Д ! Dear friends!
О а а XXIII I congratulate you wholeheartedly on the opening О Р а «К а »! of the 23rd Open Russian Film Festival Kinotavr! С а Sochi cannot be imagined without the trade mark of , the star walk, the premieres and fi lm parties. Over . «К а » а а many years Kinotavr has not only won the hearts а , а а of the audience, but also ascertained a deserved а а authority in the global, professional fi lm community. а а . Everything is unpredictable here. Yesterday’s debutant З а . В а а may wake up a super star, and any unknown director , а may eclipes a Hollywood master. Here, the strongest а compete and the best win! а. З Every year the number of those wishing to participate а ! in the country’s main fi lm forum grows. Here, at С а а а а Kinotavr, modern fi lm art sets off on new branches а а . of development. И , а «К а », I wish the participants and guests of the 23rd а а . Open Russian Film Festival Kinotavr interesting Ж а а а XXIII О and productive work, and fi ne and unforgettable Р а «К а » impressions! 2 а , а Success to you, Kinotavr 2012! а а ! У а , «К а 2012»! Head of Administration, Governor of the Krasnodar Region Г а а а а ( а ) A. N. Tkachev К а а а А.Н.Т а
Д ! Dear friends!
П а а а а I welcome all of you who have gathered for this а ! remarkable fi lm festival! «К а » а а “Kinotavr” is a fi ne platform to acquaint the viewer а а with new Russian fi lms. Your festival has put before а . Ва а а а itself the noble task of preserving our cultural heritage а а а а and our national traditions. There are eternal а а а а . Е cultural values that unite organizers, participants , and spectators of the festival, giving everybody the а а , а а , opportunity to feel part of our great country and the а а а а world. “Kinotavr” offers to participants, eminent а а а. «К а » visitors, and the simple spectator the chance to а а а , watch the last achievements of our fi lmmakers. , The festival has many remarkable traditions: the а а . retrospectives of fi lms from the golden fund of У а а а а : Russian cinema, creative meetings with well known , а and hitherto little known directors and actors, a rich а а , competition and cultural program, and of course а а the special atmosphere of a holiday that reigns over а а а , а а а the entire event. а а а – , , а I wish success and pleasure of meetings with colleagues а а а а, а а а . to the participants, and I hope the visitors and viewers Ж а а а а , а will derive genuine pleasure from the dialogue with high and eternal art! а , а – а ! Minister of Culture of the Russian Federation М A.A. Avdeev Р Ф а А.А. А Д ! Dear friends!
«К а » – а , а а “Kinotavr” is a festival whose audience always а а encounters new Russian fi lms. а . There are fi lms that the viewer eventually forgets, Е , and there are those that are remembered and а а , а , , loved, that are being watched all over again. We а а а . Х , would like to hope that more and more of the а . А «К а » latter will emerge. “Kinotavr” we love above all а , а for giving us the unique opportunity to see new а а faces, new talents, new cinema! а, а а , !
Executive Director И of the Cinema Fund Ф а S.A. Tolstikov С.А. Т 3
Д а а ! Dear participants and guests of the festival!
О а а а On behalf of the inhabitants of our city, I’m glad to а а С ! welcome you in Sochi! С а а а Today, our city once again is in full anticipation of а, а а a holiday that brings the sparkling and glamorous ! world of cinema to us! М , , , а We, the citizens of Sochi, are proud that the coun а а а try’s main national fi lm festival takes place in our а а , а city, that it is here where the spectators and juries а а , а а watch the best, most interesting and most topical , Р а . fi lms made in Russian over last year. Ф а «К а » С – The festival “Kinotavr” and the resort of Sochi are а . Ж а , inseparable. Both inhabitants and visitors are used С а а ! С to start the summer in cinema – with good Russian , а fi lms that present the spectators with an unforget а а а а! table holiday of culture and creativity! С С – а а а Today Sochi is Russia’s main Olympic city! There а а Р ! И , fore, it is quite symbolic that it is precisely in our а а city where the main fi lm festival of the country takes а а ! О а С place! Sochi’s Olympic status raises the prestige of а а, а Russian sport, while “Kinotavr” in capital of the «К а а» О future Olympics raises the interest in Russian cin а , , а ema all over the world! а а ! Welcome to Sochi, dear friends! We are happy about Д а а С , ! М every new meetings with you; may the times spent а а «К а »! И in our city be unforgettable! , а а , а а а ! Respectfully, Mayor of Sochi С а , A.N. Pakhomov Г а а а С А.Н. Па ФОТОГРАФ – ВИКТОР ГОРБАЧЕВ. К а – а , а а , Culture is a concoction that bonds the nation, а а а a unique mechanism of identifi cation and self а а а. П а identifi cation of the people. This culture is not the а « а а а », а а а а , а, classical “luggage”, but it is topical, created here а а . К , а . На and now. Cinema, for example. Our competition – 15 , а а consists of 15 fi lms that are representative of Р а , all those made in Russia over the year, which АЛЕКСАНДР а а . И we deem to be of good quality. The prizes at РОДНЯНСКИЙ, ПРЕЗИДЕНТ ОРКФ «К а а» а а а Kinotavr go not to the best fi lms of the year in «КИНОТАВР» а , а , а а general, but to those that captivate the jury. The ALEXANDER . Ф а а а , festival shows fi lms where the true talent of the RODNIANSKY, PRESIDENT а а author is obvious: his desire, forgive me, to say OF THE ORFF а а, а , , а something to the spectator and the desire of "KINOTAVR" а а а . М the spectator to hear it. We do not want to be a « ghetto of “uncompromising Russian art house” а а а» а а and we do not plan to become a hothouse for « а а». В Russian “genre cinema”. Among genre fi lms 4 а а а а , we try to fi nd those with an authorial position, а , а а а and among the art house fi lms we try to fi nd а – а , а the fi lms that contain signs of the auteurism а а а а, that has so long been deprived of a viewer, and , а а to detect the fi lmmakers’ desire to learn how to а а а use the toolkit of cinema for mass appeal and а – – а а in this—natural—manner fi nd a way to the . spectator’s heart. А а Р Alexander Rodniansky П ОРКФ «К а » President of the ORFF “Kinotavr” КАЖДОМУ КРИТИКУ – A FESTIVAL ПО ФЕСТИВАЛЮ, FOR EACH CRITIC, А ОСТАЛЬНЫМ – УВАЖЕНИЕ AND FOR ALL OTHERS: И СОТРУДНИЧЕСТВО RESPECT AND COOPERATION В а а In the mid 1990s the founders of the Danish «Д » К а а : “Dogme” launched an appeal from Copenhagen: а , . И everyone who feels like it should make fi lms. And СИТОРА АЛИЕВА, а , . Э even those don’t feel like it. This is necessary for a ДИРЕКТОР а а а а victory over the artful monster of commercialisation ПРОГРАММ а а а. and for the preservation of cinema as art. SITORA ALIEVA, PROGRAMME П а а а . З Some twenty years have passed. The loud voice DIRECTOR а а а from the Danish capital has at last been heard а а а а . М in our remote corner. Mobile phones, cameras , а а а а а and other gadgets have replaced the fi lm camera. а . Т а Traditional fi lm festivals have hastily created а а prizes for mobile phone works and even started « » to organize special Internet fi lm competitions. , а а а а Quite recently my fi fteen year old son, assisted а И – а . by some friends, shot a horror movie in our С а а а apartment. He uploaded it onto the net and had 5 а his fi fteen minutes of glory. а а . В This absolutely local event reveals the total 15 а . penetration of visual content into all spheres Э а а а and areas of human life. The question now is: а а а “But is that cinema?” а а On 28 December 1895 the Lumière Brothers а . В invented not the moving image and not its а : «А projection. They invented the fi rst public fi lm а а ?» screening. Since then, cinemas have attracted 28 а 1895 а Л crowds. The spectators take their seats and а а – wait for the lights to go down, for that magic . О а moment when suddenly the white cloth of the а . С а а screen comes to life. а . З а а а , Therefore, even if an opportunity were to arise а tomorrow to make a fi lm with a matchbox and а, а there and then release it to millions of average а а. Internet users, the passion to go to the cinema П , а а а will not vanish: it may lessen, as happened in а our country ten years ago, or revive, as is the а case now, but it will never disappear. а а Therefore fi lm festivals have been and will be an И а, а а important element of the classical fi lm process, . О а а , а whatever external changes take place. а а а а , Modern fi lm festivals trace the cinematic process; , а а . Н they form and shape it, supporting these or other а а . tendencies. Perhaps they carry out a mission that П а а а has previously been a prerogative of classical fi lm а а, а criticism. Today, when criticism has more than а , а а ever been turned into a fi lm promotion, festivals а . have become the experts that offer both spectators С а а and fi lmmakers an opportunity to refl ect upon , а а , the development of cinema. а . Е , , а а а а а . С , а а, , а , а а а , а а а , а а , а а а а . На , а а Now is probably the time to challenge fi lm scholars, а , а а : «Ка offi cials and sponsors: “A festival for each critic!” а !» На а Our well known experts should create centres of а а а cinematic culture on the basis of already existing а а а fi lm events. They should think up and develop . П а а а а new fi lm forums, bearing in mind that the modern а , , fi lm festival is the equivalent of a serious review а , in the past: devoted to topical problems of the а а а а а development of national fi lm art. And if such a , а а а а а fi lm festival is held in every Russian city with а. И a million and more inhabitants, I reckon that а а something will change in our cinema. And we – , а а , won’t have to explain elaborately what is good – а а and what is bad. The spectators, educated by а а а а . И the new festival, will understand for themselves. , а а I am right to say that Kinotavr has been engaged . З , а а precisely in that process in recent years – from , а а . the selection to the awards. The Sochi film Я , а , show has become the main platform for serious 6 «К а » Russian cinema. Here, new styles are developed, а а . На а а а а new tendencies detected, new director’s names а а а а а . К discovered. From here, Russian films begin С а а а their triumphant journey around the world’s . З а а а , festival circuit. а а , а Certainly, our winners are no champions at а. О а а the box offi ce. Serious cinema has not pursued а а а that aim, even during those blessed years when а а. everyone went to the movies several times a К , а а а week. However, discoveries in form, style and а а а. С а subject matter of the Sochi fi lms certainly have а а а а, (and should have!) an infl uence on the Russian а а mainstream. а . О а а , Indeed, there is no opposition between mainstream , а and art house. They peacefully coexist, , , а а ( а supplementing and enriching each other. And а !) а . if the fi rst has to be highly remunerative for the Н а fi lm industry to function, then the latter should а а а а . О not allow to people to forget that cinema is art. , а а In our days the idea that art may be profi table а. И а is a complicated one. Certainly, the festival in , а а а , Sochi would be hard up without such remarkable а а , distributors as Armen Badalyan from the cinema – . “Five Stars on Novokuznetskaya” or Vladimir В а а а , Medvedev from the cinema centre “Solovei”. In . Moscow’s cinemas the program policy is formed И, , а С by experts in the fi eld, and they show the works of а а а а , а many of our winners and competition participants. А Ба а а а «П а Some generate great interest, others not so much, Н » В а М but thanks to these people the fi lm fans in the а «С ». В а а , capital can see the fi lms discovered at Kinotavr, а and see them in Lumière style: in a hall, with а а а, а а а fading lights and a transforming white screen. а а а а . Ка – In the provinces the cultural hegemony is defi ned а by numerous fi lm festivals which can now almost , а – – , а be found in every Russian regional centre. Many а а а а of these fi lm shows are defi nitely a blessing. In , fact, fi lm fans from Cheboksary or Orenburg have «К а », – – practically nowhere to watch serious cinema in а , а а а Lumière style. а . В а а а а а , а а а а . Б – а . В а а , а , Ч а О а – а . С а «К а » For the founders of new Russian cinema, Kinotavr а has helped avoid seclusion and allowed them to , а а а see and discuss the works of colleagues, to relate , , а one’s own search to that of friends and foes. And . П Р . not only in Russia. В 2007 а «К а а» In 2007 almost all of the prizes at Kinotavr went А П «П to Alexei Popogrebsky’s fi lm “Simple Things”. ». С а а Today he is a recognized master on the global fi lm . Е а а scene. His new project was the most expensive ( а 6 ) one (with a budget of 6 million Euros) at the main а а а project market of auteur cinema, Rotterdam’s – а CineMart. Э CineMart. The story is about a little girl. The , а а а action unfolds in one room. The fi lm will be shot а. В а а in 3D. I hope that at the next Kinotavr festival а . С а а а Alexei’s new fi lm will make us remember not 3D. На , а «К а » only the Lumières, but also George Méliès, А а а so fabulously brought back to life in Martin Л , Ж а М а, Scorsese’s “Hugo”. а а а а Ма Talking of closed spaces: at the same Rotterdam С «Х а ». festival one of the main sensations was the Israeli 7 Ч а а а, fi lm “Room 514”, a small fi lm made on a budget Р а а а of $100,000. The action unfolds in two rooms. а а а а «К а а 514» – There are four characters. And this minimalism , а а . Д does not prevent the director to touch upon all а а а а а а . sore points of modern society. The success of Д – . И а Israeli cinema is quite instructive. A maximum of а а а artistic commitment with a minimum of material а. resources. How do the cinematographers of the У а а . small country manage? Ма а Trying to answer this question, we have decided а а . Ка а to bring a small retrospective of Israeli cinema а а а а а а? to Sochi this year. Especially so since there is Ч а а , an occasion: 100 years since the fi rst kibbutz – С an idea that the Bolsheviks translated into the а . Т Soviet collective farm in a vulgar manner. – We hope that Russian cinematographers will be , , а а wiser than the comrades from the Politburo and , а а will apprehend the Israeli experience creatively. . Or reject this experience and offer something of На а , а their own, and argue with the Middle Eastern а а а colleagues; and in this dispute, maybe, the truth П а will be born. . И Indeed, disputes, collision of opinions, searches а – . П for the truth — this is the only environment а , , in which art exists. As a Russian fi lm producer , а. recently remarked: art refl ects life. The idea is В , , not new and not original. But you can’t deny – а а, its validity. . А а а а I’m a realist and understand that it is diffi cult , а а to demand love and friendship from the partic . М а , а , ipants and visitors of our Chapiteau Show, but а а . Н а I think we can hope for respect and cooperation. а . Я а а а , а а а а – , а а , а , а . ПРЕЗИДЕНТ ALEXANDER RODNIANSKY ОРКФ «КИНОТАВР» PRESIDENT АЛЕКСАНДР РОДНЯНСКИЙ OF THE FESTIVAL KINOTAVR
ПОПЕЧИТЕЛЬСКИЙ СОВЕТ ОРКФ «КИНОТАВР»
ФЕДОР БОНДАРЧУК FEDOR BONDARCHUK П а П а Chairman of the Board of Trustees 8 а «К а » of the Festival “Kinotavr” ОЛЕГ ДЕРИПАСКА OLEG DERIPASKA П а С а Chairman of the Board of Directors ОАО «Р а » of “Russian Aluminium” ОЛЕГ ДОБРОДЕЕВ OLEG DOBRODEEV Г а ВГТРК General Director of VGTRK ВИТАЛИЙ ИГНАТЕНКО VITALI IGNATENKO Г а «ИТАР ТАСС» General Director of ITAR TASS АЛЕКСАНДР ТКАЧЕВ ALEXANDER TKACHEV Г а а А а (Г а ) Head of Administration, К а а а Governor of the Krasnodar Region СЕРГЕЙ ТОЛСТИКОВ SERGEI TOLSTIKOV И Ф а Executive Director of the Federal Fund а а of Social and Economic Support а а for National Cinema МИХАИЛ ШВЫДКОЙ MIKHAIL SHVYDKOY С а а а Special Representative , of the President on Culture А а President of the Academy (АРТ) of Russian Television (ART) ДИРЕКЦИЯ ФЕСТИВАЛЯ
П а Programme Director СИТОРА АЛИЕВА SITORA ALIEVA Д Director ЕЛЕНА ЛАПИНА ELENA LAPINA П Producer ПОЛИНА ЗУЕВА POLINA ZUEVA Р а Head of Protocol Department НАТАЛЬЯ ЯКУШКИНА NATALIA YAKUSHKINA Р PR Head of PR Department ДАРЬЯ КРОВЯКОВА DARIA KROVIAKOVA Ф а Financial Director ВИТАЛИЙ БУЧИНСКИЙ VITALI BUCHINSKY КОНКУРС 10 COMPETITION
ЗАКРЫТИЕ 42 CLOSING GALA
КИНОТАВР. 44 КОРОТКИЙ МЕТР 9 KINOTAVR. SHORTS
СОДЕРЖАНИЕ СПЕЦКУРС 68 SPECIAL COURSE
КИНО НА ПЛОЩАДИ 76 CINEMA IN THE SQUARE
ЛЕТНИЙ ВЕЧЕР В СОЧИ 96 SUMMER NIGHT IN SOCHI
КИНО ОБЕТОВАННОЕ 108 PROMISED CINEMA
ГОД ГЕРМАНИИ 116 НА «КИНОТАВРЕ» YEAR OF GERMANY AT “KINOTAVR”
СПЕЦИАЛЬНЫЕ 132 ПРОГРАММЫ SPECIAL PROGRAMS КОНКУРC КОНКУРC COMPETITION
10 ЖЮРИ
ПРЕДСЕДАТЕЛЬ CHAIRMAN ЖЮРИ OF THE JURY ВЛАДИМИР VLADIMIR ХОТИНЕНКО KHOTINENKO Р Director
БАКУР БАКУРАДЗЕ ВЕРА ГЛАГОЛЕВА АЛЕКСАНДР КОТТ Р Р , а а Р BAKUR BAKURADZE VERA GLAGOLIEVA ALEXANDER KOTT Director Director, actress Director
АННА АЛЕКСЕЙ НИКОЛАЙ МЕЛИКЯН ФЕДОРЧЕНКО ХОМЕРИКИ Р , Р Р ANNA ALEXEI NIKOLAI MELIKIAN FEDORCHENKO KHOMERIKI Director, producer Director Director ОТКРЫТИЕ / ПОКА НОЧЬ НЕ РАЗЛУЧИТ GALA OPENING TILL NIGHT DO US PART
АВАРИЙНОЕ СОСТОЯНИЕ КОНКУРC STATE OF EMERGENCY COMPETITION БЕЛЫЙ МАВР ИЛИ ТРИ ИСТОРИИ О МОИХ СОСЕДЯХ WHITE MOOR ДЕНЬ УЧИТЕЛЯ PROTEST DAY 11 ДОЧЬ THE DAUGHTER ЖИТЬ LIVING ЗА МАРКСА… FOR MARX… ИСКУПЛЕНИЕ EXPIATION КОКОКО KOKOKO КОНВОЙ THE CONVOY ПУСТОЙ ДОМ THE EMPTY HOME РАССКАЗЫ SHORT STORIES СО МНОЮ ВОТ ЧТО ПРОИСХОДИТ THIS IS WHAT HAPPENS TO ME Я БУДУ РЯДОМ I’LL BE AROUND Я ТЕБЯ НЕ ЛЮБЛЮ I DON’T LOVE YOU ПОКА НОЧЬ НЕ РАЗЛУЧИТ TILL NIGHT DO US PART КОНКУРC COMPETITION
12
ОТКРЫТИЕ OPENING GALA
2012, Р , 65 ., ., 16:9, Dolby Digital 5.1 2012, Russia, 65 min., colour, 16:9, Dolby Digital 5.1
Р Б Х Director Boris Khlebnikov А а А а Р Scriptwriter Alexander Rodionov О а Па К а Director of photography Pavel Kostomarov Х О а Х а Production design Olga Khlebnikova К С а М а а, Ма С а а Costume design Sveta Mikhailova, Marusia Sevastianova М а С Ш Music Sergei Shnurov З Ма У а Sound Maria Ushenina М а Ю Ба а а Editing Yulia Batalova В : А а Я , Е С , А а Cast: Alexander Yatsenko, Yevgeni Syty, Alena Doletskaya, Д а , А К а, С Ш , А а а Agniya Kuznetsova, Sergei Shnurov, Alexander Rebenok, Р , А а М а а, А С а, Да Anna Mikhalkova, Avdotya Smirnova, Darya Yekamasova, Е а а а, Г Ка , Д а а Г , Grigori Kalinin, Sonatas Grudovich, Alexei Yudnikov, А Ю , Л Т а а, О а а Фа а, Liubov Tolkalina, Oksana Fandera, Vasili Utkin, Ва У , Та а Т а а, С У а , Tatiana Tokareva, Sonia Uritskaya, Vasili Barkhatov, Ва Ба а , А а К а, Ма С , Anna Kotova, Maxim Semeliak, Vladimir Korobeinikov, В а К , К а К а, А а Klavdia Korshunova, Alisa Khazanova, Ха а а, Д К , А Р , Ма Denis Kosiakov, Alexei Rozin, Maria Shalaeva, Ша а а, Ма Ла а , А С а , Са а Maxim Lagashkin, Artem Semakin, Sakhat Dursunov, Д , И а Б а а а, Т Ба а а Irina Butanaeva, Tolepbergen Baisakalov П Е а С а а, Producers Yelena Stepanischeva, Zaur Bolotaev, За Б а , А а П , Alexander Plotnikov, Yevgeni Semin, Petr Gudkov, Vlad Ogai Е С , П Г , В а О а Production First Creative Union, Look Film П П / Distibution Utopia Pictures First creative union, Look fi lm П а Utopia Pictures КОНКУРC COMPETITION
БОРИС ХЛЕБНИКОВ Р , а . П а а . Р 1972 . О а ВГИКа (1997). В 2003 А П а «К » (С «С Г » М МКФ ФИПРЕССИ а , а МКФ Ка Ва а Ф а Б .). «С 13 а а » – а а а а а а – а а а а «К а 2006» а . Ф а 1997..... М ( ., А П ) 2000..... Х а а ( / ) 2002..... М а Б а . Ч ( ., а ) 2003..... К ( А П ) 2006..... С а а 2006..... У а ( ., Ва Га Г а ) 2009..... С а а 2009..... К а а ( а «П ») 2012..... П а а 2012..... К ( а а а , )
BORIS KHLEBNIKOV На а ( ) а а , а а Director, scriptwriter. Prize winner of national а а а а а . Б and international fi lm festivals. Born in 1972. а а , а Graduated as fi lm scholar from the Film Institute а , а а а , VGIK (1997). In 2003, together with Alexei Popogrebsky, made his fi rst full length fi ction а , а а , а а fi lm “Koktebel” (Silver St George at Moscow IFF а а . А — , а а and FIPRESCI prize for Best Debut; special jury а а , а а . prize at Karlovy Vary and Festival of European Cinema in Brussels, etc.). “Free Floating” was his fi rst independent fi lm as director, which has been awarded a prize for Best Direction A real (literally) satirical comedy based on real situations at Moscow’s at Kinotavr 2006, as well as other professional most bombastic restaurant. A madly ridiculous and revelatory fi lm about awards. women who choose between money and love, about producers who actually Director’s Filmography: do not know what to shoot; and on your birthday you may sometimes spit 1997..... By the Way (doc., out, drown a glass of vodka on an empty stomach and leave the mother in with Alexei Popogrebsky) 2000..... The Sly Frog (short) law with the bill for supper. And about real love that is born not behind gilt 2002..... Mikhail Bulgakov. Black walls, but in a noisy kitchen. Snow (doc., serial) 2003..... Koktebel (with Alexei Popogrebsky) 2006..... Free Floating 2006..... He Has Gone (doc., with Valeria Gai Germanika) 2009..... Help Gone Mad 2009..... Crush (novella “Shame”) 2012..... Till Night Do Us Part 2012..... Konetsdvorie (work title, in production) АВАРИЙНОЕ СОСТОЯНИЕ STATE OF EMERGENCY КОНКУРC COMPETITION
14
2011, Р , 100 ., ., 1:1.85, Dolby SR 2011, Russia, 100 min., colour, 1:1.85, Dolby SR
А а В Б Scriptwriter and director Vsevolod Benigsen О а Д Ма , М а К Director of photography Dmitri Maltsev, Mikhail Kelim Х О Па , Ва На а Production design Oleg Parizhev, Valeri Nazarov К В а а Ка Costume design Vladislav Kairov М а В Б Music Vsevolod Benigsen З А К Sound Andrei Korinsky М а На а С а Editing Natalia Semenova В : А К , На а Г а, Cast: Alexei Kolubkov, Nadezhda Gorelova, А а Ма , Ю В а , Alexander Makogon, Yulia Voznesenskaya, О Ха , Ма С а, Ка Ма , Oleg Kharitonov, Maria Surova, Karen Martirosian, На а И а а, А К , С Т , Nadezhda Ivanova, Andrei Kopytov, Semen Treskunov, А Э а , Я а Жа , И а С , Anton Eldarov, Yaroslav Zhalnin, Ivan Smelik, В Ха а , А а Х , Е Д а Vsevolod Khabarov, Anatoli Khropov, Yevgeni Dzhuraev Г а Та а В а General producer Tatiana Voronetskaya П ООО «Р » Production Rossfilm КОНКУРC COMPETITION
ВСЕВОЛОД БЕНИГСЕН П а , а , . Р М 1973 . У а а а ГИТИСа, а а а а ВГИКа ( 1997 ). А а («Г а », «Ра », «ВИТЧ»), а 15 а а а . Ла а “Д а” а а «З а » а а «Г а ». А а а «Ч Ка а» ( А. Б а , ), «Ба » (2010, а , А.Б а ). «А а » а а а а а а Ф а а: 2009..... З а , На ( / ) 2010..... Ра а ( / ) 2011..... А а
VSEVOLOD BENIGSEN Writer, scriptwriter, director. Born in Moscow in 1973. Studied at the actor’s faculty of the Theatre Institute GITIS, then studied scriptwriting and fi lm history at the Film Н а . Ф а а Institute VGIK (graduated in 1997). Author of а а а а а а several novels (“Genacide”, “VITCH”), which а. О а а а а . А have repeatedly appeared on the long lists of , а а а the largest national literary awards. Winner , а а а . За а а а of the prize “Debut of the Year” of the journal – , . “Znamya” for the novel “Genacide”. Author of scripts for the fi lms “The Man from Capiota” Ф , (dir. A. Bogatyryov, in production), “Buggy” , а а, (2010, in co authorship, dir. A. Bogatyrev). а а а . “State of Emergency” is his fi rst full length fi lm as director. A small provincial Russian town. The fi lm begins with a short dialogue Director’s Filmography: between the deputy mayor and the town’s chief architect. They sit in a car 2009..... Hi, Nastia (short) and look at an old fi ve storey building. The architect says that the house is 2010..... Sorting Out (short) in an emergency state and should either be pulled down or undergo major 2011..... State of Emergency reconstruction. The deputy mayor only waves his arms: this house is going to stand for many years to come. The fi lm consists of four short stories, whose heroes and plots are connected among each other, among other things through the house itself, in which the four stories unfold. БЕЛЫЙ МАВР ИЛИ ТРИ ИСТОРИИ О МОИХ СОСЕДЯХ WHITE MOOR КОНКУРC COMPETITION
16
2012, Р , 94 ., ., 1:1.85, Dolby Digital 5.1 2012, Russia, 94 min., colour, 1:1.85, Dolby Digital 5.1
Р Д Ф Director Dmitri Fiks А а Ма С Scriptwriter Maxim Stishov О а А Ма а Director of photography Andrei Makarov Х А На а Production design Alexei Nazarov К С а а Ма а Costume design Svetlana Mamontova М а И Д Music Ilya Dukhovny З А а Н , А Б Sound Arkadi Noskov, Andrei Budyrin М а И М Editing Igor Medvedev В : А С , Е а а С а, Cast: Andrei Sokolov, Yekaterina Strizhenova, Alexander А а Га , А а Я а, Е М а, Galibin, Anna Yakunina, Yevgenia Morozova, Igor Vernik, И В , Жа а Э , С А а , Zhanna Epple, Sergei Astakhov, Olesya Zhelezniak, О Ж , Э К , Га а П а, Evklid Kurdzidis, Galina Petrova, Viacheslav Razbegaev, В а Ра а , А а Т , Alexander Tiutin, Polina Raikina, Vadim Tsallati П а Ра а, Ва Ца а Producers Gennadi Kostrov, Nikolai Solovov, П Г а К , Н а С , Maxim Stishov, Dmitri Fiks, Mikhail Kurbatov Ма С , Д Ф , М а К а Production Motor Entertainment П М Э КОНКУРC COMPETITION
ДМИТРИЙ ФИКС Р , , . О а ГИТИСа (1992, а а А. Ва а). С 1990 а а а а . Б а , 300 а а . П а 17 а а а . В а – а . Ф а а 1996..... С а а ( ) 2000..... Х 2002..... Л а ( а а) 2003..... М ( а ) 2004 07 Ба а а , В … — 1, 2, 3 ( а ) 2004..... В 2006..... Б а 2008..... М 2008..... Н а а а 2010..... Ч а ( ) 2012..... Б а
DMITRI FIKS Director, producer, clip maker. Graduated from the director’s faculty of the Theatre Institute GITIS (1992, class of A. Vasiliev). Б а а а « а а» А Since 1990 has worked for television. Director В А , а а а а а of television shows and documentary fi lms; а а . П а а а, has made over 300 advertising clips and music а а а а а videos. Prize winner of international and , , , а national television and advertising festivals. а , Currently director and producer of feature а а а а , а fi lms and television serials. а Н Р … Director’s Filmography: 1996..... Old Songs about the The everyday lives of the so called “top of the middle class”, praised in Main Thing (TV) 2000..... Good and Bad America by Woody Allen, are still a rather rare occurrence in our country of 2002..... Line of Protection solvent citizens. Besides enviable prosperity, all these businessmen, movie (episodes of a serial) stars, fashionable directors, owners of dental clinics and their beautiful 2003..... My Kins (serial) wives, who are bogged down by existential doubts and banal adulteries, are 2004 07 Balzac Age, or All Men are Bast…(serials 1,2,3) united also by their pioneers’ past, which is often more diffi cult to overcome 2004..... The Second Front than building a private residence in New Riga… 2006..... Great Love 2008..... Moscow Gigolo 2008..... The Non Ideal Woman 2010..... A Man from Nowhere (TV) 2012..... The White Moor ДЕНЬ УЧИТЕЛЯ PROTEST DAY КОНКУРC COMPETITION
18
2012, Р , 80 ., ., 1:1.85, Dolby Digital 5.1 2012, Russia, 80 min., colour, 1:1.85, Dolby Digital 5.1
А а С М Director and scriptwriter Sergei Mokritsky О а И а Ма Director of photography Ivan Maliutin Х Ю Г Production design Yuri Grigorovich К Л а Р а Costume design Liudmila Rybalko М а А а Ма Music Alexander Manotskov З С О а Sound Sergei Ovcharenko М а Па Ха Editing Pavel Khaniutin В : А а К , С а а Н а, И а Cast: Anatoli Kot, Svetlana Nemoliayeva, Irina Ра а а, Л а Т а, А Б Rakhmanovs, Liudmila Titovs, Andrei Bilzho Г а На а М а General producer Natalia Mokritskaya П У а Са а Producer Uliana Savelieva П К а “Н ”, Production Film Company New People, with financial а а support of the Ministry of Culture of the Russian М а РФ Federation КОНКУРC COMPETITION
СЕРГЕЙ МОКРИЦКИЙ О а , . Р 1961 . О а а ВГИКа (1991, а а А. Га а). Ра а а «М » О . Ка а а а К С («И а а », а «Р а а», «Д »), 19 Р а Ха а («В а а а », «Б а ») . Ф а а 2008..... Ч а а 2012..... Д
SERGEI MOKRITSKY Director of photography, director. Born in 1961. Graduated from the cinematography department of the Film Institute VGIK (1991, class of A. Galperin). Worked at Mosfi lm and the Odessa Film Studio. As cinematographer worked with Kirill Serebrennikov (“Playing the Victim”, serials “Rostov Daddy”, and “Diary of a Murderer”), and Rustam Khamdamov (“Vocal Parallels”, “Diamonds”), etc. Director’s Filmography: 2008..... Four Ages of Love 2012..... Protest Day О а а , “ а а” – а а . И а а 21 а. О а , а а а Е а. О , а а...
A day in the life of a typical character of Russian history, “the little man”: a school teacher of Russian language and literature. An intellectual and his problems at the beginning of the 21st century. A day in the life of the country which Yesenin loved. About a country that still has hope... ДОЧЬ THE DAUGHTER КОНКУРC COMPETITION
20
2012, Р , 110 ., ., 1:1.85, Dolby Digital 5.1 2012, Russia, 110 min., colour., 1:1.85, Dolby Digital 5.1
Р А а Ка а , На а На а а Directors Alexander Kasatkin, Natalia Nazarova А а На а На а а Scriptwriter Natalia Nazarova О а А На Director of photography Andrei Naidenov Х Ва Ша а Production design Vadim Shafransky К Р а Х а Costume design Regina Khomskaya М а А а Ма Music Alexander Manotskov З Ф Ла Sound Filipp Lamshin М а О а П а Editing Olga Proshkina В : Ма С а, Я а О а, И Cast: Maria Smolnikova, Yana Osipova, Igor Mazepa, Ма а, О Т а , В а М Oleg Tkachev, Vladimir Mishukov П С З , С а а К а а Producers Sergei Zernov, Svetlana Kuchmaeva П К . М. Г , Production Gorky Film Studio, film company Valdai а «Ва а » КОНКУРC COMPETITION
АЛЕКСАНДР КАСАТКИН Р . Р 1968 М . О В а ( , а а А. М ). Ф а 2006..... С а 2010..... М а, ( а «Mosco, ti amo») 2010..... И ( а ) 2012..... Д 21
ALEXANDER KASATKIN Director. Born in Moscow in 1968. Graduated from the Higher Courses for Directors and Scriptwriters (directing department, class of Alexander Mitta). Director’s Filmography: 2006..... Listening to Silence 2010..... Moscow, I Love You (episode “Mosco, ti amo”) 2010..... The Hindu (TV series, 12 episodes), 2012..... The Daughter
И а а а а а . Е , а а а Ма а а , И а. М а а а. Н Ма а а а а, , а 13 15 . П а а а , И а НАТАЛЬЯ НАЗАРОВА а а а – И , а а а. С а , . Р а Ра М а . О а ГИТИС (РАТИ). А а а Inna lives with her dad and little brother in a small town. Her life changes «Д а» Ма а К , «С а when a new girl, Masha, comes to her school. They become friends. But » А а а Ка а а, «Р а а» А М , «К а » «М а Masha is murdered by a maniac serial killer, who kills teenage girls in the – а » В С . «Д » town. Inna goes to church for the funeral service. There she meets the . priest’s son Ilya, whose sister was also murdered.
