(500) Days of Summer 2009
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Strand Releasing presents CECILE DE FRANCE - PATRICK BRUEL - LUDIVINE SAGNIER JULIE DEPARDIEU - MATHIEU AMALRIC A SECRET A FILM BY CLAUDE MILLER Based on the Philippe Grimbert novel "Un Secret" (Grasset & Fasquelle), English translation : "Memory, A Novel" (Simon and Schuster) Winner : 2008 César Award for Julie Depardieu (Best Actress in a Supporting Role) Grand Prix des Amériques, 2007 Montreal World Film Festival In French with English subtitles 35mm/1.85/Color/Dolby DTS/110 min NY/National Press Contact: LA/National Press Contact: Sophie Gluck / Sylvia Savadjian Michael Berlin / Marcus Hu Sophie Gluck & Associates Strand Releasing phone: 212.595.2432 phone: 310.836.7500 [email protected] [email protected] [email protected] [email protected] Please download photos from our website: www.strandreleasing.com/pressroom/pressroom.asp 2 CAST Tania Cécile DE FRANCE Maxime Patrick BRUEL Hannah Ludivine SAGNIER Louise Julie DEPARDIEU 37-year-old François Mathieu AMALRIC Esther Nathalie BOUTEFEU Georges Yves VERHOEVEN Commander Beraud Yves JACQUES Joseph Sam GARBARSKI 7-year-old Simon Orlando NICOLETTI 7-year-old François Valentin VIGOURT 14-year-old François Quentin DUBUIS Robert Robert PLAGNOL Hannah's mother Myriam FUKS Hannah's father Michel ISRAEL Rebecca Justine JOUXTEL Paul Timothée LAISSARD Mathilde Annie SAVARIN Sly pupil Arthur MAZET Serge Klarsfeld Eric GODON Smuggler Philippe GRIMBERT 2 3 CREW Directed by Claude MILLER Screenplay, adaptation, dialogues by Claude MILLER and Natalie CARTER Based on the Philippe -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Prescott Colour Me Kubric.Pdf (52.89Kb)
Colour Me Kubrick Talent: John Malkovich, Richard E. Grant, Peter Bowles, Robert Powell, William Hootkins, Marisa Berenson, Ken Russell. Writer/director/editor: Brian Cook Classification: M (Mature) Duration: 86 minutes We rate it: Four and a half stars. Date of review: 8th June, 2006 For both film aficionados and the public at large, Stanley Kubrick has long been a figure of fascination. Interest in Kubrick as an artistic figure has continued in leaps and bounds since the great director’s untimely death in 1999. As the visionary creator of many of the twentieth century’s landmark films, works like 2001: A Space Odyssey, A Clockwork Orange, Dr Strangelove, Full Metal Jacket and Eyes Wide Shut, Kubrick was a figure of intense acclaim and interest during his lifetime; a significant percentage of the world’s artistic community followed the filmmaker’s projects with obsessive interest. In his latter years, Kubrick’s refusal to travel outside England and his tendency toward reclusiveness increased his attraction for other parts of the popular press, as well as for gossip-mongers and mythographers. During the last decade of his life, however (and in large part because of the aura of mystery that had come to surround him) Kubrick attracted one of the most bizarre forms of attention possible: he was impersonated by a trickster, a con-man who passed himself off as the famous director in order to take advantage of the goodwill of individuals who were, it would seem, all too willing to believe they had encountered the great man in person. The impostor, an Englishman named Alan Conway, was a deeply flawed, almost tragic figure, who it seems suffered delusions of many kinds during his lifetime. -
Beyond Westworld
“We Don’t Know Exactly How They Work”: Making Sense of Technophobia in 1973 Westworld, Futureworld, and Beyond Westworld Stefano Bigliardi Al Akhawayn University in Ifrane - Morocco Abstract This article scrutinizes Michael Crichton’s movie Westworld (1973), its sequel Futureworld (1976), and the spin-off series Beyond Westworld (1980), as well as the critical literature that deals with them. I examine whether Crichton’s movie, its sequel, and the 1980s series contain and convey a consistent technophobic message according to the definition of “technophobia” advanced in Daniel Dinello’s 2005 monograph. I advance a proposal to develop further the concept of technophobia in order to offer a more satisfactory and unified interpretation of the narratives at stake. I connect technophobia and what I call de-theologized, epistemic hubris: the conclusion is that fearing technology is philosophically meaningful if one realizes that the limitations of technology are the consequence of its creation and usage on behalf of epistemically limited humanity (or artificial minds). Keywords: Westworld, Futureworld, Beyond Westworld, Michael Crichton, androids, technology, technophobia, Daniel Dinello, hubris. 