÚ‡ ÃËı‡ÎÍÓ‚, ÍÓ̘ÌÓ ÊÂ, filmmakers of a younger generation who managed to make Ë ¿ÎÂÍ҇̉ —ÓÍÛÓ‚, ËÎË ¿Ì‰ÂÈ «‚ˇ„Ë̈‚ Ë »Î¸ˇ their way). But: Arenít they exceptions? Isnít nowadays ’ʇÌÓ‚ÒÍËÈ, Í‡Í Ô‰ÒÚ‡‚ËÚÂÎË ÂÊËÒÒÂÓ‚ ÏÓÎÓ‰Ó„Ó Russian cinema fairly unknown abroad? Why? Is there a new ÔÓÍÓÎÂÌˡ, ÍÓÚÓ˚ ÒÛÏÂÎË ÔÓ·ËÚ¸Òˇ. ÕÓ Ì ˇ‚Ρ˛ÚÒˇ ÎË ÓÌË understanding and conception of the role and function of ËÒÍβ˜ÂÌËÂÏ? ƒÓÒÚ‡ÚÓ˜ÌÓ ÎË ‚ ̇ÒÚÓˇ˘Â ‚ÂÏˇ ÓÒÒËÈÒÍÓ cinema? Is ´cinema as artª outmoded in todayís Russia? What ÍËÌÓ ËÁ‚ÂÒÚÌÓ Á‡ Û·ÂÊÓÏ? ≈ÒÚ¸ ÎË ÌÓ‚Ó ÔÓÌËχÌË ÓÎË Ë is preventing films (in particular of a younger generation of ÙÛÌ͈ËË ÍËÌÓ? Õ ˇ‚ΡÂÚÒˇ ÎË ´ÍËÌÓ Í‡Í ËÒÍÛÒÒÚ‚Óª filmmakers) to make an international career, what are their ‚˚¯Â‰¯ÂÈ ËÁ ÏÓ‰˚ ÍÓ̈ÂÔˆËË ‚ ÒÂ„Ó‰Ìˇ¯ÌÂÈ –ÓÒÒËË? ◊ÚÓ chances to find a public also outside the own country? In ϯ‡ÂÚ ÂÊËÒÒÂ‡Ï ÏÓÎÓ‰Ó„Ó ÔÓÍÓÎÂÌˡ ‰Â·ڸ ÏÂʉÛ̇ӉÌÛ˛ general, is the notion of a ´national cinemaª still up to date? ͇¸ÂÛ, ͇ÍÓ‚˚ Ëı ‚ÓÁÏÓÊÌÓÒÚË Ì‡ÈÚË Ò‚ÓËı ÁËÚÂÎÂÈ ‚Ì And, even more general: What is cinema, today and in ÒÚ‡Ì˚? fl‚ΡÂÚÒˇ ÎË ÔÓÌˇÚË ´Ì‡ˆËÓ̇θÌÓ ÍËÌÓª ‚Ò ¢ Russia? Enough ´dynamiteª to be discussed between foreign ÒÓ‚ÂÏÂÌÌ˚Ï Ë ‡ÍÚۇθÌ˚Ï? » ¢ ·ÓΠӷ˘ËÈ ‚ÓÔÓÒ: ˜ÚÓ critics and their Russian colleagues, on the background of the Ú‡ÍÓ ÍËÌÓ ÒÂ„Ó‰Ìˇ ‚ –ÓÒÒËË? ›ÚÓÈ ´‚Á˚‚˜‡ÚÍ˪ ÛÊ new Russian films included in the Sochi programme. ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰Îˇ Ó·ÒÛʉÂÌˡ ÏÂÊ‰Û ÓÒÒËÈÒÍËÏË ÍËÚË͇ÏË Ë Ëı Á‡Û·ÂÊÌ˚ÏË ÍÓÎ΄‡ÏË ñ ̇ ÙÓÌ ÌÓ‚˚ı ÓÒÒËÈÒÍËı ÙËθÏÓ‚, Klaus Eder ‚Íβ˜ÂÌÌ˚ı ‚ —Ó˜ËÌÒÍÛ˛ ÔÓ„‡ÏÏÛ. ü·ÛÒ ›‰Â
"œÓÍ‡Ú ‰Îˇ ·ÎÓÍ·‡ÒÚÂÓ‚": "Distribution for blockbusters": ÂÒÚ¸ ÎË ‡Î¸ÚÂ̇ÚË‚˚? are there alternatives?
—Ó‚ÂÏÂÌÌ˚È ÓÒÒËÈÒÍËÈ ÍËÌÓÔÓÍ‡Ú ñ ˝ÚÓ ÒÛÏχ Modern Russian film distribution is the sum of paradoxes. On Ô‡‡‰ÓÍÒÓ‚. — Ó‰ÌÓÈ ÒÚÓÓÌ˚, Ì ÏÓÊÂÚ Ì ‡‰Ó‚‡Ú¸, ˜ÚÓ ‚ the one hand, we should be happy that there are a growing ˜ËÒÎÂ Â„Ó ÎˉÂÓ‚ ñ ̇‡ÒÚ‡˛˘Â ˜ËÒÎÓ ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı number of home-made blockbusters among the leaders of ·ÎÓÍ·‡ÒÚÂÓ‚. — ‰Û„ÓÈ ÒÚÓÓÌ˚, ÔÓÌˇÚÌÓ, ˜ÚÓ Ì ÚÓθÍÓ distribution. On the other hand, it is clear that not only art- ‡Úı‡ÛÒ, ÌÓ Ë ÔÓÒÚÓ ´˜ÂÎӂ˜ÂÒÍÓ ÍËÌÓª, ÏÂ̸¯Â ‚ÒÂ„Ó house, but also simply ìhumanistic cinemaî least intended for Ô‰̇Á̇˜ÂÌÌÓ ‰Îˇ ÔÓ‰ÓÒÚÍÓ‚, ÔÓ˜ÚË Ì ËÏÂÂÚ ¯‡ÌÒÓ‚ teenagers, has almost no chance of finding an audience. The ‚ÒÚÂÚËÚ¸Òˇ ÒÓ Ò‚ÓÂÈ ‡Û‰ËÚÓËÂÈ. –‡ÒÚÂÚ ÍÓ΢ÂÒÚ‚Ó Á‡ÎÓ‚ number of cinema screens is growing (even if not as rapidly as (ÔÛÒÚ¸ ÌÂ Ú‡Í ·˚ÒÚÓ, Í‡Í ÔÂʉÂ), ÌÓ Î„˜Â ÎË ÓÚ ˝ÚÓ„Ó before), but is it therefore easier to distribute European films ÔÓ͇Ú˚‚‡Ú¸ ‚ÓÔÂÈÒÍË ÙËθÏ˚ ËÎË ÓÒÒËÈÒÍË ÙËθÏ˚- or Russian debuts, documentaries or animation films? ‰Â·˛Ú˚, ‰ÓÍÛÏÂÌڇθÌÓ ËÎË ‡ÌËχˆËÓÌÌÓ ÍËÌÓ? ìDistribution for blockbusters: are there alternatives?î is the ´œÓÍ‡Ú ‰Îˇ ·ÎÓÍ·‡ÒÚÂÓ‚ª: ÂÒÚ¸ ÎË ‡Î¸ÚÂ̇ÚË‚˚?ª ñ ÚÂχ theme of a round table which will take place on 11 June 2008 ÍÛ„ÎÓ„Ó ÒÚÓ·, ÍÓÚÓ˚È 11 Ë˛Ìˇ 2008 „Ó‰‡ ÔÓ‚Ó‰ËÚÒˇ ̇ at the festival ìKinotavrî, organised by the programme ÙÂÒÚË‚‡Î ´üËÌÓÚ‡‚ª Â„Ó ÔÓ„‡ÏÏÌÓÈ ‰ËÂ͈ËÂÈ management together with the editorial board of the journal ÒÓ‚ÏÂÒÚÌÓ Ò Â‰‡ÍˆËÂÈ ÊÛ̇· ´üËÌÓÔÔÓˆÂÒÒª. ìKino-Processî. ¬ˇ˜ÂÒ·‚ ÿÏ˚Ó‚ Viacheslav Shmyrov 9 1/2 ...... 