NATALIA NAZAROVA Scriptwriter, director. Born in Ramenskoe, Moscow Region. Graduated from the Russian Academy of Theatre (GITIS/RATI). Author and co author of the scripts for Maxim Korostyshevsky’s “The Fool”, Alexander Kasatkin’s “Listening to Silence”, Anna Melikian’s “Mermaid”, Vera Storozheva’s “Compensation” and “My Boyfriend is an Angel” and others. “The Daughter” is her directorial debut. ЖИТЬ LIVING КОНКУРC COMPETITION
22
2011, Р , 120 ., ., 1:1.85, Dolby SR 2011, Russia, 120 min., colour, 1:1.85, Dolby SR
А а Ва С а Director and scriptwriter Vasili Sigarev О а А Ха а Director of photography Alisher Khamidkhodzhaev Х Л а Д а Production design Liudmila Diupina К В Ка а Costume design Viktoria Kalmykova М а Па Д Music Pavel Dodonov З В а Г Sound Vladimir Golovnitsky М а Да Да а Editing Darya Danilova В : О а Ла а, Я а Т а, Cast: Olga Lapshina, Yana Troyanova, Alexei Filimonov, А Ф , Е С , А а У а, Yevgeni Syty, Anna Ukolova, Dmitri Kulichkov Д К Producers Roman Borisevich, Alexander Kushaev П Р а Б , А а К а Production Film Company KOKTEBEL, with П ООО «К а «КОКТЕБЕЛЬ» financial support of the Ministry of Culture of the а а Russian Federation М а Р Ф а Distribution Utopia Pictures П а Utopia Pictures КОНКУРC COMPETITION
ВАСИЛИЙ СИГАРЕВ Д а а , . Р 1977 В Са а С а . О Е а а а , Н а К . А 18 , а а а а а а , «Evening Standard Theatre Award – 23 2002», «Д 2000», «А 2000». Е а «В » а а а «К а 2009» а , . Г Г а а а (Ва С а ) а (Я Т ), а а а а а а а а . Ф а 2009..... В 2011..... Ж
VASILI SIGAREV Playwright, director. Born in 1977 in Verkhnyaya Salda, Sverdlovsk Region. Graduated from the Yekaterinburg Theatre Institute, where he studied with Nikolai Kolyada. Author of 18 plays, winner of inter national literary and theatrical awards, includ ing the London Evening Standard Theatre Ж а а . Ч Award (2002), Debut 2000, and the Anti а , а а , , а а а Booker Prize 2000. His full length debut fi lm а а – . О а а , а “Wolfy” has won the main prize at Kinotavr а. О а in 2009, as well as the Grigori Gorin Prize а . О а . Н for Best Script (Vasili Sigarev) and the award , а , for Best Actress (Yana Troyanova); the fi lm а. И а а … successfully participated in many interna И а ! tional fi lm festivals. Director’s Filmography: 2009..... Wolfy Life is not a form of existence for proteins. Man can feel and suffer, love and 2011..... Living live his destiny, even if that destiny takes away the most precious things in his life: close people. It takes them away cruelly and suddenly, as happens to the heroes of the fi lm. It takes them away together with the meaning of life and the desire to live. It takes them away together with the rest of the world. But they are not ready to accept the loss: they challenge their destiny, declare war and go to the human limit in that fi ght. And further… But in their own way, they win! ЗА МАРКСА… FOR MARX… КОНКУРC COMPETITION
24
2012, Р , 100 ., ., 1:1,85, Dolby Digital 5.1 2012, Russia, 100 min., colour, 1:1,85, Dolby Digital 5.1
А а С а а Ба а Director and scriptwriter Svetlana Baskova О а Ма М , Е А Directors of photography Maxim Mosin, Yegor Antonov Х С а а Ба а Production design Svetlana Baskova З К Ва Sound Kirill Vasilenko М а В а Па а Editing Veronika Pavlovskaya В : С Па , В а Е а , Cast: Sergei Pakhomov, Vladimir Yepifantsev, Viktor В С а , Ла С , А а Sergachev, Lavrenti Svetlichny, Alexander Kovalev, К а , В а Я , Д Я , М а Vladimir Yakovlev, Denis Yakovlev, Mikhail Kalinkin Ка Producers Anatoli Osmolovsky, Andrei Silvestrov, П А а О , А Gleb Aleinikov С , Г А Production AD Studio, CINE FANTOM П АД С , СИНЕ ФАНТОМ КОНКУРC COMPETITION
СВЕТЛАНА БАСКОВА Р . Р а М . О а М а (1989). П а а . С 2010 а – а а БАЗА. C 2011 – а а БАЗА. Ф а 25 1998..... К – ( ) 1999..... З ( ) 2001..... П ( ) 2003..... Г а ( ) 2006..... М а ( ) 2011..... О ( ) 2012..... За Ма а…
SVETLANA BASKOVA Director. Born in Moscow. Graduated from the Moscow Architectural Institute (1989). Prize winner of national and international festivals. Since 2010 director of the publish ing house BAZA. Since 2011 director of the Institute of Modern Art and Criticism BAZA. Director’s Filmography: 1998..... Kokki, the running doctor (video) 1999..... Green Elephant (video) 2001..... Five Bottles of Vodka (video) 2003..... Head (video) 2006..... Mozart (video) 2010 , Р . Э а а а, а а 2011..... A Decision Resistance (video) а а а , а а 2012..... For Marx … а а а а, , а а а а а , а , а а а а . С а а а а а, а а а а а а , а а а . И а а а а а а а, а а а а а , а а , а а а. За а а а а а Р а а а, а .
2010, Russia. This fi lm is about a factory worker, who has organized an independent trade union with his comrades to help workers defend their rights; but under threats, blackmailed and by virtue of other circumstance he becomes a traitor for the people who trust him, and pays for it with his life. The plot is based on real events of today’s crisis, when production own ers solve their problems on the back of the workforce, which has recently become impoverished. The idea consists in the display of the duality of the Russian character, which paradoxically merges cruelty and complacency, fi delity and treachery, envy and mutual help. The fi lm presents a cultural refl ection on Russia’s modern condition in view of its history and the spir itual baggage that has accumulated over several generations. ИСКУПЛЕНИЕ EXPIATION КОНКУРC COMPETITION
26
2011, Р , 120 ., 1:2.39, ., Dolby SR 2011, Russia, 120 min., 1:2.39, colour, Dolby SR
Р А а П Director Alexander Proshkin А а Э а Л а Scriptwriter Elga Lyndina О а Г а Ка Director of photography Gennadi Kariuk Х Е Ка а Production design Yevgeni Kachanov К Л А а а, А а Ба Costume design Lydia Archakova, Anna Bartuli М а Э а А Music Eduard Artemiev З Па Д Sound Pavel Doreuli М а С И а Editing Sergei Ivanov В : В Р а , Р а М а , Cast: Viktoria Romanenko, Rinal Mukhametov, А Па , Та а Я , С Д , Andrei Panin, Tatiana Yakovenko, Sergei Dreiden, Е а а В а, В С , Yekaterina Volkova, Viktor Sukhorukov, Dmitri Kulichkov Д К General Producer Tatiana Yakovenko Г а Та а Я Production Producers’ Film Company Kinomir, with П ООО «П а participation of Amkart and support of the Cinema Fund а «К », а «А а », Ф а КОНКУРC COMPETITION
АЛЕКСАНДР ПРОШКИН Р , а . На а Р , а а Г а СССР, а а . Р 1940 Л а . О а а ЛГИТМ Ка (1961, Б. З а). П а В Г а а а а ТВ, а 27 а а . С 1987 а – «М », а а а а «Х » (Г СССР, «Н а»), а а а а а а. Ка а «Р » а а а «К а 2000», а С а . За «Ж » а «К а а 2008» Ф а ( а ) 1987..... Х … 1992..... У Па 1995..... Ч а а 2000..... Р 2003..... Т 2008..... Ж 2009..... Ч 2012..... И
ALEXANDER PROSHKIN Director of fi lm and television, scriptwriter. National Artist of Russia, winner of the Ка Н а. О а а Са State Prize of the USSR, and of national а , а а … а and international fi lm festivals. Born in 1940 , . Н а а in Leningrad. Graduated from the actors’ а ? За а а faculty of the Leningrad State Institute of , Са а а . П , а Theatre, Music, and Film LGITMiK (1961, а а. «Ма а, !» – workshop of B. Zon). After graduating а а а , а . Ж from Higher Courses for Directors at State , а а . В Television and Radio (1968), he was director а – А а, а at television, where he staged over thirty – а , fi lms and theatre productions. Since 1987 а а а а. staff director at the fi lm studio Mosfi lm, where his fi lm “Cold Summer of ‘53” was И а , а а а а , Са а made (Soviet State Prize, the NIKA award) а . and was a hit in national distribution. The fi lm “The Captain’s Daughter” has received On the eve of the fi rst New Year after the war: the father of 16 year old three prizes at Kinotavr in 2000, including Sasha heroically died at the front, and her mother steals goods from the Special Jury Prize. Won best director prize at police dining room to feed the family, but is this really important for an “Kinotavr 2008” for “Live and Remember” ideologically grounded, young komsomol? Finding the mother in the arms Filmography (features only) of another man, Sasha feels betrayed. She goes to the police and writes a 1987..... The Cold Summer of ‘53 denunciation of her closest relation. “Mum, you will expiate your guilt”, the 1992..... To See Paris and Die girl shouts at the crowd of arrested people, amongst whom her mother is 1995..... The Black Veil led away. Her cold heart knows no love and is unable to forgive. Everything 2000..... The Captain’s Daughter changes with the arrival in her life of a young man, August, who has come 2003..... Trio to her native city with one aim: to bury the bodies of his parents killed by 2008..... Live and Remember the neighbour and hastily hidden away in the yard at home. 2009..... The Miracle Expiation is given through loss, and through feeling pity; Sasha learns to 2012..... Expiation forgive and to love. КОКОКО КОКОКО КОНКУРC COMPETITION
28
Р , 2012, 100 ., ., 1:1,85, Dolby Digital 5.1 Russia, 2012, 100 min., colour, 1:1.85, Dolby Digital 5.1
Р А С а Director Avdotia Smirnova А а А С а, А а Па а Scriptwriters Avdotia Smirnova, Anna Parmas О а Ма О а Director of photography Maxim Osadchy М а С Ш Music Sergei Shnurov Х Е а а За а а Production design Ekaterina Zaletaeva К А а О Costume design Alexander Osipov З Л Е Sound Lev Yezhov М а Ю Ба а а Editing Yulia Batalova В : А а М а а, Я а Т а, Cast: Anna Mikhalkova, Yana Troyanova, Anna Parmas, А а Па а , Ю С , К а Ш , Yulia Snigir, Konstantin Shelestun, Yevgeni Muravich, Е М а , Г а С , Gennadi Smirnov, Tatiana Riabokon, Liubov Arkus Та а Р , Л А Producers Sergei Selyanov, Natalia Smirnova П С С , На а С а Production СТВ, Globus Film П ООО «К а «СТВ», Distribution Nashe Kino Г Ф П а На КОНКУРC COMPETITION
АВДОТЬЯ СМИРНОВА Р , а , а , а . Р а М . У а а а МГУ. Ра а а а «К а », а а а а «А а», а . А а а «Ма Ж », «Д 29 », «П а» А У , «$8 1/2» Г К а , «Г » А К а , а а «С » «Д а ». С Та Т а а «Ш а ». За а «С » а а а «К а 2006». Ф а а: 2006..... С 2008..... О 2008..... 9 а . Л ( а «В а ») 2010..... Ч ( 10 «О а ») 2011..... Д а 2012..... К
AVDOTIA SMIRNOVA Director, scriptwriter, writer, journalist. Born in Moscow. Studied at the philological faculty С а – а а а , – Р ТВ, of the Moscow State University. Worked as – , а а journalist for “Kommersant” newspaper, then а. Л а – а . as book reviewer for “Afi sha” magazine, has В а – а а а. О П – а, published in fi lm magazines. Author and co а а . Ка а , . О а , author of the fi lm scripts “Giselle’s Mania”, а – : а а , “His Wife’s Diary”, “The Stroll” by Alexei а, а . Л а В а – Uchitel, “$8 1/2” by Grigori Konstantinopolsky, а Р . “The Gloss” by Andrei Konchalovsky and her own “The Relation” and “Two Days”. «К » ВЕЧНАЯ КО КО ! Was the presenter (with Tatiana Tolstaya) of the programme “School of Scandal”. Won In the morning there’s the job in the museum of ethnography, in the evening the best debut prize at Kinotavr 2010 for there are news on Ren TV, and on days off there are meetings and sex with her fi rst directorial work “The Relation”. the ex husband, a medium squad scientist. Lisa is a typical representative Director’s Filmography: of the intelligentsia. Vika is a true provincial girl. For her, the holiday in 2006..... The Relation Petersburg consists of vodka, parties and adventures. It seems that the two 2008..... Fathers and Children have nothing in common. However, by chance they meet and fi nd a common 2008..... Station (novella in the fi lm almanac “9 May. Personal Attitude”) ground: water and fi re, a nun and a libertine, the intelligentsia and the 2010..... Optical Deceit (episode of the people. Lisa and Vika are two sides of the same coin by the name of Russia. television serial “Churchill”) 2011..... Two Days Kokoko is a never ending comedy of Russian life! 2012..... Kokoko КОНВОЙ THE CONVOY КОНКУРC COMPETITION
30
2012, Р , 80 ., ., 1:1.85, Dolby Digital 5.1 2012, Russia, 80 min., colour, 1:1.85, Dolby Digital 5.1
А а А М Director and scriptwriter Alexei Mizgirev О а Я Э Director of photography Janis Eglitis Х К Ш а Production design Kirill Shuvalov К Та а К а Costume design Tatiana Kniazheva М а А а Ма Music Alexander Manotskov З Ва Б Sound Valentin Bobrovsky М а На а К Editing Natalia Kucherenko В : О Ва , А а а Н а , Д Cast: Oleg Vasilkov, Azamat Nigmanov, Dmitri Kulichkov, К , Р а а Д а, И а А а , Да а Ruslana Doronina, Ivan Akhadi, Daniela Stoyanovich, С , Е А , Та а К , А Yevgeni Antropov, Taras Koliadov, Alexei Gnilitsky, Nikolai Г , Н а К а, Н а Ма Kochura, Nikolai Maltsev П Па Л , Е Па Producers Pavel Lungin, Yevgeni Panfilov П ООО «Ма а Па а Л а» Production OOO “Masterskaia Pavla Lungina” КОНКУРC COMPETITION
АЛЕКСЕЙ МИЗГИРЕВ Р , а . Р 1974 М К а . О а Т а а (1998), а ВГИКа (2005, а а В. А а а). Ла а а а . За 31 а «К » Г Г а а а а а «К а 2007». В «Б а а а » С а а а «К а 2009», а а «С а » а МКФ Л а 2009 – Г а а . Ф а 1999..... К ( / ) 2001..... П ( / ) 2001..... Н а ( / ) 2005..... У ( / ) 2006..... К а а ( а а) 2007..... К 2009..... Б а а а 2012..... К
ALEXEI MIZGIREV Director, scriptwriter. Born in 1974 in the В а а Ка а а, Myski, Kemerovo Region. Graduated from а а а а. Г М , the Faculty of Philosophy of Tomsk State а а а а : University (1998), from the director’s faculty а , а а . В а а of the Film Institute VGIK (2005, workshop а а . of V. Abdrashitov). Winner at national and Ц Ка а а а а. international fi lm festivals. For his fi rst full length fi lm, “The Hard Hearted”, he received At the fi lm’s centre stands the story of an army Captain, who escorts a sol the Grigori Gorin Prize for Best Script and dier deserter to his unit. The two men spend a day in Moscow, where they the prize for Best Debut at Kinotavr 2007. clash with the realities of life in a modern megapolis: sometimes comic, some The second fi lm, “Buben Baraban”, has been times tragic. The emerging friendship between the offi cer and the soldier awarded the Special Jury Prize at Kinotavr deserter changes the Captain’s attitude to life. The cynical Captain fi nds 2009, as well as two Silver Leopards at the once again a meaning in life and faith in man. IFF in Locarno in 2009 (Grand Jury Prize and Best Director). Director’s Filmography: 1999..... Short Encounters (short) 2001..... The Passage (short) 2001..... Nina (short) 2005..... The Dismissal (short) 2006..... Kulagin and Partners (episode) 2007..... The Hard Hearted 2009..... Buben Baraban 2012..... The Convoy ПУСТОЙ ДОМ THE EMPTY HOME КОНКУРC COMPETITION
32
2012, Р , 98 ., ., 1:1.85, Dolby Digital 5.1 2012, Russia, 98 min., colour, 1:1.85, Dolby Digital 5.1
Р Н Э Director Nurbek Egen А а Е а а Т а а Scriptwriter Yekaterina Tirdatova О а Д Е а Director of photography Dmitri Ermakov Х Д И а Production design Denis Isaev К А а Ба Costume design Anna Bartuli З Та а Т а Sound Tatyana Tyurina М а А В Editing Alexei Volnov В : Ма а К а а а, Б Т , Cast: Maral Koichukaraeva, Bolot Tentimyshov, А а А а , А а О , С П , Asan Amanov, Atai Omurbekov, Cecile Plage, Д С а , К Ла а Г а, Denis Sukhanov, Ksenia Lavrova Glinka, Ф а а М Francoise Michaud Г а Е Т а а General producer Yevgenia Tirdatova П Д К , И Н , Producers Dmitri Kulikov, Ilya Neretin, Т С Timofei Sergeitsev П «К а » «Р С а», Production Kinoglaz & Racoon cinema, with participation а М а of the Ministry of Culture of the Russian Federation, and Р Ф а , а Ф а the Federal Fund for Social and Economic Support of а а National Cinema а а
КОНКУРC COMPETITION
НУРБЕК ЭГЕН Р . П а а . Р 1975 О а К . О а И а Б , а ВГИКа (2000, а а В. Х ). Ф а 33 1997..... На а ( .); 1999..... За ( / ) 2002..... Са а ( / ) 2002..... В ( а ) 2003..... Та а ( а ) 2006..... С 2008..... С ( а ) 2010..... Д Ма а а» ( .) 2011..... Ка а 2012..... П 2012..... Ша а ( )
NURBEK EGEN Director. Prize winner of national and international fi lm festivals. Born in 1975 in the Osh area in Kyrgyzstan. Graduated from the actor’s department of the Arts Institute in Bishkek, and from the director’s faculty of the Film Institute VGIK (2000, workshop of V. Khotinenko).
Director’s Filmography: «П » – , а 1997..... A Day Older (short) а а М . М а 1999..... Closed Space (short) а , а , а . Г 2002..... Sanzhyra (short) 2002..... The Willises (serial) М Ф а , а а … 2003..... The Secret Sign (serial) «П » а а а а, а а а 2006..... The Wedding Chest а а а а , а 2008..... The Network (serial) а а Д а а 2010..... Children of Manas (doc.) а а а , а , « а ». 2011..... White Loaves 2012..... The Empty Home 2012..... The Mine (in production) “The Empty Home” is the story of a young Kyrgyz girl who, in search of a better life, moves from her Kyrgyz village to Moscow. Moscow tosses her around like a ball and eventually spits her out. She runs from Moscow to France, where she continues to search for her proper place under the sun… “The Empty Home” is a criminal drama populated with different heroes who have varying ideas about ethics and moral values, and who clash in their search of the Home and the furious struggle for survival and happiness, which is “where we are not”. РАССКАЗЫ SHORT STORIES КОНКУРC COMPETITION
34
2012, Р , 105 ., ., 1:1.85, Dolby Digital 5.1 2012, Russia, 105 min., colour, 1:1.85, Dolby Digital 5.1
А а М а С а Director and scriptwriter Mikhail Segal О а Э а М Director of photography Eduard Moshkovich Х В а Т а Production design Vitali Trukhanenko К В а К Costume design Vladimir Kuptsov М а А П а Music Andrzej Petras З К а С Sound Konstantin Stetkevich М а М а С а Editing Michael Segal В : В а а Л , Да Н , Cast: Vladislav Leshkevich, Darya Nosik, А М , И У , Andrei Merzlikin, Igor Ugolnikov, Konstantin Yushkevich, К а Ю , А П , Andrei Petrov, Liubov Novikova, Tamara Mironova Л Н а, Та а а М а Producers Anastasia Kavunovskaya, Andrei Kretov П А а а Ка а , А К Production Film Company RUmedia П К а RUmedia КОНКУРC COMPETITION
МИХАИЛ СЕГАЛ Р , , а . Р 1974 О . У а а ВГИКа, а . Е а «Franz+Polina» а а а а а . В 2010 35 «М ». В 2011 а а а а «М а», а «К а . К 2011» а а а Future Shorts. Ф а 2006..... Franz+Polina 2011..... М а ( / ) 2012..... Ра а
MIKHAIL SEGAL Director, clip maker, writer. Born in Orel in 1974. Studied at the director’s faculty of the Film Institute VGIK and made rock and hip hop clips. His full length debut “Franz+Polina” received recognition at many Russian and international festivals. In 2010 he published his fi rst book, “Youth”. In 2011 Р а а а а а on one of the stories served as basis for his а а а , а short fi lm “The World of Fixture”, which . Ч а а а – а won the shorts competition at Kinotavr in а , а а : а а , а 2011 and was invited to the international а а а, , а а. program Future Shorts. Director’s Filmography: 2006..... Franz+Polina The manuscript of a young writer is sent to a literary publishing house and 2011..... The World of Fixture (short) begins to infl uence the life of everybody who opens it and reads even a page. 2012..... Short Stories The four stories from the manuscript are stories with an unpredictable outcome, four fi lm genres: and absurdist comedy, a social satire, a thriller, and a melodrama. СО МНОЮ ВОТ ЧТО ПРОИСХОДИТ THIS IS WHAT HAPPENS TO ME КОНКУРC COMPETITION
36
2012, Р , 72 . 30 ., ., 1:1.85, Dolby SR 2012, Russia, 72 min. 30 sec., colour, 1:1.85, Dolby SR
Р В Ша Director Viktor Shamirov А а В Ша , Г а К Scriptwriters Viktor Shamirov, Gosha Kutsenko О а С Я Director of photography Semen Yakovlev Х А а Га а Production design Anna Gavrilova К А а К Costume design Anna Kudevich П Э а И , Г а К , Producers Eduard Iloyan, Gosha Kutsenko, А Н , А Т , Г Ша а , Andrei Novikov, Alexei Trotsiuk, Georgi Shabanov, В Ша , В а Ш Viktor Shamirov, Vitali Shliappo В : Г а К , В Ша , Cast: Gosha Kutsenko, Viktor Shamirov, Sasha Petrova, Са а П а, О Ж , А а Р а , Olesya Zhelezniak, Alexander Robak, Rita Shubina, Pavel Р а Ш а, Па С , Ма П а, Sborshchikov, Maria Poroshina, Gerard McCarty Д а Ма а Production Film Company “Stsena” П ООО «К а «С а» КОНКУРC COMPETITION
ВИКТОР ШАМИРОВ Р , а , а , . Р 1966 . В 1996 а РАТИ ( а а М. За а а). И а а , а а а а . В а а а а а а а 37 а . Е «У а а » а «К а 2011». Ф а а 2006..... Д а 2011..... У а а 2012..... С
VIKTOR SHAMIROV Director, scriptwriter, actor, producer. Born in 1966. In 1996 graduated from the director’s faculty of the State Theatre Institute RATI (workshop of M. Zakharov). Well known as theatre director, staged productions at many Moscow theatres and studios. In his fi lms he appears also as actor and scriptwriter. His second fi lm “Exercises in the Beautiful” received two prizes at Kinotavr 2011. Director’s Filmography: 2006..... Holiday makers Т а а . М , а 2011..... Exercises in the Beautiful а , , а . Ра 2012..... This Is What Happens To Me а , , , а. О , а , а . О а а а а а : а , а . О , . Э , а Та а а а , , а «И » а а а а а Н .
31 December. The traffi c in Moscow has come to a standstill, it is pointless to try and rush, and help does not ease the situation. Conversations about the infi nite trifl es that make up a life, and maybe it has already been made up and gone. About a father who has nothing left and who can do nothing. About the plans of a 15 year old girl for her life, whether to become an oncol ogist or a food designer. About what was and what is now. This is a fi lm without a plot, but it captures the lyricism of rushing through life, set to Tariverdiev’s music, along with memories of happiness, of a time when “Irony of Fate” could actually comfort and encourage and inspire hope for the New Year and for a new life. Я БУДУ РЯДОМ I’LL BE AROUND КОНКУРC COMPETITION
38
2012, Р У а а, 93 ., ., 1:1.85 2012, Russia Ukraine, 93 min., colour, 1:1.85
Р Па Р Director Pavel Ruminov А а Па Р , Т К Scriptwriters Pavel Ruminov, Tikhon Kornev О а Ф Л Director of photography Fedor Lyass Х Ка Щ а Production design Katia Shcheglova Х а Са а С а а Costume design Sasha Soshalskaya М а А а И а Music Alexander Ivanov З А а Н Sound Arkadi Noskov М а Па Р Editing Pavel Ruminov П В а З , Producers Vladimir Zelensky, Sergei Shefir and С Ш Б Ш , А Я , Boris Shefir, Andrei Yakovlev, Georgi Malkov, Г Ма , А У Alexei Uchitel В : Ма Ша а а, Р а З , Cast: Maria Shalaeva, Roma Zenchuk, Maria Semkina, Ма С а, И а В , А а Ха а а Ivan Volkov, Alisa Khazanova П ООО «С «К а а 95», Production Studio Kvartal 95, Company Enjoy Movies, Enjoy Movies, ТПО «Р » Rock Films КОНКУРC COMPETITION
ПАВЕЛ РУМИНОВ Р . Р 1974 В а . И а а : а а а а , а. Е а а а а Dead Line а а «К » а а а «Д К а . 39 К 2004» а а . Ф а 2004..... Dead Line (К , , 53 .) 2004..... Ч , а 2007..... М 2009..... Д а а а ( / ) 2009..... О а 2011..... Я ( а ) 2012..... Я
PAVEL RUMINOV Director. Born in Vladivostok in 1974. From clip maker turned into a director of fi ction fi lms: fi rst shorts, then full length. His direc torial debut “Deadline” participated in the debut competition at Kinotavr. Shorts in 2004 and received a diploma of the jury. Director’s Filmography: 2004..... Dead Line (“Key И а – а а а а. О а Infl uence”; video, 53’) 2004..... The Man Who was Silent а а а а, а а а 2007..... Dead Daughters а а а. А а а а – 2009..... Two Hours (short) 6 М , И а а а. М а 2009..... Circumstances а , , а , 2011..... I’ll be Around (mini serial) , а , а а. 2012..... I’ll be Around Н а И а а а а а – а . Т а И – а а М , а а .
Inna is a successful young woman with an excellent sense of humour. She is a restaurant manager, who has earned the respect and love of colleagues and bosses alike. She also has a most important person in her life: her six year son Mitya, whom Inna raises alone. Mother and child entertain a touching, kind, caring relationship; they are not just best friends, but allies who support each other. Unexpectedly Inna is caught up by a terrible predicament: she is diagnosed with an incurable illness. Now the main thing is to fi nd new parents for little Mitya, otherwise the child will become a lonely orphan. Я ТЕБЯ НЕ ЛЮБЛЮ I DON’T LOVE YOU КОНКУРC COMPETITION
40
2012, Р – Э , , 85 ., ., 1:1.66 2012, Russia – Estonia, 85 min., colour, 1:1.66
Р Па К а , А а Ра Directors Pavel Kostomarov, Alexander Rastorguev А а С а а Ба а а Scriptwriter Susanna Baranzhieva О а В Ш а Director of photography Viktoria Shevtsova М а Па К а , А а Ра Editing Pavel Kostomarov, Alexander Rastorguev В : В Ш а, Е Б , Cast: Viktoria Shevtsova, Yevgeni Borisov, Artem Sotnikov А С Producers Andrei Sigle, Pavel Kostomarov, П А С , Па К а , Alexander Rastorguev, Pavel Pechenkin, Vladimir Sokolov, А а Ра , Па П , Maxim Tuula, Maria Gavrilova В а С , Ма Т а, Ма Га а Production “Lenfilm” Production Centre, ProLine Film, П П «Л », Novy Kurs, Marx Film (Estonia) ProLine Film, «Н », Marx Film (Э ) КОНКУРC COMPETITION
ПАВЕЛ КОСТОМАРОВ Р , а . Р 1975 . О а а ВГИКа (2002). В а а а а а а а А У , А П , Б Х . Ла а а а («С 2010» а а а а а .). Ф а а 2003..... Т а а ( ., А. Ка ) 2004..... М а ( ., А. Ка ) 41 2007..... Ма ( ., А. Ка ) 2009..... В ( .) 2011..... Я ( А. Ра ) 2012..... Я ( А. Ра ) 2012..... Э ( ) PAVEL KOSTOMAROV Director, cinematographer. Born in 1975. Graduated from the cinematography department of the Film Institute VGIK (2002). As director of photography worked with Alexei Uchitel, Alexei Popogrebsky, Boris Khlebnikov. Winner of national and international festivals (Silver Bear 2010 for outstanding contribution to fi lm art). Director’s Filmography: 2003..... Transformer (doc., with A. Cattin) 2004..... Peaceful Life (doc., with A. Cattin) 2007..... Mother (doc., with A. Cattin) 2009..... Together (doc.) 2011..... I Love You (with A. Rastorguev) 2012..... I Don’t Love You (with A. Rastorguev) 2012..... These (in production)
Н , а а . С а а а а REC а а . С а а , а , а . Р , а , . Э . Х а а .
АЛЕКСАНДР РАСТОРГУЕВ Р . Р 1971 Some bed scenes fi lmed by a home camera: the accidental pressing of the . О ЛГИТМ К. А а а а Р Т (2007). Ла а REC button at the height of sorting out relationships. The scandal goes over а а . into sex, confessions of love and hysteria. Jealousy, outbursts and reconcil И а а а iation. Erotic whispers and everyday screams. Home video from a work 1997..... Д а , а ( .) 1999..... Т ( .) ing class suburb. 2001..... Ма ( .) 2003..... Ч ( .) 2006..... Д , . Жа 2011..... Я ( П. К а ) 2012..... Я ( П. К а ) ALEXANDER RASTORGUEV Director of documentaries. Born in 1971. Graduated from the Leningrad State Institute of Theatre, Music and Cinema (LGITMiK). Member of the Academy of Russian Television (2007). Winner of national and international festivals. Select Director’s Filmography: 1997..... Good bye, boys (doc.) 1999..... Your Kind (doc.) 2001..... Mummies (doc.) 2003..... Maundy Thursday (doc.) 2006..... Wild, Wild Beach. The Gentle Heat 2011..... I Love You (with P. Kostomarov) 2012..... I Don’t Love You (with P. Kostomarov) СТАЛЬНАЯ БАБОЧКА THE STEEL BUTTERFLY ВНЕ КОНКУРСА ВНЕ КОНКУРСА OUT OF COMPETITION
42
ЗАКРЫТИЕ CLOSING GALA
2012, Р , 102 ., , 1:2.35, Dolby Digital 5.1 2012, Russia, 102 min., colour, 1:2.35, Dolby Digital 5.1
Р Р а Да Director Renat Davletyarov А а Ю К , На а В Scriptwriters Yuri Korotkov, Natalia Vorozhbit О а С Я Director of photography Semen Yakovlev Х А К Production design Artem Kuzmin К А а О Costume design Alexander Osipov М а Р а Д Music Roman Dormidoshin З Ва Та а Sound Valeri Tamanov М а Ма Е а Editing Matvei Yepanchitsev В : Да а М а, А а Б , Cast: Dasha Melnikova, Anatoli Bely, Darya Да М , П В , А Ка а , Moroz, Petr Vins, Andrei Kazakov, Yelena Galibina, Е а Га а, В Н , Ма Д а , Viktor Nemets, Maxim Dromashko, Maria Naumova, Ма На а, С Т , Д П а Semen Treskunov, Dmitri Prishchepa П Р а Да , Producers Renat Davletyarov, Alexander Kotelevsky А а К Production Propeller Production, Interfest П ООО «П П а », НП «И » ВНЕ КОНКУРСА ВНЕ КОНКУРСА РЕНАТ ДАВЛЕТЬЯРОВ П , . П Г
РФ. Р 1961 . OUT OF COMPETITION Ра а а «М ». С 1995 а , а 1999 а ММКФ. П Н Н Й (2001 2008 ), Па ( 2003 а) 43 Б ( 2005 а). В а а «К Я а», а а «ЗАВТРА/2morrow», 2010 а – а МКФ «2 in 1». П «О 180 », «Л 1,2,3», «Ю а», «И », «М а », «С а а а а» . Ф а а 2011..... М а 2012..... С а а а а
RENAT DAVLETYAROV Producer, director. President of the Guild of Film Producers of the Russian Federation. Born in 1961, worked at Mosfi lm. Since 1995 executive director, and since 1999 general director of the Moscow IFF. Producer of the “Week of Russian Cinema” in New York (2001 2008), Paris (since 2003) and Berlin Ха – а а а (since 2005). Headed the festival “Kino М . Е , а , а , Yalta” and was general producer of the , а . С – festival ZAVTRA/2morrow; since 2010 general а а, . И а а , producer of the IFF “2 in 1”. Producer of the а , fi lms “From 180 and Above”, “Lovey Dovey” а а . В а а а – (1 3), “Yulenka”, “Irony of Love”, “My Mad а. П а а Ха а а . Н а Family”, “The Steel Butterfl y”, and others. а а а Ч а. О а а Director’s Filmography: а Ха а а , , а 2011..... My Mad Family , . Н а а а 2012..... The Steel Butterfl y . О а Ч а , а а Ха а – , а а а.
