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Tour of Windsor Castle
--Tour of Windsor Castle-- APPENDIX A TOUR OF WINDSOR CASTLE I. Castle layout and external tour (see Page # 4 for the State Apartment tour) A. Main Lower Ward entrance to castle 1. Built by King Henry VIII and named after him 2. Completed in 1509 A.M. 3. Over the archway are: a) Carving of (1) The King's arms (2) A Tudor Rose (3) A pomegranate, badge of Henry's first queen, Catherine of Aragon b) The carvings are repeated above in the battlements 4. St. George's Chapel stands on the opposite side of the Lower Ward from the Henry VIII gate a) St. George's is the spiritual center of the Order of the Garter b) Charles I, beheaded in 1649 during England's Civil War, is buried here 5. The parade ground is to the left, where changing of the guard occurs in winter 6. Between parade ground and St. George's Chapel is small gate leading to the Horseshoe Cloister a) A row of houses built by King Edward IV in 15th century for lesser clergy b) Now houses men singers of the choir and the sacristans c) Was restored in 19th century 7. The Curfew Tower stands just beyond the Cloister and at the castle's westerly extreme (where castle meets Thames Street) a) Built in 13th century b) Part of the last section of the outer wall to be constructed c) Contains: (1) Fine example of a medieval dungeon in basement (2) One end of secret, underground exit from the castle, or "sally port," now sealed at its other entrance A-1 --Tour of Windsor Castle-- (3) Upper story contains the eight bells of St. -
Industrialization of Housing Construction As a Tool for Sustainable Settlement and Rural Areas Development
E3S Web of Conferences 164, 07010 (2020) https://doi.org/10.1051/e3sconf /202016407010 TPACEE-2019 Industrialization of housing construction as a tool for sustainable settlement and rural areas development Olga Popova1,*, Polina Antufieva1 , Vladimir Grebenshchikov2 and Mariya Balmashnova2 1Northern (Arctic) Federal University named after M.V. Lomonosov, 163002, Severnaya Dvina Emb., 17, Arkhangelsk, Russia 2 Moscow State University of Civil Engineering, 26, Yaroslavskoeshosse, 129337, Moscow, Russia Abstract. The development of the construction industry, conducting construction in accordance with standard projects, and transforming the construction materials industry in hard-to-reach and sparsely populated areas will make significant progress in solving the housing problem. Industrialization of housing construction is a catalyst for strong growth of the region’s economy and the quality of life of citizens. The purpose of this study is to develop a methodology for assessing the level of industrialization of the territory’s construction complex and its development potential for increasing the volume of low-rise housing stock. Research tasks: 1) assessment of the need to develop housing construction, including low-rise housing, on a particular territory; 2) development of a methodology for calculating the level of industrialization of construction in the area under consideration to determine the possibility of developing low-rise housing construction in this area in the proposed way; 3) approbation of the method using the example of rural areas of the Arkhangelsk region. It was revealed that the districts of the Arkhangelsk region have medium and low levels of industrialization. The districts that are most in need of an increase in the rate of housing construction have been identified. -
Development of Forest Sector in the Arkhangelsk Oblast During the Transition Period of the 1990S
