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Report on the Slovak Audiovisual Situation in 2013
REP ORT ON THE SL OVAK AUDI OVIS UAL SIT UATION IN 2013 REPORT ON THE SLOVAK AUDIOVISUAL SITUATION IN 2013 § CONTENT I Introduction ........................................................................................... 03 I Legislation ............................................................................................. 04 I Film Education ....................................................................................... 04 I Film Production ...................................................................................... 08 I Slovak Audiovisual Fund .......................................................................... 11 I Literary Fund .......................................................................................... 15 I MEDIA ..................................................................................................... 16 I Eurimages ............................................................................................... 18 I Cinema Distribution ................................................................................. 18 I Videodistribution ..................................................................................... 22 I Cinemas ................................................................................................... 26 I Film Clubs ............................................................................................... 29 I Festivals and Reviews .............................................................................. 30 I Awards of Slovak Films -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
Romanov News Новости Романовых
Romanov News Новости Романовых By Ludmila & Paul Kulikovsky №114 September 2017 Emperor Nicholas I. Watercolour by Alexander I. Klünder Monument to Emperor Nicholas I unveiled in Czech Republic September 19.TASS - A monument to Emperor Nicholas I (1825-1855) was opened in the spa town of Teplice in the north of the Czech Republic. This was announced by Consul-General of the Consulate General of the Russian Federation in Karlovy Vary (West Bohemia) Igor Melnik. "The monument to Nicholas I was erected in the very centre of Teplice next to the monuments of Peter the Great and Alexander I," he stressed. "This idea supported by local authorities, was conceived long ago, but was postponed, primarily because of the lack of necessary funds." Monuments to Russian autocrats in Teplice were created by People's Artist of Russia Vladimir Surovtsev. The patrons of the project are the organization of Russian compatriots in the Czech Republic "The Ark-Arch" and the General Consulate of the Russian Federation in Karlovy Vary. Sovereigns from the Romanov dynasty, actively implementing the idea of uniting the Slavs under the sceptre of mighty Russia on the international arena, have forever entered the history of Teplice. The Grand Duke and the future Emperor of Russia Nicholas I twice visited this city: in 1815 at the age of 19, and in 1818, when he turned 22. He took part in laying the foundation and then opening a monument to Russian soldiers who died for Europe's freedom in the struggle against Napoleon. The elder brother of Nicholas I, Emperor Alexander I, arrived in Teplice during the foreign campaigns of the Russian Imperial Army during the Napoleonic wars in 1813. -
High Stakes, Drama in Soviet Hockey Reviewed by Susan Welsh Legend No
