A Place for Peter Free
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(500) Days of Summer 2009
(500) Days of Summer 2009 (Sökarna) 1993 [Rec] 2007 ¡Que Viva Mexico! - Leve Mexiko 1979 <---> 1969 …And Justice for All - …och rättvisa åt alla 1979 …tick…tick…tick… - Sheriff i het stad 1970 10 - Blåst på konfekten 1979 10, 000 BC 2008 10 Rillington Place - Stryparen på Rillington Place 1971 101 Dalmatians - 101 dalmatiner 1996 12 Angry Men - 12 edsvurna män 1957 127 Hours 2010 13 Rue Madeleine 1947 1492: Conquest of Paradise - 1492 - Den stora upptäckten 1992 1900 - Novecento 1976 1941 - 1941 - ursäkta, var är Hollywood? 1979 2 Days in Paris - 2 dagar i Paris 2007 20 Million Miles to Earth - 20 miljoner mil till jorden 1957 20,000 Leagues Under the Sea - En världsomsegling under havet 1954 2001: A Space Odyssey - År 2001 - ett rymdäventyr 1968 2010 - Year We Make Contact, The - 2010 - året då vi får kontakt 1984 2012 2009 2046 2004 21 grams - 21 gram 2003 25th Hour 2002 28 Days Later - 28 dagar senare 2002 28 Weeks Later - 28 veckor senare 2007 3 Bad Men - 3 dåliga män 1926 3 Godfathers - Flykt genom öknen 1948 3 Idiots 2009 3 Men and a Baby - Tre män och en baby 1987 3:10 to Yuma 2007 3:10 to Yuma - 3:10 till Yuma 1957 300 2006 36th Chamber of Shaolin - Shaolin Master Killer - Shao Lin san shi liu fang 1978 39 Steps, The - De 39 stegen 1935 4 månader, 3 veckor och 2 dagar - 4 Months, 3 Weeks and 2 Days 2007 4: Rise of the Silver Surfer - Fantastiska fyran och silversurfaren 2007 42nd Street - 42:a gatan 1933 48 Hrs. -
Vittorio De Sica Director, Actor, Screenwriter
Vittorio De Sica Director, Actor, Screenwriter Birth Jul 7, 1902 (Sora, Italy) Death Nov 13, 1974 (Paris, France) Genres Drama, Comedy, Romance The seminal figure of the neorealism movement, Vittorio De Sica was born in Sora, Italy, on July 7, 1901. Raised in Naples, he began working as an office clerk at a young age in order to help support his impoverished family. He became fascinated by acting while still a youth, and made his screen debut in 1918's The Clemenceau Affair at the age of just 16. In 1923, De Sica joined Tatiana Pavlova's famed stage company, and by the end of the decade his dashing good looks had made him one of the Italian theater's most prominent matinee idols. With 1932's La Vecchia Signora, he made his sound-era film debut and went on to become an even bigger star in the cinema, appearing primarily in light romantic comedies throughout the decade. In 1939, De Sica graduated to the director's chair with Rose Scarlatte. Over the next two years he helmed three more features (1940's Maddalena, Zero in Condotta along with 1941's Teresa Venerdì and Un Garibaldino al Convento, respectively), but his work lacked distinction until he, along with fellow Italian filmmakers Roberto Rossellini and Luchino Visconti, began exploring the possibilities of making more humanistic movies documenting the harsh realities facing their countrymen as a result of World War II. With 1942's I Bambini ci Guardano, De Sica revolutionized the Italian film industry, crafting a poignant, heartfelt portrait of a downtrodden culture free of the conventions of Hollywood production. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International, -
Masculin/Feminin. Notes on the Modern Actor's Body. Domènec Font
Masculin/Feminin. Notes on the modern actor’s body. Domènec Font Masculin/Feminin. Notes on the modern actor’s body Domènec Font “Actors are film-makers’ essential element of dialogue…The actor’s body pervades the cinema until it becomes its true history. A history that has never been told because it is always intimate, erotic, made up of piety and rivalry, of vampirism and respect. However, as the cinema ages, it is that history films are witnesses to…” (Daney, 1996, 201). Serge Daney’s reflections come from a study of Wim Wenders’ Lightning Over Water or Nick's Movie, 1979, a programme on lineage, vampirism and the spectral body of the cinema if ever there was one. Daney’s story may have difficulties adjusting to the history of ideas because of the amount of interplay it generates. However it encourages us to think of the actor as the