161 9 1/2 ...... 161 12 ...... 86 12 (Twelve) ...... 86 9 ƒÕ≈… ŒƒÕŒ√Œ √Œƒ¿...... 136 AIBOLIT 66 ...... 154 PAL/SECAM ...... 43 AND ALL THE LOVE ...... 158 ROLLING STONES, THE. ƒ¿ ¡”ƒ≈“ —¬≈“! ...... 162 ANDREI RUBLEV ...... 126 ¿…¡ŒÀ»“-66 ...... 154 ANGELS OF SIN VOL. 4 (Dee L'Do)...... 44 ¿Õ√≈À¤ √–≈’¿ VOL. 4 (Dee L'Do) ...... 44 ANOTHER LIFE ...... 161 ¿Õƒ–≈… –”¡À≈¬...... 126 ANTISEX ...... 88 ¿Õ“»—≈ü— ...... 88 APOSTATE, THE ...... 159 ¿——¿...... 90 ASSA ...... 90 ¿—“≈Õ»◊≈—ü»… —»Õƒ–ŒÃ...... 152 ASTHENIC SYNDROME ...... 152 ¡¿ü—¤ ...... 12 AUTUMN MARATHON ...... 145 ¡¿ÀÀ¿ƒ¿ Œ —ŒÀƒ¿“≈ ...... 127 BAKSY...... 12
Index of films ¡Œ… — “≈Õ‹fi 2: –≈¬¿Õÿ ...... 92 BALLAD OF A SOLDIER ...... 127 ¡ŒÃΔ. ¡≈« Œœ–≈ƒ≈À≈ÕÕŒ√Œ Ã≈—“¿ Δ»“≈À‹—“¬¿ ...... 158 BEGINNING, THE ...... 139 ¡–¿“ ...... 147 BOULEVARD ...... 45 »Ì‰ÂÍÒ ÙËθÏÓ‚ ¡”À‹¬¿– ...... 45 BROTHER...... 147 ¬ Œ√Õ≈ ¡–Œƒ¿ Õ≈“ ...... 141 CAPTIVE ...... 24 ¬»ƒ Õ¿ √Œ–¤...... 46 CINDERS ...... 47 ¬—≈ ”Ö”“, ¿ fl Œ—“¿Õ”—‹ ...... 66 CLOSED SPACES...... 68 √¿ÃÀ≈“...... 143 COLD SUN, THE ...... 118 √¿–‹ ...... 47 COMMISSAR, THE...... 131 √¿“¿ ...... 48 DAY OF RADIO ...... 96 √Œ—œŒƒ¿ Œ‘»÷≈–¤. —œ¿—“» »Ãœ≈–¿“Œ–¿ ...... 94 DAYS OF ECLIPSE ...... 155 ƒ≈¬—“¬≈ÕÕŒ—“‹...... 14 DREAM FLIGHTS ...... 142 ƒ≈Õ‹ –¿ƒ»Œ...... 96 ELDER WIFE, THE ...... 30 ƒ»üŒ≈ œŒÀ≈ ...... 16 EMPTINESS ...... 57 ƒÕ» «¿“Ã≈Õ»fl ...... 155 END OF CHAPTER 6, THE...... 51 ƒŒ¡–Œ œŒΔ¿ÀŒ¬¿“‹, »À» œŒ—“Œ–ŒÕջà ¬’Œƒ ¬Œ—œ–≈Ÿ≈Õ ....134 EVERYBODY DIES BUT ME...... 66 ƒ–”√¿fl Δ»«Õ‹ ...... 161 FISH, THE ...... 59 Δƒ” “≈¡fl ...... 49 FIVE EVENINGS ...... 148 Δ»¬» » œŒÃÕ» ...... 10 FLOAT ...... 56 «¿ü–¤“¤≈ œ–Œ—“–¿Õ—“¬¿ ...... 68 FOOTLOOSE ...... 158 166 «ƒ–¿¬Õ»÷¿ ...... 50 FOUR AGES OF LOVE ...... 34 «≈À≈Õ¤… “≈¿“– ¬ «≈Ñ»–≈...... 98 FOX HUNT ...... 144 «≈–ü¿ÀŒ...... 128 GAME, THE ...... 100 » ¬—fl Àfi¡Œ¬‹ ...... 158 GATA...... 48 »√–¿ ...... 100 GENTLEMEN OFFICERS. SAVE THE EMPEROR ...... 94 »À‹fl Ô–ŒÃ≈÷ » —ŒÀŒ¬≈… –¿«¡Œ…Õ»ü ...... 102 GREEN THEATRE IN ZEMFIRA...... 98 »Õƒ»√Œ ...... 104 HAMLET ...... 143 »—“Œ–»fl ¿—» üÀfl◊»ÕŒ…, üŒ“Œ–¿fl Àfi¡»À¿, HE WHO SWITCHES OFF THE LIGHTS...... 32 ƒ¿ Õ≈ ¬¤ÿÀ¿ «¿Ã”Δ ...... 138 HIGHWAY Ã8 ...... 62 »—◊≈«Õ”¬ÿ¿fl »Ãœ≈–»fl ...... 106 I AM TWENTY ...... 132 »fiÀ‹—ü»… ƒŒΔƒ‹ ...... 135 ILYA MUROMETS AND NIGHTINGALE-ROBBER...... 102 ü¿À»Õ¿ ü–¿—Õ¿fl ...... 130 IN ONE'S OWN LAND ...... 159 üŒÃ»——¿– ...... 131 INDIGO ...... 104 üŒÕ≈÷ VI √À¿¬¤ ...... 51 JOKE, THE ...... 114 üŒ–Œ“ü»≈ ¬—“–≈◊» ...... 150 JULY RAIN ...... 135 ü–¿“ü»≈ —¬≈ƒ≈Õ»fl œŒ Õ≈üŒ“Œ–¤Ã ›œ»«Œƒ¿Ã ...... 52 KHRUSTALYOV, MY CAR!...... 146 ÿÀ≈Õ‹ü¿fl ¬≈–¿ ...... 137 LIST OF SHIPS, THE ...... 76 ÿ“¿—ŒÕ»ü ...... 53 LITTLE VERA ...... 137 ÃÕ≈ ƒ¬¿ƒ÷¿“‹ À≈“ ...... 132 LIVE TO REMEMBER ...... 10 ÃŒ… ƒ–”√ »¬¿Õ À¿œÿ»Õ...... 129 MATASONIC ...... 53 ÃŒÕ√ŒÀ ...... 108 MIRROR...... 128 ÌՌÀŒ√ ...... 149 MONGOL ...... 108 Ô’¿ ...... 