SLAVFILMS High Stakes, Drama in Soviet Hockey Reviewed by Susan Welsh Legend No. 17 (Легенда № 17), 2013 Legend No. 17 Director: Nikolai Lebedev Starring: Danila Kozlovsky, Oleg This fictionalized biopic about the late Soviet Menshikov, Svetlana Ivanova hockey star Valery Kharlamov (played by Danila DVD in Russian, with English subtitles. No U.S. rating; some nudity. Kozlovsky) was the smash hit of the Russian film in- dustry in 2013, grossing $27 million within a month of Red Army, 2014. Director: Gabe Polsky its release. How closely it follows the life and career of Documentary, in English and Russian (with subtitles), rated PG, DVD released in USA: June 2015. Theatrical release in Russia: the real Kharlamov (who died in a car crash in 1981) August 2015 is not known to me, but Kharlamov for sure played a leading role in the famous Summit Series with Canada Hockey was a big battleground of the Cold War, in 1972, when the Soviet team unexpectedly beat the and both Red Army and Legend No. 17 tell that story tough Canadian team in the first game. Whether the in quite different ways, both with a focus on Moscow’s handsome and exuberant young player really climbed ЦСКА (Central Sports Club, Red Army). For both the up the fire escape to the apartment of his beloved to United States and the Soviet Union, hockey was a bring her flowers, read poetry, and ask her to mar- symbol of national pride; for the latter it was also the ry him, is anybody’s guess (not surprisingly, she had recipient of large sums of money, befitting its role as turned a cold shoulder to him when he said, while in a propaganda instrument. -
Spinning Russia's 21St Century Wars
Research Article This is an Open Access article distributed under the terms of the Creative The RUSI Journal Commons Attribution-Non-Commercial-NoDerivatives License (https:// creativecommons.org/licenses/by-nc-nd/4.0/). Spinning Russia’s 21st Century Wars Zakhar Prilepin and his ‘Literary Spetsnaz’ Julie Fedor In this article, Julie Fedor examines contemporary Russian militarism through an introduction to one of its most high-profile representatives, the novelist, Chechen war veteran and media personality Zakhar Prilepin. She focuses on Prilepin’s commentary on war and Russian identity, locating his ideas within a broader strand of Russian neo-imperialism. he Russian annexation of Crimea in 2014 brand of militarism that has come to pervade the and the war in the Donbas which began Russian media landscape, Prilepin warrants our T that same year have been accompanied by attention. Studying his career and output can help a remarkable drive to mobilise cultural production to illuminate the context and underpinnings of the in Russia in support of a new brand of state- domestic support for the official military doctrine sponsored militarism. Using a variety of media and policy that is more commonly the subject of platforms and reaching mass popular audiences, scholarship on Russian military and security affairs. a range of cultural celebrities – actors, writers, This article focuses on Prilepin’s commentary rock stars, tabloid war correspondents – have on the nature of war and Russian identity, locating played a key role in framing and shaping domestic his ideas within a broader strand of Russian perceptions of Russia’s 21st Century wars. Despite neo-imperialism in which war is claimed as a vital their prominence in Russian media space, their source of belonging, power and dignity.1 It shows activities have received surprisingly little scholarly how the notion of a special Russian relationship attention to date. -
Resisting Foreign State Propaganda in the New Information Environment: the Case of the EU, Russia, and the Eastern Partnership Countries ISBN 978-9934-8536-9-2