Development of forest sector in the Arkhangelsk oblast during the transition period of the 1990s ALBINA PASHKEVICH Pashkevich Albina (2003). Development of forest sector in the Arkhangelsk oblast during the transition period of the 1990s. Fennia 181: 1, pp. 13–24. Helsinki. ISSN 0015-0010. The Arkhangelsk oblast has long been one of Russia’s most important forest industrial regions. This paper analyses the changes in accessibility of forest resources and forest commodity production during the transition period in the 1990s. Special attention is given to firm restructuring, active roles of domestic capital and the different survival strategies that have been developed by in- dustries in the region. Further analysis deals with signs of economic recovery in the forest sector due to the processes of restructuring, modernisation and self-organisation. Albina Pashkevich, Spatial Modelling Centre (SMC), Department of Social and Economic Geography, Umeå University, Box 839, SE-98128 Kiruna, Sweden. E-mail: [email protected]. MS received 12 August 2002. Introduction adoption of a new. Some suggest that this proc- ess has been deeply embedded in the nature of The shift from central planning to a market-based the socialist system (Dingsdale 1999; Hamilton economy in Russia culminated with the dramatic 1999) and that the legacy of the communism has economic and political reorientation that began been only partly removed, and instead has mere- in the 1990s. This transition towards a market-ori- ly been reworked in a complex way (Smith 1997). ented and outward-looking economic system led Others say that reforms have actually ended the by private sector has created new challenges and old ‘command economy’ but have instead suc- opportunities. -
THE ARMENIAN Mirrorc SPECTATOR Since 1932
THE ARMENIAN MIRRORc SPECTATOR Since 1932 Volume LXXXXI, NO. 43, Issue 4685 MAY 15, 2021 $2.00 Former President Kocharyan Looks And Acts Like New Candidate By Raffi Elliott Special to the Mirror-Spectator YEREVAN – Armenia’s second president, Robert Ko- charyan, took a further step towards formalizing his par- ticipation in upcoming snap parliamentary elections on Sunday, May 9. At a press briefing for his newly-established electoral alliance, dubbed the Armenia Bloc, the former president told reporters that he decided to return to politics to rectify what he believes are great threats to the country’s long- Russian peacekeepers arriving in Shushi last year (Sputnik photo) term security and stability allegedly caused by the cur- rent authorities. Kocharyan accuses Prime Minister Nikol Pashinyan’s government of failing to provide security in Russia Vows No Letup in Karabakh Peace Efforts border regions, signing the November 9 cease-fire on un- YEREVAN (RFE/RL) — Russia will keep doing its best forts to get Armenia and Azerbaijan to open their transport favourable terms, and mismanaging the economy. to ensure the full implementation of the Russian-brokered links after decades of conflict. He said a trilateral working agreement that stopped the Armenian-Azerbaijani war in group formed by the Russian, Armenian and Azerbaijani Nagorno-Karabakh, Foreign Minister Sergey Lavrov said governments for that purpose is helping to further stabilize during a visit to Yerevan on Thursday, May 6. the situation in the Karabakh conflict zone. “We are not reducing our efforts at returning all detainees to their homes, demining, preserving cultural and religious heritage as well as launching the work of relevant interna- “We are not reducing our efforts tional organizations in Nagorno-Karabakh,” Lavrov said at returning all detainees to their homes, demining, preserving cultural and religious heritage.. -
Russian Art 1
RUSSIAN ART 1 RUSSIAN ART Christie’s dominated the global market for Russian Works of Art and Fabergé in 2016, with our Russian Art sales achieving more than £12 million internationally. For the tenth consecutive season, our Russian Art auctions saw the highest sell-through rates in the market. With a focus on outstanding quality, Christie’s continues to attract both emerging and established collectors in the field. For over a decade, Christie’s has set world auction records in every Russian Art sale. We have broken a total of six records in the past two years, including two in excess of £4 million. Christie’s has set world records for over 50 of Russia’s foremost artists, including Goncharova, Repin, Levitan, Vereshchagin, Vasnetsov, Borovikovsky, Serov, Somov, Lentulov, Mashkov, Annenkov and Tchelitchew. Six of the 10 most valuable paintings ever purchased in a Russian Art sale were sold at Christie’s. Christie’s remains the global market leader in the field of Russian Works of Art and Fabergé, consistently achieving the highest percentage sold by both value and lot for Russian Works of Art. Christie’s closes 2016 with a 60% share of the global Fabergé market, and a 62% share of the global market for Russian Works of Art. cover PROPERTY FROM AN IMPORTANT EUROPEAN COLLECTION KONSTANTIN KOROVIN (1861–1939) Woodland brook, 1921 Estimate: £120,000–150,000 Sold for: £317,000 London, King Street · November 2016 back cover PROPERTY OF A MIDDLE EASTERN COLLECTOR A GEM-SET PARCEL-GILT SILVER-MOUNTED CERAMIC TOBACCO HUMIDOR The mounts marked K. -
