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Resisting Foreign State Propaganda in the New Information Environment: the Case of the EU, Russia, and the Eastern Partnership Countries ISBN 978-9934-8536-9-2
RESISTING FOREIGN STATE PROPAGANDA IN THE NEW INFORMATION ENVIRONMENT: THE CASE OF THE EU, RUSSIA, AND THE EASTERN PARTNERSHIP COUNTRIES ISBN 978-9934-8536-9-2 UDK 32.019.5 Re708 This publication is a part of the project “Resisting state propaganda in the new information environment: The case of EU member states and EU Eastern Partnership states vis-à-vis the Russian Federation publication/re- search” organised by the Foundation for European Pro- gressive Studies (FEPS) with the support of Brīvības un Solidaritātes Fonds (BSF). RESISTING FOREIGN STATE PROPAGANDA IN THE NEW INFORMATION ENVIRONMENT: THE CASE OF THE EU, RUSSIA, AND THE EASTERN PARTNERSHIP COUNTRIES Table of contents Foreword Dr. Ernst Stetter 11 Foreword Ervins Labanovskis 17 PART I: INCREASING RESISTANCE TO PROPAGANDA WITHIN THE EU Countering propaganda in Europe: Responses and options Ben Nimmo 23 The role of national strategic narrative in raising resilience to hostile foreign propaganda in European societies Māris Cepurītis 39 Increasing the resistance of democratic states to hostile foreign propaganda— what is the right recipe? Elīna Lange-Ionatamišvili 52 The Audiovisual Media Services Directive and propaganda Andris Mellakauls 71 7 Key findings of the EED’s Feasibility PART III: THE VIEW FROM Study on independent Russian- THE EASTERN PARTNERSHIP COUNTRIES language media initiatives in the Eastern Partnership and beyond Farther from Russky Mir, Jerzy Pomianowski 89 Closer to the West Tamar Kintsurashvili 173 PART II: THE VIEW FROM THE BALTIC STATES Russian propaganda -
4-11 Nov 2011
4-11 NOV 2011 Edita Sevilla Festival de Cine Europeo Director Artístico Javier Martín-Domínguez Documentación y Catálogo Antonio Abad Albarrán, Adeline Clement, Blanca García, Borja Moreno Traducción Deidre MacClowskey, Mathilde Grange Cesión de Fotografías Danish Film Institute, Lolo Vasco, Norwegian Film Institute, Swedish Film Institute, Polish Film Institute Producción Editorial Below Impresión J. de Haro Artes Gráficas, S.L. Depósito Legal SE-7934-2011 ÍNDICE TABLE OF CONTENTS 5 página CARTEL SEFF’11 POSTER SEFF’11 12 PREMIOS 2011 2011 AWARD 16 JURADO JURY 30 SECCIÓN OFICIAL OFFICIAL SECTION 36 SELECCIÓN EFA EFA SELECTION 70 EURIMAGES 104 EURODOC 122 EYE ON FILMS - MEDIA MUNDUS 154 FIRST FILMS FIRST 156 CELEBRACIÓN DEL CINE RUSO CELEBRATION OF RUSSIAN CINEMA NUEVO CINE RUSO NEW RUSSIAN CINEMA 176 CICLO NIKITA MIKHALKOV NIKITA MIKHALKOV PROGRAM 194 RUSSIA IN SHORT. ARTHOUSE IN SHORT-METRAGE 200 CICLO AMOS GITAI AMOS GITAI PROGRAM 206 CANAL ARTE ARTE CHANNEL 212 SHORT MATTERS’11 219 HISTORIA(S) DEL CINE HISTOIRE(S) DU CINÉMA 227 PANORAMA ANDALUZ ANDALUSIAN PANORAMA 232 TARDE DE TOROS AN AFTERNOON OF BULLFIGHTING 250 TRES CULTURAS THREE CULTURES 254 EUROPA JUNIOR 257 MES DE DANZA 261 FORO INDUSTRIA INDUSTRY FORUM 264 ACTIVIDADES PARALELAS PARALLEL ACTIVITIES 270 ÍNDICE DE TÍTULOS TITLES INDEX 278 LISTADO DE CONTACTOS CONTACTS LIST 282 7 Durante los días 4 y 11 de noviembre Sevilla acoge el During the period from 4th to 11th November, Seville will Festival de Cine Europeo, un festival que este año pre- welcome the European Film Festival, a festival that this tende estar más cerca de los sevillanos. -
Russia Vol.1