Khanin is a senior offi cer in a criminal investigation squad at one of Moscow’s regional police stations. He is about forty, single, without any savings, without promotion, and with almost no friends. The meaning of his life is work, in which he immerses himself. He does not notice that he gradually loses the most basic human feelings and is no longer able to empathize with his surroundings. An emergency governs the district when a serial murderer is going round. Khanin cannot predict his actions. Unexpectedly an orphan girl by the name of Plague comes to his aid. She is like Khanin in her indifference to the world around: there is nothing left in her soul but embitterment about the world. But the teamwork changes this: Khanin becomes a real friend for Plague, and she becomes the fi rst person to whom Khanin cannot remain indifferent. 44 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS Producer GINDILIS YEVGENI П ГИНДИЛИС ЕВГЕНИЙ ЖЮРИ КОРОТКИЙ МЕТР КИНОТАВР. ВГИК ПРИ ПОДДЕРЖКЕ Producer GLIKMAN ELENA П Г ЕЛЕНА ЖЮ ПР ВГИК ( ). а За С а а а Р . П а За П СЕРГЕЙ ЛАЗАРУК ЛИКМАН ЕД РИ СЕ ДА ТЕ ЛЬ
o First Deputy President SERGEI LAZARUK Film Institute VGIK (professor) of Film History at the Head of the Department of Russia. OF CH Producer MISHKINENE YULIA П МИШКИНЕНЕ ЮЛИЯ f the Union of Cinematographers T AI HE RM J AN UR
Y АВТОРСКИЙ AND COPPER PIPES TO GOTHROUGH FIRE,WATER МЕДНЫЕ ТРУБЫ ОГОНЬ, ВОДА И LEGS –ATAVISM НОГИ – АТАВИЗМ MALCHIKI МАЛЬЧИКИ AND THEFOX THE CAT, THEBEAR И ЛИСА КОШКА, МИШКА SHORT SKIRT КОРОТКАЯ ЮБКА ROAD TO ДОРОГА НА VICTORY DAY ДЕНЬ ПОБЕДЫ VIKA VENUSDUVETCOVER ПОДОДЕЯЛЬНИК ВИКА ВЕНЕРА THE AUTHOR’S METHOD МЕТОД GQ ХАРАКТЕРЫ THE WHORE ШЛЮХА THE CHARACTERS TRUMPET ANDTHEPUPPET ТРУБАЧ И КУКЛА CRACK ТРЕЩИНА EUGENIA ANDME THE STORY ABOUT О НАС С ЕВГЕНИЕЙ СКАЗАНИЕ THINGS RELATED СВЯЗЬ ВЕЩЕЙ FISHING РЫБАЛКА CURSE ПРОКЛЯТИЕ THE TRUTH ПРАВДА OF THEMECHANICAL FISH THE SONG РЫБЫ МЕХАНИЧЕСКОЙ ПЕСНЯ
45 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 46 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS а а а – – а а а а а а а а а а . «К а », а , а а – , а а а а , а , а «К ». Т , а а «К а а» а а , Н , К . ? а а Жа . а а а , а а а, 20 а а Т , а а . а а , а а а а а , , а , а а а а а а а аН а а а . , а , , – а а С а а « а » а а . П а . , а а А С а а. М а а а» «М П , Д «Pal/Secam» Б а, Ю » «На а Та . а а , а а а а а : а а а , а М , а , . а а а а а а А а . а а , а — а , а а . Е , Б а , а а. а , а , а а а . О а а Я а . а а а , а а — а О а а. , а , Ка а . а , а а В а , а а а а а а . , а а а , а М . а И а . а : , а а а а Э а а. а а а а а а , а а . И , а а . Та а а а а а , а а а , Э . а а . В а а а а а а а а а» « О В а ! а, а а . а а а а , а а а . В С Р а а а , а О а а . а а . М а а а » «К а а а а а а» , а . Д «К а а а а а М а . В . а а а а а а , , – а а а а а а , а а , «К а а», а а а а а » « а а а а а , В а а , а . а а а а а «К а . К » К а а И а Л а а Competition fervour is certainly a good thing. But I always always I But thing. good a certainly is fervour Competition my headingshavecoincidedwiththejurydecision. fiand intrigue an twist far,So out. stands what gure all almost Segal’s “World of Fixtures”, and around these headings I try to “The Boss”, with Dmitri Povolotsky’s “Pal/Secam”, with Mikhail find a heading, the main idea. Thus happened with Yuri Bykov’s fiarticle: an writing when as method same the have to try I rst the audience, by days, so that the viewing is not monotonous. I for program the build to have you humour.then of good And sense a account into take might I not. one which and take to fitwo of which decide to coin a toss to have you Sometimes lms program. the into figo more will always than are selected lms fithe seen have I There until lm. them read to not try I disks. the on written clumsily names the know don’t I cases most in than once, and not go mad. The selection process is anonymous: spring my task is to watch some hundreds of fientertainlms, such sometimesexchanges with 300more fi lms and their makers. Every and sometimes I’m even asked to review the work. I can hardly the selection is made, why this or that film did not get included, The interest in the shorts program is huge. I often get asked how film critic: I see from whence the future of our cinema emerges. the player. That’s the charge for an invaluable experience for a off my fingertips, endlessly inserting and retrieving DVDs from short films. And never mindof that boom for threereal monthsa I see rub theto skinhope I future finear debut the in So lm. directors an opportunity to make a short private studios are willing to give young working to full capacity, but also that themany fact that not only our film schools are reached almost 300 films. This speaks of first time the number of applications has curator.as years my all Forfor run the long distance longest the like seemed has year this shorts of selection The Best oflucktoeveryone! has happenedalreadymorethanonce. systematically to attract attention and find a producer, and this works their show to opportunity an have authors young Sochi fithat In and purpose. Russia this in for needed are lmmakers the figures show all the same that a fair amount of films is made sneer at the industry and the applicability of the term. However, as a showcase for new names for our growing industry. We love to the last years, systematically whipped up the Shorts competition turn this into an event. The management of Kinotavr has, over is very important. We can select twenty excellent films, yet not special screenings, master classes and a fi competition, nal ceremony. of All consisting this program, three day this in festival big the within magnifimini festival rather cent a arrange to earnest in committed to the shortare form and invest both who energy and money Kinotavr, of organizers the to thanks of Basically, I have for a long time wanted to do an “Oscar Speech” to presentthemselves,butalsolookatothers. only not opportunities optimal competitors know,gives we as everybody.appreciate to has one so lottery: a like bit Kinotavr, a is festival any for selected getting And Shorts. of days three Of course. But, alas, in the schedule of Kinotavr there are only out? left those for sorry I Am selected. than works interesting take my words of consolation that there were three times more fiyear: treasured the 20 of the lms among not are who Those older generation tormented by the follies of our state financing. who today’s leader is rather than snap at each other, as did the acknowledge, without any consequencesand forcolleague the nervousa system,of success the for also glad be to keep ability their competitors the hope I that fi ceremony the nal at say Curator oftheprogram “Kinotavr. Shorts” Irina Liubarskaya Х А а Life as usual can end at any moment if habit is more important for you than life. Production Р 2012, Р , 13 ., ., 1:2,35, stereo Cast: Sound Production design Director of photography Scriptwriter Director 2012, Russia, 13 min., colour, 1:2,35, stereo О а а , . , а П а П В З GQ К а С К а Konstantin Yushkevich, Alena Konstantinova, Yuri Vaksman Konstantin Stetkevich : К а Ю , А а К а а, :Ю Ю , К а а, Ва а А а К а Andrei Merzlikin Д Ма А М М А В а Т а В а RUmedia Mikhail Segal Mikhail RUmedia М а С а С а М а Vitali Trukhanenko Denis Madyshev А а а . Ла а П Actor of theatre and cinema. Winner of MERZLIKIN ANDREI rial debut. fidirecto his is “GQ” serials. and lms He has appeared in more than seventy film “Bimmer” by Petr Buslov (2003). the in was cinema in fi role major rst Theatre of Armen Dzhigarkhanian. His the at actor 2001 11 from Europe”, “Hotel project the on worked 2000 In Institute VGIK (class of E. Kindinov). ated from the acting faculty of the Film neer of space communications; gradu in 1973. First education as radio engi “Brest Fortress” (2010). Born in Korolev fithe in role his lm for Prize FSB the «GQ» . а а а . П а Б а (2003). С «Б » а а а Е Д а а а. .2001 2011 Т а аа – А а «Е а», «О а а а 2000 В К а). Е. ( а а ВГИКа а а О а . а – а а П К . 1973 Р (2010). » ФСБ а «Б а МЕРЗЛИКИН АНДРЕЙ
47 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 48 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS АВТОРСКИЙ МЕТОД А а Х A writer safely and easily handles the destiny of his character, as he naively naively he as character, his of destiny the handles easily and safely writer A Producer Cast: Sound Music Production design Director of photography Scriptwriter Director 2012, Russia, 14 min. 6 sec., colour, 1:1.85, Dolby Digital 5.1 Production 2012, Р , 14 . 6 , ., 1:1.85, Dolby Digi О а Р believes thathisowndestinylies inhishands. а , а а– а . П а а а а а, П П П Р В : З М а THE AUTHOR’S METHOD О С , Ю Ба а Timur Khabitsov, Nikolai Zakharov, Vladimir Ananiev, Petr Rykov Vasili Builov Oleg Suvorov, Yulia Bazhenova Ivan Shakhnazarov Ва Б Ва Anastasia Akopian Т Ха , Н а За а , В а А а , А а , В а Ха ,За а , Н а Т Е Е М А а а А А а а И а Ша а а Ша а а И а Ма Па VGIK Ivan Shakhnazarov, with participation from Ivan Zavaruev ВГИК И а Ша а а а И а а За а а И а а а Ша а а И а Maria Maria Pasichnik Yevgeni Musin tal 5.1 А а». У а а 3 а а а а а а 3 Р 1993 М . С second short. his is Method” Author’s “The 2011. in Shorts Kinotavr. in Participated the third prize at “Saint Anna” festival. “Without Words” (2011) was awarded short debut His V.Khotinenko). of (workshop VGIK Institute Film the at faculty director’s the of student Third year Moscow. in 1993 in Born а а а. а » «А 2011». К «К а . а «С а а а (2011) » «Б а За Х ). В. ( а а ВГИКа SHAKHNAZARO IVAN ИВАН ШАХНАЗАРОВ V А Anton Tsakul, Alexei Zhadan 2012, Р , 15 ., ., 16:9, stereo VIKA VENUSDUVETCOVER ВИКА ВЕНЕРА ПОДОДЕЯЛЬНИК Cast: Omari Zverkov Scriptwriter, director, director of photography, music, sound 2012, Russia, 15 min., colour, 16:9, stereo а а . Л а , а а а П М а , Д Жа а А Ца , А В : men andquiltcovers. with relations mutual their and girls young two of story humorous and Light Producer а , , а , а, Vika Trunova, Venera Bikchentaeva, Danila Shironin, Dmitri Musanev, В а Т а, В а Б а а, Да а Ш , В а Т а, Ш , В а Б а а, Да а Omari Omari Zverkov О а З О а З К а О ВКСР (2007, а а И. ОМАРИ ЗВЕРКОВ 02.. Vika Venus Duvet Cover 2012..... MeinekleineZeitmaschine 2012..... Intersections 2010..... 2007..... AnotherMoscow (doc) 2006..... Filmography (shorts) tition with the film “Another Moscow”. ticipated in the Kinotavr. Shorts compe professional photographer. In 2007 par duction through mini budget shorts as pro independent for earning making, Now engaged in so called guerrilla film Dobrovolsky). A. and Kvirikadze I. of Directors and Scriptwriters (2007, class Graduated from the Higher Courses for В аВ аП 2012..... MeinekleineZeitmaschine 2012..... Т 2010..... 2007..... Д а М а( .) 2006..... Ф а ( / ) «Д а М а». К » а «К а . а . В 2007 а а а а а а а figuerilla а а а а lmmaking, а а а а а OMARI ZVERKOV namens Pentacon namens Pentacon In theClouds В а а А. Д ). В Д ). А.
49 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 50 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS А а millions Moscow,capital? airplanes, festive and the tanks around sun, walked you Have Production Producer Cast: Director of photography Scriptwriter and director 2012, Russia, 20 min., colour, 1:2.35 а , а а.С . VICTORY DAY ДЕНЬ ПОБЕДЫ В а ? М а, , а а , П П В : О а 2012, Р , 20 ., . 1:2.35 country. It’sthejoyofwholecontinent.Let’swatch. Vlad Vlad Vetrov, Alexandra Rebenok, Ivan Dobronravov а – а а . Д П – а – П Д а . а – а of happy people all meeting you. Victory Day is not only a holiday of a of holiday a only not is Day Victory you. meeting all people happy of Igor Griniakin В а В , А а а Р , Д а И а В , А а а В а Н а С Н а И Г Film Company “Moscow” К а «М а» К а Nikita Semenov Igor Griniakin И Г VGIK (workshop of V. Yusov). Director Б . В 1998 1981 а Р О а . “Victory Day” is his directorial debut. TEFI award 2010 for “Olympius Inferno”.“Admiral”, and for 2009 award Eagle Conductor”, etc. Winner of the Golden “Visotsky. Thank God I’m Alive”, “The Sam”, “Admiral”, “Olympius Inferno”, fithe of photography of and “Rud lms raphy department of the Film Institute 1981. In 1998 enrolled at the cinematog Cinematographer. Born in Belgorod in П » . «Д И »). («О 2010 2009» («А а »), ТЭФИ О «З Ла а . «Д » », С а , «В . И », «О «А а », С », «Р а В. Ю а). О а а а а ВГИКа ( а ИГОРЬ ГРИНЯКИН IGOR GRINIAKIN Х А а in nowayfromthatofamillion other people—untilnightfallsontotown. differs life his goods; unusual of department the in salesman a as works Sergei Production Producers Cast: 2012, Р , 32 ., ., 1:1.85, Dolby Digital 5. ROAD TO ДОРОГА НА Sound Production design Director of photography Scriptwriter Director 2012, Russia, 32 min., colour, 1:1.85, Dolby Digital 5.1 П П Г а В а В : И Та а З О а Р . а а , – а а а , а а а С Т Ма , Д Л а, Д К а , К а , Д Л а, Ма , Д Т Sergei Abroskin, Anna Rud, Sergei Podkolzin, Vladimir Gorislavets Timur Maximov, Dmitri Lisitsa, Dmitri Komissarov, Igor Tarasov Taisiya Igumentseva С А , А а С Р , А а С А , П , Taisiya Igumentseva, Alexei Uchitel А а Та а Та а А а Та Та И а Taisiya Igumentseva, Rock Films На а К а, А а Л а а Л а а А а К а, На а Та И а, А У У А Та И а, Alexandra Golovina Та И а, ТПО Та И а, «Р » А а а Г а А а а Natalia Alina LugmanovaKlyukina, Alexander Tananov 1 а . «Д а «Д а . а IGUMENTSEV TAISIYA П а ВГИК а а ВГИК П а diploma work. her fi is To” documentary “Road lms. some made she training her During “Debuts”. festival the at prize special 2006. Her first work “Fact” received a in Uchitel A. of workshop directors’ the in Institute Film the at Enrolled а» а а а. а За а а а «Д ». а а а «Фа » а А. У 2006 . Е ИГУМЕНЦЕВА ТАИСИЯ A
51 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 52 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS Х Па О Scriptwriter anddirectorP 2011, Russia,22min.,colour, 16:9,stereo а а а Р а Ка а а С а а а а а П NORTHERN SKY FILMS(Ф ) П Ма а Ха а ,На аГ а, Ма Я В :Па М а ,И аК а Я ,В а Б , М а Па О Ш З С а а Фа М а С а а Фа О а А а С ,А М А а 2011, Р , 22 ., .16:9,stereo fishing villagewhereafewofthelocalsgive themasoberingtasteofreality. wilderness. As they try to find their way back home, they stumble upon a remote behind left are (Katia) girl self centered a and (Roma) photographer unsuspecting An Production NORTHERN SKY FILMS Producers Marat Khaidarov, Nadezhda Golubkova,MaximYakovlev Cast: Pavel Mikhailov, InnaKornysheva Yarmoshuk, VladimirBiriukov, Editing Pavel Oreshnikov Noise recordings Sound StanislavFaleev Music StanislavFaleev Production designPavel Oreshnikov Directors ofphotographyAlexanderSolovev, ArsenMikitov а а а а . , Б а а а а а а а В . а SHORT SKIRT КОРОТКАЯ ЮБКА by their drunken and obnoxious limo party in the middle of the Russian Pavel Oreshnikov, Rodriguez Raquel Па О ,Ра Р SergeiFigner С Ф avel Oreshnikov Па О VGIK (class of I. Kvirikadze and N. and Kvirikadze I. of (class VGIK Т . МКФ а а а а . В 1991 ВГИК Р Л а his secondfilm. is Skirt” “Short Trieste. in IFF the at and Locarno in IFF the at jury the of mention special a awarded been has fiprestigious many in and festivals lm film “Resolution”. The film participatedfi his made short and rst FILMS SKY founded his own company NORTHEN returned to St. Petersburg; in 2008 he he 2006 In television. on director and cinematographer later and designer, for the US, where he worked as sculptor, left he later years Three Djordjadze). Institute Film the in enrolled 1991 In Born in Leningrad to a family of painters. «К а а» а а а. МКФ Л а а а а а а а а а «Р ». Ка а FILMS а NORTHEN SKY Са П , 2008 – а 2006 В ТВ. а , а США, а а , а Н. а а Д а ).С К а И. ( а а PAVEL ORESHNIKOV ПАВЕЛ ОРЕШНИКОВ А а Р 2012, Р , 12 ., ., 1:2.35, Dolby SR THE CAT, THEBEARANDFOX КОШКА, МИШКА И ЛИСА D 2012, Russia, 12 min., colour, 1:2.35, Dolby SR а . а а а , а а , Та . , а а а П а а а а а а : П П В : М а О а during thatnight. him on joke nasty a play about is fate that suspecting without passengers, the of appearance the about jokes driver taxi The fox. a and bear a cat, a of tumes cos in girls three taxi: pre booked a into gets company strange a night at Late Production Producers Cast: Music Director of hotography Scriptwriter irector Yekaterina Nosik, Darya Nosik, Vladimir Kapustin Maxim Golovin Yekaterina Telegina Ма Г Ма Е а а Н , Да Н , В а Ка Е а а Н , Да Н , В а Е а а Т а Vladimir Bugaev, Alexei Zipalov Д А а Ра Producers’ Centre Doctor Chekhov В а Б а , З а А В а Yekaterina Mavromatis П «Д П Ч » Е а а Е а а Ма а Dennis Alarkon Ramirez YEKATERINA TELEGINA ТВ «И » (2004), ВГИК Ш О а О . Р а ЕКАТЕРИНА ТЕЛЕГИНА 02.. TheCat,theBear and 2012..... P.2010..... M.Tretyakov. TheHistoryof 2009..... LoveOpposite(short) 2007..... Filmography: almanac “Astra, Iloveyou”. the for made was Fox” the and Bear shorts festivals. The film “The Cat, the 2009 and was noticed by many Russian the competition “Kinotavr. Shorts” in Fenchenko). Her degree film “Blast”V. V.won of Khotinenko, workshop (2009, VGIK Institute Film the from (2004), Internews TV and Cinema of School the from Graduated Omsk. in Born К а, а а( / ) 2012..... П.М.Т .И 2010..... 2009..... Л а ( / ) 2007..... Ф а : а а «Astra,Iloveyou». а а» а а а а «К а, Ф . а а 2009» а «К а . К а» «П Е Ф ). В Х , В. а а (2009, the Fox (short) a GreatCollection(doc/fiction) ( . .) Blast (short) П а( / )
53 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 54 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS А Whether you are a captain, a warrant officer, an admiral or Lev Tolstoy, somewhere 2012, Р , 23 ., ., 1:2.35, Dolby SR MALCHIKI МАЛЬЧИКИ S 2012, Russia, 23 min., colour, 1:2.35, Dolby SR а а , , а а. В а , а а Т , Л а а а , а а, а а Х П А а а Ка а аП а П Ва а а Б , К А а Ка а Ра а , В : З М а О а red window, Hope iswaitingforyou. deep down you are all the same a boy. Indeed, in a snowed under town, behind a Production AnastasiaKazankova Producer Razumovskaya,Karina Alexander Bykovsky, VaraksaKirill Cast: Sound Music Director of photography , На а. criptwriter and director а О а Б Ivan Krasko, Sergei Vlasov, Ivan Yefremov, Dmitri Repin, Olesya Berdnikova Olga Bulygo О Б а Anastasia Kazankova И а К а ,И а С В а , Е ,И а Р , Д И А а И А а а Ка а а А а а Ilya Averbakh Ilya Kazankov И Ка а Ка а И Vysotskyin diploma a Received Centre). 1980 Л а . У В Р Р . 02.. Malchiki(short) 2012..... GamesforChildren 2011..... Mum(short) 2010..... TheCap(short) 2008..... Morning(short) 2007..... Filmography: an AdultAge”. full length debut “Games for Children of for the film “Mum”. In 2011 he made his production “God, send me Another” (2008, of V. Khotinenko). He directed the theatre the Film Institute VGIK (2009, workshop of faculty director’s the from Graduated of the St. Petersburg Academy of Theatre. Engineering School, at the acting faculty Studied1980. at the Dzerzhinskyin Higher Naval Leningrad in Born Director. Ма ( / ) 2012..... И 2011..... Ма а( / ) 2010..... Ша а( / ) 2008..... У ( / ) 2007..... Ф а : а а». а «И а «Ма а». В 2011 а «К а . К 2010» Ц В.С. В ). Д а (2008, » Г , , «П а П а Х ). В. а ВГИКа (2009, а а а а. О Са П а а а Ф.Э.Д , а а а the shorts competition at Kinotavr 2010 Kinotavr at competition shorts the ILYA KAZANKOV ИЛЬЯ КАЗАНКОВ of anAdultAge а а А Х Alexei Smirnov Alexandra Kamyshova, Yuri Khrapov, Mestetsky,Mikhail Timofei Parshchikov, S 2011, Russia, 11 min., colour., 1:1.85, stereo О а 2011, Р , 11 ., . 1:1.85, stereo LEGS ATAVISM НОГИ – АТАВИЗМ wildest branchesofexperimental medicine. the of one of secrets the to get to fi tries the crew study lm 10 minute this In Cast: Editing Music Production design Director of photography а а а а а . В 10 а а а а П Т Па , С А М , Ю Х а ,Ка а, М а К , А а а К В : М а М а Producer criptwriter and director а Alexei Krychenkov, Irina Kireeva, Alexander Chutko, Kiaro, Kirill Alexander Gradsky, Sergei Prokofiev, MestetskyMikhail Mikhail MestetskyMikhail М а М М а А а Г а , С М П ,Г а , М а А а Mikhail MestetskyMikhail А К ,А Ч , И аА а К а, Т Т Па М а М М а А С А Alexei Smirnov Timofei Parshchikov Mikhail MestetskyMikhail М а М М а Accidental Episode” he participated in in participated he Episode” Accidental With the film “Insignifi cant Details of an A. Dobrovolsky and E. Mitko). Winner of . С а «Н а а РГГУ (2003), ВКСР 01.. Legs—Atavism 2011..... Insignifi2011..... cant Detailsof AxesinBread loafs 2009..... Past Continuous 2007..... NoLight,nowor ever 2006..... Filmography (shorts) “White Elephant” Scholars, Film and Critics Film of Guild the diploma of the jury and the prize of the Kinotavr. Shorts in 2011 and was awarded national and international film festivals. Scriptwriters (2006, workshop of V. Naumov,(2003), Higher Courses for Directors and RGGU Humanities, the of University the from State Russian the at philology of faculty Graduated 1980. in Born MIKHAIL MESTETSKY Н –а а 2011..... Н а 2011..... Т а а 2009..... Past Continuous 2007..... С а 2006..... Ф а ( / ) «Б ». Г а а а . К 2011», а а «К а а» а а а Е. М ). Ла а (2006, а а В. На а, А. Д Р МЕСТЕЦКИЙ МИХАИЛ 1980 . О .О 1980 the AccidentalEpisode а а
55 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 56 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS A surreal story about a village guy, who struggles with the vicissitudes of rural of vicissitudes guy,the village with a struggles about who story surreal A Cast: Director of photography Director and scriptwriter 2012, Russia, 15 min. 30 sec., colour, 1:1.85, Dolby Digital 2.0 С а а а , В :К а К а О а А а 2012, Р , 15 .30 ., .,1:1.85,DolbyDigital2.0 . а а , а а а а а а а . К а Н а , а а . а , , а , П . а TO GOTHROUGHFIRE,WATER ANDCOPPERPIPES ОГОНЬ, ВОДА И МЕДНЫЕ ТРУБЫ a slightlydifferentlight. in appears he tortures, his for award an receives and success achieves he When will. his break can animals northern stern, with encounter the or comfort basic water, and copper pipes. Neither physical work in the fresh air, nor the absence of life. With a super human patience and purposefulness, he undergoes tests by fire, Konstantin Kuzavlev Ф Н Fedor Nevrov Igor Korotky И К А а а . С 3 а VGIK (workshopofV. Khotinenko). director’s the faculty at the Film Institute of student Third year Region. Born in 1991 in Pavlovsk, Arkhangelsk ( а а В.Х ). ВГИКа а а Р 1991 Па ИГОРЬ КОРОТКИЙ IGOR KOROTKY А Х А Ф , С П , П Ма , Та И а, Ф ,А Та И а, С П П , Ма , а , а а а а а , A letter has come to a village buried in the sand; it is addressed to an elderly an to addressed is it sand; the in buried village a to come has letter A Alexander Proshin, Alexander Siriskin, Uncle Valera 2011, Р , 28 ., .1:1.66 S 2011, Russia, 28 min., colour. 1:1.66 В : В : З О а Cast: Sound Production Director of photography а .И а а а а . П , , а , а а П Ва а Д С , Ю П ,Б , А а С А а А , THE SONGOFMECHANICAL FISH ПЕСНЯ МЕХАНИЧЕСКОЙ РЫБЫ seen. Thepurgatorialjourneyends unexpectedly. never has he son a — wedding son’s his for town to fiinvited is who sherman, Production Sergei Pirniak, Petr Malygin, Taisiya Igumentseva, Yuri Bykov, Sergei Abroskin, criptwriter and director а А а Ма , На а Я а На а Ма , А а Juris Laucinsh, Andrei Shibarshin, Alexander Oblasov, Alexei Filimonov, Alexander Maltsev, Natalia Yanitskaya Ю Ла , А Ш а , А а О а , О а , Ш а , А а Ю А Ла , А а Га а А а design Anna Gavrilova VGIK А Ф , Ю Ф , А К ВГИК Alexei Filippov, Yuri Korobeinikov Filipp Yuriev Ф Ю Ф ВГИК ( а а А. Р 1990 М . В 2006 01.. TheSongofthe 2011..... Parcels onSundays(doc) 2010..... 2009..... MorningwithDifferent Eyes 2008..... Filmography (shorts) Fish” ishisdiplomafilm. Mechanical the of Song “The shorts. He has made fiction and documentary the Kinotavr. Short competition in 2008. national festivals, and also took part in number of prizes at Russian and inter with Different Eyes” (2008) received a Uchitel). His first study film, “Morning at the Film Institute VGIK (class of A. Born in Moscow in 1990. In 2006 enrolled П а 2011..... П 2010..... 2009..... У а а 2008..... Ф а ( / ) а а а. » а «П а а . С а 2008». К «К а . а а а а а а , а а а а «У а а » (2008) У ). Е а а а а FILIPP YURIEV ФИЛИПП ЮРЬЕВ Mechanical Fish ( .) Visually ChangedLandscape В а а
57 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 58 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS A young man goes to meet a girl. They have not seen each other for a long time. А а D 2011, Russia, 9 min., colour, 1:1.66, Dolby A Р 2011, Р , 9 ., ., 1:1.66, Dolby A . П а а П . а а а а а а , а За а а . Д а . а О . а а М П : П В : О а THE TRUTH ПРАВДА tions ofpastand future. assump the on built is everything where story short a is This anything. stood under having without relief, of feeling the with leaves he hook, a on Caught clarifishe fisituation. words, bother the right to es the have nding not does he versation when she takes a dishearteningly simple and concise decision. So that con telephone a during and man young the of behaviour the in conjectures the fiShe present. a as tickets confitheatre nds him gives she when this of rmation understands girl The life. private his in changed have things time this During Production: Producer Cast: Directors of photography Scriptwriter . а а , а Э . а , а , а а О , . а а а, а а , а а . Да а а а, а irector Maria Maria Kononova, Pavel Khrulev Yevgeni Bialo Ма К а, Х Па Yevgeni Bialo Е Б Е Е Б Higher Courses for Directors and Scriptwriters А М а , О а Ф а Yulia Voronova ВКСР Ю Ю В а Artem Artem Moskalev, Olga Feldman а а МАДИ (1999), Р 1977 М . О 2011..... NightMode 2011..... Filmography (shorts) class of I. Kvirikadze and A. Dobrovolsky). for Directors and Scriptwriters (2012, MADI (1999), and the Higher Courses of management of faculty the from Graduated 1977. in Moscow in Born 2011..... Н 2011..... Ф а ( / ) А.Д ). ВКСР (2012, а а И. К а ЕВГЕНИЙ БЯЛО YEVGENI BIALO The Truth П а а А а S 2012, Russia, 7 min. 27 sec., colour, 16:9, stereo А а а … П В : М а О а 2012, Р , 7 . 27 ., ., 16:9, stereo CURSE ПРОКЛЯТИЕ An actorcomestoacastingsession. Producer Teimur Dzhafarov Cast: Music Director of photography criptwriter and director Timofei Tribuntsev, Yulia Alexandrova, Alexander Ivankov Georg Händel Г Г Т Т , Ю А а а, А а И а А а Т Т , Ю А а а, В а К В а Т Д а а Viacheslav Klevtsov Zhora Kryzhovnikov Ж а К With the film “Happy Purchase” (2010) KR ZHORA С а а 02.. Curse 2012..... HappyPurchase 2010..... 2009..... TheDragonAbasBlue 2008..... Filmography (shorts) competition in2010. Shorts Kinotavr. the in participated Scriptwriter and director of short films. П 2012..... С а а а 2010..... 2009..... Д а А а Б 2008..... Ф а ( / ) 2010». а «К а . К а» (2010) а а «С а а а С . КРЫЖОВНИКОВ ЖОР YZHOVNIKOV Kazrop Ка А
59 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 60 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS Х Р Д substance that stimulates a pleasant expansion of consciousness. The police do not do police The consciousness. of expansion pleasant a stimulates that substance forbidden popular,but a them fiwith a have make they to trip; car shing splendid a in town of out drive self assured, and carefree capital, the from couples young Two Production RDK Film Producers Igor Teplov, OlgaTsink, IgorVoinarovsky Cast: NikitaVolkov, Kurkova, Ravshana StanislavErdlei, Editing IgorShmelev, NikolaiPigarev Sound VladislavShablygin,Yevgeni Borshchev Def Costume designRobert Def Production designRobert Director ofphotographyIgorShmelev Def Director andscriptwriterRobert 2012, Russia,27minutes,colour, 16:9,stereo 2012, Р FISHING РЫБАЛКА . П , а а , а а а а а а а а а , , а а а а а – а , , – а Д О а А а gets intosuchtroublethathe reallyfrightened. decides to replenish the stocks, and trusts the first best provincial taxi driver. And he But they have lost the source of pleasure, and without is, a rest is not a rest. The driver sleep and the four become easy prey, getting away with a small fright and a large fine. а а . а а , а а , , . В а а а а а , а . А а а а П РДК ФИЛЬМ П И Т , О аЦ ,И В а В :Н аВ ,Ра а а К а,С а а Э , М а И Ш ,Н а П а З В а а Ша ,Е Б К Р Д , 27 ., .,16:9,stereo Rauf and Rano Kubaev andRano Rauf И Ш Ра Ра К а Р Д а ). Х а а а Х а а ). Ка а (На С а а 1979 Р . Р , 02.. Fishing(short) 2012..... Welcome (doc) 2011..... Splinter(short) 2010..... Filmography: with hisdebutshort“Splinter”. 2010 – Kinotavr. Shorts in Participated fithe for Kubaeva. Rano by FIGA.RO lm (Nagorniy Karabakh). Production designer Director, artist. Born in 1979 in Stepanakert Р а а( / ) 2012..... Д а а ( .) 2011..... За а( / ) 2010..... Ф а : а . К ». «За а» а а «К 2010 В К а а). Ра ( «ФИГА.RO» ROBERT DEF РОБЕРТ ДЭФ А 2011, Р , 30 ., ., 1:2.35, Dolby ? а а, а а а : И , П П В : З М а О а THINGS RELATED СВЯЗЬ ВЕЩЕЙ when heisnotloved? or bicycle his off falls man a when painful: more is what know to curious is It Production Producers Cast: Sound Music Directors of photography Scriptwriter and director 2011, Russia, 30 min., col, 1:2.35, Dolby а Miriam Sekhon, Ivan Dobronravov Е а а Е а а Р а Viacheslav Zhukov Yekaterina Reshetnikova В а Ж В а М а С , М а Д а И а Olesya Deinega, Maxim Zykov VGIK М а М а , Ва Ма Ва М а , М а О Д а, З Ма ВГИК Mikhail Milashin,Mikhail Valeri Makhmudov Maxim Zykov Ма З Ма а а Л. Х а), РАТИ а (2004, а Р 1981 Ч . О 02.. Univer. ANewHostel (serial) 2012..... (short) Things Related 2011..... It SeemstobeOver, but 2010..... Filmography: “Escape 2”. fi and the “Escape” on lms crew second the of director as worked has He Kino”. prizes at the festivalwon of VGIK andalso at “Art it Critics; Film and Scholars Film of Guild the of mention special a as well as 2010, in competition Shorts and received the jury diploma at Kinotavr. won at the festival “Saint Anna” in 2011 be” not may it but over be to seems “It “Escape” and others. His directorial debut Gates”, “Burnt by the Sun 2: The Citadel”, “Stormy Kamikadze”, a fi of “Diary lms the in appeared V.Has and Rubinchik). Institute VGIK (2011, class of S. Soloviev Film the of faculty director’s the from Institute RATI (class of L. Kheifets), and Theatre the from Graduated Region). Born in 1981 in Chernogorsk (Krasnoyarsk У . Н а а а ( а ) 2012..... С ( / ) 2011..... Э а , , 2010..... Ф а : а «П »,«П 2» а а а Ра «А ». а ВГИКа , а а а Г а а . К 2010» а «К 2011», А а «С а а а » а а а , а , «Э Ц а », «П » . Е а», «У 2. «Г а а », «Д а С Р а). В. С а а ВГИКа (2011, а а С. МАКСИМ ЗЫКОВ MAXIM ZYKOV it maynotbe(short) ( / ) а а а
61 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 62 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS А Х A woman hunter has shot down a man flying in a formation with other men. She Alexander Ogorodov, Maxim Karankevich 2011, Р , 30 ., ., 16:9, stereo THE STORY EUGENIAANDME ABOUT СКАЗАНИЕ О НАС С ЕВГЕНИЕЙ S 2011, Russia, 30 min., colour, 16:9, stereo П Д О ,Т , Ка а Ма А а В : З М а О а а а , а а . а , а О а . а а, , а а Ж а . а а а а, а а а . О а а а . Н а , Ж а а а , remembers whatisirrevocablylost. man the and home, him takes woman hunter The down. falls man another but figun, the with out res, fl runs to woman manages The he up. arrives, y spring nurses him back to health and lays an egg. But he dreamed of the sky and, when Producer Cast: Sound Music Production design Director of photography criptwriter and director а Ка Liudmila Kruglova, Alexander Topuriya, Anna Telitsyna, Denis Toom, Karl Karl Ка Anton Bilzho Л а К а, А а Т , А а Т а, Т а, Т , А а К а, Л а А а Па Е Па На а А а а На а А Б А Nana Abdrashitova Pavel Emelin Anton Bilzho А Б Б А journalism of Moscow State University, М . О а Р , а . Р 1978 01.. TheStoryabout 2011..... Unavailable 2010..... DangerousLiaison 2010..... 2010..... MeetinginPerovo 2009..... Filmography (shorts): Liaison) and2011(Unavailable). (Dangerous 2010 in Kinotavr.Shorts in Participated copywriter. as then television, on and magazines papers, P. Finn, V. Fenchenko). Worked at news Scriptwriters (workshop of V. Khotinenko, from the Higher Courses for Directors and in 1978. Graduated from the faculty of Director, scriptwriter. Born in Moscow С а а а Е 2011..... Н 2010..... Да Л а 2010..... 2010..... В а П 2009..... Ф а ( / ): Л а ) 2011(Н ). (Да 2010 » К а «К а . а а . У а а Ра а а а , а а а ТВ, Х , П. Ф а, В. Ф ). а МГУ, ВКСР ( а а В. ANTON BILZHO АНТОН БИЛЬЖО Eugenia andMe Wandering Dawn Б а а А A story told in the fi rst person about the fate of a grown up violinist wunder grown up a of fate fithe the about in person told rst story A 2012, Р , 31 ., ., 1:1.85, Dolby A S 2012, Russia, 31 min., colour, 1:1.85, Dolby A В а а а Б а, М а а, Ба а, Ш а а, Ра а а.О , . О , О а а . а а. О а, . а а а, а а а а а а а. И , П П В : З CRACK ТРЕЩИНА Strauss, and Rakhmaninov isusedinthefiStrauss, andRakhmaninov lm. trance. About solitude, hopes and illusions. Music from Beethoven, Mozart, Bach, city.big recalci a and in humility and humiliation, art About in life uneasy the kind, who has gone from soloist to simple bandsman. About a midlife crisis. About Production Producers Cast: Sound criptwriter, director, director of photography а , , а Ruslan Gainulin С а К С а Sviatoslav Kulikov Р а Га Р а Anatoli Pukhalsky, Yulia Onichek Volshebnaya Gora Studio А а П а , Ю О П а , А а С «В а а»С А а П а П а А а Anatoli Pukhalsky ANATOLI PUKHALSKY За а , , , , За а А а А . 1974 Р 2012..... TheLesson(doc.) 2012..... Filmography (shorts): and worksinMoscow. fiamateur lives made 2006 Since lms. stories, wrote music, and painting in Born in in Alma Ata 1974. Has engaged 2012..... У ( .) 2012..... Ф а ( / ): а М . . С 2006 а а а а а , а ПУХАЛЬСКИЙ АНА ТОЛИЙ Crack Т а
63 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 64 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS И а , а а а Х Ма Па О а Е а а М а А а Р 2011, Р , .,11 ,1:1.85, а , а а а ; а а У а а . а И а а а а а, а а , а И а , а а . а А а . а а , , , а . а а а а , А а , а а а а , а Ж а И а Т , а а а . Н а for Ibrahim,because hefoundatruefriend. absolutely happy and for some reason with a huge box in his hands. A new life began out came He up. put been had notice the where gate the entered he and thing, good a be would this that decided and while a for thought Ibrahim notice. the on drawn was crocodile moreover,some FRIEND”; A “FIND letters: large in orange on white written notice a saw Ibrahim walk, a during once, But place? strange a such in them fihe would where indeed nd and friends, no had apparently he as alone, always was Usually he left on his old bicycle, occasionally he would get out his vintage car; but he moments, so he would not see or hear his neighbour and not be tempted by such theduring house trumpet.the fifrom a away had be he to since tried liked, he So nature. ne was audible; the result was a perfect cacophony. But a cacophony was not what Ibrahim course shouted at his wife. And they lived in an old, wooden house, where everything started to do repairs and importunately make sawing noises in the court yard, and of neighbour lanky his instrument, his out took he as soon as But trumpet. the play to liked who (Trumpeter), Trubich Ibrahim called man a lived there time a upon Once Music KirillLapardin Production designMariaPasichnik Abdel Fattakh Morad Director ofphotography Scriptwriter Yekaterina Moskaliuk Director IlyaUchitel 2011, Russia, colour, 11 min, 1:1.85, mono а а а а И а а, а а. И а . а а В а . а, а , , а : «ОБРЕТИ ДРУГА» а а а а . П а И а а , а а , Н . а а , , , , TRUMPET ANDTHEPUPPET ТРУБАЧ И КУКЛА З Ма За а М а К Ла а А Фа а М а И У Rock Films Production Rock Producer IvanVdovin Cast: Editing AlexandraFeshchuk Sound MaximZavgarov П ООО«ТПО«Р » П В :Ва К М а А а аФ Vasili Kleimenov И а В 02.. С 2012..... Т а а 2011..... С 2010..... Д а 2010..... Ф а ( / ) В.Ф ). Х В. ( а а ВГИКа С 02.. Striptease 2012..... TrumpetandthePuppet 2011..... Getfi2010..... lmed andperish Dirigible 2010..... Filmography (short) of V. KhotinenkoandV. Fenchenko). Student of the Film Institute VGIK (class ILYA UCHITEL ИЛЬЯ УЧИТЕЛЬ ХАРАКТЕРЫ А 2012, Р , 10 ., ., 16:9, stereo THE CHARACTERS S 2012, Russia, 10 min., colour, 16:9, stereo , , а а , а . В а а а а , а а а а , а , а а а , , а а а , В а а , а , а П В : О а internal artisticdynamic. interpersonal collisions which, despite the short duration, are saturated with an fifi This reveals psychological events. lm ne, the of outcome the and action of course the determine that characters different the by but stories, three all in same the is which situation, the defi by are not they ned microcosm; a in like а а . Simple human relations unfold in compressed temporal and spatial dimension spatial and temporal compressed in unfold relations human Simple Production Cast: Director of photography criptwriter, director, producer а , , Nikita Zholnerchik, Anna Dianova, Gleb Klishevich Н а Ж , А а Д а а, Г Д а а, А а Ж , Н а К С а С С а VGIK ВГИК Sultan Sukiev Rumi Shoazimov Р Ш а Р V. Menshov and V. Tumaev). In 2010 he Born in 1992 in Dushanbe, Tajikistan. RUMI SHOAZIMOV Р 1992 Д а , 2009 В Д а , Та а . 1992 Р 02.. TheChorister(in production) 2012..... TheCharacters(experiment) 2012..... TheBird(short) 2011..... 2010..... GameofFeelings (TV) 2010..... Filmography: in Dushanbe,“GameofFeelings”. made his first feature film for television of the Film Institute VGIK (workshop of In 2009 enrolled in the director’s faculty Х а( ) 2012..... Ха а ( ) 2012..... П а( / ) 2011..... 2010..... И а (ТВ) 2010..... Ф а «И а ». а ТВ В 2010 Д а ( а а В. М а В. Т а а). ВГИКа а а РУМИ ШОАЗИМОВ Shirin (doc.) Ш ( .)