110 MONOLOGUE, THE ...... 149 ä »« ¡”ƒ”Ÿ≈√Œ ...... 112 MORNING, WITH DIFFERENT EYES, THE ...... 63 Õ¿ —¬Œ≈… «≈ÃÀ≈ ...... 159 MUKHA ...... 110 Õ¿◊¿ÀŒ ...... 139 MY FRIEND IVAN LAPSHIN ...... 129 Õ≈Õ”ΔÕ¤… œŒƒ¿–Œü...... 54 NEW TECHNOLOGIES ...... 55 Õ≈ŒüŒÕ◊≈ÕÕ¿fl œ‹≈—¿ ƒÀfl Ã≈’¿Õ»◊≈—üŒ√Œ œ»¿Õ»ÕŒ ...... 133 NINE DAYS OF ONE YEAR ...... 136 Õ»–¬¿Õ¿ ...... 18 NIRVANA ...... 18 ÕŒ¬¿fl «≈ÃÀfl ...... 20 NO PATH THROUGH FIRE ...... 141 ÕŒ¬¤≈ “≈’ÕŒÀŒ√»» ...... 55 OCEAN...... 22 Œü≈¿Õ ...... 22 OLD NEW ROSSI ...... 61 Œü–¿»Õ¿ ...... 140 OLEG KULIK - CHALLENGE AND PROVOCATION...... 70 ŒÀ≈√ ü”À»ü - ¬¤«Œ¬ » œ–Œ¬Œü¿÷»fl ...... 70 ONE HUNDRED DAYS AFTER CHILDHOOD ...... 151 Œ—≈ÕÕ»… ÿ–¿‘ŒÕ...... 145 OUTSKIRTS ...... 140 Œ“—“”œÕ»ü ...... 159 PAL/SECAM ...... 43 Œ’Œ“¿ Õ¿ À»— ...... 144 PARADE OF PLANETS ...... 153 œ¿–¿ƒ œÀ¿Õ≈“ ...... 153 PETROGRAD'S GAVROCHES ...... 160 œ≈“–Œ√–¿ƒ—ü»≈ √¿¬–Œÿ» ...... 160 PLUS ONE ...... 26 œÀ≈ÕÕ¤… ...... 24 RED GUELDER BERRY, THE ...... 123 œÀfi— Œƒ»Õ ...... 26 REVUE, THE ...... 72 œŒÀ≈“¤ ¬Œ —Õ≈ » Õ¿fl¬” ...... 142 RIORITA ...... 80 œŒœÀ¿¬Œü ...... 56 ROLLING STONES! SHINE A LIGHT, THE ...... 162 œ–≈ƒ—“¿¬À≈Õ»≈ ...... 72 SANATORIUM ...... 50 œ”—“Œ“¿...... 57 SAY LEO ...... 28 œfl“Õ¿ÿü» ...... 58 SEASON OF MISTS ...... 74 œfl“‹ ¬≈◊≈–Œ¬ ...... 148 SHADOW BOXING 2: REVENGE ...... 92 –»Œ–»“¿ ...... 80 SHORT ENCOUNTERS ...... 150 –Œ«¤√–¤ÿ...... 114 SHORT INFOMATION ON SOME EPISODES ...... 52 –¤¡¿ ...... 59 SHULTES ...... 36 —¿…ƒ-—“≈œ ...... 116 SIDE STEP ...... 116 —≈«ŒÕ “”ÿՌ¬ ...... 74 SPIDER ...... 60 —ü¿Δ» À≈Œ ...... 28 STORY OF ASYA KLYACHINA, THE ...... 138 —ü¿«¿Õ»≈ Œ ’–¿¡–ŒÃ ’Œ◊¡¿–≈ ...... 160 STRANGERS...... 82 —œ¿…ƒ≈– ...... 60 TAG ...... 58 —œ»—Œü üŒ–¿¡À≈… ...... 76 TALE OF THE BRAVE KHOCHBAR ...... 160 —“¿–¿fl ÕŒ¬¿fl –Œ——» ...... 61 TERRA NOVA...... 20 —“¿–ÿ¿fl Δ≈Õ¿ ...... 30 UNFINISHED PIECE FOR MECHANICAL PIANO ...... 133 —“Œ ƒÕ≈… œŒ—À≈ ƒ≈“—“¬¿...... 151 UNNECESSARY GIFT, THE ...... 54 “Œ“, ü“Œ √¿—»“ —¬≈“ ...... 32 VANISHED EMPIRE, THE ...... 106 “–¿——¿ Ã8 ...... 62 VIEW ON THE MOUNTAINS, A ...... 46 ”“–Œ ƒ–”√»Ã» √À¿«¿Ã» ...... 63 VIRGINITY...... 14 ’ŒÀŒƒÕŒ≈ —ŒÀÕ÷≈ ...... 118 WAITING FOR YOU ...... 49 ’–”—“¿À≈¬, ÿÿ»Õ”! ...... 146 WE ARE FROM THE FUTURE ...... 112 ◊≈“¤–≈ ¬Œ«–¿—“¿ Àfi¡¬» ...... 34 WELCOME, OR NO TRESPASSING ...... 134 ◊”Δ»≈ ...... 82 WILD FIELD...... 16 ÿ”À‹“≈— ...... 36 YURI'S DAY...... 38 fi–‹≈¬ ƒ≈Õ‹ ...... 38 ¿·‡Í‡Ó‚ ¿Òı‡· ...... 160 Abakarov, Askhab...... 160 ¿·‰‡¯ËÚÓ‚ ¬‡‰ËÏ ...... 144, 153 Abdrashitov, Vadim ...... 144, 153 ¿‚·‡ı »Î¸ˇ ...... 149 Agranovich, Maria ...... 49 ¿„‡Ìӂ˘ Ã‡Ëˇ ...... 49 Apasian, Igor ...... 159 ¿Ô‡ÒˇÌ »„Ó¸ ...... 159 Askoldov, Alexander ...... 131 ¿ÒÍÓθ‰Ó‚ ¿ÎÂÍ҇̉...... 131 Averbakh, Ilya ...... 149 ¡‡ÍÛ‡‰Á ¡‡ÍÛ ...... 36 Bakuradze, Bakur...... 36 ¡‡Î‡·‡ÌÓ‚ ¿ÎÂÍÒÂÈ ...... 147 Balabanov, Alexei ...... 147 ¡‡Î‡ˇÌ –ÓÏ‡Ì ...... 142 Balayan, Roman ...... 142 ¡Ó‰Ó‚-ÒÚ‡¯ËÈ, —„ÂÈ ...... 108 Bodrov Sr., Sergei ...... 108 ¡˚ÍÓ‚ –ÓÎ‡Ì ...... 154 Bychkova, Oksana ...... 26 ¡˚˜ÍÓ‚‡ ŒÍ҇̇ ...... 26 Bykov, Rolan ...... 154 ¬‡ÒËθ‚ ¿Ì‡ÚÓÎËÈ ...... 158 Chizhov, Alexei ...... 53 ¬ÓÎÓ¯ËÌ »„Ó¸ ...... 18 Chukhrai, Grigori ...... 127 ¬ÓÒÍ· »„Ó¸ ...... 68 Daneliya, Georgi...... 145 √ÂÏ‡Ì ¿ÎÂÍÒÂÈ ...... 129, 146 Diachenko, Dmitri ...... 96 Index of directors