Study on the promotion of the consumption of olive oil and table olives in Russia Client International Olive Council Date August-October 2009 1 Technical dossier by AGERÓN INTERNACIONAL international consultants ageron.es 2 Índex Executive summary 4 Size and characteristics of the market 17 Market access conditions 35 Foreign trade 42 Supply 76 Demand 91 Distribution channels 108 Media and promotional channels available 118 The scientific community 127 The culinary community 129 Promotion activities under way 132 Agencies 172 Conclusions 190 Recomendations 200 Annex 1 Size and characteristics of the market. General economic data 221 Annex 2 Legislation and certification agencies in Russia 226 Annex 3 Statistics 228 Annex 4 Storecheck 264 Annex 5 Proposal for tender specifications 408 Annex 6 List of interviewed 422 3 Executive summary 4 Objectives and methodology The IOC is wanted to receive a proposal that puts forward promotion activities to increase the demand for olive oil and table olives in Russia, together with a budget for each activity in each country and an analysis of the agencies which would be able to carry out promotion activities in the future. The subject of the present study is the promotion of consumption of olive oil and table olives in Russia, with special focus on the following aspects: The demand for olive oil and table olive products over the last ten years The types of consumers (household, hotel, restaurant, etc.). The distribution of consumption by type of consumer and the potential for higher consumption Market supply over the last ten years for the two products. Supply distribution by import and local production, if there is any Customs duties and technical barriers to the two products The work has been undertaken by a multilingual and multidisciplinary team based in Russia and Spain , composed by consultants of the companies AGERÓN INTERNACIONAL and CIANEX. -
Inter-Film Kyiv-Based Inter-Film Group Has Picked up Cinema Rights on Romcom Single by the Contract on the Territory of Ukraine
CISCCONTENTONTENT:CONTENRTRREPORTEPORTEPORT CC ReviewОбзорОбзор of новостейaudiovisualновостей рынка content производства production and ии дистрибуциидистрибуции distribution аудиовизуальногоаудиовизуальногоin the CIS countries контента контента Media«»«MediaМ«»ÌЕДИÅÄÈ ResourcesА ResourcesÀРЕСУРСЫÐÅÑÓÐÑÛ МManagement ÌManagementЕНЕДЖМЕНТÅÍÅÄÆÌÅÍÒ » № №121(9)№19, №213№2 April января, 1 July April, 30, 2014 201320122011 2012 тема FOCUSномераFOCUS DEARсловоDeAr COLLEAGUESColle редакциAguesи УжеWe areв первыеhappy to дни present нового you годаthe Aprilнам, issue редак of цtheии ПервыйLast autumn номер members Content of Russian Report association выходит ofв televiканун- We are happy to present you the July issue of the a short analysis of such territories as Azerbaijan, КИНОТЕАТРАЛЬНЫ Й ContentCIS: Content Report, Report сразу whereстало понятно,we tried toчто gather в 2011 theм Старогоsion and movie Нового producers года, который chose Red (наконецто) Square Screen за- CIS: Content Report where we tried to gather the Georgia and Armenia. всеmost мы interesting будем усердно up-to-date и неустанно information трудиться. about rapidly За вершаетings as the чередуmost important праздников, industry поэтeventом of theу еще season. раз РЫН О К В КРАИН Е most interesting up-to-date information about rap- TV MARKETS: У : нимаясьdeveloping подготовкой content production первого andвыпуска distribution обзора mar но- хотимThe idea пожелать of the forum наши aimedм at подписчик showcasingа theм Russianв 2011 TV markeT in The idly developing content -
Comic Representations of Belarusian and Ukrainian Leaders in Official Russian Media