65 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS 66 КИНОТАВР. КОРОТКИЙ МЕТР KINOTAVR. SHORTS Х На аГ а The vibrant and carefree life of four friends comes to an end after a mad night and a and night mad a after end an to comes friends four of life carefree and vibrant The Production OOO“MKProduction” Producers Kirill Kaganovich,ArturDilanian,MarinaGolub,MilaNovikova Cast: AlexanderParkhomenko, DanilaYakushev, DmitriLeshchuk, Editing DmitriSuvorov Sound AlexanderMaltsev Music StanislavLibman Production designNadezhdaGorbushina Director ofphotographyFedor Struchev Scriptwriter anddirectorDmitriSuvorov 2012, Russia,24min.,colour, 1:1.85,DolbySR О а А а 2012, Р , 24 ., .,1:1.85,DolbySR «Ш ». «В », а а , а , а а а а а , а . П а а а П а а «Ш ». THE WHORE ШЛЮХА is avictimofcircumstance. second is a non hero; the third is a rapper who has turned to religion; and the fourth the type; widespread most fithe The egocentric, generation. an modern is the rst of Whore” is a film in the genre of a black comedy, absurdity.where each hero is a collective image of “The theatre a into spectator the leads director The begun… just only it’s that suspecting without heroes, the of one flsays the over”, oor.“Everything’s fithey apartment, Wakingelse’s drama. someone after in up on “whore” dead the nd meeting with the “whore”. The festive enchantment unexpectedly turns into a morning . Т – , а . Ч – а . – В а . а а а , – П . а , а – а а а … Р а а а. «Ш а» а Я а а а а а а П ООО«МКП а » П К Ка а ,А Д а ,Ма аГ , М аН а В :А а Па ,Да аЯ ,Д Л , М а Д С З А а Ма М а С а а Л а AndreiBondarenko,Yekaterina Boyarinova Ф С А Б а ,Е а а Б а Д С , За а ВГИК. П . Р У Т а is hisfirst fi ction work. of documentary programs. “The Whore” number a on television on worked music clips, made editing; and direction in music and sound, and took a great interest on Worked VGIK. Institute Film the at Born in Udomlya (Tver Region). Enrolled а а а а. – “Ш а” а . а а а а а а , а а , ДМИТРИЙ СУВ DMITRI SUVOROV ОРОВ 67 СПЕЦКУРС СПЕЦКУРС SPECIAL COURSE
68 РОССИЯ В ЗЕРКАЛЕ МЕЖДУНАРОДНЫХ КИНОФЕСТИВАЛЕЙ МАСТЕР КЛАСС ТЕЛЕЖУРНАЛИСТА, КИНОКРИТИКА, КАНДИДАТА ИСКУССТВОВЕДЕНИЯ СЕРГЕЯ ШОЛОХОВА И ДИРЕКТОРА ПРОГРАММ ОРКФ «КИНОТАВР» СИТОРЫ АЛИЕВОЙ ПОКАЗ ДОКУМЕНТАЛЬНОГО ФИЛЬМА СЕРГЕЯ ШОЛОХОВА «РОССИЯ В ЗЕРКАЛЕ МКФ» “RUSSIA IN THE MIRROR OF INTERNATIONAL FILM FESTIVALS” MASTER CLASS OF SERGEI SHOLOKHOV (MA), TELEVISION REPORTER AND FILM CRITIC, AND SITORA ALIEVA, PROGRAM DIRECTOR OF THE OPEN RUSSIAN FILM FESTIVAL KINOTAVR SCREENING OF SERGEI SHOLOKHOV’S DOCUMENTARY FILM “RUSSIA IN THE MIRROR OF INTERNATIONAL FILM FESTIVALS” О а а а Ка , Б В – The selection of a fi lm for Cannes, Berlin or Venice is a rather а , а а а advantageous matter, because the fi lm immediately comes into а , а the fi eld of vision of selectors of other festivals, where there « а » а are no rules of the “right of the fi rst night”, or which present а . Л а а а а а а а information programs. Local festivals pay from $500 to $1000 $500 $1000. Е а а for the screening rights. If a fi lm is selected into the competition а а ( ), а of an A class festival (as those listed above), this almost always а а а а а а а Р , а а also guarantees a theatrical release in Russia and abroad, , а а а because buyers get publicity support (Cannes alone accredits ( Ка а а а 5 . а + over 5,000 journalists and television crew). Cinemas like to take ТВ). А а , fi lms which come with such support. Moreover, the competition а а а . К , of such festivals is prestigious, and this translates into producer а а – , interest in future investments, grants and funds. Television also а а , , views such fi lms favourably. The program director of Kinotavr, а . ТВ а Sitora Alieva, and the author of the fi lm “Russia in the Mirror of а а . Н а International Film Festivals”, fi lm critic and television presenter а а Sergei Sholokhov, will discuss some selection principles and the – а – а award policies at international fi lm festivals with young directors «К а а» С а А а а а «Р and other interested participants of Kinotavr in the form of a а МКФ», С Ш master class with questions and answers. а а а а а «К а а» а а а а а . РОССИЯ В ЗЕРКАЛЕ МКФ 1 СЕРИЯ «20 ЛЕТ В БЕРЛИНЕ» 2 СЕРИЯ «20 ЛЕТ В ВЕНЕЦИИ»
RUSSIA IN THE MIRROR СПЕЦКУРС OF INTERNATIONAL FILM FESTIVALS
PART 1: TWENTY YEARS IN BERLIN SPECIAL COURSE PART 2: TWENTY YEARS IN VENICE
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2012, Р , 52 ., ., а , 2012, Russia, 52 min., colour, cache, mono
А а С Ш Scriptwriter and Director Sergei Sholokhov П С Ш Producer Sergei Sholokhov П «П – К а» Production Petersburg Kultura
В 2012 20 , а а а СССР, In 2012 it will be twenty years that the successor of the USSR, the а Р , а country called Russia, has made itself known in the geopolitical а . К and cultural space. The largest fi lm festivals in the world, such as а а, а а Б В а , Berlin and Venice – advanced posts of western civilization, have а а , а turned their watchful eye on the reaction of Russian cinema to а а а а а а the changes that occurred in society. The purpose of this fi lm is а. Ц а to reveal what the defi ning factors were in the selection policy – а а , а а а of these festivals, which criteria they shared and which were а , а festival specifi c. Presenting the image of a new Russia to the , а а а а . world, what guided the selectors? Did their motivation change П а а Р , during the past twenty years and, if so, how and why? How а ? М а much did artistic interests cross over with political interests? 20 , а а, а ? To what extent did the selection policy of each festival chosen И а а а а for the case study coincide with the awards? Keeping track of ? А а а а а а the Russian presence at the Berlin and Venice fi lm festivals, а а а а а а which are by right considered the most prestigious fi lm forums, ? В а Б the fi lm undertakes not simply an archival, but an analytical В а а , а а journey into recent history. Moreover, both festivals function as а а а , а a mirror for those expectations which – by virtue of inertia or, а , а а on the contrary, hope – were experienced by the audience and а . П а а а а the press in relation to the new Russia. With concrete examples а а , , а , the fi lm shows the evolution over the past twenty years on this а а а а а major site of cultural interaction. Р . На а а а , а а а а 20 а а а а . ПРЕЗЕНТАЦИЯ КОРОТКОМЕТРАЖНОГО СЕРВИСА SHORT DELIVERY. ПОКАЗ ПРОГРАММЫ КОРОТКОМЕТРАЖНОГО КИНО «ЗА НОЛЬ»
СПЕЦКУРС PRESENTATION OF THE SHORTS SERVICE SPECIAL COURSE SHORT DELIVERY SCREENING OF THE SHORTS PROGRAM “FOR ZERO”
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Future Shorts – а “Future Shorts”, the world’s largest festival of short fi lms а а а , а 30 а and animation, which has already captured 30 countries а – а а а «К а » а around the world, presents at Kinotavr the program “For «За ». П а , а zero”. This is a selection of fi lms which have been made on а , а , sheer enthusiasm, without fi nancial or technical support, а : а а but which have gone around the whole world: they have а YouTube. «Ма а » created sensations at international festivals and gone viral on а а а а : , а YouTube. The “low budget” program reminds us that today, , а in order to be heard and understood by the spectator, one does а — а К . not need to wait by a sea of producers with a suitcase full of Ка а money, but one can simply make cinema. Each fi lm in the а а а , program shows the brilliant realization of most courageous а а ideas, be it a simple and sincere love story or an epic about а . Д а the launch of a space phone. Dozens of fi lms made for pennies а а а have already won international awards, thus convincingly , а а : – а . proving that the budget is not the main thing for cinema. Та а а а а In the context of this special course, the shorts service “Short а Short Delivery. Э И , Delivery” will be presented. This is a new Internet resource а Utopia Pictures ( а Future created by Utopia Pictures (the distributor of Future Shorts, Shorts, «Ша », Iron Sky…) Lookatme.ru. “Chapiteau Show”, Iron Sky) and Lookatme.ru. Са а а , а The site is a revolutionary development that will change а а the interaction of fi lm festivals and fi lmmakers forever. а а . У а а Considering the merits and fl aws of western services, Short а а а , Short Delivery а Delivery will provide a friendly infrastructure, giving authors а а а а of short and animated fi lms access to festivals worldwide— а а а а and vice versa. At the presentation of the Internet service а . На а we shall demonstrate the fi ve stages that will establish a а а а , а а 5 а market for shorts, so that the short fi lm will bring in money, а а . М а а , can be shown at large multiplex screens and broadcast on , а а television, and that is can become available on line legally а а , а а а ТВ, and fi nanced by people and fi lm fans. We shall create the fi rst а а а а а open exchange of intellectual property. We replace Russian а а . М а Mail and other services that devour resources and time. а We provide equal opportunities to eminent directors and . М П Р mobileographers revolutionaries from Malaysian villages. а . М а Maxim Kuzmin а а producer , а а а а . Ма К PRODUCTION & PROMOTION ЭМИЛИ КИРЬЯКИДИС PRODUCTION & СПЕЦКУРС PROMOTION EMILY KYRIAKIDES SPECIAL COURSE
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В а , а а Short fi lms are a vital feature of the fi lm and entertainment , а а а , landscape. In a digital age that is increasingly time pressed and а – , а а а information hungry, they convey ideas concisely and tell compact а . В а stories which can inspire, provoke and move audiences. For а а , , а . П the fi lmmaker, they are both a rite of passage and a valuable а , а а opportunity for creative growth. A contained environment , а а а а to develop worlds and characters, a framework within which а . Д а to showcase artistic talents, and a chance to forge new а а – а а « а collaborative partnerships. », , а а. О а , а а а, а а а а а а а а а а а а . К – а а , а а а а а . МАСТЕР КЛАСС РЕЖИССЕРА КОНСТАНТИНОСА
СПЕЦКУРС ЯННАРИСА MASTER CLASS SPECIAL COURSE OF DIRECTOR CONSTANTINE GIANNARIS
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К К а а Я а а а а , Constantine Giannaris’ cinema – extreme and realistic – а а . В , walks the tightrope of human reality. Without safety net, it а а, а , « а », – enters dysfunctional microcosms, deconstructing stereotypes, а а , а а а raising questions that are far from obvious. Issues of identity, а . race and gender, immigration, the “strangers”, the family – Я а . И all appear in the fi lmmaker’s crosshairs, refl ecting a world а , а free of embellishment and sentimentality. . И а , а Giannaris doesn’t stand apart from what is going on around а . Н Я а а . him. His intuition picks up on changes as they are happening. Б а а , а а And he hands them over to the audience, challenging it. а – а а а а. But before he challenges the viewer, Giannaris challenges Я а а а а . О а , himself. Through this personal involvement, his work а а , , а , а , а а . matures while always remaining faithful to the director’s Д а а , а intentions. Giannaris leaves nothing to chance. He knows а а а exactly what he wants to say and, more importantly, how а а , а to express it. Often, in his fi lms, the documentary fi lming , – а а а а а а style and the immediacy and coexistence of professional and . Г а а amateur actors as they interpret life experiences turn the а а , viewer into an accomplice. The boundaries between fi ction а . and reality seem to blur, allowing the fi lmmaker to bend the В а а а resistance of the audience. а а . О а , а In his fi lms, inner tension functions as the perfect alibi. It а , а а а а . И а а appears unshakeable, but once defused, it collapses in an а , а , а . instant. And along with it collapse all the constants, the Д Э taboos, the prejudices, the strongholds. Д МКФ Са а Dimitri Eipides Director, Thessaloniki International Film Festival
Э а а а а а а К а а Я а а а а 52 МКФ This article was written for the 52nd TIFF’s publication in Са а . a tribute to Constantine Giannaris.
В а а а а а а а а а а а «С а ». In the context of the master class the program of his avant garde shorts named “Travels” will be shown. СПЕЦКУРС SPECIAL COURSE
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Р а а. Р А а . Self taught fi lmmaker. Was born in Sydney, Australia to И а К У Greek parents. Studied History and Economics at Keel (В а ), а а а University, UK. His thesis on postwar Greek and Soviet а а history remained unfi nished because of cinema. Made his а а . В 1979 fi rst short “Eleni’s Funeral Day” in 1979. In 1987 he fi n а «П Э ». В 1987 – ished his fi rst notable work “Jean Genet Is Dead”. Directed а а «Жа Ж ». Ра а for Channel 4 and the BBC. After his feature fi lm debut а Channel 4 BBC. П а “3 Steps to Heaven” (1995) and despite its international а «3 а » а , success, decided to return to Greece. He is currently living Г . В а and working in Athens. а а А а . Ла а а а . His short and feature fi lms have won acclaim at many С а а international fi lm festivals, among others: *«З а а а» Д а , *Camera d’ Or “Directors’ Fortnight”, Cannes IFF, 1995 Ка – 1995 (3 а ) (3 Steps to Heaven) *Т а а , *Teddy Award for Best Short Film, Berlin IFF, 1991 Б МКФ – 1990 (Т ) (Trojans) *Т а а , *Teddy Award for Best Short Film, Berlin IFF, 1991 Б МКФ – 1991 (П а а (Caught Looking) а ) *Best Director & Best Film, *П а , а , Second National Film Award, Thessaloniki IFF, 1998 В а а а а , МКФ Са а (From the Edge of the City) (С а )
И а а а Select fi lmography 1989..... Жа Ж ( / ) 1989..... Jean Genet Is Dead (short) 1989..... Р а ( / ) 1989..... Disco’s Revenge (short) 1990..... Т а ( / ) 1990..... Silences (short) 1990..... Т ( / ) 1990..... Trojans (short) 1991..... Д ( / ) 1991..... A Matter of Life and Death (short) 1991..... За а а ( / ) 1991..... Caught Looking (short) 1991..... На ( / ) 1991..... North of Vortex (short) 1991..... Г ( , / ) 1991..... Greeks (TV) (short) 1992..... О а а : 1992..... A Desperate Vitality: The Films by П а Па Па ( / ) Pier Paolo Pasolini (short) 1995..... М ( / ) 1995..... A Place in the Sun (short) 1995..... 3 а 1995..... 3 Steps to Heaven 1998..... С а 1998..... From the Edge of the City 2001..... О а 2001..... One Day in August 2004..... О а Е : ( ) 2004..... Visions of Europe: Room for All (short) (segment) 2005..... За (За а а ) 2005..... Hostage 2008..... Gender Pop ( / ) 2008..... Gender Pop 2011..... Ч 2011..... Man at Sea РЕЖИССУРА АЛЕКСАНДР КОТТ
СПЕЦКУРС DIRECTING ALEXANDER SPECIAL COURSE KOTT
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К а – Short fi lms are a unique form of a personal statement. There а а а а . Н а is no SHORT COMMERCIAL cinema. Short fi lms are always КОРОТКОМЕТРАЖНОГО КОММЕРЧЕСКОГО . auteur cinema: a possible platform for experiments, for the К а а – а , search of fi lm language. Only in this format you can do what а а а а, а а. Т you REALLY want—especially now, when the opportunity а а ТО, ДЕЙСТВИТЕЛЬНО to make fi lms is open to almost everyone. Only in short fi lm . Т а , а а you begin to appreciate every second of the visuals. а а . Т а I have two dreams. The fi rst is that the attitude to short fi lms а а а а . changes in our country, so that it would no longer be seen У . П а – а а as a study project, a temporary stage, a certain step on the , way to the full length feature. And that a director of a short , а а , , а fi lm would not be seen as a director of the second degree. а. Ч Second, I very much hope that at last the Moscow Film а а а. Festival will run an offi cial selection of shorts, as is the case И а – , а а а М in Cannes, Berlin, and Venice… а а а а After all, cinema has started in the short form. а, а Ка а , Б , В … К – а . ДРАМАТУРГИЯ АЛЕКСАНДР МОЛЧАНОВ DRAMATURGY СПЕЦКУРС ALEXANDER MOLCHANOV SPECIAL COURSE
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С а , – а а а It is often thought that the short fi lm is a genre for beginners, , . М , , for students. The shorter the fi lm, the easier it is to make. . Н а , а , а а But in fact nobody considers, for example, the short story а , а . И to be a less respectable genre than the novel. Nobody would , а , а argue that it is as diffi cult to write a hokku as it is to write a а . К – 300 line poem. The short fi lm is an incredibly complex genre. а . А , , The author has to put, squeeze, and fi t into fi ve minutes а а а , а , а the portrayal of the heroes, the intrigue, the development , а , а – , of the story and its culmination, as well as the outcome: а а а а а а а . И everything that usually takes an hour and a half of screen time in the cinema. Moreover, the spectator has to understand а . and grow fond of the heroes, live a whole life with them in these fi ve minutes. КИНО НА ПЛОЩАДИ CINEMA ON THE SQUARE
76 КИНО НА ПЛОЩАДИ КИНО НА ПЛОЩАДИ CINEMA ON THE SQUARE
77 8 ПЕРВЫХ СВИДАНИЙ 8 FIRST DATES АВГУСТ ВОСЬМОГО AUGUST OF EIGHTH ВЫСОЦКИЙ. СПАСИБО, ЧТО ЖИВОЙ VISOTSKY. THANKS GOD I AM ALIVE ИВАН ЦАРЕВИЧ И СЕРЫЙ ВОЛК THE PRINCE AND THE BIG GRAY WOLF МАМЫ MUMS МАТЧ THE MATCH О ЧЕМ ЕЩЕ ГОВОРЯТ МУЖЧИНЫ WHAT ELSE MEN TALK ABOUT ШПИОН THE SPY 8 ПЕРВЫХ СВИДАНИЙ 8 FIRST DATES КИНО НА ПЛОЩАДИ CINEMA ON THE SQUARE
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2012, Р , 87 ., . 2012, Russia, 87 min., colour
Р Д Д , Са а Ма Directors David Dodson, Sasha Maliarevsky А а М а Са , Ю Scriptwriters Mikhail Savin, Yuri Kostiuk, К , Д Г , Ю М , Dmitri Grigorenko, Yuri Mikulenko, Timofei Sayenko, Т Са , В а З , Б Ш , Vladimir Zelensky, Boris Shefir, Sergei Shefir, С Ш , А Я Andrei Yakovlev О а Б Г Director of photography Bruce Green Х В а Р Production design Vladimir Rodimov К А а а Н а Costume design Anastasia Nefedova М а Б а а Ка Music Brian Carr М а Д Д Editing David Dodson В : В а З , О а а А а, Cast: Vladimir Zelensky, Oksana Akinshina, Д Н , Е а а Ва а а, Denis Nikiforov, Yekaterina Varnava, С а а Х а, Е К , Svetlana Khodchenkova, Yevgeni Koshevoi, Са а А а, И Ж , О Ж , Sabina Akhmedova, Igor Zhizhikin, Olesya Zhelezniak, В Ва , В Б , Ма П а Viktor Vasiliev, Victoria Bonya, Maria Petrovskaya П Е а а Г а , А Ра , Producers Yekaterina Gordetskaya, Andrei Radko, В а З , С Ш , Б Ш , Vladimir Zelensky, Sergei Shefir, Boris Shefir, А Я , Ва Ш а Andrei Yakovlev, Vadim Shushaniants К а Ма Ва Creative producer Marius Waisberg П П Ц «ГОРАД» Production Producers’ Centre GORAD and Studio «С К а а 95» а «Э а Ф » Kvartal 95 with participation of Etalon Film П а Ц а Па Distribution Central Partnership ДЭВИД ДОДСОН
М а , , , а . КИНО НА ПЛОЩАДИ «8 а » – а
а а а Р . CINEMA ON THE SQUARE
DAVID DODSON Film editor, director, producer and scriptwriter. 79 8 First Dates – his fi rst feature in Russia.
САША МАЛЯРЕВСКИЙ В а Н а а . О а а . Р . «8 а » В а – а а – а а а К а а, . а. Н а – а а – И , а а . И а а а а а . О а а SASHA MALIAREVSKY . В а – а . Director. “8 First Dates” is his directorial Н а – . Н В а Н а а debut. … Р , , а а а . Н , а а …
Г а , !
Vera and Nikita know nothing about each other. They have never even met. Vera is a successful television presenter and is going to marry Konstantin, a well known tennis player. Nikita is a vet and has proposed to Ilona, the managing director of a large clinic of plastic surgery. Their choices are fl awless and correspond to the norm. One evening they go out to celebrate their successful private life: Vera in the company of her girlfriends; Nikita with his friends. But in the morning Vera and Nikita wake up in the same bed… Having decided that this is the consequence of a too cheerful party, they part in haste and leave in different directions. But the next morning all this repeats itself, only the calendar days change… Wherever they fall asleep, they wake up together! АВГУСТ. ВОСЬМОГО AUGUST OF EIGHTH КИНО НА ПЛОЩАДИ CINEMA ON THE SQUARE
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2012, Р , 127 ., ., 1:2.35, Dolby Digital 5.1 2012, Russia, 127 min., colour, 1:2.35, Dolby Digital 5.1
Р Д а Фа Director Dzhanik Fayziev А а Ма А. Л , Д а Фа Scriptwriters Michael A. Lerner, Dzhanik Fayziev О а С Т Director of photography Sergei Trofimov Х В а Г , Ю Ф Production design Vladimir Gudilin, Yuri Fomenko К В а К , Л а Га а Costume design Vladimir Koretsky, Liudmila Gaintseva М а Р а М а Music Ruslan Muratov М а Д В Editing Dennis Virkler В : С а а И а а, Ма Ма , Cast: Svetlana Ivanova, Maxim Matveev, В а В , Е Б , А Фа , Vladimir Vdovichenkov, Yegor Beroev, Artem Fadeev, А Г , А а О , А а Alexei Guskov, Alexander Oleshko, Anatoli Bely, Б , С Га а , Ха а Ба , Г а К , Sergei Gazarov, Khasan Baroev, Gosha Kutsenko, Л В а, А а Л а Lydia Velezheva, Anna Legchilova П Д а Фа , Ф Б а , Producers Dzhanik Fayziev, Fedor Bondarchuk, И Ба Ilya Bachurin П ЗАО «ПК Г а » Production ZAO “PK Glavkino” П а Д а а В Ф СНГ Distribution Twentieth Century Fox CIS ДЖАНИК ФАЙЗИЕВ
Р , , а , а . КИНО НА ПЛОЩАДИ Р 1961 Та (У а
ССР). О а (1983, а CINEMA ON THE SQUARE а Б. Ч а) (1991, а а Ю О а) а ВГИКа. С 1995 а а а а ТВ, а «С а а », 81 «На 61 91. На а Э а». С 2002 – Д а П а а а. Ф а а 1986..... Ка Д (С а ) 1989..... Сi i i ? (В ?) 1991..... Ка 2000..... О а а а ( а ) 2001..... О а а а 2 ( а ) 2002..... Л ( а ) 2005..... Т а 2012..... А . В
DZHANIK FAYZIEV Director, producer, scriptwriter, actor. Born in 1961 in Tashkent (Uzbek SSR). Graduated as actor (1983, class of B. Chirkov) and direc tor (1991, class of Yuri Ozerov) from the Film Institute (VGIK). Since 1995 works for tel evision; director of programs such as “Old Ка а , а К а Songs about the Main Thing”, “Lately 61 91. а а а а : а, Т а а Our Era”. Since 2002 he is head of Film а , а, а , а, а а а Production of the First Channel. – а а а . В Director’s Filmography: , а , , К 1986..... Soup from a Dog а Т а а 1989..... Who are You? ! О , а , а а 1991..... Kammi Т а а а а, а а – 2000..... Request Stop (serial) . Н а а , а а а , 2001..... Request Stop 2 (serial) а а а а а а . 2002..... Ice Age (serial) На а а а , 2005..... Turkish Gambit а а а а . 2012..... August of Eighth
It seems that there is little room for drama in the life of the divorced Muscovite Ksenia: yes, her son Tyoma has suffered during the parental divorce; yes, her admirer is absorbed by his career; yes, her mum interferes with her private life – but these circumstances can hardly be called critical. Yet everything changes when her former husband, an offi cer in the peace keeping forces, wants her to send Tyoma to take a breath of mountain air in a lovely village in the house of his parents! He assures Ksenia that this is absolutely safe, and little Tyoma feel no fear, especially next to his daddy, a kind and invincible hero. But there comes the day when enemy tanks enter the town and the world of the most terrible computer games becomes reality. The computer dragons and malicious space demons from the computer screen suddenly come to life, involving real people in the fi ery orgy of war. ВЫСОЦКИЙ. СПАСИБО, ЧТО ЖИВОЙ VISOTSKY. THANKS GOD I AM ALIVE КИНО НА ПЛОЩАДИ CINEMA ON THE SQUARE
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2011, Р , 132 ., ., 1:2.35, Dolby Digital 5.1 2011, Russia, 132 minutes, colour, 1:2.35, Dolby Digital 5.1
Р П Б Director Petr Buslov А а Н а В Scriptwriter Nikita Vysotsky О а И Г Director of photography Igor Griniakin Х А а Ла а а Production design Anna Lazareva К Е а а Ша а Costume design Yekaterina Shapkaits М а Р а М а Music Ruslan Muratov З В а Л Sound Vladimir Litrovnik М а И Л Editing Ilya Lebedev В : О а а А а, А С , Cast: Oksana Akinshina, Andrei Smoliakov, Ма Л , А Па , В а И , Maxim Leonidov, Andrei Panin, Vladimir Ilyin, И а У а , Д А а а , С Б , Ivan Urgant, Dmitri Astrakhan, Sergei Bezrukov, С Ша , А а П а , А а А а, Sergei Shakurov, Alla Pokrovskaya, Anna Ardova, Ш а И а Shukhrat Igrashev П А а Ма , К а Э , Producers Anatoli Maximov, Konstantin Ernst, М а Ш , П Х , Н а П , Н а Michael Schlicht, Paul Het, Nikolai Popov, Nikita Vysotsky В Production Film Direction Joint Stock Company П ЗАО «Д К » а with participation of OOO “Production Value” ООО «П а В » Distribution Walt Disney Studios Sony Pictures Releasing П а ООО «У Д С С П Р » ПЕТР БУСЛОВ
Р , а . Р 1976 КИНО НА ПЛОЩАДИ Ха а . У а
а ВГИКа ( а а а а CINEMA ON THE SQUARE К. Ша а а а, а В. А а а). Ф а 2000..... Т а а а а ( ) 83 2003..... Б 2006..... Б . Ф 2009..... К а а ( а «С ») 2011..... В . С а , 2011..... Э 5ive ( / ) 2012..... Н а
PETR BUSLOV Director, actor. Born in Khabarovsk in 1976. Studied at the director’s faculty of the Film Institute VGIK (fi st in the workshop of K. Shakhnazarov, then with V. Abdrashitov). Director’s Filmography: 2000..... Heavy Work of Old Fates (coursework) 2003..... Bimmer 2006..... Bimmer 2 2009..... Crush (short story “Urgent Repair”) 2011..... Visotsky. Thanks God I’m Alive 2011..... Experiment 5ive (short) 2012..... There is Nowhere to Rush Ф а а а В а а В . М а а Г , а а . Э а а СССР ХХ а. Н а . О а , а а , а … М а , а, Г а Г .
A fi lm about one of the most dramatic periods in Vladimir Vysotsky’s life, showing him at the peak of his popularity. He is the best known Soviet man of the 1970s. But he is running out of steam: he is worn out, and no longer senses his talent, he can no longer write… Many participants of those events are still alive, and therefore all names have been changed, except for that of the protagonist. ИВАН ЦАРЕВИЧ И СЕРЫЙ ВОЛК THE PRINCE AND THE BIG GRAY WOLF КИНО НА ПЛОЩАДИ CINEMA ON THE SQUARE
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2011, Р , 80 ., ., 1:1.85, Dolby Digital 5.1 2011, Russia, 80 min., colour, 1:1.85, Dolby Digital 5.1
Р В а Т Director Vladimir Toropchin А а А а Б Scriptwriter Alexander Boyarsky Х Ма а К а Production design Marina Kudryavtseva М а Ва Ва Music Valentin Vasenkov З В а Г Sound Vladimir Golounin Р а : Н а Е , Та а Б а, Cast: Nikita Efremov, Tatyana Bunina, А С , И а О , В Artur Smolyaninov, Ivan Okhlobystin, Viktor Sukhorukov, С , Л А а а, С Га а , К а Liya Akhedzhakova, Sergei Garmash, Kristina Asmus, А , М а Б Mikhail Boyarsky П С С , А а Б , Producers Sergei Selyanov, Alexander Boyarsky, Ма У а Maxim Ukhanov П ООО «С а а Production Melnitsa Animation Studio, film company «М а», а СТВ, а СТВ, with state financial support from the Ministry of а М а РФ Culture of the Russian Federation and the Cinema Fund Ф а Distribution Nashe Kino П а На ВЛАДИМИР ТОРОПЧИН
Р , а а . Р 1964 КИНО НА ПЛОЩАДИ Б Н а .