√ÂχÌË͇ ¬‡ÎÂˡ √‡È ...... 66 Fomin, Oleg...... 94 »Ì‰ÂÍÒ ÂÊËÒÒÂÓ‚ √Ó‚ÓË̇ Շڇθˇ ...... 50 German, Alexei ...... 129, 146 √ÓÁÌÓ‚ —„ÂÈ ...... 55 Germanika, Valeria Gai ...... 66 √˚ÏÓ‚ fiËÈ ...... 82 Gleb Panfilov ...... 141 √ÛÒ‚ ¿ÎÂÍÒÂÈ ...... 76 Govorina, Natalia ...... 50 ƒ‡ÌÂÎˡ √ÂÓ„ËÈ ...... 145 Groznov, Sergei ...... 55 ƒ¸ˇ˜ÂÌÍÓ ƒÏËÚËÈ ...... 96 Grymov, Yuri ...... 82 ΔË‚Ó‚ —ÚÂÔ‡Ì ...... 54 Gusev, Alexei ...... 76 «‡ÂˆÍ‡ˇ Õ‡‰Âʉ‡...... 62 Isaeva, Larissa ...... 88 »Ò‡Â‚‡ À‡ËÒ‡...... 88 Ishina, Tatiana...... 56 »¯Ë̇ “‡Ú¸ˇÌ‡ ...... 56 Kalatozishvili, Mikhail ...... 16 ü‡‚Ú‡‡‰Á —„ÂÈ ...... 47 Karavaev, Alexander ...... 61 ü‡Î‡ÚÓÁ˯‚ËÎË ÃËı‡ËÎ ...... 16 Kargaltsev, Alexander ...... 57 ü‡‡‚‡Â‚ ¿ÎÂÍ҇̉ ...... 61 Kavtaradze, Sergei ...... 47 ü‡„‡Î¸ˆÂ‚ ¿ÎÂÍ҇̉ ...... 57 Khmelnitskaya, Alisa ...... 45 167 üË‚‡ ǡÌ̇ ...... 161 Khomsky, Igor ...... 52 üÎËÏÓ‚ ›ÎÂÏ...... 134 Khutsiev, Marlen...... 132, 135 üÓÁË̈‚ √Ë„ÓËÈ ...... 143 Kireeva, Marianna ...... 161 üÓ̘‡ÎÓ‚ÒÍËÈ ¿Ì‰ÂÈ ...... 138 Klimov, Elem ...... 134 üÓÒ˚‚-ÕÂÒÚÂÓ‚ ÃËı‡ËÎ ...... 22 Konchalovsky, Andrei ...... 138 üÓÚÚ ¿ÎÂÍ҇̉...... 59 Kosyrev-Nesterov, Mikhail ...... 22 üÓÚÚ, ¬Î‡‰ËÏË...... 110 Kott, Alexander ...... 59 üÛ‰ËÌÂÌÍÓ ¿Ì‰ÂÈ...... 114 Kott, Vladimir ...... 110 À·‰‚ »„Ó¸ ...... 68 Kozintsev, Grigori ...... 143 ÀË·ÂÌÒÓÌ ¿Ì‰ÂÈ...... 32 Kudinenko, Andrei ...... 114 ÀËÚ‚ËÌÓ‚‡ –Â̇ڇ ...... 98 Lebedev, Igor...... 68 ÀÓÁÌˈ‡ —„ÂÈ...... 72 Libenson, Andrei ...... 32 ÀÛˆËÍ œÂÚ...... 140 Litvinova, Renata...... 98 Ã‡Î˛ÍÓ‚ ¿Ì‰ÂÈ ...... 112 Loznitsa, Sergei ...... 72 ÇÌÒÍËÈ ¬ËÚ‡ÎËÈ ...... 14 Lutsik, Petr ...... 140 ĉ˘‚ ¿ÌÚÓÌ ...... 92 Maliukov, Andrei ...... 112 ÃÂθÌËÍ ¿ÎÂÍ҇̉...... 20 Mansky, Vitali ...... 14 ÃË„ÛÌÓ‚‡ ÇË̇ ...... 116 Megerdichev, Anton ...... 92 ÃËÚÚ‡ ≈‚„ÂÌËÈ ...... 70 Melnik, Alexander ...... 20 ÃËı‡ÎÍÓ‚ ÕËÍËÚ‡ ...... 86, 133, 148 Migunova, Marina ...... 116 ÃÍÚ˜ˇÌ ƒË‡Ì‡ ...... 48 Mikhalkov, Nikita ...... 86, 133, 148 ÃÓÍˈÍËÈ —„ÂÈ ...... 34 Mitta, Evgeni ...... 70 ÃÛ‡ÚÓ‚‡ üˇ...... 150, 152 Mkrtchian, Diana ...... 48 ŒÏ‡Ó‚‡ √Û͇ ...... 12 Mokritsky, Sergei ...... 34 Œ‰Ó‚ÒÍËÈ ÃËı‡ËÎ ...... 160 Muratova, Kira ...... 150, 152 œ‡ÌÙËÎÓ‚ √η ...... 139, 141 Omarova, Guka ...... 12 œË˜ÛÎ ¬‡ÒËÎËÈ ...... 137 Ordovsky, Mikhail ...... 160 œÓ‚ÓÎÓˆÍËÈ ƒÏËÚËÈ ...... 43 Panfilov, Gleb ...... 139, 141 œÓÎÚÓ‡ˆÍËÈ ¬ËÍÚÓ ...... 44 Pichul, Vasili ...... 137 œÓÎÛˇÌÓ‚ —„ÂÈ ...... 60 Poltoratsky, Viktor...... 44 œÓÔÓ‚ —„ÂÈ...... 118 Poluyanov, Sergei...... 60 œÓ̘ÂÌÍÓ «Ë̇ˉ‡ ...... 46 Popov, Sergei ...... 118 œÓ¯ÍËÌ ¿ÎÂÍ҇̉ ...... 10 Povolotsky, Dmitri ...... 43 œ˚„ÛÌÓ‚ –ÓÏ‡Ì ...... 104 Pronchenko, Zinaida ...... 46 –Ó„ÓÊÍËÌ ¿ÎÂÍ҇̉ ...... 100 Proshkin, Alexander ...... 10 –ÓÏÏ ÃËı‡ËÎ ...... 136 Prygunov, Roman ...... 104 –Û·Ë̘ËÍ ¬‡ÎÂËÈ ...... 159 Rogozhkin, Alexander ...... 100 –˚·‡ÍÓ‚ ÀÂÓÌˉ ...... 28 Romm, Mikhail ...... 