1. Introduction The 2016 and 2018 HBO series Westworld by Jonathan Nolan and Lisa Joy has spawned renewed interest in the 1973 movie with the same title by Michael Crichton (1942-2008), its 1976 sequel Futureworld by Richard T. Heffron (1930-2007), and the short-lived 1980 MGM TV series Beyond Westworld. The movies and the series deal with androids used for recreational purposes and raise questions about technology and its risks. I aim at an as-yet unattempted comparative analysis taking the narratives at stake as technophobic tales: each one conveys a feeling of threat and fear related to technological beings and environments. -
Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. -
Filmska Umjetnost Stanleya Kubricka Kao Inspiracija Za Kolekciju
Filmska umjetnost Stanleya Kubricka kao inspiracija za kolekciju Vujević, Eni Undergraduate thesis / Završni rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, Faculty of Textile Technology / Sveučilište u Zagrebu, Tekstilno-tehnološki fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:201:028599 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-03 Repository / Repozitorij: Faculty of Textile Technology University of Zagreb - Digital Repository SVEUČILIŠTE U ZAGREBU TEKSTILNO-TEHNOLOŠKI FAKULTET Zavod za tekstilni i modni dizajn ZAVRŠNI RAD FILMOVI STANLEYA KUBRICKA KAO INSPIRACIJA Mentor: ak. slik. Paulina Jazvić, doc. Autor: Eni Vujević Zagreb, 08. srpnja 2017-07-08 1 Dokumentacija stranica Naziv zavoda: Tekstilno-tehnološki fakultet Broj slika: 15 Broj literaturnih izvora: 3 Članovi povjerenstvva: ak. slik. Paulina Jazvić, docent dr. sc. Nina Simončić, docent prof. lik. kulture Koraljka Kovač Dugandžić, docent dr. sc. Blaženka Brlobašić-Šajatović, viši asistent 2 Sadržaj: Br. stranice 1. Uvod.........................................................................................................................5 2. Filmska karijera i kasniji život...................................................................................6 2.1. Rani radovi............................................................................................................6 2.2. ''Strah i želja'' i ''Poljubac ubojice''.........................................................................7 -
Gesamtkatalog BRD (Regionalcode 2) Spielfilme Nr. 94 (Mai 2010)
Gesamtkatalog BRD (Regionalcode 2) Spielfilme -Kurzübersicht- Detaillierte Informationen finden Sie auf unserer Website und in unse- rem 14tägigen Newsletter Nr. 94 (Mai 2010) LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS Talstr. 11 - 70825 Korntal Tel.: (0711) 83 21 88 - Fax: (0711) 8 38 05 18 INTERNET: www.laserhotline.de e-mail: [email protected] Katalog DVD BRD (Spielfilme) Nr. 94 Mai 2010 (500) Days of Summer 10 Dinge, die ich an dir 20009447 25,90 EUR 12 Monkeys (Remastered) 20033666 20,90 EUR hasse (Jubiläums-Edition) 20009576 25,90 EUR 20033272 20,90 EUR Der 100.000-Dollar-Fisch (K)Ein bisschen schwanger 20022334 15,90 EUR 12 Uhr mittags 20032742 18,90 EUR Die 10 Gebote 20000905 25,90 EUR 20029526 20,90 EUR 1000 - Blut wird fließen! (Traum)Job gesucht - Will- 20026828 13,90 EUR 12 Uhr mittags - High Noon kommen im Leben Das 10 Gebote Movie (Arthaus Premium, 2 DVDs) 20033907 20,90 EUR 20032688 15,90 EUR 1000 Dollar Kopfgeld 20024022 25,90 EUR 20034268 15,90 EUR .45 Das 10 Gebote Movie Die 120 Tage von Bottrop 20024092 22,90 EUR (Special Edition, 2 DVDs) Die 1001 Nacht Collection – 20016851 20,90 EUR 20032696 20,90 EUR Teil 1 (3 DVDs) .com for Murder 20023726 45,90 EUR 13 - Tzameti (k.J.) 20006094 15,90 EUR 10 Items or Less - Du bist 20030224 25,90 EUR wen du triffst 101 Dalmatiner (Special [Rec] (k.J.) 20024380 20,90 EUR Edition) 13 Dead Men 20027733 18,90 EUR 20003285 25,90 EUR 20028397 9,90 EUR 10 Kanus, 150 Speere und [Rec] (k.J.) drei Frauen 101 Reykjavik 13 Dead Men (k.J.) 20032991 13,90 EUR 20024742 20,90 EUR 20006974 25,90 EUR 20011131 20,90 EUR 0 Uhr 15 Zimmer 9 Die 10 Regeln der Liebe 102 Dalmatiner 13 Geister 20028243 tba 20005842 16,90 EUR 20003284 25,90 EUR 20005364 16,90 EUR 00 Schneider - Jagd auf 10 Tage die die Welt er- Das 10te Königreich (Box 13 Semester - Der frühe Nihil Baxter schütterten Set) Vogel kann mich mal 20014776 20,90 EUR 20008361 12,90 EUR 20004254 102,90 EUR 20034750 tba 08/15 Der 10. -