В 1991 а а а CINEMA ON THE SQUARE а «Па а а», 1998 а а а «М а». Ка а а а а а , а «П И » «Ка Н ». В 85 2003 а а а , а а . В 2007 а а а а а . Ф а а 2007..... И М С Ра 2011..... И а Ца С В
VLADIMIR TOROPCHIN Director, animator. Born in 1964 in Borovichi, Novgorod region. In 1991 enrolled in the course for animators at the studio Panorama and since 1998 works at Melnitsa. As animator he has been employed on such projects as “Adventures in Emerald City” and “Little Longnose”. In 2003 he became director of the department of drawn computer games, and conducted courses for animators. In В а , а а а Ва а, а 2007 he debuted as director of full length а . В а а Ва а: а а, а – а animation cinema. а а, . М а Ва Director’s Filmography: а , а… а а . П а а 2007 … Ilya Muromets and Nightingale Robber а Ва а . А 2011 … The Prince and The Big Gray Wolf а , а И а а а. С а а а а , а а : а а а а , а а а И а а а а . И а И а С В Т а …
In a certain kingdom, in a certain country there lived Vasilisa, the Tsar’s daughter. Vasilisa was good all around: she was both beautiful and clever, yet she did not want to get married, but wanted to study. Vasilisa dreamed not of grooms, but… about a third higher education. The Tsar suffered prolonged anxiety before taking the decision to give Vasilisa in marriage to the next best man. And the fi rst man to come along was no chance encounter, but Ivan from the neighbouring kingdom. A fairy tale is quickly told, but events don’t happen that fast: it turned out not so simple to marry the Tsar’s daughter, and the Tsar punished Ivan. Ivan had to pass some incredible tests: with the help of the Grey Wolf he travelled to the thrice ninth kingdom… МАМЫ MUMS КИНО НА ПЛОЩАДИ CINEMA ON THE SQUARE
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2011, Р , 103 ., , 1:2.35, Dolby Digital 5.1 2011, Russia, 103 minutes, colour, 1:2.35, Dolby Digital 5.1
Р а а К К Editing Kirill Kozlov А а О а А а, Са А а , Scriptwriters Olga Antonova, Sarik Andreasian, Т К , А Н , И а П а а, Tikhon Kornev, Alexei Nuzhny, Irina Pivovarova, С Ка а Sergei Kaluzhanov О а А З Director of photography Anton Zenkovich Х Да Да а Production design David Dadunashvili К Г Ша а Costume design Gulya Shakhmilova М а И Д , Да С , А а Music Ilya Dukhovny, Darin Sysoyev, Alexander Yurpalov Ю а Producers Georgi Malkov, Gavond Andreasian, П Г Ма , Г А а , Sarik Andreasian Са А а Production Enjoy Movies П Enjoy Movies Distribution Karo П а Ка а ВЕДУЩАЯ THE PRESENTER Р Т К Director Tikhon Kornev В : А а а За , И В , Cast: Anastasia Zavorotniuk, Igor Vernik, Andrei Fedortsov, А Ф , С П а Sergei Pokhodaev
МАМА, ПОЛОЖИ ДЕНЬГИ MUM, RECHARGE Р А К Director Ashot Keshchian В : А Г , Н а Р а а, Cast: Alexei Gorbunov, Nina Ruslanova, Olga Tumaikina, О а Т а а, М а К , Ю Г а, Mikhail Krylov, Yulia Grishina, Ararat Keshchian, А а а К , И К Ilya Kostiukov
Я НЕ КОЛЯ I’M NOT KOLYA Р Ка О а Director Karen Oganesian КИНО НА ПЛОЩАДИ В : М а П , Е а а Ва а, Cast: Mikhail Porechenkov, Yekaterina Vasilieva,
А а О , С Га а Alexander Oleshko, Sergei Gazarov CINEMA ON THE SQUARE
ОПЕРАЦИЯ «М» OPERATION “M” Р Э а Са а а Director Eldar Salavatov В : Г а К , К Б а а , И а К , Cast: Gosha Kutsenko, Ksenia Buravskaya, Ivan Kokorin, А О , С Т Alexei Ogurtsov, Semen Treskunov 87
ОТЕЦ И СЫН FATHER AND SON Р Са А а Director Sarik Andreasian В : Е Б , Ра а а К а, Ма С Cast: Yegor Beroyev, Ravshana Kurkova, Mikhail Striukov
МОЕЙ ЛЮБИМОЙ TO MY FAVOURITE Р Д Д Director Dmitri Diuzhev В : С Б , Е а К а, Cast: Sergei Bezrukov, Yelena Korikova, Olga Volkova, О а В а, М а Ба а а , В а С Mikhail Bagdasarov, Vladimir Sychev
ОТКРЫТКА THE CARD Р Е А Director Yevgeni Abyzov В : Ма а Г , Ф Д а , Cast: Marina Golub, Fedor Dobronravov, И а Д а Ivan Dobronravov
НАПАРНИК THE PARTNER Р А а Ба Director Alan Badoyev В : Д Д , Л А а а, Cast: Dmitri Diuzhev, Liya Akhedzhakova, С а а Х а, П Ф Svetlana Khodchenkova, Petr Fedorov
Ка 8 а а Р Every year on 8 March Russia’s telephone systems transmit а . Т millions of calls and SMS messages. Hardworking analysts а а а , а have calculated that the overwhelming majority of phone а а а а а calls is to the most important woman in the life of each а а – а а . man: the mother. М , а а а а а We have grown up: prepared applications and bouquets of , а , – fl owers bought purely for mum’s pleasure are long forgotten а а . О а habits of childhood. Henceforth we congratulate our mums а : а , а , in an adult way: we wait until they wake up and dial their а а . phone number. Н , а а But what if there were a collapse, and due to overload the а ? И а , . Ч telephone network would fail? No connection. What is to be а ? К а , а а , – а done? Some will wait until it’s been restored and congratulate а а . А , а in the evening or even on the next day. Others, as the heroes а а а а а, а , of our fi lm almanac, will change their plans and congratulate а а … ... their mums on the day, personally, as they did as children! а ! Eight different congratulations and situations. Eight different В а а а . MUMS. В а МАМ. МАТЧ THE MATCH КИНО НА ПЛОЩАДИ CINEMA ON THE SQUARE
88
2012, Р , 118 ., , 1:2.35, Dolby Digital 5.1 2012, Russia, 118 minutes, colour, 1:2.35, Dolby Digital 5.1
Р А Ма Director Andrei Maliukov А а Т С , Д Scriptwriters Timofei Sergeitsev, Dmitri Zverkov, З , И С а, И Н Igor Sosna, Ilya Neretin О а С М а Director of photography Sergei Mikhalchuk Х А а Т а , А а а Д Production design Alexander Tolkachev, М а И а Б , Р а Г Alexander Drobot М а Га а К а Music Ivan Burliayev, Richard Gorovits В : С Б , Л а Б а , Е а а Editing Gabriella Cristiani К а, С а а Б а , О а С а, А а Cast: Sergei Bezrukov, Liza Boyarskaya, К а , Н а Т , Д Ма Yekaterina Klimova, Stanislav Boklan, Ostap Stupka, П Д К , И Н Alexander Kobzar, Nikita Tezin, Dirk Martens Т С Producers Dmitri Kulikov, Ilya Neretin, П «Р С а» Timofei Sergeitsev П а Ц а Па Production: Racoon cinema Distribution Central Partnership АНДРЕЙ МАЛЮКОВ
Р , а , . На КИНО НА ПЛОЩАДИ а РФ (2004 .), а а Г а
. а Ва (1980). CINEMA ON THE SQUARE Р 1948 Н . О а ВГИКа (1971, а а Е. Д а а). И а а а а: 89 1977..... В а 1981..... 34 1990..... Д а а ! 1995..... Я а 2000..... И а ( а ) 2004..... Д а ( а ) 2006..... Г а ( а ) 2008..... М 2010..... П ( а ) 2012..... Ма
ANDREI MALIUKOV Director, scriptwriter, producer. People’s Actor of the Russian Federation (2004), winner of the Vasiliev Brothers’ State Prize (1980). Born in Novosibirsk in 1948. Graduated from the director’s faculty of the Film Institute VGIK (1971, class of E. Dzigan). Select Director’s Filmography: 1977..... In the Zone of Special Attention 1981..... Express 34 1942 . Н а Ра , а а а «Д а », 1990..... Do it, once! а – , А а 1995..... I’m a Russian Soldier 2000..... Empire under Impact (serial) . 2004..... The Saboteur (serial) А а а а Н а а, … 2006..... Stormy Gates (serial) 2008..... We are from the Future Н а а а а а 2010..... Runaway (serial) В а а. Ра а а 2012..... The Match а – а , а , а Р !
1942. Nikolai Ranevich, a goalkeeper and star of Dynamo Kiev, loses the most precious things in life: his freedom, his beloved Anna, and the opportunity to play football. Anna saves Nikolai from captivity, but now they cannot be together… Then the Germans organise a football championship between local teams and the Wehrmacht team. Ranevich gathers his friends and once again goes onto the pitch to play for honour, love, and the motherland! О ЧЕМ ЕЩЕ ГОВОРЯТ МУЖЧИНЫ WHAT ELSE MEN TALK ABOUT КИНО НА ПЛОЩАДИ CINEMA ON THE SQUARE
90
2011, Р , 98 ., ., 1:2.35, Dolby Digital 5.1 2011, Russia, 98 min., colour, 1:2.35, Dolby Digital 5.1
Р Д Д Director Dmitri Dyachenko А а С П , Л Ба а , Scriptwriters Sergei Petreikov, Leonid Barats, Р а Ха Rostislav Khait О а А Д а Director of photography Andrei Debabov Х В Н Production design Viktor Nikonenko К Г а Ма а Costume design Gelena Martemianova М а а «Н а а » Music by “Neschastny Sluchai” З Р а Х Sound Roman Khokhlov М а Д Д Editing Dmitri Dyachenko В : Л Ба а , Ка Ла , А а Cast: Leonid Barats, Kamil Larin, Alexander Demidov, Д , Р а Ха , Е а П а а , А а Rostislav Khait, Elena Podkaminskaya, Alena Babenko, Ба , Е а а В а, В а Ха , А а Yekaterina Vilkova, Vitali Khaev, Anatoli Bely, Б , А Ма а Alexei Makarov П А а Ц а , С П , Producers Alexander Tsekalo, Sergei Petreikov, Р а Ха , Л Ба а Rostislav Khait, Leonid Barats П К а «С а» Production Film Company Strela П а Ц а Па Distribution Central Partnership ДМИТРИЙ ДЬЯЧЕНКО
Р . В КИНО НА ПЛОЩАДИ В а В
ВИППК ВГИК . CINEMA ON THE SQUARE И а а а 2005..... А а а ( а ) 2006..... К а (ТВ) 2006..... Л а а (ТВ) 2008..... Д а 91 2009..... 9 а . Л ( а «О а ») 2009..... О 2011..... О
DMITRI DYACHENKO Director of cinema and television. Graduate of the Voronezh Institute of Arts and the Higher Courses for Directors and Scriptwriters. Select Director’s Filmography: 2005..... The Adventurer (serial) 2006..... Doomsday (TV) 2006..... Love on the Cutting Edge (TV) 2008..... Radio Day 2009..... 9 May. Personal Attitude (novella “Explanatory Note”) 2009..... What Men Talk About 2011..... What Else Men Talk About
Та , а а 31 а а . Ка ? К , а а . О ? К , а – а а а , а , а а а а , а 20 , , а а , а , а , а « »…
Through ridiculous circumstances our heroes spend the entire day of 31 December together. How do they spend this time? Of course, in conversations. About what? Of course, about women – a theme that is inexhaustible; and they talk about how it has suddenly become diffi cult to talk with girls who are over twenty years younger; and why a phone is sometimes better held with the display downwards; and how to leave a mistress in good time; and even how you write “in general”… ШПИОН THE SPY КИНО НА ПЛОЩАДИ CINEMA ON THE SQUARE
92
2012, Р , 104 ., ., 1:2.35, Dolby Digital 5.1 2012, Russia, 104 minutes, colour, 1:2.35, Dolby Digital 5.1
Р А А а Director Alexei Andrianov А а В а Ва Scriptwriter Vladimir Valutsky О а Д А а Ра Director of photography Dennis Alarcon Ramirez Х В П Production design Viktor Petrov К С С , Ма Ю Costume design Sergei Struchev, Maria Yuresko М а Ю П Music Yuri Poteenko В : Ф Б а , Да а К , Cast: Fedor Bondarchuk, Danila Kozlovsky, В Т а а, А а Ч а , С Viktoria Tolstoganova, Anna Chipovskaya, Sergei Gazarov, Га а , В а Е а , В В , Vladimir Yepifantsev, Viktor Verzhbitsky, Alexei Gorbunov, А Г , Д На а Dmitri Nazarov П С Ш а , Л В а Producers Sergei Shumakov, Leonid Vereshchagin П Т а а «Р », «Т Т », Production TVchannel Rossiya, Studio TriTe, а М а РФ with financial support from the Ministry of Culture of the Ф а Russian Federation and the Cinema Fund П а Ц а Па Distribution Central Partnership АЛЕКСЕЙ АНДРИАНОВ
Р , а . Р 1976 . КИНО НА ПЛОЩАДИ О а а ВГИКа
(2006, а а Ю. Н ), ВКСР (2009, CINEMA ON THE SQUARE а а В. Х , В. Ф , П. Ф а). П shorts . Ф а 2002..... В ( / ) 93 2007..... Fun Time ( / ) 2008..... Фа а М а а ( / ) 2009..... П Б а И.С. ( / ) 2012..... Ш
ALEXEI ANDRIANOV Director, cinematographer. Born in 1976. Graduated from the cinematography faculty of the Film Institute VGIK (2006, class of Yu. Nevsky), Higher Courses for Directors and Scriptwriters (2009, workshop of V. Khotinenko, V. Fenchenko, P. Finn). Prize winner of short fi lm competitions. Director’s Filmography: 2002..... A Day Off (short) 2007..... Fun Time (short) 2008..... Fata Morgana (short) 2009..... The Last Day of Bulkin, I.S. (short) 2012..... The Spy
В а 1941 а. В М а а а а а . Ц а а Г а — а С а а а а а а Г а а С С . С а а О а Д а а а. С а а а , а .
Spring 1941. In the centre of Moscow an intense duel of two investigations unfolds. The purpose of Hitler’s secret operation is to misinform Stalin about his plans for a German attack on the Soviet Union. Major Oktyabrsky and Lieutenant Dorin work against ingenious fascist espionage. A battle set against the background of great history in the glow of a future war. ПОЧЕТНЫЙ ПРИЗ ОРКФ «КИНОТАВР 2012»
94 ПРИЗ PRIZE TO КАРЕНУ KAREN ГЕОРГИЕВИЧУ SHAKHNAZAROV ШАХНАЗАРОВУ FOR OUTSTANDING ЗА ВКЛАД CONTRIBUTION IN В РОССИЙСКИЙ RUSSIAN FILMMAKING КИНЕМАТОГРАФ И AND FILM INDUSTRY – КИНОИНДУСТРИЮ TO FILM DIRECTOR РЕЖИССЕРУ, WHO MAKES US КОТОРЫЙ REMEMBER THAT НЕ ДАЕТ НАМ ЗАБЫТЬ, CINEMA IS A GREAT ЧТО КИНО – ILLUSION ЭТО ВЕЛИКАЯ ИЛЛЮЗИЯ
ПРИЗ ВРУЧАЕТСЯ НА ЦЕРЕМОНИИ ОТКРЫТИЯ 23 ОРКФ «КИНОТАВР» 3 ИЮНЯ 2012 ГОДА THE PRIZE IS PRESENTED AT THE OPENING CEREMONY OF THE 23RD ORFF “KINOTAVR” ON JUNE 3, 2012 95
КАРЕН KAREN ГЕОРГИЕВИЧ GEORGIEVICH ШАХНАЗАРОВ SHAKHNAZAROV Р , а , . Р 8 1952 а Director, scriptwriter, producer. Born in Krasnodar on 8 К а а . О а ВГИКа July 1952. Graduated from the director’s faculty of the Film (1975, а а И. Та а а). С 1976 а а а Institute VGIK (1975, class of I. Talankin). Since 1976 has а а «М ». worked as director at the fi lm studio Mosfi lm. Since 1987 art С 1987 а — Т director of the Creative Association Start at Mosfi lm, which «С а » «М », has been bee renamed in 1990 into Courier. а 1990 «К ». Since 1991 until the present day art director and Chairman С 1991 а а of the Board of the studio Courier at Mosfi lm. Since 1998 П а П а General Director of the Film Studio Mosfi lm. «К » К а «М ». С 1998 а – а К а «М ». *За РФ (1997). Honoured Artist of the Russian Federation (1997) *На а РФ (2002). *People’s Artist of the Russian Federation (2002) *Ла а Л а (1986, а а *Winner of the Lenin Komsomol Prize (1986, for the а а а ). development of the genre of musical comedy) *Ла а Г а РФ (2002) а *Winner of the State Prize of the Russian Federation in «З а». 2002 for the fi lm “Star” *Ч Е а а . *Member of the European Film Academy *П а *Prize winner of national and international fi lm festivals а .
Ф а а: Director’s fi lmography: 1975..... Ш а , а ( / ) 1975..... Mend your Pace, Maestro (short) 1979..... Д 1979..... Good natured People 1983..... М а а 1983..... We are from the Jazz 1985..... З Га а 1985..... Winter Evening in Gagri 1986..... К 1986..... The Messenger (The Courier) 1988..... Г З 1988..... Zero City 1991..... Ца а 1991..... Assassin of the Tsar 1993..... С ( А.Б ) 1993..... Dreams (with A. Borodiansky) 1995..... А а а 1995..... The American Daughter 1998..... Д 1998..... Day of the Full Moon 2001..... Я , В а а 2001..... Poisons, or the World History of Poisonings 2004..... В а С 2004..... A Rider Named Death 2008..... И а 2008..... The Vanished Empire 2009..... Па а а №6 2009..... Ward No. 6 2012..... Б 2012..... The White Tiger 96 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI а а а РАССКАЗЧИК , а а а а а а а а а , В ). а а а «М » ( а а а ) ( а » « а а а а а, а «М » а а а Ша а а а Ка а П . , а а а а а , а , а а Ша а а . , , а а а В . а а а а а а К а , а а а , а . а , а а а Ша а а а, а а , О а .) а а а а , а а а , (Г а . а . На а а . а а а а. – «М » В а а а а , а . а а а а Ша а а а. В а а Ка , dream. – а а « а» « » а В а , а а Ша а а а Ка а а , а а , а а а а а , а Г а «А а » Е В – , а а а . а а … а Б Т … Г , , а , а а а а На , И а а … а а а а, С Ю … а а а, а Па З » – . «Г Н а . а а а а, , а а а а а а а ХХ С . а Б А а а а а , а , а а В а 1993 а «С » а К а а , , С Ла THE STORY TELLER various television shows). This being as it is, fiour (Mosfidescendants and fi makes lms factory lm actual lm an as and (several excursions take place around the studio every day) museum a as both alive factory” “dream Soviet the kept and Mosfiruin from rescued lm who manager, successful the as today about talked largely is Shakhnazarov Karen fact “ZeroCity”isalsoadream. beginning of the 20th century were quite attractive. But in The dreams about perestroika of a Russian aristocrat at the fi their lms. conceive Borodyansky Alexander playwright the and he where workshop his to us admitted he when stories, such of creation the of mechanics the unravelled director the “Dreams”, 1993, fi of well known lm his In by theunexpectedlymagiccoreinmosttrivialevents. often there is a sudden semantic shift and we are fascinated very but plots, realistic chooses Shakhnazarov witches. or screen. His films contain no magic transformations, sorcerers,the on told he stories the of essence mystical the rendered the aspiration and skill of the then still young director who by amazed was I ago, century a of quarter a almost Once, our cinemaasdirector. reflmust we and fiect for done has he what about all of rst However, now Mister Shakhnazarov’s 60th birthday approaches just grumbleandshowdiscontent.) contemporaries our that ago time long a grasped I because descendants, our about here speak (I spaces. parking car with accommodation elite high rise to way given not and preserved been have grounds cinema holy these that fact fithe will for responsible man the to justice do to way a nd After all,thecurrentMosfilm isalsoourdream. All these are dreams, told with detailed and taste. If Godard tsar’s the is he thinks who madhouse the in patient A Our “grandeillusion”. and givesusadream. dreams, our and Shakhnazarov,his by us tells he which in might be the best way of defining the genre of the best films and night dream (son) is rendered with the same word. This In the English language the concept of daydream (mechta) which cannot be discovered in our everyday contact with it. Karen Shakhnazarov’s dreams we see that truth of our life of each in then future, distant the and planet distant a is it that “Alphaville”believe in we and city modern a shoots he startedthewar… tanks and chasing the White Tiger… Hitler, explaining why Naidyonov,Ivan of god the to talking reborn, and perished poisoning… of history world the with intertwined is which drama, family a with man murderer,young Yurovsky…A Curator oftheprogram,film historianandcritic Sergei Lavrentiev
97 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI 98 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI Х А а Р 1975, СССР, 22 ., / О а MEND YOURPACE, MAESTRO ШИРЕ ШАГ, МАЭСТРО а Ц О а Ф а а Э а а а а а Ва Ш а П Ма Са , С , Н а В а В : М а И На а Г Б , А Н а Г а, В а Ш В а Ка Ша а а Н а У а Н а “М ” Ка Ша а а Film willbescreenedattheGalaOpening Adaptation ofVasili Shukshin’sstoryofthesametitle Production Nikolai Smirnov, Vladimir Marenkov Cast Music Production design Director of photography Scriptwriter Director 1975, USSR, 22 minutes, b/w : Georgi Burkov, Nina Grebeshkova, Alexei Safonov, Igor Nazaruk Karen Shakhnazarov Mosfilm Karen Shakhnazarov Nikolai Usachev Vladimir Shevtsik Х А а Р 1983, СССР, 89 ., . WE AREFROMTHEJAZZ МЫ ИЗ ДЖАЗА О а Ша а а а а . М , а а а а 20 . О а а М а а а а а П Ла а Б , Б а Д а Е Е , Л К а , Ц а а, П А , Щ а , Н а Е а В : М а З М а Л 1983 а а а * Д МКФ Л ,Ч а , Б а (1984) * С а а МКФ Л , 1984 * С а МКФ а * “С а ” Г ,1984 И а И а З а А а К А а И С , А а Па а Ч , И А а С , Л М Л В а Ш В а Ка Ша а а К а Ф Ф К а “М ” А а Б , Ка Б , А а Yevgeni Yevstigneev, Leonid Kuravlev, Borislav Brondukov, Averiushkin, Petr Shcherbakov, Yelena Tsyplakova, where they overcome several obstacles on the way music in the to1920s. They dream of glory and go to Moscow,recognition. Musical comedy about a group of young enthusiasts of jazz Production Larisa Dolina Cast: Editing Sound Music Production design Director of photography Shakhnazarov Scriptwriters Director 1983, USSR, 89 min, colour Bestfilm of1983accordingtoasurveythe journal * DiplomasatIFFLondon,Chicago,Belgrade(1984) * SilverMedalatIFFLodz,1984 * SpecialJuryPrizeatIFFofMusicalFilms * Soviet Screen in Grenoble,1984 Igor Skliar, Alexander Pankratov Cherny, Nikolai Anatoli Kroll Inna Zelentsova Lidia Milioti K aren Shakhnazarov Mosfilm Alexander Borodiansky, Karen Konstantin Forostenko Alexander Shevtsik
99 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI 100 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI Х А а :«М а а а а ?» а а а а а : а а , Н , . Р 1986, СССР, 88 ., ., / COURIER КУРЬЕР О а а а , а а а а а а На 80 , а а, а . А а П М , Е а А а Па а Ч , В а К а, А а И а Ч а, С а а О Ба а , В : М а З М а К Л 1987 а а а * Г а а РСФСР Б а * П а а ВКФ * С а а МКФ М ,1987 * «С а » Ва , 1988 Т , 1987 В а Ш В а Э а А Ф Д а , А а а Н а, А а а Ф Д а , Л М Л В а Ч а Н а Н Н а К К а Ф Ф К а а Ша а а “М ” А а Б Б А а Yevdokimova Alexander Pankratov Cherny, Vladimir Menshov, Alevtina during theirfirst meetingwhetherhecancallhimdad. face impenetrable an with father her way,asking own his daughter.professor’s in the her Well,courts courts and he lies ahead. For now he just works as a courier, plays the fool service Army over,the is school approaching; are 80s The Production Basilashvili, Inna Churikova, Svetlana Kriuchkova, Cast: Editing Sound Music Costume design Production design Director of photography Scriptwriter Director 1986, USSR, 88 min, colour, widescreen Bestfilm of1987accordingtoasurveythe journal * “Vasiliev Brothers”StatePrizeoftheRSFSR,1988 * JuryPrizefortheBestYouth FilmatIFFTbilisi, 1987 * SpecialPrizeatIFFMoscow, 1987 * Soviet Screen Fedor Dunaevsky, Anastasia Nemoliaeva, Oleg Eduard Artemiev Vitali Shmelkin Lidia Milioti K aren Shakhnazarov Mosfilm Alexander Borodiansky Vera Chiaureli Konstantin Forostenko Nikolai Nemoliaev Х Л а К а а А Р 1988, СССР, 103 ., . ZERO CITY ГОРОД ЗЕРО О а Ка Ша а а а . а , а Ва а В . а , – Да а. а Та , Ва а а. а Э а. а а – а , а а а . О а , а П «С »МКФ Ва ,1989 * а а , а а , а а М а Ва а И П “М ” Е , А Жа ,П Щ а В а М ,А Д а а ,Е В :Л Ф а , О Ба а , М а Л М З И Ма М а Э а А К В аР а а * С а ( «Т » * П а а а а а * П Е а а а а а * Г а «З Х »МКФ Ч а ,1989 * А а а С а)МКФ Б а , 1990 (К.Ша а а ) К а «С »,1989 а МКФ Са Ма ,1989 П а СССР а а «О а » (1991) а А а Б , Н а Н Ка Ша а а A business trip takes the engineer Varakin from Moscow to to Moscow from Varakin engineer the takes trip business A Yevstigneev, AlexeiZharkov, Petr Shcherbakov leave thetown. to impossible is it that learns Varakin Finally over. and over engineer’s consciousness. More is to come: the absurdity multipliesnobody, Varakin.for except fi the Thus the in happens shift rst the director’s reception room. This juicy circumstance surprises in secretary naked completely a is factory the at sees he thing fiHowever,the parts. spare rst delivering stopped has factory local the fi why to out supposed nd is he where town small a Production Mosfilm Menshov, ArmenDzhigarkhanian,Yevgeni Cast: LeonidFilatov, OlegBasilashvili,Vladimir Editing LidiaMilioti Sound IgorMayorov Music EduardArtemiev Costume design Production designLiudmilaKusakova Director ofphotographyNikolaiNemolyaev Scriptwriters AlexanderBorodiansky Director KarenShakhnazarov 103min,colour 1988, USSR, PrizeofSilverEaratIFFinValladolid, 1989 * SovietNominationfortheOscarAward (1991) * SpecialJuryPrize(sharedwith“Shooting Gallery”by * PrizeforthecreatingofanActing Ensemble(Karen * PrizeoftheEuropeanAssociationforScienceFiction * MainPrize(GoldenHugo)atIFFinChicago,1989 * Árpád Sopsits)atIFFBergamo, 1990 Shakhnazarov) attheFF“Sozvezdie”, 1989 for theBestFilmatIFFinSanMarino,1989 Vera Romanova , KarenShakhnazarov
101 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI 102 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI А а Б А а Х А Р , А В а Р , А А А И , П А М , Д а а , а а а а а . М а а а М а . а а а а а О а Ка Ша а а а ... а а . Н а а . а , , Ка , а : а , а а а а, а Р Р М В : М а З М а К П а П Б П Н , Ва Жа ,А Ю Ш , Г а ( В а а * Р 1993, Р , 79 ., DREAMS СНЫ П “З З ” а * а а,1993 Х «Ма а ») КФ«О Е »,1993 И Ма К «К »,К «К а » А а К А а О Ба а , А а М а, А а О Ба а , Л М Л В а О аР а а, А а Б Б Л Л С Ка Ша а а , А а А а Ка Ша а а , К а Ша а а , а Ша а а , К «К », К Р А а Б , Б , А а Andrei Rostotsky, Andrei Vertogradov Valeri Nosik, Alexei Zharkov, Yuri Sherstnev, Armen Dzhigarkhanian, Arnold Ides, Petr Merkuriev, A mysterious link is established between pre revolutionary pre revolutionary between established is link mysterious A Distribution Production Producers Cast: Editing Sound Music and simplesolution... fiprotagonists unexpected the an But nd vision. delirious this of rid get to impossible seems It homeland. his as recognizes spectator,course, the of which country absurd improbable, an dream: dreadful same the have hall dining residential a from dishwasher a and countess young A Russia. post Soviet and Costume design Production design Director of photography Karen Shakhnazarov Scriptwriters Directors 1993, Russia, 79 min, colour GrandPrix(sharedwith“Makarov” byVladimir * PrizefortheBest “GreenApple–GoldenLeaf” * Production Design,1993 Khotinenko) at“Window toEurope” FF, 1993 Oleg Basilashvili, Amalia Mordvinova, Anatoly Kroll Igor Mayorov Lidia Milioti K Karen Shakhnazarov, Alexander Borodiansky Kurier Film Studio, Roskomkino aren Shakhnazarov, Alexander Borodiansky Kurier Film Studio, Krupny Plan Studio Alexander Borodiansky, Vera Romanova, Alla Oleneva Leonid Svintsytsky Boris Brozhovsky