agent of historic mutations and, naturally, to analyse the modern cinema of the sixties —the core of my present research— as a particular chapter in the confrontation of bodies and gazes, before the beginning of the indeterminate process of serial reproduction that is television and its clonic types. That journey of merging could begin in 1948 from a small legend: the telegram Ingrid Bergman sent to Roberto Rossellini (on his birthday) proposing that they should work together after her discovery of Roma Città Aperta and Paisà (1). We know the background to that call: Rossellini could not recall ever having seen one of the actress’s films, though she was at the height of her career in the American cinema, but they met in Hollywood and later she began her own particular “viaggio in Italia” and became his wife and the heroine of his films between 1949 (Stromboli, Terra di Dio) and 1954 (Giovanna di Arco al Rogo and La Paura). -
Bicyclethief Pressbook.Pdf
SIXTY YEARS OF UNIVERSAL PRAISE In 2002 Sight & Sound Magazine published a Directors' Top Ten Poll and, though more than fifty years had passed, THE BICYCLE THIEF had lost little of its impact. It was ranked as the sixth greatest film of all-time. Various film directors have all named THE BICYCLE THIEF in their Top Ten lists of greatest films. They include Gillian Armstrong (My Brilliant Career, Little Women), Robert Bresson (Diary of a Country Priest, Pickpocket), Luis Bunuel (The Exterminating Angel, The Discreet Charm of the Bourgeoisie), Charles Burnett (Killer of Sheep, To Sleep with Anger), Philip Kaufman (The Right Stuff, The Unbearable Lightness of Being), Ken Loach (Kes, Land and Freedom), Joel Schumacher (Falling Down, Phone Booth) and Billy Wilder (Sunset Boulevard, Some Like It Hot). Now, sixty years later, as the world faces what many consider the biggest economic crisis since The Great Depression, the story of THE BICYCLE THIEF seems to resonate more strongly than ever. As A.O. Scott aptly states in his 2008 review, “this film seems more relevant, more powerful, maybe more real than ever before.” THE BICYCLE THIEF quickly solidified its position as one of the greatest films ever made when it was originally released. In his December 13th, 1949 review for The New York Times, Bosley Crowther called it "brilliant and devastating -- a film that will tear your heart, but which should fill you with warmth and compassion." The film later won a special honorary Academy Award for Outstanding Foreign Language Film. The Golden Globes also awarded it Best Foreign Film and the British Academy of Film and Television Arts (BAFTA) called it the Best Film from any Source. -
Appendix 1: Short Introduction to Film Study
Appendix 1: Short Introduction to Film Study The next few pages offer an alphabetical list of topics often used in the critical evaluation of film with sample questions to aid in the critical discussion.1 Acting/Actors/Stars The cinema has long been driven by the visual appeal of its actors. Acting styles have changed since the silent days from the pantomime of the dive to the preference for nonpro- fessionals in the neorealist period to the present close connection between television, new media, and film. Silent-era actors in particular were universally popular because of the lack of linguistic barriers in their performances. Over the decades the personas of certain actors has even become identified with national, cultural, and class identities as well as with the style of living and attitudes in various time periods. In Italy, actors such as Alberto Sordi and Marcello Mastroianni were widely identified with the basic character traits of the Italian populace as were female stars such as Sophia Loren, Monica Vitti, or Anna Magnani. What type of acting style is used (nonprofessionals, method acting, theatrical, star persona)? Audience Film industries, including Italy, have periodically changed the type of films they produce in response to changes in target audiences. In the United States for example, Hollywood film production was targeted toward a female audience until the 1960s when the target audience became increasingly younger and male. In Italy, production in the 1960s and 1970s and thereafter introduced entertainment (art cinema, erotically charged cinema) not available on television because of censorship codes. What was the intended audience of the film? How was the film received when released? How has the film aged? Camera techniques Film theorists such as Christian Metz and Pier Paolo Pasolini wrote of the ability of shot selection to provide a language for film.2 The image on the screen has been filmed through the eye of a camera, which approaches its subject from certain angles and movements. -