20E FESTIVAL
1 21e FESTIVAL DU CINÉMA RUSSE À HONFLEUR 26 NOVEMBRE - 1er DÉCEMBRE 2013 Demandes d’accréditations : [email protected] Service de presse : +33 1 55 57 05 57 Durant le Festival : +33 6 63 57 09 44 2 PRÉSENTATION Créé en 1995, le Festival du Cinéma Russe à Honfleur est le plus ancien et le plus important des festivals de cinéma russe en France. Il a pour objet de faire connaître en France le cinéma russe et de participer ainsi au développement des liens culturels entre la France et la Russie. Il enregistre plus de 10.000 entrées chaque année. Les festivaliers viennent en majorité de la Normandie et de la Région parisienne, mais aussi d'autres provinces françaises, de Belgique, de Suisse et de Russie. Le Festival rend possible la découverte par le grand public français d’œuvres de cinéastes russes inconnus en France. La présence des plus grands professionnels du cinéma russe et l’atmosphère très conviviale du Festival favorisent de nombreux échanges. Le Festival présente en compétition une sélection de films de fiction russes de l’année, ainsi que des documentaires, des dessins animés, un programme « Jeune Public », un programme « Panorama », une rétrospective thématique, et d'autres animations. La Ville de Honfleur, avec son Festival du Cinéma Russe et la Ville de Deauville, avec son Festival du Film Asiatique ont établi, depuis cinq ans, un partenariat d’échanges de films et de rencontres avec le public. Dans le cadre de ce partenariat le Festival d’Honfleur organise chaque année une projection d’un des films de compétition à Deauville. -
CUBISM and ABSTRACTION Background
015_Cubism_Abstraction.doc READINGS: CUBISM AND ABSTRACTION Background: Apollinaire, On Painting Apollinaire, Various Poems Background: Magdalena Dabrowski, "Kandinsky: Compositions" Kandinsky, Concerning the Spiritual in Art Background: Serial Music Background: Eugen Weber, CUBISM, Movements, Currents, Trends, p. 254. As part of the great campaign to break through to reality and express essentials, Paul Cezanne had developed a technique of painting in almost geometrical terms and concluded that the painter "must see in nature the cylinder, the sphere, the cone:" At the same time, the influence of African sculpture on a group of young painters and poets living in Montmartre - Picasso, Braque, Max Jacob, Apollinaire, Derain, and Andre Salmon - suggested the possibilities of simplification or schematization as a means of pointing out essential features at the expense of insignificant ones. Both Cezanne and the Africans indicated the possibility of abstracting certain qualities of the subject, using lines and planes for the purpose of emphasis. But if a subject could be analyzed into a series of significant features, it became possible (and this was the great discovery of Cubist painters) to leave the laws of perspective behind and rearrange these features in order to gain a fuller, more thorough, view of the subject. The painter could view the subject from all sides and attempt to present its various aspects all at the same time, just as they existed-simultaneously. We have here an attempt to capture yet another aspect of reality by fusing time and space in their representation as they are fused in life, but since the medium is still flat the Cubists introduced what they called a new dimension-movement. -
Cubo-Futurism
