Festival Centerpiece Films
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bollywood's Periphery: Child Stars and Representations of Childhood in Hindi Films
Shakuntala Banaji Bollywood's periphery: child stars and representations of childhood in Hindi films Book section Original citation: Originally published in Bollywood's periphery: child stars and representations of childhood in Hindi films. In: O'Connor, Jane and Mercer, John, (eds.) Childhood and Celebrity. Routledge, London, UK. ISBN 9781138855274 © 2016 The Author This version available at: http://eprints.lse.ac.uk/65482/ Available in LSE Research Online: February 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Title: Bollywood's periphery: child stars and representations of childhood in Hindi films Author: Shakuntala Banaji, Introduction The three research questions which I explore in this chapter ask: How do international accounts of children’s role on screen and child performance -
Scandinavian Cinema from the Silent Era Prof
© Lynn R. Wilkinson UGS302 (64115): Nordic Light: Scandinavian Cinema from the Silent Era Prof. Lynn Wilkinson to the 2000s COURSE DESCRIPTION: Ingmar Bergman is perhaps the best known Scandinavian filmmaker, but Northern Europe has a remarkable tradition of filmmakers and filmmaking. Including films from Sweden, Denmark, and Iceland, this course will provide an introduction to some of the masterpieces of Scandinavian film from the Golden Age of silent film through the 2000s and to the culture of Scandinavia. ASSIGNMENTS AND GRADING: One two-page paper (5%); one five-page paper which may be rewritten (20%); one storyboard (10%) accompanied by a five-page essay (20%); five quizzes (20%; you may drop the lowest grade); one class presentation (5%). Class participation will count 20%. REQUIRED TEXTS: Bordwell and Thompson: Film Art: An Introduction. 10th edition (2009) McGraw Hill: ISBN 10: 0073386162 Earlier editions on reserve: PN 1995 B617 2004 TEXT; PN1995 B617 2001 TEXT Recommended: Tytti Soila et al.: Nordic National Cinemas Routledge: ISBN-10: 0415081955 On Reserve: PN 1993.5 s2 s65 1998; also available as an electronic resource Braudy and Cohen: Film Theory and Criticism. 6th edition (FTC on syllabus) Oxford Univ. Press: ISBN 10 0195158172 On reserve: PN 1994 M364 2004 Mette Hjort: Purity and Provocation: Dogme 95 British Film Institute On reserve: PN1995.9 E96 P87 2003 Mette Hjort: Italian for Beginners University of Washington Press, 2010 PN 1997 I51555 H56 2010 Björn Norðfjörð: Dagur Kári’s Nói the Albino University of Washington -
Download File (Pdf; 3Mb)
Volume 15 - Number 2 February – March 2019 £4 TTHISHIS ISSUEISSUE: IIRANIANRANIAN CINEMACINEMA ● IIndianndian camera,camera, IranianIranian heartheart ● TThehe lliteraryiterary aandnd dramaticdramatic rootsroots ofof thethe IranianIranian NewNew WaveWave ● DDystopicystopic TTehranehran inin ‘Film‘Film Farsi’Farsi’ popularpopular ccinemainema ● PParvizarviz SSayyad:ayyad: socio-politicalsocio-political commentatorcommentator dresseddressed asas villagevillage foolfool ● TThehe nnoiroir worldworld ooff MMasudasud KKimiaiimiai ● TThehe rresurgenceesurgence ofof IranianIranian ‘Sacred‘Sacred Defence’Defence’ CinemaCinema ● AAsgharsghar Farhadi’sFarhadi’s ccinemainema ● NNewew diasporicdiasporic visionsvisions ofof IranIran ● PPLUSLUS RReviewseviews andand eventsevents inin LondonLondon Volume 15 - Number 2 February – March 2019 £4 TTHISHIS IISSUESSUE: IIRANIANRANIAN CCINEMAINEMA ● IIndianndian ccamera,amera, IIranianranian heartheart ● TThehe lliteraryiterary aandnd ddramaticramatic rootsroots ooff thethe IIranianranian NNewew WWaveave ● DDystopicystopic TTehranehran iinn ‘Film-Farsi’‘Film-Farsi’ ppopularopular ccinemainema ● PParvizarviz SSayyad:ayyad: ssocio-politicalocio-political commentatorcommentator dresseddressed aass vvillageillage ffoolool ● TThehe nnoiroir wworldorld ooff MMasudasud KKimiaiimiai ● TThehe rresurgenceesurgence ooff IIranianranian ‘Sacred‘Sacred DDefence’efence’ CinemaCinema ● AAsgharsghar FFarhadi’sarhadi’s ccinemainema ● NNewew ddiasporiciasporic visionsvisions ooff IIranran ● PPLUSLUS RReviewseviews aandnd eeventsvents -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P. -