АМЕРИКАНСКАЯ ДОЧЬ А а Х Д Р 1995, Р Ка а а , 98 ., AMERICAN DAUGHTER О а , а а а... , , , а а Р а а а а а . А а а а а Ва а а, Д а а а а. а а а Е а, Ма А а а а а . Са Ф а , а Ва а а М а П а К «К »,«К а » (Ка а а ), а Р П К «К »,«Ка а а » П Ма Б а , Д Д ,Д М Ш а, А Д а а ,С Э ,Д Х , В :В а Ма ,Э У , Ма М а Л М З И Ма М а А а К К Са аЛ ,В аР а а П а (Э У ) – * С а МКФШа а , 1995 * П П а а * МДКФ А ,1995 (Э У ) ОРКФ “К а ”,1995 Б Г В а Ш Ка Ша а а А а Б , Ка Ша а а Varakin, the musician of a Moscow restaurant, arrives in in arrives restaurant, Moscow a of musician Varakin, the have workedoutifthegirlhadn’tfallenill... father, and probably their plan of returning to Russia would with him for her native country. Aniuta runs away with her return to ready and him towards drawn is she father; real a rich American. The girl at once recognizes Varakin as her secretly taken away by his former wife Elena, who has married San Francisco to kidnap his daughter. Little Aniuta has been Distribution (Kazakhstan) withparticipationfromRoskomkino Production Kurier FilmStudio,Karavan Producer BorisGiller Hayes, MalcolmBrownson,JenniferDavies,DaleMorris Shukshina, ArmenDzhigarkhanian,StevenEpp,Johnny Cast: VladimirMashkov, AllisonWhitbeck,Maria Editing LidiaMilioti Sound IgorMayorov Music AnatoliKroll Costume design Production designDevonDerby Director ofphotographyAlexanderShevtsik Scriptwriters AlexanderBorodiansky Director KarenShakhnazarov 1995, Russia Kazakhstan,98min,colour PrizeforBestActress(AllisonWhitbeck) atIFFin * SpecialPrizeatIFFinShanghai, 1995 * PrizeofthePresidentialCounciltoperformer * Artek, 1995 FF Kinotavr, 1995 the mainrole(AllisonWhitbeck) attheOpenRussian Kurier FilmStudio,Karavan Sasha Levinson,Vera Romanova , KarenShakhnazarov 103 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI 104 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI А а А , Н а Н а а, Ма а Н а Н а а, А , А а Х А а О а Р 2000, Р , 106 ., ., Dolby SRD POISONS, ORWORLDHISTORY OFPOISONING , а, а а ! а , , а а – а В а. а аВ О а , а а В а . а а а а а а а а а , а – , Н а а а а ! Т , П П Ф Ла , Ш ,И а Ма Т Е аЕ а а К а, О а, Ка а а, Ю А а а , О ,Н а Е а Ф а, Па , А Ка а а, Л а Т а а, О а Ба , А а Д а а, Жа а В : М а З М а К И ЯДЫ, ИЛИ ВСЕМИРНАЯ * Г а «Ж а а» ОРКФ «К а », 2001 СТОРИЯ ОТРАВЛЕНИЙ Г а а М а а а Г а а А а К А а И а А а , О Ба а , И а А а , О Ба а , Л М Л С а а Т а С а а В а К В а Ка Ша а а Ка Ша а а Л а К а а Л а К “М ” А а Б , Ка Ша а а Yuri Osherov, Yelena Fomina, Alexander Andreevich, Nika all atthesametime! lover,wife, poison to determination the mother in law and show to task: minor a accomplish to has one company able fithe to pens remark this join to Indeed, protagonist. lm’s hap as Poisoners, Great of Club the to straight you lead rible poisons of all times and nations. Otherwise this could habit of carrying around a dozen bottles with the most ter strange the has who pensioner, kind a like looks locutor Never talk to strangers! Especially when your casual inter Production General Producer Obukhova, Ivan Lakshin, Fedor Shelenkov, Timur Matsiev Nikolaeva, Marina Kazankova, Yekaterina Klimova, Yelena Liudmila Kasatkina, Andrei Panin, Nikolai Afanasiev, Dudanova, Alexander Bashirov, Olga Tumaikina, Cast: Editing Sound Music Costume design Production design Director of photography Scriptwriters Director 2000, Russia, 106 min, colour, Dolby SRD * Grand Prix “Pearl of the World”, at Open Russian FF Kinotavr, 2001 Ignat Arkachkov, Oleg Basilashvili, Zhanna Anatoli Kroll Gulsara Mukataeva Lidia Milioti K aren Shakhnazarov Mosfilm Alexander Borodiansky, Karen Shakhnazarov Svetlana Titova Karen Shakhnazarov Liudmila Kusakova Vladimir Vladimir Klimov а Ф а а а а а Ф а а Х А а Р 2008, Р , 105 ., ., 1:1.66, Dolby SRD THE VANISHED EMPIRE ИСЧЕЗНУВШАЯ ИМПЕРИЯ , а а . , , М а 1973, а , а П а а а П Г а И В а А Д а а , О а Т а а, Е К , И а Ка а а, Я а Ба а , В : М а З М а К О а П а а МКФ«Фа а » * С а а а «В а , * П «З О » а * П «З О » а * (П а ), 2009 Р !», 2008 а а (А Д а а ),2008 а , 2008 Г а а М а а а Г а а “Ка а ” К а Ш К а А а Л , Л М а, М а, Л Л , А а И а К а А а О а, Т а А а С а а Ша Б Ша Ка Ша а а Л а К а а Л а К “М ”, С Р , Е Н Ка Ша а а Agency of Culture and Cinematography Yegor Baranovsky, Ivan Kupreenko, Yanina Kalganova, by experienceandtime. tested love and make to choices self, the of search painful Moscow, 1973, a classical love triangle, romantic adventures, Distribution Production General Producer Olga ArmenTumaikina, Dzhigarkhanian, Vladimir Ilyin Cast: Editing Sound Music Costume design Production design Director of photography Scriptwriters Director 2008, Russia, 105 min, colour, PrizeforBestScreenplayatFantasporto FF * Specialprizeofpress,“Vivat, FF, Rossia” 2008 * GoldenEagleawardforBestSupporting Actor(Armen * GoldenEagleawardforBestDirector, 2008 * (Portugal), 2009 Dzhigarkhanian), 2008 Alexander Liapin, Lydia Miliuzina, Konstantin Shevelev Gulsara Mukataeva Irina Kozhemiakina K aren Shakhnazarov Mosfilm, with participation of the Federal Karo Sergei Rokotov, Yevgeni Nikishov Alla Alla Oleneva, Svetlana Titova Karen Shakhnazarov Liudmila Kusakova Shandor Berkeshi 1:1.66, Dolby SRD 105 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI 106 ЛЕТНИЙ ВЕЧЕР В СОЧИ SUMMER NIGHT IN SOCHI Х А а С а А а А «К а . К » С а а а а а а … Н , а 53 а а а Г а. а В а а а 1944 В а а а «Б ». К а , а а а , В : К О а 2012, Р , 15 ., . ENCIRCLEMENT В ОКРУЖЕНИИ А В ,А Е Ба а , Д А , В а Н В а А , Д А а К А а С Ф а Ка Ша а а Author of the idea and director Special screeninginframeworksof“Kinotavr. Shorts” defended themselves, and the Soviet army tightened the ring… General Gollwitzer in the Vitebsk of area. corps The army Germans 53 fi encircled army Soviet ercely the 1944 June In rated inthefinal cutofthefi lm “The White Tiger”. fiShort incorpo been not has that footage from created lm Cast: Costume design Production design Director of photography 2012, Russia, 15 min., colour. Alexei Vertkov, Yegor Baranovsky, Anna Sinyakina Dmitri Andreev, Vladimir Nikiforov Sergei Fevralev Alexander Kuznetsov Karen Shakhnazarov 107 108 КИНО ОБЕТОВАННОЕ PROMISED CINEMA а а », « а а »… КИНО За СССР Р СССР За а . , а а О а . Я а а . На а Га , а а Л а. а а а а Ха а В а а И а . О а а а . а а . П а – а , . П Н а а а С , а , а а а а а. а Я И а Г а , а а . К Ф а а а а а а а а . Па Л , М О а – Ка а а а а а а … а , а , а а а а Ка . а а а И а . Ка а а , а а Ка Ка . а , Ма а. И а а а а а а». Б : « а а «а О а : . а а а . Ка , а , И а а , , И а . а , – а а , а , а а а а а И а , а а а а а а а, а а а а , , а а Н . И а а а . Б , а , И . а И . К а . Н а а К а а . , С а , Ма , П П К И С . , а а Т а Г « » , а а , а а , . Н , а а а , а а , а а а а , а а , а а « а ». На , а – С а а»«Д а» «Д а а а : В «Л О ».) а а а а а а а а а а , , (И И а . а , а а а а – а а а а Н Т А а. а а В К а а , ,
С Ла And here, at last, in Israel, I have seen how Jews really really Jews how seen have I Israel, in last, at here, And Jews. Officially: “agents of American imperialism and world Last October I visited Israel for the fithe duties for The Israel time. visited rst I October Last their soilspecial. surprising country and tremendous people, who have made However,a discovered I happened. better much something places remainedbeyondourhorizon. holy the of majority the but Galilee, across and Nazareth to taken were we Once tourism. for room much leave not did Haifa fi in the festival at lm member jury critics’ a of CINEMA cinema is one of most interesting and so full of perspective. the questions why the Jewish state is so successful. Why ThisIsraeli Israeli retrospective in Sochi tries to provide an answer to masters ofthescreen. and Japan take pleasure in co producing films with Jewish program. Film businessmen from France and Germany, Italy fiIsraeli an see to pleased is festival every Oscars: its in lm and Bears Lions, fi and small Palmsindustry. their lm of How they forced the film world to be dazzled by the success from say,unfriendly neighbours… let’s land, the protect to joy and honour an it blossom and trees bear fruit. How each young man considers How hard they had to work in the deserts to make gardens Israel. revive to world the over all from fellow believers of millions country the to back bring to managed have they How language. dead a revived have they How Mohammed. where they have lived for a thousand years before Jesus and manage everything. How they managed to return their soil and “theJewsalwayshavethebest”. Zionism”. Common parlance: “Jews can manage anything” about notions certain to used got have contemporaries my Russia and USSR the in life fi of For years fty something And to become what the Jewish people are today: proud, proud, today: are people Jewish the what become to And happy andbeautiful. its citizens to get rid of the sense of being a pursued nation. helped and Israel prospering and modern a of cornerstone kibbutz do not challenge the unbiased fact that it became a But even the most furious and, in general, fair critics of the in Israelisnotatallenthusiastic. Moreover, today’s attitude to the phenomenon of the kibbutz and people did, as we will see in the films of the retrospective.new life on the old soil. It was possible to leave the kibbutz; threat of death. The kibbutz has arisen from a thirst of the life: under constructed were farms collective Communist Ма , Pol Pot and Kim Ir Sen (Kim Jong Il) did not achieve. Stalin, what achieve to managed Herzl, Theodor Zionism, “general” children, the clearer it the becomes why the with father of dances round doing nurses the and ground dry the ploughing people the of faces the watch we longer the fi North Korean But and lm propaganda. Nazist Stalinist, of us remind will life socialized the and work socialized of pleasure the showing chronicles newsreel the time to time eulogy of the “Israeli collective unilateral farms”. no is On the there contrary, – Pupils” from“Stalin’s feature the and In these pictures – the documentary “Children of the Sun” in October”) our former citizens under the painfully familiar title “Lenin (An exception is perhaps the charming comedy about life of the basis of which modern Israel has experienced its revival. on community agricultural Jewish the kibbutz, the in life from Tel Aviv. Instead, each of the films presented tells aboutThe program contains almost none of the recent festival hits Curator oftheprogram, film historianand critic Sergei Lavrentiev 109 КИНО ОБЕТОВАННОЕ PROMISED CINEMA 110 КИНО ОБЕТОВАННОЕ PROMISED CINEMA YALDEI STALIN /STALIN’S DISCIPLES А а Х Х Я Х ДЕТИ СТАЛИНА О а Р 1987, 91 И а , ., . а а . а С а , а а, а а а К а . а С С а а а П П В : М а М а Ха а А Ха а Ш Та Ра Д , Й Ка , Ш Ш , Д , Й Ш Ра Ка , Га Да Д Э а На а Л а На а Е а С а Doron Eran Га Да ,Л а На а with shameandconfusion. crimes his faces now and Stalin, admired who shoemakers loyal to socialism. The confusion is shown through the Kibbutz The death of Stalin led to an ideological crisis in a Kibbutz Production Producer Hugo Yarden Cast Editor Music Nadav ProductionLevitan design Director of photography Scriptwriters Director 1987, Israel, 91 min., colour : Rachel Dobson, Yossi Kantz, Shmuel Shiloh, Chava Alberstein Shimon Tamir
Doron Eran Doron Eran Gadi Danzig, Nadav Levitan Eva Skajo Gadi Danzig Ха а А Ха а Ш М А Да , Ба а , Та ,Да С а, Х А а а . а Д а. а а а а а. Б , а , а, . Д а а а а Ра . а а а , а а а а а а, 90 а а а Д а И а П П В : М а М а О а 1997, 84 .,И а , . EIN SHEMOTALHADLATOT /NONAMESONTHEDOORS НЕТ ТАБЛИЧЕК НА ДВЕРЯХ а На Ха а На А а А а Л а М А а а , А П , Д А П , Л А , М А а а , Ва Б Ва А А Г а А а А а Б , У Са а Alternative Productions, а На а Л а На а Assi Dayan, Meir Swissa, Dani Bassan, Shlomo Tarshish, ries, that occur simultaneously. Among them, a friendship simultaneously.a occur them, that Among ries, The crumbling of the kibbutz is expressed through five sto establishment. its of root the at were which values human socialist its lost has and Westernvalues capitalist adopted has kibbutz the which in era an 1990’s, the Takesin place Production Producers Chava Alberstein for hismentallyretardedson. fifather another while girlfriend son’s dead his love to nds ance of a strange woman and a mourning father is attracted between two bachelors comes to a tragic end with the appear Cast Editor Music Production design Director of photography Director and scriptwriter 1997, Israel, 84 min., colour : Moscu Alcalay, Avi Pnini, Dorit Lev Ari, Nahum Heiman Anat Lubarsky Anat Bikel, Uri Sabag Alternative Productions, Israeli Film Fund Ariel Glazer Valentin Belonogov Nadav Levitan 111 КИНО ОБЕТОВАННОЕ PROMISED CINEMA 112 КИНО ОБЕТОВАННОЕ PROMISED CINEMA А А а а , , , а а а а. Н а а И а – П П Ца Ш , Э а В а В : О а 1999, 50 И а , ., . MIVTZA SAVTA /OPERATION GRANDMA ОПЕРАЦИЯ «БАБУШКА» а . аН а а . – а а а а а . П а а а а Б а Т а а: а А , «О а «Ба а» а 1999 * а а а а . «О » И а А а Ра Х , С а , А Ха Ха Ша А а Б , У Са а Paralite Productions Ltd
Д Ша and mishapscomplicatethingswithhilariousresults. mistakes of series A title. the hence – operation military a have to work on a tight schedule so he plans the burial like day,same they that for set operation security secret a has beloved grandmother in the kibbutz cemetery. Because Alon Idan’s point of view. The three brothers want to bury their from told is story The guide. tour wimpy a (22) Idan and electrician; brilliant offia army (30), nonsense Benny cer; The story revolves around three brothers: Alon (34), a no a (34), Alon brothers: three around revolves story The Production Producers Einat Vitzman Cast Director of photography Director and scriptwriter 1999, Israel, 50 min., colour SincewinningtheIsraeliAcademyAward in1999, * biggest cultfilms. “Operation Grandma”hasbecomeoneofIsrael’s : Rami Hoiberger, Ami Smolarchik, Tzach Shpitzen, Anat Bikel, Uri Sabag Paralite Productions Ltd Yaron Scharf Dror Shaul ADAMA MESHUGA’AT /SWEETMUD А а Х О а 9 2006, И а Г а Ф а Я , БЕЗУМНАЯ ЗЕМЛЯ . а а а а а , а а а Ма а . – а Е И а . а 70 а, а а Д П К а Ф а Й а Р , Э а Т а , П Г Ша А , Га , Га За В : М а М а К Ч «О »И а А а * Б а «Са » 2007 * «Х а » Б МКФ 2007 * 7 ., ., 1:1,85 а , а а а –2006: а , Ц Ф , А Р а Ц Ф , А И аа С а И аа Т Р С а , Ю , С а Э С а Р а Д А а А А а Ша Д Ша , Ша , Sirocco Productions Д Д Ша tive community. collec their by abandoned been effect, in has, mother his that reality stinging the and equality of motto kibbutz the between navigates Dvir rules, rigid by bound community realizes that his mother, Miri, is mentally ill. In this closed On a kibbutz in southern Israel in the 1970’s, Dvir Avni (12) Production Edgard Tenembaum, Philippa Kowarsky Producers Henri Garcin, Gal Zaid Cast Editor Music Costume design Production design Director of photography Director and scriptwriter colour, 1:1.85 2006, Israel Germany France Japan, 97 min., Four OphirAward (IsraeliAcademy forFilmand * GrandJuryPrize,SundanceFilmFestival 2007 * “CrystalBear”,BerlinInternationalFilmFestival 2007 * and bestsound Television): Bestpicture,music, Bestartdirection : Tomer Steinhof, Ronit Yudkevitz, Shai Avivi, Tsoof Philosof, Adi Rennert Isaac Sehayek Sharon Shamir, Dror Shaul, Johannes Rexin, Sirocco Productions Rona Doron Avishay Avivi Sebastian Edschmid Dror Shaul 113 КИНО ОБЕТОВАННОЕ PROMISED CINEMA 114 КИНО ОБЕТОВАННОЕ PROMISED CINEMA YALDEI HASHEMESH /CHILDRENOFTHESUN А а Р 2007, 70 И а , ., . / , stereo ДЕТИ СОЛНЦА И а . а а а а , а 30 70 . Ф , а а , а а а , Э . а а , а О ». « а а а а Э а. 20 а а а Д П П М а З М а С Ф а а а * П М а а * П «О »И а А а * П а а * –2007 а (FIAT/IFTA) –2008 а а –2008 а аМКФ И а –2007 А К А А Б А Б Р Г а Ра Та А Ха , А Ка , А Ра Ха , А Та LAMA Ра Та , Р Г а The film is a collage comprised of over eighty amateur films collective one. the with family traditional the replace to aspired that ety the “New Man”. They were educated in an ideological soci ing mythsoftheZionistmovementinIsrael. fascinat most the of one about story super of form a trait, por public very and personal very a both creates compiled 1930 1980. The tapestry of materials from which the film between is kibbutzim the at shot was that footage rare and century fithe 20 of early Children the in born were kibbutzim rst Production Producers Editor Sound Music Scriptwriters Director 2007, Israel, 70 min., colour & b/w, stereo SevenPrizesoftheIsraeliDocumentary Filmmakers´ * FIAT/IFTA Award. * OphirAward (IsraeliAcademyforFilmandTelevision) * Bestdocumentaryprizeandeditingat * Forum for Bestdocumentary Jerusalem FilmFestival 2007. Avi Belleli Alex Claude Ron Goldman to youthful parents and were destined to become to destined were and parents youthful to Ran Ran Tal Amir Amir Harel, Ayelet Kait, Ran Tal LAMA Ran Ran Tal, Ron Goldman th
А аа П , Д Ш Ш П , Д А аа П М , И а А а А а Р 2010, 50 И а , ., ., 16:9, stereo LENIN BEOCTOBER/IN ЛЕНИН В ОКТЯБРЕ . а В . а а а а а Г а а а В а Л а, а а а . Н . а а Г а . а а , а . О а Г . Д а а а а В а а П П С К , А Г а , Ф а , В а В : М а М а О а Е Р а А Б Э А а А а С , Ж Ф , А а Е Р а З Б Та Л , Ч М а , Та Л , М а , Ч UCM – United Channels Movies А а К а , К а , А а Julia Schifter Avishag Milo, Yitzhak Peker Vladimir Friedman, Avi Grainik, Steve Kotler, Yevgeni Ruman their ideologicalbeliefsand valuesashumanbeings. In the end, the heroes of the film will have to choose between series of bizarre events and encounters with strange people. opening the restaurant. The search for the statue leads to a Grisha can’t find a bust of Lenin, a necessary condition for to. him tell they ideology any to restaurant the dedicate to of Communism. Grisha accepts the condition he’s prepares the inheritance is that the restaurant be dedicated the values he may open a restaurant. The uncle’s condition for granting life. The uncle bequeaths all his money to his nephew, so that The sudden death of a rich uncle in Russia changes Grisha’s Production Producers Cast Editor Music Director of photography Scriptwriters Director 2010, Israel, 50 min., colour, 16:9, stereo : Alexander Senderovich, Geny Fleysher, Avi Benjamin Ernest Aranov Evgeny Ruman Tami Leon, Chilik Michaeli, Avraham Pirchi, UCM – United Channels Movies Arkadi Krasilshikov and Ziv Bercovich 115 КИНО ОБЕТОВАННОЕ PROMISED CINEMA 116 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” Х а а Х »); а , а а а («П а») Г а , а а а а а . а а а а а , а а 35 а Ф Dolby. . О а а а а . а а , а а а а , а – а П а а , , К Ф а (24 а – 4 а 2012 .). а а 34 М а а а а а», Л . «Н а а а 2006» «Н Э . а а а , а а а «К а » а Г а Г а а («С а , а а А а»). а а а а а а , а а а а а а а а («На Н а »), а а а а («П а а»), – а а а а а . П , а , а , , а а а а а а , а («Х а а»). В , а а а а, М »); а («Я а («Ба а »); а, а а а, а а а Па »); Са а а («П а а а а а а а («Д »); а а а («На а а а а , С а. В а «Н 2006» а Н ГОД ГЕРМАНИИ А «КИНОТАВРЕ» , а , а а Ва Ка а а Г а а Ка а Ва , а а Г а а а а а а а а а. Ц а а . М С а : а ), , а а , а а а , а а, а а а а а ( На а К а а. Б а а а а а а а а а, Ба а , Е а а German Films С а а а В а а а а а а С а а . а а «К а 2012» а а а а а а а Д , а а («Па а»). а а а а а а а («А а »); а , а а а а а а а а а а а : а «Ц а а» а («С а »), а а а а а а а а а а а а а Л »). П а а а : а «Ка («Д » а а а а Ш а 20 а а а а а а; а а а а а а «Ц а а» – а а , а «П » Х а; « а » «М » – а а, а а «Н », а а а , а а », «Н Р а а На а Н а AT KINOTAVR years, and on the other hand to look at films of German students OF GERMANY THE YEAR an ethnographicandsocialaspect. from also view,but of point cinematic purely a from only not interesting and standard, professional and qualitative high a with the use of Dolby. They are in the best sense of the word of students at German film schools. The films areOne shouldall highlight themade high technological on level 35mmof the work of international of festival selectors. and compatriots their of eyes the through prospect for development of young German cinema over the last the see to hand one the on allows program the of concept The Films inClermont Ferrand (24January–4February 2012). FestivalInternational 34th the at presented Short “Crush”, of produced in the last year, “Soirée allemande. Coup de Coeur” – fiof selection a and 2006” Generation “Next collection the lms of short student works created over the last 5 6 years: these are The Year of Germany is presented at Kinotavr by two programs a demongrievingforlove(“MyDatefromHell”). of the hero; and the less pretentious but amusing parable about hallucinations coloured brightly by replaced are play shadow a Man in Nirvana”), where refined black and white silhouettes in objects (“Promenade d’après midi”), and also animation (“Our selection includes an experimental fifi fiBesides lm, an etude withthe ction changing event. lms, single a around constructed program fithis course work made solidly classical, presents story whole, a with lms the On Skin”). (“Cold freedom own of expense the at friend her protecting girl a Multiverse”); the save (“I’ll universe the save to trying man young a (“Bazar”); car old an buying when himself outwitted has who employee Pauli(“St Forever”);mid management stadium a football a at worker fantasy obsessed a (“Home”); robbers imaginary from home their protect to trying or (“Delivery”) smog city the on exhausted by sexual fantasies (“In the Field”); old men choking teenagers rural of are protagonists the cross section society.Among German broad a presents 2006” Generation “Next Waléra Kanischtscheff; and to the director of the Russian State We express our heartfelt thanks to Simone Baumann, the promoter standard ways of thinking, perhaps. Many non of the fiby united is lmmakers it are mood; and subject matter fi style, in lm), fifi (four lms, two animated fi genre ction in varied lms, a documentary and an experimental more even is which shorts of eight program a is Allemande) (Soirée Evening” “German The Museum ofCinema,NaumKleiman. Festival, Film Short Berlin the of section European Eastern the of curator and actor,producer the to advice; valuable for association “German Films”, for making available the films and of German cinema in Eastern Europe and representative of the in thenearfuture. Kinotavr 2012 — to make our own prognosis for its development but they also give us an opportunity — in the year of Germany at cinema, German young of past recent the or present the about These two different programs of German shorts speak not only autistic world(“Paulina”). with a friend pulls a painfully reddening, hung up girl from her on a remote farm (“Armadingen”); for a short time the meeting other each alongside lived have who people old two in feelings romantic awakens unexpectedly asteroid an with collision a of threat the about message the world: modern the in man of to a torture chamber. The central theme there is the loneliness it country,comparing a of image phantasmagorical a creates Force”) (“Centrifugal dissident East German fithe about lm Fools”);of (“Symphony dogs nodding into turn documentary a aspiring to please the boss, the sales agents of foolish car gadgets Raise the Moon”). Modern society is seen in a Kafkaesqueto “How and House” (“The manner: animation to in resound Švankmajer down right 1920s the of avant garde French the fi of lms professor from German expressionism; echoes of the surrealist Brain Project” is a witty hoax, reviving the image of the obsessed Hitchcock’s “Birds”; the popular science project “The Centrifugeto sequel fioriginal entomological an an than much lm so not is shot in a scientific experimental biological institute, and it is fithe Flies” Cinematheque: “The the lm of children obviously Russian programmecurator Natalia Nusinova 117 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” 118 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” GENERATION ПОКОЛЕНИЕ СТУДЕНТОВ КИНОШКОЛ OF GERMAN НЕМЕЦКИХ STUDENTS SCHOOLS Н ОВОЕ NEXT FILM 2006 2006
Although (or better because) Tarek is so friendly and especially А П П К а Ш а В : О а Ма а К BAZAR БАЗАР decision withfatalconsequences… A Tarekproposes. what of opposite the quite do to decides instead “Ali”. He this trust doesn’t just Bernd courteous. Bernd is about to buy a car from the used car dealer Tarek. Production Klaus Stiglmeier Cast: Producer Director of photography Mathias Kraemer Directors and scriptwriters 2005, 3 min. 9 sec., colour, 1:1.85, Dolby Stereo Та . Э а … а а , Б «А ». На , а ( а ), а а Та а. И Та а а а Б 2005, 3 . 9 ., ., 1:1.85, Dolby Stereo а Michael Jaeger, Doreen Dietel, Hakan Can, М а Е , Ка , Д М а Ха а Д , Elke Keck Э К а Э К Bavaria Film / Munich Bavaria Film / Munich Ernst Kubitza Markus Sehr, Ма З , А а Production Ortrud Spahlinger Cast: Producer Director of photography Scriptwriter Director 2005, 6 min, b&w, 1: 1.85, stereo , а а – . а а а а а а а . И а а С а П У Га , О Ш а В : П О а Р 2005, 6 ., / , 1:1.85, НOME HEIM ДОМОЙ a rudeawakening. gets and burglars against tries house his man defend to old desperately An face: to hard is truth the Sometimes Hannes Stelzer, Katinka Auberger, Ulrich Gall, Marc Brummund Ха Ш ,Ха А ,Ка а Katharina Dufner Т а В а Ма Б Ка а а Д Hamburg Media School/ Hamburg Christina Toellner Hamburg Media School/ Hamburg К а Т Thomas Vollmar AUF DEMFELD А а Fernsehakademie (dffb) Berlin П П Э Р В : О а the factsoflifemeetaChinese girl whoshowsthem. Three thirteen year old village cowboys who want to know Fernsehakademie (dffb) / Berlin Production Evi Riecken Cast: Producers Director of photography Scriptwriter Director 2005, 9min30sec,colour, 1:1,85,DolbySR . , а а , а а а Т а а , а Р 2005, 9 . 30 , ., 1:1,85, Dolby SR IN THEFIELD НА ЛУГУ Wahja Malik, Sebastian Kinder, Philip Jahn, Philipp Wolf Ва Ма , С а К , Ф Я , К , Ф С а Ма , Ва Ю а А а а Ф В Ф Senta Menger, Oliver Fleischmann З а М , О Ф а Deutsche Film und Elke Sudmann Deutsche Film und Э З а Julian Atanassov 119 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” 120 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” А Animation. John, a rock star, is plying a concert with his with concert a plying star,is rock a John, Animation. “Konrad Wolf” (HFF/B)/Potsdam Babelsberg Production Producers animation Director, scriptwriter, director of photography, 2006, 11 min, colour, 1:1.85, Dolby Digital SR . а а , а а а Р а а А а . Д “Konrad Wolf” (HFF/B)/Potsdam Babelsberg П П Я К 2006, 11 ., ., 1:1.85, Dolby Digital SR OUR MANINNIRVANA В НИРВАНЕ НАШ ЧЕЛОВЕК has tofacehiswishesanddeeds…. he There Nirvana. to gets and accidentally dies He band. а , , а , а а Jan Koester Holger Lochau, Ole Nocilaisen Hochschule fuer Film und Fernsehen Х Л а ,Х О Н а Hochschule fuer Film und Fernsehen
An umbrella, a young woman and her shoes get whirled whirled get shoes her and woman young a umbrella, An А П Р : К Ва а around onawindyafternoon. Production Cast: producer Director, scriptwriter, director of photography, 2005, 2 min. 35 sec., b&w, 1:1.85, Stereo . , а П . В 2005, 2 . 35 ., / , 1:1.85, PROMENADE D’APRÈSMIDI ПРОГУЛКА ПОЛУДЕННАЯ ПОСЛЕ а , , а , Astrid Rieger А Р А Claire Walka Hoschule fuer Gestaltung/ Offenbach Hoschule fuer Gestaltung/ Offenbach