_full_alt_author_running_head (neem stramien B2 voor dit chapter en nul 0 in hierna): Minchenia et al. _full_alt_articletitle_running_head (oude _articletitle_deel, vul hierna in): Humour as a Mode of Hegemonic Control _full_article_language: en indien anders: engelse articletitle: 0 Humour As A Mode Of Hegemonic Control 211 Chapter 9 Humour as a Mode of Hegemonic Control: Comic Representations of Belarusian and Ukrainian Leaders in Official Russian Media Alena Minchenia, Barbara Törnquist-Plewa and Yuliya Yurchuk Introduction The existing multidisciplinary scholarship on political humour widely agrees about the discursive power of jokes. The recurrent patterns of joking (who is laughing at whom and why) reflect and create power structures (Purdie 1993, 129; Attardo 2014). Inspired by this insight, we want to inquire and reflect on the function, dynamics, and social effects of political humour in framing and conveying the political imagination in a particular political context – relations between Russia and its two neighbours, Belarus and Ukraine. Thus, in the fol- lowing, we will examine the content of a selected number of Russian political jokes and humorous cartoons dealing with Belarusian and Ukrainian leaders and ask how Russian-Belarusian and Russian-Ukrainian relationships and Rus- sia’s self-perception feature in these representations. The aim is to explore what geopolitical ideas define the content of these jokes. We find this discus- sion more than timely in the context of the strengthening of imperialist ten- dencies in the region of Eastern Europe as expressed by the Russian annexation of Crimea and the war in Ukraine. Belarus and Ukraine have a lot in common, but still differ in many respects, which leads us to inquire about the similarities and differences in representa- tions of these two countries in Russian satirical programmes. -
Baltic Worlds 2019:1
BALTIC WORLDSBALTIC A scholarly journal and news magazine. February 2019. Vol. XII:1. Blackmailing From the Centre for Baltic and East European Studies (CBEES), Södertörn University. of the Jews in Lviv February 2019. Vol. XII:1 BALTIC WORLDSbalticworlds.com • Putin’s grip on the state apparatus • Female representation in the spotlight • Media’s role during Euromaidan Power in Power in disguise in Power disguise also in this issue Illustration: Karin Sunvisson BELARUS IN MAPS / SEXUAL RIGHTS IN POST-SOVIET / HERITAGE IN RUSSIA / ART IN SKOPJE / NATIONALISM IN THE EU Sponsored by the Foundation BALTIC2 for Baltic and East European Studies contents 3 WORLDSbalticworlds.com colophon Baltic Worlds is published by the Centre for Baltic and East European Studies (CBEES) at Södertörn University, Sweden. Editor-in-chief editorial in this issue Ninna Mörner Publisher Joakim Ekman Scholarly advisory council Thomas Andrén, Södertörn Power relations & imaginations University; Sari Autio-Sarasmo, Aleksanteri Institute, Helsinki s there to be a late Russian spring? In an is also brought up in a peer-re- Universiy; Sofie Bedford, IRES, interview professor Olga Kryshtanovskaya viewed article by Roman Horbyk, peer-reviewed articles commentary Uppsala University; Michael gives her view on the current situation who is analyzing the role of Ukrai- 4 Ukrainian journalists between agency 70 Kaliningrad’s Gentile, Oslo University; Markus around the future presidential successor nian journalists that covered the and structure during Euromaidan, problematic exclave Huss (chair), Stockholm University; Iin Russia, and the potential political upheavals events of Euromaidan. Histori- status, Ingmar Oldberg Katarina Leppänen, University of Roman Horbyk connected to this shift in power. -
Dmitrii Kiselev, Aleksandr Baranov, Aleksandr Kott