4. UK Films for Sale at EFM 2019
13 Graves TEvolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Diane Shorthouse +44 7957 306 990 Michael McKell [email protected] Genre: Horror Market Office: UK Film Centre Gropius 36 Director: John Langridge Home Office tel: +44 20 8215 3340 Status: Completed Synopsis: On the orders of their boss, two seasoned contract killers are marching their latest victim to the ‘mob graveyard’ they have used for several years. When he escapes leaving them no choice but to hunt him through the surrounding forest, they are soon hopelessly lost. As night falls and the shadows begin to lengthen, they uncover a dark and terrifying truth about the vast, sprawling woodland – and the hunters become the hunted as they find themselves stalked by an ancient supernatural force. 2:Hrs TReason8 Films Cast: Harry Jarvis, Ella-Rae Smith, Alhaji Fofana, Keith Allen Anna Krupnova Genre: Fantasy [email protected] Director: D James Newton Market Office: UK Film Centre Gropius 36 Status: Completed Home Office tel: +44 7914 621 232 Synopsis: When Tim, a 15yr old budding graffiti artist, and his two best friends Vic and Alf, bunk off from a school trip at the Natural History Museum, they stumble into a Press Conference being held by Lena Eidelhorn, a mad Scientist who is unveiling her latest invention, The Vitalitron. The Vitalitron is capable of predicting the time of death of any living creature and when Tim sneaks inside, he discovers he only has two hours left to live. Chased across London by tabloid journalists Tooley and Graves, Tim and his friends agree on a bucket list that will cram a lifetime into the next two hours. -
Samuel Khachikian and the Rise and Fall of Iranian Genre Films
Samuel Khachikian and the Rise and Fall of Iranian Genre Films he films of Samuel Khachikian have, as the director’s name suggests, a strange ambiguity. One of the father figures of Iranian cinema, Khachikian was for 40 years synony- mous with popular genre films inspired by Hollywood and enjoyed by big audiences. His formal innovations and fluid handling of genres not only expanded the pos- sibilities of cinema in Iran, but reflected the specific social and political tensions of a country building to revolution. Ehsan Khoshbakht Hollywood style in modern Tehran In the 1950s and ’60s, the premieres of Khachikian’s films would cause traffic jams. Newly built cinemas opened with the latest Khachikian, who was dubbed the “Iranian Hitch- cock,” a title he disliked. Khachikian’s films provide us with images of a bygone era in Iran: Cadillacs roaring through the streets, women in skirts parading to the next house party, bars open until the small hours of the morning, dancers grooving to the swing of a modernized, post-coup Tehran—all soon to collapse into revolution. The films are part documentary, part product of Khachikian’s fantasy of an Iran that has successfully absorbed Hollywood style. The films were unique in the way in which they could almost be passed off as foreign productions. His classic Mid- night Terror (1961) was reportedly bought and dubbed by the Italians; with names changed, it’s as if the story had been set in Milan. Fully aware of the deep contradictions of this encounter between cultures, however, the films manifest a sense of unease. -