RESISTING FOREIGN STATE PROPAGANDA IN THE NEW INFORMATION ENVIRONMENT: THE CASE OF THE EU, RUSSIA, AND THE EASTERN PARTNERSHIP COUNTRIES ISBN 978-9934-8536-9-2 UDK 32.019.5 Re708 This publication is a part of the project “Resisting state propaganda in the new information environment: The case of EU member states and EU Eastern Partnership states vis-à-vis the Russian Federation publication/re- search” organised by the Foundation for European Pro- gressive Studies (FEPS) with the support of Brīvības un Solidaritātes Fonds (BSF). RESISTING FOREIGN STATE PROPAGANDA IN THE NEW INFORMATION ENVIRONMENT: THE CASE OF THE EU, RUSSIA, AND THE EASTERN PARTNERSHIP COUNTRIES Table of contents Foreword Dr. Ernst Stetter 11 Foreword Ervins Labanovskis 17 PART I: INCREASING RESISTANCE TO PROPAGANDA WITHIN THE EU Countering propaganda in Europe: Responses and options Ben Nimmo 23 The role of national strategic narrative in raising resilience to hostile foreign propaganda in European societies Māris Cepurītis 39 Increasing the resistance of democratic states to hostile foreign propaganda— what is the right recipe? Elīna Lange-Ionatamišvili 52 The Audiovisual Media Services Directive and propaganda Andris Mellakauls 71 7 Key findings of the EED’s Feasibility PART III: THE VIEW FROM Study on independent Russian- THE EASTERN PARTNERSHIP COUNTRIES language media initiatives in the Eastern Partnership and beyond Farther from Russky Mir, Jerzy Pomianowski 89 Closer to the West Tamar Kintsurashvili 173 PART II: THE VIEW FROM THE BALTIC STATES Russian propaganda -
Urso De Prata Melhor Contribuição Artística
Urso de Prata Melhor Contribuição Artística MILAN MARIC DANILA KOZLOVSKY HELENA SUJECKA ARTUR BESCHASTNY ELENA LYADOVA UM FILME DE ALEKSEY GERMAN JR. ESTREIA 29 DE NOVEMBRO WWW.LEOPARDOFILMES.COM SINOPSE Dovlatov é o mais recente filme de Aleksey German Jr., que pela primeira vez vira a sua câmara para a sua cidade natal, Leningrado, nos anos 70 para mergulhar no burburinho quotidiano de uma franja de intelectuais soviéticos dissidentes, Sergei Dovlatov, Joseph Brodsky, entre outras referências a reconhecidos gigantes literários do século XX, que não passarão despercebidos (Yevtushenko, Mandelstam, Steinbeck , Nabokov. Inspirado na obra “O Ofício” (1985), agora em edição portuguesa, pela Editora Antígona, Dovlatov, de Aleksey German Jr., acompanha seis dias na vida do brilhante escritor russo. « Porque a liberdade não possui ideologia. A liberdade favorece na mesma medida o bom e o ruim. A liberdade é como a lua, que ilumina, indiferente, o caminho do predador e da vítima. » SERGEI DOVLATOV, “O OFÍCIO” « “O Ofício” (1985) O árduo ofício de escrever, pelo qual Dovlatov lutou com unhas, dentes e uma Underwood — não é um livro, mas dois: “O Livro Invisível” e “O Jornal Invisível”. O primeiro é a crónica das aventuras e desventuras de um escritor soviético — um certo Dovlatov — que tudo faz, sem êxito, para ser publicado no seu país. Das cedências que o autor recusa fazer às humilhações por ele vividas, dos tolos agentes do sistema aos editores teimosos que com ele se cruzam, é uma hilariante reflexão sobre a burocracia, a censura e a condição dos escritores em reinos da estupidez. O segundo narra a nova vida de Dovlatov nos Estados Unidos, onde, mal chegou, “como convém a um literato russo”, preguiçou seis meses no sofá, e a tentativa não menos difícil de fundar um jornal para imigrantes como ele em Nova Iorque, o centro da liberdade e o umbigo do capitalismo. -
LEONE FILM GROUP E KEY FILMS Dal 13 Aprile Al Cinema
LEONE FILM GROUP e KEY FILMS sono lieti di presentarvi Un film scritto e diretto da ILYA NAISHULLER Prodotto da TIMUR BEKMAMBETOV con SHARLTO COPLEY DANILA KOZLOVSKY HALEY BENNETT Durata 95' Dal 13 aprile al cinema distribuito da Sito ufficiale: http://hardcore.multiplayer.it/ Pagina FB: www.facebook.com/HardcoreIlFilm Ufficio Stampa Film: Marianna Giorgi +39 338 1946062 - [email protected] Ufficio Stampa Lucky Red: Alessandra Tieri + 39.335.8480787 - [email protected] Georgette Ranucci + 39.335.5943393 - [email protected] Olga Brucciani + 39.345.8670603 - [email protected] 1 SINOSSI Non ricordi nulla. Sei appena stato salvato da tua moglie che ti ha riportato in vita (Haley Bennet). Lei sostiene che ti chiami Henry. Dopo 5 minuti vieni colpito, tua moglie rapita, e forse