Notes Cubo-Futurism Slap in theFace of Public Taste 1 . These two paragraphs are a caustic attack on the Symbolist movement in general, a frequent target of the Futurists, and on two of its representatives in particular: Konstantin Bal'mont (1867-1943), a poetwho enjoyed enormouspopu larityin Russia during thefirst decade of this century, was subsequentlyforgo tten, and died as an emigrein Paris;Valerii Briusov(18 73-1924), poetand scholar,leader of the Symbolist movement, editor of the Salles and literary editor of Russum Thought, who after the Revolution joined the Communist party and worked at Narkompros. 2. Leonid Andreev (1871-1919), a writer of short stories and a playwright, started in a realistic vein following Chekhov and Gorkii; later he displayed an interest in metaphysicsand a leaning toward Symbolism. He is at his bestin a few stories written in a realistic manner; his Symbolist works are pretentious and unconvincing. The use of the plural here implies that, in the Futurists' eyes, Andreev is just one of the numerousepigones. 3. Several disparate poets and prose writers are randomly assembled here, which stresses the radical positionof the signatories ofthis manifesto, who reject indiscriminately aU the literaturewritt en before them. The useof the plural, as in the previous paragraphs, is demeaning. Maksim Gorkii (pseud. of Aleksei Pesh kov, 1�1936), Aleksandr Kuprin (1870-1938), and Ivan Bunin (1870-1953) are writers of realist orientation, although there are substantial differences in their philosophical outlook, realistic style, and literary value. Bunin was the first Rus sianwriter to wina NobelPrize, in 1933.AJeksandr Biok (1880-1921)is possiblythe best, and certainlythe most popular, Symbolist poet. -
LEONE FILM GROUP E KEY FILMS Dal 13 Aprile Al Cinema
LEONE FILM GROUP e KEY FILMS sono lieti di presentarvi Un film scritto e diretto da ILYA NAISHULLER Prodotto da TIMUR BEKMAMBETOV con SHARLTO COPLEY DANILA KOZLOVSKY HALEY BENNETT Durata 95' Dal 13 aprile al cinema distribuito da Sito ufficiale: http://hardcore.multiplayer.it/ Pagina FB: www.facebook.com/HardcoreIlFilm Ufficio Stampa Film: Marianna Giorgi +39 338 1946062 - [email protected] Ufficio Stampa Lucky Red: Alessandra Tieri + 39.335.8480787 - [email protected] Georgette Ranucci + 39.335.5943393 - [email protected] Olga Brucciani + 39.345.8670603 - [email protected] 1 SINOSSI Non ricordi nulla. Sei appena stato salvato da tua moglie che ti ha riportato in vita (Haley Bennet). Lei sostiene che ti chiami Henry. Dopo 5 minuti vieni colpito, tua moglie rapita, e forse è il caso che tu vada a riprendertela.Chi l'ha rapita? Il suo nome è Akan (Danila Kozlovsky), un folle personaggio a capo di un gruppo di mercenari e con un piano per dominare il mondo. Ti trovi a Mosca, città a te sconosciuta e tutti intorno vogliono ucciderti. Tutti tranne un misterioso alleato inglese di nome Jimmy (Sharlto Copley). É probabile che lui sia dalla tua parte, ma non ne sei sicuro. Se riuscirai a sopravvivere alla follia, e a risolvere il mistero, potrai probabilmente capire il tuo obiettivo e la tua vera identità. Buona Fortuna. Ne avrai parecchio bisogno. Per ogni generazione c’è un flm che cambia tutto per sempre: dal 13 aprile arriva al cinema Hardcore!, il flm completamente in prima persona che ridefnisce una volta per tutte i confni del cinema d’azione. -
The State Hermitage Museum Annual Report 2012
THE STATE HERMITAGE MUSEUM ANNUAL REPORT n 2012 CONTENTS General Editor 4 Year of Village and Garden Mikhail Piotrovsky, General Director of the State Hermitage Museum, 6 State Hermitage Museum. General Information Corresponding Member of the Russian Academy of Sciences, 16 Awards Full Member of the Russian Academy of Arts, Professor of St. Petersburg State University, 20 Composition of the Hermitage Collection as of 1 January 2013 Doctor of History 40 Exhibitions 86 Restoration and Conservation 121 Publications EDITORIAL BOARD: 135 Electronic Editions and Video Films Mikhail Piotrovsky, 136 Conferences General Director of the State Hermitage Museum 141 Dissertations Georgy Vilinbakhov, 142 Archaeological Expeditions Deputy Director for Research 158 Major Construction and Restoration of the Buildings Svetlana Adaksina, Deputy Director, Chief Curator 170 Structure of Visits to the State Hermitage in 2012 Marina Antipova, 171 Educational Events Deputy Director for Finance and Planning 180 Special Development Programmes Alexey Bogdanov, Deputy Director for Maintenance 188 International Advisory Board of the State Hermitage Museum Vladimir Matveyev, 190 Guests of the Hermitage Deputy Director for Exhibitions and Development 194 Hermitage Friends Organisations Mikhail Novikov, 204 Hermitage Friends’ Club Deputy Director for Construction 206 Financial Statements of the State Hermitage Museum Mariam Dandamayeva, Academic Secretary 208 Principal Patrons and Sponsors of the State Hermitage Museum in 2012 Yelena Zvyagintseva, 210 Staff Members of -