A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. -
Andrzej Wajda Polski Film Dokumentalny
CMY CY MY CM K Y M C plakat_50_LAT_205x280_3mm.pdf 12016-01-1113:04:13 MAGAZYN FILMOWY 3 (55) / marzec 2016 Polski film dokumentalny film Polski NUMERU TEMAT okino walka wygrana Wajda Andrzej WYWIAD ISSN 2353-6357 WWW.SFP.ORG.PL 3 (55) / marzec 2016 nr 55 marzec 2016 Spis treści SFP/ZAPA 3 RYNEK FILMOWY Wydział Radia i Telewizji Uniwersytetu Śląskiego 46 POLSCYROZMOWA NUMERU Rozmowa z Rafałem Syską 50 Andrzej Wajda 4 Fundacja Wspierania Kultury Filmowej Cyrk Edison 52 Wytwórnia Scenariuszy 54 FILMOWCY Rozmowa z Simonem Stone’em 56 Film Factory w Sarajewie 58 MISTRZOWIE Krzysztof Kieślowski – projekty niezrealizowane 60 REFLEKSJE Audiowizualna historia kina 64 10 000 dni filmowej podróży 66 notacje Nie ma stolika 68 Fot. Kuba Kiljan/SFP Fot. Kuba MOJA (FILMOWA) MUZYKA Przemysław Gintrowski 69 TEMAT NUMERU Polski film dokumentalny12 SWOICH NIE ZNACIE archiwalneJoanna Klimkiewicz i Kamila Klimas-Przybysz 70 NIEWIARYGODNE PRZYGODY POLSKIEGO FILMU Maddalena 72 MIEJSCA Kino Narew 74 STUDIO MUNKA 76 Rys. Zbigniew Stanisławski Rys. PISF 78 WYDARZENIA KSIĄŻKI 80 Złote Taśmy 20 Nagrody PSC 21 DVD/CD 84 Dyplomaci w Kulturze 22 IN MEMORIAM 85 FESTIWALE W POLSCE Zoom-Zbliżenia 24 VARIA 87 Prowincjonalia 25 List DO redakcji 94 NAGRODY Honorowy Jańcio Wodnik 26 BOX OFFICE 95 WYSTAWY plakat_50_LAT_205x280_3mm.pdf 1 2016-01-11 13:04:13 Krzysztof Kieślowski. Ślady i pamięć 28 2016 marzec (55) / 3 POLSKIE PREMIERY ISSN 2353-6357 WWW.SFP.ORG.PL Kalendarz premier 30 2016 Rozmowa z Jerzym Zalewskim 32 marzec / ) 55 ( 3 Rozmowa z Maciejem Adamkiem 34 C M Y CM W PRODUKCJI 36 MY CY CMY K FESTIWALE ZA GRANICĄ Rotterdam 37 MAGAZYN FILMOWY Berlin 38 WYWIAD Andrzej Wajda Santiago de Chile 40 wygrana walka o kino TEMAT NUMERU Polski film dokumentalny POLSCY FILMOWCY NA ŚWIECIE 42 Na okładce: Andrzej Wajda Rys. -
Intensely Entertaining
INTENSELY ENTERTAINING 2017—2018 ANNUAL REPORT 1 FROM THE ARTISTIC DIRECTOR It is always gratifying to be publicly recognized BOARD OF TRUSTEES for one’s work, and the 2017-18 Season was a J. Douglas Gray bonanza for us. We kicked off the season with the Chair crowd-pleasing The Legend of Georgia McBride, Mark McCarville we inspired illuminating conversations around The President Book of Will and Skeleton Crew, and we garnered outstanding critical praise for The Beauty Queen Julie Chernoff Vice President of Leenane and Cry It Out. But it is the art and the artists that define our purpose. Donna Frett Vice President With that in mind, we look towards our future. World premieres continue to Craig M. Smith, AIA be in the forefront of our artistic vision through the support of our Interplay Vice President program, seeking to develop work that reflects and challenges our audience’s James West values and beliefs. The 2018-19 Season includes two world premieres, Treasurer Landladies by Sharyn Rothstein and Mansfield Park, Kate Hamill’s new adaptation of the Jane Austen novel. Paul Lehner Secretary We are also looking towards new ways of making our work available to a Carole Cahill wider audience, including an “Arts for Everyone” program that will provide Christy Callahan free tickets to our community partners, and the launch of our Artistic Fellow Julie Chernoff program to encourage wider artistic input in programming and casting, Timothy J. Evans supporting our goals of inclusion and diversity. Executive Director Mark Falcone Northlight continues to deliver on our artistic promises, and our audience Karen Felix values our commitment to outstanding artistry—evidenced by our incredible Freddi Greenberg subscriber loyalty and a single ticket audience that draws from around the entire Chicagoland area. -