è il caso che tu vada a riprendertela.Chi l'ha rapita? Il suo nome è Akan (Danila Kozlovsky), un folle personaggio a capo di un gruppo di mercenari e con un piano per dominare il mondo. Ti trovi a Mosca, città a te sconosciuta e tutti intorno vogliono ucciderti. Tutti tranne un misterioso alleato inglese di nome Jimmy (Sharlto Copley). É probabile che lui sia dalla tua parte, ma non ne sei sicuro. Se riuscirai a sopravvivere alla follia, e a risolvere il mistero, potrai probabilmente capire il tuo obiettivo e la tua vera identità. Buona Fortuna. Ne avrai parecchio bisogno. Per ogni generazione c’è un flm che cambia tutto per sempre: dal 13 aprile arriva al cinema Hardcore!, il flm completamente in prima persona che ridefnisce una volta per tutte i confni del cinema d’azione. -
MEMORIAL Leningrad Were Buried During World War II
NO. 3 1795 САНКТ-ПЕТЕРБУРГ-ТАЙМС WEDNESDAY, JANUARY 29, 2014 WWW.SPTIMES.RU DMITRY LOVETSKY / AP LOVETSKY DMITRY Valentina Kiseleva, 76, who remained in Leningrad during the blockade, walks past a wreath at the Piskaryovskoye Cemetery where most victims of the Siege of MEMORIAL Leningrad were buried during World War II. More than 1 million people died during the 872-day siege, which was finally lifted on Jan. 27, 1944. SOCHI BUSINESS Billion-Dollar Postal Blues LOCAL Doubts Linger Blockade Over Games Survivors Honored With less than ten days to go The Boris Eifman before they start, the Sochi troupe honors Olympics are still dividing Consumers caught up in battle veterans. Page 3. local opinion. Page 8. over e-commerce. Page 6. LocalNews www.sptimes.ru | Wednesday, January 29, 2014 ❖ 2 Local Activists Protest in Kiev VK Founder Durov By Sergey Chernov THE ST. PETERSBURG TIMES Sells Stake in Website St. Petersburg’s liberal and left-wing ac- tivists have offered their support to the RIA NOVOSTI said it was probably based on the protests currently taking place in Pavel Durov, the founder of company’s value of $3-4 billion. Ukraine with one-man rallies and pick- VKontakte, said on Jan. 24 that he Previous media reports said ets, a vigil and visits to Kiev. Pickets had sold his stake in the immensely that Durov and his VKontakte have been held near the Consulate Gen- popular social-networking website team were planning to quit and eral of Ukraine and on Nevsky Prospekt that has often been dubbed “Rus- engage in a new project, but his since mid-week while on Jan. -
Флаэртиана Форум Flahertiana Forum
1 FLAHERTIANA ФЛАЭРТИАНА FORUM ФОРУМ INTERNATIONAL INTERNATIONAL TRAINING AND PITCHING TRAINING AND PITCHING CATALOG КАТАЛОГ 15–20 09.2018 SCHEDULE 3 РАСПИСАНИЕ TUTORS, EXPERTS, ТЬЮТОРЫ, ЭКСПЕРТЫ, 8 CONTENTS POTENTIAL CO-PRODUCERS ПОТЕНЦИАЛЬНЫЕ СОПРОДЮСЕРЫ PROJECTS 18 ПРОЕКТЫ *ters- 18 *сухо- Anniversary 19 Юбилейный год Artyom's Upbringing 20 Воспитать Артема Boss of Balagansk 21 Хозяин Балаганска Bro 22 Брат Chapay’s Homeland 23 Родина Чапая Clouds on the Roof 24 Облака на крыше Comrade Secretary 25 Товарищ секретарь Deers Don’t Burn 26 Олени не горят Eclipse 27 Затмение Esmeralda OK 28 Эсмеральда ОК Europe Cafe 29 Кафе «Европа» IT: The Other Side of Baikal 30 Он, обратная сторона Байкала Let Me Get Closer 31 Давай на ты Letters from the Past 32 Письма из прошлого Life Goes On 33 Живут же люди 2 Listening to the Silence 34 Слушая тишину Metropolitan Chorus 35 Метрополитен Хор Millers Diary 36 Дневник Миллера Motherland 37 Родина Non-Standard Provisions 38 Нестандартные положения Notes on the Flea Market 39 Заметки о блохе One day. Filomena 40 Один день. Филомена Principle of passion 41 Принцип страсти Resuscitation 42 Реанимация Return My Hands 43 Верните мои руки Spitak. Thirty Years of Solitude 44 Спитак. Тридцать лет одиночества Strong Beat 45 Сильная доля Taxi Drivers 46 Таксисты Teachers' Day 47 День учителя The Abduction of Boghdo-Khan 48 Похищение Богдо-хана The Land of Men 49 Земля людей The Palmnicken Golgotha 50 Пальмникенская Голгофа Time Travel – From Bonn to Speia 51 Путешествие во времени – из Бонна в Спею Unrecognized 52 Непризнанные Velvet Generation 53 Вельветовое поколение Visitants 54 Летуны We Have Come to a Bright Future 55 Докатились до светлого будущего СОДЕРЖАНИЕ FLAHERTIANA FORUM 2018: Training and Pitching for documentary filmmakers. -