136 —·ÂÌÌËÍÓ‚ üËËÎÎ ...... 38 Rubinchik, Valeri ...... 159 —ÍÓÒÂÁ ÇÚËÌ ...... 162 Rybakov, Leonid ...... 28 —ÍÛÈ·ËÌ ÕËÍÓÎ‡È ...... 158 Scorsese, Martin ...... 162 —ÌÂÊÍËÌ —„ÂÈ ...... 160 Serebrennikov, Kirill ...... 38 —ÓÍÛÓ‚ ¿ÎÂÍ҇̉ ...... 155 Shakhnazarov, Karen ...... 106 —ÓÎÓ‚Ó‚ »‚‡Ì ...... 30 Shukshin, Vasili ...... 130 —ÓÎÓ‚¸Â‚ —„ÂÈ ...... 90, 151 Skuibin Nikolai ...... 158 —Û‰ËÎÓ‚ÒÍËÈ ¿Ì‰ÂÈ ...... 51 Snezhkin, Sergei...... 160 “‡ÍÓ‚ÒÍËÈ ¿Ì‰ÂÈ ...... 126, 128 Sokurov, Alexander ...... 155 “Ó‰ÓÓ‚ÒÍËÈ œÂÚ ...... 80 Soloviev, Sergei ...... 90, 151 “ÓÓÔ˜ËÌ ¬Î‡‰ËÏË ...... 102 Solovov, Ivan...... 30 ”„ÎˈÍËı Շڇθˇ ...... 58 Sudilovsky, Andrei ...... 51 ”˜ËÚÂθ ¿ÎÂÍÒÂÈ ...... 24 Tarkovsky, Andrei ...... 126, 128 ‘ÓÏËÌ ŒÎ„ ...... 94 Tchernakova, Anna...... 74 ’ÏÂθÌˈ͇ˇ ¿ÎËÒ‡ ...... 45 Todorovsky, Petr ...... 80 ’ÓÏÒÍËÈ »„Ó¸ ...... 52 Toropchin, Vladimir ...... 102 ’ۈ˂ ÇÎÂÌ ...... 132, 135 Uchitel, Alexei...... 24 ◊Â̇ÍÓ‚‡ ¿Ì̇ ...... 74 Uglitskikh, Natalia...... 58 ◊ËÊÓ‚ ¿ÎÂÍÒÂÈ ...... 53 Vasiliev, Anatoli...... 158 ◊Ûı‡È √Ë„ÓËÈ...... 127 Voloshin, Igor ...... 18 ÿ‡ı̇Á‡Ó‚ ü‡ÂÌ...... 106 Yuriev, Filipp ...... 63 ÿÛͯËÌ ¬‡ÒËÎËÈ ...... 130 Zaretskaya, Nadezhda ...... 62 fi¸Â‚ ‘ËÎËÔÔ ...... 63 Zhivov, Stepan...... 54 20th Century Fox CIS/ 20-È ‚ÂÍ ‘ÓÍÒ —Õ√ Maximus/ ÇÍÒËÏÛÒ www.gemini-kinomir.ru www.pyramidfilm.ru
Andreevsky Flag/ ¿Ì‰Â‚ÒÍËÈ Ù·„ Melnitsa/ ÃÂθÌˈ‡ [email protected] www.melnitsa.com
ArtDesign/ ¿ÚƒËÁ‡ÈÌ Mentor Cinema/ ÃÂÌÚÓ —ËÌÂχ [email protected] www.mentor-cinema.ru
Barmaley/ ¡‡Ï‡ÎÂÈ M-Film/ "Ã"-‘ËÎ¸Ï [email protected] [email protected]
Bazelevs Production Mikhail Kalatozov's Fund/ ‘Ó̉ ÃËı‡Ë· ü‡Î‡ÚÓÁÓ‚‡ www.bazelevs.ru www.kalatozov.ru
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Companies/ Contacts CaroProkat/ ü‡ÓœÓÍ‡Ú Mosfilm/ ÃÓÒÙËÎ¸Ï www.caropremier.ru www.mosfilm.ru
Œ„‡ÌËÁ‡ˆËË/ üÓÌÚ‡ÍÚ˚ Central Partnership/ ÷ÂÌڇΠœ‡Ú̯ËÔ Nashe Kino/ Õ‡¯Â ÍËÌÓ www.centpart.ru www.nkino.ru
Channel One Russia/ œÂ‚˚È Í‡Ì‡Î Nonclassic/ ÕÓÌÍ·ÒÒË͇ www.1tv.ru [email protected]
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Cinema-Line Novye Liudi/ ÕÓ‚˚ β‰Ë 168 www.cinema-line.ru [email protected] CTB Odessa Film Studio/Œ‰ÂÒÒ͇ˇ ÍËÌÓÒÚÛ‰Ëˇ www.ctb.ru www.odessafilm.net
Deckert Distribution GmbH Pavel Lungin Studio/ —ÚÛ‰Ëˇ œ‡‚· ÀÛÌ„Ë̇ [email protected] www.lunginstudio.ru
Direction of Cinema/ ƒËÂÍˆËˇ ÍËÌÓ Pilotazh/ œËÎÓÚ‡Ê www.dk1.ru [email protected]
DK/ ƒü ProFIT/ œÓ‘»“ www.drugoe-kino.ru www.profitkino.ru
DM Studio/ ƒÃ —ÚÛ‰Ëˇ Real-Dakota/ –‡Î-ƒ‡ÍÓÚ‡ www.dedmoroz.com; www.kinovideo.ru www.Interfest.ru
Dovzhenko Film Studio/ üËÌÓÒÚÛ‰Ëˇ ËÏÂÌË ¿.œ.ƒÓ‚ÊÂÌÍÓ, Rock/ –ÓÍ www.dovzhenko.com.ua www.rockfilm.ru
HCSF/ ¬ü—– RTR/Channel "Russia"/ –“–/ ü‡Ì‡Î "–ÓÒÒˡ" www.kinobraz.ru www.rtr-tv.ru
Inspiration Films SDF/—ƒ‘ (—œ·) [email protected] www.cinedoc.ru
Intercinema-Art/ »ÌÚÂÒËÌÂχ-¿Ú Seagull Films www.intercinema.ru www.seagullfilms.com
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IUG/ fi√ Shaman-Pictures/ ÿ‡Ï‡Ì-œË͘ÂÒ www.grimov.ru www.avatarfilm.ru