Updated-Pitch-Book-11.21.19.Pdf
FALL 2019 PITCH BOOK At The Producer’s Perspective, we are on a mission to help 5000 shows get produced by 2025 and have curated this book of new work for your consideration. All too often, exciting new plays and musicals go undiscovered and never get the productions they deserve. So we wanted to provide an opportunity for theaters, producers, and organizations like yours to access information on new material just waiting to be discovered. The Pitch Book features over 100 new plays and musicals from creators across the country and provides you with a tagline and succinct pitch, as well as essential show and collaborator information for each project. We encourage you to peruse the pitches in this book and if you find a project that appeals to you, please feel free to reach out to the show directly or let us know by emailing [email protected]! To view the online version of our Pitch Book with clickable links and zooming capabilities, please visit www.theproducersperspective.com/producer-pitch-book now! 1 TABLE OF CONTENTS MUSICALS A CHRISTMAS CAROL (CUSTOMIZED FOR YOUR REGION) 5 A PROPER PLACE 6 A SONG TO CALL YOUR OWN 7 A SYMPHONY FOR PORTLAND 8 A VOYAGE TO ARCTURUS 9 ACROSS THE AMAZONS 10 AITQR* DISPLACED . *ALAZON IN THE QUIET ROOM 11 BAGELS! (THE MUSICAL) 12 BEASTIES: A SCI-FI ROCK OPERA 14 BEGGARS & CHOOSERS, THE MUSICAL 15 BENDING TOWARDS THE LIGHT… A JAZZ NATIVITY 16 BETWIXT AND BETWEEN 17 BEYOND PERFECTION 18 BILLIONAIRE 19 BRICKTOP: LEGEND OF THE JAZZ AGE 20 BRUSH ARBOR REVIVAL 22 COMPANY MATTERS 23 DAISY AND THE WONDER WEEDS 24 DOGS 25 DOUGLASS 26 EARTHBOUND (AN ELECTRONICA MUSICAL) 27 EMERALD MAN 28 EMERGENCY 29 ESPERANZA 30 EVANGELINE, A CURIOUS JOURNEY 32 GERARDO BRU 33 GLINDA/MRS. -
Pdf Ennio Flaiano Y Rafael Azcona: Historia De Un Universo Compartido / Giovanna Zanella Leer Obra
Università degli Studi di Udine Ennio Flaiano y Rafael Azcona Historia de un universo compartido Giovanna Zanella Memoria de Licenciatura Facultad: Lengua y Literatura extranjera Directora: Dott. Renata Londero 2000-2001 UNIVERSITÀ DEGLI STUDI DI UDINE FACOLTÀ DI LINGUE E LETTERATURE STRANIERE Corso di Laurea in Lingue e Letterature Straniere Tesi di Laurea ENNIO FLAIANO Y RAFAEL AZCONA HISTORIA DE UN UNIVERSO COMPARTIDO Relatore: Laureanda: Dott. Renata Londero Giovanna Zanella ANNO ACCADEMICO 2000-2001 AGRADECIMIENTOS Durante la realización del presente trabajo he estado principalmente en la Universidad de Alicante, donde he podido contar en todo momento con la valiosa colaboración y los imprescindibles consejos de Juan Antonio Ríos, y con la disponibilidad de la Biblioteca Virtual Miguel de Cervantes, que precisamente este año ha abierto un portal de autor dedicado a Rafael Azcona (consultable en cervantesvirtual.com), cuyo material ha sido fundamental para mi estudio. Asimismo, por lo que concierne el material sobre Ennio Flaiano, he utilizado las numerosas publicaciones de la “Associazione Culturale Ennio Flaiano” de Pescara, cuyos volúmenes siempre han sido el apoyo más valioso en toda investigación sobre la figura y la obra del italiano. Por lo que respecta a la difícil labor de conseguir películas de los años 50, 60 y 70, tengo que agradecer a Cristina Ros de la Universidad de Alicante por haberme ofrecido la oportunidad de ver El Anacoreta, de Juan Esterlich; a la “Cineteca del Friuli”, que me ha facilitado la visión de La cagna de Marco Ferreri; al “Laboratorio Cinema e Multimedia” de la Universidad de Udine y a la “Filmoteca del Museo” de la Universidad de Alicante.