The Versatile Career of Vittorio De Sica -For Kirsi
BERT CARDULLO Theatre into Film: The Versatile Career of Vittorio De Sica -for Kirsi ITTORIO DE SICA HAS DEEN CONSIDERED one of the major V contributors to neorealism, a movement that altered the con tent and style of international as well as Italian cinema. Despite these contributions and numerous citations of praise for such films as Sciuscia (Shoeshine, 1946), Ladri di biciclette (Bicycle Thieves, 1948), Miracolo a Milano (Miracle in Milan, 1951), and Umberto D. (1952), which are his best known and most beloved in addition to being his best pictures, De Sica has become a neglected figure in film studies. He may be seen as a victim of (postmodern) fash ion, for today emphasis is frequently placed on technical or stylis tic virtuosity and films of social content are looked upon-often justifiably-as sentimental or quaint (unless that content is of the politically correct kind). The works of De Sica that were once on everybody's list of Best Films have, to a large extent, been rel egated to the ranks of 'historical examples' on the shelves of muse ums, archives, and university libraries. Then, too, the director who was lionized during the Italian postwar era was later dismissed as a film revolutionary who had sold out to commercialism. Except for If giardino dei Finzi-Contini (The Garden of the Finzi-Continis, 1971) and Una breve vacanza (A Brief Vacation, 1973), De Sica's films after the neorealist period have been considered minor or inferior works in comparison to those of his contemporaries. In Italy, one encounters very favourable reactions to his work; yet behind these reactions there are always attempts at qualifica tion. -
100 YEARS at the PHOENIX Archive of an Oxford Cinema 1913 – 2013
100 YEARS AT THE PHOENIX Archive of an Oxford Cinema 1913 – 2013 Hiu M Chan Dedicated to the Phoenix and Oxford with love This archive is part of a post-graduate research project and so is work-in-progress. While every effort has been made to weed out errors and inconsistencies – derived from the source material (newspaper microfi che archives) – some will have inevitably slipped through. If you spot any errors and omissions please get in touch via the website http://phoenixcentenary.wordpress.com and we will update the database. The publishers are not responsible for the verifi cation of the entries; that is my remit. Thank you. Hiu M Chan and the Phoenix Centenary Project Published in conjunction with the centenary of the Oxford Phoenix Picture, 57 Walton Street, Oxford OX2 6AE © Hiu M Chan, 2013 All right reserved No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form by any means, electronic or mechanical, without prior written permission of the author. ISBN 978-0-9567405-5-7 Design: Nick Withers Associate Editor: James Harrison Film lists typeset in Helvetica Neue Digitally printed and bound in England by Charlesworth Press, Wakefi eld, Yorkshire A special limited hardback edition was also published exclusively for use in the cinema on the 100th anniversary, 15th March 2013. For further details, research feedback, or to input any updates, corrections or amendments please contact: www.hiuandfi lm.com Oxfordfolio, 100A Cowley Road, Oxford OX4 1JE Preface 15th March 2013 marks the 100th anniversary of the Phoenix Picturehouse Cinema in Oxford. -