Karo Film/ ü‡Ó ‘ËÎ¸Ï SPbGUKiT/ —œ·√”üË“ www.karofilm.ru www.gucit.spb.ru
Kinoglaz/ üËÌӄ·Á STF films [email protected]; [email protected] stf @smtp.ru
Kinomir/ üËÌÓÏË Telesto/ “ÂÎÂÒÚÓ [email protected] www.telestofilm.ru
Kinotavr/ üËÌÓÚ‡‚ Timeline www.kinotavr.ru www.timeline.ru
Krug/ üÛ„ TriTe/ “Ë“˝ [email protected]; [email protected] www.trite.ru
Kurier/ ü۸ Tvindie/ “‚ËÌ‰Ë www.mosfilm.ru www.tvindie.ru
Lenfilm/ ÀÂÌÙËÎ¸Ï UG/ fi√ www.lenfilm.ru www.grimov.ru
M2BA Vertov. Real Cinema/ ¬ÂÚÓ‚. –‡θÌÓ ÍËÌÓ [email protected] www.vertov.ru
Max/ ÇÍÒ VGIK/ ¬√»ü [email protected] www.vgik-edu.ru
Maxim Gorky Film Studio/ üËÌÓÒÚÛ‰Ëˇ ËÏ. Ã.√Ó¸ÍÓ„Ó Vox Film www.gorkyfilm.ru www.vox-video.ru
VVP Alliance/ ¬¬œ ¿Î¸ˇÌÒ www.say.leo.ru Œ—Œ¡¿fl ¡À¿√Œƒ¿–ÕŒ—“‹
√”¡≈–Õ¿“Œ–” ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl ¿¬»¿üŒÃœ¿Õ»» ´¿›–Œ‘ÀŒ“ª: “ü¿◊≈¬” ¿À≈ü—¿Õƒ–” Õ»üŒÀ¿≈¬»◊” Õ¿◊¿À‹Õ»ü” Œ“ƒ≈À¿ ”œ–¿¬À≈Õ»fl ƒŒ’Œƒ¿Ã» –‘ » —Õ√ ».Œ. √À¿¬¤ √Œ–Œƒ¿ —Œ◊» —üŒ–Œ¡Œ√¿“Œ¬” ≈¬√≈Õ»fi ¿Õ¿“ŒÀ‹≈¬»◊” Special thanks ¿‘¿Õ¿—≈ÕüŒ¬” ¬À¿ƒ»Ã»–” Õ»üŒÀ¿≈¬»◊” Õ¿◊¿À‹Õ»ü” Œ“ƒ≈À¿ √–”œœŒ¬¤’ œ≈–≈¬Œ«Œü ü”«»ÕŒ… —¬≈“À¿Õ≈ ¬¿À≈Õ“»ÕŒ¬Õ≈ ‘≈ƒ≈–¿À‹ÕŒÃ” ¿√≈Õ“—“¬” œŒ ü”À‹“”–≈ » «¿Ã≈—“»“≈Àfi Œ“ƒ≈À¿ √–”œœŒ¬¤’ œ≈–≈¬Œ«Œü
ü»Õ≈ÿ“Œ√–¿‘»»: “≈œÀŒ¬Œ… ÀfiƒÃ»À≈ À‹¬Œ¬Õ≈ OÒÓ·‡ˇ ·Î‡„Ó‰‡ÌÓÒÚ¸ ÿ¬¤ƒüŒÃ” û’¿»À” ≈‘»ÃŒ¬»◊” √ŒÀ”“¬≈ ¿À≈ü—¿Õƒ–” ¿À≈ü—≈≈¬»◊” œ–≈«»ƒ≈Õ“” ¿√≈Õ“—“¬¿ À¿«¿–”ü” —≈–√≈fi ¬À¿ƒ»Ã»–Œ¬»◊” ŒŒŒ ´üŒÃœ¿Õ»fl ´ü¿œ»“¿À “”–ª —“–Œ◊üŒ¬Œ… √¿À»Õ≈ ÿ–üŒ¬Õ≈ ¡≈À‹“fiüŒ¬” »√Œ–fi ¬fl◊≈—À¿¬Œ¬»◊” —Œ–Œü»ÕŒ… »–»Õ≈ ¿Õ¿“ŒÀ‹≈¬Õ≈ –”üŒ¬Œƒ»“≈Àfi Õ¿œ–¿¬À≈Õ»fl œŒ –¿«¬»“»fi √Œ—‘»À‹ÃŒ‘ŒÕƒ” –‘: üŒ–œŒ–¿“»¬Õ¤’ » ¿√≈Õ“—“ü»’ œ–Œƒ¿Δ «¿Œ ¡Œ–Œƒ¿◊≈¬” Õ»üŒÀ¿fi û’¿…ÀŒ¬»◊” ´—ü¿… ›ü—œ–≈——ª 169 ƒÃ»“–»≈¬” ¬À¿ƒ»Ã»–” fi–‹≈¬»◊” ’Œ¬ÿ”Õ ¿ÕÕ≈
«¿Ã≈—“»“≈Àfi √À¿¬¤ ¿ƒÃ»Õ»—“–¿÷»» üŒÃÃ≈–◊≈—üŒÃ” ƒ»–≈ü“Œ–” ¿¬»¿üŒÃœ¿Õ»» ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl ´¬»Ã-¿¬»¿ª «ŒÀ»ÕŒ… √¿À»Õ≈ ƒÃ»“–»≈¬Õ≈ ü¿–√»Õ” ¬À¿ƒ»—À¿¬” ¿À≈ü—¿Õƒ–Œ¬»◊” Õ¿◊¿À‹Õ»ü” Œ“ƒ≈À¿ “¿–»‘ÕŒ… œŒÀ»“»ü» ƒ≈œ¿–“¿Ã≈Õ“” ü”À‹“”–¤ ¿¬»¿üŒÃœ¿Õ»» ´¬»Ã-¿¬»¿ª ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl ÃŒ–Œ«Œ¬Œ… Õ¿“¿À‹≈ –”üŒ¬Œƒ»“≈Àfi ƒ≈œ¿–“¿Ã≈Õ“¿ ü”À‹“”–¤ ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl ¿¬“Œ“–¿Õ—œŒ–“ՌÔ ¿√≈Õ“—“¬” ´¿√¿“¿ª œ”√¿◊≈¬Œ… Õ¿“¿À‹≈ √≈Œ–√»≈¬Õ≈ ¿À¿ƒ»ÕŒ… »–»Õ≈ ¬¿ƒ»ÃŒ¬Õ≈
Õ¿◊¿À‹Õ»ü” Œ“ƒ≈À¿ ü»Õ≈ÿ“Œ√–¿‘»» PRODUCTION ¡fi–Œ ´EXITª: ƒ≈œ¿–“¿Ã≈Õ“¿ ü”À‹“”–¤ ü¿À»Õü»Õ” ¿Õ“ŒÕ” ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl œŒÕŒÃ¿–≈ÕüŒ ¬À¿ƒ»Ã»–” ¿“–¿ÿ≈¬»◊ “¿“‹flÕ≈ —≈–√≈≈¬Õ≈ üŒÃœ¿Õ»» ´ü»ÕŒœ–Œ≈ü“ª: «¿Ã≈—“»“≈Àfi √À¿¬¤ √Œ–Œƒ¿ —Œ◊» –”¡»Õ” ¿À≈ü—¿Õƒ–” —≈Ã≈ÕüŒ¬Œ… Àfi¡Œ¬» û’¿…ÀŒ¬Õ≈ üŒÃœ¿Õ»» ´—Œ”ƒ —Œ◊»Õ—ü»≈ ¬¤—“¿¬ü»ª: ”œ–¿¬À≈Õ»fi ü”À‹“”–¤ ¿ƒÃ»Õ»—“–¿÷»» «¿’¿–◊≈ÕüŒ fi–»fi ¿À≈ü—¿Õƒ–Œ¬»◊” √Œ–Œƒ¿ —Œ◊» «¿’¿–◊≈ÕüŒ »ÕÕ≈ »¬¿ÕŒ¬Õ≈ Õ¿◊¿À‹Õ»ü” ”œ–¿¬À≈Õ»fl ü”À‹“”–¤ ¿ƒÃ»Õ»—“–¿÷»» √Œ–Œƒ¿ —Œ◊» üŒÃÔջü¿÷»ŒÕÕŒ… √–”œœ≈ ¡¿–—≈√flÕ –”«¿ÕÕ≈ √≈Œ–√»≈¬Õ≈ ´œÀ¿Õ≈“¿ »Õ‘Œ–ê
√À¿¬ÕŒÃ” —œ≈÷»¿À»—“” ”œ–¿¬À≈Õ»fl Œ’–¿ÕՌÔ œ–≈ƒœ–»fl“»fi ´ü¿–¿“-÷ª ü”À‹“”–¤ ¿ƒÃ»Õ»—“–¿÷»» √Œ–Œƒ¿ —Œ◊» √≈Õ≈–¿À‹ÕŒÃ” ƒ»–≈ü“Œ–” —ÃŒÀ≈Õ÷≈¬” »√Œ–fi œ≈“–Œ¬»◊” —¬≈“ÀŒ¬” ¬¿À≈–»fi ¿À≈ü—≈≈¬»◊”
Œ¿Œ √ü ´Δ≈Ã◊”Δ»Õ¿ª: –≈üÀ¿ÃÕŒ… —À”Δ¡≈ √Œ–Œƒ¿ —Œ◊» » À»◊ÕŒ üŒ¬¿À≈¬” √≈ÕÕ¿ƒ»fi ≈√Œ–Œ¬»◊” ¡Œ…üŒ “¿“‹flÕ≈ ¿Õ¿“ŒÀ‹≈¬Õ≈