The Life of Russian Avant-Garde Works: an Essay in History
SVETLANA DZHAFAROVA The Life Of Russian Avant-Garde Works: An Essay In History Svetlana Dzhafarova is an art historian and since 1997 is scientific researcher with the Russian Institute for Cultural Research under the Ministry of Culture. She is an expert with the Moscow Malevich Foundation and works in the field of scientific analysis of new-found pieces of the Russian Avant-Garde. She is a published author. Under the aegis of the Russian Ministry of Culture, Svetlana Dzhafarova has organised and curated major international exhibitions since 1979; they are listed at the end of this article. In the 1990s, owing to the emergence on the art One literary and artistic manifesto was flagrantly called “A market of a substantial number of Russian avant- Slap in the Face of Public Taste”. All this led to hostilities in garde works (in the broad sense of the term), there arose the the press, which gives few indications as to whether anyone 19 vital question of their provenance. Given Russia’s turbulent wished to acquire such “socially inappropriate” paintings. twentieth-century history, the tortured destinies of people No doubt, this art had its own adherents, first and subjected to political and ideological repression, this theme foremost among relatives (for instance, the wives of Piotr appears in a dramatic, mysterious, and rather shadowy Konchatovsky, Ilya Mashkov and Aristarkh Lentulov who atmosphere for many reasons. were also constant models for their husbands) as well as It is no secret that the policy of persecution of dissenting colleagues and a close circle of theatre, musical and literary artists and their oeuvre, allegedly alien to proletarian ideology, figures. -
ULUSLARARASI SOSYAL BİLİMLER DERGİSİ 53 INTERNATIONAL JOURNAL of SOCIAL SCIENCES Cilt / Vol.: 1 , Sayı / Is.: 1, Yıl / Year: 2018, Sayfa / Pages: 53-68
ULUSLARARASI SOSYAL BİLİMLER DERGİSİ 53 INTERNATIONAL JOURNAL OF SOCIAL SCIENCES Cilt / Vol.: 1 , Sayı / Is.: 1, Yıl / Year: 2018, Sayfa / Pages: 53-68 SOVYETLER SONRASI RUS SİNEMASINDA KOMÜNİZM İDEOLOJİSİ: AMİRAL FİLMİ VE GÖSTERGEBİLİMSEL ANALİZİ Arş. Gör. Caner ÇAKI1 ÖZET Bu çalışmada, Sovyetler Birliği’nin yıkılmasından sonra Rus sinemasında komünizm ideolojisinin ne şekilde sunulduğu incelenmiştir. Bu açıdan, Rus sinemasında son dönemin en büyük gişe hâsılatı yakalayan filmlerinden biri olan 2008 yapımı Amiral Filmi göstergebilimsel yöntem kullanılarak ele alınmıştır. Çalışma göstergebilimin önemli temsilcilerinden Algirdas Julien Greimas’ın Eyleyenler Örnekçesi’ne göre analiz edilmiştir. Elde edilen bulgular ışığında, komünizm ideolojisinin yeni dönem Rus sinemasında, Sovyetler Dönemi’nin tamamen aksine ağır bir şekilde eleştirildiği gözlemlenmiştir. Sonuç olarak bu çalışmada, Rus sinemasının Sovyetler sonrası ne şekilde evirildiği incelenen film özelinde ortaya konmaya çalışılmıştır. Anahtar Kelimeler: Komünizm, Rus Sineması, Göstergebilim, Greimas, İdeoloji COMMUNISM IDEOLOGY IN THE RUSSIAN RUSSIAN AFTER SOVIETS: “AMIRAL” FILM AND SEMIOTICS ANALYSIS ABSTRACT This study examines how the ideology of communism is presented in the Russian cinema after the collapse of the Soviet Union. In this respect, the 2008 Admiral Film, one of the films that recently obtained the biggest box office hit in Russian cinema, was handled, using semiotic method. The study was analyzed according to thenarrative analysis of Algirdas Julien Greimas, one of the most important representatives of semiotics. In the light of the findings, it was observed that the ideology of communism was severely criticized in Russian cinema in the new period, in contrast to the Soviet period. As a result, in this study, it was tried to show how the Russian cinema evolved after the Soviet.