Our Friends and Partners in Meeting Urgent And
The Jewish Agency is proud and privileged to represent the voices OUR FRIENDS of Jewish communities around the world. Our partners and friends ensure that we have the global reach and financial strength to AND PARTNERS address the needs of the Jewish people on a large scale, along with IN MEETING the infrastructure to quickly meet urgent needs as they arise. To all our many friends and supporters around the globe, we offer our profound thanks for your partnership in securing the URGENT AND Jewish future. IMPORTANT NEEDS 2015 The Jewish Agency is privileged to partner with the Jewish Federations of North America and Keren Hayesod/UIA, as well as foundations and other donors in Israel and around the world. Thank you for helping us secure the Jewish future. THE JEWISH FEDERATIONS OF NORTH AMERICA To the Jewish Federations of North America and Keren Hayesod/UIA, your core support powers our global partnership. No single gift touches more lives. We also thank the many Federations who not only provide indispensable core funding, but also make designated grants to critical programs and emergency campaigns. Jewish Community Board of Akron Jewish Federation of Collier County Jewish Federation of Greater Houston Jewish Federation of the Lehigh Valley Jewish Colorado Jewish Federation of Greater Indianapolis Jewish Federation of Greater Ann Arbor Columbia Jewish Federation Jewish Federation of Jacksonville Jewish Federation of Arkansas Jewish Federation of Columbus Jewish Federation of Greater Kansas City Jewish Federation of Greater Atlanta Jewish Federation of Cumberland, Knoxville Jewish Alliance Gloucester & Salem Counties Jewish Federation of Atlantic Jewish Federation of Las Vegas & Cape May Counties Jewish Federation of Greater Dallas Jewish Federation of Lee Augusta Jewish Federation Jewish Federation of Greater Dayton, Inc. -
Film Criticism
ALEXANDER FEDOROV FILM CRITICISM FEDOROV, A. FILM CRITICISM. МOSCOW: ICO “INFORMATION FOR ALL”. 2015. 382 P. COPYRIGHT © 2015 BY ALEXANDER FEDOROV [email protected] ALL RIGHT RESERVED. 10 9 8 7 6 5 4 2 1 FEDOROV, ALEXANDER. 1954-. FILM CRITICISM / ALEXANDER FEDOROV. P. CM. INCLUDES BIBLIOGRAPHICAL REFERENCES. 1. FILM CRITICISM. 2. FILM STUDIES. 3. MEDIA LITERACY. 4. MEDIA EDUCATION. 5. MEDIA STUDIES. 6. FILM EDUCATION. 7. STUDENTS. 8. CINEMA. 9. FILM. 10. MASS MEDIA. 11. STUDY AND TEACHING. 2 Contents The Mystery of Russian Cinema ………………………………..…... ..6 Phenomenon of Russian Film-Hits ………………………………….. 10 Russian Screen Distribution …………………………………..………..12 Video-pirates from Russia ……………………………………..…….. 15 Film Criticism and Press in Russia …………………………………… 17 Russian Cinematography and the Screen Violence ………………....….21 The Gloom of Russian Fantastic Movie-Land …………….………..….27 Sex-Cinema: Made in Russia …………………………………… ..….. 29 America, America… ……………………………………………….… .31 French Motives and Russian Melodies ………………………….…… .33 Fistful of Russian Movies ……………………………………….…… .41 Nikita Mikhalkov before XXI Century ………………………….…… 78 Karen Shakhnazarov: a Fortune's Favorite? ……………………….… 86 Pyotr Todorovsky: Dramatic Romance ……………………….……. 92 Oleg Kovalov, Former Film Critic .........................................................99 How to Shoot the “True” Film about Russia …………………………102 Locarno Film Fest: The View of a Film Educator ……………………103 The Analysis of Detective Genre at Film Education in Students’ Audience ……………………………………………… ……….…..106 Hermeneutical