А а . О а а а а О А а . А Animation. An old man lives a lonely life under the dark dark the under life lonely a lives man old An Animation. Institut fuer Mediengestaltung Production Music by animation, producer Director, scriptwriter, director of photography, 2005, 9 min., colour, 1:1.85, Dolby Digital а . , а а. О а а а Institut fuer Mediengestaltung П М а 2005, 9 , ., 1:1,85, Dolby Digital DELIVERY ПОСЫЛКА package which gives him the ability to change his environment. shadows of industrial smog. One day he receives a mysterious а , , а , а а , А а Х , А а Ма а Х Andreas Horsnschuh, Matthias Hornschuh Т Н а Т frameboX/Mainz, Fachhocschule Mainz/ frameboX/Mainz, Fachhocschule Mainz/ Till Nowak more than is just a club stadium song: football “ You’ the of ll never motto walk alone”… the that realize him makes fiand him haunts man dead the of ghost The peace. no nds the stadium. And even after the funeral, the groundskeeper work, when he suddenly finds a dead fan on the grandstand of The groundsman of the FC St.Pauli is just about to finish his Production Cast: Producer Photography Scriptwriter Director 2005, 7 min. 30 sec., b&w, 1:1.85, stereo А а П П В Ф а В : О а ST P DER GEISTVON ST.PAULI ПАУЛИ СТАДИОНА САН ПРИЗРАК » – , а . «Т а а , , П а а. а О а. а а а а а, а Па , Са а а Ра Р 2005, 7 . 30 ., / , 1:1,85, Henning Peker, Jochen Baumert, Frank Wieczorek AULI FOREVER Michael Sommer Florian Gees Х П ,Х Й Ба , Б а Х Б а М а З М а Ф а Г Hamburg Media School Vivien Hope Bettina Herzner Hamburg Media School В Х 121 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” 122 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” Animation А а А а Р 2006, 14 ., ., 1:1.85, Dolby Digital MY DATE FROMHELL ИЗ АДА НАЗНАЧЕННОЕ СВИДАНИЕ, Because when it dreams. comes his down of to girl love, the even for thesearch Devil his on has him a soul! joined have you after mind your change guy,surely scary will and you Animation. If you think the Devil has to be an evil, sinister Ludwigsburg Production Susan Tackenberg, StringerCaryn Voices: Producers Patrick Wachowiak Scriptwriter Tom Bracht Director and director of photography 2006, 14 min, colour, 1:1.85, Dolby Digital а а. П а , а , . а , а , а а , а , А а . Е а , – , а Ludwigsburg П П Та ,С а К С О а : а Donald Artur, Tom Zahner, Tracey Grey, Manuel Bickenbach, Tim Weimann Tim Weimann, Tom Bracht, Т Ва а , Т Т Ва а , Б а , Па Ва Filmakademie Baden Wuerttemberg / Ма Б а , Т Б а , Ва а Ма Д а А , Т А , Д а Ца , Т Г , Tim Weimann Filmakademie Baden Wuerttemberg / Т Ва а Т Ва а , Т Т Ва а , Б а Tim Weimann, ХОЛОДНАЯ А Muenchen (HFF/M) / Munich П П В Н , С К а а В : О а 2005, 15 ., ., Dolby SR COLD SKIN KALTE HAUT КОЖА questioned andadecisionhasto bemade. is friendship their Now arrest. her to led which events the and past common their remembers she Kitty, friend her to way her On prison. from released been just has Marion Muenchen (HFF/M) / Munich Production Neumueller, Cindy Wenzel Cast: Producers Director of photography Director, scriptwriter 2005, 15 min., colour, Dolby SR а . а а. Т а К , , а , , О а . Ма а Lima Ben Jannet, Dorothea Koniszewski, Claudia Л а Л а Б Я , Д а К , Ш а В Tobias N. Sieberg, Sebastian Kutzli Hochschule fuer Fernsehen und Film Т а Н.З , К С а Hochschule fuer Fernsehen und Film Sebastian Kutzli Stephan Vorbrugg С а К С а А а , , Production Nikola Lenk Cast: Director of photography Director, scriptwriter, producer 2005, 11 min., colour, 1: 1.85, Dolby Digital Surround EX , . а а а а , И а а А . а а а а : а а Ф а а а а В Hamburg П Л Н а В : О а 2005, 11 ., ., 1:1.85, Dolby Digital Surround E I’LL SAVE THEMULTIVERSE ICH RETTEDAS MULTIVERSUM МУЛЬТИВЕРСУМ Я СПАСУ his universe,butaninfinity ofworlds. and girl his only not save to himself coordinates he arrive, universes parallel from egos alter his of more and more As collapses! universe the galaxies: faraway of the spectrum in redshift a of instead blueshift a discovers Frank Andreas Voegler, Markus Graf, Liane Siems, А а Ф ,А а Ма Г а , З , Л а а Ф а М а Hochschule fuer bildende Kuenste/ Hamburg Hochschule fuer bildende Kuenste/ Florian Michaelsen Ulf Groote У Г X 123 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” 124 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” В НЕМЕЦКИЙ ЕЧЕР. FESTIVAL OFSHORT FILMSIN AT THE34 НА 34МЕЖДУНАРОДНОМ НЕМЕЦКАЯ ПРОГРАММА МЕТРАЖНЫХ ФИЛЬМОВ «COUP DE ФЕСТИВАЛЕ КОРОТКО PROGRAM, PRESENTED COEUR» – В КЛЕРМОН ФЕРРАНЕ ФЕВРАЛЯ 2012ГОДА). CLERMONT FERRAND «CRUSH» TH 4 FEBRUARY 2012). GERMAN CINEMA INTERNATIONAL (24 JANUARY – (24 ЯНВАРЯ– АРМАДИНГЕН Walter lives with Helga on an isolated farm. When he hears Х , А für Medien Köln Production Cast Production design /Special effects Editing Sound Music Director of photography У а . а О а Ва Kunsthochschule für Medien Köln П В : З М а М а О а ARMADINGEN he decidestomakethebestlast day possibleforhiswife. earth, the into collide to threatening asteroid an of news Director 2011, Germany, 23 min. а . а , , , а Ва а , 2011, Г а , 23 . а Karin Graf,Karin Gernot Hertel А а Фа А а Konstantin Gropper Andreas Fabritius Jacques Beurlé, Philippe Fromage К а Г К а
Жа Б , Ф Ф а Б ,Жа Ф and scriptwriter Ка Г а , Ж Э Жа Б Жа BTF Bildund tonfabrik, Kunsthochschule BTF Bildund tonfabrik,
Jacques Beurlé Philipp Kaessbohrer Ма а Ма а Ш Ф К c Ф Matthias Schultz
А А а . Ма а а а а а а Sound Music production design, editing, animation Director, scriptwriter, director of photography, 2011, Germany, 7 min. У а . а , а а . Kulturstiftung des Freistaates Sachen П З М а а , а а 2011, Г а , 7 . DAS HAUS /THEHOUSE ДОМ There isonlyonewayout. so. do to her let not do mother and aunt her mother,but grand her for care to is dream girl’s little The Animation. Kulturstiftung des Freistaates Sachen Production а , , а , , К а К а Л David Buob, Christian Lutz Christian Lutz Да Б , Да К а Л David Buob, David Buob,
Да Б Да David Buob А А а А а Ш А Animation, experimental. In a place of condensed time, stag Animation Anja Struck А а , а . Та , а , 2011, Г а 9 Да , . HOW TORAISETHEMOON ДО ЛУНЫ workshop and Der Vestdanske Filmpulje Kuratorium Junger Deutscher Film, The animation Production workshop and Der Vestdanske Filmpulje Kuratorium Junger Deutscher Film, The animation П В Ма Л Х Й М а, О а КАК ДОБРАТЬСЯ are fighting overasleepingwoman’slife. nant things become alive and Sleep (Fox) and Death (Bunny) Cast Marie Louise Hojer Jensen Music, sound Director of photography Director, scriptwriter, production design, editing 2011, Germany Denmark, 9 min. , . а а С , С За , Л а . а а , , , а Tora Balslev Т а Ба А а П А а Anja Perl, Leo Nicholson, Dan Ramsay, А П ,А Л Н , Да Ра , Reflectorium, Filmstiftung NRW, Marcio Doctor Ма Д Reflectorium, Filmstiftung NRW, Angela Poschet
125 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” 126 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” А Й а Э а . Ф И а Oscar Sala 2010 evolutionsbiologie, Friedrich – Schiller – Universität – Jena, П З Я З М а а , 2010, Г а , 7 . THE FLIES(THEBIRDSII) DIE FLIEGEN(THEBIRDSII) («ПТИЦЫ» II) МУХИ offers anexperimentalsequelto Hitchcock’s“TheBirds”. FLIES THE Jena, in Biology Evolutionary and Zoology Systematic the of Institute the in Filmed Experimental. Oscar Sala 2010 evolutionsbiologie, Friedrich – Schiller – Universität – Jena, Production Sound Music Susann Maria Hempel production design, editing, special effects Director, scriptwriter, director of photography, 2010, Germany, 7 min. а А. Х а «П ». а , , а , , С а а Ма Х , Я С а а З Oscar Sala, Susann Maria Hempel, Jan Siebert Susann Maria Hempel, Jan Siebert О а За а, С а а Ма Х , С а а О а За а, Institut für Spezielle zoologie und
Institut für Spezielle zoologie und С а а Ма Х Ма Х С а а Х Anna feels like an alien. She blushes all the time and is basi а а А а А Production Voice П Г В : С М а З О а on heravoidancestrategies. However, when she meets Paulina one night, she cannot rely cally forced to avoid situations in which she changes colour. Cast Special effects Editing Sound Production design Director of photography Director and scriptwriter 2011, Germany, 24 min а а а . а Па , а а а а , а . Н . О а а а а а 2011, Г а , 24 . PAULINA ПАУЛИНА а Susanne Ritter Sophie Rogall Р Ка а , Р Ю Ка а , Н , П Ла С С Р а Robert Keilbar, Judith Nordbrock, Peter Lange Daniel Scheuch Да Ш Да С а С а Р Ф В а Ф В а В а Ла а Kunsthochschule für Medienköln Ю а Х Julian Huber Kunsthochschule für Medienköln Verena Lachenmeier
Felix Wiedemann Lynn Kossler
Л Л К
А а » – а а а а а – а » « а а а а а а а а а а а а Ш Kulturamt Manheim Film Comission MRN films&Famefabrik Co production, Gefördert vom Blizz Musik Labor Mannheim, Eine Cube П В : З О а Ф Х а 2011, Г а , 4 . 30 . SYMPHONY OFFOOLS SINFONIE DERDUMPFBACKEN ДУРАКОВ СИМФОНИЯ Stupid noddingistheonlyanswer. toys. dog nodding their of enough selling not are they that problem the face to have salesmen six meeting, a During Comission MRN Co production, Gefördert vom Kulturamt Manheim Film Musik Labor Mannheim, Eine Cube films&Famefabrik Production Cast Sound Director of photography Director, scriptwriter, music, editing 2011, Germany, 4 min. 30 sec. . а а , а а а а а . В а , , а а, Volker Heumann С Э , Ф а Simon Emmerich Ф Х а Ф Х а М Ф а Geräusche und Deppen Rap Aufnahme: Blizz Geräusche und Deppen Rap Aufnahme: Mikis Mikis Fontagnier Volker Heumann
А а , , а , П 2011, Г а , 7 . THE CENTRIFUGE BRAIN PROJECT brain capacity. involves amusement park rides supposed to enhance human started in the experiment 1970s. Dr Laslowicz explains the project that scientist a is Project Brain Centrifuge The Production Till Nowak Director, scriptwriter, editing, special effects 2011, Germany, 7 min. а а а а . а а В а. а а а , а а Ла , 1970 На а ПРОЕКТ ДЛЯ МОЗГА. ЦЕНТРИФУГА Till Nowak, Framebox Т Н а Т Till Nowak, Framebox 127 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” 128 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” А а В А а а Anna Anna Schneider В , А а а Д а . Ма а Film München П М а З О а Р 2011, Г а , 17 . CENTRIFUGAL FORCE FLIEHKRAFT / СИЛА ЦЕНТРОБЕЖНАЯ sleep andsocialcontacthelived in hismeredaydreams. of Deprived authorities. GDR the fi by sentenced nement, ficon Documentary.spent solitary Matthias in months ve Production Editing Sound Director of photography Scriptwriters Directors 2011, Germany, 17min. а , . а а ГДР. Л а К Б Clemens Becker Frank Frank Mueller Ф а М Ф а Marie Elisa Scheidt, Alexandra Wesolovski Ф Ф К а Hochschule für Fernsehen und Film München Ма Э а Ша , Marie Elisa Scheidt, Alexandra Wesolovski, Hochschule für Fernsehen und Ма Э а Ша ,
А а Ш а А а Friede Clausz HE ВА ГА а ), – а а «Zebra Poetry Film Film Poetry «Zebra а а – а ), а а ПРЕДСТАВЛЯЕТ: CURATORS OFTHEPROGRAMME КУРАТОРЫ ПРОГРАММЫ , а а а , а а а а а Г а а П а а . а , а а Ф – а а а Б а. О М а а а а И К К Ф М БЕРЛИНСКИЙ WA PRESENTS: П , В а ,М а , Н ,Ка ... а а Р : Са а – а а а И Ф В , а Е В а а а а а, К а. У а а а а Б а, М а а , а , «Shorts Attack», а а – Б а . Р ; «MicroMovie AWARD» а Siemens , В а а В Е «InterFilmWostok.net». und Jugendfestival Berlin, а а а Kinder Internationales KUKI berlin», «Achtung Festivals», а а ( а а а а Б а «Going Underground», а а , а Б а а , а а а а а Б а а а а . Р а а а — а ; а а DVD : — а а а , , С а « а » . а а а Г ,а а , а а а . С , а а – а , В а . а а – а а а О . а О И Е ЙНРИ ЕЖДУНАРОДНЫЙ ЛЕРА INRI LÉRA Р С Н О Т О CH Т И К
K Х «ИНТЕРФИЛЬМ» К АН В ГЕРМ ANISCH HER О А ИЩ М Л MA Ь Е АН ЕВ
Т TS NNS, НС , Р ПРОД CHEF А , ДИ Ж “ IN Н ЮС РЕ F, TERFIL “ О КТОР ЕР « IN Г TE О ИН « RF M” ИН The International Festival of Short Films, InterFilm, is one of one is InterFilm, Films, FestivalShort International of The FROM BERLIN Murmansk, Novosibirsk,Kansk... its special programs in Russia: in Saint Petersburg, Vladivostok, in the framework of InterFilmWostok, which has already shown short films has presented programs in Eastern EuropeanMinsk, and Kiev. countries For several years already the Berlin festival of made the fest an integral part of the cultural calendar of Berlin, have Attack”, “Shorts example for festival, the of framework the outside screenings Regular Belarus. eastern in mounted on a mobile phone; the same competition has been successfully MicroMovie the AWARD, conducted has the fi festival the rst ever Siemens, competition with of mini ficooperation In lms shot InterFilmWostok.net. Jugendfestival Berlin, and the festival distributor Kinder und for East European countries, Internationales KUKI berlin”, “achtung Festivals”, Film Poetry “Zebra are partners festival subway passengers (there are screens in every carriage) and the people oriented event in Berlin — because the audience are the co founder of the shorts festival “Going Underground”, the most platform for shortswide in the underground, being thea initiator and offers successfully festival this beyond, and Berlin in projects joint numerous to thanks scene, international the on Thanks to long term experience and constantly growing contacts in Russiaandpost Sovietspaceispracticallynon existent. seen only during festivals, and the sale of DVD collections on shorts: oftelevision shorts theresee are only to a few programs, place at cinemas theyno can be really is there hand, other the On funds orskillshastoworktemporarilyinthis“small”format. of lack fifor feature but a Hollywood, making in of lm dreamt or film school students. As if everyone working in this genre just preconceived opinion about short film being a genre for beginners losing sight of search and experiment. In fact, audiences have a while the Berlin festival aspires to win the broadest public without audience, certain a by guided are Germany in festivals Similar unsteady, riskyandnon glamorousareaofshortfi rather lms. the in specialises it Berlin; fi in oldest festivals the lm I OF SHORT FILMS F INTERNATIONAL ТЕРФ ILMW N DIRE ESTIVAL ТЕ T E РФ ИЛ CT OS R ИЛ F ЬМ OR TO I ЬМ L » K” P M »
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129 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” 130 ГОД ГЕРМАНИИ НА «КИНОТАВРЕ» THE YEAR OF GERMANY AT “KINOTAVR” WAY BACKHOME England, 2010,5 min. McNamee Director Brendan А , 2010,5 . Ма Н Р WE’VE GOTITONTAPE ЗАПИСАНО min. 30sec. Scotland, 2010,7 Director DaveSowerby 7 .30 Ш а , 2010, Р DANNY MACASKILL: ПУТЬ ДОМОЙ МАКЭСКИЛ: ДЭННИ Austria, 2010,14min Paede, BarbaraSas Directors David А , 2010,14 . П , Ба а аСа Р FILMIC APPROACH BIKE KITCHEN A ПОДХОД ГРАФИЧЕСКИЙ КИНЕМАТО ВЕЛОКУХНЯ – USA, 2009,3min. Moore Director Robin США, 2009,3 . Р CYCLIST RAP) (HIPSTER VSROAD PERFORMANCE MC SPANDX: ВЕЛОРЭПЕРА ПРОТИВ ПИЖОН MC SPANDX: а . . На а а а а а , а а а, а а а а а а , а а . В К . «В Fahrad» – а «КИНОТАВР 2012» В ГОСТЯХ У ФЕСТИВАЛЯ Д Н В Н Е И А Е Л
М С « О К Т Б а Д Са Р М Е Да А О Ц З Н Р А К О Ц Б И Т И Е Е К Г И
К И И VAMPIRE CONSPIRACY min. 30sec. Australia, 2010,1 Director 1 .30 А а , 2010, У Р ONCE BITTENPART I A КОНСПИРАЦИЯ ВАМПИРСКАЯ ЧАСТЬ 1– УКУШЕННЫЕ. ОДНАЖДЫ England, 1999, 1 min. 30 sec. Director DarrenWalsh А , 1999,1 .30 Р ANGRY KID ROADHOG ЛИХАЧ МАЛЬЧИК. ЗЛОБНЫЙ England, 1999,1min. Director DarrenWalsh А , 1999,1 . Р ANGRY KID BONE КОСТЬ МАЛЬЧИК. ЗЛОБНЫЙ » И Е Н
Alexander Watkins О А а Да У Да У VISITING K А а , 2010,1 . У Р INCIDENT AN UNFORTUNATE ONCE BITTENPART II – СЛУЧАЙ НЕСЧАСТНЫЙ ЧАСТЬ 2– УКУШЕННЫЕ. ОДНАЖДЫ a diverseprogrammeofshortfilms andvideoclips. Shorts aspires to represent the versatility and range of topics Bike in videos BMX artistic as well as sex object as bicycle the couriers, bicycle of cult profession dangerous simultaneously and life of way and a exciting the adventures, Bike expression. creative of form become has Cycling Urban Shorts. Bike D R G England, 2007,1 min. Director LesterMordue А , 2007,1 . Р MEERKATS TRAFFIC СУРИКАТ ПРОБКА ИЗ Scotland, 2008 Director AliceNelson Ш а , 2008 Р THE RIGHTTOPRIVACY ЖИЗНЬ ЧАСТНУЮ ПРАВО НА Australia, 2010,1min. Director А а , 2010,1 . У Р A COVEN OFVAMPIRES ONCE BITTENPART III ШАБАШ ВАМПИРСКИЙ ЧАСТЬ 3– УКУШЕННЫЕ. ОДНАЖДЫ Australia, 2010,1min. Director O INOTAVR 2012 I E S R U T Alexander Watkins Alexander Watkins M N А а Л М Э Н А а A D N A N S C
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A C ” T I N
“ E USA, 2006,6min Schwartzberg Director Louie США, 2006,6 . Р BIKE MESSENGER “YAC” –NEWYORK ПОСЫЛЬНЫЙ ВЕЛО ЙОРКСКИЙ ЯК –НЬЮ England, 2011, 2 min. 30 sec. Director TimWheatley А , 2011,2 .30 Р EXPERIMENT THE CYCLOTROPE «ЦИКЛОТРОП» ЭКСПЕРИМЕНТ 23 min.15sec. England –Spain,2009, Director Paul Robinson 2009, 23 .15 А –И а , Р FANATIC ФАНАТИК Germany, 2008, 3 min. 30 sec Director DagmarBrundert 3 .30 Г а , 2008, Б Р OF MYBIKE THE SELF HEALING MEINES FAHRRADS DIE SELBSTHEILUNG ВЕЛИКА НИЕ МОЕГО САМОИСЦЕЛЕ S H B O I K R Л Ш а Т У П Р Да а E T 131 132 СПЕЦИАЛЬНЫЕ ПРОГРАММЫ SPECIAL PROGRAMS а а Р а Р а а З а а а «Н а XIX а а . а, а а а а . «С а а» Б – а а а а, а . С Б , а а а , Ма а а а а К а а а а а Б Жа Ма . а 47 а а а а а Э а ». а «Н а – Р а а «ТВИН М а» (Са П ) ЛУЧШЕЕ ЗА 10 ЛЕТ а . а , а а , а , а а а , а Б , Ч И а а. Ч США, Ма а а: а а » « За а а а ». а «Н а а 70 В а ! а а а , а а а а а « ». О а а , , а а а а Б . Э а , а а а » а а а . Н « а а », а « а а », Н а . а а а , а а «Л а 10 », а «Н » а «ТВИН а М а» С а XXIII а В а. а а а а , , а а а а а а – П а. а а а а 1970 1980 , Жа Ма Б а Да К К а а A NIGHT OF day. The well known show with the unique format “Night format unique the with day.show well known The world, made between the late 19th century and the present over one and a half million advertising clips from all over the around the entire world. The cinematheque Boursicot contains known is man, perspicacious surprisingly and extravagant an Boursicot, Monsieur of collection Todaythe Marseilles. cinemas, he was deemed to be a local madman in his native fiof scraps at cans garbage from clips advertising with lms Thirty years ago, when Jean Marie Boursicot began to collect has without change gathered crowds in 47 cities every year. a long time now been a favourite with Russian audiences and the well known show “Night of AdEaters”. The show has for almost twenty years been bringing a unique project to Russia: The advertising agency TWIN Media (St. Petersburg) has for way toadvanceproducts,butalsoamini masterpiece. simply know that an advertising clip can be not justcinematographers come to the cinema as well as those awho persuasive To see the next selection from Boursicot, professionals and territory extends from Macao to the USA, from Chile to Iran. place in 70 countries every year. The conquered “nocturnal” takes AdEaters” of “Night The cinema! a at end on hours six for clips advertising watching in pleasure takes breaks, advertising the during channels switching to used got had big screens. And it turned out that the viewer, who at home on non stop them show and collection the from programs out that it would be possible to compose the most interesting of AdEaters” is also an original idea of Boursicot. He figured D EATERS: and different countries. There will also be some “talisman” “The Best of 10 Years”, with clips produced in different years the changingtendenciesinlifeofmankind. and history reveal which fimarkers, temporal of choice ne genre in the advertising film industry, but they represent a These clips pay not only a tribute started. to the project path breakers the of the since ever program each into inserts clips from the 1970s and 1980s, which Jean Marie Boursicot presents a shortened version of the “Night” under the title Media TWIN fiSochi, 23rd in the festival year,at This lm Program curator Daniil Kostinsky 133 СПЕЦИАЛЬНЫЕ ПРОГРАММЫ SPECIAL PROGRAMS 134 СПЕЦИАЛЬНЫЕ ПРОГРАММЫ SPECIAL PROGRAMS а С а Д У А , а а , а а а — а , а а « а » П а а. а а а , , а , а а : 30 а а. «К а а » — а а а а , а а Future Shorts — П а «К а а » а «К а » FUTURE SHORTS: а а а а а а . В а а а , а а, а а а а На а П а В а Ка . И а . а а а а, а а , а а , а » = , а а « а Future ShortsRussia AT KINOTAVR” BLOCKBUSTERS filmic form of expression that directors such as Spike Jonze is designed to remind us of the short film as an independent production process. The selection of these “mini blockbusters” thorough a and casts star studded with directors, eminent small in format, but large in scope: with sound budgets, by fiare Blockbusters” “Short world. the are around that lms countries 30 captured already has which animation, and by Future Shorts, the world’s largest festival of short films The program “Short Blockbusters at Kinotavr” is presented “SHORT artistic idea that has from the start been conceived as a as conceived been start the from has that idea artistic concise a transfer to but almanacs, disconnected construe and brands advertise to format a not is It cherish. Cassel and Wes Anderson, actors such as Natalie Portman and Vincent ever calledintoquestion. the refined insistence on the short form as a story is hardly fito leads usually while this disputes, then erce novel, and fifeature between drawn is parallel a if all, lm After short. Future ShortsRussia 135 СПЕЦИАЛЬНЫЕ ПРОГРАММЫ SPECIAL PROGRAMS ФОНД КИНО ЗРИТЕЛИ В ДИАЛОГЕ НЕ СМОТРЯТ ОРГАНИЗАТОРЫ: НАШИ ФИЛЬМЫ. ФЕДЕРАЛЬНЫЙ ФОНД ПОЧЕМУ? СОЦИАЛЬНОЙ И КРУГЛЫЙ СТОЛ ЖУРНАЛА ЭКОНОМИЧЕСКОЙ ROUND TABLES «ИСКУССТВО КИНО» И ПОДДЕРЖКИ ОТЕЧЕСТВЕННОЙ
КРУГЛЫЕ СТОЛЫ КРУГЛЫЕ ФЕСТИВАЛЯ «КИНОТАВР» КИНЕМАТОГРАФИИ МОДЕРАТОР КРУГЛОГО СТОЛА – ИНТЕРНЕТ ПОРТАЛ ДАНИИЛ ДОНДУРЕЙ «ПРОФИСИНЕМА» А , а За а а а Ф а а а, а : 2007 а . К а 2011 — а а а а. Т . В а а а а а а а а а « а» а а а а . П а а а а а а а а а а . 136 а . В О а , , а а а а а а . М а . В а , а а а . Н а а а а, а а а а а а а а а а а Ф а , а , а а , а а , а а а . а , а а а , Ка а а , , а . ? Ка а а , , ? Е а а а а а ? О а «И » а а а а а , а , а , а а — , а а , , а . ROUND TABLES CINEMA FUND SPECTATORS IN DIALOGUE DO NOT WATCH ORGANIZERS: OUR FILMS. WHY? FEDERAL FUND FOR SOCIAL ROUND TABLE OF THE JOURNAL AND ECONOMIC SUPPORT FILM ART (ISKUSSTVO KINO) OF NATIONAL CINEMA AND THE FESTIVAL KINOTAVR INTERNET PORTAL MODERATOR OF THE ROUND DANIIL DONDUREI PROFICINEMA TABLE Despite the growth of the general box offi ce the audience of A number of advantages of the adopted model have transpired Russian cinema has constantly diminished over the last years: during the two and a half years that the Cinema Fund has from 2007 to 2011 it has practically halved. There are a lot of existed. The leading companies with fi nancial planning implement reasons. As the borders “after modernism” have become blurred, large scale projects. The support of socially signifi cant fi lms the urgency of the conversation about the divide into mass and of coproduction has expanded opportunities for producers. cinema and art house has disappeared. The average spectator At the same time, a problem lies in the absence of stability for has ceased to love national fi lms, probably because they no longer independent fi lm companies. Representatives of the Cinema Fund, meet his expectations. Young people have not taken to them. But as well as major companies, producers, heads and top managers the potential audience of so called auteur cinema cannot watch of distribution companies, cinema networks and cinemas, fi lm interesting fi lms in cinemas or on the television screen either. critics, scholars and journalists will take part in this dialogue about how to build a system of mutual relations for the growth What is the nature of the complex processes that tear the spectator of national fi lm production. away from national cinema? What are the substantial, aesthetic, economic and other reasons? Are there any chances to return our cinema to the space of actuality? The journal Film Art suggests a refl ection on all this in a special discussion, which is targeted not only at critics, but also at directors, producers, distributors, and all those involved in the creation, promotion, perception and evaluation of Russian fi lms of recent years. КИНЕМАТОГРАФ ПЯТЬ ВЕЧЕРОВ: И НОВЕЙШИЕ СПЕЦИАЛЬНАЯ МЕДИА: ФОРМЫ ПРОГРАММА ПОТРЕБЛЕНИЯ, МОЛОДЫХ ФЕСТИВАЛИ, КРИТИКОВ КРИТИКА УЧАСТНИКИ ПРОЕКТА: ROUND TABLES КРУГЛЫЕ СТОЛЫ КРУГЛЫЕ АВТОР ИДЕИ И МОДЕРАТОР РОМАН ВОЛОБУЕВ, КРУГЛОГО СТОЛА – АНТОН ДОЛИН, АНДРЕЙ ПЛАХОВ ВАСИЛИЙ КОРЕЦКИЙ, ВЛАДИМИР ЛЯЩЕНКО, ПРИ УЧАСТИИ КАМИЛА МАМАДНАЗАРБЕКОВА, РЕЖИН АТШОНДО И БОРИС НЕЛЕПО, КОНСТАНТИНА ШАВЛОВСКОГО ВАСИЛИЙ СТЕПАНОВ 137 Да а а а а а МОДЕРАТОР ПРОГРАММЫ – а : а а а а а, КОНСТАНТИН ШАВЛОВСКИЙ а . П а а , а а а. О П а а «П » а а а а а а а а . И а а , а а а а а а а а а, а а . Ч , а а а а , а ? П а, а а а а а а а , . К а а а а а а а а , а а – а а а а Р . а . .
CINEMA AND THE FIVE EVENINGS: NEW MEDIA: FORMS SPECIAL PROGRAM OF CONSUMPTION, OF YOUNG CRITICS FESTIVALS, THE PARTICIPANTS OF THE PROJECT: CRITICISM ROMAN VOLOBUEV, CONCEPT AND MODERATION ANTON DOLIN, VASILI KORETSKY, OF THE ROUND TABLE: VLADIMIR LIASHCHENKO, ANDREI PLAKHOV KAMILA MAMADNAZARBEKOVA, WITH PARTICIPATION FROM BORIS NELEPO, VASILI STEPANOV RÉGINE HATCHONDO AND MODERATOR OF THE PROGRAM KONSTANTIN SHAVLOVSKY KONSTANTIN SHAVLOVSKY
Even in comparison with the beginning of the century, the situation The program “Five evenings” is an invitation to a dialogue in cinema has changed signifi cantly: a decisive infl uence has between an active part of the critics’ community and contemporary come from new opportunities on the Internet, the appearance Russian directors, participants of the competition program of of torrents and social networks. The public has acquired new the festival. What do directors expect from critics, what do options of fi lm consumption, which change the functions and critics expect from directors, and spectators from Russian fi lms? forms of fi lm distribution. The huge amount of fi lms now easily Five conversations about the continuous search for a point of accessible requires mechanisms of differentiating the public by its immediacy, for the potential of national cinema with viewers, spheres of interest. The information explosion demands complex for the highs and lows of auteur cinema in Russia. analysis. As institutions, festivals have to fi nd and comprehend themselves anew in the world of new media, otherwise they become virtual or perish. Criticism acquires a wide range of forms, from philosophical interpretations of fi lm art to trashing fi lms on facebook. А а Г а, а а Anna Gudkova, curator of the pitching PITCHING ПИТЧИНГ В ПОИСКАХ МОЛОДОЙ ШПАНЫ
138
Ка а а а а Every year the works submitted for pitching enable us not а а, only to fi nd out new ideas and names, but also to receive a а а graphic image of the condition of the Russian fi lm industry . П 2012 as a whole. The Pitching 2012 glaringly confi rms this rule, а , а especially since the sharp rise in the number of submitted а а ( а applications (more than three times in comparison with pre а ) а vious years) has enabled us to support our assumptions with а а . a convincing quantitative index. В а а This year the pitching has for the fi rst time been divided – . На а into two sections: a basic one and a debut section. People а а а , with cinematic experience, with a fi lmography and evidence а а а а а . В of partial fi nancing could apply for participation in the basic – , а section. For the debut section, applications were accepted а , from young directors who do not work with a particular а , а , company, from producers who have just graduated from fi lm а , а а . schools with their fi rst, own projects, and fi nally from people С а а а а а with experience in fi lm but without experience in producing. а , а From this year, the right to submit projects has been granted . За К not only to Russian producers, but also to their colleagues from У а , П а Б ; ( the former Soviet republics. Applications have come in from а ) , а Ба : Kyrgyzstan and Ukraine, the Baltic republics and Belarus; , . Ла and (a little unexpectedly) about ten projects connected with а : а а , Bashkiria — its heroes and history, or using the region as a . В : shooting location. A little chest of treasures simply opened а а а , … up: fi lm fi nancing has been granted in the region, which has И У а а ТВ , immediately reached to the top. The only question is: what а а . would the spectator say had he been asked… О , а , A stream of cheerful television fi lms has come from Ukraine: а . За , , ambitious family dramas and poignant melodramas. Obviously, а а а , а , : television production in the country has risen, but cinema , а а . За production still lags behind. But life, it appears, has settled, at , а . least relatively speaking: there are vigorous plots, optimistic and simple in their design. We are not worried about them: they will not be wasted. ПИТЧИНГ PITCHING ПИТЧИНГ
139