Óü” ´“¬Œ–◊≈—üŒ≈ Œ¡⁄≈ƒ»Õ≈Õ»≈ ü»ÕŒüŒÃœ¿Õ»» UPI ´—Œ◊»Õ—ü¿fl ‘»À¿–Ìջflª: ¡≈√»Õ»Õ” ≈¬√≈Õ»fi »¬¿ÕŒ¬»◊” »¬ŒÀ√≈ √≈ÕÕ¿ƒ»fi »¬¿ÕŒ¬»◊” ¡≈«ÕŒ—fiü Õ¿“¿À‹≈ ≈¬√≈Õ‹≈¬Õ≈ ü¿¡»Õ≈“” Œ“≈◊≈—“¬≈ÕÕŒ√Œ ü»ÕŒ ¬√»ü¿: ƒÃ»“–»≈¬” fi–»fi —≈–√≈≈¬»◊” ◊≈–“Œ¬Œ… Õ¿“¿À‹≈ √–»√Œ–‹≈¬Õ≈ SPECIAL THANKS TO:
THE GOVERNOR OF THE KRASNODAR REGION AEROFLOT AIRLINES: ALEXANDER TKACHEV HEAD OF RUSSIA AND CIS REVENUES EVGENI SKOROBOGATOV THE ACTING HEAD OF THE CITY OF SOCHI HEAD OF GROUP TRAVEL Special thanks VLADIMIR AFANASENKOV SVETLANA KUZINA DEPUTY HEAD OF GROUP TRAVEL THE FEDERAL AGENCY OF CULTURE AND LIUDMILA TEPLOVA
OÒÓ·‡ˇ ·Î‡„Ó‰‡ÌÓÒÚ¸ CINEMATOGRAPHY: MIKHAIL SHVYDKOI PRESIDENT OF THE AGENCY ìCAPITAL TOURSî ALEXANDER GOLUTVA IGOR BELTIUKOV SERGEI LAZARUK GALINA STROCHKOVA HEAD OF DEVELOPMENT OF CORPORATE AND IRINA SOROKINA AGENCY SALES OF ìSKY EXPRESSî ANNA KHOVSHUN GOSFILMOFOND OF RUSSIA: 170 NIKOLAI BORODACHEV COMMERCIAL DIRECTOR OF THE AIRLINE VLADIMIR DMITRIEV ìVIM-AVIAî VLADISLAV KARGIN DEPUTY HEAD OF THE KRASNODAR HEAD OF SECTION FOR FARE POLICY OF THE REGIONAL ADMINISTRATION AIRLINE ìVIM-AVIAî GALINA ZOLINA NATALIA MOROZOVA
CULTURAL DEPARTMENT OF THE CAR TRANSPORT AGENCY ìAGATHAî KRASNODAR REGION IRINA ALADINA HEAD OF CULTURAL DEPARTMENT OF THE KRASNODAR REGION PRODUCTION BUREAU ìEXITî: NATALIA PUGACHEVA ANTON KALINKIN VLADIMIR PONOMARENKO HEAD OF CINEMA SECTION IN THE CULTURAL DEPARTMENT OF THE KRASNODAR REGION COMPANY ìKINOPROECTî: TATIANA ARTASHEVICH ALEXANDER RUBIN
DEPUTY HEAD OF THE CITY OF SOCHI COMPANY ìSOUD SOCHI EXHIBITIONSî: LIUBOV SEMENKOVA YURI ZAKHARENKO INNA ZAKHARENKO CULTURAL ASMINISTRATION OF SOCHI, HEAD OF THE CULTURAL DIRECTORATE OF THE SOCHI CITY COMMUNICATION GROUP ìPLANETA INFORMî RUZANNA BARSEGIAN SECURITY AGENCY ìKARAT TSî CHIEF EXPERT OF THE CULTURAL DIRECTORATE GENERAL DIRECTOR OF SOCHI CITY ADMINISTRATION VALERI SVETLOV IGOR SMOLENTSEV ADVERTISING SERVICES SOCHI, PERSONALLY HOTEL COMPLEX ìZHEMCHUZHINAî: TATIANA BOIKO GENNADI KOVALEV FILM COMPANY UPI CREATIVE ASSOCIATION ìSOCHI PHILHARMONIC EVGENI BEGININ SOCIETYî: GENNADI IVOLGA RUSSIAN CINEMA SECTION AT THE FILM NATALIA BEZNOSIUK INSTITUTE VGIK: YURI DMITRIEV NATALIA CHERTOVA –”üŒ¬Œƒ—“¬Œ MANAGEMENT » —À”Δ¡¤ ‘≈—“»¬¿Àfl AND SERVICES
√Â̇θÌ˚È ÔÓ‰˛Ò –ÛÍÓ‚Ó‰ËÚÂθ PR-ÒÎÛÊ·˚ General Producer Head of PR »√Œ–‹ “ŒÀ—“”ÕŒ¬ ¿Õ¿—“¿—»fl ¡”À√¿üŒ¬¿ IGOR TOLSTUNOV ANASTASIA BULGAKOVA
œÓ„‡ÏÏÌ˚È ‰ËÂÍÚÓ –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ Programme Director Head of Promotion —»“Œ–¿ ¿À»≈¬¿ Promotion SITORA ALIEVA DARIA KROVIAKOVA ƒ¿–‹fl ü–Œ¬flüŒ¬¿ ƒËÂÍÚÓ ÙÂÒÚË‚‡Îˇ Director of the Festival ≈À≈Õ¿ À¿œ»Õ¿ ELENA LAPINA Curator of Pitching üÛ‡ÚÓ ÔËÚ˜ËÌ„‡ ANNA GUDKOVA ƒËÂÍÚÓ Õ‘ ´üËÌÓÚ‡‚ª ¿ÕÕ¿ √”ƒüŒ¬¿ Director of the Noncommercial œŒÀ»Õ¿ «”≈¬¿ Fund ìKinotavrî POLINA ZUEVA Technical Director œÓÏÓ˘ÌËÍË ÍÓÏϘÂÒÍÓ„Ó “ÂıÌ˘ÂÒÍËÈ ‰ËÂÍÚÓ VSEVOLOD KOSARENKOV ‰ËÂÍÚÓ‡ ¬—≈¬ŒÀŒƒ üŒ—¿–≈ÕüŒ¬ Õ»ü»“¿ √¿Àfi«Œ¬ Assistant to Commercial Director Management and services »Õ≈——¿ ÀŒÃ¿ü»Õ¿ NIKITA GALIUZOV Head of Accommodation Services –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ INESSA LOMAKINA GALINA NIKOLENKO ¿‰ÏËÌËÒÚ‡ÚË‚Ì˚È ‰ËÂÍÚÓ ‡ÁÏ¢ÂÌˡ »–»Õ¿ ◊≈—“ÕŒ¬¿ √¿À»Õ¿ Õ»üŒÀ≈ÕüŒ Administrative Director Accommodation Services IRINA CHESTNOVA NADEZHDA KOLESNIKOVA —ÎÛÊ·‡ ‡ÁÏ¢ÂÌˡ