In Another Country
Presents IN ANOTHER COUNTRY A Kino Lorber Release 333 West 39 Street, Suite 503 New York, NY 10018 (212) 629-6880 www.kinolorber.com Press Contacts: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SYNOPSIS A young film student and her mother run away to the seaside town of Mohang to escape their mounting debt. The young woman begins writing a script for a short film in order to calm her nerves. Three women named Anne appear, and each woman consecutively visits the seaside town of Mohang. The first Anne is a successful film director. The second Anne is a married woman secretly in an affair with a Korean man. The third Anne is a divorcee whose husband left her for a Korean woman. A young woman tends to the small hotel by the Mohang foreshore owned by her parents. A certain lifeguard can always be seen wandering up and down the beach that lies nearby. Each Anne stays at this small hotel, receives some assistance from the owner’s daughter, and ventures onto the beach where they meet the lifeguard. Technical Information: Country: South Korea Language: English and Korean w/English subtitles Format: 35mm Aspect Ratio: 1.85:1 Sound Dolby: SRD Running Time: 89 min CREW Written and Directed By Hong Sang-soo Producer ― Kim Kyounghee Cinematography ― Park Hongyeol, Jee Yunejeong Lighting ― Yi Yuiheang Recording ― Yoon Jongmin Editor ― Hahm Sungwon Music ― Jeong Yongjin Sound ― Kim Mir CAST Anne ― Isabelle Huppert Lifeguard ― Yu Junsang Womu ― Jung Yumi Park Sook ― Youn Yuhjang Jongsoo ― Kwon Hyehyo Kumhee ― Moon Sori A Kino Lorber Release HONG SANG-SOO Biography Hong Sang-soo made his astounding debut with his first feature film The Day a Pig Fell Into a Well in 1996. -
The BG News April 15, 1999
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-15-1999 The BG News April 15, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 15, 1999" (1999). BG News (Student Newspaper). 6484. https://scholarworks.bgsu.edu/bg-news/6484 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ■" * he BG News Women rally to 'take back the night' sexual assault. istration vivors, they will be able to relate her family. By WENDY SUTO Celesta Haras/ti, a resident of buildings, rain to parts of her story, Kissinger "The more I tell my story, the The BG News BG and a W4W member, said the or shine. The said. less shame and guilt I feel," Kissinger said. "For my situa- Women (and some men) will rally is about issues that are con- keynote "When I decided to disclose tion, I'm glad I didn't tell my take to the streets tonight, pro- sidered taboo by society, such as speaker, my sexual abuse to my family, I parents right away because I claiming a public statement in an rape and incest. She has attended Kendel came out of the closet complete- think it would have been a worse attempt to "Take Back the Night" several TBTN marches at the Kissinger, a ly," Kissinger said. -
Mise En Page 1
PIERRE GRISE PRODUCTIONS présente JANE BIRKIN SERGIO CASTELLITTO Mise en scène JACQUES RIVETTE 2009 / FRANCE-ITALIE / 35MM/ COULEUR / 1.85 / SRD/ 1H24 PRESSE DISTRIBUTION AGNES CHABOT LES FILMS DU LOSANGE 6, rue de l’école de Médecine 22, avenue Pierre 1er de Serbie 75006 Paris 75116 Paris Tél. : 01 44 41 13 48 Tél. : 01 44 43 87 15 / 16 / 17 [email protected] Fax : 01 49 52 06 40 la veille de la tournée d’été, le propriétaire et fondateur d’un petit cirque décède bru - Atalement. La troupe pour essayer de sauver la saison décide de faire appel à sa `lle aînée Kate. Bien que cette dernière ait quitté le cirque depuis une quinzaine d’années, elle accepte à la surprise