К а а а Ба The fi lmmakers of the Baltic states gradually adopt a cautious а а а approach to co production with Russia. The stories contain Р . В – heroes who are alive: young men born after perestroika, , , unbiased and complex, looking for their path in life and in , а . В the world. These are the fi rst attempts to comprehend the а existence of young men in the post Soviet space, to fi nd common а а, а features in their problems and existential experiences, which а а а is encouraging and pleasant and confi rms the presence of а а , а а , those links that are so assiduously denied and rejected by а а а а а offi cial policy making. Probably such co production projects а. В , а а are precisely what is necessary for us to move closer towards – , а а each other. а . Another distinct tendency is the lack of skilled producers Е а а а – а among the competitors. And it is clear why: fi rst, the number а . И . of occasions for professional dialogue among cinematogra В , а phers has sharply increased. That mad information famine а а а . П а of the last decade has gone. Regular conferences, meetings, а . sessions, business games, markets — all this enables produc Р , , а а , ers to talk business in different situations and with differ , – а ent interlocutors, to feel part of the living fi lm community. а а а At some point in the past the pitching has been a platform а , а а for dialogue that had practically no analogues. Now, fortu а. В а nately, the situation has changed. а а а а Secondly, there are still actually no independent funds in а а . Т , а , а а . Russia; the structure of the fi lm industry has practically В , Р а not changed, and cinema has not yet achieved a genuine а , а а market value. Mature producers attend pitching sessions , more for the sake of self presentation, to receive an expert а . И а assessment, and to see the reaction of the community to а а а , а , the project rather than in the hope for and search of actual а а а fi nance and partnership. In order for that system to work , а а а а fully, a gradual change of the entire industrial structure is а а а. Д а а а needed. For now, the pitching, as it was invented six years а а , ago, opens the road for the young, who have genuine reason а . А а , а and hope to acquire partners during a pitching, to get a а а 6 а а , а commission and fi nd interested employers. , а а а а а , а а а а а а . УЧАСТНИКИ ПИТЧИНГА 2012: ОСНОВНАЯ СЕКЦИЯ:
PITCHING А ( Е. Ж а а, М. Фа а ) ПИТЧИНГ Г а а ( А. М а а, А. П а, О. Ж а а) М а ( А. Ф ) П ( Е. Г а , А. Ра ) Э ! (Ц а ) ( А. Г ) Ч а ( О. Г а а, А. За ) Л ( О. В , Ф. Д , Д. Б ) И а А а Э «И а а» ( . Я. Ч а )
ДЕБЮТНАЯ СЕКЦИЯ: Ш ( . Н. Са а а) К ( . М. Р ) На а ( . А. Ка а а ) М 20 2012 (а а а , В. Л ) С а ( . А. П ) 140 П а а а а ( . Е. Т а) Та М а ( . Я. К а а )
Н а а а а а а The new debut section above all laid bare the catastrophic а а educational level of producers who have graduated from . В а а the higher fi lm schools. The profession of the producer has а а а а appeared in the offi cial state list only six years ago. Obviously, . О , а this time has not been suffi cient to create a functioning , а а а structure for the training of these fi ne people. а . Practically no graduate producer is in a position to assess П а а а the idea for a fi lm, to analyse its potential, to put together а. П а а а a concise and justifi ed costing, to fi nd a director. Each of the а . В а а а . projects submitted by unfl edged producers evinces a sense of На а. О а , а unreliability, accident, inexperience and immaturity of the а , а applicant. The most important questions of the trade — Who а , а , will watch this fi lm? Why and what for? How much does the а а . На а а : «К fi lm cost? — is answered with paragraphs from textbooks or ? П а ? С quotes from lectures, and everyone second application (if not ?» – а а а а а а every single one) producers’ explication from a beginning а а , а а а а ( producer starts with the words: the Russian spectator longs а ) а а а а а : for… family fi lms, nice fi lms, horror fi lms, melodramas, … , comedies and so forth (cross out what is not applicable). , а а , а а , . – The touching attempts of the beginners to introduce into . Т а their projects some muffl ed fi gures of sociological research а а а for the sake of appearance would be lovely — if they were а , not so glaringly unprofessional. Young producers are quite а а . obviously not ready for an encounter with their competitive Ю environment, they do not understand the laws and the ways , а а in which the industry works that they are about to enter. а , а а . PARTICIPANTS OF THE PITCHING 2012: BASIC SECTION: PITCHING
Perchance (producers E. Zhigaeva, M. Fatakhov) ПИТЧИНГ The Lead Role (producers A. Mikhalkova, A. Perova, O. Zhuravleva) Dead Fields (producer A. Fedorchenko) Wake up with Me (producers E. Gordetskaya, A. Radko) Hey! (Colour Pauses) (producer A. Gotlib) Celentano (producers O. Granina, A.Zaitsev) Lenin (producers O. Vyboichenko, F. Druzin, D. Bens) And the winner of last year’s pitching Anna Eibozhenko with her new project “An Ideal Man” (dir. Ya. Chevazhevsky)
DEBUT SECTION: Storm Warning (dir. N. Saifullaeva) Cinema and Germans (dir. M. Rozhkov) In the Region (dir. A. Karavaev) I’m Twenty 2012 (almanac, producer V. Lisovsky) An Old Friend is Better (dir. A. Pershin) The Habit of Leaving (dir. E. Telegina) 141 Tallinn Moscow (dir. Ya. Konofalskaya)
С а а а а With debutant directors (fi lmmakers) the situation is much . П а , а , more cheerful. Presenting the project and formulating the а а а , а а concept, they clearly understand their task and express it . В а , , а concisely and convincingly. Ideally, of course, directors would , а be helped by a supportive producer, but in any case he can а а а be easily replaced by a skilled production manager. We can . М а а , learn to consider those who basically understand cinema, а , , but those who have no sense for the profession will not be а , а . На saved by fi gures alone. Against the background of a sharp а а , а , а growth of pure genre, mainstream fi lms, the stream of muffl ed , а а statements fortunately fi zzles out gradually. Directors know а . Р а , а а precisely what kind of cinema they are going to make, what а , а а а for and who might watch it (in theory at least). There remain . О а а а expressive auteur projects whose directors search for new , ways of dialogue with the audience, who understand their а , а а а а, target audience and confi dently know their way around the а а а . world fi lm scene. Н а а «К а а 2012», а But the main conclusions of the pitching at Kinotavr 2012, , : а а , – of course, still lie ahead: the presentations of projects, and – а – . Та а а we hope – the fi lms. So we wish all participants good luck, а а , . and may the strongest win. GQ ...... 47 AMERICAN DAUGHTER ...... 103 8 ПЕРВЫХ СВИДАНИЙ ...... 78 ARMADINGEN ...... 124 АВАРИЙНОЕ СОСТОЯНИЕ ...... 14 8 FIRST DATES ...... 78 АВГУСТ. ВОСЬМОГО ...... 80 AUGUST OF EIGHTH ...... 80 АВТОРСКИЙ МЕТОД ...... 48 AUTHOR’S METHOD, THE ...... 48 АМЕРИКАНСКАЯ ДОЧЬ ...... 103 BAZAR ...... 118 АРМАДИНГЕН...... 124 CAT, THE BEAR AND THE FOX, THE ...... 53 БАЗАР ...... 118 CENTRIFUGAL FORCE ...... 128 БЕЗУМНАЯ ЗЕМЛЯ ...... 113 CENTRIFUGE BRAIN PROJECT, THE ...... 127 БЕЛЫЙ МАВР ИЛИ ТРИ ИСТОРИИ О МОИХ СОСЕДЯХ . .16 CHARACTERS, THE ...... 65 В ОКРУЖЕНИИ ...... 106 CHILDREN OF THE SUN ...... 114
INDEX OF FILMS ВИКА ВЕНЕРА ПОДОДЕЯЛЬНИК ...... 49 COLD SKIN ...... 122 ВЫСОЦКИЙ. СПАСИБО, ЧТО ЖИВОЙ ...... 82 CONVOY, THE ...... 30
ИНДЕКС ФИЛЬМОВ ГОРОД ЗЕРО ...... 101 COURIER ...... 100 ДЕНЬ ПОБЕДЫ ...... 50 CRACK ...... 63 ДЕНЬ УЧИТЕЛЯ ...... 18 CURSE ...... 59 ДЕТИ СОЛНЦА ...... 114 DAUGHTER, THE ...... 20 ДЕТИ СТАЛИНА ...... 110 DELIVERY ...... 121 ДОМ ...... 125 DREAMS ...... 102 ДОМОЙ ...... 119 EMPTY HOME, THE ...... 32 ДОРОГА НА ...... 51 ENCIRCLEMENT ...... 106 ДОЧЬ ...... 20 EXPIATION ...... 26 142 ЖИТЬ ...... 22 FISHING ...... 60 ЗА МАРКСА… ...... 24 FLIES, THE (THE BIRDS II) ...... 126 ИВАН ЦАРЕВИЧ И СЕРЫЙ ВОЛК ...... 84 FOR MARX… ...... 24 ИСКУПЛЕНИЕ...... 26 GQ ...... 47 ИСЧЕЗНУВШАЯ ИМПЕРИЯ ...... 105 НOME ...... 119 КАК ДОБРАТЬСЯ ДО ЛУНЫ ...... 125 HOUSE, THE ...... 125 КОКОКО ...... 28 HOW TO RAISE THE MOON ...... 125 КОНВОЙ ...... 30 I’LL BE AROUND ...... 38 КОРОТКАЯ ЮБКА...... 52 I’LL SAVE THE MULTIVERSE ...... 123 КОШКА, МИШКА И ЛИСА ...... 53 I DON’T LOVE YOU ...... 40 КУРЬЕР ...... 100 IN THE FIELD ...... 119 ЛЕНИН В ОКТЯБРЕ ...... 115 КОКОКО ...... 28 МАЛЬЧИКИ ...... 54 LEGS – ATAVISM ...... 55 МАМЫ ...... 86 LENIN IN OCTOBER ...... 115 МАТЧ ...... 88 LIVING ...... 22 МУХИ («ПТИЦЫ» II) ...... 126 MALCHIKI ...... 54 МЫ ИЗ ДЖАЗА ...... 99 MATCH, THE ...... 88 НА ЛУГУ ...... 119 MEND YOUR PACE, MAESTRO ...... 98 НАШ ЧЕЛОВЕК В НИРВАНЕ ...... 120 MUMS ...... 86 НЕТ ТАБЛИЧЕК НА ДВЕРЯХ ...... 111 MY DATE FROM HELL ...... 122 НОГИ – АТАВИЗМ ...... 55 NO NAMES ON THE DOORS ...... 111 ОГОНЬ, ВОДА И МЕДНЫЕ ТРУБЫ ...... 56 OPERATION GRANDMA ...... 112 О ЧЕМ ЕЩЕ ГОВОРЯТ МУЖЧИНЫ ...... 90 OUR MAN IN NIRVANA ...... 120 ОПЕРАЦИЯ «БАБУШКА»...... 112 PAULINA ...... 126 ПАУЛИНА ...... 126 POISONS, OR WORLD HISTORY OF POISONING ...... 104 ПЕСНЯ МЕХАНИЧЕСКОЙ РЫБЫ ...... 57 PRINCE AND THE BIG GREY WOLF, THE ...... 84 ПОКА НОЧЬ НЕ РАЗЛУЧИТ ...... 12 PROMENADE D’ APRÈS MIDI ...... 120 ПОСЛЕПОЛУДЕННАЯ ПРОГУЛКА ...... 120 PROTEST DAY ...... 18 ПОСЫЛКА ...... 121 ROAD TO ...... 51 ПРАВДА ...... 58 RUSSIA IN THE MIRROR OF IINTERNATIONAL FILM FESTIVALS . .69 ПРИЗРАК СТАДИОНА САН ПАУЛИ ...... 121 SHORT SKIRT ...... 52 ПРОКЛЯТИЕ ...... 59 SHORT STORIES ...... 34 ПУСТОЙ ДОМ ...... 32 SONG OF THE MECHANICAL FISH, THE ...... 57 РАССКАЗЫ ...... 34 SPY, THE ...... 92 РОССИЯ В ЗЕРКАЛЕ МКФ ...... 69 ST PAULI FOREVER ...... 121 РЫБАЛКА ...... 60 STALIN’S DISCIPLES ...... 110 СВИДАНИЕ, НАЗНАЧЕННОЕ ИЗ АДА ...... 122 STATE OF EMERGENCY ...... 14 СВЯЗЬ ВЕЩЕЙ ...... 61 STEEL BUTTERFLY, THE...... 42 СИМФОНИЯ ДУРАКОВ ...... 127 STORY ABOUT EUGENIA AND ME, THE ...... 62 СКАЗАНИЕ О НАС С ЕВГЕНИЕЙ ...... 62 SYMPHONY OF FOOLS ...... 126 СНЫ ...... 102 SWEET MUD ...... 113 СО МНОЮ ВОТ ЧТО ПРОИСХОДИТ ...... 36 THIS IS WHAT HAPPENS TO ME ...... 36 СТАЛЬНАЯ БАБОЧКА ...... 42 THINGS RELATED ...... 61 СТРАНСТВИЯ ...... 72 TILL NIGHT DO US PART ...... 12 ТРЕЩИНА ...... 63 TO GO THROUGH FIRE, WATER AND COPPER PIPES . . . . .56 ТРУБАЧ И КУКЛА...... 64 TRAVELS ...... 72 ХАРАКТЕРЫ ...... 65 TRUMPET AND THE PUPPET ...... 64 ХОЛОДНАЯ КОЖА ...... 122 TRUTH, THE...... 58 ЦЕНТРИФУГА ДЛЯ МОЗГА. ПРОЕКТ ...... 127 VANISHED EMPIRE, THE ...... 105 ЦЕНТРОБЕЖНАЯ СИЛА ...... 128 VICTORY DAY ...... 50 ШИРЕ ШАГ, МАЭСТРО ...... 98 VIKA VENUS DUVET COVER ...... 49 ШЛЮХА ...... 66 VISOTSKY. THANKS GOD I AM ALIVE ...... 82 ШПИОН ...... 92 WE ARE FROM THE JAZZ ...... 99 Я БУДУ РЯДОМ ...... 38 WHAT ELSE MEN TALK ABOUT ...... 90 Я СПАСУ МУЛЬТИВЕРСУМ ...... 123 WHITE MOOR ...... 16 Я ТЕБЯ НЕ ЛЮБЛЮ ...... 40 WHORE, THE ...... 66 ЯДЫ, ИЛИ ВСЕМИРНАЯ ИСТОРИЯ ОТРАВЛЕНИЙ . . . . .104 ZERO CITY ...... 101 АБЫЗОВ, ЕВГЕНИЙ ...... 87 ABYZOV, YEVGENI ...... 87 АНДРЕАСЯН, САРИК ...... 87 ANDREASIAN, SARIK ...... 87 АНДРИАНОВ, АЛЕКСЕЙ ...... 93 ANDRIANOV, ALEXEI ...... 93 БАДОЕВ, АЛАН ...... 87 BADOYEV, ALAN ...... 87 БАСКОВА, СВЕТЛАНА ...... 25 BASKOVA, SVETLANA ...... 25 БЕНИГСЕН, ВСЕВОЛОД ...... 15 BENIGSEN, VSEVOLOD ...... 15 БИЛЬЖО, АНТОН ...... 62 BIALO, YEVGENI ...... 58 БОРОДЯНСКИЙ, АЛЕКСАНДР ...... 102 BILZHO, ANTON ...... 62 БРАХТ, ТОМ ...... 122 BORODIANSKY, ALEXANDER ...... 102 БРУММУНД, МАРК ...... 119 BRACHT, TOM ...... 122 БУОБ, ДАВИД ...... 125 BRUMMUND, MARC ...... 119 БУСЛОВ, ПЕТР ...... 83 BUOB, DAVID ...... 125 БЯЛО, ЕВГЕНИЙ ...... 58 BUSLOV, PETR ...... 83 ВАЙМАНН, ТИМ ...... 122 DAVLETYAROV, RENAT ...... 43 ВАЛКА, КЛЕР ...... 120 DEF, ROBERT ...... 60
ВЕСОЛОВСКИ, АЛЕКСАНДРА ...... 128 DIUZHEV, DMITRI ...... 87 INDEX OF DIRECTORS ВОЛЬФ, ФИЛИПП ...... 119 DODSON, DAVID ...... 79 ИНДЕКС РЕЖИССЕРОВ ГРИНЯКИН, ИГОРЬ ...... 50 DYACHENKO, DMITRI ...... 91 ГРООТЕ, УЛЬФ ...... 123 EGEN, NURBEK ...... 33 ДАВЛЕТЬЯРОВ, РЕНАТ ...... 43 FAYZIEV, DZHANIK ...... 81 ДОДСОН, ДЭВИД ...... 79 FIKS, DMITRI ...... 17 ДЭФ, РОБЕРТ ...... 60 GIANNARIS, CONSTANTINE ...... 72 ДЬЯЧЕНКО, ДМИТРИЙ ...... 91 GRINIAKIN, IGOR ...... 50 ДЮЖЕВ, ДМИТРИЙ ...... 87 GROOTE, ULF ...... 123 143 ЗВЕРКОВ, ОМАРИ ...... 49 HEMPEL, SUSANN MARIA ...... 126 ЗЕР, МАРКУС ...... 118 HEUMANN, VOLKER ...... 127 ЗОММЕР, МИХАЭЛЬ ...... 121 IGUMENTSEVA, TAISIYA ...... 51 ЗЫКОВ, МАКСИМ ...... 61 KAESSBOHRER, PHILIPP ...... 124 ИГУМЕНЦЕВА, ТАИСИЯ ...... 51 KASATKIN, ALEXANDER ...... 21 КАЗАНКОВ, ИЛЬЯ ...... 54 KAZANKOV, ILYA ...... 54 КАСАТКИН, АЛЕКСАНДР ...... 21 KESHCHIAN, ASHOT ...... 87 КЕСЛЕР, ЛИНН ...... 126 KHLEBNIKOV, BORIS ...... 13 КЕСТЕР, ЯН ...... 120 KOESTER, JAN ...... 120 КЕЩЯН, АШОТ ...... 87 KORNEV, TIKHON ...... 87 КОЗЛОВ, КИРИЛЛ ...... 86 KOROTKY, IGOR ...... 56 КОРНЕВ, ТИХОН ...... 87 KOSSLER, LYNN ...... 126 КОРОТКИЙ, ИГОРЬ ...... 56 KOSTOMAROV, PAVEL ...... 41 КОСТОМАРОВ, ПАВЕЛ ...... 41 KOZLOV, KIRILL ...... 86 КРЫЖОВНИКОВ, ЖОРА ...... 59 KRAEMER, MATHIAS ...... 118 КРЭМЕР, МАТИАС ...... 118 KRYZHOVNIKOV, ZHORA ...... 59 КУЦЛИ, СЕБАСТЬЯН ...... 122 KUTZLI, SEBASTIAN ...... 122 КЭCБОРЕР, ФИЛИПП ...... 124 LEVITAN, NADAV ...... 110, 111 ЛЕВИТАН, НАДАВ ...... 110, 111 MALIAREVSKY, SASHA ...... 79 МАЛЮКОВ, АНДРЕЙ ...... 89 MALIUKOV, ANDREI ...... 89 МАЛЯРЕВСКИЙ, САША ...... 79 MERZLIKIN, ANDREI ...... 47 МЕРЗЛИКИН, АНДРЕЙ ...... 47 MESTETSKY, MIKHAIL ...... 55 МЕСТЕЦКИЙ, МИХАИЛ ...... 55 MIZGIREV, ALEXEI ...... 31 МИЗГИРЕВ, АЛЕКСЕЙ ...... 31 MOKRITSKY, SERGEI ...... 19 МОКРИЦКИЙ, СЕРГЕЙ ...... 19 NAZAROVA, NATALIA ...... 21 НАЗАРОВА, НАТАЛЬЯ ...... 21 NOWAK, TILL ...... 121, 127 НОВАК, ТИЛЬ ...... 121, 127 OGANESIAN, KAREN ...... 87 ОГАНЕСЯН, КАРЕН ...... 87 ORESHNIKOV, PAVEL ...... 52 ОРЕШНИКОВ, ПАВЕЛ ...... 52 PROSHKIN, ALEXANDER...... 27 ПРОШКИН, АЛЕКСАНДР ...... 27 PUKHALSKY, ANATOLI ...... 63 ПУХАЛЬСКИЙ, АНАТОЛИЙ ...... 63 RASTORGUEV, ALEXANDER ...... 41 РАСТОРГУЕВ, АЛЕКСАНДР ...... 41 RUMAN, YEVGENI ...... 115 РУМАН, ЕВГЕНИЙ ...... 115 RUMINOV, PAVEL ...... 39 РУМИНОВ, ПАВЕЛ ...... 39 SALAVATOV, ELDAR ...... 87 САЛАВАТОВ, ЭЛЬДАР ...... 87 SCHEIDT, MARIE ELISA ...... 128 СЕГАЛ, МИХАИЛ ...... 35 SEGAL, MIKHAIL ...... 35 СИГАРЕВ, ВАСИЛИЙ ...... 23 SEHR, MARKUS ...... 118 СМИРНОВА, АВДОТЬЯ ...... 29 SHAKHNAZAROV, IVAN ...... 48 СУВОРОВ, ДМИТРИЙ ...... 66 SHAKHNAZAROV, KAREN ...... 95 106 ТАЛЬ, РАН...... 114 SHAMIROV, VIKTOR ...... 37 ТЕЛЕГИНА, ЕКАТЕРИНА ...... 53 SHAUL, DROR...... 112, 113 ТОРОПЧИН, ВЛАДИМИР ...... 85 SHOAZIMOV, RUMI ...... 65 УЧИТЕЛЬ, ИЛЬЯ ...... 64 SHOLOKHOV, SERGEI ...... 69 ФАЙЗИЕВ, ДЖАНИК ...... 81 SIGAREV, VASILI ...... 23 ФИКС, ДМИТРИЙ ...... 17 SMIRNOVA, AVDOTIA ...... 29 ХЕМПЕЛЬ, СЮЗАННА МАРИЯ ...... 126 SOMMER, MICHAEL ...... 121 ХЛЕБНИКОВ, БОРИС ...... 13 STRUCK, ANJA ...... 125 ХОЙМАН, ФОЛЬКЕР ...... 127 SUVOROV, DMITRI...... 66 ШАЙДТ, МАРИЯ ЭЛИЗА ...... 128 TAL, RAN ...... 114 ШАУЛЬ, ДРОР ...... 112, 113 TELEGINA, YEKATERINA ...... 53 ШАМИРОВ, ВИКТОР ...... 37 TOROPCHIN, VLADIMIR ...... 85 ШАХНАЗАРОВ, ИВАН ...... 48 UCHITEL, ILYA ...... 64 ШАХНАЗАРОВ, КАРЕН ...... 95 106 WALKA, CLAIRE ...... 120 ШОАЗИМОВ, РУМИ ...... 65 WEIMANN, TIM ...... 122 ШОЛОХОВ, СЕРГЕЙ ...... 69 WESOLOVSKI, ALEXANDRA ...... 128 ШТРУК, АНЯ ...... 125 WOLF, PHILIPP ...... 119 ЭГЕН, НУРБЕК ...... 33 YURIEV, FILIPP ...... 57 ЮРЬЕВ, ФИЛИПП ...... 57 ZVERKOV, OMARI ...... 49 ЯННАРИС, КОНСТАНТИНОС ...... 72 ZYKOV, MAXIM ...... 61 20th Century Fox CIS / Д а а В Ф СНГ ...... www.foxrussia.com AD Studio / АД С ...... www.baskova.com Amkart / А а ...... chudofi [email protected] Anastasia Kazankova Production / А а а Ка а а П а ...... [email protected] Bilzho, Anton / Б , А ...... [email protected] Central Partnership / Ц а Па ...... www.centpart.ru CINE FANTOM / СИНЕ ФАНТОМ ...... www.cinefantomclub.ru Cinema Fund / Ф ...... www.fond kino.ru СТВ ...... www.ctb.ru Doctor Chekhov / Д Ч ...... [email protected] Enjoy Movies ...... www.enjoy movies.ru Etalon Film / Э а Ф ...... www.etalon fi lm.ru Film Direction / Д К ...... fi [email protected]
COMPANIES / CONTACTS COMPANIES First creative union / П ...... [email protected] Future Shorts ...... www.futureshorts.ru
ОРГАНИЗАЦИИ / КОНТАКТЫ / ОРГАНИЗАЦИИ German Films ...... www.german fi lms.de Glavkino / Г а ...... www.glavkino.ru Globus Film / Г Ф ...... globus_fi [email protected] Gorad / Г а ...... info@goradfi lm.ru 144 Gorky Film Studio / К . М. Г ...... www.gorkyfi lm.ru Higher Courses for Directors and Scriptwriters / ВКСР ...... www.kinobraz.ru Igumentseva Taisiya / И а, Та ...... [email protected] Interfest / И ...... www.interfest.ru Interfi lm ...... www.interfi lm.de Israel Film Fund / И а ...... www.fi lmfund.org.il Karo / Ка а ...... www.karofi lm.ru Kinoglaz / К а ...... www.kinoglaz.net.ru Kinomir / К ...... www.kinomir studio.ru Kinotavr / К а ...... www.kinotavr.ru Koktebel / К ...... www.koktebelfi lm.ru Korotky, Igor / К , И ...... [email protected] Kryzhovnikov, Zhora / К Ж а ...... [email protected] Lenfi lm / Л ...... www.lenfi lm.ru Look fi lm ...... ap@look fi lm.tv Marx Film ...... www.marxfi lm.com Masterskaia Pavla Lungina / Ма а Па а Л а ...... www.lunginstudio.ru Melnitsa Animation Studio / С а а «М а» ...... www.melnitsa.com Mestetsky, Mikhail / М , М а ...... [email protected] Ministry of culture of Russian Federation / М РФ ...... www.mkrf.ru MK Production / МК П а ...... [email protected] Moscow / М а ...... [email protected] Mosfi lm / М ...... www.mosfi lm.ru Motor Entertainment / М Э ...... www.motorfi lmstudio.ru Nashe Kino / На ...... www.nkino.ru New People / Н ...... [email protected] Night of Advertising Eaters / Н а а ...... www.adshow.ru Northern Sky Films / Ф ...... [email protected] Novy Kurs / Н ...... www.kinoperm.ru Production Value / П а В ...... [email protected] ProLine Film ...... www.prolinefi lm.ru Propeller Production / П П а ...... www.interfest.ru Racoon cinema / Р С а ...... racoonfi lm@mosfi lm.ru RDK – Film / RDK – Ф ...... [email protected] Rock Films / ТПО «Р » ...... www.rockfi lms.ru Rossfi lm / Р ...... www.rossfi lm.ru RUmedia ...... www.ru media.com Strela / С а ...... www.kvartet i.ru Stsena / С а ...... [email protected] Studio Kvartal 95 / С «К а а 95» ...... www.kvartal95.com TriTe / Т Т ...... www.trite.ru TV Channel Russia / Т а а «Р » ...... www.russia.tv Utopia Pictures ...... [email protected] Valdai / Ва а ...... www.valdayfi lms.com VGIK / ВГИК ...... www.vgik.info Volshebnyaya Gora / В а Г а ...... [email protected] Walt Disney Studios Sony Pictures Releasing ...... www.wdsspr.ru Zverkov, Omari / З , О а ...... [email protected] 145 ОСОБАЯ
ГЛАВЕ АДМИНИСТРАЦИИ (ГУБЕРНАТОРУ) GERMAN FILMS И ЛИЧНО КРАСНОДАРСКОГО КРАЯ СИМОНЕ БАУМАНН ТКАЧЕВУ АЛЕКСАНДРУ НИКОЛАЕВИЧУ INTERFILMWOSTOK И ЛИЧНО ГЛАВЕ ГОРОДА КУРОРТА СОЧИ ГАЙНРИХУ ГЕРМАННСУ И ВАЛЕРЕ КАНИЩЕВУ ПАХОМОВУ АНАТОЛИЮ НИКОЛАЕВИЧУ ОАО ГК «ЖЕМЧУЖИНА»: МИНИСТРУ КУЛЬТУРЫ РФ КОВАЛЕВУ ГЕННАДИЮ ЕГОРОВИЧУ АВДЕЕВУ АЛЕКСАНДРУ АЛЕКСЕЕВИЧУ ПАНОВУ СЕРГЕЮ ИВАНОВИЧУ ТРАХТЕНБЕРГ ЭЛЬЗЕ ЛЕОНИДОВНЕ ЗАМЕСТИТЕЛЮ МИНИСТРА КУЛЬТУРЫ РФ КАЛЮЖНОМУ СТАНИСЛАВУ РУБИКОВИЧУ ЧУКОВСКОЙ ЕКАТЕРИНЕ ЭДУАРДОВНЕ МКРТЧАН ЭЛЬВИРЕ ДЖОНОВНЕ АЗАРОВОЙ ТАТЬЯНЕ ВЛАДИМИРОВНЕ ДИРЕКТОРУ ДЕПАРТАМЕНТА КИНЕМАТОГРАФИИ БРУСЕНСКОЙ МАРИИ ВИКТОРОВНЕ МИНИСТЕРСТВА КУЛЬТУРЫ РФ ТЕЛЬНОВУ ВЯЧЕСЛАВУ НИКОЛАЕВИЧУ МУК «СОЧИНСКАЯ ФИЛАРМОНИЯ»: МИШАРИНУ ВЛАДИМИРУ ВАСИЛЬЕВИЧУ 146 НАЧАЛЬНИКУ ОТДЕЛА ПРОДВИЖЕНИЯ ПОЛЕЦКОМУ ОЛЕГУ АНАТОЛЬЕВИЧУ ОТЕЧЕСТВЕННЫХ ФИЛЬМОВ И КИНОФЕСТИВАЛЕЙ БОНДАРЕНКО ДМИТРИЮ ОЛЕГОВИЧУ СТРОЧКОВОЙ ГАЛИНЕ МАРКОВНЕ ДМИТРИЕВУ ЮРИЮ СЕРГЕЕВИЧУ
СОВЕТНИКУ ОТДЕЛА ПРОДВИЖЕНИЯ ОАО «МЕЖДУНАРОДНЫЙ АЭРОПОРТ СОЧИ» ОТЕЧЕСТВЕННЫХ ФИЛЬМОВ И КИНОФЕСТИВАЛЕЙ ЛИХАРЕВУ СЕРГЕЮ КОНСТАНТИНОВИЧУ СОРОКИНОЙ ИРИНЕ АНАТОЛЬЕВНЕ ГАРЬКУША ЛЮБОВИ ГИВИЕВНЕ ЕРМАКОВУ ВИКТОРУ ЕВГЕНЬЕВИЧУ ИСПОЛНИТЕЛЬНОМУ ДИРЕКТОРУ ФЕДЕРАЛЬНОГО СТАХАНОВОЙ СВЕТЛАНЕ ВАЛЕНТИНОВНЕ ФОНДА СОЦИАЛЬНОЙ И ЭКОНОМИЧЕСКОЙ КОМАРОВУ АЛЕКСЕЮ НИКОЛАЕВИЧУ ПОДДЕРЖКИ ОТЕЧЕСТВЕННОЙ КИНЕМАТОГРАФИИ ТОЛСТИКОВУ СЕРГЕЮ АЛЕКСАНДРОВИЧУ ЗАКРЫТОМУ АКЦИОНЕРНОМУ ОБЩЕСТВУ «АЭРОКЛУБ»: МАТЮХИНУ ДЕНИСУ АНАТОЛЬЕВИЧУ ГОСФИЛЬМОФОНДУ РФ: ВЕДЯКИНУ ВАЛЕНТИНУ ВЛАДИМИРОВИЧУ БОРОДАЧЕВУ НИКОЛАЮ МИХАЙЛОВИЧУ ДМИТРИЕВУ ВЛАДИМИРУ ЮРЬЕВИЧУ ЗАКРЫТОМУ АКЦИОНЕРНОМУ ОБЩЕСТВУ «С 7 ГРУПП» КАБАНКОВУ АЛЕКСАНДРУ ВИКТОРОВИЧУ ЗАМЕСТИТЕЛЮ ГЛАВЫ АДМИНИСТРАЦИИ КОРЕНОВУ ДЕНИСУ АЛЕКСАНДРОВИЧУ КРАСНОДАРСКОГО КРАЯ ЗОЛИНОЙ ГАЛИНЕ ДМИТРИЕВНЕ ООО «АВИАКОМПАНИЯ «ВИМ АВИА» КАРГИНУ ВЛАДИСЛАВУ АЛЕКСАНДРОВИЧУ ДЕПАРТАМЕНТУ КУЛЬТУРЫ КРАСНОДАРСКОГО КРАЯ МОРОЗОВОЙ НАТАЛЬЕ ВЛАДИМИРОВНЕ РУКОВОДИТЕЛЮ ДЕПАРТАМЕНТА КУЛЬТУРЫ КРАСНОДАРСКОГО КРАЯ ОАО «АВТОТРАНСПОРТНОЕ АГЕНТСТВО «АГАТА» ПУГАЧЕВОЙ НАТАЛЬЕ ГЕОРГИЕВНЕ АЛАДИНОЙ ИРИНЕ ВАДИМОВНЕ
НАЧАЛЬНИКУ ОТДЕЛА КИНЕМАТОГРАФИИ ООО «ПРОДАКШН БЮРО ВЫХОД» ДЕПАРТАМЕНТА КУЛЬТУРЫ КРАСНОДАРСКОГО КРАЯ КАЛИНКИНУ АНТОНУ АРНОЛЬДОВИЧУ АТРАШЕВИЧ ТАТЬЯНЕ СЕРГЕЕВНЕ ПОНОМАРЕНКО ВЛАДИМИРУ ВЛАДИМИРОВИЧУ КОЛЧАНОВОЙ ЕКАТЕРИНЕ ВАЛЕРЬЕВНЕ ВЕДУЩЕМУ КОНСУЛЬТАНТУ ОТДЕЛА КИНЕМАТОГРАФИИ ДЕПАРТАМЕНТА ГЕНЕРАЛЬНОМУ ДИРЕКТОРУ ООО «КИНОПРОЕКТ»: КУЛЬТУРЫ КРАСНОДАРСКОГО КРАЯ РУБИНУ АЛЕКСАНДРУ ЮРЬЕВИЧУ БУТКО НАТАЛЬЕ ВЛАДИМИРОВНЕ ОБЩЕСТВУ С ОГРАНИЧЕННОЙ НАЧАЛЬНИКУ ХОЗЯЙСТВЕННОГО ОТВЕТСТВЕННОСТЬЮ «АФП» ОТДЕЛА ГБУ КК «ЦТХОУКИК» ДЕМИДОВУ ЮРИЮ АЛЕКСАНДРОВИЧУ РАТЫЧЕВОЙ ВИКТОРИИ ВИКТОРОВНЕ БУРЛАЧКОВУ СТАНИСЛАВУ НИКОЛАЕВИЧУ
ЗАМЕСТИТЕЛЮ ГЛАВЫ ГОРОДА КУРОРТА СОЧИ ЗАО «СОУД СОЧИНСКИЕ ВЫСТАВКИ»: РОМАНЕЦ ИРИНЕ ВАСИЛЬЕВНЕ ЗАХАРЧЕНКО ЮРИЮ АЛЕКСАНДРОВИЧУ ЗАХАРЧЕНКО ИННЕ ИВАНОВНЕ НАЧАЛЬНИКУ УПРАВЛЕНИЯ КУЛЬТУРЫ АДМИНИСТРАЦИИ ГОРОДА КУРОРТА СОЧИ ГЕНЕРАЛЬНОМУ ДИРЕКТОРУ ООО ЧАСТНОЕ БАРСЕГЯН РУЗАННЕ ГЕОРГИЕВНЕ ОХРАННОЕ ПРЕДПРИЯТИЕ «КАРАТ Ц» СВЕТЛОВУ ВАЛЕРИЮ АЛЕКСЕЕВИЧУ КИНОКОНЦЕРНУ «МОСФИЛЬМ» И ЛИЧНО ГЕНЕРАЛЬНОМУ ДИРЕКТОРУ, ДИРЕКТОРУ МКУ «КОМИТЕТ ПО ПРЕДСЕДАТЕЛЮ ПРАВЛЕНИЯ НАРУЖНОЙ РЕКЛАМЕ Г. СОЧИ» ШАХНАЗАРОВУ КАРЕНУ ГЕОРГИЕВИЧУ АЗАРОВУ ОЛЕГУ ВИКТОРОВИЧУ
РЕКТОРУ ВГИК ИМ. С.А.ГЕРАСИМОВА ФЕДЕРАЛЬНОМУ ГОСУДАРСТВЕННОМУ МАЛЫШЕВУ ВЛАДИМИРУ СЕРГЕЕВИЧУ УНИТАРНОМУ ПРЕДПРИЯТИЮ «ЮГ СПОРТ» ДРЕМОВУ МИХАИЛУ ВАСИЛЬЕВИЧУ КАБИНЕТУ ОТЕЧЕСТВЕННОГО КИНО ШКАРУБСКОЙ НАТАЛЬЕ АНАТОЛЬЕВНЕ ВГИК ИМ. С.А.ГЕРАСИМОВА ГОЛИКОВОЙ ЛАРИСЕ СТАНИСЛАВОВНЕ ЧЕРТОВОЙ НАТАЛЬЕ ГРИГОРЬЕВНЕ МАЛЬЦЕВУ СЕРГЕЮ ЮРЬЕВИЧУ
ИЗРАИЛЬСКОМУ КИНОФОНДУ И ЛИЧНО RCC AGENCY КАТРИЭЛЮ ШОРИ
ПОСОЛЬСТВУ ИЗРАИЛЯ В РОССИИ И ЛИЧНО ЯФФЕ ОЛИВИЦКИ SPECIAL
THE HEAD OF ADMINISTRATION (GOVERNOR) GERMAN FILMS И PERSONALLY OF THE KRASNODAR REGION SIMONE BAUMANN ALEXANDER TKACHEV INTERFILMWOSTOK И PERSONALLY THE HEAD OF THE SPA CITY OF SOCHI HEINRICH HERMANNS AND ANATOLI PAKHOMOV WALERA KANISCHTSCHEFF
MINISTER OF CULTURE OF THE RUSSIAN FEDERATION HOTEL COMPLEX “ZHEMCHUZHINA” ALEXANDER AVDEEV GENNADI KOVALEV SERGEI PANOV DEPUTY MINISTER OF CULTURE OF ELZA TRAKHTENBERG THE RUSSIAN FEDERATION STANISLAV KALIUZHNY EKATERINA CHUKOVSKAYA ELVIRA MKRTCHAN TATYANA AZAROVA DIRECTOR OF THE CINEMA DEPARTMENT OF THE MARIA BRUSENSKAYA MINISTRY OF CULTURE OF THE RUSSIAN FEDERATION VIACHESLAV TELNOV SOCHI PHILARMONIA: VLADIMIR MISHARIN 147 HEAD OF THE PR SECTION OF NATIONAL OLEG POLETSKY FILMS AND FESTIVALS DMITRI BONDARENKO GALINA STROCHKOVA YURI DMITRIEV
ADVISER OF THE HEAD OF PR SECTION OF SOCHI INTERNATIONAL AIRPORT NATIONAL FILMS AND FESTIVALS SERGEI LIKHAREV IRINA SOROKINA LIOBOV GARKUSHA VIKTOR ERMAKOV EXECUTIVE DIRECTOR OF THE FEDERAL FUND FOR SVETLANA STAKHANOVA SOCIAL AND ECONOMIC SUPPORT OF RUSSIAN CINEMA ALEXEI KOMAROV SERGEI TOLSTIKOV COMPANY “AEROCLUB”: GOSFILMOFOND OF RUSSIA DENIS MATIUKHIN NIKOLAI BORODACHEV VALENTINA VEDIAKINA VLADIMIR DMITRIEV COMPANY GROUP S7 DEPUTY HEAD OF THE KRASNODAR ALEXANDER KABANKOV REGIONAL ADMINISTRATION DENIS KORENOV GALINA ZOLINA COMPANY “VIM AVIA” CULTURAL DEPARTMENT OF THE KRASNODAR REGION VLADISLAV KARGIN HEAD OF CULTURAL DEPARTMENT NATALIA MOROZOVA OF THE KRASNODAR REGION NATALIA PUGACHEVA MOTOR TRANSPORT AGENCY “AGATA” IRINA ALADINA
HEAD OF CINEMA SECTION IN THE CULTURAL PRODUCTION BURO “VYKHOD” DEPARTMENT OF THE KRASNODAR REGION ANTON KALINKIN TATIANA ATRASHEVICH VLADIMIR PONOMARENKO EKATERINA KOLCHANOVA LEADING CONSULTANT OF THE CINEMA SECTION IN THE CULTURAL DEPARTMENT OF THE KRASNODAR REGION DIRECTOR GENERAL OF “KINOPROEKT”: NATALIA BUTKO ALEXANDER RUBIN
HEAD OF SERVICES “TSTKHOUKIK” COMPANY “AFP” VICTORIA RATYCHEVA YURI DEMIDOV STANISLAV BURLACHKOV DEPUTY HEAD OF THE SPA CITY OF SOCHI IRINA ROMANETS COMPANY “SOUD SOCHI EXHIBITIONS” YURI ZAKHARENKO HEAD OF THE CULTURAL DEPARTMENT INNA ZAKHARENKO OF THE KRASNODAR REGION RUZANNA BARSEGIAN GENERAL DIRECTOR OF THE PRIVATE SECURITY COMPANY “KARAT C” FILM STUDIO HOLDING MOSFILM AND PERSONALLY VALERI SVETLOV THE CEO AND CHAIRMAN OF THE BOARD KAREN SHAKHNAZAROV DIRECTOR OF THE EXTERNAL ADVERTISING COMMITTEE OF SOCHI DEAN OF THE FILM INSTITUTE VGIK OLEG AZAROV VLADIMIR MALYSHEV FEDERAL STATE COMPANY “SOUTH SPORT” SECTION OF RUSSIAN CINEMA AT MIKHAIL DREMOV THE FILM INSTITUTE VGIK NATALIA SHKARUBSKAYA NATALIA CHERTOVA LARISA GOLIKOVA SERGEI MALTSEV ISRAEL FILM FUND AND PERSONALLY KATRIEL SCHORY RCC AGENCY
EMBASSY OF ISRAEL IN RUSSIA AND PERSONALLY YAFFA OLIVITSKY РУКОВОДСТВО И СЛУЖБЫ ФЕСТИВАЛЯ MANAGEMENT AND SERVICES
П а Р Р К а СИТОРА АЛИЕВА а а а а Д ЕКАТЕРИНА ГАЛИНА НИКОЛЕНКО ВАЛЕРИЙ ЧИГАРЕВ ЕЛЕНА ЛАПИНА КРАСНОВСКАЯ С а а П Р АНЖЕЛИКА КИСЮК П ПОЛИНА ЗУЕВА а Р АННА ГУДКОВА А а АЛИСА БУРОВА а ИРИНА РЕГЕР ИЛОНА МЕТЕЛЬКОВА ИРИНА ЧЕСТНОВА С а С а а : «К а ТВ» П а а ТАТЬЯНА БОРОВСКИХ АЛЛА КУЗНЕЦОВА НИКИТА ГАЛЮЗОВ ИРИНА МЫШКИНА ЕЛЕНА ИВАНОВА ЮЛИЯ ГЮНЕ С а ВЕРОНИКА МАРИНОВА «К а » Daily СТАНИСЛАВ ШАПОВАЛОВ а Р МИХАИЛ ВОЛОДИН а «К а ». а АНДРЕЙ ЗАХАРЬЕВ О а К » СЕРГЕЙ ЛОСЬ АЛЕКСАНДР ПАСЮГИН 148 ИРИНА ЛЮБАРСКАЯ ТАТЬЯНА МАТВЕЕВА С а а а АЛЕНА КОРОТКЕВИЧ ВИКТОРИЯ / АЛЕКСЕЙ ЮШЕНКОВ БЕЛОПОЛЬСКАЯ С а а СЕРГЕЙ СМИРНОВ ЕВГЕНИЙ ГУСЯТИНСКИЙ а Ф а АЛЕНА СОЛНЦЕВА АЛЕКСАНДРА ВИТАЛИЙ БУЧИНСКИЙ РУМЯНЦЕВА Ф а Р МАРИНА РЯБЦЕВА а а: КАТАЛОГ а Р ЛАРИСА КАЗАНИНА НАТАЛЬЯ ЯКУШКИНА а а НИНА КУЗНЕЦОВА Ш а VIP а МАРИЯ АКТАЕВА ГАЛИНА ЧЕРКАСОВА НИНА ГОВОРОВА ДЖУЛЬЕТТА ТЕЙМУРОВА А а НАТАЛЬЯ КОЗЫКИНА П ОЛЬГА РЯБОВА а а ЮЛИЯ ПОПОВА БИРГИТ БОЙМЕРС ЕКАТЕРИНА УГАРОВА ГЕННАДИЙ АНИСЬКО IT : О а РОМАН ШУСТОВ SHANDESIGN Р PR К а ИЛЬЯ ТЕЛЕЖКИН К а ДАРЬЯ КРОВЯКОВА ЕКАТЕРИНА ОВЕРЧУК PR МАРИНА КОПАНЕВА Р СВЕТЛАНА БЕЛАН а а М а ЮЛИЯ АЙЗЕНБЕРГ ВИКТОРИЯ БЕЛОПОЛЬСКАЯ Р а Т ЕЛИЗАВЕТА КАСЬЯН ВСЕВОЛОД КОСАРЕНКОВ
Programme Director Secretary of the Head of Accommodation Coordinator of SITORA ALIEVA Grand Jury Service Festival Services Director IRINA MYSHKINA GALINA NIKOLENKO VALERI CHIGAREV ELENA LAPINA Secretary of the Jury Accommodation Service Producer and Coordinator ANGELIKA KISIUK Pitching POLINA ZUEVA of the Competition Head of Catering Service ANNA GUDKOVA Administrative Director Kinotavr. Shorts ILONA METELKOVA IRINA REGER IRINA CHESTNOVA TATIANA MATVEEVA Catering Service: Production Service TATIANA BOROVSKIKH Kinotavr TV NIKITA GALIUZOV Coordination of ELENA IVANOVA ALLA KUZNETSOVA YULIA GIUNE Film Groups VERONIKA MARINOVA STANISLAV SHAPOVALOV ALEXANDRA Head of Transport Services “Kinotavr” Daily RUMIANTSEVA SERGEI LOS MIKHAIL VOLODIN Selection Committee MARINA RIABTSEVA Air and Rail Travel ANDREI ZAKHARIEV IRINA LIUBARSKAYA Head of Projection SERGEI SMIRNOV ALEXANDER PASYUGIN VICTORIA BELOPOLSKAYA Services Financial Director ALENA KOROTKEVICH EVGENI GUSIATINSKY MARIA AKTAEVA VITALI BUCHINSKY ALEXEI YUSHENKOV ALENA SOLNTSEVA Projection Manager Financial and GENNADI ANISKO Legal Services: Head of Protocol LARISA KAZANINA NATALIA YAKUSHKINA Coordinator of NINA KUZNETSOVA VIP Service Cultural Program GALINA CHERKASOVA CATALOGUE JULIETTA TEIMUROVA MARINA KOPANEVA NATALIA KOZYKINA OLGA RIABOVA YULIA POPOVA Editor in Chief EKATERINA UGAROVA Moderator of Press NINA GOVOROVA Conferences IT Department: Translation Head of PR Service VICTORIA BELOPOLSKAYA ROMAN SHUSTOV BIRGIT BEUMERS DARIA KROVIAKOVA ILYA TELEZHKIN Cover PR Director Technical Director SHANDESIGN SVETLANA BELAN VSEVOLOD KOSARENKOV Head of Moscow Offi ce Proof Reader YULIA AIZENBERG EKATERINA OVERCHUK Head of International Department Head of Information EKATERINA KRASNOVSKAYA Service Head of Translation Services ELIZAVETA KASIAN ALISA BUROVA Т а 3000 149 www. kinotavr. ru
154 ИНФОРМАЦИОННЫЕ СПОНСОРЫ 155 ИНФОРМАЦИОННЫЕ СПОНСОРЫ 156 ИНФОРМАЦИОННЫЕ СПОНСОРЫ 157 ИНФОРМАЦИОННЫЕ СПОНСОРЫ 158 ИНФОРМАЦИОННЫЕ СПОНСОРЫ
163 ПАРТНЕРЫ КИНОФЕСТИВАЛЯ