ŒÚ·ÓӘ̇ˇ ÍÓÏËÒÒˡ Õ¿ƒ≈Δƒ¿ üŒÀ≈—Õ»üŒ¬¿ Selection Committee Head of Catering Services –ÛÍÓ‚Ó‰ÒÚ‚Ó Ë ÒÎÛÊ·˚ ÙÂÒÚË‚‡Îˇ »–»Õ¿ Àfi¡¿–—ü¿fl IRINA LIUBARSKAYA ILONA METELKOVA ¬»ü“Œ–»fl ¡≈ÀŒœŒÀ‹—ü¿fl –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ ÔËÚ‡Ìˡ VIKTORIA BELOPOLSKAYA ¿À≈Õ¿ —ŒÀÕ÷≈¬¿ »ÀŒÕ¿ Ã≈“≈À‹üŒ¬¿ ALENA SOLNTSEVA Catering Services 171 ≈¬√≈Õ»… √”—fl“»Õ—ü»… EVGENI GUSIATINSKY MARIA FATIUSHINA —ÎÛÊ·‡ ÔËÚ‡Ìˡ: YULIA KARPENKO ÿ–»fl ‘¿“fiÿ»Õ¿ TATIANA SHARAFUTDINOVA –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ ÔÓÚÓÍÓ· fiÀ»fl ü¿–œ≈ÕüŒ Head of Protocol Services Õ¿“¿À‹fl flü”ÿü»Õ¿ “¿“‹flÕ¿ ÿ¿–¿‘”“ƒ»ÕŒ¬¿ NATALIA YAKUSHKINA Head of Transport Services SERGEI LOS VIP-ÒÎÛÊ·‡ –ÛÍÓ‚Ó‰ËÚÂθ Ú‡ÌÒÔÓÚÌÓÈ VIP-Service —≈–√≈… üŒ¬¿À‹—ü»… ÒÎÛÊ·˚ SERGEI KOVALSKY Air and Rail Travel —≈–√≈… ÀŒ—‹ INNOKENTY MOROZ ALEXEI BUBASHVILI –ÛÍÓ‚Ó‰ËÚÂθ ÏÂʉÛ̇ӉÌÓ„Ó —ÎÛÊ·‡ ‡‚ˇÔÂÂÎÂÚÓ‚ Ë Ê/‰ Head of International Óډ· Ô‚ÓÁÓÍ Department Finance Director ≈ü¿“≈–»Õ¿ ü–¿—ÕŒ¬—ü¿fl »ÕÕŒü≈Õ“»… ÃŒ–Œ« EKATERINA KRASNOVSKAYA VITALI BUCHINSKY ¿À≈ü—≈… ¡”¡¿ÿ¬»À» Head of Translation Services Financial and Judicial Services –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ Ô‚Ӊ‡ ‘Ë̇ÌÒÓ‚˚È ‰ËÂÍÚÓ ANGELINA FEDOROVSKAYA LARISA KAZANINA ¿Õ√≈À»Õ¿ ‘≈ƒŒ–Œ¬—ü¿fl ¬»“¿À»… ¡”◊»Õ—ü»… GALINA CHERKASOVA NATALIA KOZYKINA ‘Ë̇ÌÒÓ‚Ó-˛Ë‰Ë˜ÂÒ͇ˇ Grand Jury Secretary NINA KUZNETSOVA —ÂÍÂÚ‡¸ ·Óθ¯Ó„Ó Ê˛Ë ÒÎÛÊ·‡: IRINA MYSHKINA LIUDMILA LOBANOVA »–»Õ¿ äÿü»Õ¿ À¿–»—¿ ü¿«¿Õ»Õ¿ √¿À»Õ¿ ◊≈–ü¿—Œ¬¿ Jury Secretary ìKinotavr. Shortsî —ÂÍÂÚ‡¸ Ê˛Ë ÍÓÌÍÛÒ‡ Õ¿“¿À‹fl üŒ«¤ü»Õ¿ MARTHA KHUSHVAKHTOVA IR Department ´üËÌÓÚ‡‚. üÓÓÚÍËÈ ÏÂÚª Õ»Õ¿ ü”«Õ≈÷Œ¬¿ ROMAN SHUSTOV ÿ–“¿ ’”ÿ¬¿’“Œ¬¿ ÀfiƒÃ»À¿ ÀŒ¡¿ÕŒ¬¿ ILYA TELEZHKIN Head of Co-ordination of Film Groups –ÛÍÓ‚Ó‰ËÚÂθ ÔÓ ‡·ÓÚÂ Ò IT-ÓÚ‰ÂÎ: OLGA PERVUSHINA Head of Moscow Office ÙËθÏÓ„ÛÔÔ‡ÏË –ŒÃ¿Õ ÿ”—“Œ¬ YULIA AIZENBERG ŒÀ‹√¿ œ≈–¬”ÿ»Õ¿ »À‹fl “≈À≈Δü»Õ Coordinator of ìKinotavr. Shortsî TATIANA MATVEEVA üÓÓ‰Ë̇ÚÓ ÍÓÌÍÛÒ‡ Coordinator of Festival Services ´üËÌÓÚ‡‚. üÓÓÚÍËÈ ÏÂÚª –ÛÍÓ‚Ó‰ËÚÂθ ÏÓÒÍÓ‚ÒÍÓ„Ó ¯Ú‡·‡ VALERI CHIGAREV “¿“‹flÕ¿ ÿ“¬≈≈¬¿ fiÀ»fl ¿…«≈Õ¡≈–√ Projection Coordinator MARIA AKTAEVA Head of Information Services üÓÓ‰Ë̇ÚÓ ÒÎÛÊ·˚ ÍËÌÓÔÓ͇Á‡ üÓÓ‰Ë̇ÚÓ ÒÎÛÊ· Projection Service ELIZAVETA KASYAN ÿ–»fl ¿ü“¿≈¬¿ ÍËÌÓÙÂÒÚË‚‡Îˇ GENNADI ANISKO ¬¿À≈–»… ◊»√¿–≈¬ Moderator of Press Conferences ìKinotavr TVî ¿‰ÏËÌËÒÚ‡ÚÓ ÒÎÛÊ·˚ VIKTORIA BELOPOLSKAYA ALLA KUZNETSOVA ÍËÌÓÔÓ͇Á‡ –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ √≈ÕÕ¿ƒ»… ¿Õ»—‹üŒ ËÌÙÓχˆËË ≈À»«¿¬≈“¿ ü¿—‹flÕ ÃӉ‡ÚÓ ÔÂÒÒ-ÍÓÌÙÂÂ̈ËÈ ¬»ü“Œ–»fl ¡≈ÀŒœŒÀ‹—ü¿fl ´üËÌÓÚ‡‚-“¬ª ¿ÀÀ¿ ü”«Õ≈÷Œ¬¿
ü¿“¿ÀŒ√ CATALOGUE
ÿÂÙ-‰‡ÍÚÓ Ã»–Œ—À¿¬¿ —≈√»ƒ¿ Chief editor MIROSLAVA SEGIDA
œÂ‚Ӊ ¡»–√»“ ¡Œ…Ã≈–— Translation BIRGIT BEUMERS
Œ·ÎÓÊ͇ SHANDESIGN Cover Design SHANDESIGN
ÇÍÂÚ Ë ‚ÂÒÚ͇ ƒÃ»“–»… »¬ÀflÕŒ¬ Layout and Typesetting DMITRY IVLIANOV
üÓÂÍÚÓ ≈À≈Õ¿ üŒœ¤À≈¬¿ Proof-Reader ELENA KOPYLEVA