générale de mettre entre parenthèse ses activités actuelles et de les rejoindre. Le hasard met sur sa route un italien – Vittorio. Celui-ci, intrigué par la personnalité de Kate et passionné par la vie du cirque décide de les suivre un temps. Peu à peu il va s’insérer dans la vie de la troupe, au point de franchir le pas et d’entrer dans le spectacle. Mais surtout il va s’efforcer de percer le secret de Kate : pourquoi a-t-elle quitté le cirque autrefois, pourquoi a-t-elle accepté de T revenir… E M A J E N U O A la `n de la tournée chacun reprendra sa route. M © o t o h Mais quelle route ? P 2 3 Depuis Paris nous appartient , le théâtre constitue pour les héroïnes rivettiennes une épreuve de vérité, chaque apprentie comé - dienne devenant elle-même à travers les mots d’une autre : son rôle. -
Senate Extends Rights to UM Non-Students
Hurricane Blues Festival Program Inside Inside Special Suntan U? UM Blues Festival see page 4 tyqs fcw see Page 6 Vol. 48 No. 27 Friday, Feb. 16, 1973 284-4401 Senate Extends Rights To UM Non-Students By MICHAEL A. PARKER * * * And CHUCK GOMEZ Of The Hurricana Stall A move which could lead Carnival to more student participation on faculty decision-making boards was finalized Monday "Now administrative members can by Student Body Government Slated (SBG) senators. supply the Senate with needed knou> Senators voted in favor of giving a faculty member, an administrator and an ledge concerning any conflicting leg Thursday employe seats on the student Senate. The three representa islation with V.M. policy.** Called Largest tives would have regular Senate privileges including Of Its Kind voting rights and being able Poepelman to propose legislation. "Carni-Gras," a three-night "We felt they should have UM student -sponsored voting rights," said Senate carnival of games, conces speaker Kevin Poeppelman, sions, rides and educational "because there are often exhibits will open Thursday, many issues which would Feb. 22 on the intramural affect student relationships Presently students sit on during which some Senators tatives are expected to be se field and continue through with faculty, administration such boards as the Union complained that seating fac ated by the end of February. Saturday, Feb. 24. and employes." Board of Governors and ulty members would not in Dr. William Butler, vice Hours are 7 to 11:30 p.m., But Poeppelman told the Rathskeller Advisory Board, effect guarantee students but there is little campus president for student affairs, Thursday and Friday and 1 Hurricane that the move was could sit on faculty boards. -
Pression” Be a Fair Description?
Saïd Ben Saïd presents Cherchez Hortense a Pascal BONITZER film Saïd Ben Saïd presents Cherchez Hortense A PASCAL BONITZER film Screenplay, adaptation and dialogues by AGNÈS DE SACY and PASCAL BONITZER with JEAN-PIERRE BACRI ISABELLE CARRÉ KRISTIN SCOTT THOMAS with the participation of CLAUDE RICH 1h40 – France – 2012 – SR/SRD – SCOPE INTERNATIONAL PR INTERNATIONAL SALES Magali Montet Saïd Ben Saïd Tel : +33 6 71 63 36 16 [email protected] [email protected] Delphine Mayele Tel : +33 6 60 89 85 41 [email protected] SYNOPSIS Damien is a professor of Chinese civilization who lives with his wife, Iva, a theater director, and their son Noé. Their love is mired in a mountain of routine and disenchantment. To help keep Zorica from getting deported, Iva gets Damien to promise he’ll go to his father, a state department official, for help. But Damien and his father have a distant and cool relationship. And this mission is a risky business which will send Damien spiraling downward and over the edge… INTERVIEW OF PASCAL BONITZER Like your other heroes (a philosophy professor, a critic, an editor), Damien is an intellectual. Why do you favor that kind of character? I know, that is seriously frowned upon. What can I tell you? I am who I am and my movies are also just a tiny bit about myself, though they’re not autobiographical. It’s not that I think I’m so interesting, but it is a way of obtaining a certain sincerity or authenticity, a certain psychological truth. Why do you make comedies? Comedy is the tone that comes naturally to me, that’s all.