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020 Each entry below consists of the name of a film, the year of its release, an abbreviation of the network(s) that presented it, and the number of its overall presentations. Networks and their respective abbreviations are: American Movie Classics (AMC) Paramount Television Network (PARA) BBC America (BBCA) Showtime (SHOW) FREE (FREE) STARZ (STARZ) FX Movie Channel (FXM) SYFY (SYFY) Home Box Office (HBO) Turner Broadcasting System (TBS) IFC (IFC) THIS TV (THIS) MOVIES! TV Network (MOVIES) TNT (TNT) Ovation TV (OVA) Turner Classic Movies (TCM) 1989 150 Films 4,958 Presentations 33,1 Average A Deadly Silence (1989) MOVIES 1 A Dry White Season (1989) TCM 4 A Nightmare on Elm Street 5: The Dream Child (1989) SYFY 7 All Dogs Go to Heaven (1989) THIS 7 Always (1989) STARZ 69 American Ninja 3: Blood Hunt (1989) STARZ 2 An Innocent Man (1989) HBO 5 Back to the Future Part II (1989) MAX/STARZ/SHOW/SYFY 272 Batman (1989) SYFY/TNT/AMC/IFC 24 Best of the Best (1989) STARZ 16 Bill & Ted’s Excellent Adventure (1989) STARZ 140 Black Rain (1989) SHOW/MOVIES/MAX 85 Blind Fury (1989) THIS 15 1 [email protected] Born on the Fourth of July (1989) MAX/BBCA/OVA/STARZ/HBO 201 Breaking In (1989) THIS 5 Brewster’s Millions (1989) STARZ 2 Bridge to Silence (1989) THIS 9 Cabin Fever (1989) MAX 2 Casualties of War (1989) SHOW 3 Chances Are (1989) MOVIES 9 Chattahoochi (1989) THIS 9 Cheetah (1989) TCM 1 Cinema Paradise (1989) MAX 3 Coal Miner’s Daughter (1989) STARZ 1 Collision -
Movies About Cancer
Movies about Cancer 1. Miss You Already (2015) The friendship between two life-long girlfriends is put to the test when one starts a family and the other falls ill. Director: Catherine Hardwicke | Stars: Drew Barrymore, Toni Collette, Dominic Cooper, Paddy Considine 2. Me and Earl and the Dying Girl (2015) High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer. Director: Alfonso Gomez-Rejon | Stars: Thomas Mann, RJ Cyler, Olivia Cooke, Nick Offerman 3. The Fault in Our Stars (2014) Two teenage cancer patients begin a life-affirming journey to visit a reclusive author in Amsterdam. Director: Josh Boone | Stars: Shailene Woodley, Ansel Elgort, Nat Wolff,Laura Dern 4. Lullaby (II) (2014) A man estranged from his family receives word that his father has chosen to take himself off life support within forty-eight hours. Director: Andrew Levitas | Stars: Garrett Hedlund, Richard Jenkins, Anne Archer, Jessica Brown Findlay 5. Cool Kids Don't Cry (2014) After an accident at school, the teenage-girl Anja must battle cancer while participating in summer camp, preparing for a soccer tournament and dealing with boys. Director: Katarina Launing | Stars: Mia Helene Solberg Brekke, Victor Papadopoulos Jacobsen, Sigrid Welde, Ulrik William Græsli 6. Kankerlijers (2014) Four teenage friends who suffers from cancer, uproar the hospital so to be a healthy child again. Director: Lodewijk Crijns | Stars: Massimo Pesik, Gijs Blom, Jasha Rudge,Vera van der Horst 7. Wish List Life changes for a thirtysomething career woman when a coin she threw in a magic fountain as a girl finally reaches the bottom. -
Soundings on Cinema : Speaking to Film and Film Artists
Soundings on Cinema Also in the series William Rothman, editor, Cavell on Film J. David Slocum, editor, Rebel Without a Cause Joe McElhaney, The Death of Classical Cinema Kirsten Thompson, Apocalyptic Dread Francis Gateward, editor, Seoul Searching Michael Atkinson, editor, Exile Cinema Soundings on Cinema Speaking to Film and Film Artists f Bert Cardullo STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2008 State University of New York All rights reserved Printed in the United States of America Cover photo courtesy of Photofest. No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or other- wise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production by Marilyn P. Semerad Marketing by Anne M. Valentine Library of Congress Cataloging-in-Publication Data Cardullo, Bert. Soundings on cinema : speaking to film and film artists / Bert Cardullo. p. cm. — (SUNY series, horizons of cinema) Includes index. ISBN 978-0-7914-7407-5 (hardcover : alk. paper) ISBN 978-0-7914-7408-2 (pbk. : alk. paper) 1. Motion pictures producers and directors—Europe—Interviews. 2. Motion pictures—Europe. I. Title. PN1998.2.C3643 2008 791.4302'3309224—dc22 2007030823 10987654321 Contents List