shows not only Russia in all its magnitude, but also its neighboring countries—Kazakhstan in particular. The voiceover (Kostantin Khabenskii) mentions that wherever we are—in St. Petersburg or Astana—on New Year’s Eve “we are all one” as we decorate our trees and chop salads. Thus, the line of alleged cosmopolitanism is defined from the very beginning and sets the tone for the rest of the film. This theme is further developed in one of the subplots of the film—in a romantic love story of a Russian girl, Alena (Alena Konstantinova), the daughter of a harsh policeman Vetrov (Sergei Bezrukov), and Aslan (Iznaur Ortsuev), an Asian Elki 2 guy from Chechnia (novella “Romeo” by Aleksandr Kott). The feelings of these young Russia, 2011 people are unacceptable to their fathers because of Color, 106 minutes their ethnic backgrounds. At the end of the film, Russian, English subtitles however, after a series of peregrinations, the two Director: Dmitrii Kiselev, Aleksandr Baranov, loving hearts are united at the hospital, as each of Aleksandr Kott, Levan Gabriadze them, though in different circumstances, breaks a Screenplay: Timur Bekmambetov, Ol'ga Kharina, leg, with a symbol of their love, a wing, tattooed Anna Matison, Roman Nepomniashchii on each of them. Their fathers, although hostile at Camera: Levan Kapanadze, Maksim Shinkorenko, first, have to submit to the feelings of their Sergei Trofimov children, thus establishing a friendly relationship Music: Pavel Esenin not only between themselves but also between Cast: Ivan Urgant, Sergei Svetlakov, Aleksei nations—a classic Soviet sentiment. Petrenko, Irina Alferova Reconciliation between nations would be Producer: Timur Bekmambetov, Iva Stromilova one of the most compelling topics of the film if Production: GK Bazelevs, Rossia 1 TV Channel only the street cleaner in Red Square were not Asian. -
Жание / Дух Огня / Най Ангки / Spirit of Fire / 2005
ЖАНИЕ / ДУХ ОГНЯ / НАЙ АНГКИ / SPIRIT OF FIRE / 2005 ОРГКОМИТЕТ ФЕСТИВАЛЯ / ORGANIZING COMMITTEE OF THE FESTIVAL Àëåêñàíäð Âàñèëüåâè÷ Ôèëèïåíêî Àëëà Âëàäèìèðîâíà Ãðèáöîâà Ëþáîâü Íèêîëàåâíà Ëîêòåâà Ãóáåðíàòîð, Ïðåäñåäàòåëü Ïðåä ñå äà òåëü Êî ìè òå òà ïî ìî ëî - Íà÷àëüíèê Îðãàíèçàöèîííî- Ïðàâèòåëüñòâà àâòîíîìíîãî îêðóãà, äåæ íîé ïî ëè òè êå àâ òî íîì íî ãî êîíòðîëüíîãî óïðàâëåíèÿ ñîïðåäñåäàòåëü îðãêîìèòåòà îê ðó ãà Àäìèíèñòðàöèè Ãóáåðíàòîðà Alexander Filipenko Alla Gribtsova àâòîíîìíîãî îêðóãà Governor, Chairman of the Chairman of the Committee for Lyubov Lokteva Government of the Autonomous youth policy of the Autonomous Chief of the Organisational and District, co-chairman of the organiz- district Supervision division of the ing committee Âëàäèìèð Âåíåäèêòîâè÷ Æóðàâëåâ Governor’s administration of the autonomous district Ìèõàèë Åôèìîâè÷ Øâûäêîé Äèðåêòîð Äåïàðòàìåíòà òðàíñïîðòà, Ðóêîâîäèòåëü Ôåäåðàëüíîãî àãåíòñòâà ñâÿçè àâòîíîìíîãî îêðóãà Íàòàëüÿ Êîíñòàíòèíîâíà Ìàëàõîâà ïî êóëüòóðå è êèíåìàòîãðàôèè, Vladimir Zhuravlyov Íà ÷àëü íèê Îò äå ëà îôîðì ëå íèÿ äî - ñîïðåäñåäàòåëü îðãêîìèòåòà Director of the transport and com- êó ìåí òîâ ïî âû åç äó çà ãðà íè öó Óï - Mikhail Shvydkoy munications Department of the ðàâ ëå íèÿ ïî âî ïðî ñàì êà ä ðî âîé Head of the Federal Agency for autonomous district ïî ëè òè êè Àä ìè íè ñ ò ðà öèè Ãó áåð íà - òî ðà àâ òî íîì íî ãî îê ðó ãà Culture and Cinema, co-chairman of Àëåêñàíäð Êîíñòàíòèíîâè÷ Èçìàéëîâ the organizing committee Natalia Malakhova Ïðåäñåäàòåëü Êîìèòåòà ïî Chief of the Department for Issuing Íàòàëüÿ -
University of Birmingham Television News and Its Satirical Interpretation in Medvedev's Russia
University of Birmingham Television News and Its Satirical Interpretation in Medvedev's Russia: Is Glasnost Back? Rulyova, Natalia Citation for published version (Harvard): Rulyova, N 2010, 'Television News and Its Satirical Interpretation in Medvedev's Russia: Is Glasnost Back?', The Russian Journal of Communication, vol. 3, no. 3-4, pp. 228-47. Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. If you believe that this is the case for this document, please contact [email protected] providing details and we will remove access to the work immediately and investigate. -